Chicago’s underground dark electronic scene gains a powerful new entry as SLEEP OF MIRRORS officially publish their debut full-length album Crown through Negative Gain Productions. Blending darkwave, dark techno, electro, and industrial atmosphere into a hypnotic cinematic experience, the project arrives with a release that feels less like a traditional album and more like a descent into a carefully constructed ritual.
At the core of Crown is a commitment to mood, immersion, and emotional authenticity. The ten-track record unfolds as a singular journey built on dense synthesizer architecture, pulsing rhythms, haunting vocal performances, and slow-burning tension. Rather than chasing trends or fragmented singles, SLEEP OF MIRRORS construct a cohesive sonic world where every track feeds into the next, creating an atmosphere that feels ceremonial, mechanical, and deeply human all at once.
The band’s newly released video for “Gemini” offers a striking visual gateway into that universe, pairing shadow-drenched aesthetics with the project’s brooding electronic pulse. Across the album, themes of transformation, devotion, occult symbolism, internal conflict, and power echo through layered production and restrained intensity. Tracks like “Obsidian,” “Blood Moon,” and the title track “Crown” channel a cold hypnotic energy, while “Not My Skin” featuring Ronnie Canizaro introduces a sharper emotional aggression into the record’s immersive flow.
SLEEP OF MIRRORS describe their creative philosophy with a deceptively simple statement: “The only rule is that the music feels real.” That authenticity resonates throughout Crown. The album avoids artificial excess in favor of atmosphere, tension, and emotional weight, giving the project a distinct identity within the growing intersection of industrial music, dark techno, and modern darkwave.
Released through Negative Gain Productions, Crown establishes SLEEP OF MIRRORS as a project to watch closely as dark electronic music continues evolving into harsher, more cinematic territory.
Simon Carter returns with The Journey (Re:Visited), a refreshed nine-track release featuring the unmistakable vocals of Megan McDuffee. The album is out May 1, 2026, with Bandcamp listing the release as a digital album available in 24-bit/44.1kHz quality.
A Familiar Journey Rebuilt for the Dancefloor
This new edition takes nine tracks from Carter’s earlier collaborative universe with McDuffee and reshapes them with tighter arrangements, shorter runtimes, and a more immediate club-driven pulse. The result is less of a simple revisit and more of a full recalibration: melodic vocal trance energy sharpened for modern dance floors, late-night streams, and anyone who likes their electronic music emotional without losing momentum.
The Forest Opens the Door
Leading the release is “The Forest,” now accompanied by an official lyric video. The track clocks in at 3:45 on Bandcamp, standing as one of the immediate access points into the revised album’s atmosphere: lush, vocal-led, and built around that balance between escape, movement, and glowing synth-driven release.
Norway’s symphonic black metal juggernaut Dimmu Borgir return with a thunderous statement, publishing their ferocious new single and music video “Ascent” while unveiling details for their long-awaited studio album Grand Serpent Rising, arriving May 22 via Nuclear Blast Records.
A Darker Evolution Forged in the Studio ⚙️
Reuniting in Gothenburg with renowned producer Fredrik Nordström, the architect behind landmark releases like Puritanical Euphoric Misanthropia and Death Cult Armageddon, the band channels both legacy and evolution into this new chapter. The result is an album that amplifies their trademark symphonic scale while diving deeper into oppressive atmospheres and sharpened aggression.
Grand Serpent Rising is positioned as one of the band’s most expansive and dynamic records yet—balancing cinematic orchestration with relentless, blackened force.
“Ascent” Strikes with Precision and Power ⚡
The newly released single “Ascent” hits with unrelenting intensity—an icy, violent surge wrapped in haunting beauty. It’s a track that doesn’t just continue the band’s legacy—it reinforces it. Razor-edged riffs, orchestral weight, and punishing rhythm collide into something both primal and calculated.
Frontman Shagrath describes the track as more direct and ferocious than the first single, emphasizing the album’s wide-ranging sonic scope. Guitarist Silenoz expands on the concept, framing “Ascent” as a transformative ascent through fear and consciousness—echoing philosophical undertones inspired by Friedrich Nietzsche.
Global Domination: 2026 Tour Offensive 🌍
For the first time since 2018, Dimmu Borgir return to North America with a full headlining run, joined by Hypocrisy, Suffocation, and Hulder.
Select dates:
Aug 7 – New York, NY – The Palladium
Aug 14 – Chicago, IL – The Vic
Aug 18 – Denver, CO – Mission Ballroom
Aug 23 – Los Angeles, CA – The Novo
Europe and the UK will witness an even more devastating force as Dimmu Borgir co-headline the “In League With Satan” tour alongside Behemoth, with support from Dark Funeral.
Key stops include:
Paris – Zenith
London – Brixton Academy
Berlin – Columbiahalle
Stockholm – B-K
The campaign culminates in “Unholy Halloween” in Oslo, featuring Enslaved and Satyricon.
Two worlds built on intensity, confrontation, and raw emotional power have officially collided. Industrial powerhouse Combichrist and the uncompromising metal force King 810 have joined forces for a brutal new collaboration, “Demons Wanna Be Summoned,” delivering a track that feels less like a song—and more like a ritual.
This collaboration brings together the relentless electronic aggression of Combichrist, led by Andy LaPlegua, with the visceral, street-level intensity of King 810, fronted by David Gunn. The result is a fusion that doesn’t dilute either identity—instead, it amplifies both into something darker, heavier, and more confrontational than expected.
“Demons Wanna Be Summoned” thrives in that collision space. Mechanized beats and industrial textures grind against raw, emotionally charged vocal delivery, creating an atmosphere that feels chaotic yet intentional. There’s an underlying sense of tension throughout the track—like something is constantly on the verge of breaking loose—and that pressure is exactly what makes it hit so hard.
Lyrically and sonically, the track leans into themes of inner conflict, manifestation, and confrontation with darker forces—both internal and external. It doesn’t just flirt with darkness; it drags the listener straight into it, forcing a kind of cathartic release that fans of both projects will immediately recognize.
The accompanying visual presentation reinforces that intensity, pairing stark imagery with the track’s unrelenting energy. It’s not polished for mass appeal—it’s raw, deliberate, and built for those who understand the language of chaos both bands speak fluently.
For fans of industrial, metal, and everything that lives in between, this collaboration feels like a natural evolution—two dominant forces stepping into the same arena and refusing to hold back.
Deep Dive into the Universe of Combichrist & King 810
Juno Reactor return with a thunderous new chapter as their legendary track “Mona Lisa Overdrive” receives a bold 2026 rework from Slovenian producer Reaky Reakson. Released today, April 17, via Metropolis Records, the remix revives one of the most unforgettable sonic moments from The Matrix Reloaded and launches it straight into the future.
Originally written by Ben Watkins, the mastermind behind Juno Reactor, the composition became synonymous with cinematic adrenaline after soundtracking the iconic freeway chase scene in the 2003 blockbuster. Now, more than two decades later, its pulse has been reborn for a new generation of listeners.
A Classic Rewired for the Present
Rather than simply polishing the original, Reaky Reakson tears into its DNA and reconstructs it with club-focused precision. Crushing percussion, sharpened synth textures, and relentless momentum transform the track into a modern electronic weapon while preserving the grandeur that made the original so unforgettable.
The remix bridges two worlds: the cinematic scale of Juno Reactor’s orchestral intensity and the hard-edged power of contemporary techno. The result feels less like a remake and more like a controlled collision between eras.
Ben Watkins Reflects on the Legacy
Watkins shared the personal significance of the song, noting that “Mona Lisa Overdrive” was the very first piece he was commissioned to create for The Matrix Reloaded.
He praised the remix for bringing new force and perspective to the composition, celebrating how it honors the spirit of the original while fearlessly pushing it somewhere new. For longtime fans, that endorsement speaks volumes.
Inside The Matrix Ignites New Momentum
The release follows the recent debut of Inside The Matrix, Juno Reactor’s immersive live experience premiered at the Tenerife Noir Festival. Built around music composed for The Matrix Reloaded and The Matrix Revolutions, the production combines projected film visuals with live performance, shining fresh light on Watkins’ groundbreaking contributions to the franchise.
As renewed attention surrounds the legacy of The Matrix, this remix lands at the perfect moment.
Few artists have blended tribal rhythms, cinematic drama, and electronic innovation as effectively as Juno Reactor. Their influence stretches across industrial, psytrance, soundtrack culture, and beyond. This new remix proves that visionary music does not age—it mutates, evolves, and strikes again.
Reaky Reakson’s version of “Mona Lisa Overdrive” is not nostalgia. It is resurrection.
A dark, thought-provoking new chapter unfolds as ee:man pushes further into the industrial abyss with his latest release, Evolving Dome of Madness, now available across all major digital platforms.
A Dark Evolution in Sound and Vision
Released on April 3, 2026 via Tinnitorturous, Evolving Dome of Madness marks the third EP from ee:man on the label—and it’s easily his most uncompromising work to date. Known for blending melancholic synth textures with sharp industrial edges, ee:man takes a decisive step deeper into EBM and electro-industrial territory, crafting a sonic landscape that feels both oppressive and hypnotically immersive.
This EP isn’t just music—it’s commentary. Drawing inspiration from the chaotic and often disturbing actions of global leadership, Evolving Dome of Madness reflects a world spiraling through distortion, control, and fractured reality. The result is a release that feels eerily relevant, unsettlingly honest, and impossible to ignore.
“Meltdown” Ignites the Narrative
Accompanying the release is an official lyric video for the track “Meltdown,” a standout moment on the EP that perfectly captures the balance between darkness and accessibility. With its infectious rhythm wrapped in bleak thematic tones, “Meltdown” delivers a haunting hook that lingers long after the track fades.
From Melancholy Roots to Industrial Depths
Since emerging in 2021 with Echoes of Life, ee:man has carved out a unique identity within the dark electronic scene. His signature style—gloomy atmospheres layered with pop-infused chord structures and industrial textures—has drawn comparisons to Recoil, the project of Alan Wilder (formerly of Depeche Mode).
Over time, ee:man has continued to evolve, collaborating with acts such as In Absentia and Negant while steadily shifting his sound toward harsher, more aggressive territory. While his lighter, synth-pop-leaning material finds a home on Town & Towers Records, his darker creations—like this latest EP—are unleashed through Tinnitorturous.
🎶 Listen Now:
The Force Behind Tinnitorturous
Tinnitorturous stands as a cornerstone of the underground industrial and EBM scene, a Danish independent label driven by passion and authenticity. Operated by seasoned musicians Jens B. Petersen and Tommy B-Kuhlmann, the label has built a reputation for delivering uncompromising electronic music that stays true to its roots while pushing boundaries.
With a catalog spanning years of releases from artists like Negant, In Absentia, and ManMindMachine, the label continues to expand its influence—Evolving Dome of Madness being the latest addition to its growing legacy.
Deep Dive into the Universe of ee:man & Tinnitorturous
The unmistakable voice behind Till Lindemann returns with a blistering new single, a cinematic live-driven video, and a wave of collaborations that push his solo vision even further into the fire.
🔥 A New Chapter Begins with “Es brennt…”
Industrial icon Till Lindemann has unleashed his latest single, “Es brennt…”, now available via Out Of Line Music. Accompanied by a visually immersive music video, the release captures the raw intensity of Lindemann’s live performances, blending onstage chaos with behind-the-scenes glimpses into the touring machine.
This isn’t just another single—it’s a statement. Dark, theatrical, and unapologetically heavy, “Es brennt…” continues Lindemann’s evolution as a solo force, stepping beyond legacy into something even more visceral.
⚙️ Expanded Versions & Legendary Collaborations
Set for release on May 29, the upcoming physical editions of “Es brennt…” offer far more than a standard drop—they expand the sonic universe of the track.
Fans can expect multiple formats including limited vinyl pressings, CDs, and collector editions. More importantly, the release features reinterpretations from some of heavy music’s most distinct voices:
A crushing version by Alex Terrible
A haunting “Doomfire” rework by Greg Mackintosh of Paradise Lost
Adding another layer of artistic depth, Lindemann also delivers a cover of “Ich bin von Kopf bis Fuss auf Liebe eingestellt,” originally made famous by Marlene Dietrich—bridging eras with a haunting reinterpretation.
💿 Formats, Merch & Collector Appeal
The release rollout is built for collectors and die-hard fans alike, featuring:
Limited Red Smoke & Black 12” Vinyl
Limited 7” Split Vinyl
Picture CDs & Maxi CDs
Exclusive merch including glow-in-the-dark apparel, mugs, tote bags, and more
Every format reinforces the same message: this is not just music—it’s an experience engineered for immersion.
🎤 TILL FEST: A Monumental Live Experience
Lindemann’s next move takes things to an entirely new level with the announcement of TILL FEST, set for July 3–4 in Leipzig at the historic Völkerschlachtdenkmal.
Two nights. Two massive performances. One unforgettable setting.
Joining the lineup are industrial legends Ministry along with additional special guests, promising a live spectacle that blurs the line between concert and ritual.
A surge of darkness and precision erupts as Aesthetic Perfection joins forces with SWARM for their latest release, “Sorrow.” This isn’t just a collaboration—it’s a calculated collision of two sonic forces operating at full intensity.
A Fusion of Power and Atmosphere ⚙️
“Sorrow” channels the signature aggression and polished industrial edge that Aesthetic Perfection has mastered, while SWARM injects a raw, cinematic darkness that amplifies the track’s emotional weight.
The result?
A soundscape that feels both massive and suffocating—where melodic precision meets crushing low-end and razor-sharp production.
Emotion Weaponized ⚡
At its core, “Sorrow” transforms pain into propulsion. It’s not passive. It’s not reflective.
It moves.
Driven by pounding rhythms and layered textures, the track captures a sense of internal pressure building beneath the surface—ready to break at any moment. The collaboration elevates that tension, pushing both artists into a space that feels heavier, darker, and more volatile than expected.
A Strategic Collaboration 🔥
Aesthetic Perfection has never been afraid to evolve, and teaming up with SWARM signals a continued push into deeper, more aggressive territory. This partnership feels intentional—two artists aligned in vision, creating something that hits harder than either might alone.
“Sorrow” isn’t just another release.
It’s impact.
🎶 Listen Now:
Deep Dive into the Universe of Aesthetic Perfection
A new chapter has begun in the ever-expanding legacy of Dimmu Borgir—and this time, it arrives with thunder, fire, and a serpent coiled around the future of symphonic black metal.
The Return of a Titan ⚙️
After years of silence following 2018’s Eonian, Dimmu Borgir have officially broken their creative dormancy with the announcement of a brand-new record titled Grand Serpent Rising. This marks a monumental return for a band that has long defined the intersection of orchestral grandeur and extreme metal aggression.
The reveal doesn’t come quietly—it strikes with purpose.
Alongside the album announcement, the band has unleashed the first single, giving fans an immediate taste of what’s to come. And make no mistake: this is not a subtle re-entry. This is a statement.
A Sound Forged in Darkness ⚡
The newly released track channels everything that has made Dimmu Borgir a dominant force for decades—layered orchestration, punishing rhythms, and an atmosphere that feels both apocalyptic and cinematic.
There’s a renewed intensity embedded within the sound. While Eonian leaned heavily into symphonic textures, this new material suggests a sharpened edge—where melody and brutality coexist with even greater precision.
It feels deliberate. Focused. Evolved.
The Serpent Rises 🔥
The title Grand Serpent Rising alone evokes myth, power, and transformation—imagery that aligns perfectly with Dimmu Borgir’s long-standing aesthetic of darkness, mysticism, and dominance.
Though full details about the album remain limited, the unveiling of a single alongside the announcement signals something much larger than a one-off release. This is the beginning of a new era.
And if history is any indication, Dimmu Borgir are not interested in revisiting the past—they’re here to redefine their future.
Dimmu Borgir have always occupied a unique space in metal—bridging underground credibility with massive, cinematic appeal. Their influence stretches across black metal, symphonic metal, and beyond.
This return isn’t just about new music. It’s about momentum.
A reactivation of one of metal’s most iconic forces
A signal to the scene that evolution is far from over
A reminder that scale, atmosphere, and aggression can coexist at the highest level
Alissa White-Gluz steps beyond the boundaries of expectation and into a bold new creative dimension with the release of “Checkmate,” the latest single from her evolving project, Blue Medusa.
🔥 A New Chapter in Sound and Identity
Long revered for her commanding presence in extreme metal, White-Gluz now pushes into uncharted territory—where melody, brutality, and precision collide. “Checkmate” is more than just a song; it’s a statement of artistic liberation. The track blends razor-sharp heaviness with haunting melodic textures, creating an experience that feels both familiar and strikingly new.
Written by Alissa White-Gluz alongside Alyssa Day and Dani Sophia, and brought to life through the mixing and mastering work of Kile Odell, the single carries a polished yet visceral intensity. It’s emotionally charged, sonically layered, and undeniably gripping.
⚡ Catharsis in Motion
“This is a song where everything just clicked,” White-Gluz explains. And it shows.
Born from a rare creative flow state, “Checkmate” channels raw emotion into something tangible. The lyrics cut deeper than ever before, exploring heavier thematic territory, while the sound itself remains deceptively accessible—hinting at even darker, more aggressive material on the horizon.
This contrast between lyrical weight and sonic clarity creates a tension that pulls listeners in and refuses to let go.
🎬 A Cinematic Vision Unfolds
Beyond the audio experience, “Checkmate” expands into a fully realized visual narrative. Co-directed by White-Gluz alongside Vicente Cordero of Industrialism Films, the music video transforms the song into a symbolic chess match—each move layered with meaning, each frame intentionally crafted.
Drawing from her previous collaborations with Cordero on projects with Nita Strauss and Kat Von D, White-Gluz leans fully into her role as a visual storyteller. The result is a cinematic piece that invites interpretation, encouraging viewers to decode its allegory on their own terms.
“I know what every frame is for,” she teases—leaving fans to explore the deeper meanings embedded within the imagery.
🧠 A Strategic Strike Forward
“Checkmate” stands at the intersection of evolution and identity. It bridges the gap between longtime fans of White-Gluz’s legacy and new listeners stepping into her world for the first time.
With major festival appearances lined up—including Louder Than Life and Aftershock Festival—Blue Medusa is not just a project, but a movement gaining momentum.
Something darker is taking shape as Evol Music Group welcomes Elektrikill—ushering in a release that feels less like music, and more like a transmission from the edge of collapse.
⚡ A SIGNAL FROM THE VOID
Evol Music Group has officially signed Elektrikill, the project of Steve Vil, marking a calculated step deeper into the industrial underground. This isn’t a surface-level collaboration—it’s an alignment of intent. Cold, deliberate, and unapologetically intense.
At the center of this signing is “My Salvation”—a release that doesn’t offer comfort, but confrontation. Built on stark contrasts and controlled tension, the track pulls listeners into a space where clarity and distortion coexist. It’s not designed to be easy. It’s designed to be felt.
🔥 A SOUND THAT DOESN’T ASK PERMISSION
Elektrikill operates in a space where restraint and aggression collide. Minimal yet heavy, clinical yet emotional, the project strips away excess and leaves only what matters—pulse, pressure, presence.
“My Salvation” extends beyond a single version, evolving through multiple forms that reshape its impact. Each iteration exposes a different layer, reinforcing a singular identity rooted in precision and atmosphere.
⚙️ ARTIST-FIRST. CONTROL REMAINS INTACT
True to Evol Music Group’s foundation, this partnership is structured with intention. The agreement is built to prioritize creative control and long-term alignment, ensuring the artist’s vision remains at the forefront while establishing a framework designed for growth, trust, and sustainability.
This isn’t about taking from artists. It’s about building with them.
🚀 THE NEXT PHASE BEGINS
With Elektrikill now part of the Evol Music Group roster, the direction is clear: darker, sharper, more focused. This signing signals a continued push toward music that doesn’t just exist in the background—but demands attention.
The latest album from Dawn Of Ashes delivers a brutal fusion of aggrotech precision and blackened industrial intensity, marking a defining moment in the project’s evolution.
Dawn Of Ashes has officially released “Anatomy of Suffering,” the long-awaited new album from mastermind Kristof Bathory, available now across LP, CD, and digital formats as of March 20, 2026.
Produced, mixed, and mastered entirely by Bathory, the record represents a calculated descent into the project’s darkest and most aggressive territory—blending cold, mechanical precision with raw emotional force.
A Return to Aggrotech’s Violent Core
“Anatomy of Suffering” serves as both a progression and a resurrection. The album revisits the foundation of blackened dark electro and aggrotech while sharpening its edges for a modern audience. Driving sequences, punishing bass drums, snapping snares, and layered synth aggression form the backbone of a record built for dark club dominance.
“Viral Decay” Leads the Charge
The album’s current single, “Viral Decay,” arrives alongside a newly released music video directed by Christopher Trueman. The visual component amplifies the track’s intensity, presenting a harsh and immersive dive into industrial aggression that mirrors the sonic brutality of the album.
Collaborations That Amplify the Chaos
“Anatomy of Suffering” also features a range of notable collaborations, further expanding its sonic scope. Appearances from Unter Null, Void Stasis, BlakMoth, and Suicide Commando (Johan Van Roy) add layers of depth and variation across the record.
The track “Penumbra,” featuring Suicide Commando, stands out as one of the album’s defining moments—merging distinct industrial forces into a single, crushing composition.
Full Tracklist
Throat Woven With Thorns
Anatomy of Suffering
The Altar of Sunken Wounds
Viral Decay
Echoes of Desolation
Autopsy of A Spirit (feat. Unter Null)
Penumbra (feat. Suicide Commando)
Beneath Thy Tongue, It Sleeps
Threading the Nerve
Autolysis (feat. Void Stasis & BlakMoth)
A Legacy of Evolution
Founded in Los Angeles at the turn of the millennium, Dawn Of Ashes has consistently pushed the boundaries of industrial and extreme music. From their early aggrotech roots to their ventures into blackened metal and beyond, the project has remained in constant evolution.
Following the 2025 release of “Infecting The Scars”—and its subsequent remix companion “Reinfecting The Scars”—“Anatomy of Suffering” stands as a continuation of that rebirth, further refining the balance between chaos and control.
With this release, Dawn Of Ashes not only revisits their origins—they weaponize them.
Electronic rock visionary Klayton, the creative force behind Celldweller, has kicked off the year with a wave of major announcements that span music, gaming, and global fan access. What started as a simple update quickly evolved into a multi-layered reveal—new music, a full album upgrade, a video game soundtrack, and a major step forward for international fans through the launch of the FiXT World Store.
For longtime fans of Celldweller’s genre-bending blend of electronic rock, industrial energy, and cinematic storytelling, 2026 is already shaping up to be one of the most ambitious years yet.
A New Creative Era Begins
Behind the scenes, Klayton has been preparing for a major creative expansion. Toward the end of 2025, he invested heavily in new photography and video production equipment—including a Canon R6 Mark III, multiple lenses, lighting rigs, and several DJI Osmo Action cameras.
The gear isn’t just for show. It’s part of a new push toward more immersive visual content and storytelling around upcoming releases.
To mark the shift, Klayton produced a cinematic announcement video outlining his plans for the year. During the reveal, he dropped a surprise: a brand-new track titled “Respawn.”
The track arrives as the first taste of a much larger project.
Originally planned as a shorter release, the God Mode EP has officially evolved into a full-length album, signaling a larger narrative and musical scope for the project. “Respawn” serves as the opening signal that the new Celldweller era is already underway.
A Deep Dive Into the Past, Present, and Future
Fans looking for a deeper look into Klayton’s journey can catch his recent appearance on the Black Sheep Podcast, where he discussed aspects of his career and background that he’s rarely spoken about publicly.
The hour-long conversation covers creative evolution, personal history, and what lies ahead for Celldweller and FiXT. Viewers also get a glimpse of Klayton’s high-energy personality—something longtime fans already know well.
Celldweller Enters the Legacy of Kain Universe
Beyond music releases, Klayton has been deeply involved in a major gaming revival project tied to the legendary Legacy of Kain franchise.
Through his company Bit Bot Media, Klayton helped bring the series back to life with “Legacy of Kain: The Dead Shall Rise,” a graphic novel project that became one of the most successful gaming Kickstarters in history—ranking as the fourth largest graphic novel campaign ever.
The musical side of the project pushed things even further.
Klayton wrote new songs inspired by the franchise, including “Elaleth,” which features Matt Heafy of Trivium. He also created cinematic “Story Mode” tracks built around iconic dialogue from the original games, blending music and narrative in a way similar to his earlier work on End of an Empire.
But the biggest reveal came when publishers confirmed the next step in the franchise.
A new game titled Legacy of Kain: Ascendance has officially been announced for PlayStation, Xbox, and Nintendo platforms.
Developed by Bit Bot Media in collaboration with Crystal Dynamics, the game takes the form of a 16-bit side-scrolling platformer, blending retro gameplay with modern storytelling.
Even better for longtime fans, the project reunites key voice actors from the original series:
Simon Templeman returning as Kain
Michael Bell returning as Raziel
Anna Gunn reprising her role as Ariel
Klayton composed the entire soundtrack, delivering new music for both classic characters and brand-new story elements.
The game launches March 31, bringing a fully resurrected Legacy of Kain experience to modern platforms.
A Major Win for International Fans
Alongside the music and gaming news, FiXT also rolled out a major upgrade for fans around the world.
The newly launched FiXT World Store now allows select merchandise to ship directly from the United Kingdom, dramatically reducing shipping costs and delivery times for fans across Europe and other international regions.
For years, overseas fans faced high shipping prices from the United States. The new system finally solves that problem, making Celldweller and FiXT merchandise far more accessible globally.
10 Million Streams and Counting
As if the announcements weren’t enough, Klayton also celebrated a massive streaming milestone.
His cover of the The Imperial March has now surpassed 10 million streams on Spotify alone.
For fans of Celldweller’s cinematic industrial sound, the milestone reflects just how far the project has expanded—from underground electronic rock beginnings to a multimedia empire spanning games, film-style storytelling, and global streaming success.
And with a new album, new game soundtrack, and new global store all launching in the same year, it’s clear that the Celldweller universe is still expanding.
After more than four decades of redefining extreme metal, Sepultura prepare to close the book with one last powerful statement.
Brazilian metal titans Sepultura have officially announced their farewell release, The Cloud of Unknowing EP, marking the beginning of the end for one of the most influential heavy bands in modern music history. Set for release on April 24 via Nuclear Blast Records, the EP captures the band’s final creative chapter as they continue their global “Celebrating Life Through Death” farewell tour.
With more than 40 years behind them, 14 gold records, and performances across 80+ countries, Sepultura stand as Brazil’s uncompromising metal emissaries to the world. From thrash roots to groove-laden innovation, their sound has shaped generations. Now, rather than fade quietly, they’ve chosen to document one final artistic moment.
A Final Creative Statement
The Cloud of Unknowing is described as one of the band’s most diverse and emotionally resonant releases. Across four tracks, the EP reflects both the ferocity and introspection that have defined Sepultura’s legacy. It’s not simply a closing note — it’s a distilled expression of everything the band has become.
Tracklist:
All Souls Rising
Beyond the Dream
Sacred Books
The Place
All vinyl variants include a CD edition housed in a card wallet.
Available Formats:
Oxblood
Transparent Petrol (Nuclear Blast exclusive)
Crystal Clear (band exclusive)
Transparent Red (band exclusive)
“The Place” — A Reflection on Identity and Disillusionment
Sepultura have unveiled the EP track “The Place”, accompanied by a powerful new video. Vocalist Derrick Green explains that the song explores the psychological and emotional journey of immigrants seeking refuge, only to confront internalized self-hatred shaped by propaganda and false security.
According to Green, the song’s structure mirrors its lyrical arc — beginning in disappointment and evolving into anger — capturing the emotional transformation at the heart of the story.
As the curtain begins to fall, Sepultura are bringing their legendary live energy across the globe one final time. The “Celebrating Life Through Death” tour spans Australia, North America, and Europe, including major festivals such as:
Wacken Open Air (Germany)
Hellfest (France)
Graspop Metal Meeting (Belgium)
Copenhell (Denmark)
Bloodstock Festival (United Kingdom)
North American highlights include stops in Montclair, Detroit, Chicago, Denver, Las Vegas, Los Angeles, and more — alongside appearances at Sonic Temple Festival and Welcome To Rockville.
After decades of chaos, catharsis, and crushing riffs, this tour marks the final opportunity to witness Sepultura’s relentless live force.
Sepultura Line-Up
Derrick Green — Vocals
Andreas Kisser — Guitars
Paulo Jr. — Bass
Greyson Nekrutman — Drums
As one of metal’s most fearless innovators prepares to take its final bow, The Cloud of Unknowing stands as both a farewell and a reminder: true legacy is built through evolution, resilience, and uncompromising vision.
Florida’s underground stirs again as SINISTER SHADOWS prepares to unveil his self-titled debut album on March 26 via The Doorway To Label. Rooted in the shadows of classic death rock and goth, this Tampa-based project channels the brooding elegance and romantic darkness that defined an era—and dares to resurrect it for a new generation.
Born from a deep reverence for the sonic architects of the ’80s and ’90s—Bauhaus, The Cure, The Sisters of Mercy, The Mission, and Nick Cave—Sinister Shadows is more than homage. It’s a reclamation of atmosphere: the smoke-drenched clubs, the poetic despair, the velvet-draped melancholy.
At the center of it all stands Ryan Michalski, the creative force behind SINISTER SHADOWS. Known for his previous work with Idiot Robot and Ryan Cosmonaught, Michalski is no stranger to Tampa’s dark music undercurrent. Years ago, he helmed the video magazine The Gothic Box, documenting the scene and frequenting iconic local venues like The Orpheum and The Castle. That lived-in history bleeds into every track of this debut.
Recorded throughout 2025 at RPM Studios in Tampa, the album is a personal statement—written, performed, and produced primarily by Michalski himself. Longtime collaborator Clint Listing of The Slumbering contributes the album’s haunting intro and outro, framing the record like opening and closing curtains on a gothic stage.
The first glimpse into this world arrives with the single “No One Home But Me,” now streaming as a lyric video. The track captures the isolation and longing that define the album’s emotional core—moody guitars, spectral synths, and a vocal delivery that feels both intimate and distant.
Tracklist
Intro (by The Slumbering)
Kiss The Dead Goth Girl
Day Go By
Here For You
Just Begun
Lost My Mind
No One Home But Me
Waiting Here Alone
Your Breath
Outro (by The Slumbering)
Artwork and photography were crafted by Ryan Michalski, further reinforcing the album’s singular vision. Tracks 1 and 10 were recorded, mixed, and mastered by Clint Listing, while the remaining compositions were handled entirely by Michalski.
With Sinister Shadows, Michalski doesn’t simply revisit the past—he reanimates it. For listeners craving the darkness, romance, and theatrical flair that once defined the goth underground, March 26 marks a return to familiar shadows.
Re:Mission Entertainment has officially announced REBEL MUSE, the commanding new release from MISS TREZZ — a dark electronic and industrial pop statement that channels power, transformation, and unapologetic self-possession.
Arriving Thursday, February 26th as both a limited edition CD and digital release, REBEL MUSE positions MISS TREZZ at the center of a sonic evolution that feels both intimate and explosive. This isn’t just an album drop — it’s a declaration.
From Vulnerability to Sovereignty
With REBEL MUSE, MISS TREZZ crafts a narrative arc that moves deliberately from fragility to empowerment. The record threads together haunting textures, driving electronic rhythms, and emotionally charged vocals that blur the lines between darkwave atmosphere and industrial pop precision.
The album features the already-released singles “LAST RITES,” “ADORE,” and “CONTROL” — each offering a different shade of intensity. Where one track leans into introspection and ache, another steps forward with calculated defiance. Together, they form a cohesive body of work centered around autonomy, resilience, and transformation.
This is dark electronic music not just as aesthetic — but as assertion.
Visual Power: “FADE INTO BLACK”
Paired with the album’s release is the new video for “FADE INTO BLACK,” a visual counterpart that captures a raw and deliberate reclaiming of strength. The imagery reinforces the album’s themes of self-reclamation and boundary-setting, presenting MISS TREZZ not as a passive figure within the narrative — but as its architect.
The result is a multimedia experience that amplifies the emotional trajectory of REBEL MUSE, solidifying it as both a sonic and visual statement.
🎶 Listen Now:
Re:Mission’s Expanding Vision
With this release, Re:Mission Entertainment continues to cultivate artists who push dark electronic and industrial pop into emotionally resonant territory. REBEL MUSE stands as a bold addition to that catalog — immersive, intentional, and unapologetically self-defined.
The legendary UK alternative electronic duo MESH have unveiled the official music video for “Hey Stranger,” the latest advance single from their highly anticipated forthcoming full-length, The Truth Doesn’t Matter. Set for release on March 27 via Dependent Records in Germany, the album marks another powerful chapter in a career defined by emotional depth, sonic precision, and enduring influence.
MESH continue to refine their signature blend of melody and atmosphere with “Hey Stranger,” a track that evolved through multiple creative phases before reaching its final album incarnation. As Richard explains, the song underwent significant transformation along the way.
“A song might take on many different forms before its eventual album version as ‘Hey Stranger’ definitely has done,” he reveals. “The track starts in a very minimalistic way and gradually builds up towards its climax through a crescendo of choir and strings. Lyrically, this song is bound to speak to many as it explores themes of change and disconnection with people.”
That gradual ascent—from sparse electronic textures to an expansive, emotionally charged crescendo—demonstrates the duo’s mastery of dynamic tension. The result is a track that feels both intimate and cinematic, capturing the quiet ache of drifting apart while building toward a sweeping sonic release.
With The Truth Doesn’t Matter, MESH once again prove why they remain one of the most respected acts in alternative electronic music. Their ability to balance vulnerability with propulsion, melancholy with momentum, keeps them firmly rooted in the present while honoring the legacy they’ve built over decades.
The engines are screaming, the neon is flickering, and the countdown has begun. Carpenter Brut has unleashed his latest single, “Speed Or Perish,” a high-octane descent into chaos pulled from his forthcoming album Leather Temple, arriving February 27 via No Quarter Prod / Virgin Records. The track doesn’t simply play — it detonates.
Leather Temple marks the third and final chapter in Carpenter Brut’s Leather trilogy — a saga that has fused cinematic horror, glam-metal excess, and dystopian synthwave into a blood-soaked neon mythology. This new installment places listeners at the heart of Midwichpolis, a post-apocalyptic metropolis born from nuclear fallout. At its core stands the Leather Temple itself — a brutal coliseum where speed is survival and hesitation is extinction.
“Speed Or Perish” captures the sonic violence of that arena. Propulsive synth lines slam against electro-stomp percussion and heavy, razor-edged riffs, while dramatic electronics escalate the tension into something primal. It feels like engines revving before impact — like a crowd roaring as war machines collide in a life-or-death race.
Directed and written by Seth Ickerman and produced by No Quarter Prod, the accompanying video transforms that concept into a high-speed bloodbath. Blades flash. Gunfire erupts. Metal tears into metal. It is relentless, visceral, and unapologetically brutal — a visual extension of the track’s ferocity.
Leather Temple pushes Carpenter Brut’s sound into even more cinematic territory while sharpening its attack. The album leans into a saturated ’90s electro atmosphere — dark, unflinching, and driven by distorted layers and cutting beats. Each track functions like a scene in a film: concise, charged, and kinetic. There’s no time for exposition. It hits fast. It hits hard.
The Leather series began in 2018 with Leather Teeth, a stylized homage to ’80s glam rock excess. In 2022, Leather Terror shifted into darker territory, delivering a slasher-horror narrative centered on the vengeful killer Bret Halford. With Leather Temple, the trilogy reaches its climax — a final act that blends cinematic storytelling with relentless sonic propulsion.
Leather Temple Track Listing:
Ouverture (Deus Ex Machina) Major Threat Leather Temple She Rules The Ruins Start Your Engines Neon Requiem Iron Sanctuary The Misfits The Rebels Speed or Perish The End Complete
Since 2012, Carpenter Brut has carved out a singular space within the global synthwave movement, merging electronic music, metal aggression, and deep-rooted 1980s pop culture into a cohesive, shadow-drenched universe. Drawing inspiration from horror auteurs like John Carpenter and Dario Argento, as well as the sonic assault of Slayer and Justice, he has built a stylized world where retro thrillers collide with futuristic dystopia.
That immersive vision explodes to life on stage. Carpenter Brut has announced a run of live shows across Europe, the USA, and Canada in March 2026, including a special standalone UK headline appearance at London’s Shepherds Bush Empire on March 22. Full dates and ticket information are available here.
After nearly a decade of silence, Dutch progressive metal innovators Textures have finally returned with Genotype—a powerful, forward-thinking album that proves the band hasn’t lost a single ounce of intensity, ambition, or emotional depth. Released today, the album arrives alongside a striking new video for the six-minute epic “Measuring the Heavens” and the launch of a massive European tour with Jinjer.
Long anticipated by fans, Genotype is not a sequel to 2016’s Phenotype—it’s a rebirth. Written entirely from scratch and self-produced, the album distills everything that defines TEXTURES into eight meticulously crafted tracks. Mixed by Forrester Savell (Karnivool, Dead Letter Circus), Genotype balances surgical technicality with emotional weight, pushing heaviness, melody, and atmosphere into new territory 💀
Measuring the Heavens: Tension as a Weapon
The newly released lyric video for “Measuring the Heavens” is a masterclass in restraint and release. Drummer Stef Broks describes the track as a deliberate exercise in tension-building—six minutes of controlled pressure before a final, punishing payoff. It’s a song that challenges patience, expectations, and comfort zones, rewarding listeners willing to go the distance.
Lyrically, Genotype speaks directly to outsiders, introverts, and those navigating unseen inner worlds. It’s an album about authenticity, resilience, and refusing to dilute who you are—music for those who exist just outside the spotlight, but burn just as bright 🔥
Genotype Tracklist
Void – 3:49
At The Edge Of Winter – 6:42
Measuring The Heavens – 6:51
Nautical Dusk – 5:35
Vanishing Twin – 5:49
Closer To The Unknown – 4:08
A Seat For The Like-Minded – 5:01
Walls of the Soul – 7:52
Formats Available
Genotype is available now in multiple physical editions, including a striking coke-bottle green splatter vinyl and a white/blue marble vinyl gatefold with printed lyric insert, as well as a classic black vinyl edition and CD digipak.
Reclaiming the Stage
TEXTURES have spent years building a fiercely loyal global following—from headlining festivals in India to becoming a fixture at European metal landmarks like Hellfest, Wacken Open Air, Graspop, and Brutal Assault. Now, they’re set to reclaim their place as one of progressive metal’s most electrifying live acts.
Kicking off today in Cologne, the band joins Jinjer and Unprocessed for an extensive 5.5-week European tour running through March 2026. As Stef Broks puts it, this tour marks a major milestone for the band—and an invitation for fans old and new to reconnect in the pit 🤘
TEXTURES European Tour Dates (with Jinjer)
January 23, 2026 – Cologne – Palladium – Germany January 24, 2026 – Tilburg – 013 – Netherlands January 25, 2026 – Brussels – Ancienne Belgique – Belgium January 27, 2026 – Glasgow – SWG3 – Scotland January 28, 2026 – Dublin – Olympia – Ireland January 29, 2026 – Manchester – O2 Ritz – England January 30, 2026 – Birmingham – O2 Institute – England January 31, 2026 – London – O2 Kentish Town Forum – England February 2, 2026 – Paris – L’Olympia – France February 3, 2026 – Lyon – Le Transbordeur – France February 4, 2026 – Toulouse – Le Bikini – France February 6, 2026 – Lisbon – LAV – Portugal February 7, 2026 – Madrid – Wagon – Spain February 8, 2026 – Bilbao – Santana 27 – Spain February 10, 2026 – Trezzo Sull’Adda – Live Club – Italy February 11, 2026 – Zürich – X-Tra – Switzerland February 12, 2026 – Stuttgart – LKA Longhorn – Germany February 13, 2026 – Wiesbaden – Schlachthof – Germany February 14, 2026 – München – Tonhalle – Germany February 16, 2026 – Budapest – Barba Negra – Hungary February 17, 2026 – Vienna – Gasometer – Austria February 19, 2026 – Prague – Sasazu – Czech Republic February 20, 2026 – Leipzig – Felsenkeller – Germany February 21, 2026 – Berlin – Astra – Germany February 22, 2026 – Warsaw – Progresja – Poland February 24, 2026 – Helsinki – Kulttuuritalo – Finland February 25, 2026 – Tampere – Tavara Asema – Finland February 27, 2026 – Stockholm – Fallan – Sweden February 28, 2026 – Oslo – Sentrum Scene – Norway March 1, 2026 – Copenhagen – Amager Bio – Denmark March 2, 2026 – Hamburg – Große Freiheit 36 – Germany
The third strike from The Great Satan arrives as Zombie announces a massive Summer 2026 co-headlining tour with Marilyn Manson.
Rob Zombie is back in full hellbilly mode with the release of “(I’m a) Rock ’N’ Roller,” the third single from his upcoming album The Great Satan, due February 27, 2026 via Nuclear Blast Records. Thick, swaggering, and unapologetically loud, the track is a boot-stomping manifesto—Zombie at his most primal and defiant.
💀 A Fist-Pumping Anthem for the Faithful Built on grinding riffs, filthy grooves, and a chant-ready chorus, “(I’m a) Rock ’N’ Roller” doubles down on everything that made Zombie an icon. It’s not nostalgia—it’s a declaration. Rock and roll didn’t go anywhere, and Zombie’s here to remind everyone why it still hits like a wrecking ball.
💀 The Great Satan: A Return to the Slaughterhouse Following the Top 10 Billboard debut of The Lunar Injection Kool Aid Eclipse Conspiracy (2021), Zombie’s eighth solo album revisits his early hellbilly DNA—punk-infused, horror-soaked, and relentlessly anthemic. The Great Satan leans hard into chaos with tracks like “Punks And Demons,” “Heathen Days,” “Tarantula,” and the new single anchoring the assault.
💀 Summer 2026: Monsters on the Road Zombie has also confirmed a Summer 2026 co-headlining North American tour with longtime collaborator and labelmate Marilyn Manson. The run features support from The Hu and Orgy—a stacked lineup designed for maximum impact.
Screenshot
💀 The Great Satan — Tracklist
F.T.W. 84
Tarantula
(I’m a) Rock ’N’ Roller
Heathen Days
Who Am I
Black Rat Coffin
Sir Lord Acid Wolfman
Punks And Demons
The Devilman
Out of Sight
Revolution Motherfuckers
Welcome To The Electric Age
The Black Scorpion
Unclean Animals
Grave Discontent
💀 ROB ZOMBIE (w/ MARILYN MANSON) — Summer 2026 Tour Dates 8/20 – West Palm Beach, FL – iTHINK Financial Amphitheatre ^+ 8/21 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre ^+ 8/23 – Alpharetta, GA – Ameris Bank Amphitheatre ^+ 8/24 – Charlotte, NC – Truliant Amphitheater ^+ 8/26 – Holmdel, NJ – PNC Bank Arts Center ^+ 8/27 – Mansfield, MA – Xfinity Center ^+ 8/29 – Burgettstown, PA – The Pavilion at Star Lake ^+ 8/30 – Darien Center, NY – Darien Lake Amphitheater ^+ 9/01 – Toronto, ON – RBC Amphitheatre ^+ 9/02 – Cuyahoga Falls, OH – Blossom Music Center ^+ 9/04 – Clarkston, MI – Pine Knob Music Theatre ^+ 9/05 – Tinley Park, IL – Credit Union 1 Amphitheatre ^+ 9/06 – Noblesville, IN – Ruoff Music Center ^+ 9/09 – St. Louis, MO – Hollywood Casino Amphitheater ^+ 9/10 – Kansas City, MO – Morton Amphitheater ^+ 9/12 – Greenwood Village, CO – Fiddler’s Green Amphitheatre ^+ 9/14 – West Valley City, UT – Utah First Credit Union Amphitheatre ^+ 9/16 – Airway Heights, WA – BECU Live at Northern Quest + 9/17 – Auburn, WA – White River Amphitheatre ^+ 9/18 – Ridgefield, WA – Cascades Amphitheater ^+ 9/20 – Concord, CA – Toyota Pavilion at Concord ^+
New York death metal legends Immolation storm into 2026 with renewed fury, unveiling their twelfth studio album Descent, set for release on April 10 via Nuclear Blast Records. Alongside the announcement, the band has unleashed the album’s first single, Adversary, delivering a merciless preview of what lies ahead. 💀
Since their seminal 1991 debut Dawn of Possession, Immolation have remained a defining force in extreme metal, shaping the genre through innovation rather than imitation. At the core of their unmistakable sound is guitarist Bob Vigna’s signature fretwork—serpentine leads colliding with ominous, slow-burning dirges that feel both ancient and alien.
A First Descent into the Abyss
“Adversary” hits with relentless precision: blast-driven percussion, dissonant riff structures, and Ross Dolan’s cavernous growls forming a towering wall of sound. It’s death metal sharpened to a lethal edge—uncompromising, atmospheric, and deeply menacing. The accompanying video, directed by Bob Vigna himself, visually amplifies the track’s suffocating intensity.
Immolation describe Descent as both a continuation and an evolution—rooted firmly in their origins while daring to push further into new territory. The band calls the album “almost addictive,” highlighting its ambitious songwriting, immersive atmosphere, and one of the strongest productions of their career. 💀
Forged in Fire: Production & Artwork
Descent was recorded across two locations: guitars, bass, and vocals tracked with Justin Passamonte at Jpass Music, while drums were captured at Mercinary Studios with Noah Buchanan. Longtime collaborator Zack Ohren handled mixing and mastering alongside the band, resulting in a muscular, high-definition production that balances sheer brutality with unsettling clarity.
Visually, Immolation once again partnered with acclaimed artist Eliran Kantor for the album cover, complemented by interior illustrations from Santiago Jaramillo (Triple Seis Design). The result is a visual statement as harrowing and iconic as the music itself.
This February, Immolation will join Mayhem on the Death Over Europe Tour, alongside Marduk, tearing through major European cities.
Following that run, the band heads to North America as direct support for Behemoth on The Godless IV 2026 Tour, joined by Deicide and Rotting Christ. Select festival appearances will follow, including Rockstadt Extreme Fest and Brutal Assault. 💀
Why Descent Matters
Calling Descent “heavy” barely scratches the surface. This is Immolation refining their language of darkness—death metal that is brutal yet cerebral, oppressive yet precise. With Descent, Immolation don’t just reaffirm their legacy; they deepen it, proving once again why they stand alone at the genre’s highest tier.
The Browning return in full combat mode with Dominator [EVOLVED], a re-engineered strike that upgrades one of their most aggressive tracks into a sharper, heavier, and more futuristic weapon. This isn’t a remix for convenience. It’s a recalibration for domination.
A Track Rebuilt for Maximum Impact
💀 From the opening moments, Dominator [EVOLVED] hits harder and moves faster, tightening the band’s signature fusion of industrial electronics, deathcore brutality, and cybernetic atmosphere. The low-end is thicker, the synth architecture more hostile, and the percussion feels engineered for mass destruction rather than passive listening.
This evolved version strips away any excess and reinforces what The Browning do best: turning mechanical precision into raw aggression. The result is a track that feels less like a song and more like a system takeover.
Cybernetic Aggression, Perfected
⚙️ The band’s trademark blend of machine-driven sound design and bone-crushing riffs reaches new clarity here. Vocals are more commanding, the drops more punishing, and the overall mix pushes the track into club-and-pit-ready territory. Dominator [EVOLVED] doesn’t just revisit the past, it upgrades it for the present battlefield.
Why This Release Matters
🔥 This single reinforces The Browning’s position at the intersection of metal, industrial, and electronic extremity. It’s a reminder that evolution is not optional in heavy music. You either adapt, or you get erased. Dominator [EVOLVED] chooses adaptation through force.
ESA has unveiled the final chapter in the Sounds for Your Happiness visual saga with the release of the music video for Something For The Horsemen, closing out a bold and uncompromising album cycle while simultaneously opening the door to a darker, more collaborative evolution of the track.
Released on July 5, 2025 via Negative Gain Productions, Sounds for Your Happiness has stood as one of ESA’s most confrontational and conceptually sharp releases to date. “Something For The Horsemen” marks the fifth and final video from the album, serving as a chaotic finale that many fans have been anticipating since the record’s release.
The video itself is a five-minute descent into black metal–tinged absurdity and black comedy excess. Guided by a mysterious and perpetually irritated Conductor, the visual narrative summons the four horsemen of the apocalypse: WAR (portrayed by Daniel Mullins of My Dying Bride), FAMINE, PESTILENCE (played by Jamie Blacker himself), and DEATH. The result is frantic, unhinged, and deliberately irreverent, balancing violent energy with grim humor in a way that feels distinctly ESA. It’s less a traditional music video and more a final ritual, closing the album’s visual arc with fire and noise.
The track’s life doesn’t end there. “Something For The Horsemen” has also been reborn as a dedicated remix collection, now available on Bandcamp and all major digital platforms. The remix project originated from a publicly released remix pack made available in late November 2025, inviting producers from across the underground to deconstruct and reassemble the track. From approximately thirty submissions, six remixes were selected for the official release, joined by ESA’s own unapologetically hip-hop–influenced reinterpretation of the song.
The remix collection showcases a wide spectrum of industrial extremity and club-focused aggression. Noise and power industrial perspectives come from Octocell, Wavepeak, and Nigen, while EBM and techno-inflected reconstructions are delivered by Neuroklast, Matt Hart, and Psykkle. Together, the remixes function not just as alternate versions, but as parallel realities—each amplifying different facets of the original track’s menace and momentum.
⚙️ Carpenter Brut has officially announced his new album Leather Temple, arriving February 27th via No Quarter PROD / Virgin Records. The record closes the door on the ambitious Leather trilogy and pushes its cinematic narrative into a fully realized dystopian future.
🧥 The Final Chapter of the Leather Saga Leather Temple stands as the third and concluding entry following 2018’s Leather Teeth—a glam-soaked, retro-charged debut—and 2022’s Leather Terror, a darker slasher-horror descent centered on serial-killer anti-hero Brett Halford. As with its predecessors, the new album functions as both a musical release and a narrative soundtrack, unfolding like a brutal, neon-lit film.
🌆 2077: A World in Ruins The story leaps forward to the year 2077. Decades after a nuclear catastrophe, civilization exists under the rule of a transhuman elite known as the Overlords, who reside in glowing megacities while the rest of humanity struggles among the wreckage. At the center of this fractured world is Midwichpolis, a capital ruled by the iron-fisted tyrant Iron Tusk—addicted to a synthetic drug called Pink Base and obsessed with eternal life.
🏁 Speed or Perish To maintain control, Iron Tusk broadcasts Speed or Perish, a weekly death race promising freedom to its contestants—an escape no one has ever achieved. Far from the capital, in the Midwichslums, a rebel collective known as the Horde fights back. Led by Lita Connor, the group uncovers a forgotten cold room buried in the ruins. Inside lies Bret Halford—Leather Teeth himself—frozen in time.
🦾 Reforged for Rebellion Upgraded with advanced technology and reborn as a half-man, half-machine weapon, Bret becomes the unlikely spearhead of a resistance determined to dismantle the regime. This violent, hyper-stylized world forms the backbone of Leather Temple, brought to life visually through the title track’s official video.
🎥 Sound, Speed, and Saturation Musically, Leather Temple leans harder into urgency and impact. The album is more cinematic and orchestral, yet sharper and more direct—channeling a saturated ’90s electro atmosphere that’s dark, aggressive, and unrelenting. Tracks hit like scenes: short, explosive, and relentless. There’s no exposition—only motion. Neon flickers, engines roar, and tension never lets up.
🔥 Leather Temple – Track Listing
Ouverture (Deus Ex Machina)
Major Threat
Leather Temple
She Rules The Ruins
Start Your Engines
Neon Requiem
Iron Sanctuary
The Misfits The Rebels
Speed or Perish
The End Complete
🎸 A Decade-Defining Force Since 2012, Carpenter Brut has fused electronic music, metal, and 1980s pop-culture obsession into a singular aesthetic that’s as brutal as it is cinematic. Drawing inspiration from filmmakers like John Carpenter and Dario Argento alongside the sonic aggression of Slayer and Justice, his universe sits at the crossroads of retro thrillers, glam metal, and futuristic dystopia.
🎤 Live Assault Incoming The audiovisual spectacle continues on stage, with Carpenter Brut announcing shows across Europe and the United States in March 2026. This includes a special standalone UK headline performance at Shepherds Bush Empire on March 22nd.
Mesh are back, and they’re not easing into it. With the release of “Exile”, the iconic British synthpop duo signal a powerful resurgence—one that feels both urgent and refined. Out today, the new single captures Mesh at their most emotionally charged, blending polished electronic production with the introspective weight longtime fans crave.
“Exile” doesn’t just arrive — it confronts. Propelled by driving synth lines and unmistakably human vulnerability, the track stands as a bold statement of intent. It’s a reminder of why Mesh continue to matter: emotionally resonant songwriting wrapped in precision-crafted electronic atmospheres.
The forthcoming album is already shaping up to be something special. Early impressions place it among their strongest work to date—rivaled only by Automation Baby, a high watermark in the band’s catalog. For fans who value depth, melody, and emotional honesty, this next era promises to deliver in full.
Preorders are now live, with regional options recommended for convenience:
European customers are encouraged to order via Dependent or POPoNAUT
UK fans should order directly from Mesh
🎶Listen Now:
This is Mesh, fully present and fully realized. If “Exile” is the opening signal, what follows may well define their modern legacy.
Los Angeles heavy hitters Fatalist return with a punishing new visual statement that drags modern metalcore back into the gutter — and dares you to sit with it.
Released just 14 hours ago, LOWLIFE marks the latest chapter in the evolving sonic identity of Fatalist, a project that continues to blur the lines between nu-core aggression, modern metal brutality, and raw emotional confrontation.
There’s no polish-for-radio here. LOWLIFE hits like a clenched jaw and a swinging fist — intentional, uncomfortable, and unapologetically real.
⚠️ A VIDEO THAT STARES BACK
The official music video for LOWLIFE doesn’t just accompany the track — it amplifies it. Shot with a stripped-down, confrontational visual style, the video places the viewer face-to-face with the band’s raw intensity. Stark lighting, claustrophobic framing, and chaotic performance energy combine to mirror the song’s internal tension.
This isn’t escapism. It’s confrontation.
The visuals feel grounded in the same emotional weight as the music — a reflection of frustration, self-awareness, and the grind of existing at the margins. Every frame reinforces the feeling that LOWLIFE isn’t a character — it’s a mirror.
🔥 LOS ANGELES DNA, NO COMPROMISE
Forged in Los Angeles, California, Fatalist channels the city’s volatile underground energy into a sound that feels both modern and feral. This is music born from concrete, sweat-soaked rooms, and the pressure of a scene that doesn’t hand anything out for free.
LOWLIFE continues the band’s trajectory of releases that prioritize impact over comfort, proving Fatalist isn’t chasing trends — they’re documenting a state of mind shaped by survival, grit, and defiance.
After years of silence and anticipation, Unter Null continues her long-awaited resurgence with the official music video for “Coming Up To Breathe,” translating raw emotion into a powerful visual statement that cuts straight to the core.
A Visual Reckoning 🖤 “Coming Up To Breathe” has already resonated deeply as a comeback track—equal parts defiance, vulnerability, and survival. With the release of its official music video, Unter Null elevates the song into a cinematic experience, pairing stark imagery with the relentless emotional weight that defined her earlier legacy while signaling a sharpened, more intentional evolution.
Rather than relying on excess or spectacle, the video leans into atmosphere and tension. Every frame reinforces the song’s central theme: the fight to reclaim identity and breath after prolonged suffocation—personal, creative, and societal. It’s not nostalgia. It’s confrontation.
A Milestone Moment in the Unter Null Revival 🔥 This release marks a significant chapter in Unter Null’s return to the industrial landscape. Long regarded as a defining voice in the aggrotech and dark electro movement, her re-emergence has been measured, deliberate, and uncompromising. The video for “Coming Up To Breathe” stands as both a statement and a promise: this era is not about revisiting the past—it’s about finishing unfinished business.
For longtime followers, it’s a powerful reminder of why Unter Null mattered then. For new listeners, it’s an invitation into a universe built on truth, pressure, and release.
Till Lindemann, the unmistakable voice and provocateur behind Rammstein, has once again stepped beyond the boundaries of comfort with the release of his latest solo single, “Alles Ändert Sich…Ich Nicht” (“Everything Changes…Not Me”). Accompanied by an unsettling and visually intense music video, the track continues Lindemann’s uncompromising exploration of identity, decay, and defiance in a world obsessed with transformation.
A Defiant Statement Against Change 🩸
The title alone sets the tone: while the world shifts, mutates, and reinvents itself, Lindemann stands immovable. The song leans heavily into themes of personal stagnation versus societal evolution, delivered with his signature baritone that feels both confrontational and eerily introspective. It’s not nostalgia—it’s resistance.
A Video Designed to Disturb ⚙️
True to form, the accompanying video is deliberately provocative. Stark imagery, unsettling symbolism, and a cold, industrial atmosphere collide to create a visual experience that feels more like a psychological endurance test than a traditional music video. Lindemann doesn’t aim to shock for novelty’s sake—every frame reinforces the song’s core message: discomfort is the point.
Till Lindemann Unfiltered 💀
As with his previous solo work, Lindemann uses this project to push further into raw, controversial territory than Rammstein typically allows. Free from band consensus, his solo output feels more personal, more grotesque, and more confrontational—an unfiltered glimpse into the artist’s darker creative impulses.
“Alles Ändert Sich…Ich Nicht” isn’t just a song; it’s a declaration. Lindemann remains exactly where he wants to be—unapologetic, immovable, and utterly indifferent to expectations.
Symphonic metal powerhouse Beyond the Black return with a soaring, deeply emotional new single, “Ravens,” the fifth preview from their upcoming studio album Break The Silence — arriving January 9th, 2026 via Nuclear Blast Records.
“Ravens” is a tribute to unity, loyalty, and shared resilience — rising together through darkness like the birds that give the song its name. The single and its accompanying video feature contributions from Beyond the Black fans themselves, embodying the album’s central theme: breaking communication barriers and forging connection in a divided world.
Frontwoman Jennifer Haben describes it perfectly:
“‘Ravens’ is about belonging — about finding light in others when everything feels disconnected. Hearing our fans’ voices on this song made that message real in the most beautiful way.”
The band adds a heartfelt message to their community:
“This song was created with our fans at its heart. Thank you, our RAVENS, for helping us bring it to life.”
🎶 Listen Now: /shortcode
The upcoming sixth album, Break The Silence, expands Beyond the Black’s signature melodic metal into a cinematic concept record blending ethno influences and emotional depth. Tracks such as “Let There Be Rain,” “(La Vie Est Un) Cinéma,” “Ravens,” and “The Flood” explore how communication — or the lack of it — shapes relationships, identity, and resilience. It’s a multilayered journey reflecting the complexities of the modern world.
French synthwave titan Carpenter Brut has returned, tearing open the next chapter of his dark cinematic universe with the release of “Leather Temple,” the first single from the third and final installment of his legendary Leather trilogy, arriving in 2026. Brut’s newest offering is a serrated collision of abrasive beats, metallic tension, and dystopian world-building—his most ambitious vision yet.
Directed by Dehn Sora, the accompanying video introduces Midwichpolis, a scorched post-nuclear metropolis reborn from the ashes of 2077. This sprawling nightmare city forms the narrative backbone of the new album.
At its core stands the monolithic Temple, a blackened tower piercing the skyline like a ceremonial blade. It serves as the throne of Iron Tusk, the brutal ruler whose empire thrives on fear, propaganda, and decadence. While the upper sectors—known as the City of Light—bathe in neon excess, holographic glamour, and grotesque luxury, the truth is far more rotten. Below the shimmering facade stretch the Midwich Slums, a labyrinth of ruin, poverty, and perpetual surveillance. Here, rebellion simmers. Here, the shadows swallow the innocent whole.
“Leather Temple” channels this tension directly into sound. Its steel-sharpened beats and heavy metal-kissed riffs echo the rage of the oppressed, while blistering neon synths reflect the glowing corruption above. Saturated in 90s electro grit and soaked in dystopian atmosphere, the track stomps forward with distorted aggression and relentless propulsion—classic Carpenter Brut, but fiercer, darker, and even more cinematic.
Since erupting onto the scene in 2012, Carpenter Brut has fused metal, dark electronic music, and ‘80s pop culture into his own unmistakable universe—equal parts John Carpenter, Dario Argento, Slayer, and Justice. The Leather trilogy has become a modern mythos: • Leather Teeth (2018) — a glam-rock-infused neon nightmare • Leather Terror (2022) — a brutal slasher odyssey following anti-hero Brett Halford • The forthcoming final chapter — the ultimate crescendo of this filmic saga
Carpenter Brut’s live spectacle continues to evolve alongside the narrative, and he has announced extensive European and U.S. dates for March 2026, including a massive North American co-headline run with HEALTH.
Industrial-electro giants Combichrist return with a violent, seductive new offering: “Feraline,” the third single from their forthcoming full-length album. Following the crushing intensity of “Desolation” and “RISE,” the band now dives deeper into ritualistic darkness—unveiling a track built for the clubs, the shadows, and the wildness within us all.
A Dark Invocation for the Dancefloor 🌑🔥
“Feraline” is Combichrist in their purest, most feral form: distorted synths, primal rhythms, hypnotic vocals, and a surge of industrial energy sharpened for a new era.
The band’s signature aggression pulses through every beat, paired with a modern electronic edge that guarantees its domination across goth clubs, industrial nights, and festival floors worldwide.
Frontman Andy LaPlegua explains the myth behind the madness:
“Feraline is a Goddess, symbolizing the return to nature — a way to connect to your own feral self, to truly be free from modern-day society.”
Fresh off a blistering Australian tour and a special old-school electro European run, Combichrist continue to build global momentum. Their next album grows nearer—and “Feraline” serves as a seductive omen of what is coming.
The band now prepares for their next conquests:
E-Tropolis Festival 2026 (Germany)
Dark Force Fest 2026 (USA)
Expect sweat, noise, chaos, and a feral transformation under open skies.
About Combichrist 🩸
Founded by Norwegian mastermind Andy LaPlegua, Combichrist have spent more than 20 years reshaping industrial, EBM, and metal with relentless innovation and brutal energy. From legendary albums to explosive stage shows, the band stands at the frontlines of the global industrial movement—fearless, evolving, and eternally ferocious.
With their next full-length album rising on the horizon, “Feraline” is more than just a single—it’s the opening growl of a new beast.
Sweden’s unstoppable Viking metal warlords Amon Amarth are returning in 2026 with a colossal UK + EU headline siege—one built on fire, steel, and the promise of an entirely new era of brutality.
The Allfather Awakens Tour brings an all-Swedish lineup of devastation, with Orbit Culture and Soilwork joining the charge as the longships push ashore throughout October and November 2026.
A New Age of War Is Coming ⚔️🔥
Fresh from conquering festival seas, supporting Slayer across the UK, and leveling the U.S. alongside Pantera, Amon Amarth now prepare to unveil an all-new theatrical stage production—their most ambitious vision yet.
The band will also deliver an extended headline set, forging the next chapter of Viking metal mythology. The raid begins October 9th in Manchester before tearing across London, Wolverhampton, and then the entire EU with no mercy left behind.
This is not myth. This is not illusion. This is modern metal’s most dominant storytellers calling their armies to war.
Tickets go live Friday, November 28th at 9am GMT / 10am CET via AmonAbarth.com/Tour.
A New Single, a New Age, a New Album Incoming 🌊⚔️
To mark the turning of the tide, Amon Amarth recently fired off their newest single, “We Rule The Waves,” a triumphant offering to the gods. The song’s video stands as a war banner announcing what’s next:
A full new album arrives late 2026.
Forged in iron, shaped by salt and storm, and sharpened by decades of mythic storytelling, the coming record promises to be one of the most devastating offerings in their entire saga.
UK RAID DATES 🇬🇧
Fri 9 Oct — Manchester, O2 Apollo Sat 10 Oct — London, Eventim Apollo Sun 11 Oct — Wolverhampton, Civic Hall
EU RAID DATES 🇪🇺
13 Oct — Paris, FR — Zenith 14 Oct — Esch sur Alzette, LUX — Rockhal 16 Oct — Stuttgart, DE — Schleyer-Halle 17 Oct — Frankfurt, DE — Festhalle 18 Oct — Antwerp, BE — Lotto Hall 20 Oct — Den Bosch, NL — Mainstage 21 Oct — Hamburg, DE — Sporthalle 23 Oct — Gothenburg, SE — Scandinavium 24 Oct — Stockholm, SE — Hovet 26 Oct — Helsinki, FI — Ice Hall 27 Oct — Tallinn, EE — Unibet Arena 29 Oct — Gliwice, PL — PreZero Arena 30 Oct — Leipzig, DE — Quarterback Arena 31 Oct — Oberhausen, DE — Rudolf Weber Arena 2 Nov — Budapest, HU — Barba Negra 3 Nov — Vienna, AT — Gasometer 4 Nov — Bamberg, DE — Brose Arena 6 Nov — Prague, CZ — O2 Universum 7 Nov — Berlin, DE — Velodrom 8 Nov — Munich, DE — Zenith 10 Nov — Milan, IT — Alcatraz 11 Nov — Zurich, CH — The Hall 13 Nov — Barcelona, ES — Sant Jordi Club 14 Nov — Madrid, ES — Vistalegre 15 Nov — Lisbon, PT — Sala Tejo
The Legend of Amon Amarth Continues 🛡️
Formed in 1992, Amon Amarth have forged their iron legacy with albums like “Twilight of the Thunder God” and “Jomsviking,” merging myth, melody, and mayhem into one of metal’s most recognizable identities. Their worldwide domination, festival headlining might, and explosive live production have crowned them kings of the modern Viking metal era.
From the shores of Valhalla to the stages of the world, Amon Amarth continue to evolve without abandoning the power, heart, and ferocity that built their dynasty.
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