A crushing new chapter in extreme metal emerges as Dark Descent Records unveils a devastating split release featuring Lie In Ruins and Strychnos.
A dual assault of darkness and doctrine
Titled “Paralyzing Visions / Theodicy of the Seven Mile Scythe,” this split release brings together two formidable forces in the underground metal sphere, each delivering their own vision of sonic devastation. Lie In Ruins plunge listeners into cavernous, suffocating depths with “Paralyzing Visions,” a track steeped in ritualistic atmosphere and crushing death metal weight.
On the other side, Strychnos unleash “Theodicy of the Seven Mile Scythe,” a feral and unrelenting composition that blends blackened fury with surgical precision. The contrast between the two bands creates a dynamic listening experience—one rooted in shared darkness, yet executed through distinct sonic identities.
Underground intensity, refined and weaponized
This split is more than a collaboration—it’s a statement. Both bands operate at the intersection of brutality and atmosphere, crafting tracks that feel both ancient and immediate. The production remains raw enough to preserve the genre’s primal edge, yet refined enough to deliver maximum impact through modern systems.
Listeners can expect punishing riffs, ominous tonal shifts, and an overarching sense of dread that lingers long after the final note fades. It’s a release designed for those who seek depth in darkness and power in extremity.
A must-hear for extreme metal devotees
With this announcement, Dark Descent Records continues to reinforce its reputation as a powerhouse for uncompromising extreme music. “Paralyzing Visions / Theodicy of the Seven Mile Scythe” stands as a testament to the enduring strength of the underground—where artistry and aggression collide without restraint.
🎶 Listen Now:
Deep Dive into the Universe of Dark Descent Records
Norway’s symphonic black metal juggernaut Dimmu Borgir return with a thunderous statement, publishing their ferocious new single and music video “Ascent” while unveiling details for their long-awaited studio album Grand Serpent Rising, arriving May 22 via Nuclear Blast Records.
A Darker Evolution Forged in the Studio ⚙️
Reuniting in Gothenburg with renowned producer Fredrik Nordström, the architect behind landmark releases like Puritanical Euphoric Misanthropia and Death Cult Armageddon, the band channels both legacy and evolution into this new chapter. The result is an album that amplifies their trademark symphonic scale while diving deeper into oppressive atmospheres and sharpened aggression.
Grand Serpent Rising is positioned as one of the band’s most expansive and dynamic records yet—balancing cinematic orchestration with relentless, blackened force.
“Ascent” Strikes with Precision and Power ⚡
The newly released single “Ascent” hits with unrelenting intensity—an icy, violent surge wrapped in haunting beauty. It’s a track that doesn’t just continue the band’s legacy—it reinforces it. Razor-edged riffs, orchestral weight, and punishing rhythm collide into something both primal and calculated.
Frontman Shagrath describes the track as more direct and ferocious than the first single, emphasizing the album’s wide-ranging sonic scope. Guitarist Silenoz expands on the concept, framing “Ascent” as a transformative ascent through fear and consciousness—echoing philosophical undertones inspired by Friedrich Nietzsche.
Global Domination: 2026 Tour Offensive 🌍
For the first time since 2018, Dimmu Borgir return to North America with a full headlining run, joined by Hypocrisy, Suffocation, and Hulder.
Select dates:
Aug 7 – New York, NY – The Palladium
Aug 14 – Chicago, IL – The Vic
Aug 18 – Denver, CO – Mission Ballroom
Aug 23 – Los Angeles, CA – The Novo
Europe and the UK will witness an even more devastating force as Dimmu Borgir co-headline the “In League With Satan” tour alongside Behemoth, with support from Dark Funeral.
Key stops include:
Paris – Zenith
London – Brixton Academy
Berlin – Columbiahalle
Stockholm – B-K
The campaign culminates in “Unholy Halloween” in Oslo, featuring Enslaved and Satyricon.
A new chapter has begun in the ever-expanding legacy of Dimmu Borgir—and this time, it arrives with thunder, fire, and a serpent coiled around the future of symphonic black metal.
The Return of a Titan ⚙️
After years of silence following 2018’s Eonian, Dimmu Borgir have officially broken their creative dormancy with the announcement of a brand-new record titled Grand Serpent Rising. This marks a monumental return for a band that has long defined the intersection of orchestral grandeur and extreme metal aggression.
The reveal doesn’t come quietly—it strikes with purpose.
Alongside the album announcement, the band has unleashed the first single, giving fans an immediate taste of what’s to come. And make no mistake: this is not a subtle re-entry. This is a statement.
A Sound Forged in Darkness ⚡
The newly released track channels everything that has made Dimmu Borgir a dominant force for decades—layered orchestration, punishing rhythms, and an atmosphere that feels both apocalyptic and cinematic.
There’s a renewed intensity embedded within the sound. While Eonian leaned heavily into symphonic textures, this new material suggests a sharpened edge—where melody and brutality coexist with even greater precision.
It feels deliberate. Focused. Evolved.
The Serpent Rises 🔥
The title Grand Serpent Rising alone evokes myth, power, and transformation—imagery that aligns perfectly with Dimmu Borgir’s long-standing aesthetic of darkness, mysticism, and dominance.
Though full details about the album remain limited, the unveiling of a single alongside the announcement signals something much larger than a one-off release. This is the beginning of a new era.
And if history is any indication, Dimmu Borgir are not interested in revisiting the past—they’re here to redefine their future.
Dimmu Borgir have always occupied a unique space in metal—bridging underground credibility with massive, cinematic appeal. Their influence stretches across black metal, symphonic metal, and beyond.
This return isn’t just about new music. It’s about momentum.
A reactivation of one of metal’s most iconic forces
A signal to the scene that evolution is far from over
A reminder that scale, atmosphere, and aggression can coexist at the highest level
A long silence is about to be shattered as Dimmu Borgir prepares to unveil their first new material in years, signaling a powerful resurgence from one of extreme metal’s most cinematic forces.
A Long-Awaited Awakening ⚙️
For fans of symphonic black metal, the wait has been nothing short of agonizing. Since the release of their 2018 album Eonian, Dimmu Borgir have remained largely quiet on the front of new music. While the band has maintained a presence through performances and orchestral projects, fresh material has been notably absent—until now.
That drought is officially coming to an end.
The band has confirmed that brand-new music is set to drop this week, marking their first release in over half a decade. No long-winded buildup. No cryptic countdowns stretching months. Just a direct strike—sudden, calculated, and unmistakably Dimmu Borgir.
What We Know So Far ⚡
Details surrounding the release are being kept tightly under wraps, adding to the tension and anticipation. What is confirmed is that this new track (or tracks) will represent the band’s first creative output since Eonian, an album that leaned heavily into orchestration, choirs, and grandiose arrangements.
This raises the question: Will Dimmu Borgir continue down the lush, symphonic path… or pivot back toward something darker, colder, and more aggressive?
Given their legacy of evolution—from raw black metal roots to full orchestral dominance—anything is possible.
Legacy of Darkness and Grandeur 🔥
Few bands have managed to bridge the underground and the epic scale of mainstream metal quite like Dimmu Borgir. With a career spanning decades, they’ve become synonymous with:
Cinematic orchestration
Frostbitten atmospheres
Massive, choral-driven compositions
Relentless black metal intensity
Their ability to evolve without losing identity is exactly why this upcoming release carries so much weight.
Why This Matters 💀
This isn’t just another single drop—it’s a reactivation.
Dimmu Borgir stepping back into the arena suggests something bigger could be unfolding. Whether this is a standalone release, a precursor to a full-length album, or the opening move in a larger campaign, one thing is certain:
The machine is turning again.
And when Dimmu Borgir moves, the entire symphonic black metal world pays attention.
Alissa White-Gluz steps beyond the boundaries of expectation and into a bold new creative dimension with the release of “Checkmate,” the latest single from her evolving project, Blue Medusa.
🔥 A New Chapter in Sound and Identity
Long revered for her commanding presence in extreme metal, White-Gluz now pushes into uncharted territory—where melody, brutality, and precision collide. “Checkmate” is more than just a song; it’s a statement of artistic liberation. The track blends razor-sharp heaviness with haunting melodic textures, creating an experience that feels both familiar and strikingly new.
Written by Alissa White-Gluz alongside Alyssa Day and Dani Sophia, and brought to life through the mixing and mastering work of Kile Odell, the single carries a polished yet visceral intensity. It’s emotionally charged, sonically layered, and undeniably gripping.
⚡ Catharsis in Motion
“This is a song where everything just clicked,” White-Gluz explains. And it shows.
Born from a rare creative flow state, “Checkmate” channels raw emotion into something tangible. The lyrics cut deeper than ever before, exploring heavier thematic territory, while the sound itself remains deceptively accessible—hinting at even darker, more aggressive material on the horizon.
This contrast between lyrical weight and sonic clarity creates a tension that pulls listeners in and refuses to let go.
🎬 A Cinematic Vision Unfolds
Beyond the audio experience, “Checkmate” expands into a fully realized visual narrative. Co-directed by White-Gluz alongside Vicente Cordero of Industrialism Films, the music video transforms the song into a symbolic chess match—each move layered with meaning, each frame intentionally crafted.
Drawing from her previous collaborations with Cordero on projects with Nita Strauss and Kat Von D, White-Gluz leans fully into her role as a visual storyteller. The result is a cinematic piece that invites interpretation, encouraging viewers to decode its allegory on their own terms.
“I know what every frame is for,” she teases—leaving fans to explore the deeper meanings embedded within the imagery.
🧠 A Strategic Strike Forward
“Checkmate” stands at the intersection of evolution and identity. It bridges the gap between longtime fans of White-Gluz’s legacy and new listeners stepping into her world for the first time.
With major festival appearances lined up—including Louder Than Life and Aftershock Festival—Blue Medusa is not just a project, but a movement gaining momentum.
Industrial metal pioneers Fear Factory are preparing to unleash a brand-new studio album later this year, and founding guitarist Dino Cazares has begun revealing the first major details about the highly anticipated release.
The upcoming record—expected via Nuclear Blast—will mark a major milestone for the band. It will be the first Fear Factory album featuring vocalist Milo Silvestro and drummer Pete Webber, both of whom have already spent several years touring with the legendary industrial metal act.
A Concept Built Around Humanity and A.I.
According to Cazares, the album will continue Fear Factory’s long-running exploration of the conflict between humanity and technology, a theme that has defined the band’s identity since the 1990s.
This time, the story takes place in a bleak future where humanity exists only in fragments, with artificial intelligence dominating much of the world. While the band remains fascinated by technological evolution, the new material also carries a cautious tone about where that future could lead.
Rather than telling a single continuous story like the band’s classic 1998 concept album Obsolete, the new record will feature individual narrative explanations for each track, giving fans deeper insight into the meaning behind the lyrics, riffs, and themes.
Cazares emphasized that the band wants listeners to understand the intent behind every song, something that often gets lost in the streaming era where liner notes and context rarely accompany digital releases.
A Collaborative Effort From the New Lineup
The writing process behind the album has been a fully collaborative effort. Cazares worked alongside longtime producer Damien Rainaud, while Silvestro contributed a significant portion of the lyrics.
Additional lyrical input also came from bassist Ricky Bonazza, helping shape the album’s overarching narrative and emotional tone.
After touring with Fear Factory for several years, Silvestro has had time to deeply absorb the band’s identity, which Cazares says helped him find his own place within the sound of the group.
A Powerful Closing Chapter
One of the album’s standout moments will be the closing track, written largely by Silvestro himself. The song reportedly carries a cinematic feel similar to “Expiration Date” from the band’s 2015 album Genexus.
Its story imagines a distant future where humanity has disappeared entirely, leaving behind only microscopic remnants of life—raising the possibility that something new could eventually evolve from the ashes of the human race.
Keyboard contributions from longtime collaborator Rhys Fulber will also appear on the track, adding another familiar sonic layer to the band’s evolving sound.
Taking Their Time to Get It Right
Despite fans eagerly asking for new music, Cazares says the band has intentionally taken their time with the album. Expectations are especially high because this will be Fear Factory’s first release without longtime vocalist Burton C. Bell, who departed the band in 2020.
Rather than rushing the process, the band wants to ensure the record stands the test of time.
For Cazares, the goal is simple: deliver an album that lives up to the legacy Fear Factory has built across more than three decades of futuristic, machine-driven metal.
Finland’s modern metal force Lost Society are back. Four years after If the Sky Came Down, the band unleash their most ambitious and cinematic record yet, Hell Is A State Of Mind, arriving March 6, 2026 via Nuclear Blast.
🔥 Evolution Becomes Identity
Samy Elbanna (vocals/guitar), Arttu Lesonen (guitar), Mirko Lehtinen (bass), and Tapani Fagerström (drums) have spent years shedding expectations. From thrash beginnings to darker, more expansive territory, Lost Society have evolved with intent. This album marks the moment they stop searching and fully claim their sound.
Inspired by Finland’s fearless metal lineage, the band pushes forward without apology—modern metal that refuses comparison.
The album’s direction crystallized during the creation of “Blood Diamond,” when orchestral strings transformed a simple demo into something massive. That spark led to a record built on dramatic orchestration fused with classic metal spirit.
Tracks like the vulnerable “Is This What You Wanted” and the explosive “Kill the Light” showcase the emotional range, while bold structural twists—what the band jokingly calls “C-sections”—add unexpected intensity to songs like “No Longer Human.”
Lyrically, the album follows a journey from death and destruction toward revelation: Hell was never a place—it was a mindset.
🎚️ Big Sound, No Shortcuts
Recorded at Finnvox Studio B, the production embraces analog grit—real amps, natural drums, no artificial perfection. The scale expands further with a 40-piece Babelsberg Film Orchestra, elevating the record into cinematic territory.
The title track stands as the ultimate statement: theatrical, unpredictable, and fearless.
💀 A Defiant Statement
Hell Is A State Of Mind distills Lost Society into a singular declaration. No trends. No permission. No compromise.
After nearly a decade of silence, Dutch progressive metal innovators Textures have finally returned with Genotype—a powerful, forward-thinking album that proves the band hasn’t lost a single ounce of intensity, ambition, or emotional depth. Released today, the album arrives alongside a striking new video for the six-minute epic “Measuring the Heavens” and the launch of a massive European tour with Jinjer.
Long anticipated by fans, Genotype is not a sequel to 2016’s Phenotype—it’s a rebirth. Written entirely from scratch and self-produced, the album distills everything that defines TEXTURES into eight meticulously crafted tracks. Mixed by Forrester Savell (Karnivool, Dead Letter Circus), Genotype balances surgical technicality with emotional weight, pushing heaviness, melody, and atmosphere into new territory 💀
Measuring the Heavens: Tension as a Weapon
The newly released lyric video for “Measuring the Heavens” is a masterclass in restraint and release. Drummer Stef Broks describes the track as a deliberate exercise in tension-building—six minutes of controlled pressure before a final, punishing payoff. It’s a song that challenges patience, expectations, and comfort zones, rewarding listeners willing to go the distance.
Lyrically, Genotype speaks directly to outsiders, introverts, and those navigating unseen inner worlds. It’s an album about authenticity, resilience, and refusing to dilute who you are—music for those who exist just outside the spotlight, but burn just as bright 🔥
Genotype Tracklist
Void – 3:49
At The Edge Of Winter – 6:42
Measuring The Heavens – 6:51
Nautical Dusk – 5:35
Vanishing Twin – 5:49
Closer To The Unknown – 4:08
A Seat For The Like-Minded – 5:01
Walls of the Soul – 7:52
Formats Available
Genotype is available now in multiple physical editions, including a striking coke-bottle green splatter vinyl and a white/blue marble vinyl gatefold with printed lyric insert, as well as a classic black vinyl edition and CD digipak.
Reclaiming the Stage
TEXTURES have spent years building a fiercely loyal global following—from headlining festivals in India to becoming a fixture at European metal landmarks like Hellfest, Wacken Open Air, Graspop, and Brutal Assault. Now, they’re set to reclaim their place as one of progressive metal’s most electrifying live acts.
Kicking off today in Cologne, the band joins Jinjer and Unprocessed for an extensive 5.5-week European tour running through March 2026. As Stef Broks puts it, this tour marks a major milestone for the band—and an invitation for fans old and new to reconnect in the pit 🤘
TEXTURES European Tour Dates (with Jinjer)
January 23, 2026 – Cologne – Palladium – Germany January 24, 2026 – Tilburg – 013 – Netherlands January 25, 2026 – Brussels – Ancienne Belgique – Belgium January 27, 2026 – Glasgow – SWG3 – Scotland January 28, 2026 – Dublin – Olympia – Ireland January 29, 2026 – Manchester – O2 Ritz – England January 30, 2026 – Birmingham – O2 Institute – England January 31, 2026 – London – O2 Kentish Town Forum – England February 2, 2026 – Paris – L’Olympia – France February 3, 2026 – Lyon – Le Transbordeur – France February 4, 2026 – Toulouse – Le Bikini – France February 6, 2026 – Lisbon – LAV – Portugal February 7, 2026 – Madrid – Wagon – Spain February 8, 2026 – Bilbao – Santana 27 – Spain February 10, 2026 – Trezzo Sull’Adda – Live Club – Italy February 11, 2026 – Zürich – X-Tra – Switzerland February 12, 2026 – Stuttgart – LKA Longhorn – Germany February 13, 2026 – Wiesbaden – Schlachthof – Germany February 14, 2026 – München – Tonhalle – Germany February 16, 2026 – Budapest – Barba Negra – Hungary February 17, 2026 – Vienna – Gasometer – Austria February 19, 2026 – Prague – Sasazu – Czech Republic February 20, 2026 – Leipzig – Felsenkeller – Germany February 21, 2026 – Berlin – Astra – Germany February 22, 2026 – Warsaw – Progresja – Poland February 24, 2026 – Helsinki – Kulttuuritalo – Finland February 25, 2026 – Tampere – Tavara Asema – Finland February 27, 2026 – Stockholm – Fallan – Sweden February 28, 2026 – Oslo – Sentrum Scene – Norway March 1, 2026 – Copenhagen – Amager Bio – Denmark March 2, 2026 – Hamburg – Große Freiheit 36 – Germany
Greek symphonic extreme metal titans capture raw power and ritual intensity on their first-ever live album, arriving February 20, 2026.
W.E.B. have revealed a ferocious live video/single for “Dragona”, offering a blistering preview of their upcoming live album Darkness Alive, due February 20, 2026 via Metal Blade Records.
💀 A Night in Athens, Forged in Fire Recorded in the band’s hometown of Athens on September 22, 2024, Darkness Alive captures W.E.B. at full force—ritualistic, commanding, and unrelenting. The performance distills the band’s symphonic extremity into a visceral document that balances precision with raw, communal energy.
💀 “Dragona”: A Live Rite of Passage Originally appearing on the acclaimed 2017 full-length Tartarus, “Dragona” detonates here as a black metal masterwork with an epic, ceremonial finale—one that fans and critics alike have long ranked among the band’s most revered compositions. Lyrically, the track praises an ancient god through a funeral exodus, cementing its status as a permanent pillar of W.E.B.’s live set.
💀 Standout Moments from the Set The album also features crushing performances of “Into Hell Fire We Burn”—described by vocalist/guitarist Sakis Prekas as a “thunderous marriage of black and heavy metal with a chorus that literally orders you to sing along”—and “Dark Web,” an intense collision of melodic death and modern metal ferocity.
💀 What Comes Next With Darkness Alive set for digital release, W.E.B. are already deep into composing their next studio full-length. “It is by far the best material we’ve ever had on a record,” Prekas notes. “All new material must be better material—otherwise there is no reason to release it. Stay Dark.”
The third strike from The Great Satan arrives as Zombie announces a massive Summer 2026 co-headlining tour with Marilyn Manson.
Rob Zombie is back in full hellbilly mode with the release of “(I’m a) Rock ’N’ Roller,” the third single from his upcoming album The Great Satan, due February 27, 2026 via Nuclear Blast Records. Thick, swaggering, and unapologetically loud, the track is a boot-stomping manifesto—Zombie at his most primal and defiant.
💀 A Fist-Pumping Anthem for the Faithful Built on grinding riffs, filthy grooves, and a chant-ready chorus, “(I’m a) Rock ’N’ Roller” doubles down on everything that made Zombie an icon. It’s not nostalgia—it’s a declaration. Rock and roll didn’t go anywhere, and Zombie’s here to remind everyone why it still hits like a wrecking ball.
💀 The Great Satan: A Return to the Slaughterhouse Following the Top 10 Billboard debut of The Lunar Injection Kool Aid Eclipse Conspiracy (2021), Zombie’s eighth solo album revisits his early hellbilly DNA—punk-infused, horror-soaked, and relentlessly anthemic. The Great Satan leans hard into chaos with tracks like “Punks And Demons,” “Heathen Days,” “Tarantula,” and the new single anchoring the assault.
💀 Summer 2026: Monsters on the Road Zombie has also confirmed a Summer 2026 co-headlining North American tour with longtime collaborator and labelmate Marilyn Manson. The run features support from The Hu and Orgy—a stacked lineup designed for maximum impact.
Screenshot
💀 The Great Satan — Tracklist
F.T.W. 84
Tarantula
(I’m a) Rock ’N’ Roller
Heathen Days
Who Am I
Black Rat Coffin
Sir Lord Acid Wolfman
Punks And Demons
The Devilman
Out of Sight
Revolution Motherfuckers
Welcome To The Electric Age
The Black Scorpion
Unclean Animals
Grave Discontent
💀 ROB ZOMBIE (w/ MARILYN MANSON) — Summer 2026 Tour Dates 8/20 – West Palm Beach, FL – iTHINK Financial Amphitheatre ^+ 8/21 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre ^+ 8/23 – Alpharetta, GA – Ameris Bank Amphitheatre ^+ 8/24 – Charlotte, NC – Truliant Amphitheater ^+ 8/26 – Holmdel, NJ – PNC Bank Arts Center ^+ 8/27 – Mansfield, MA – Xfinity Center ^+ 8/29 – Burgettstown, PA – The Pavilion at Star Lake ^+ 8/30 – Darien Center, NY – Darien Lake Amphitheater ^+ 9/01 – Toronto, ON – RBC Amphitheatre ^+ 9/02 – Cuyahoga Falls, OH – Blossom Music Center ^+ 9/04 – Clarkston, MI – Pine Knob Music Theatre ^+ 9/05 – Tinley Park, IL – Credit Union 1 Amphitheatre ^+ 9/06 – Noblesville, IN – Ruoff Music Center ^+ 9/09 – St. Louis, MO – Hollywood Casino Amphitheater ^+ 9/10 – Kansas City, MO – Morton Amphitheater ^+ 9/12 – Greenwood Village, CO – Fiddler’s Green Amphitheatre ^+ 9/14 – West Valley City, UT – Utah First Credit Union Amphitheatre ^+ 9/16 – Airway Heights, WA – BECU Live at Northern Quest + 9/17 – Auburn, WA – White River Amphitheatre ^+ 9/18 – Ridgefield, WA – Cascades Amphitheater ^+ 9/20 – Concord, CA – Toyota Pavilion at Concord ^+
New York death metal legends Immolation storm into 2026 with renewed fury, unveiling their twelfth studio album Descent, set for release on April 10 via Nuclear Blast Records. Alongside the announcement, the band has unleashed the album’s first single, Adversary, delivering a merciless preview of what lies ahead. 💀
Since their seminal 1991 debut Dawn of Possession, Immolation have remained a defining force in extreme metal, shaping the genre through innovation rather than imitation. At the core of their unmistakable sound is guitarist Bob Vigna’s signature fretwork—serpentine leads colliding with ominous, slow-burning dirges that feel both ancient and alien.
A First Descent into the Abyss
“Adversary” hits with relentless precision: blast-driven percussion, dissonant riff structures, and Ross Dolan’s cavernous growls forming a towering wall of sound. It’s death metal sharpened to a lethal edge—uncompromising, atmospheric, and deeply menacing. The accompanying video, directed by Bob Vigna himself, visually amplifies the track’s suffocating intensity.
Immolation describe Descent as both a continuation and an evolution—rooted firmly in their origins while daring to push further into new territory. The band calls the album “almost addictive,” highlighting its ambitious songwriting, immersive atmosphere, and one of the strongest productions of their career. 💀
Forged in Fire: Production & Artwork
Descent was recorded across two locations: guitars, bass, and vocals tracked with Justin Passamonte at Jpass Music, while drums were captured at Mercinary Studios with Noah Buchanan. Longtime collaborator Zack Ohren handled mixing and mastering alongside the band, resulting in a muscular, high-definition production that balances sheer brutality with unsettling clarity.
Visually, Immolation once again partnered with acclaimed artist Eliran Kantor for the album cover, complemented by interior illustrations from Santiago Jaramillo (Triple Seis Design). The result is a visual statement as harrowing and iconic as the music itself.
This February, Immolation will join Mayhem on the Death Over Europe Tour, alongside Marduk, tearing through major European cities.
Following that run, the band heads to North America as direct support for Behemoth on The Godless IV 2026 Tour, joined by Deicide and Rotting Christ. Select festival appearances will follow, including Rockstadt Extreme Fest and Brutal Assault. 💀
Why Descent Matters
Calling Descent “heavy” barely scratches the surface. This is Immolation refining their language of darkness—death metal that is brutal yet cerebral, oppressive yet precise. With Descent, Immolation don’t just reaffirm their legacy; they deepen it, proving once again why they stand alone at the genre’s highest tier.
The Browning have officially announced Burn This World [EVOLVED], a reengineered and weaponized evolution of one of their most defining tracks. This isn’t a simple remix or reissue—it’s a full-scale reconstruction designed to hit harder, move faster, and reflect just how far the band’s cyber-metal assault has progressed.
Known for fusing extreme metal brutality with relentless electronic programming, The Browning use [EVOLVED] as both a statement and a warning. The track revisits familiar foundations while amplifying everything—heavier drops, sharper synth architecture, and a modernized sonic core built for today’s dystopian landscape. It’s the sound of a band refusing stagnation, constantly rewriting their own rulebook.
“Burn This World [EVOLVED]” stands as proof that The Browning are not content to live in past victories. Instead, they continue to adapt, mutate, and push their hybrid sound into more aggressive and future-forward territory—where metal, electronics, and chaos collide at full force.
This evolution isn’t about nostalgia. It’s about dominance.
Rob Zombie returns from the cinematic shadows with a vicious new single, “Heathen Days,” the latest blast of Hellbilly venom from his forthcoming album The Great Satan, arriving February 27th via Nuclear Blast Records. The master of shock-horror rock is back—and he’s kicking the doors off 2026 with a sound that drips gasoline, grime, and chaos.
A Hellbilly Resurrection 🔥🩸
“Heathen Days” drags listeners straight into Zombie’s old-school furnace—grinding riffs, sleazy groove, and that unmistakable devil-on-the-mic snarl. Directed by Zombie himself, the music video is a filthy, psychedelic nightmare ripped straight from the brain of a man who’s spent decades blurring the line between cinema and carnage.
Following the Top 10 success of The Lunar Injection Kool Aid Eclipse Conspiracy (2021), Zombie now shifts back into the Hellbilly gear that made him a household name among the dark, the damned, and the gloriously unhinged.
The Great Satan marks his 8th studio album—a punk-infused, heavy-rock, blood-spattered carnival that promises to be his most feral offering in years. Fans can expect signature freak-show chaos across tracks like “Tarantula,” “(I’m a) Rock ‘N’ Roller,” and the already-viral single “Punks and Demons.”
With over 15 million albums sold, nine feature films, and a legacy soaked in grindhouse aesthetics and savage creativity, Rob Zombie remains one of the most successful crossover artists in rock history. From White Zombie to Hellbilly Deluxe to The Devil’s Rejects, he has carved out a universe that’s equal parts carnival, corpse pile, and comic book fever dream.
2026 marks a full return to form—louder, weirder, nastier, and unmistakably Zombie.
Dark Descent Records drops brutal news on the underground metal world
🔥 A Ruthless New Chapter Begins The queens of death metal carnage, Castrator, are back with a blood-soaked vengeance. Dark Descent Records has just announced the band’s newest album, Coronation of the Grotesque — a follow-up destined to leave no flesh unscathed.
💀 Brutality Refined, Feminine Fury Unleashed Known for their unrelenting old-school death metal assault and unapologetic lyrical venom, Castrator’s latest effort looks to be their most ferocious yet. Though details remain grimly minimal, the title Coronation of the Grotesque promises a reign soaked in gore, power, and retribution.
👑 Still Reigning Supreme Following their 2022 full-length Defiled in Oblivion, this new chapter reaffirms Castrator’s place among the most vital forces in death metal today — crushing boundaries and patriarchal bones alike.
Los Angeles-founded industrial act DAWN OF ASHES, the project of Kristof Bathory since the turn of the millennium, has unleashed their new single, “HYPERTENSIVE CRISIS,” today, April 18th, 2025, via Metropolis Records.
Links to access the single are available for WAV, MP3, streaming platforms, Bandcamp, and the official music video on YouTube:
This new track is a precursor to their forthcoming album, “INFECTING THE SCARS,” set to be released on June 6th, 2025.
Formed with a moniker suggesting ‘the beginning of the end,’ Dawn Of Ashes initially emerged from the industrial and aggrotech scenes, later incorporating blackened metal and extreme industrial elements. For over two decades, Bathory and the band have consistently pushed the boundaries of extreme music.
Relocating to Denmark, the upcoming album “Infecting The Scars” marks a return to Dawn Of Ashes’ aggrotech roots, infused with a heightened level of intensity and maturity. It is described as a rebirth, blending past aggression with a refined modern sound. The lyrics and sound delve into psychological horror, inner turmoil, and the scars left by life’s harsh experiences, moving beyond mere destructive anthems.
Regarding the new single, “Hypertensive Crisis,” Kristof Bathory states it’s a conscious effort to “recapture the nostalgia of our early era while seamlessly blending it with fresh, modern elements. Evolution and maturity – both in sound and lyrics – are crucial to the creative process. Artistic growth has allowed this project to delve deeper, delivering more meaningful lyrics that evoke horror through the lens of psychosis. This song is a perfect example, showcasing a fully realised version of our classic sound, reimagined with a new intensity and depth.”
The move to Denmark also signals an expansion of Dawn Of Ashes’ live presence, with European tour dates in development alongside planned shows in Mexico, promising widespread chaos and horror.
Progressive death metal boundary-breakers FRACTAL UNIVERSE have dropped a brand-new music video for their latest single “A New Cycle” — the third and final preview from their upcoming full-length, The Great Filters, out this Friday, April 4th via M-Theory Audio.
The track dives into the speculative sci-fi concept of directed panspermia — humanity, teetering on extinction, sends probes filled with primordial life across the cosmos to spark new civilizations. But those civilizations, destined to repeat our same fatal mistakes, find themselves trapped in a never-ending loop of rise and ruin.
Directed by Pauline Colombani (www.c3polette.com), the video is the latest visual chapter following “Causality’s Grip” and “The Seed of Singularity,” all showcasing FRACTAL UNIVERSE’s signature fusion of progressive technicality and eerie saxophone-laced soundscapes.
🎧 About The Great Filters
Due out April 4, 2025, The Great Filters is FRACTAL UNIVERSE’s most ambitious and intricate album to date. Merging heavy riffs, jazz-influenced melodies, and philosophical storytelling, it delivers a cerebral experience laced with cosmic awe. Recorded at Boundless Production Studios and Fractal Headquarters, the album was mixed and mastered by Flavien Morel (Benighted Soul, Catalyst).
💿 Available Formats:
Limited-edition red with black splatter vinyl (500 copies)
Red and cream marble vinyl (band/label exclusive, 200 copies)
European Shows Apr 3 – Chambery, FR – Brin De Zinc Apr 5 – San Sebastian, ES – Donostia Prog/Tech Death Fest Apr 11 – Nilvange, FR – Le Gueulard Plus (release party)
North America – Shred Fest Tour w/ Obscura, Atheist, Origin, Decrepit Birth Apr 20 – San Diego, CA – Brick By Brick Apr 21 – Las Vegas, NV – Backstage Bar Apr 22 – Grand Junction, CO – Mesa Theater Apr 24 – Lawrence, KS – Granada Theater Apr 25 – Dallas, TX – Trees Apr 26 – Birmingham, AL – WorkPlay Theatre Apr 27 – Jacksonville, FL – Underbelly Apr 28 – Orlando, FL – Conduit Apr 29 – Greensboro, NC – Hangar 1819 Apr 30 – Richmond, VA – Canal Club May 2 – Boston, MA – Middle East Downstairs May 3 – Quebec City, QC – Salie Montaigne May 4 – Ottawa, ON – Overflow May 5 – Montreal, QC – Fairmount May 6 – Toronto, ON – Lee’s Palace May 7 – Pittsburgh, PA – Preserving May 8 – Chicago, IL – Reggie’s May 9 – Minneapolis, MN – The Cabooze May 10 – Winnipeg, MB – Park Theater May 12 – Edmonton, AB – Starlight Room May 13 – Calgary, AB – Dickens May 15 – Vancouver, BC – Rickshaw Theater May 16 – Seattle, WA – El Corazon May 17 – Portland, OR – Bossanova Ballroom May 18 – San Francisco, CA – DNA Lounge May 20 – Albuquerque, NM – Sunshine Theater May 21 – Phoenix, AZ – Rebel Lounge May 22 – Los Angeles, CA – 1720
🧬 FRACTAL UNIVERSE – A Legacy of Evolution
Formed in 2015 in Nancy, France, FRACTAL UNIVERSE made their debut with the independent EP Boundaries of Reality before signing to Kolony Records for 2017’s Engram of Decline, a concept record influenced by Nietzsche. They joined Metal Blade Records for 2019’s Rhizomes of Insanity, exploring fragmented human consciousness with technical brilliance. Their critically acclaimed 2021 album The Impassable Horizon tackled themes of determinism and free will, all while integrating saxophone flourishes into their progressive metal palette. Having toured with heavyweights like Obscura, Evergrey, Black Dahlia Murder, and God Dethroned, FRACTAL UNIVERSE continue to carve their place as one of the most innovative acts in modern metal.
New Jersey deathcore juggernauts FIT FOR AN AUTOPSY have dropped a searing new live music video for “Lower Purpose”—a visceral highlight from their critically acclaimed 2023 full-length The Nothing That Is (Nuclear Blast). Shot and edited by Cameron Nunez, the clip captures the band in their natural element: full-force, no-frills, and unapologetically brutal.
But that’s not all: FIT FOR AN AUTOPSY is bringing the devastation to a stage near you with their upcoming 31-date North American tour, launching April 8th in Louisville, KY. The trek includes co-headlining dates with Arch Enemy on the North American Blood Dynasty Tour 2025 and headline shows featuring Mugshot, Tracheotomy, and Gates to Hell on select dates.
This tour is a full-throttle victory lap for a band at the peak of their creative power—offering everything from chaos and catharsis to deep emotional weight and sonic complexity.
🩸 2025 NORTH AMERICAN TOUR DATES
^ = w/ Mugshot, Tracheotomy ~ = w/ Arch Enemy, Baest, Thrown Into Exile * = w/ Gates To Hell, Mugshot, Tracheotomy # = Festival Appearance
Apr 8 – Louisville, KY – Portal ^
Apr 9 – St. Louis, MO – Red Flag ^
Apr 10 – Oklahoma City, OK – Beer City Music Hall ^
Apr 11 – Lubbock, TX – Jake’s Sports Cafe ^
Apr 12 – Albuquerque, NM – Sunshine Theater ^
Apr 14 – San Diego, CA – Observatory North Park ~
Apr 15 – Los Angeles, CA – The Wiltern ~
Apr 16 – San Francisco, CA – Regency Ballroom ~
Apr 18 – Portland, OR – Roseland Theater ~
Apr 19 – Seattle, WA – Showbox SoDo ~
Apr 20 – Vancouver, BC – The Pearl ~
Apr 22 – Edmonton, AB – Union Hall ~
Apr 23 – Calgary, AB – MacEwan Hall ~
Apr 25 – Salt Lake City, UT – The Complex ~
Apr 26 – Denver, CO – Summit ~
Apr 28 – Minneapolis, MN – Fillmore Minneapolis ~
Apr 29 – Chicago, IL – The Vic Theatre ~
Apr 30 – Detroit, MI – The Majestic Theatre ~
May 2 – New York, NY – Palladium Times Square ~
May 3 – Worcester, MA – The Palladium ~
May 5 – Philadelphia, PA – Theatre of Living Arts ~
May 6 – Silver Spring, MD – Fillmore Silver Spring ~
Released via Nuclear Blast, the band’s seventh album is their most ambitious and emotionally devastating effort yet. Produced by Will Putney at Graphic Nature Audio, the record trades fleeting trends for timeless terror—delivering ten dense, dynamic tracks that explore everything from planetary collapse to personal despair.
From the crushing “Hostage” to the haunting “The Silver Sun”, this album flows like a descent into modern-day dystopia, demanding to be played start to finish.
“This is not about commercial appeal,” says the band. “This is about rage, reflection, and ripping away the façade.”
🔥 FIT FOR AN AUTOPSY ARE:
Joseph Badolato – Vocals Patrick Sheridan – Guitar Timothy Howley – Guitar Will Putney – Guitar Peter “Blue” Spinazola – Bass Josean Orta Martinez – Drums
Canadian alt-metal trailblazer ONI has returned with a soul-piercing new single, “Shouldn’t Feel This Way,” a powerful acoustic ballad that peels back the distortion to reveal raw emotion and heartbreak. Out now on all platforms, the track marks a distinct shift in tone for ONI—showcasing a softer, more vulnerable side of project founder Jake Oni.
“‘Shouldn’t Feel This Way’ is about mourning the loss of someone really close to you, and the constant struggle in life to live without feeling lost and alone… It isn’t like anything I have released before. I got to shoot the video on my farm in Canada which is a very important place for me.”
Co-written with John Boecklin, Seth Evans, and Kile Odell, the track follows the recent cover of The Kooks’ “Naive” and ONI’s emotionally charged Genesis EP, setting the stage for a dynamic and deeply personal year in the band’s evolution.
April 8 – Tulsa, OK – Cain’s Ballroom April 10 – Dallas, TX – The Echo Lounge & Music Hall April 11 – Little Rock, AR – The Hall April 12 – Columbia, MO – The Blue Note April 13 – Lincoln, NE – Bourbon Theatre April 14 – Denver, CO – Oriental Theater April 15 – Colorado Springs, CO – Black Sheep April 17 – Los Angeles, CA – The Regent Theater April 19 – Tempe, AZ – Marquee Theatre April 22 – Boise, ID – Knitting Factory April 23 – Seattle, WA – Neptune Theatre April 24 – Spokane, WA – Knitting Factory April 25 – Salem, OR – Elsinore Theatre April 26 – Reno, NV – Cargo Concert Hall April 29 – Vancouver, BC – Rickshaw Theatre May 1 – Calgary, AB – The Palace Theatre May 4 – Winnipeg, MB – The Park Theatre May 6 – Chicago, IL – Bottom Lounge May 7 – Green Bay, WI – EPIC Event Center May 8 – Des Moines, IA – Wooly’s May 9 – Grand Rapids, MI – GLC Live at 20 Monroe May 10 – Detroit, MI – The Fillmore May 12 – Lititz, PA – Mickey’s Black Box May 15 – Charlotte, NC – The Underground May 16 – North Myrtle Beach, SC – House of Blues May 17 – Louisville, KY – Mercury Ballroom May 18 – Bloomington, IL – The Castle Theatre
Formed in 2014, ONI has carved out a unique space in metal with his fusion of progressive songwriting, crushing metalcore, and melodic hooks. From his debut Ironshore (2016) to the powerful sophomore effort Loathing Light (2022) featuring Iggy Pop and Randy Blythe, to the genre-defying The Silver Line (2023) with collabs including Howard Jones and Sueco, Jake Oni has proven he’s one of the scene’s most versatile and ambitious voices.
The Genesis EP (2025) continues that upward trajectory with singles like “Deja Vu,” “Walk Away,” and “Erase” leading the charge.
Portland’s blackened death metal force DROUTH returns this spring with the highly anticipated release of their third full-length album, The Teeth of Time, arriving May 16th via Eternal Warfare Records. Following their critically acclaimed 2020 release Excerpts From a Dread Liturgy, the new record is an unrelenting storm of doom-laden intensity, existential dread, and sonic brutality.
A Manifestation of Torment and Chaos 🖤🔥
DROUTH comments on the upcoming release: “We are proud to present The Teeth of Time, a culmination of several years of blood, sweat, and pain. It is a nightmare made manifest, and we are both eager to share our creative work and grateful to the many people who helped make it possible.”
To mark the album’s announcement, the band has unveiled “False Grail,” a harrowing preview of the hellscape awaiting listeners within The Teeth of Time. First premiered at Invisible Oranges, the track delivers an ominous, suffocating atmosphere that perfectly sets the tone for the album.
Matt Solis on “False Grail”:
“‘False Grail’ was the last song we wrote before entering the studio. It came together relatively quickly based on ideas that Stikker brought in—he had it well fleshed out, but we expanded the closing doom section to really emphasize the dynamic shift in the song. We also knew we wanted string accompaniment, so we had Eva Vonne from Isenordal add mournful viola layers after tracking was completed.”
Matt Stikker on the Song’s Concept:
“Lyrically, the song is a nightmare reflecting the disconnect between the true and projected self, and the increasing tension between those poles that we all experience. The map is not the territory, but when the map prefigures and gradually dictates the territory, our agency is threatened forever.”
1️⃣ Hurl Your Thunderbolt Even Unto Death 2️⃣ False Grail 3️⃣ The Teeth of Time 4️⃣ Through a Glass, Darkly 5️⃣ Exult, Ye Flagellant
📸 Album artwork & credits: Jason DeSomer
About DROUTH 🖤
Formed in Portland in 2012, DROUTH (formerly known as Contempt) has carved a reputation in the extreme metal underground for their seamless blend of black metal, death metal, doom, and crust. Their 2014 debut EP Skinwalker put them on the map, followed by Vast, Loathsome (2015), full-lengths Knives, Labyrinths, Mirrors (2017) and Excerpts From a Dread Liturgy (2020).
Their latest offering, The Teeth of Time, was recorded and mixed by legendary engineer Billy Anderson (Neurosis, Cattle Decapitation) and mastered by Justin Weis (Agalloch, Hammers of Misfortune), resulting in 40 minutes of ferocious, melodic, and exploratory blackened death metal.
DROUTH is:
🎸 Matt Stikker – Guitar, vocals, lyrics 🥁 Patrick Fiorentino – Drums 🎸 John Edwards – Guitar, vocals 🎸 Matt Solis – Bass
Technical death metal visionaries ALLEGAEON have just dropped their latest single, “The Swarm,” accompanied by a powerful new video, now premiering at Metal Injection. The track is taken from their forthcoming full-length album, The Ossuary Lens, set to be released on April 4th, 2025, via Metal Blade Records.
Guitarist Greg Burgess shares insight into the track’s origins: “This is a piece written by [guitarist] Michael Stancel. The frantic intro riff was actually written on tour in the UK on a boat in Bristol. I remember filming him playing it so we wouldn’t forget how to play it. The show was sold out and ruled, and then all of our gear got rained on because they had us load out so they could have a disco after the show. Shame!”
Stancel adds: “If I could have set that venue adrift, I would have—but at least we got a song out of it.”
The Ossuary Lens: ALLEGAEON’s Most Brutal and Technically Dazzling Album Yet 💀🎶
The Ossuary Lens marks ALLEGAEON’s seventh studio album and the highly anticipated return of original vocalist Ezra Haynes, rejoining the band after nearly a decade. The album explores various perspectives on death, delving into themes both philosophical and visceral.
“Each song is a different topic, but there’s always a perspective of death tied in,” explains Haynes. “Since the entire album revolves around this theme, we felt that ‘Ossuary’ was a fitting concept, and thus, The Ossuary Lens was born.”
ALLEGAEON Hits the Road with Warbringer for The Vortex of Violence Tour 🎤🔥
Starting March 18th, 2025, ALLEGAEON will co-headline North America with WARBRINGER, alongside Skeletal Remains and Summoning The Lich. The 26-date tour will take the bands across the US and Canada, wrapping up on April 12th in Los Angeles, CA.
The Ossuary Lens: A Monumental Return for ALLEGAEON 🎶⚡
Produced by Dave Otero at Flatline Audio in Denver, The Ossuary Lens promises to be a career-defining record for ALLEGAEON. Consequence raves about its “brutal intensity and progressive sophistication,” while MetalSucks calls it “a relentless masterclass in technical death metal.”
Norwegian symphonic black metal legends DIMMU BORGIR have officially unveiled the details of their highly anticipated The Chosen Legacy summer 2025 European tour. Fans can prepare for a run of festival and club appearances that will showcase the band’s signature blend of orchestral grandeur and blistering black metal fury.
Tour Dates:
🗓️ June 27 – Oslo, Norway – Tons Of Rock 🗓️ August 1 – Wacken, Germany – Wacken Open Air 🗓️ August 3 – Saint Maurice de Gourdans, France – Sylak Open Air 🗓️ August 6 – Tilburg, Netherlands – 013 🗓️ August 8 – Jaromer, Czech Republic – Brutal Assault 🗓️ August 10 – Kortrijk, Belgium – Alcatraz 🗓️ August 13 – Dinkelsbühl, Germany – Summer Breeze 🗓️ August 15 – Carhaix, France – Motocultor 🗓️ August 17 – Cudrefin, Switzerland – Rock The Lakes
New Album on the Horizon
Last month, DIMMU BORGIR returned to the studio with longtime producer Fredrik Nordström to craft the highly anticipated follow-up to 2018’s Eonian. This marks the band’s first album since the departure of longtime guitarist Galder (Thomas Rune Andersen) in August 2024.
In a recent interview with Jerry Kurunen of Rauta, guitarist Silenoz discussed the creative process behind the new material:
“We’ve been working on new material for quite a while. Even during the pandemic, we were each developing ideas individually before coming together to create something truly unique. We take our time to ensure that every album surpasses expectations, and this one will be no different.”
Although details remain scarce, Silenoz hinted at a return to a heavier, more orchestrated sound reminiscent of Abrahadabra and Eonian.
DIMMU BORGIR: Evolution & Lineup Stability
Over the years, DIMMU BORGIR has evolved from its raw Norwegian black metal roots into a symphonic powerhouse, blending cinematic orchestration with blistering intensity. Speaking on the band’s stylistic changes, Silenoz noted:
“We’ve never confined ourselves to traditional labels. Every album represents growth. Whether it’s the orchestrations of ‘Abrahadabra’ or the atmospheric elements of ‘Eonian,’ our music constantly evolves. The new album will take on its own life.”
Despite various lineup changes, the band’s core remains strong. DIMMU BORGIR’s official lineup is now:
DIMMU BORGIR’s last full-length album, Eonian, was released in 2018, coinciding with the band’s 25th anniversary. The album solidified their reputation as one of symphonic metal’s most innovative forces, followed by worldwide tours and festival appearances.
In December 2023, they released Inspiratio Profanus, a collection of cover songs via Nuclear Blast Records. The compilation featured VENOM‘s thunderous “Black Metal”, DEEP PURPLE‘s “Perfect Strangers”, TWISTED SISTER‘s “Burn in Hell”, and classic renditions of CELTIC FROST, among others.
During the Inferno Festival, former band members ICS Vortex, Mustis, and Tjodalv rejoined DIMMU BORGIR on stage to perform “The Insight And The Catharsis” from their 1999 album Spiritual Black Dimensions, marking a nostalgic moment for longtime fans.
Norwegian symphonic black metal titans DIMMU BORGIR have officially entered the studio with longtime collaborator and producer Fredrik Nordström. Fans are eagerly speculating that this marks the creation of their much-anticipated follow-up to 2018’s Eonian.
Earlier today, the band shared a behind-the-scenes glimpse of their recording process, posting a photo of drummer Dariusz “Daray” Brzozowski in the studio alongside Nordström, captioned simply, “#studiotime.”
This forthcoming album also represents a significant transition for the band, following the August 2024 departure of guitarist Galder (Thomas Rune Andersen), a longtime member of DIMMU BORGIR’s infernal core.
In a March 2024 interview during the Inferno Festival in Oslo, guitarist Silenoz (Sven Atle Kopperud) shared insights into the band’s creative process. He explained:
“We’ve been working on new material for a while. Even during the pandemic, we used our downtime to work individually before collaborating to create something unique. Fans want a new album quickly, but we’d rather take the time to make something better than good.”
Discussing their stylistic evolution, Silenoz noted the band’s shift away from traditional black metal early in their career:
“Even on our first album, we began exploring beyond the ‘underground black metal’ label. Each album represents a natural progression, and we’ve never set boundaries for our creativity. ‘Eonian’ leaned more into orchestration, but who knows what the next album will bring?”
DIMMU BORGIR’s lineup has seen many transformations over the years. Reflecting on this, Silenoz said:
“After so many years, you understand yourself and your bandmates better. It’s not just about writing music—it’s about getting along offstage too. Age and experience have helped us maintain a more stable lineup.”
Currently, DIMMU BORGIR’s official lineup comprises Shagrath (lead vocals) and Silenoz (rhythm guitar), supported by session musicians Daray (drums), Geir “Gerlioz” Bratland (keyboards), and Victor Brandt (bass).
Released in 2018 to commemorate the band’s 25th anniversary, Eonian was an ambitious effort that expanded the symphonic elements first introduced with 2010’s Abrahadabra. Following its release, DIMMU BORGIR toured globally, captivating audiences at legendary festivals like Wacken Open Air and Hellfest.
In December 2023, the band unveiled Inspiratio Profanus, a compilation of electrifying covers from metal legends such as VENOM, DEEP PURPLE, and CELTIC FROST.
Fans were treated to a nostalgic moment at Inferno Festival 2024 when three former members — bassist/clean vocalist ICS Vortex, keyboardist Mustis, and drummer Tjodalv — joined DIMMU BORGIR on stage to perform The Insight And The Catharsis from their 1999 album Spiritual Black Dimensions.
As DIMMU BORGIR begins work on their new album, the metal world awaits what promises to be another boundary-pushing masterpiece from one of the genre’s most innovative bands. Stay tuned for more updates as they emerge from the studio.
The UK’s heavy metal machine SYLOSIS unveils the title track of their brand-new album, ‘A Sign Of Things To Come’. The new song speaks from Josh Middleton’s position as a new father and his fears of the world that his children will one day inherit.
Josh comments “‘A Sign Of Things To Come’ is a declaration of dismay towards the modern world. It’s about the anxiety of what the future holds and the feeling of division in a society where everyone is pitted against each other. This was the last song to be written for the album. It quickly became apparent that this was going to be one of the biggest, most anthemic songs on the record.”
Produced by Josh Middleton, alongside production legend, Scott Atkins, A Sign Of Things To Come has challenged SYLOSIS into brand-new territory.
“This is the first time I’ve allowed myself to be produced; taking on some brutal criticism and pushing myself to deliver the best vocal performance of my career. I’m a big fan of progressive and long albums, but I was ruthless on myself during the whole process. I think that shows in the final result on the record!” Josh states.
SYLOSIS is on tour this winter with fellow UK metal giants, MALEVOLENCE on the dates below.
26 Aug – SE, Rättvik – Dalhalla Brinner Festival* 07 Nov – UK, Glasgow – Garage 08 Nov – UK, Manchester – O2 Ritz 09 Nov – UK, Birmingham – O2 Institute 10 Nov – UK, Bristol – SWX 11 Nov – UK, London – O2 Forum Kentish Town 13 Nov – DE, Hamburg – Gruenspan 14 Nov – DE, Koln – Essigfabrik 15 Nov – BE, Antwerp – Zappa 17 Nov – FR, Paris – Petit Bain 18 Nov – FR, Besancon – La Rodia 19 Nov – FR, Lyon – CCO La Rayonne 22 Nov – ES, Madrid – Mon Live 23 Nov – ES, Barcelona – La 2 de Apolo 24 Nov – ES, Bilbao – Stage Live 25 Nov – FR, Toulouse – Usine A Musique 26 Nov – CH, Geneva – PTR 27 Nov – CH, Zurich – Dynamo 28 Nov – IT, Milan – Legend 29 Nov – SI, Ljubljana – Orto Bar 01 Dec – AT, Vienna – Flex 03 Dec – DE, Chemnitz – AJZ Chemnitz 04 Dec – DE, Frankfurt – Batchkapp 05 Dec – DE, Munich – Backstage Halle 07 Dec – CZ, Prague – Meet Factory 08 Dec – PL, Krakow – Kamienna 12 09 Dec – PL, Warsaw – Hydrozagadka 10 Dec – DE, Berlin – SO36 Berlin 11 Dec – DE, Oberhausen – Kulttempel 12 Dec – NL, Tilburg – 013
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