Category Archives: New Music Release

Hunter As a Horse Illuminate the Dark with New Single “Lighthouse”

Hunter As a Horse—the project of South African musician and vocalist Mia van Wyk—returns with “Lighthouse,” a deeply personal new single out January 30, 2026 via Metropolis Records. The track marks van Wyk’s first release for the label, signaling a powerful new chapter in her steadily evolving artistic journey.

Based in South Africa’s Western Cape, van Wyk has spent recent years self-releasing a wide-ranging body of work that blends electronically driven songwriting with intense, melancholic lyricism and darkly cinematic production. Lighthouse distills those elements into one of her most emotionally resonant statements to date.

Drawing inspiration from mythology, psychology, and the writings of Carl Jung—particularly the concept of “shadow work”—Lighthouse explores the idea that only the broken can truly understand one another. Van Wyk frames the song as an act of defiance against the notion that some people cannot be saved. Instead, it becomes a fearless confrontation with inner demons, rooted in empathy, lived experience, and hard-won healing.

Musically, Hunter As a Horse continues to blur boundaries, gliding effortlessly between alternative, indie, electronic, and dream-pop, with subtle detours into alternative dance and nu-goth. The result is a haunting, immersive soundscape that feels both intimate and expansive. The project has previously been described as creating apocalyptic soundtracks for uncertain times, with The Guardian noting its “mesmerising atmospherics… dark and very lovely indeed.”

Van Wyk’s lyrics are shaped by a deeply personal and mystical worldview, informed by themes of death, addiction, astral visions, CPTSD, melancholia, nostalgia, and magical thinking. That authenticity has resonated far beyond the underground, with Hunter As a Horse songs appearing in major U.S. television series including American Horror Story, Riverdale, and Elite, as well as the film Wander Darkly and numerous international advertising campaigns.

With Lighthouse, Hunter As a Horse offers a guiding light through emotional darkness—one grounded not in perfection, but in survival, understanding, and shared scars.

🎶 Listen Now

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Metropolis Records Releases “Rage,” a New Industrial Assault from Damage Control Featuring Leæther Strip

Metropolis Records has officially released “Rage,” the latest hard-hitting single from Damage Control, featuring an unrelenting collaboration with EBM and industrial icon Leæther Strip.

Built on pounding rhythms, harsh electronics, and a confrontational atmosphere, “Rage” lives up to its title—channeling pure aggression into a tightly wound, club-ready weapon. Damage Control bring precision and force, while Leæther Strip injects a signature intensity that reinforces the track’s raw, uncompromising edge.

The release stands as a meeting point between modern industrial ferocity and legacy EBM power, continuing Metropolis Records’ long-standing tradition of bridging generations within the dark electronic underground.

🎶 Listen Now

Deep Dive into the Universe of Damage Control & Leæther Strip

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SPANKTHENUN & A Split-Second Reboot a Classic with “Broken Machine”

The machine is grinding back to life.

Electronic agitator SPANKTHENUN, in collaboration with Belgian EBM pioneers A Split-Second, has officially released “Broken Machine”—a comprehensive New Beat and EBM reworking of the 1989 industrial landmark “Muscle Machine.”

Originally issued via Wax Trax! Records and Antler Records, Muscle Machine helped define an era of body-driven electronics and militant club culture. With Broken Machine, that original blueprint has been fully dismantled and reassembled for the present day.

This reboot doesn’t chase nostalgia—it weaponizes it. Classic structures are deconstructed and reshaped to reflect modern system failure, societal decay, and the grinding tension of a world stuck in perpetual malfunction. The result is a stark, club-focused release that bridges late-’80s industrial DNA with contemporary EBM and New Beat aesthetics.

Broken Machine stands as both a tribute and a warning: the systems we built are cracking, and the soundtrack has been rewritten to match the collapse.

🎶 Listen Now

Deep Dive into the Universe of SPANKTHENUN & A Split-Second

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Confusion Inc. Drops “Crawler (DJ Mixes)” from Slighter — Out Now

Confusion Inc. has just released “Crawler (DJ Mixes),” a new remix-focused drop from dark electronic artist Slighter. Reimagined for the dancefloor, the release gives Crawler a full DJ remix treatment—reshaped with club-ready energy and deeper rhythmic pressure.

Adding extra weight for dedicated listeners, the release also includes a Bandcamp-exclusive “dub” version, stripping things down to their raw, hypnotic core. It’s a release designed for late-night sets, industrial-adjacent dancefloors, and anyone who prefers their electronics dark, immersive, and functional.

Crawler (DJ Mixes) is available now, continuing Confusion Inc.’s steady output of forward-leaning underground electronic releases.

🎶 Listen Now

Deep Dive into the Universe of Slighter

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Empyrean Asunder Return After a Decade with Industrial Dance / EBSM Shift on New Single “I Confess”

After more than ten years of silence, Empyrean Asunder resurface with a striking stylistic pivot. Their new single “I Confess,” released January 2, 2026, marks a decisive move away from metal-rooted aggression and into industrial dance and EBSM territory—dark, seductive, and built for the club floor.

With over two decades of evolution behind them, Empyrean Asunder have continuously refused to stay confined to one sound. From black and industrial metal origins to anti-industrial rock, the project now embraces a pulse-driven electronic identity. “I Confess” introduces this new era with sinister, bass-heavy rhythms and a sleek, modern edge reminiscent of Gesaffelstein, while maintaining the project’s trademark darkness.

The release also includes “Everyone Wants To Be You,” a club-ready anthem elevated by the commanding vocal presence of Victoria Graves. Her delivery cuts through the dense electronics with confidence and intensity, making both tracks immediate standouts for goth and industrial dancefloors alike.

Produced by Jerry Barksdale, the single balances infectious earworm melodies with moments of vulnerability and cathartic screams. Massive synth work drives the tracks forward, while deeply personal lyrics add emotional weight beneath the relentless electronic momentum. It’s a combination that rewards repeated listens and signals a fully realized transformation.

Long known as an auditory manifestation of societal decay, Empyrean Asunder continue to channel chaos through sound and vision. Even as the genre framework shifts, the project’s core remains intact—harsh, theatrical, and unflinchingly confrontational.


Project Background & Evolution

Empyrean Asunder is the solo project of multi-instrumentalist Jerry Barksdale, a prolific force in extreme music circles, also known for work in The Promise Of Plague (black/death metal), Then We Died (grindcore), and Grief Cathedral (funeral doom/sludge). Conceived as an experimental outlet, the project frequently collaborates with different musicians, allowing each release to redefine its identity.

Rather than adhering to a fixed genre, Empyrean Asunder moves through distinct creative eras:

Black Metal Era
Early releases such as Wrought In Dreams (1999) explored raw, avant-garde black/doom metal.

Industrial Metal & Anti-Industrial Rock Era
Albums including The Human Virus (2005), Love At Your Own Risk (2006), They Call Her The Cure (2008), Hate (2013), and Serpent (2014) fused metal and punk with harsh industrial textures.

Electro-Industrial / Techno Era (Present)
The current chapter pushes fully into electronic territory, incorporating EBM, darkwave, and techno influences—anchored by the 2026 release of “I Confess.”


🎶 Listen Now


Deep Dive into the Universe of Empyrean Asunder

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ProNoize Releases “Aberration,” the Latest Industrial Assault from Stahlschlag

ProNoize has officially unleashed “Aberration,” the newest release from hard-hitting industrial act Stahlschlag, further solidifying the label’s reputation for pushing uncompromising electronic and industrial sounds.

Known for their punishing rhythms, mechanized aggression, and cold, militant atmosphere, Stahlschlag delivers a release that lives up to its name. Aberration dives headfirst into distorted textures and relentless energy, offering a sonic experience built for dark clubs, underground dancefloors, and listeners who crave intensity without compromise.

With this release, ProNoize continues its mission of spotlighting forward-driven industrial artists who challenge boundaries while staying rooted in the genre’s harsh, confrontational core. Aberration stands as another sharp-edged entry in the label’s ever-growing catalog of dark electronic weaponry.

Fans of hard industrial, EBM, and power electronics are encouraged to explore Aberration now and experience Stahlschlag’s latest evolution firsthand.

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Deep Dive into the Universe of Stahlschlag

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DUTCH PROGRESSIVE METAL TITANS TEXTURES RETURN WITH GENOTYPE, OUT NOW

After nearly a decade of silence, Dutch progressive metal innovators Textures have finally returned with Genotype—a powerful, forward-thinking album that proves the band hasn’t lost a single ounce of intensity, ambition, or emotional depth. Released today, the album arrives alongside a striking new video for the six-minute epic “Measuring the Heavens” and the launch of a massive European tour with Jinjer.

Long anticipated by fans, Genotype is not a sequel to 2016’s Phenotype—it’s a rebirth. Written entirely from scratch and self-produced, the album distills everything that defines TEXTURES into eight meticulously crafted tracks. Mixed by Forrester Savell (Karnivool, Dead Letter Circus), Genotype balances surgical technicality with emotional weight, pushing heaviness, melody, and atmosphere into new territory 💀

Measuring the Heavens: Tension as a Weapon

The newly released lyric video for “Measuring the Heavens” is a masterclass in restraint and release. Drummer Stef Broks describes the track as a deliberate exercise in tension-building—six minutes of controlled pressure before a final, punishing payoff. It’s a song that challenges patience, expectations, and comfort zones, rewarding listeners willing to go the distance.

Lyrically, Genotype speaks directly to outsiders, introverts, and those navigating unseen inner worlds. It’s an album about authenticity, resilience, and refusing to dilute who you are—music for those who exist just outside the spotlight, but burn just as bright 🔥

Genotype Tracklist

  • Void – 3:49
  • At The Edge Of Winter – 6:42
  • Measuring The Heavens – 6:51
  • Nautical Dusk – 5:35
  • Vanishing Twin – 5:49
  • Closer To The Unknown – 4:08
  • A Seat For The Like-Minded – 5:01
  • Walls of the Soul – 7:52

Formats Available

Genotype is available now in multiple physical editions, including a striking coke-bottle green splatter vinyl and a white/blue marble vinyl gatefold with printed lyric insert, as well as a classic black vinyl edition and CD digipak.

Reclaiming the Stage

TEXTURES have spent years building a fiercely loyal global following—from headlining festivals in India to becoming a fixture at European metal landmarks like Hellfest, Wacken Open Air, Graspop, and Brutal Assault. Now, they’re set to reclaim their place as one of progressive metal’s most electrifying live acts.

Kicking off today in Cologne, the band joins Jinjer and Unprocessed for an extensive 5.5-week European tour running through March 2026. As Stef Broks puts it, this tour marks a major milestone for the band—and an invitation for fans old and new to reconnect in the pit 🤘

TEXTURES European Tour Dates (with Jinjer)

January 23, 2026 – Cologne – Palladium – Germany
January 24, 2026 – Tilburg – 013 – Netherlands
January 25, 2026 – Brussels – Ancienne Belgique – Belgium
January 27, 2026 – Glasgow – SWG3 – Scotland
January 28, 2026 – Dublin – Olympia – Ireland
January 29, 2026 – Manchester – O2 Ritz – England
January 30, 2026 – Birmingham – O2 Institute – England
January 31, 2026 – London – O2 Kentish Town Forum – England
February 2, 2026 – Paris – L’Olympia – France
February 3, 2026 – Lyon – Le Transbordeur – France
February 4, 2026 – Toulouse – Le Bikini – France
February 6, 2026 – Lisbon – LAV – Portugal
February 7, 2026 – Madrid – Wagon – Spain
February 8, 2026 – Bilbao – Santana 27 – Spain
February 10, 2026 – Trezzo Sull’Adda – Live Club – Italy
February 11, 2026 – Zürich – X-Tra – Switzerland
February 12, 2026 – Stuttgart – LKA Longhorn – Germany
February 13, 2026 – Wiesbaden – Schlachthof – Germany
February 14, 2026 – München – Tonhalle – Germany
February 16, 2026 – Budapest – Barba Negra – Hungary
February 17, 2026 – Vienna – Gasometer – Austria
February 19, 2026 – Prague – Sasazu – Czech Republic
February 20, 2026 – Leipzig – Felsenkeller – Germany
February 21, 2026 – Berlin – Astra – Germany
February 22, 2026 – Warsaw – Progresja – Poland
February 24, 2026 – Helsinki – Kulttuuritalo – Finland
February 25, 2026 – Tampere – Tavara Asema – Finland
February 27, 2026 – Stockholm – Fallan – Sweden
February 28, 2026 – Oslo – Sentrum Scene – Norway
March 1, 2026 – Copenhagen – Amager Bio – Denmark
March 2, 2026 – Hamburg – Große Freiheit 36 – Germany

Deep Dive into the Universe of TEXTURES

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W.E.B. UNLEASHES “DRAGONA” LIVE AHEAD OF DARKNESS ALIVE RELEASE

Greek symphonic extreme metal titans capture raw power and ritual intensity on their first-ever live album, arriving February 20, 2026.

W.E.B. have revealed a ferocious live video/single for “Dragona”, offering a blistering preview of their upcoming live album Darkness Alive, due February 20, 2026 via Metal Blade Records.

💀 A Night in Athens, Forged in Fire
Recorded in the band’s hometown of Athens on September 22, 2024, Darkness Alive captures W.E.B. at full force—ritualistic, commanding, and unrelenting. The performance distills the band’s symphonic extremity into a visceral document that balances precision with raw, communal energy.

💀 “Dragona”: A Live Rite of Passage
Originally appearing on the acclaimed 2017 full-length Tartarus, “Dragona” detonates here as a black metal masterwork with an epic, ceremonial finale—one that fans and critics alike have long ranked among the band’s most revered compositions. Lyrically, the track praises an ancient god through a funeral exodus, cementing its status as a permanent pillar of W.E.B.’s live set.

💀 Standout Moments from the Set
The album also features crushing performances of “Into Hell Fire We Burn”—described by vocalist/guitarist Sakis Prekas as a “thunderous marriage of black and heavy metal with a chorus that literally orders you to sing along”—and “Dark Web,” an intense collision of melodic death and modern metal ferocity.

💀 What Comes Next
With Darkness Alive set for digital release, W.E.B. are already deep into composing their next studio full-length. “It is by far the best material we’ve ever had on a record,” Prekas notes. “All new material must be better material—otherwise there is no reason to release it. Stay Dark.”

💀 Darkness Alive — Track Listing

  1. Crimson Dawn (Live)
  2. Pentalpha (Live)
  3. Dark Web (Live)
  4. Into Hell Fire We Burn (Live)
  5. Murder Of Crows (Live)
  6. Necrology (Live)
  7. Morphine for Saints (Live)
  8. Dragona (Live)
  9. Eligos (Live)

💀 W.E.B. Lineup
Sakis Prekas — vocals, guitar
Hel Pyre — vocals, bass, keys
Alex Despotidis — guitar
Babis Kapageridis — bass
Vasilis Nanos — drums

💀 Deep Dive into the Universe of W.E.B.


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ROB ZOMBIE DECLARES “ROCK & ROLL IS HERE TO STAY” WITH FEROCIOUS NEW SINGLE

The third strike from The Great Satan arrives as Zombie announces a massive Summer 2026 co-headlining tour with Marilyn Manson.

Rob Zombie is back in full hellbilly mode with the release of “(I’m a) Rock ’N’ Roller,” the third single from his upcoming album The Great Satan, due February 27, 2026 via Nuclear Blast Records. Thick, swaggering, and unapologetically loud, the track is a boot-stomping manifesto—Zombie at his most primal and defiant.

💀 A Fist-Pumping Anthem for the Faithful
Built on grinding riffs, filthy grooves, and a chant-ready chorus, “(I’m a) Rock ’N’ Roller” doubles down on everything that made Zombie an icon. It’s not nostalgia—it’s a declaration. Rock and roll didn’t go anywhere, and Zombie’s here to remind everyone why it still hits like a wrecking ball.

💀 The Great Satan: A Return to the Slaughterhouse
Following the Top 10 Billboard debut of The Lunar Injection Kool Aid Eclipse Conspiracy (2021), Zombie’s eighth solo album revisits his early hellbilly DNA—punk-infused, horror-soaked, and relentlessly anthemic. The Great Satan leans hard into chaos with tracks like “Punks And Demons,” “Heathen Days,” “Tarantula,” and the new single anchoring the assault.

💀 Summer 2026: Monsters on the Road
Zombie has also confirmed a Summer 2026 co-headlining North American tour with longtime collaborator and labelmate Marilyn Manson. The run features support from The Hu and Orgy—a stacked lineup designed for maximum impact.

Screenshot

💀 The Great Satan — Tracklist

  1. F.T.W. 84
  2. Tarantula
  3. (I’m a) Rock ’N’ Roller
  4. Heathen Days
  5. Who Am I
  6. Black Rat Coffin
  7. Sir Lord Acid Wolfman
  8. Punks And Demons
  9. The Devilman
  10. Out of Sight
  11. Revolution Motherfuckers
  12. Welcome To The Electric Age
  13. The Black Scorpion
  14. Unclean Animals
  15. Grave Discontent

💀 ROB ZOMBIE (w/ MARILYN MANSON) — Summer 2026 Tour Dates
8/20 – West Palm Beach, FL – iTHINK Financial Amphitheatre ^+
8/21 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre ^+
8/23 – Alpharetta, GA – Ameris Bank Amphitheatre ^+
8/24 – Charlotte, NC – Truliant Amphitheater ^+
8/26 – Holmdel, NJ – PNC Bank Arts Center ^+
8/27 – Mansfield, MA – Xfinity Center ^+
8/29 – Burgettstown, PA – The Pavilion at Star Lake ^+
8/30 – Darien Center, NY – Darien Lake Amphitheater ^+
9/01 – Toronto, ON – RBC Amphitheatre ^+
9/02 – Cuyahoga Falls, OH – Blossom Music Center ^+
9/04 – Clarkston, MI – Pine Knob Music Theatre ^+
9/05 – Tinley Park, IL – Credit Union 1 Amphitheatre ^+
9/06 – Noblesville, IN – Ruoff Music Center ^+
9/09 – St. Louis, MO – Hollywood Casino Amphitheater ^+
9/10 – Kansas City, MO – Morton Amphitheater ^+
9/12 – Greenwood Village, CO – Fiddler’s Green Amphitheatre ^+
9/14 – West Valley City, UT – Utah First Credit Union Amphitheatre ^+
9/16 – Airway Heights, WA – BECU Live at Northern Quest +
9/17 – Auburn, WA – White River Amphitheatre ^+
9/18 – Ridgefield, WA – Cascades Amphitheater ^+
9/20 – Concord, CA – Toyota Pavilion at Concord ^+

^ With The Hu

  • With Orgy

💀 Deep Dive into the Universe of Rob Zombie


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FLESH FIELD — “SUPPLICATION” MARKS A BLEAK NEW CHAPTER

The US electro-industrial institution returns with a harrowing new single, setting the emotional and thematic tone for the upcoming album On Enmity.

Flesh Field have released “Supplication”, a stark and emotionally devastating new single out now via Metropolis Records. The track arrives as a study in absence, grief, and survival—less about healing, more about learning how to exist inside the wreckage left behind.

💀 A Song About Longing That Never Ends
“This song explores the ache of longing for what is absent and will never return,” explains founder Ian Ross. “That longing itself eventually becomes the only reason to continue on despite the knowledge that it will never be fulfilled.”
“Supplication” doesn’t offer resolution. Instead, it dwells in the tension between memory and endurance, where persistence itself becomes an act of defiance.

💀 From Survival to Adaptation: On Enmity
The single appears on Flesh Field’s forthcoming full-length On Enmity, due February 20, 2026. Described as the most personal material Ross has ever written, the album documents life after trauma—dissecting damage, chronicling endurance, and confronting the reality that survival is not always a choice.
This is not an album about recovery. It is about adaptation to ruin.

💀 A Legacy Reforged
On Enmity follows a powerful resurgence for Flesh Field. After resurrecting the project in 2023 with the concept album Voice of the Echo Chamber—exploring stages of political radicalization—Ross expanded the narrative with the Voice of Reason EP in 2024. In 2025, the band’s foundational works Viral Extinction (1999) and Belief Control (2001) were remastered and reissued, reaffirming their lasting impact on the electro-industrial canon.

💀 ON ENMITY — Tracklist

  1. Omnicide
  2. Indestructible
  3. Ballad Of The Renegade
  4. Matthew 7:1
  5. Cruelty As Artistry
  6. The Devil You Know
  7. To War With The Tempest
  8. Supplication
  9. Molten Resolve
  10. Unwanted
  11. We Will Be Forgotten
  12. A Boy Named Resurrection

🎶 Listen Now:

💀 Deep Dive into the Universe of Flesh Field
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DAWN OF ASHES feat. SUICIDE COMMANDO — “Penumbra”

A collision of dark electro titans signals the opening wound of a brutal new era.

Dawn Of Ashes have returned with “Penumbra,” a devastating new collaborative single featuring Suicide Commando, officially released on January 23, 2026 via Metropolis Records. The track marks the first strike from Anatomy Of Suffering, the forthcoming full-length album from Dawn Of Ashes, arriving March 20, 2026.

Dark, oppressive, and unrelenting, “Penumbra” is a deliberate descent into shadow—one that bridges eras of industrial extremity while sharpening the knives for what’s to come 💀

A Reunion of Darkness ⚙️

“Penumbra” channels the suffocating atmosphere and raw aggression that defined early-2000s dark electro, but with modern precision and absolute hostility. The collaboration unites Dawn Of Ashes founder Kristof Bathory with Suicide Commando’s Johan Van Roy, resulting in a track that feels ritualistic, confrontational, and merciless.

Bathory describes the single as both a nostalgic invocation and a warning shot—setting the tone for Anatomy Of Suffering while serving as a prelude to the chaos ahead. This is not a throwback; it’s a reckoning.

Anatomy Of Suffering: The Descent Continues 🩸

Anatomy Of Suffering follows the band’s 2025 release Infecting The Scars, a rebirth forged after Bathory’s relocation to Denmark. That album fused the unfiltered violence of Dawn Of Ashes’ early years with a refined, evolved sonic architecture. Its remix companion, Reinfecting The Scars, expanded that vision further.

Now, with Anatomy Of Suffering, the band pushes even deeper—into pain, decay, and psychological collapse—continuing a legacy that has relentlessly evolved for over two decades 💀

Acts Of Destruction: 2026 U.S. West Coast Tour 🔥

The release of “Penumbra” lands on the eve of Dawn Of Ashes’ Acts Of Destruction U.S. West Coast tour, kicking off in Los Angeles—the city where the project was born at the turn of the millennium.

  • Jan 24 — Los Angeles, CA — Bar Sinister
  • Jan 25 — San Francisco, CA — DNA Lounge
  • Jan 27 — Portland, OR — Star Theater
  • Jan 28 — Seattle, WA — El Corazon
  • Jan 30 — Salt Lake City, UT — Aces High Saloon
  • Jan 31 — Denver, CO — The Crypt
  • Feb 02 — Dallas, TX — Haltom Theater
  • Feb 05 — Mesa, AZ — The Nile Theater
  • Feb 06 — Las Vegas, NV — The Dive Bar

Expect ritualistic intensity, crushing electronics, and total annihilation on stage 💀

🎶 Listen Now:

Deep Dive into the Universe of Dawn Of Ashes

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CIRCLE OF DUST Refines the Machine with Machines of Our Disgrace (Single Edits)

Circle of Dust returns with Machines of Our Disgrace (Single Edits), a streamlined reintroduction to one of the project’s most confrontational modern-era statements.

Originally released as a full-length album, Machines of Our Disgrace dissected the growing tension between humanity, technology, and systems of control. With Single Edits, the material is re-presented in a more immediate, broadcast-ready form — sharper cuts, tighter runtimes, and maximum impact.

Precision Cuts for a Digital Age

These edits aren’t about dilution. They’re about focus. The Single Edits strip each track down to its most essential elements, amplifying the mechanical pulse, serrated synth work, and industrial weight that define Circle of Dust’s sound. It’s the same warning signal — just delivered faster and harder.

Man vs. Machine, Revisited

Lyrically and thematically, Machines of Our Disgrace remains brutally relevant. Surveillance culture, algorithmic control, and technological dependence loom large, framed through Circle of Dust’s signature blend of cold electronics and human urgency. The Single Edits sharpen that message, making it impossible to ignore in an era where machines increasingly dictate behavior.

Why This Release Matters

Machines of Our Disgrace (Single Edits) serves as both an entry point for new listeners and a fresh angle for longtime fans. It reinforces the album’s core message while adapting it for modern listening habits — playlists, radio rotation, and rapid-fire digital consumption.

This is industrial music engineered for now: efficient, unflinching, and still deeply human beneath the circuitry.


🔍 Deep Dive into the Universe of Circle of Dust

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NUTRONIC Reclaims the Future with Futures (Definitive Edition)

Nutronic returns with Futures (Definitive Edition), a fully realized reissue that cements the project’s vision as it was always meant to be heard.

Originally released as Futures, the album has now been revisited, refined, and locked into place with the release of Futures (Definitive Edition) — a version designed not as a bonus update, but as the final, authoritative statement of the work.

A Definitive Statement, Not a Repackaging

This is not a simple remaster or archival repost. Futures (Definitive Edition) represents a deliberate effort to correct, strengthen, and future-proof the album. Updated mastering and refined mixes bring greater clarity and weight to the production, allowing the mechanical pulse and cold electronic textures to fully assert themselves.

In this form, the album replaces earlier versions entirely, presenting a consistent sonic identity and narrative flow that reflects Nutronic’s original intent.

Industrial Futures, Fully Realized

Musically, Nutronic remains rooted in the industrial, EBM, and dark electronic tradition, drawing power from rigid rhythms, synthetic tension, and an atmosphere steeped in technological unease. Futures explores themes of control, isolation, and speculative tomorrow-states — a forward-facing dystopia where progress and alienation move in lockstep.

The Definitive Edition sharpens these ideas, reinforcing the album’s conceptual cohesion and emphasizing its role as a unified work rather than a collection of tracks.

By releasing Futures (Definitive Edition), Nutronic effectively closes the chapter on earlier iterations and establishes this edition as the canonical version going forward. It’s a move that speaks to long-term intent: ensuring the album stands strong within the artist’s catalog and remains relevant as both sound and statement.

For listeners drawn to disciplined industrial production with modern precision, this release offers a clear entry point into Nutronic’s world — one that feels complete, intentional, and uncompromising.

🔍 Deep Dive into the Universe of Nutronic

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IMMOLATION Announce New Album Descent, Out April 10 — New Single “Adversary” Drops with Crushing Video

New York death metal legends Immolation storm into 2026 with renewed fury, unveiling their twelfth studio album Descent, set for release on April 10 via Nuclear Blast Records. Alongside the announcement, the band has unleashed the album’s first single, Adversary, delivering a merciless preview of what lies ahead. 💀

Since their seminal 1991 debut Dawn of Possession, Immolation have remained a defining force in extreme metal, shaping the genre through innovation rather than imitation. At the core of their unmistakable sound is guitarist Bob Vigna’s signature fretwork—serpentine leads colliding with ominous, slow-burning dirges that feel both ancient and alien.

A First Descent into the Abyss

“Adversary” hits with relentless precision: blast-driven percussion, dissonant riff structures, and Ross Dolan’s cavernous growls forming a towering wall of sound. It’s death metal sharpened to a lethal edge—uncompromising, atmospheric, and deeply menacing. The accompanying video, directed by Bob Vigna himself, visually amplifies the track’s suffocating intensity.

Listen / Stream:
Stream “Adversary”

The Band Speaks

Immolation describe Descent as both a continuation and an evolution—rooted firmly in their origins while daring to push further into new territory. The band calls the album “almost addictive,” highlighting its ambitious songwriting, immersive atmosphere, and one of the strongest productions of their career. 💀

Forged in Fire: Production & Artwork

Descent was recorded across two locations: guitars, bass, and vocals tracked with Justin Passamonte at Jpass Music, while drums were captured at Mercinary Studios with Noah Buchanan. Longtime collaborator Zack Ohren handled mixing and mastering alongside the band, resulting in a muscular, high-definition production that balances sheer brutality with unsettling clarity.

Visually, Immolation once again partnered with acclaimed artist Eliran Kantor for the album cover, complemented by interior illustrations from Santiago Jaramillo (Triple Seis Design). The result is a visual statement as harrowing and iconic as the music itself.

Descent — Album Details

Release Date: April 10
Formats: CD | LP | Digital

Tracklist:

  1. These Vengeful Winds
  2. The Ephemeral Curse
  3. God’s Last Breath
  4. Adversary
  5. Attrition
  6. Bend Towards The Dark
  7. Host
  8. False Ascent
  9. Banished
  10. Descent

Pre-order / Pre-save:
Pre-order Descent

On the Road: 2026 Tours

This February, Immolation will join Mayhem on the Death Over Europe Tour, alongside Marduk, tearing through major European cities.

Following that run, the band heads to North America as direct support for Behemoth on The Godless IV 2026 Tour, joined by Deicide and Rotting Christ. Select festival appearances will follow, including Rockstadt Extreme Fest and Brutal Assault. 💀

Why Descent Matters

Calling Descent “heavy” barely scratches the surface. This is Immolation refining their language of darkness—death metal that is brutal yet cerebral, oppressive yet precise. With Descent, Immolation don’t just reaffirm their legacy; they deepen it, proving once again why they stand alone at the genre’s highest tier.

Deep Dive into the Universe of Immolation

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Wumpscut Returns with New Album Zuckerpuppe on Betonkopf Media

German electro-industrial institution Wumpscut is set to expand its formidable discography with Zuckerpuppe, a new eight-track album arriving April 3, 2026 via Betonkopf Media. The release continues Wumpscut’s long-standing commitment to tightly curated, collector-focused physical editions while reinforcing the project’s uncompromising sonic identity.

🍬 A Limited Physical Statement

Zuckerpuppe (German for “sugar baby”) will be issued in two carefully crafted formats. The vinyl edition arrives as a 300-copy yellow LP, pressed using direct metal mastering and housed in a heavy 3 mm spine outer sleeve, accompanied by a four-colour printed inner sleeve. True to Betonkopf Media tradition, this pressing is strictly limited worldwide.

The CD edition follows the label’s distinctive “Back is Front” presentation, featuring a 12-page full-colour booklet and the same eight-track running order as the LP. Both formats emphasize tactile design and archival longevity, hallmarks of the Wumpscut catalogue.

⚙️ Prelude to the Album

Ahead of the album’s release, Wumpscut issued the “Zerebral Date (Zuckerpuppe Remix Contest Kit)” digitally via Bandcamp in late 2025. The release provided stems and production material connected to the new album, inviting reinterpretation while offering an early glimpse into the Zuckerpuppe sonic framework.

🧨 Additional Vinyl Releases Confirmed

The April 3, 2026 date also marks the arrival of two further Wumpscut vinyl titles:

  • “Evoke – Provoke” reissued on light blue 180-gram vinyl
  • “Homicide Bajazzo”, a remix double LP, also pressed on 180-gram vinyl

Each of these editions is likewise limited to 300 copies, reinforcing the label’s scarcity-driven release philosophy.

🩸 About Wumpscut

Founded in 1991 by Bavarian DJ and producer Rudolf Ratzinger, Wumpscut emerged from southern Germany’s club scene before becoming a defining force in electro-industrial music. Early works like Music for a Slaughtering Tribe, Bunkertor 7, and Embryodead established a brutal, sample-driven aesthetic that would influence an entire generation.

From the late 1990s onward, Ratzinger released much of his output through Betonkopf Media, while select titles reached the U.S. via Metropolis Records. Landmark albums including Boeses Junges Fleisch, Wreath of Barbs, Bone Peeler, and Evoke cemented Wumpscut’s global reputation.

Following an extensive run of releases through the 2000s and early 2010s, Ratzinger briefly signaled an end to new material after Wüterich (2016). That silence was broken with Fledermavs 303 (2021), followed by a steady resurgence through For Those About To Starve, Poison Cookie, Schlossgheist, and Chew Chew Chew.

Now, with Zuckerpuppe, Wumpscut once again proves that the project remains as focused, confrontational, and meticulously constructed as ever.

Deep Dive into the Universe of Wumpscut

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The Browning Ascends Again with “Dominator [EVOLVED]”

The Browning return in full combat mode with Dominator [EVOLVED], a re-engineered strike that upgrades one of their most aggressive tracks into a sharper, heavier, and more futuristic weapon. This isn’t a remix for convenience. It’s a recalibration for domination.

A Track Rebuilt for Maximum Impact

💀 From the opening moments, Dominator [EVOLVED] hits harder and moves faster, tightening the band’s signature fusion of industrial electronics, deathcore brutality, and cybernetic atmosphere. The low-end is thicker, the synth architecture more hostile, and the percussion feels engineered for mass destruction rather than passive listening.

This evolved version strips away any excess and reinforces what The Browning do best: turning mechanical precision into raw aggression. The result is a track that feels less like a song and more like a system takeover.

Cybernetic Aggression, Perfected

⚙️ The band’s trademark blend of machine-driven sound design and bone-crushing riffs reaches new clarity here. Vocals are more commanding, the drops more punishing, and the overall mix pushes the track into club-and-pit-ready territory. Dominator [EVOLVED] doesn’t just revisit the past, it upgrades it for the present battlefield.

Why This Release Matters

🔥 This single reinforces The Browning’s position at the intersection of metal, industrial, and electronic extremity. It’s a reminder that evolution is not optional in heavy music. You either adapt, or you get erased. Dominator [EVOLVED] chooses adaptation through force.

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ESA Concludes a Visionary Era with “Something For The Horsemen” Video and Expands the Universe with a Brutal Remix Collection

ESA has unveiled the final chapter in the Sounds for Your Happiness visual saga with the release of the music video for Something For The Horsemen, closing out a bold and uncompromising album cycle while simultaneously opening the door to a darker, more collaborative evolution of the track.

Released on July 5, 2025 via Negative Gain Productions, Sounds for Your Happiness has stood as one of ESA’s most confrontational and conceptually sharp releases to date. “Something For The Horsemen” marks the fifth and final video from the album, serving as a chaotic finale that many fans have been anticipating since the record’s release.

Watch “Something For The Horsemen”

The video itself is a five-minute descent into black metal–tinged absurdity and black comedy excess. Guided by a mysterious and perpetually irritated Conductor, the visual narrative summons the four horsemen of the apocalypse: WAR (portrayed by Daniel Mullins of My Dying Bride), FAMINE, PESTILENCE (played by Jamie Blacker himself), and DEATH. The result is frantic, unhinged, and deliberately irreverent, balancing violent energy with grim humor in a way that feels distinctly ESA. It’s less a traditional music video and more a final ritual, closing the album’s visual arc with fire and noise.

The track’s life doesn’t end there. “Something For The Horsemen” has also been reborn as a dedicated remix collection, now available on Bandcamp and all major digital platforms. The remix project originated from a publicly released remix pack made available in late November 2025, inviting producers from across the underground to deconstruct and reassemble the track. From approximately thirty submissions, six remixes were selected for the official release, joined by ESA’s own unapologetically hip-hop–influenced reinterpretation of the song.

The remix collection showcases a wide spectrum of industrial extremity and club-focused aggression. Noise and power industrial perspectives come from Octocell, Wavepeak, and Nigen, while EBM and techno-inflected reconstructions are delivered by Neuroklast, Matt Hart, and Psykkle. Together, the remixes function not just as alternate versions, but as parallel realities—each amplifying different facets of the original track’s menace and momentum.

🎶 Listen Now:

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Carpenter Brut Announces New Album Leather Temple, the Final Chapter in a Neon-Soaked Dystopian Trilogy

⚙️ Carpenter Brut has officially announced his new album Leather Temple, arriving February 27th via No Quarter PROD / Virgin Records. The record closes the door on the ambitious Leather trilogy and pushes its cinematic narrative into a fully realized dystopian future.

🧥 The Final Chapter of the Leather Saga
Leather Temple stands as the third and concluding entry following 2018’s Leather Teeth—a glam-soaked, retro-charged debut—and 2022’s Leather Terror, a darker slasher-horror descent centered on serial-killer anti-hero Brett Halford. As with its predecessors, the new album functions as both a musical release and a narrative soundtrack, unfolding like a brutal, neon-lit film.

🌆 2077: A World in Ruins
The story leaps forward to the year 2077. Decades after a nuclear catastrophe, civilization exists under the rule of a transhuman elite known as the Overlords, who reside in glowing megacities while the rest of humanity struggles among the wreckage. At the center of this fractured world is Midwichpolis, a capital ruled by the iron-fisted tyrant Iron Tusk—addicted to a synthetic drug called Pink Base and obsessed with eternal life.

🏁 Speed or Perish
To maintain control, Iron Tusk broadcasts Speed or Perish, a weekly death race promising freedom to its contestants—an escape no one has ever achieved. Far from the capital, in the Midwichslums, a rebel collective known as the Horde fights back. Led by Lita Connor, the group uncovers a forgotten cold room buried in the ruins. Inside lies Bret Halford—Leather Teeth himself—frozen in time.

🦾 Reforged for Rebellion
Upgraded with advanced technology and reborn as a half-man, half-machine weapon, Bret becomes the unlikely spearhead of a resistance determined to dismantle the regime. This violent, hyper-stylized world forms the backbone of Leather Temple, brought to life visually through the title track’s official video.

🎥 Sound, Speed, and Saturation
Musically, Leather Temple leans harder into urgency and impact. The album is more cinematic and orchestral, yet sharper and more direct—channeling a saturated ’90s electro atmosphere that’s dark, aggressive, and unrelenting. Tracks hit like scenes: short, explosive, and relentless. There’s no exposition—only motion. Neon flickers, engines roar, and tension never lets up.

🔥 Leather Temple – Track Listing

Ouverture (Deus Ex Machina)

Major Threat

Leather Temple

She Rules The Ruins

Start Your Engines

Neon Requiem

Iron Sanctuary

The Misfits The Rebels

Speed or Perish

The End Complete

🎸 A Decade-Defining Force
Since 2012, Carpenter Brut has fused electronic music, metal, and 1980s pop-culture obsession into a singular aesthetic that’s as brutal as it is cinematic. Drawing inspiration from filmmakers like John Carpenter and Dario Argento alongside the sonic aggression of Slayer and Justice, his universe sits at the crossroads of retro thrillers, glam metal, and futuristic dystopia.

🎤 Live Assault Incoming
The audiovisual spectacle continues on stage, with Carpenter Brut announcing shows across Europe and the United States in March 2026. This includes a special standalone UK headline performance at Shepherds Bush Empire on March 22nd.

Deep Dive into the Universe of Carpenter Brut
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Glitch Mode Recordings Amplifies the Pulse: .SYS Machine Unveils “Doubtless”

⚙️ .SYS Machine returns with a commanding new single titled “Doubtless,” released via Glitch Mode Recordings. Built on precision-driven electronic architecture and industrial tension, the track delivers a focused, unflinching sound designed for dark rooms, late nights, and underground systems.

🔊 “Doubtless” moves with mechanical certainty. Relentless rhythms lock into place while layered synth structures create pressure and forward momentum. The track avoids excess, choosing discipline and intent instead—each element contributing to a tightly controlled atmosphere that feels cold, powerful, and deliberate.

🖤 This release marks another confident step forward for .SYS Machine, reinforcing the project’s reputation for sharp sound design and uncompromising electronic identity. It’s a track that doesn’t ask for attention—it commands it.

🎶 Listen Now:

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Wolf Within Me: Lykinthrope Exposes the Breaking Point Between Control and Collapse

OUT NOW: Wolf Within Me by Lykinthrope 💀

With “Wolf Within Me,” Lykinthrope delivers a visceral, emotionally charged release that lives in the space between control and collapse. Built around tension, patience, and the inevitability of eruption, the track explores what happens when self-restraint becomes a cage—and instinct finally breaks free.

News Article: A Study in Contained Fury

At its core, “Wolf Within Me” is about suppression—the kind that looks calm on the surface but seethes underneath. The lyrics paint a portrait of someone who has mastered silence, discipline, and emotional restraint, not because it’s healthy, but because it’s necessary for survival.

Lines like “Wear my patience like a chain” and “Every heartbeat locked in place” immediately frame control as confinement. This is not peace—it’s containment. The song repeatedly emphasizes calculation, control, and self-policing, creating a sense of pressure that steadily builds with each verse.

The wolf becomes the central metaphor: instinct, anger, truth, and identity all compressed beneath composure. It’s not portrayed as evil or reckless—it’s exhausted. “Tired of always folding” becomes the emotional thesis of the track, resonating with anyone who has learned to survive by staying quiet.

As the song progresses, the imagery intensifies. Fur rising, teeth sharpening, the moon igniting something violent inside the chest—it’s the slow, cinematic transformation from restraint to reckoning. By the final chorus, restraint is no longer virtuous. Walking away was mercy. Patience has eroded. The explosion is not sudden—it’s overdue.

“Wolf Within Me” positions Lykinthrope as an artist willing to explore internal conflict without romanticizing it. This is not a power fantasy. It’s an honest confrontation with the cost of always being the controlled one.

Release Review: The Sound of Pressure Cracking

From a sonic standpoint, “Wolf Within Me” thrives on tension. The arrangement mirrors the lyrical theme—tight, controlled, and coiled. There’s a constant feeling that something is being held back, as if the track itself is biting its tongue.

The verses feel restrained and deliberate, allowing the listener to sit inside the pressure rather than escape it. When the chorus hits, it doesn’t explode immediately—it surges, reinforcing the idea that this transformation is inevitable, not impulsive.

The bridge is a standout moment. “Don’t mistake the peace I show for a leash you think you hold” reframes calmness as deception, flipping the listener’s expectations. What appears compliant is actually volatile. The breakdown that follows—voices calling, cages breaking—feels claustrophobic and psychological, rather than purely aggressive.

By the final chorus, the restraint is gone. The storm that “no one noticed” becomes undeniable, and the emotional payoff lands hard because it was earned. The explosion feels justified, not theatrical.

This track will resonate strongly with listeners drawn to dark electronic and industrial-adjacent music that prioritizes emotional truth over bravado. It speaks to those who know what it means to keep the peace at their own expense—and what happens when that cost becomes too high.

Lyrical Interpretation: Instinct vs. Control

“Wolf Within Me” is ultimately about the danger of misreading patience as weakness. The song dismantles the idea that calmness equals compliance and reframes restraint as a countdown.

Key themes include:

  • Emotional suppression as survival
  • The psychological toll of constant self-control
  • Instinct as truth rather than threat
  • Explosion as consequence, not choice

The wolf is not something to conquer—it’s something to acknowledge. Ignoring it only ensures it will eventually break free.

🎶 Listen Now

Wolf Within Me – Lykinthrope

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Excluded: Leatherstrip Returns With a Cold, Unflinching Statement on Alienation

OUT NOW: Excluded by Leatherstrip
Available now via Bandcamp—and it does not ask for permission. 💀

A Song for the Cast Out

With “Excluded,” Leatherstrip delivers a stark, confrontational piece that cuts straight to the emotional core of alienation. This is a track about being pushed outside the circle—socially, politically, ideologically—not by choice, but by systems that decide who belongs and who does not.

There is no metaphorical cushioning here. The song speaks plainly and forcefully about marginalization, enforced silence, and the psychological toll of being erased or dismissed. It’s not framed as victimhood, but as awareness—cold, sober, and unresolved.

Sound & Structure: Discipline Over Decoration

Sonically, “Excluded” is unmistakably Leatherstrip. The track is built on rigid EBM foundations: precise sequencing, relentless rhythmic motion, and a stripped-down arrangement that leaves no room for distraction. The production is austere and controlled, reinforcing the lyrical message rather than competing with it.

Nothing feels excessive. Every element serves purpose. The beat drives forward with mechanical resolve, while the synth work remains cold and focused—never indulgent, never ornamental. This restraint gives the track weight. It feels intentional, sharpened, and uncompromising.

Vocals as Authority, Not Performance

Claus Larsen’s vocal delivery is a defining force here. Rather than theatrical aggression, the performance leans into controlled intensity. The voice sounds grounded, resolved, and fully aware of what it’s saying. There’s no attempt to soften the message or dramatize it for effect.

This approach makes the track feel less like a rant and more like a declaration—measured, deliberate, and unyielding.

Lyrical Interpretation: Exclusion as a System

Lyrically, “Excluded” operates on two levels. On the surface, it speaks to personal isolation—the experience of being shut out, dismissed, or invalidated. Beneath that, it exposes exclusion as a designed outcome, not an accident. The song implies structure, intent, and repetition—systems that thrive by deciding who is worthy of inclusion and who is disposable.

There is no plea for acceptance here. No demand for reconciliation. Instead, the song documents the condition itself, forcing the listener to confront the reality of exclusion without offering easy resolution or emotional release.

This is not a song about overcoming.
It is a song about naming the wound.

Why “Excluded” Matters

Leatherstrip has never been about comfort, nostalgia, or neutrality—and “Excluded” reinforces why the project remains vital. In a cultural moment defined by division, gatekeeping, and ideological purity tests, this track feels painfully current.

It will resonate deeply with listeners drawn to industrial and EBM not just for sound, but for truth without varnish. This is music that stands firm, even when standing alone.

A sharp, disciplined release that proves Leatherstrip is still operating with clarity, relevance, and conviction. 💀

🎶 Listen Now

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Burn Down the World (Start Over): DarkHeart Syndicate’s Inferno of Reckoning and Renewal

OUT NOW: Burn Down the World (Start Over) by DarkHeart Syndicate


The new single is live on all platforms—and it arrives with purpose, pressure, and intent. 💀

A Confrontational Vision, Sharpened by Fire

“Burn Down the World (Start Over)” is a no-illusions statement about tearing down systems already rotten beyond repair. The lyrics reject false authority, broken promises, and inherited lies—using fire not as chaos, but as purification. This isn’t nihilism; it’s responsibility. Destruction becomes the necessary first step toward rebuilding something honest.

Release Review: Controlled Detonation

This release hits like a deliberate blast—emotional, focused, and unapologetically heavy. From the opening moments, it establishes a tense atmosphere that’s both intimate and confrontational, pulling the listener into a headspace shaped by collapse, reflection, and resolve.

Sonically, the production balances grit and clarity. The low end drives with purpose, while layered textures and subtle details reward repeat listens. Nothing feels accidental; every element contributes to momentum and pressure, as if the track is always pushing forward—even when it pauses to breathe.

What stands out most is intent. This isn’t chaos for chaos’ sake; it’s destruction with direction. There’s a quiet defiance embedded in the arrangement—the feeling of standing in the aftermath, still upright, still moving.

Lyrical Review & Interpretation: Ethical Destruction

“Burn Down the World (Start Over)” reads as a manifesto of disillusionment, reckoning, and radical rebirth. The world is framed as corrupted beyond repair—rot, cages, rigged games, false gods, and manufactured lies dominate the verses. Power structures are exposed as hollow: kings, thrones, flags, gods, and empires reduced to debris.

The repeated call to burn it down is ethical, not reckless. Fire becomes a tool of purification. The chorus makes it explicit—there’s no promise of luck, salvation, or easy redemption. Starting over is cold, painful, and costly. Growth comes with loss.

The bridge sharpens the blade: rejecting divine authority and comforting illusions alike. It’s clarity through annihilation—truth emerging only after everything false collapses. By the final moments, the song pivots from destruction to ownership. No utopia is promised. If we rebuild, we do it knowingly—without myths, without excuses.

In essence, the track confronts:

  • The failure of inherited systems
  • The courage to destroy what cannot be fixed
  • The loneliness and resolve required to rebuild honestly
  • Transformation through fire rather than comfort

This is not rebellion for rebellion’s sake. It’s a declaration that when the world is broken by design, starting over may be the only moral choice. 💀

🎧 Listen Now

Burn Down the World (Start Over)

Turn it up. Share it. If it resonates, you already know why.

MESH Return From the Shadows With “Exile” — A Defiant New Chapter Begins

Mesh are back, and they’re not easing into it.
With the release of “Exile”, the iconic British synthpop duo signal a powerful resurgence—one that feels both urgent and refined. Out today, the new single captures Mesh at their most emotionally charged, blending polished electronic production with the introspective weight longtime fans crave.

“Exile” doesn’t just arrive — it confronts.
Propelled by driving synth lines and unmistakably human vulnerability, the track stands as a bold statement of intent. It’s a reminder of why Mesh continue to matter: emotionally resonant songwriting wrapped in precision-crafted electronic atmospheres.

The forthcoming album is already shaping up to be something special.
Early impressions place it among their strongest work to date—rivaled only by Automation Baby, a high watermark in the band’s catalog. For fans who value depth, melody, and emotional honesty, this next era promises to deliver in full.

Preorders are now live, with regional options recommended for convenience:

  • European customers are encouraged to order via Dependent or POPoNAUT
  • UK fans should order directly from Mesh

🎶Listen Now:

This is Mesh, fully present and fully realized.
If “Exile” is the opening signal, what follows may well define their modern legacy.

Mesh – Periodic Table of Synthpop

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20 Years of Faderhead: Reflection, Resistance, and the Skill Gap Nobody Wants to Admit

As the calendar turns, there’s a quiet milestone approaching in the Faderhead universe. March 31, 2026 marks 20 years since the release of FH1—the debut album that kicked open the door back in 2006. Two decades later, the machine is still running, sharper and more self-aware than ever.

20 Years of Faderhead ⚙️

With the anniversary looming, planning is already underway. While the final release schedule is still being locked in, all signs point toward a brand-new Faderhead album landing in the second half of 2026, accompanied by very few “20 Years of Faderhead” headline shows—likely no more than two. No victory lap. No nostalgia overload. Just precision.

2025 Patreon Songs 🎧

To close out 2025, a snippet mix of the 12 Patreon-exclusive tracks released throughout the year was shared—offering a rare look behind the curtain. The reaction was unexpected: a surprising number of listeners didn’t even realize Patreon existed, let alone what it actually offers.

So let’s clarify.

What Is Patreon, Really? 🔒

Patreon is the Faderhead Inner Circle—a space for fans, creatives, and curious minds who want more than just the finished product.

What You Get:

  • One exclusive song every month – Patron-only releases, usually never available elsewhere
  • Weekly “Faderhead Friday” newsletter – Over 500 consecutive weeks and counting
  • Private Discord access – Community, discussion, questions, ideas
  • Studio livestreams & Q&As (Producer tier) – Real-time writing and production insight
  • Monthly 1-on-1 mentorship calls (Mentor tier) – Personalized Zoom sessions to level up your art or project

This isn’t about content farming.

It’s about connection, insight, and transparency—a direct line into how things actually work, without industry theater or posturing. And yes, it costs less than a McDonald’s meal.

Live in 2026 🔥

  • March 28, 2026 – E-Tropolis, Oberhausen (DE)
  • June 26–27, 2026 – Black Lower Castle, Kranichfeld (DE)

Limited appearances. No filler.

You Don’t Hate Social Media. You Just Suck at It. 🧠

This part might sting—but it matters.

If social media feels exhausting, humiliating, time-consuming, or vaguely insulting to your intelligence, there’s a strong chance the issue isn’t the platform.

It’s inefficiency.

Slowness Turns Neutral Tasks Into Enemies

Watching someone spend nearly an hour editing a simple Instagram Reel—basic cuts, timing, text—says everything. For someone experienced, that’s a 3–5 minute task. The task didn’t change. The skill level did.

And with it, the emotional reaction.

If every post feels like an existential crisis, the problem isn’t social media. It’s friction.

“Hate” Is Often Just Resistance

Most musicians who claim to hate social media don’t hate publishing.

They hate:

  • Not knowing what to post
  • Taking forever to decide
  • Feeling clumsy with the tools
  • Watching others move fast while they struggle

So the ego steps in with comforting lies:

  • This is fake
  • This isn’t real art
  • I shouldn’t have to do this

Convenient. Comfortable. Completely useless.

The Hidden Cost Nobody Calculates

When posting takes an hour, you avoid it.
When you avoid it, you stay bad.
When you stay bad, the hour never becomes five minutes.

That loop—not algorithms, audiences, or “culture decline”—is the real enemy.

An untrained muscle you refuse to train because you resent the gym.

Speed Is Freedom, Not Selling Out

People who are good at social media don’t dramatize it.
They don’t overidentify with it.
They don’t justify it.

They open the app.
They do the thing.
They close the app.

The faster something becomes, the less emotional weight it carries.
Ironically, competence is what creates distance.

One Uncomfortable Question

Before declaring social media beneath you, ask this:

If this took five minutes instead of fifty, would I still hate it?

If the honest answer is no, then this isn’t a values problem.

It’s a skill gap.

And skill gaps don’t close by pretending your frustration is philosophical.

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Hand of Juno Push “Right Now” Into the Underground With a Relentless Techno Rework

Hand of Juno continue their fearless genre mutation with “Right Now (FASTER Remix)”, a club-focused reimagining of their industrial metal track—out today via Out Of Line Music. The remix strips the song down to pure momentum, trading metallic aggression for pounding low-end pressure and hypnotic repetition designed for dark rooms and late hours.

Rebuilt from the rhythmic spine outward, the FASTER Remix replaces distortion with precision. Driving kicks, glitch-infused textures, and a minimalist pulse transform “Right Now” into a weaponized techno cut—lean, raw, and engineered for underground dancefloors. It’s another sharp turn in the band’s evolution, proving Hand of Juno can dismantle their own sound and reassemble it without losing intensity.

Formed in Italy in 2021, Hand of Juno began as a female-fronted industrial metal trio featuring Melissa Bruschi, Alice Lane Pandini (Infected Rain), and Helly Elisa Montin. After four successful singles, the project evolved—continuing forward without Pandini and expanding its live force with Francesca Mancini (guitar) and Marco Valerio (bass). The result is a darker, more adaptable unit built for both stage and studio.

That adaptability is fully realized on their debut album Psychotic Banana, released via Out Of Line Music. The record collides industrial metal with electronic music, techno, brutal deathcore breakdowns, and deep, cinematic melody. Each track pulls from a different sonic world, creating a volatile listening experience that refuses to sit still.

The album’s title says it all. Psychotic Banana is about change—constant shifts in mood, structure, and intensity that mirror the band’s own journey. Songs escalate and fracture, pushing toward aggression before the closing moments pull back, hinting at a hard-earned moment of stability after chaos.

This momentum has already translated to the stage. Hand of Juno have delivered punishing live sets, shared stages with labelmates ERDLING on tour across Germany, and torn through festival crowds including Summer Breeze Open Air. With each release, their audience grows—and the lines between metal, industrial, and techno continue to dissolve.

Listen Now:
https://handofjuno.lnk.to/RightNow-FasterRemix

Merch | Hand of Juno

Hand of Juno lineup

Melissa Bruschi – Vocals

Elisa Helly Montin – Drums

Francesca Mancini – Guitar

Marco Valerio – Bass

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💀 FiXT Drops Machines of Our Disgrace (Single Edits) — Circle of Dust & Celldweller Refined for Maximum Impact

FiXT sharpens the blade with the release of Machines of Our Disgrace (Single Edits), a precision-cut offering that distills the raw power of Circle of Dust and Celldweller into streamlined, high-impact versions built for immediate immersion. These single edits preserve the aggression, atmosphere, and mechanical soul of the originals—now tightened for repeat listens without losing an ounce of weight.

This release bridges eras and aliases, bringing together two pillars of Klayton’s sonic universe under the FiXT banner. Industrial pressure, cinematic tension, and cybernetic rhythm collide in edits designed to hit fast, hit hard, and linger long after the last transient fades.

🎶 Listen Now:

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💀 Re:Mission Entertainment Marks the Turning of the Cycle with Its Massive 2025 Label Compilation

Re:Mission Entertainment closes the chapter on 2025 the only way it knows how—by detonating a genre-spanning compilation that captures the pulse of the underground in all its shadow-drenched glory. The 2025 Label Compilation stands as a sonic time capsule, uniting 25 tracks across Industrial, EBM, Darkwave, Witch House, Synthpop, and Experimental realms into one cohesive statement of intent.

This annual release isn’t just a retrospective—it’s a declaration. Singles collide with remixes, collaborations bleed into exclusives, and familiar names share space with boundary-pushers operating at the fringe. Every track is curated to reflect the restless evolution of the scene, offering listeners both reflection and revelation as the calendar resets.

Available digitally via Bandcamp, the compilation also arrives as a strictly limited physical pressing of just 200 CDs, making it a must-have artifact for collectors who still value tangible relics of underground culture. Once they’re gone, they’re gone.

For those who live in the margins between genres and thrive in the darker frequencies, this compilation isn’t optional—it’s essential listening.

🎶 Listen Now:

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Simon Carter Ignites 2026 with the Release of Welcome

Simon Carter has kicked the doors open on 2026 with the release of Welcome, a new EP engineered for the underground. Designed to hit hardest after midnight, the record dives headfirst into shadow-soaked spaces where rhythm rules and the outside world fades away.

Built across four hypnotic techno cuts, Welcome thrives on driving basslines, industrial grit, and a relentless forward motion. Each track locks into a deep pulse, layering mechanical textures and pressure-heavy grooves that feel tailor-made for dark rooms, late nights, and packed dance floors.

This EP isn’t about easing listeners in—it’s about total immersion. From the first beat to the last echo, Welcome establishes Simon Carter’s intent for the year ahead: uncompromising energy, raw atmosphere, and a sound rooted firmly in the underground.

If this release is any indication, 2026 is arriving loud—and Simon Carter is setting the tone.

🎶 Listen Now:

Deep Dive Into The Universe Of Simon Carter

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KMFDM European Tour Postponed as Ultra Heavy Beat Faction Prepares to Strike Back with ENEMY

The Ultra Heavy Beat never dies—but sometimes it’s forced to regroup. German electronic and industrial rock pioneers KMFDM have officially postponed their nearly sold-out European tour, originally scheduled for February and March 2026, due to a severe illness requiring immediate medical intervention and ongoing therapy.

Tour Update: Health Comes First

The tour was set to support the band’s forthcoming 24th studio album, ENEMY, but circumstances beyond their control have brought plans to a temporary halt.

“We are so very sorry. We were looking forward to do this tour, but we will make up for it,” states KMFDM founder Sascha ‘Käpt’n K’ Konietzko.
“We appreciate your love and support! Long live the ULTRA HEAVY BEAT,” adds co-vocalist Lucia Cifarelli.

All tickets will remain valid for the rescheduled dates. A revised tour timeline is expected to be announced soon.

Album Release Unchanged: ENEMY Arrives February 6, 2026

Despite the tour delay, the release of ENEMY remains locked in for February 6, 2026, via Metropolis Records.

The first single, “OUBLIETTE,” is already available and sets the tone for what may be KMFDM’s most confrontational release yet.

ENEMY

  • Formats: 2×LP | CD | Digital
  • Release Date: February 6, 2026
  • Label: Metropolis Records
  • Includes the single: OUBLIETTE (WAV | MP3 | Streaming | Bandcamp)

The Sound of Defiance

Society fractures. Fascism parades openly. Silence is demanded. KMFDM responds the only way they know how—louder, sharper, and more uncompromising than ever.

With 42 years of conceptual continuity through distinction, KMFDM declare themselves the ENEMY—a direct challenge to hypocrisy, discrimination, and systemic decay. The album is helmed by the songwriting and vocal command of Konietzko and Cifarelli, driven by the percussive assault of Andy Selway, and now reinforced by London-based guitarist Tidor Nieddu, whose vivid six-string attack injects fresh aggression into the KMFDM arsenal.

Adding another striking dimension, Annabella Konietzko appears on the explosive track “YOÜ,” marking her songwriting debut with the band after mesmerizing audiences during the 40th anniversary tour.

Musical Warfare Across the Tracklist

ENEMY is stylistically fearless—biting satire, political venom, and dancefloor-ready brutality collide across its runtime:

  • Dance/rock melodicism: OUBLIETTE
  • Dark industrial grooves: CATCH & KILL
  • Thrash satire: OUTERNATIONAL INTERVENTION
  • Vicious industrial metal: L’ETAT
  • Funk-driven menace: VAMPYR
  • Dub-laced defiance: STRAY BULLET 2.0

KMFDM continues to move—dancing on the blood-dimmed tide, roaring against a world that demands ignorance over awareness.

ENEMY – Tracklist

  1. ENEMY
  2. OUBLIETTE
  3. L’ETAT
  4. VAMPYR
  5. YOÜ
  6. OUTERNATIONAL INTERVENTION
  7. A OKAY
  8. STRAY BULLET 2.0
  9. CATCH & KILL
  10. GUN QUARTER SUE
  11. THE SECOND COMING

Legacy of the Ultra Heavy Beat

Founded in Hamburg in 1984 by Sascha Konietzko, KMFDM carved a singular path through industrial rock—combining confrontational politics, abrasive electronics, and undeniable hooks. Early releases in Germany led to U.S. success through Wax Trax! Records, with the 1990s cementing their legacy via hits like “Juke Joint Jezebel” and soundtrack placements in Bad Boys and Mortal Kombat.

Bands such as Rammstein and Korn cut their teeth opening on KMFDM tours. After a brief hiatus in 1999, the band re-emerged on Metropolis Records with Lucia Cifarelli, continuing a relentless cycle of releases and tours. Their most recent album, LET GO (2024), capped a 40-year legacy, followed by a remixed and remastered edition of HAU RUCK in 2025.

Deep Dive into the Universe of KMFDM

💀 LOWLIFE RISES FROM THE WEST COAST UNDERGROUND 💀

Los Angeles heavy hitters Fatalist return with a punishing new visual statement that drags modern metalcore back into the gutter — and dares you to sit with it.

Released just 14 hours ago, LOWLIFE marks the latest chapter in the evolving sonic identity of Fatalist, a project that continues to blur the lines between nu-core aggression, modern metal brutality, and raw emotional confrontation.

There’s no polish-for-radio here. LOWLIFE hits like a clenched jaw and a swinging fist — intentional, uncomfortable, and unapologetically real.

⚠️ A VIDEO THAT STARES BACK

The official music video for LOWLIFE doesn’t just accompany the track — it amplifies it. Shot with a stripped-down, confrontational visual style, the video places the viewer face-to-face with the band’s raw intensity. Stark lighting, claustrophobic framing, and chaotic performance energy combine to mirror the song’s internal tension.

This isn’t escapism. It’s confrontation.

The visuals feel grounded in the same emotional weight as the music — a reflection of frustration, self-awareness, and the grind of existing at the margins. Every frame reinforces the feeling that LOWLIFE isn’t a character — it’s a mirror.

🔥 LOS ANGELES DNA, NO COMPROMISE

Forged in Los Angeles, California, Fatalist channels the city’s volatile underground energy into a sound that feels both modern and feral. This is music born from concrete, sweat-soaked rooms, and the pressure of a scene that doesn’t hand anything out for free.

LOWLIFE continues the band’s trajectory of releases that prioritize impact over comfort, proving Fatalist isn’t chasing trends — they’re documenting a state of mind shaped by survival, grit, and defiance.

🌐 Deep Dive into the Universe of Fatalist

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spankthenun Activates “Rigor Mortis” — A Hypnotic Descent into Sonic Numbness🧊

A slow pulse. A frozen loop. A track designed not to move you—but to stop you.
spankthenun has officially announced Rigor Mortis, a release that operates less like a traditional song and more like a sustained psychological state.

❄️ A Loop That Refuses to Die

At the core of Rigor Mortis lies a loop that never fully resolves. It pulses steadily, mechanically, as if unearthed rather than written. The beat is slow, deliberate, and unrelenting, while a minimal hook repeats just enough to bypass conscious thought and settle directly into the body. This is repetition as ritual—designed to linger long after the sound stops.

“We unearthed a loop that never stopped pulsing.”

Rather than building toward release or climax, Rigor Mortis traps the listener in suspension. The track doesn’t escalate—it locks in, holding its ground with clinical precision.

🩸 Hypnosis Over Emotion

This is not a song meant to provoke feeling in the traditional sense. Instead, it explores detachment, stillness, and the eerie calm that follows overstimulation. The simplicity is intentional. The restraint is the weapon.

“A slow beat and simple hook hypnotize the body long after the mind has checked out.”

The experience feels physical before it feels emotional—muscle memory responding while the mind drifts elsewhere. It’s industrial minimalism at its most unsettling.

🧊 When Numbness Means It’s Working

Perhaps the most chilling aspect of Rigor Mortis is its mission statement. The track embraces emotional absence as success, leaning into coldness as a final form rather than something to escape.

“If you feel nothing when you hear it, that means it is working.”

There’s no comfort here. No catharsis. Just the slow acceptance of stillness as the beat continues, indifferent to the listener’s response.

⚙️ A Condition, Not a Song

Rigor Mortis feels less like a standalone release and more like a state of activation—something that spreads gradually, tightening its grip over time. It’s built for headphones, isolation, and late-night immersion, where repetition becomes oppressive and silence feels louder than sound.

“RIGOR MORTIS is active. Let the cold set in.”

🎶 Listen Now:

🕳️ Deep Dive into the Universe of spankthenun

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Spankthenun – “Bunker Tapes Vol II” – Onyx Music Reviews

j:dead Dives Deeper with “Disgusting” — A Confrontational New Chapter Arrives January 2, 2026

The second single from j:dead, titled “Disgusting,” lands on January 2, 2026, via Infacted Recordings, marking a sharper, more volatile evolution of the project’s sound and intent.

Following the debut single “Pressure,” which centered on emotional strain and resilience, “Disgusting” turns inward with far less restraint. This release confronts the discomfort of self-awareness—those moments when complacency, emotional stagnation, and repetitive personal patterns become impossible to ignore. It’s not reflective for comfort’s sake; it’s reflective because looking away is no longer an option.

A More Aggressive Sonic Identity

Musically, “Disgusting” pushes j:dead further into industrial-rock territory. Distorted synth lines grind against driving rhythms while raw, unfiltered vocals deliver their message with urgency. The track is intentionally abrasive—designed to hit hard in both club environments and alternative live settings, trading subtlety for impact.

A Campaign Built on Progression

This release emphasizes evolution over repetition. Rather than chasing frequency alone, each monthly release exposes a different emotional and sonic dimension of j:dead.

The result is a project unfolding in real time—growing darker, heavier, and more self-aware with every chapter while maintaining a direct connection with listeners.

Deep Dive into the Universe of j:dead

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💀🌑 New World Disorder: A Tinnitorturous Sampler Marks the Darkest Day of the Year 🌑💀

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Out Sunday, December 21st, 2025, New World Disorder – A Tinnitorturous Sampler arrives exactly when the night is longest—released on all major digital music services and free (or pay-what-you-want) in lossless quality on the artists’ Bandcamps. This is more than a compilation. It’s a ritual, a statement, and a reflection of a year that tested resolve across the underground.

🌘 A Solstice Ritual Forged in Sound

Each year, the winter solstice marks the balance point between darkness and the slow return of light. In that spirit, Tinnitorturous returns with a sampler that channels the weight of the times through industrial, EBM, and alternative electronic expression.

Following last year’s uncompromising tribute Shouldn’t Have Done That – A Depeche Mode Tribute (still available for free on Bandcamp 💀), this year’s release goes deeper. Inspired by real-world events and rising global tensions, a select group of Tinnitorturous artists created brand-new, exclusive tracks—raw, confrontational, and unfiltered.

NWD-cover-600.jpg

⚙️ Art as Resistance

New World Disorder stands as a response to a year defined by authoritarian aggression, propaganda, and attempts to suppress liberty. Fascism wears many masks—but the message here is clear: question supremacy, reject dictatorship, and never accept manufactured greatness. This EP doesn’t preach—it confronts.

As the light slowly returns, this sampler carries a faint but defiant hope: that 2026 may arrive with less madness, less bloodshed, and more humanity.

Merry Winter Solstice.

🔥 Tracklist

🎶 Listen Now:

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🧠 About Tinnitorturous

Founded in Denmark, Tinnitorturous is an independent label dedicated to industrial, EBM, and alternative electronic underground music, run by scene-veteran musicians who live and breathe the culture.

Daily operations are handled by:

  • Jens B. Petersen (ManMindMachine, Negant, more)
  • Tommy B-Kuhlmann (In Absentia, Negant, Body-Banden, more)

The label has steadily built a catalog rooted in sonic defiance, mechanical rhythms, and uncompromising vision.

🧾 Selected Discography Highlights

From early digital singles like Eisenwolf – Krigskøter (2019) to landmark releases such as ManMindMachine – RetroFuturist, Institute for the Criminally Insane – Ferryman’s Bell, and the 2024 sampler Shouldn’t Have Done That – A Depeche Mode Tribute, the label’s trajectory has been relentless.

The journey culminates—so far—with:
V.A. – New World Disorder – A Tinnitorturous Sampler
Digital EP | TT-DDEP-07 | Out December 21, 2025

More releases are already in the pipeline. 💀

🌐 Deep Dive into the Universe of Tinnitorturous

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