Prolific metal band Fit For An Autopsy has released an unrelenting new standalone single, ‘It Comes For You’. The track is an aggressive, full-throttle journey that masterfully blends the band’s older sound with the high-caliber production and songwriting that’s become their trademark.
‘It Comes For You’ was recorded at Graphic Nature Audio in Kinnelon, NJ, with the band’s own Will Putney handling production, mixing, and mastering. The cover art was created by Jorden Haley.
The band will join Killswitch Engage on their UK and European tour, kicking off on September 29th. The 25-date trek will make stops in London and Berlin before wrapping up in Helsinki on December 3rd. Decapitated will join them for the full tour, with Hatebreed on the first leg and Employed to Serve on the second.
Fit For An Autopsy also just announced their headlining dates in Australia. The 7-date run will feature support from Bodysnatcher, Volatile Ways, and Pain Body. Tickets go on sale on September 11th.
OMEN CODE, a new rising star in the EBM scene, has revealed their grim cyberpunk track, “Brutal + Pure.” This is the first single from their forthcoming debut album, “Alpha State.” The London, England-based duo, consisting of programmer and engineer Kevin Gould (formerly of Electro Assassin) and vocalist Agi Taralas (formerly of Our Banshee), creates a dark, gritty, industrial sound with captivating mid-tempo tracks that evoke a dystopian future.
Additional singles will be released over the next few months, leading up to the highly anticipated “Alpha State” album, which will be released by Dependent Records of Germany on December 5, 2025. A 48-page artbook 2-CD version of the album is available for pre-order, while the single “Brutal + Pure” is available now on all streaming and digital platforms.
King810 is thrilled to announce the release of their latest track, ‘I DON’T MIND,’ from K7. The new single, a grunge-inspired anthem, is now available with both audio and video on all streaming platforms. This marks the latest release from the band, inviting fans to dive in and share their thoughts.
The group is currently busy playing a string of sold-out shows in the UK before returning home to begin their next journey. This includes their annual WEEKEND WITH KING events, followed by the BLOOD RUM & RHYTHM tour. Tickets and VIP packages are still available for all upcoming dates.
Technical death metal architects COGNITIVE have unveiled their outstanding cover of the Slipknot classic, “People = Shit.” The standalone single arrives in advance of the band’s upcoming US tour, supporting death metal legends NILE. The Underground Awaits Tour 2025 is set to begin this Friday, September 12th in Raleigh, North Carolina, and will run through October 11th in Indianapolis, Indiana. Additional support will be provided by Cryptopsy and labelmates, The Last Ten Seconds Of Life.
In a collective statement, COGNITIVE commented on the new release: “We have been hard at work writing our next album and prepping for tour, but decided to spend some time having fun and recorded a cover of ‘People = Shit’ by the almighty Slipknot! We wanted to have fun with something that wasn’t exactly death metal, but still in the extreme realm! The world is an awful place, and humanity doesn’t make it any better, so to us the Slipknot math and song title added up correctly! We hope you enjoy and see you on the road!”
COGNITIVE will be touring in support of their most recent full-length album, Abhorrence, released last spring via Metal Blade Records. The record finds the New Jersey-based quintet at their brutal best. Abhorrence carries on band tradition with its maniacal fusion of relentless riffs and devastating lyrics, making for a raging, draining, and ultimately fulfilling experience.
Symphonic metal sensation BEYOND THE BLACK is excited to share the third single from their eagerly awaited upcoming studio album, Break The Silence, which is set to be released on January 9, 2026, via Nuclear Blast Records.
The emotional anthem ‘The Art Of Being Alone’ features none other than Chris Harms of acclaimed German metal band Lord Of The Lost on guest vocals. The song deals with important contemporary issues such as mental health, self-empowerment, and positive life perception. A compelling video has also been released alongside the single, illustrating the feeling of being alone and cornered while ultimately showing a path to self-awareness and a way out of this mental prison.
Singer Jennifer Haben commented, “‘The Art Of Being Alone’ is one of the most emotional songs for us since it‘s born from personal battles and quiet reflections. We wanted it to be fragile and powerful at the same time and we believe many of you will find your own story between its lines. Having Chris Harms join us with his uniquely intense voice and personality felt absolutely perfect and brought a depth to this track that made it even more special.”
Chris Harms (Lord Of The Lost) added, “This duet was long overdue! For more than 10 years now, LORD OF THE LOST and BEYOND THE BLACK have been crossing paths — we like and appreciate each other and it was kind of obvious that Jenny’s and my voices would work great together. Now we’ve finally made it happen and created this powerful, goosebump-inducing song together! I’m really happy about it!”
BEYOND THE BLACK’s sixth full-length album, Break The Silence, is a concept album rooted in melodic metal with ethno influences. It explores themes of communication, inner strength, resilience, and the urgent need to reconnect in a divided world. Tracks like ‘Let There Be Rain’, ‘(La Vie Est Un) Cinéma’, ‘Ravens’, and ‘The Flood’ examine how words – and their absence – shape our reality. It is an emotional, multi-layered experience that mirrors today’s complex world and invites fans to be part of this new chapter.
Track List
Rising High
Break The Silence
The Art Of Being Alone (feat. Lord Of The Lost)
Let There Be Rain (feat. The Mystery Of The Bulgarian Voices)
Ravens
The Flood
Can You Hear Me (feat. Asami from Lovebites)
(La vie est un) Cinéma
Hologram
Weltschmerz
Tour Dates
Jan. 15, 2026 – UK-Manchester, O2 Ritz
Jan. 16, 2026 – UK-London, O2 Shepherd´s Bush Empire
Since their formation, German symphonic metal band BEYOND THE BLACK have become one of the most exciting forces in modern symphonic metal. Their debut album in 2015, Songs Of Love And Death, was an instant success, earning the Metal Hammer Award for “Best Debut.” They have since played the world’s biggest metal festivals, including Wacken Open Air, and supported international acts like Aerosmith, Korn, and the Scorpions. Following their self-titled fifth album in 2023, which charted in several countries, they embarked on their most successful European headline tour to date in early 2024. The band reached another milestone in early 2025 with their first-ever Latin America tour, and will take the stage at prestigious European festivals again this summer before launching their next European headline tour, Rising High, in early 2026.
Dark Force Fest, the ultimate gathering for fans of industrial, gothic, darkwave, EBM, and electronic music, is set to make its highly anticipated return in 2026. Taking place from May 1st to May 3rd at the Sheraton in Parsippany, New Jersey, this year’s festival promises an unforgettable experience with an array of genre-defining artists, iconic performances, and an unparalleled atmosphere of music, art, and community.
Presented by VampireFreaks, the 2026 edition of Dark Force Fest brings together a diverse collection of acts, both well-established and emerging, from the world of dark, industrial, and electronic music. With performances spanning three nights, fans can expect a wide variety of genres, from aggressive industrial to melodic darkwave and everything in between. The festival has confirmed a total of 35 bands performing over three days, plus two bands on the Thursday night pre-party.
Confirmed Lineup Spotlight
London After Midnight – A rare performance from this influential dark wave / post-punk band from the early 90s, known for their goth-club hits and headlining major festivals worldwide.
Combichrist – One of the most popular bands in the electro-industrial “aggrotech” movement, recognized for dominating dance floors with aggressive bangers and successful tours with Rammstein, including a performance at Madison Square Garden.
Front Line Assembly – A Canadian electro-industrial band formed by Bill Leeb in 1986 after leaving Skinny Puppy. They are highly revered as one of the pioneers and godfathers of the industrial music scene.
Das Ich – A German dark wave/gothic-industrial band formed in 1989 and one of the prominent founders of “Neue Deutsche Todeskunst” (New German Death Art).
Leaether Strip – The solo project of legendary Danish electronic industrial artist Claus Larsen, formed in 1989. Leaether Strip quickly built a reputation as one of the most exciting emerging industrial acts in the early ’90s.
LaPlegua – A new industrial supergroup featuring legendary Norwegian artist Andy LaPlegua and bandmates. They will be playing favorite songs from his career, including Icon of Coil, Combichrist, Panzer AG, and Scandy, plus original material.
Ultra Sunn – The Brussels dark wave duo making waves across the world. Their chart-topping hit “Keep Your Eyes Peeled” quickly amassed over 34 million Spotify plays, and they’ve been touring the world ever since.
PIG – The British industrial group founded by Raymond Watts, featuring En Esch, both original members and songwriters of KMFDM.
Rabbit Junk – Formed in 2004, this American digital hardcore act pulls from multiple electronic and guitar-driven genres to deliver a punk & metal-fueled reconstruction of the goth-industrial sound.
Priest – An electronic-industrial act from Sweden, containing ex-members from Ghost. With millions of streams, praised global tours, and critically acclaimed releases, they have successfully generated an ever-growing fanbase worldwide.
Re:Mission Entertainment has officially opened pre-orders for Death Kiss, the highly anticipated new album from dark electronic artist Maduro. The full album is scheduled for release on October 17, 2025.
Death Kiss follows the artist’s earlier EP, Worse for the Wear, and marks a significant evolution in Maduro’s sound. The album is a 10-track journey that merges the raw energy of classic EBM with contemporary production. It delves into themes of love, loss, and inner conflict.
The release of Death Kiss has been preceded by three singles. “Black Lipstick” set the stage with its distinct synth-driven sound, followed by “Start A War,” which brought a new level of rhythmic intensity. The most recent single, “You Are Empty,” further expanded the album’s sonic palette with its haunting melodies.
Fans who pre-order the album will receive an instant download of all three singles.
About Maduro
Known for their unique blend of pulsing rhythms and atmospheric textures, Maduro has carved out a distinct space in the electronic music scene. Their music is both a homage to the pioneers of EBM and a bold step into new sonic territory.
Industrial music provocateurs spankthenun have released a new project titled BLAK, which they are presenting not as a traditional album but as a “declassified sonic dossier.” The release is framed as an urgent advisory to the public, warning of an “imminent data release” detailing a phenomenon described as a subculture unified by a stark, dark aesthetic.
The band states that the project is a deep-field study into a “memetic contagion” and that the tracks themselves are “stabilizations” of data. These sonic interpretations include “The Singularity Edit,” which represents an act of separation from the mainstream, and “The Event Horizon Edit,” which explores the boundary of this subculture. A third track, “The Absolute Zero Rendition,” captures what the band calls the sound of “elegant, defiant isolation.”
In a statement, the band acknowledged their role in the phenomenon, saying, “We were not composing; we were documenting a memetic contagion…This release is a warning, an invitation, and a confession. We are all part of the experiment now.”
BLAK is now available on all major streaming platforms, with exclusive versions offered on their Bandcamp page.
BLAK is a chilling and atmospheric release that pushes the boundaries of industrial music, delivering a soundscape that is both immersive and unsettling. The project’s unique conceptual framing as a government-style data release adds to its intrigue and artistic weight. It is a must-listen for fans of industrial, darkwave, and experimental electronic music.
Mach FoX will release the new 7-song album Chaos of Man in October 2025 on Phage Tapes. The album will be available on cassette and digital.
Originally intended for the third Zwaremachine album, these songs were reworked after the passing of drummer Dein Offizier in August 2023. The project was then released under the Mach FoX name, as the songs no longer fit the current Zwaremachine live set. The album features the classic Zwaremachine trio of Mach FoX, bassist Dbot, and the late Dein Offizier on surdo drum.
The single “Biteback” from the album was released on Friday, September 5th.
Chaos of Man is for fans of industrial rock and Wax Trax.
Zwaremachine is currently on “The Machine Comes Alive Tour,” which includes both European and U.S. dates. This tour is notable as it features the new lineup following the passing of drummer Dein Offizier.
Key Tour Details:
U.S. Dates: The tour includes shows in Sioux Falls, Minneapolis (a hometown show supporting Leæther Strip), and Chicago.
European Dates: The band is also performing in Belgium, Germany, and the Netherlands, with some shows featuring bands like Vuduvox and Enzo Kreft.
Current Lineup: The live shows feature Dutch guitarist Paul K and a new drummer/guitarist in addition to founder Mach FoX. This new live configuration is distinct from the trio that recorded the Chaos of Man album.
New from Greek synth duo Paradox Obscur is their studio album IKONA, out now on Metropolis Records. This project is the result of a three-year creative journey and follows their critically acclaimed album, Morphogenesis.
IKONA is a blend of old-school methodology and modern sound design. The nine-track album moves beyond the digital realm by using live instrumentation and real-time composition techniques. A standout track, “Like A Freak,” was composed entirely with analog gear, offering a raw, visceral sound that sets it apart from the rest of the album.
IKONA isn’t just a collection of songs; it’s a statement of artistic freedom. Each track has its own identity, coming together to form a conceptual mosaic of electronic expression.
Leading up to the album’s release, the duo dropped three singles:
“Lose This Feeling” – A synth-oriented cover of the Armin van Buuren dance anthem.
“Switch To Love” – A compelling retro synthwave soundscape.
“Vulgar Sequence” – A ’90s-inspired electro-techno track.
Known for their real-time, hardware-only approach, Paradox Obscur creates authentic, analog-driven music without computers or digital plugins. Their unique sound combines haunting melodies, driving rhythms, and a cinematic atmosphere, appealing to a wide range of listeners.
FiXT has officially released “NIGHT OF,” the latest powerful single from electronic rock artist The Anix. Known for pushing the boundaries between modern rock and industrial electronica, the project, led by Brandon Smith, delivers a track that showcases a meticulous blend of driving synthetic rhythms, atmospheric soundscapes, and soaring vocal melodies. The single represents the next chapter in the band’s ever-evolving sonic journey, immediately grabbing listeners and drawing them into a darker, more introspective world.
Thematically and sonically, “NIGHT OF” is a nocturnal anthem that explores introspection and the unknown. The track’s production is polished yet haunting, built on a foundation of pulsing basslines and intricate synth work that creates a cinematic, dystopian atmosphere. The song builds tension with its dynamic arrangement, culminating in an emotionally charged chorus that feels both epic and deeply personal. It’s a testament to The Anix’s ability to craft songs that are not only sonically compelling but also rich in narrative depth, providing a multi-layered experience for longtime fans and new listeners alike.
With “NIGHT OF,” The Anix solidifies its reputation as a leading force in the electronic rock scene. The single stands as a testament to the project’s consistent quality and creative vision, maintaining the high standard set by previous releases on the FiXT label. This new song offers a tantalizing preview of what’s to come, hinting at a larger body of work on the horizon. Fans are encouraged to stream “NIGHT OF” now and stay connected for more announcements from The Anix and FiXT.
Happy Monday, Perfectionists! Things are busy at Aesthetic Perfection HQ. While we’re gearing up for our upcoming winter tour with Till Lindemann, we’re also excited to announce a series of headline shows on the We Bring the Beat Tour. All dates and ticket links are listed below.
We’re also secretly working on a new album and even discussing a potential return to North America in 2026. Stay tuned for more details as they develop, and if you want access to top-secret information and regular updates, consider joining our Imperfect Society community.
In the meantime, the reimagined reissue of my debut album, Closer to Human, is finally available in the North American shop, and my Dark Force Fest lecture has been published on YouTube. You can find all the details on these below. Your support means the world to me!
Closer to Human | Out Now!
On June 20th, I released the long-awaited reissue of my debut album. This isn’t just a simple re-release; it’s a complete reinvention of the 2005 original, rebuilt from the ground up using all the original samples and synthesizers.
During the initial preorder, the red vinyl editions nearly sold out, but a handful were reserved for my online shops. They’ve just arrived in our facility and are shipping now. Don’t miss out, because once they’re gone, they’re gone! Closer to Human is available in all formats in both the Aesthetic Perfection North American and European webshops.
How to Make It When You Haven’t Made It
On May 3rd, 2025, I finally held the talk I’d been planning for over a decade. Originally conceived for SXSW in 2014, my lecture explores the realities, promises, and pitfalls of being an independent musician. It’s meant to help artists turn their passion into a profession without relying on the traditional music industry.
Give it a watch on YouTube and let me know if you’d like me to do more presentations like this.
Spotify | Curated Playlists
I’ve made many of my private Spotify playlists public. In my free time, I love curating playlists that feature my favorite vibes and genres, and I thought you might enjoy them too! So far, the response has been great. Here are some of my current playlists:
Dark Electro + Aggrotech Essentials
Industrial Metal Essentials
Futurepop + Synthpop Essentials
This is Industrial Pop
Sick, Sad, Lovesongs
Live Dates
OCT 28 – Leipzig, DE – Hellraiser* | Tickets
OCT 29 – Leipzig, DE – Quarterback Immobilien Arena+ | SOLD OUT
OCT 31 – Amsterdam, NL – Ziggo Dome+ | Tickets
NOV 02 – Antwerp, BE – Sportpaleis+ | Tickets
NOV 03 – London, UK – Camden Underworld* | Tickets
NOV 04 – London, UK – OVO Arena Wembley+ | Tickets
NOV 06 – Frankfurt, DE – Festhalle+ | Tickets
NOV 07 – Braunschweig, DE – westand* | Tickets
NOV 08 – Dortmund, DE – Westfalenhalle+ | Tickets
NOV 10 – Dresden, DE – Messe Dresden+ | SOLD OUT
NOV 13 – Barcelona, ES – Sant Jordi Club+ | Tickets
NOV 15 – Madrid, ES – Palacio Vistalegre+ | Tickets
NOV 17 – Lisbon, PT – MEO Arena+ | Tickets
NOV 20 – Paris, FR – ADIDAS Arena+ | Tickets
NOV 21 – Düsseldorf, DE – PSD Bank Dome+ | Tickets
NOV 23 – Hamburg, DE – Barclay’s Arena+ | Tickets
NOV 25 – Munich, DE – Olympiahalle+ | Tickets
NOV 27 – Nuremberg, DE – Arena Nürnberger Versicherung+ | Tickets
NOV 28 – Wroclaw, PL – Club Liverpool* | Tickets
NOV 29 – Vienna, AT – Stadthalle+ | Tickets
NOV 30 – Vienna, AT – Szene* | Tickets
DEC 01 – Krakow, PL – Tauron Arena+ | Tickets
DEC 02 – Budapest, HU – MVM Dome+ | Tickets
DEC 04 – Bucharest, RO – ROMEXPO+ | Tickets
DEC 06 – Istanbul, TR – Ülker Sports Arena+ | SOLD OUT
DEC 08 – Sofia, BG – Arena Armeec+ | Tickets
DEC 09 – Belgrade, SER – Zappa Baza* | Tickets
DEC 10 – Zagreb, HR – Arena+ | Tickets
DEC 12 – Milan, IT – Alcatraz+ | Tickets
DEC 13 – Karlsruhe, DE – Stadtmitte* | Tickets
DEC 14 – Zürich, CH – Hallenstadion+ | Tickets
DEC 16 – Stuttgart, DE – Hanns-Martin-Schlyer-Halle+ | Tickets
DEC 17 – Frankfurt, DE – Das Bett* | Tickets
DEC 18 – Prague, CZ – O2 Arena+ | Tickets
DEC 19 – Prague, CZ – Cargo Gallery* | Tickets
* = Headline Show+ = Supporting Till Lindemann
Deep Dive into the universe of Aestetic Perfection:
Brace yourself for a full-frontal sonic assault as FRONTAL BOUNDARY unleash “Hate”, the explosive new EP that marks the band’s first strike from their upcoming full-length album “Failure” – and also celebrates their signing to leading electro-industrial label Alfa Matrix, home to genre-defining acts like FRONT 242, UNTER NULL, POUPPEE FABRIKK, ALIEN VAMPIRES or yet KOMOR KOMMANDO.
With “Hate”, FRONTAL BOUNDARY channels raw aggression and emotional turmoil into a blistering EBM/industrial anthem. “This track voices the fury felt toward those who constantly try to keep you down”, explains vocalist Krz Souls. Brendin Ross (ex-BILE, ex-INVA//ID, Dawn of Ashes, and Bornless Fire), the band’s founding member and instrumental powerhouse behind FRONTAL BOUNDARY is indeed joined by Krz Souls (ex-INVA//ID, Dawn of Ashes, Bornless Fire) on vocals and Jaysen Craves (Livernois) on synths.
Melding fire and ice, chaos and control, FRONTAL BOUNDARY’s signature sound fuses dense industrial rhythms, driving EBM beats, dark melodic leads, and infectious synthpop textures – topped with harsh, emotional vocals that sometimes veer into future pop territory. Fans of SUICIDE COMMANDO, C-LEKKTOR, COMBICHRIST, LEAETHER STRIP and ROTERSAND will feel right at home.
The “Hate” EP also includes club-destroying remixes by American industrial force FACT PATTERN and cult Alfa Matrix label-mate UNTER NULL, adding new layers of intensity to an already volatile release.
“Hate” is not just a song – it’s a statement. Welcome to FRONTAL BOUNDARY. Resistance is futile.
After smashing expectations with her previous single and reigniting the fire of UNTER NULL, Erica Dunham returns with a vengeance. Her new EP, “You Made A Monster,” is a brutal, no-holds-barred confrontation with trauma, betrayal, and the silent complicity that empowers abusers.
Fueled by raw emotion and cutting honesty, the title track is a devastating dark elektro anthem built from real-life scars. It drags narcissistic abuse and its enablers into the harsh light, pulling no punches: “You knew what he did / You knew of his lies / You gave up your morals for your motherfucking pride.” This is not a song of defeat – it’s a battle cry. A reclaiming of power. A voice for the erased.
“I wrote this because I was tired of being erased”, says Erica. “It’s for anyone who has screamed the truth into a void while everyone else nodded along with the abuser”.
Also featured is the haunting yet defiant “Coming Up To Breathe”, reimagined as well in three powerful remixes: C-LEKKTOR brings his signature dark pulse, LEAETHER STRIP injects classic EBM fire with a melodic touch, and rising force FRONTAL BOUNDARY adds a fierce modern twist.
“You Made A Monster” is not just an EP. It’s a statement. It’s UNTER NULL – louder, stronger, and more intentional than ever. Play it loud. Feel every word. And never be silent again.
Dark Descent Records drops brutal news on the underground metal world
🔥 A Ruthless New Chapter Begins The queens of death metal carnage, Castrator, are back with a blood-soaked vengeance. Dark Descent Records has just announced the band’s newest album, Coronation of the Grotesque — a follow-up destined to leave no flesh unscathed.
💀 Brutality Refined, Feminine Fury Unleashed Known for their unrelenting old-school death metal assault and unapologetic lyrical venom, Castrator’s latest effort looks to be their most ferocious yet. Though details remain grimly minimal, the title Coronation of the Grotesque promises a reign soaked in gore, power, and retribution.
👑 Still Reigning Supreme Following their 2022 full-length Defiled in Oblivion, this new chapter reaffirms Castrator’s place among the most vital forces in death metal today — crushing boundaries and patriarchal bones alike.
Out now via Out of Line Music — a hypnotic twist on their darkwave favorite
Hot off the release of their expansive 19-track opus Purple Pain, death pop trio CORLYX return with a lush new reinterpretation of one of their most beloved tracks. “The Echo (DreamPop Version)” delivers a softer, spectral vibe—wrapping their post-punk heartbeat in dreamy reverb and synth-soaked nostalgia.
From ’80s synthpop to darkwave and alt-rock, Corlyx continue to bend genres and expectations. Fronted by the magnetic Caitlin Stokes, joined by producer/guitarist Brandon Ashley and bassist Davide Rocco, the band splits their time between the UK and Italy, crafting a sound that resonates across continents.
Following high-profile tours alongside Blutengel, Twin Tribes, Unzucht, and collaborations with scene icons like Lord Of The Lost, Massive Ego, and Ashbury Heights, Corlyx’s influence only continues to grow. Their bold vision reached a fever pitch with Purple Pain, their third studio album—a fearless journey through post-punk decay and dreamlike sonic architecture.
🖤 Recently seen storming the stage at Wave-Gotik-Treffen (DE), Corlyx are already gearing up to mesmerize fans again at M’era Luna Festival (DE) later this year.
⚔️ Metal Blade Records Museum Expands Hours & Storefront – A Shrine to Heavy Metal History Now Open Daily!
📍 The Metal Blade Records Museum in Las Vegas just turned the volume up to 11! Starting Friday the 13th, the museum will now be open daily (except Sundays) from 12pm–3pm, inviting metalheads from around the world to experience four decades of heavy metal history in one immersive space. 🎟️ Tickets available HERE
🧱 Even bigger news? The Metal Blade brick-and-mortar store has officially relocated into the museum itself! That means fans can now browse rare vinyl, vintage shirts, out-of-print CDs, and exclusive collectibles while surrounded by iconic artifacts from Slayer, Metallica, Alice Cooper, Deep Purple, Aerosmith, Thin Lizzy, and many more.
🤘 What’s Inside the Museum? Curated from the private vault of Brian Slagel, Metal Blade founder and CEO, the museum features:
Sunset Strip-era flyers and promo posters
Tour props and original stage gear
Album artwork and promo photo shoots
Label-exclusive merch from past and present
Memorabilia from Metal Massacre to Cattle Decapitation
Born from a record store clerk’s passion project in 1982, Metal Blade Records became the engine behind countless legendary bands. Brian Slagel famously helped launch Metallica via Metal Massacre, and went on to shape the careers of Slayer, GWAR, Amon Amarth, Cannibal Corpse, Fates Warning, The Black Dahlia Murder, and dozens more.
In recent years, Metal Blade has celebrated its 40th anniversary with live events, reissues, branded spirits, and a second book from Slagel, Swing of the Blade. The museum is the physical embodiment of that legacy—a love letter to the fans and the genre that continues to evolve and endure.
🎙️ In 2024, the label launched the “100 Songs That Define Heavy Metal” podcast with Pantheon Media, hosted by Slagel himself. Featuring in-depth analysis, historic commentary, and appearances from artists like James Hetfield, Lars Ulrich, and Stephen Pearcy, the show offers an authoritative deep dive into the songs that forged the metal genre.
Witness one of metal’s most iconic albums reborn live — with special guests FEAR FACTORY on select dates!
🔥 CHAOS A.D. LIVE IN FULL THIS FALL Metal legends CAVALERA are gearing up to unleash pure sonic warfare across North America this Fall, performing their groundbreaking 1993 classic CHAOS A.D.in its entirety. The 18-date tour kicks off September 18 at Louder Than Life and storms through cities coast to coast before wrapping October 18 in Dallas, TX. General admission tickets are on sale now — get yours here before they vanish into the mosh pit.
🧠 The Legacy Continues Built on decades of uncompromising aggression, the name CAVALERA remains synonymous with extreme metal royalty. In 2023, Max and Iggor Cavalera defied the odds by resurrecting their earliest works — Morbid Visions and Bestial Devastation — with jaw-breaking re-recordings that channeled the raw intensity of their youth. Their mastery of this sonic time warp set the stage for their next act: breathing new life into CHAOS A.D. — a record still hailed as a defining moment in 90s heavy metal and a Gold-certified masterpiece.
⚔️ Songs That Shaped a Generation Get ready to scream along to anthems like ‘Refuse/Resist,’ ‘Territory,’ ‘Propaganda,’ and ‘Slave New World’ — rallying cries for the outcasts and the defiant. This tour promises not just a performance, but a full resurrection of CHAOS A.D. with all the fire, fury, and force it commanded more than three decades ago.
🤖 Special Guests: FEAR FACTORY Industrial metal pioneers FEAR FACTORY will join select dates — a full-circle reunion, as CAVALERA originally brought them along on the very first Chaos A.D. U.S. tour over 30 years ago. Metal history, reborn.
📅 TOUR DATES — FALL 2025 09/18 – Louisville, KY @ Louder Than Life 09/20 – Hershey, PA @ Hershey Park Stadium w/ SLAYER* 09/21 – Liverpool, NY @ Sharkey’s Event Center 09/23 – Norwalk, CT @ District Music Hall 09/25 – Fort Wayne, IN @ Piere’s Entertainment Center 09/26 – Des Moines, IA @ Val Air Ballroom 09/27 – Hammond, IN @ Horseshoe w/ LAMB OF GOD* 09/28 – St. Louis, MO @ Red Flag 10/01 – Englewood, CO @ Gothic Theatre 10/02 – Salt Lake City, UT @ The Complex 10/05 – Sacramento, CA @ Aftershock Festival* 10/07 – Anaheim, CA @ House of Blues 10/10 – Las Vegas, NV @ House of Blues 10/11 – Tempe, AZ @ The Marquee 10/12 – Albuquerque, NM @ Sunshine Theater 10/16 – Houston, TX @ White Oak Music Hall 10/17 – Austin, TX @ Come and Take It Live 10/18 – Dallas, TX @ Ferris Wheelers Backyard & BBQ *No FEAR FACTORY on these dates
🎸 CAVALERA Lineup Max Cavalera – Vocals, Guitar Iggor Cavalera – Drums, Percussion Igor Amadeus Cavalera – Bass Travis Stone – Lead Guitar
The Greek synth duo Paradox Obscur, comprised of Kriistal Ann and Toxic Razor, has just released their new single, “Switch To Love,” available today, June 7th, 2025. This captivating track is the second single from their upcoming album, IKONA, which is set for release on September 12th via Metropolis Records.
“Switch To Love” is accompanied by an atmospheric neo-noir music video, shot entirely on 16mm film and directed by Venezuelan filmmaker Mariangela Pluchino, with cinematography by Ville Piippo from Finland. The result is a visually compelling piece that pays homage to love, set against the band’s signature retro synthwave soundscape and elevated by the expressive and haunting vocals of Kriistal Ann.
“Switch To Love” follows their late April release, “Lose This Feeling,” a dreamily nostalgic synth-oriented reinterpretation of a 2023 dance anthem by Dutch DJ and producer Armin van Buuren.
Stream “Switch To Love” now and watch the video here.
IKONA is the duo’s most expressionistic work to date, blending sound experiments, wide-ranging electronic influences, and deeply personal expression to craft a sonic identity that remains distinctly their own. They have once again composed and recorded in real time using synthesizers and drum machines, preserving the classic essence of contemporary electronic music while forging a uniquely timeless aesthetic.
Paradox Obscur is celebrated for their authentic, analog-driven sound. Eschewing computers and digital plugins, they create all of their music in real time using hardware synthesizers and drum machines, delivering a raw and immersive listening experience. While rooted in the spirit of ‘80s-’90s underground music, their unique blend of haunting melodies, driving rhythms, and cinematic atmosphere appeals to a wide range of listeners, regardless of genre preference. Their music transcends commercial boundaries, offering something for both devoted electronic fans and casual listeners alike.
Get ready for a triple dose of electronic goodness as METROLAND, SYNAPSYCHE, and ELEKTROSTAUB drop their latest EPs, each offering a unique sonic journey!
METROLAND – Reset EP
With “Reset,” Belgian conceptual techno-pop duo METROLAND delivers the fourth and final EP from their well-received album Forum. Inspired by the controversial World Economic Forum initiative, The Great Reset, this digital release marks not just the end of an EP cycle, but the culmination of METROLAND’s sonic exploration of global industrial evolution.
Anchored in critical reflection and forward-thinking beats, “Reset” offers two new versions of the original track: the compact yet dynamic “The Smaller Reset,” and its expansive, club-ready counterpart “The Greater Reset”—both infused with increased tempo and dancefloor energy. Adding further depth, the exclusive non-album track “Improving the State of the World” blends pop sensibility with pointed commentary, echoing the WEF’s aspirational slogans while inviting listeners to consider the implications of global decision-making. “Reset” is more than just a release—it is the final destination in METROLAND’s conceptual journey, closing the loop that began with “0” and reached its climax in “Forum.” The system is shutting down… ready for a reset?
SYNAPSYCHE – Muteness EP
After the sonic shockwave of “Deafness,” SYNAPSYCHE raises the stakes with “Muteness”—the second piece in their three-part concept around “Miscommunication,” dissecting the fear of self-expression in a world that rewards silence over truth. Some people never speak up. They sit on the sidelines, afraid to take a stand, blending into the background to maintain their fragile social acceptance. But silence is complicity. And SYNAPSYCHE is here to shatter the quiet with a firestorm of brutal beats, razor-sharp synths, and vocals that swing between venomous growls, electrifying clean hooks, and even a touch of rap-infused aggression. This explosive EP is backed by a dark-pop rework of FLEETWOOD MAC’s “Little Lies” and a ruthless remix of “Anti Manifesto” by STATIK SEKT—two reinventions that push the band’s boundaries even further. No more hiding. No more hesitation. Shut your muteness up and scream with SYNAPSYCHE!
ELEKTROSTAUB – Falling EP
ELEKTROSTAUB is back with “Falling”—an irresistible future pop anthem destined to ignite dancefloors. For this striking new single, mastermind Patrick Knoch teams up with none other than synthpop icon Pal Magnus Rybom of ECHO IMAGE. The result is pure electropop magic—an instant classic where sharp production meets soaring melodies! Serving as a first taste of the forthcoming album Humility, this 7-track EP doesn’t stop at just one hit. It also features “Too Far From The Pack,” a high-energy collaboration with Salva Maine (CULTURE KULTÜR), oozing club potential and emotional impact. The EP comes packed with a powerful selection of remixes by fellow Alfa Matrix artists: IMPLANT, NEUROACTIVE, 808 DOT POP, DARKNESS ON DEMAND, and remix maestro PEOPLE THEATRE—each offering a unique twist on ELEKTROSTAUB’s signature sound. With “Falling,” ELEKTROSTAUB reaffirms his knack for blending sleek production with the perfect guest vocalist. This is premium-grade future pop – emotional, melodic, and made to move you.
Front Line Assembly has just announced “Machine Vision,” the new solo project from mastermind Bill Leeb! Dive into this exciting new release from the iconic electronic music pioneer.
Negative Gain Productions has just announced the release of “To Live Another Day,” the new single from Panic Priest! Dive into this captivating track from the acclaimed darkwave artist.
Murder Love God is officially releasing “Alter of Evolution” on all streaming services, including Bandcamp, this coming Friday, June 6th, 2025! This remix and collaborative album features heavy hitters from the underground scene.
Murder Love God is the project of Medavon DeRaj’e, best known as the frontman for LOCKJAW, which he started in 2007. He is often joined by Jose Ramirez (LOCKJAW) on guitars and Jeremy Gardipee (Incekt) both on album and live.
“Alter of Evolution” is described as an aggressive, psychedelic electro reinterpretation of songs spanning back in time, akin to an acid trip. The album boasts collaborations with a formidable lineup, including W.O.R.M., Short To Ground, DJ Darkside, Razorwire Halo, N Y X, Vein Collector, Produkt, and Hate Dept..
SPANKTHENUN has just released their chilling new track, “PANOPTIKON,” featuring CVRBON DECVY and MelodyWhore! This cold, dark 4-on-4 electro trance piece is an ominous ode to Dallas’s legendary Panoptikon club, immersing listeners in a world of surveillance beats and haunting refrains.
“See me now, see forever, PANOPTIKON” traps you under neon grids as the infectious groove becomes your captor. Shadows twist, pulses rise, and freedom fades in this hypnotic soundscape. The release also features twisted remixes from CVRBON DECVY and MelodyWhore, each amplifying the track’s digital menace.
ESA has just added their new release, “Sounds for your Happiness, Compact Disc,” to Bandcamp! This physical release offers fans a new way to experience ESA’s unique sound.
DAWN OF ASHES has unleashed their brand new album, “Infecting The Scars,” which is available everywhere today, June 7th, 2025! The highly anticipated release sees Kristof Bathory return the project to its aggrotech roots while pushing forward with a new level of intensity and maturity.
“Full of dark songs and deathly imagery, brought to life by demonic vocals. It’s vampiric, it’s black metal, it’s post-industrial witchcraft, driven by an infectious electronic groove. Very moreish indeed,” praises DEVOLUTION MAGAZINE (UK). ORKUS (DE) hails it as: “Past meets future on an electronic industrial metal delight that will get you on the dance floor. Each of the ten tracks can certainly hit the clubs like a bomb.” VERDAMMNIS (FR) concurs: “Refuses to stagnate while continuing to explore its universe and themes with coherence, intelligence, panache, care and personality. Blends the enthusiasm of youth with a current know-how to make aggrotech great again!”
Stream “Infecting The Scars” now on your preferred platform or via Bandcamp.
Dawn Of Ashes was founded in Los Angeles by Kristof Bathory at the turn of the millennium, the group moniker he chose suggesting ‘the beginning of the end’. Emerging from the industrial and aggrotech genres before expanding into the blackened metal and extreme industrial scenes, Bathory and his band have been a relentless force ever since, evolving and redefining the boundaries of extreme music for over two decades.
“Infecting The Scars” marks a rebirth, fusing the raw, unfiltered aggression of the past with a refined and evolved sound. Lyrically and sonically, it sees them reach a level where the songs are no longer merely anthems of destruction, but rather an exploration of psychological horror, inner demons, and the scars left behind by life’s most brutal moments. The album includes the powerful track “Visceral Rage” with an accompanying lyric video.
Embodying this evolution, the track “Hypertensive Crisis” was issued ahead of the album. It was described by Bathory as “a deliberate attempt to recapture the nostalgia of our early era while seamlessly blending it with fresh, modern elements. It showcases a fully realised version of our classic sound, reimagined with a new intensity and depth.”
A recent relocation to Denmark has also seen Dawn Of Ashes set to expand its reach, bringing the group’s visceral live performances to new territories. European tour dates are currently in the works alongside planned shows in South America, promising a global assault of chaos and horror.
The German dark electro-pop duo Rotersand has just released their new single, “Private Firmament (I Fell For You),” available today, June 7th, 2025. This powerful track serves as a preview of their highly anticipated new album, “Don’t Become The Thing You Hated,” set for release on August 8th via Metropolis Records (North America) and Trisol (Rest of World). This will be their first full-length studio record since How Do You Feel Today? in March 2020.
Explaining the meaning behind the new single, the band states: “Human nature is not binary, but algorithm-induced communication forces us to choose virtual sides to stimulate emotions and click rates. Yes or no, black or white, for or against, one or the other. Ultimately, we sit in our post-fact, post-science, post-truth private firmaments with nothing in common other than the cold light of screens pretending to shine for us. We say, leave the private firmaments and dance with us, with real faces under real stars.”
‘Don’t Become the Thing You Hated’ sees the Hamburg-based act (comprised of Rascal Nikov and Krischan Jan-Eric Wesenberg) return with an album that is as much a cultural critique as it is a musical statement. In a world increasingly defined by division, alienation, and existential anxiety, the duo casts a sharp eye on the psychological toll of our times and issues a warning. The message is clear: in fighting what we oppose, we risk becoming it ourselves.
Musically, the album is a masterclass in synthesis, melding sonic sophistication with visceral emotional impact. Navigating seamlessly between intricate sound design and tightly constructed rhythmic frameworks, these are layered with melodic hooks that are as intellectually engaging as they are dancefloor-ready. The album soundscape is dark yet resolutely hopeful and explores a dynamic spectrum of styles, from propulsive electro with surgically crisp beats and brooding industrial textures to anthemic, almost dreamlike interludes. Each track reveals itself as a meticulously crafted entity, constantly surprising the listener yet never straying from its emotional nucleus.
The song lyrics address themes of disillusionment, anger, and the fragile line between resistance and complicity. Indeed, the album title itself functions as a thesis statement that confronts listeners with a central dilemma of our era – how do we oppose injustice without replicating its methods or mindset? Rotersand offer no easy answers, but instead encourage a kind of inner vigilance; a conscious rejection of the very forces that threaten to erode empathy, nuance, and individual integrity.
What sets this album apart is its rare ability to operate on multiple levels. Not only is it a compelling club record, it is also a philosophical commentary on the state of the world and the psyche. The duo have crafted a work that challenges the listener to not only hear, but to think and feel more deeply. With ‘Don’t Become the Thing You Hated’, they reaffirm their position as one of the most thoughtful and forward-looking acts in the dark electronic music genre.
New England metal band DEATH RATTLE continues to build momentum with the release of their powerful new single and music video, “The Darkness,” available today, June 2nd, 2025. This release comes as anticipation builds for their forthcoming album, The Moral Chokehold, now set to drop on July 11th, 2025, due to a manufacturing delay.
Check out “The Darkness” on all streaming/download digital platforms or watch the music video here.
“’The Darkness’ is collectively one of, if not our most favorite song from the ‘Moral Chokehold,” states guitarist Ryan Vanderwolk. “Not only is it the closer for the record, but also the closer for our live sets. Born from a couple of riff ideas, it quickly grew to a much larger, and diverse song as everyone put their fingerprints on it. There are the elements of the groove, and aggression Death Rattle does well, but also has more relaxed moments, a huge catchy chorus, and a very progressive climax. ‘Rage against the dying of the light’ and enter ‘The Darkness.’”
Building on recent tours with diverse acts like Left To Die, Gorgoroth, and Aeturnus, and gaining traction on Liquid Metal radio, DEATH RATTLE showcases their blend of groove, melody, and aggression, as previously heard in tracks like “Malthusian Dependency”, “Immersed in Black,” and “Nietzsche, and the Fall” (featuring Bjorn “Speed” Strid of SOILWORK/THE NIGHT FLIGHT ORCHESTRA).
Pre-order The Moral Chokehold now for a limited edition 300 “Philosopher’s Moon” colored vinyl, CD, and Digital formats at http://lnk.to/deathrattle.
The Moral Chokehold boasts a powerful sound, thanks to production by Kevin Billingslea (Lamb of God, Trivium), mixing/mastering by Jens Bogren (Amon Amarth, Kreator), and stunning artwork from Tamer Azab of The Dark Art in Dubai.
“We are beyond stoked to release ‘The Moral Chokehold.’ For us, this album has been almost four years in the making. We had a blast writing and recording it, but for the last year we have been in the trenches making content and releasing things to hype up the release. It is the grind of the music business. It feels so good to finally get back to what we are passionate about – the music. Releasing these songs to the world and touring to support them is what this whole venture is all about. Creatively, this was a giant step forward for us. We experimented with writing more in the studio environment and playing with different melody structures. It has brought out a new energy in our live show. When a group of songs inspires the band to begin writing the next album before the music is even released, you know you have made something special. That is how we feel about ‘…Chokehold.’ We cannot wait for you all to hear this thing all the way through.”
Hailing from New England, a region known for producing influential metal acts, DEATH RATTLE aims to follow in those footsteps. They have already released two independent albums, toured the US four times (including supporting The Convalescence), and toured Japan twice, supporting acts like Cattle Decapitation, Revocation, Ne Obliviscaris, and Wolfheart. They have also played regionally with Hatebreed, Soulfly, Unearth, Crowbar, Allegaeon, Philip H Anselmo and the Illegals, Let Us Prey, and appeared at festivals like Mayhem Fest, Summer Slaughter, New England Metal and Hardcore Fest, and the Tattoo & Music Festival.
The spark that ignited Dead Posey was a shared love for rock’s dark heart. Danyell, then immersed in acting and modeling, found her calling one night in Tony’s studio. Already a seasoned musician with Eve 6 and a producer in his own right, Tony witnessed Danyell’s raw talent as she sang Nirvana’s “Come As You Are.” “A newfound passion was unlocked in me,” she recalls, “I knew from that moment in my bones that this is what I was meant to do in life.” They hit the ground running, writing songs that would soon define their unique sound.
Their early “Freak Show EP” era, what they now call Dead Posey 1.0, was a significant milestone, landing them publishing and record deals, along with crucial sync placements. At the time, they believed they had found their sound—a bluesy, garage-rock feel. However, the road ahead held more evolution. As they played live more often, their sound matured, growing harder and more aggressive, embracing darker, synthier rock with heavy guitars. This transformation led to Dead Posey 2.0, where they truly found their stride, blending their favorite influences into a cohesive, powerful force. Playing new songs live before release became a vital part of this evolution, injecting a new level of energy into their recordings.
Early tracks like “Don’t Stop the Devil” became unexpected launching pads, propelling their music into TV and film. These placements were a crucial early boost, providing funding for gear, tours, and merch. “It’s funny looking back, though,” Danyell muses, “our sound has changed so much since then, and we thought that time was the peak. But in reality, it was just the beginning.” This early success taught them a valuable lesson: constant growth and adaptation are essential to building a solid, sustainable foundation in an ever-changing industry.
Their sound is a potent cocktail of influences, a blend of Marilyn Manson, Garbage, Hole, Nine Inch Nails, Nirvana, and Depeche Mode. They gravitate toward anything with dark energy, industrial textures, raw emotion, classic melodies, and a guitar thrust. It’s an intuitive process, a musical blender where everything goes in, and something uniquely Dead Posey emerges. The Freak Show EP, their debut, remains a special marker of their journey, an “innocent but still polished” snapshot of their early days, even as they’ve creatively moved far beyond it.
Breaking into the competitive music industry as a DIY band presented immense challenges, and they’re still pushing boundaries a decade later. They’ve learned not to rely on fickle industry support, choosing instead to focus on what they can control: creating music they’re passionate about and fostering genuine connections with fans through social media and live shows. Their mantra: “Fluff doesn’t create a sustainable career; it’s the hard work you put in every day when no one’s watching that truly makes a difference.” Looking back, their advice to their younger selves would be blunt: “Buckle up – this journey is a long, winding road! The blood, sweat, and tears it will take are beyond imagination so be ready.” They’ve been knocked down countless times, but their unwavering love for creating music, performing live, and connecting with their fans always pulls them back up.
A palpable fire ignites Dead Posey’s latest releases. Their current sound is fueled by rebellion, survival, and self-liberation, a visceral response to the chaos of the world. They’re relentlessly pushing through darkness—mentally, emotionally, and sonically—emerging stronger with every note. Uninterested in trends, they channel years of frustration, power, and resilience into music that is unapologetically their own, designed to endure.
Current Energy & Headspace
While their sound has evolved, their core songwriting and production process remains collaborative. Danyell brings thematic and lyrical vision, while Tony, a versatile musician, masterfully pulls everything into a cohesive, impactful whole. They’ve always been hands-on, writing and producing every element themselves. A significant recent shift involves road-testing new songs live before finalizing them, allowing them to gauge audience connection and infuse recordings with live energy.
Beyond the music, Dead Posey cultivates an iconic visual aesthetic, an extension of their sound. Every release is an opportunity to expand the Dead Posey universe, telling stories through artwork, photos, and stage attire. They draw inspiration from gritty rock ‘n’ roll, vintage flair, dark surrealism, and classic and modern horror, letting the visuals organically rise from the music itself.
Maintaining creative chemistry amidst constant demands requires discipline. They strive to shut out distractions in the studio, finding inspiration in their creative space. Their shared investment in every aspect of the band keeps them grounded and hungry. It’s a delicate balance of trust, taking necessary breaks, and open communication. Their driving force: “The energy we put into the band is what will keep it thriving.”
In an industry where mental health is paramount, they prioritize staying grounded by focusing on what they can control, often breaking it down into week-by-week chunks. They’ve learned not to chase external validation, instead centering on creating music they love and connecting with their fans. Setting boundaries with industry interactions has become crucial for protecting their energy and mental space. Self-care, even in small ways, is essential for navigating the chaos. This past year, they’ve embraced resilience, learning that growth flourishes in discomfort and uncertainty, leading to greater confidence and personal evolution. Their proudest moments of 2024 include releasing their debut album, Are You In A Cult?, headlining shows in the UK, and playing for their biggest crowd yet at Spain’s Rockland festival.
What Lies Ahead
With their debut full-length album, Are You In A Cult?, recently released, Dead Posey is taking time to let it resonate, focusing on touring and bringing their sonic world to as many fans as possible. While always writing, they’re not rushing into another album, instead considering collabs or special versions of existing songs for later in the year. Their dream collaborations span legends like Lady Gaga, Marilyn Manson, Nine Inch Nails, Depeche Mode, or Garbage, recognizing these artists’ profound influence on Dead Posey’s DNA, but they’re equally open to teaming up with rising acts who share their vibe.
Dead Posey remains a core duo, bringing in talented live musicians for their shows. Their vision and songwriting will always stem from the two of them. Their ultimate goal is to become a headlining act, capable of easily touring small to medium clubs, and from there, building to bucket-list aspirations like headlining festivals and becoming a household name. They’re not waiting for opportunities; they’re building their own solid foundation.
They constantly push boundaries in their sound and performance, aiming for an immersive live experience that transcends mere song delivery, engaging audiences on a deeper level with visuals and raw energy. They refuse to stay stagnant, always striving to surprise themselves and their fans. In a rock, alt, and industrial landscape that often blurs genre lines, Dead Posey stands apart with their raw energy and authenticity, in it for the long haul to build their own path.
Ultimately, Dead Posey hopes to leave a lasting mark by demonstrating that success and a loyal fanbase can be found outside “the club,” even in a constantly shifting social media landscape. They aspire to inspire other artists to trust their instincts and remain true to their vision, even when external pressures push in different directions.
Catch Dead Posey headlining and get your VIP tickets for THE DAMNED & THE DEAD tour this June: https://www.deadposey.com/tour
The Machines Vs Monsters tour is off to an explosive start with the first show completely SOLD OUT, and tickets for the remaining dates are flying! Don’t miss your chance to catch this incredible lineup.
North American Dates:
May 30: Minneapolis MN – The Fillmore Minneapolis – SOLD OUT!
A brand new Celldweller bundle has just landed, perfectly crafted for fans ready to immerse themselves in the cinematic world of Offworld. Inspired by the album’s atmospheric sound and emotional depth, this limited set is the ideal way to revisit one of Celldweller’s most introspective and emotionally gripping releases.
The Offworld bundle invites listeners on a journey that departs from Klayton’s signature aggressive guitars and blasting beats, offering a collection of sentimental feels and intimate songwriting. The album, originally released in 2017, features tracks like the soul-searching “How Little I Must Know,” the modern shoegazer “Echoes,” the somber a cappella “Mother’s Arms,” and the acoustic-driven “The Great Divide.” The narrative of the album, beginning and ending with the title track, evokes a sci-fi adventure of leaving the world behind, with the familiar Celldweller lyric, “we will never die.”
This exclusive Offworld Bundle includes:
Celldweller – Offworld [Limited Edition Vinyl]: Experience the album’s rich sound on a special eco-mix graphite vinyl, wrapped in a matte jacket for tactile enjoyment and aesthetics.
Echoes in the Void Shirt: A stylish shirt inspired by the album’s themes.
Offworld 5″x7″ 8-Postcard Set: Collect evocative artwork that captures the essence of Offworld.
Offworld 11×17″ Poster: A vibrant poster to adorn your space.
Offworld 5×5″ Vinyl Sticker: Show your allegiance with this durable sticker.
The Offworld Bundle is available for $59.99 USD (with slight variations for larger shirt sizes) and can be purchased directly from the FiXT Store. Don’t miss your chance to own this special collection, perfect for long-time fans and new listeners alike.
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