⚙️ Carpenter Brut has officially announced his new album Leather Temple, arriving February 27th via No Quarter PROD / Virgin Records. The record closes the door on the ambitious Leather trilogy and pushes its cinematic narrative into a fully realized dystopian future.
🧥 The Final Chapter of the Leather Saga Leather Temple stands as the third and concluding entry following 2018’s Leather Teeth—a glam-soaked, retro-charged debut—and 2022’s Leather Terror, a darker slasher-horror descent centered on serial-killer anti-hero Brett Halford. As with its predecessors, the new album functions as both a musical release and a narrative soundtrack, unfolding like a brutal, neon-lit film.
🌆 2077: A World in Ruins The story leaps forward to the year 2077. Decades after a nuclear catastrophe, civilization exists under the rule of a transhuman elite known as the Overlords, who reside in glowing megacities while the rest of humanity struggles among the wreckage. At the center of this fractured world is Midwichpolis, a capital ruled by the iron-fisted tyrant Iron Tusk—addicted to a synthetic drug called Pink Base and obsessed with eternal life.
🏁 Speed or Perish To maintain control, Iron Tusk broadcasts Speed or Perish, a weekly death race promising freedom to its contestants—an escape no one has ever achieved. Far from the capital, in the Midwichslums, a rebel collective known as the Horde fights back. Led by Lita Connor, the group uncovers a forgotten cold room buried in the ruins. Inside lies Bret Halford—Leather Teeth himself—frozen in time.
🦾 Reforged for Rebellion Upgraded with advanced technology and reborn as a half-man, half-machine weapon, Bret becomes the unlikely spearhead of a resistance determined to dismantle the regime. This violent, hyper-stylized world forms the backbone of Leather Temple, brought to life visually through the title track’s official video.
🎥 Sound, Speed, and Saturation Musically, Leather Temple leans harder into urgency and impact. The album is more cinematic and orchestral, yet sharper and more direct—channeling a saturated ’90s electro atmosphere that’s dark, aggressive, and unrelenting. Tracks hit like scenes: short, explosive, and relentless. There’s no exposition—only motion. Neon flickers, engines roar, and tension never lets up.
🔥 Leather Temple – Track Listing
Ouverture (Deus Ex Machina)
Major Threat
Leather Temple
She Rules The Ruins
Start Your Engines
Neon Requiem
Iron Sanctuary
The Misfits The Rebels
Speed or Perish
The End Complete
🎸 A Decade-Defining Force Since 2012, Carpenter Brut has fused electronic music, metal, and 1980s pop-culture obsession into a singular aesthetic that’s as brutal as it is cinematic. Drawing inspiration from filmmakers like John Carpenter and Dario Argento alongside the sonic aggression of Slayer and Justice, his universe sits at the crossroads of retro thrillers, glam metal, and futuristic dystopia.
🎤 Live Assault Incoming The audiovisual spectacle continues on stage, with Carpenter Brut announcing shows across Europe and the United States in March 2026. This includes a special standalone UK headline performance at Shepherds Bush Empire on March 22nd.
⚙️ .SYS Machine returns with a commanding new single titled “Doubtless,” released via Glitch Mode Recordings. Built on precision-driven electronic architecture and industrial tension, the track delivers a focused, unflinching sound designed for dark rooms, late nights, and underground systems.
🔊 “Doubtless” moves with mechanical certainty. Relentless rhythms lock into place while layered synth structures create pressure and forward momentum. The track avoids excess, choosing discipline and intent instead—each element contributing to a tightly controlled atmosphere that feels cold, powerful, and deliberate.
🖤 This release marks another confident step forward for .SYS Machine, reinforcing the project’s reputation for sharp sound design and uncompromising electronic identity. It’s a track that doesn’t ask for attention—it commands it.
With “Wolf Within Me,” Lykinthrope delivers a visceral, emotionally charged release that lives in the space between control and collapse. Built around tension, patience, and the inevitability of eruption, the track explores what happens when self-restraint becomes a cage—and instinct finally breaks free.
News Article: A Study in Contained Fury
At its core, “Wolf Within Me” is about suppression—the kind that looks calm on the surface but seethes underneath. The lyrics paint a portrait of someone who has mastered silence, discipline, and emotional restraint, not because it’s healthy, but because it’s necessary for survival.
Lines like “Wear my patience like a chain” and “Every heartbeat locked in place” immediately frame control as confinement. This is not peace—it’s containment. The song repeatedly emphasizes calculation, control, and self-policing, creating a sense of pressure that steadily builds with each verse.
The wolf becomes the central metaphor: instinct, anger, truth, and identity all compressed beneath composure. It’s not portrayed as evil or reckless—it’s exhausted. “Tired of always folding” becomes the emotional thesis of the track, resonating with anyone who has learned to survive by staying quiet.
As the song progresses, the imagery intensifies. Fur rising, teeth sharpening, the moon igniting something violent inside the chest—it’s the slow, cinematic transformation from restraint to reckoning. By the final chorus, restraint is no longer virtuous. Walking away was mercy. Patience has eroded. The explosion is not sudden—it’s overdue.
“Wolf Within Me” positions Lykinthrope as an artist willing to explore internal conflict without romanticizing it. This is not a power fantasy. It’s an honest confrontation with the cost of always being the controlled one.
Release Review: The Sound of Pressure Cracking
From a sonic standpoint, “Wolf Within Me” thrives on tension. The arrangement mirrors the lyrical theme—tight, controlled, and coiled. There’s a constant feeling that something is being held back, as if the track itself is biting its tongue.
The verses feel restrained and deliberate, allowing the listener to sit inside the pressure rather than escape it. When the chorus hits, it doesn’t explode immediately—it surges, reinforcing the idea that this transformation is inevitable, not impulsive.
The bridge is a standout moment. “Don’t mistake the peace I show for a leash you think you hold” reframes calmness as deception, flipping the listener’s expectations. What appears compliant is actually volatile. The breakdown that follows—voices calling, cages breaking—feels claustrophobic and psychological, rather than purely aggressive.
By the final chorus, the restraint is gone. The storm that “no one noticed” becomes undeniable, and the emotional payoff lands hard because it was earned. The explosion feels justified, not theatrical.
This track will resonate strongly with listeners drawn to dark electronic and industrial-adjacent music that prioritizes emotional truth over bravado. It speaks to those who know what it means to keep the peace at their own expense—and what happens when that cost becomes too high.
Lyrical Interpretation: Instinct vs. Control
“Wolf Within Me” is ultimately about the danger of misreading patience as weakness. The song dismantles the idea that calmness equals compliance and reframes restraint as a countdown.
Key themes include:
Emotional suppression as survival
The psychological toll of constant self-control
Instinct as truth rather than threat
Explosion as consequence, not choice
The wolf is not something to conquer—it’s something to acknowledge. Ignoring it only ensures it will eventually break free.
OUT NOW:Excluded by Leatherstrip Available now via Bandcamp—and it does not ask for permission. 💀
A Song for the Cast Out
With “Excluded,” Leatherstrip delivers a stark, confrontational piece that cuts straight to the emotional core of alienation. This is a track about being pushed outside the circle—socially, politically, ideologically—not by choice, but by systems that decide who belongs and who does not.
There is no metaphorical cushioning here. The song speaks plainly and forcefully about marginalization, enforced silence, and the psychological toll of being erased or dismissed. It’s not framed as victimhood, but as awareness—cold, sober, and unresolved.
Sound & Structure: Discipline Over Decoration
Sonically, “Excluded” is unmistakably Leatherstrip. The track is built on rigid EBM foundations: precise sequencing, relentless rhythmic motion, and a stripped-down arrangement that leaves no room for distraction. The production is austere and controlled, reinforcing the lyrical message rather than competing with it.
Nothing feels excessive. Every element serves purpose. The beat drives forward with mechanical resolve, while the synth work remains cold and focused—never indulgent, never ornamental. This restraint gives the track weight. It feels intentional, sharpened, and uncompromising.
Vocals as Authority, Not Performance
Claus Larsen’s vocal delivery is a defining force here. Rather than theatrical aggression, the performance leans into controlled intensity. The voice sounds grounded, resolved, and fully aware of what it’s saying. There’s no attempt to soften the message or dramatize it for effect.
This approach makes the track feel less like a rant and more like a declaration—measured, deliberate, and unyielding.
Lyrical Interpretation: Exclusion as a System
Lyrically, “Excluded” operates on two levels. On the surface, it speaks to personal isolation—the experience of being shut out, dismissed, or invalidated. Beneath that, it exposes exclusion as a designed outcome, not an accident. The song implies structure, intent, and repetition—systems that thrive by deciding who is worthy of inclusion and who is disposable.
There is no plea for acceptance here. No demand for reconciliation. Instead, the song documents the condition itself, forcing the listener to confront the reality of exclusion without offering easy resolution or emotional release.
This is not a song about overcoming. It is a song about naming the wound.
Why “Excluded” Matters
Leatherstrip has never been about comfort, nostalgia, or neutrality—and “Excluded” reinforces why the project remains vital. In a cultural moment defined by division, gatekeeping, and ideological purity tests, this track feels painfully current.
It will resonate deeply with listeners drawn to industrial and EBM not just for sound, but for truth without varnish. This is music that stands firm, even when standing alone.
A sharp, disciplined release that proves Leatherstrip is still operating with clarity, relevance, and conviction. 💀
OUT NOW:Burn Down the World (Start Over) by DarkHeart Syndicate
The new single is live on all platforms—and it arrives with purpose, pressure, and intent. 💀
A Confrontational Vision, Sharpened by Fire
“Burn Down the World (Start Over)” is a no-illusions statement about tearing down systems already rotten beyond repair. The lyrics reject false authority, broken promises, and inherited lies—using fire not as chaos, but as purification. This isn’t nihilism; it’s responsibility. Destruction becomes the necessary first step toward rebuilding something honest.
Release Review: Controlled Detonation
This release hits like a deliberate blast—emotional, focused, and unapologetically heavy. From the opening moments, it establishes a tense atmosphere that’s both intimate and confrontational, pulling the listener into a headspace shaped by collapse, reflection, and resolve.
Sonically, the production balances grit and clarity. The low end drives with purpose, while layered textures and subtle details reward repeat listens. Nothing feels accidental; every element contributes to momentum and pressure, as if the track is always pushing forward—even when it pauses to breathe.
What stands out most is intent. This isn’t chaos for chaos’ sake; it’s destruction with direction. There’s a quiet defiance embedded in the arrangement—the feeling of standing in the aftermath, still upright, still moving.
“Burn Down the World (Start Over)” reads as a manifesto of disillusionment, reckoning, and radical rebirth. The world is framed as corrupted beyond repair—rot, cages, rigged games, false gods, and manufactured lies dominate the verses. Power structures are exposed as hollow: kings, thrones, flags, gods, and empires reduced to debris.
The repeated call to burn it down is ethical, not reckless. Fire becomes a tool of purification. The chorus makes it explicit—there’s no promise of luck, salvation, or easy redemption. Starting over is cold, painful, and costly. Growth comes with loss.
The bridge sharpens the blade: rejecting divine authority and comforting illusions alike. It’s clarity through annihilation—truth emerging only after everything false collapses. By the final moments, the song pivots from destruction to ownership. No utopia is promised. If we rebuild, we do it knowingly—without myths, without excuses.
In essence, the track confronts:
The failure of inherited systems
The courage to destroy what cannot be fixed
The loneliness and resolve required to rebuild honestly
Transformation through fire rather than comfort
This is not rebellion for rebellion’s sake. It’s a declaration that when the world is broken by design, starting over may be the only moral choice. 💀
Mesh are back, and they’re not easing into it. With the release of “Exile”, the iconic British synthpop duo signal a powerful resurgence—one that feels both urgent and refined. Out today, the new single captures Mesh at their most emotionally charged, blending polished electronic production with the introspective weight longtime fans crave.
“Exile” doesn’t just arrive — it confronts. Propelled by driving synth lines and unmistakably human vulnerability, the track stands as a bold statement of intent. It’s a reminder of why Mesh continue to matter: emotionally resonant songwriting wrapped in precision-crafted electronic atmospheres.
The forthcoming album is already shaping up to be something special. Early impressions place it among their strongest work to date—rivaled only by Automation Baby, a high watermark in the band’s catalog. For fans who value depth, melody, and emotional honesty, this next era promises to deliver in full.
Preorders are now live, with regional options recommended for convenience:
European customers are encouraged to order via Dependent or POPoNAUT
UK fans should order directly from Mesh
🎶Listen Now:
This is Mesh, fully present and fully realized. If “Exile” is the opening signal, what follows may well define their modern legacy.
As the calendar turns, there’s a quiet milestone approaching in the Faderhead universe. March 31, 2026 marks 20 years since the release of FH1—the debut album that kicked open the door back in 2006. Two decades later, the machine is still running, sharper and more self-aware than ever.
20 Years of Faderhead ⚙️
With the anniversary looming, planning is already underway. While the final release schedule is still being locked in, all signs point toward a brand-new Faderhead album landing in the second half of 2026, accompanied by very few “20 Years of Faderhead” headline shows—likely no more than two. No victory lap. No nostalgia overload. Just precision.
2025 Patreon Songs 🎧
To close out 2025, a snippet mix of the 12 Patreon-exclusive tracks released throughout the year was shared—offering a rare look behind the curtain. The reaction was unexpected: a surprising number of listeners didn’t even realize Patreon existed, let alone what it actually offers.
So let’s clarify.
What Is Patreon, Really? 🔒
Patreon is the Faderhead Inner Circle—a space for fans, creatives, and curious minds who want more than just the finished product.
What You Get:
One exclusive song every month – Patron-only releases, usually never available elsewhere
Weekly “Faderhead Friday” newsletter – Over 500 consecutive weeks and counting
Studio livestreams & Q&As(Producer tier) – Real-time writing and production insight
Monthly 1-on-1 mentorship calls(Mentor tier) – Personalized Zoom sessions to level up your art or project
This isn’t about content farming.
It’s about connection, insight, and transparency—a direct line into how things actually work, without industry theater or posturing. And yes, it costs less than a McDonald’s meal.
Live in 2026 🔥
March 28, 2026 – E-Tropolis, Oberhausen (DE)
June 26–27, 2026 – Black Lower Castle, Kranichfeld (DE)
Limited appearances. No filler.
You Don’t Hate Social Media. You Just Suck at It. 🧠
This part might sting—but it matters.
If social media feels exhausting, humiliating, time-consuming, or vaguely insulting to your intelligence, there’s a strong chance the issue isn’t the platform.
It’s inefficiency.
Slowness Turns Neutral Tasks Into Enemies
Watching someone spend nearly an hour editing a simple Instagram Reel—basic cuts, timing, text—says everything. For someone experienced, that’s a 3–5 minute task. The task didn’t change. The skill level did.
And with it, the emotional reaction.
If every post feels like an existential crisis, the problem isn’t social media. It’s friction.
“Hate” Is Often Just Resistance
Most musicians who claim to hate social media don’t hate publishing.
They hate:
Not knowing what to post
Taking forever to decide
Feeling clumsy with the tools
Watching others move fast while they struggle
So the ego steps in with comforting lies:
This is fake
This isn’t real art
I shouldn’t have to do this
Convenient. Comfortable. Completely useless.
The Hidden Cost Nobody Calculates
When posting takes an hour, you avoid it. When you avoid it, you stay bad. When you stay bad, the hour never becomes five minutes.
That loop—not algorithms, audiences, or “culture decline”—is the real enemy.
An untrained muscle you refuse to train because you resent the gym.
Speed Is Freedom, Not Selling Out
People who are good at social media don’t dramatize it. They don’t overidentify with it. They don’t justify it.
They open the app. They do the thing. They close the app.
The faster something becomes, the less emotional weight it carries. Ironically, competence is what creates distance.
One Uncomfortable Question
Before declaring social media beneath you, ask this:
If this took five minutes instead of fifty, would I still hate it?
If the honest answer is no, then this isn’t a values problem.
It’s a skill gap.
And skill gaps don’t close by pretending your frustration is philosophical.
Hand of Juno continue their fearless genre mutation with “Right Now (FASTER Remix)”, a club-focused reimagining of their industrial metal track—out today via Out Of Line Music. The remix strips the song down to pure momentum, trading metallic aggression for pounding low-end pressure and hypnotic repetition designed for dark rooms and late hours.
Rebuilt from the rhythmic spine outward, the FASTER Remix replaces distortion with precision. Driving kicks, glitch-infused textures, and a minimalist pulse transform “Right Now” into a weaponized techno cut—lean, raw, and engineered for underground dancefloors. It’s another sharp turn in the band’s evolution, proving Hand of Juno can dismantle their own sound and reassemble it without losing intensity.
Formed in Italy in 2021, Hand of Juno began as a female-fronted industrial metal trio featuring Melissa Bruschi, Alice Lane Pandini (Infected Rain), and Helly Elisa Montin. After four successful singles, the project evolved—continuing forward without Pandini and expanding its live force with Francesca Mancini (guitar) and Marco Valerio (bass). The result is a darker, more adaptable unit built for both stage and studio.
That adaptability is fully realized on their debut album Psychotic Banana, released via Out Of Line Music. The record collides industrial metal with electronic music, techno, brutal deathcore breakdowns, and deep, cinematic melody. Each track pulls from a different sonic world, creating a volatile listening experience that refuses to sit still.
The album’s title says it all. Psychotic Banana is about change—constant shifts in mood, structure, and intensity that mirror the band’s own journey. Songs escalate and fracture, pushing toward aggression before the closing moments pull back, hinting at a hard-earned moment of stability after chaos.
This momentum has already translated to the stage. Hand of Juno have delivered punishing live sets, shared stages with labelmates ERDLING on tour across Germany, and torn through festival crowds including Summer Breeze Open Air. With each release, their audience grows—and the lines between metal, industrial, and techno continue to dissolve.
On January 18, 2026, Evol Radio will publish an exclusive in-depth interview with j:dead, diving beneath the surface of one of the most emotionally confrontational industrial projects currently emerging from the underground.
This interview moves beyond standard promo cycles, instead unfolding as a PAST / PRESENT / FUTURE narrative—examining origin, escalation, and intent with brutal clarity.
A PROJECT BUILT FROM PRESSURE
Since the release of Pressure, j:dead has positioned the project as more than sound—using distortion, repetition, and emotional friction as tools for self-examination. With the follow-up single Disgusting, the project sharpens its edge, turning inward and outward at the same time, forcing listeners to sit with discomfort rather than escape it.
The upcoming Evol Radio interview traces the roots of j:dead’s identity, exploring the moments that demanded the project exist in the first place, and how those early impulses continue to shape its trajectory.
PRESENT TENSION, FUTURE COLLISION
At the center of the conversation is j:dead’s evolving release strategy—monthly drops designed not for algorithmic noise, but for progression in real time. The interview dissects how this approach affects creative detachment, listener connection, and the emotional cost of staying exposed in public.
Topics include:
The psychological meaning behind the name j:dead
The shift from endurance to confrontation between releases
The role of discomfort as a catalyst for growth
Whether j:dead is meant to exist on stage—or remain internal and solitary
This isn’t a surface-level Q&A. It’s a study in self-awareness, pressure, and refusal to numb out—a conversation for listeners who don’t just consume music, but use it as a mirror.
The full interview will be published January 18, 2026, exclusively on evolradio.com.
FiXT sharpens the blade with the release of Machines of Our Disgrace (Single Edits), a precision-cut offering that distills the raw power of Circle of Dust and Celldweller into streamlined, high-impact versions built for immediate immersion. These single edits preserve the aggression, atmosphere, and mechanical soul of the originals—now tightened for repeat listens without losing an ounce of weight.
This release bridges eras and aliases, bringing together two pillars of Klayton’s sonic universe under the FiXT banner. Industrial pressure, cinematic tension, and cybernetic rhythm collide in edits designed to hit fast, hit hard, and linger long after the last transient fades.
Re:Mission Entertainment closes the chapter on 2025 the only way it knows how—by detonating a genre-spanning compilation that captures the pulse of the underground in all its shadow-drenched glory. The 2025 Label Compilation stands as a sonic time capsule, uniting 25 tracks across Industrial, EBM, Darkwave, Witch House, Synthpop, and Experimental realms into one cohesive statement of intent.
This annual release isn’t just a retrospective—it’s a declaration. Singles collide with remixes, collaborations bleed into exclusives, and familiar names share space with boundary-pushers operating at the fringe. Every track is curated to reflect the restless evolution of the scene, offering listeners both reflection and revelation as the calendar resets.
Available digitally via Bandcamp, the compilation also arrives as a strictly limited physical pressing of just 200 CDs, making it a must-have artifact for collectors who still value tangible relics of underground culture. Once they’re gone, they’re gone.
For those who live in the margins between genres and thrive in the darker frequencies, this compilation isn’t optional—it’s essential listening.
🎶 Listen Now:
Deep Dive into the Universe of Re:Mission Entertainment
From the beginning, horror has been more than an aesthetic for her—it has been a language. One of the earliest and most profound awakenings came not from music, but from cinema. Luca Guadagnino’s Suspiria (2018) struck her in a way she didn’t yet have words for. Its hypnotic cinematography, ritualistic symbolism, and suffocating mood seeped into her subconscious, quietly laying the foundation for the world she would later build. Even now, the film remains a touchstone—something she revisits again and again, consciously or not, across projects.
Her musical origins took shape in music school, where she was immersed in electronic production and mid-tempo bass music. At the same time, she found herself gravitating back toward heavier sounds—industrial textures, sludge pop, witch house, nu-metal riffs, and gothic atmospheres. She wanted to fuse distorted electronic bass with the physical weight of metal guitars, but lacked the technical ability to execute those riffs herself. That changed when a classmate introduced her to the producer who would help translate her vision into reality—someone who could bridge electronic production with guitar-driven aggression and bring her hybrid sound to life.
One of the most defining battles of her early career, however, wasn’t compositional—it was physical. Learning how to scream nearly destroyed her voice. For years, she pushed through false cord techniques that sounded raw and feral but caused damage and inconsistency. You can hear that struggle embedded in early releases like “Lobotomy” and “Know You Best.” It wasn’t until she discovered fry screaming—and later, voiced fry screaming under the guidance of vocal coach Warren Jensen—that everything clicked. What once felt uncontrollable became precise, powerful, and sustainable. The screams she had been chasing were finally hers, and they now define the next chapter of her sound.
Visually, her artistic identity crystallized during the creation of the “Know You Best” music video. With a background in fashion styling, she was already accustomed to wearing multiple hats on set—offering creative direction, shaping mood, and understanding what translated on camera. That project marked the first moment where her roles as musician, writer, stylist, and director fully merged. Working alongside co-director and DOP Myles Mantzaris, she realized she wasn’t just participating in a project—she was building a universe. Each visual became a twisted fairytale, rooted in horror but driven by emotion. It was also the moment she understood something vital: this was only the beginning.
Her earliest songwriting experiences were chaotic, exhilarating, and rule-free. One of her first public releases came together overnight before a music school final—written, recorded, and produced in a single sleepless stretch with close friends. That same magic resurfaced years later with “Voodoo Doll,” which began as a solitary idea on her couch before evolving into a fully realized track through spontaneous phone-call sessions with her producer. For her, the process has never been linear—only intuitive.
Among her most surprising influences is Marina’s Electra Heart. The album rewired her creative chemistry, embedding itself so deeply that she only later recognized its fingerprints in her unreleased work. That emotional theatricality, vulnerability, and conceptual boldness continue to echo beneath the surface of her darker material.
At its core, her creative mission has remained consistent: to tell dark fairytales. Whether it’s a gothic ball, a grim ritual, or a violent roadside nightmare, every song is meant to be a fully immersive experience. Horror remains foundational, but her visuals are evolving—branching into new cinematic territories while still carrying her unmistakable signature.
Building Worlds Through Sound, Vision, and Control
Her recent visuals for “Wasteland” and “Voodoo Doll” may not have followed the original blueprints she envisioned, but adaptability has become part of her process. Life intervenes, plans shift, and art evolves. Still, those unrealized concepts remain alive—waiting for the right moment to be resurrected.
When translating music into visuals, her approach is deeply internal. She listens to a song on repeat—sometimes for hours, sometimes across days—until images surface organically. From there, she builds dense moodboards pulling from films, runway shows, advertising campaigns, color theory, and cultural references. Each video is meticulously planned shot by shot, with visual references and written treatments that guide collaborators from concept to execution.
Lyrics almost always come first. As she writes, a cinematic narrative unfolds in her mind, shaping not only the emotional arc of the song but also the production direction. By the time vocals are finished, the visual story already exists. That imagined world then informs how she works with her producer to sculpt the soundscape around her voice.
Balancing her many roles requires precision and preparation. Overplanning isn’t optional—it’s survival. Detailed treatments, pre-production meetings, shot lists, schedules, and clear communication allow her to focus on what matters most during a shoot: directing and performing. Trusting her team is essential, especially when difficult decisions—like cutting scenes to preserve performance quality—have to be made. For her, collaboration isn’t about control; it’s about alignment.
Sonically, her industrial grit is born from experimentation. Working in Ableton, she and her producer dismantle sounds and rebuild them—reversing, bit-crushing, re-amping, distorting—until something feral emerges. Their shared love for cinematic scores, video game soundtracks, and heavy music bleeds into every track.
Beyond music, fashion remains a constant source of inspiration. She studies legendary runway shows and designers—Alexander McQueen, Mugler, Margiela, Galliano, Iris Van Herpen, Dilara Findikoglu—alongside shock advertising and guerrilla marketing campaigns from around the world. To her, marketing is unavoidable, and when done well, it becomes art in itself.
Her days begin with meditation and morning pages, grounding her creativity before movement—walking, driving, exercising—sets ideas into motion. Vocal warmups follow, then collaborative recording sessions in her makeshift home studio. The day often ends with sushi, strategy, and plotting the next move forward.
Creative control, she believes, is non-negotiable. Opinions are everywhere. Standards are personal. Holding the final say allows her to protect the integrity of her work—and her own relentless self-critique ensures that nothing is released unless it meets her vision.
Expansion, Impact, and Immortality
While her catalog has so far focused on singles, she is actively working toward a full-length album. Delays have slowed the process, but the intention remains firm: finish writing and recording within the coming months, with hopes of releasing it by early next year.
Looking ahead, she envisions expanding her universe beyond music and video. Fashion is a natural next frontier. She dreams of launching her own sustainable, high-quality clothing line—complete with curated runway shows and immersive retail experiences that reflect her aesthetic world.
At the heart of everything is connection. She hopes her music empowers listeners, gives them courage, and reminds them they are not alone. Having spent much of her life feeling like an outsider, she wants her growing community to be a place of belonging. Music, after all, is invisible—but it can change lives.
Her ultimate ambition is global impact. She wants her name—and her music—to resonate internationally, to tour relentlessly, and to build a worldwide community bound by sound and story. Placing her music in video games and films is another lifelong dream, shaped by formative experiences with franchises like Call of Duty, World of Warcraft, and Halo, where soundtracks left permanent emotional imprints.
Live performance is the next frontier. While the focus remains on finishing new music, ideas for cinematic stage production are already taking shape. Performing puts her into a trance-like state—pure adrenaline, pure presence—and she’s eager to bring her world into physical space.
Five years from now, she sees herself on the road, releasing albums, collaborating with new artists, expanding her merch and visual projects, and continuing to push the boundaries of what her universe can become.
This is not just a project. It’s a world—still unfolding.
Simon Carter has kicked the doors open on 2026 with the release of Welcome, a new EP engineered for the underground. Designed to hit hardest after midnight, the record dives headfirst into shadow-soaked spaces where rhythm rules and the outside world fades away.
Built across four hypnotic techno cuts, Welcome thrives on driving basslines, industrial grit, and a relentless forward motion. Each track locks into a deep pulse, layering mechanical textures and pressure-heavy grooves that feel tailor-made for dark rooms, late nights, and packed dance floors.
This EP isn’t about easing listeners in—it’s about total immersion. From the first beat to the last echo, Welcome establishes Simon Carter’s intent for the year ahead: uncompromising energy, raw atmosphere, and a sound rooted firmly in the underground.
If this release is any indication, 2026 is arriving loud—and Simon Carter is setting the tone.
The Ultra Heavy Beat never dies—but sometimes it’s forced to regroup. German electronic and industrial rock pioneers KMFDM have officially postponed their nearly sold-out European tour, originally scheduled for February and March 2026, due to a severe illness requiring immediate medical intervention and ongoing therapy.
Tour Update: Health Comes First
The tour was set to support the band’s forthcoming 24th studio album, ENEMY, but circumstances beyond their control have brought plans to a temporary halt.
“We are so very sorry. We were looking forward to do this tour, but we will make up for it,” states KMFDM founder Sascha ‘Käpt’n K’ Konietzko. “We appreciate your love and support! Long live the ULTRA HEAVY BEAT,” adds co-vocalist Lucia Cifarelli.
All tickets will remain valid for the rescheduled dates. A revised tour timeline is expected to be announced soon.
Album Release Unchanged: ENEMY Arrives February 6, 2026
Despite the tour delay, the release of ENEMY remains locked in for February 6, 2026, via Metropolis Records.
The first single, “OUBLIETTE,” is already available and sets the tone for what may be KMFDM’s most confrontational release yet.
ENEMY
Formats: 2×LP | CD | Digital
Release Date: February 6, 2026
Label: Metropolis Records
Includes the single: OUBLIETTE (WAV | MP3 | Streaming | Bandcamp)
The Sound of Defiance
Society fractures. Fascism parades openly. Silence is demanded. KMFDM responds the only way they know how—louder, sharper, and more uncompromising than ever.
With 42 years of conceptual continuity through distinction, KMFDM declare themselves the ENEMY—a direct challenge to hypocrisy, discrimination, and systemic decay. The album is helmed by the songwriting and vocal command of Konietzko and Cifarelli, driven by the percussive assault of Andy Selway, and now reinforced by London-based guitarist Tidor Nieddu, whose vivid six-string attack injects fresh aggression into the KMFDM arsenal.
Adding another striking dimension, Annabella Konietzko appears on the explosive track “YOÜ,” marking her songwriting debut with the band after mesmerizing audiences during the 40th anniversary tour.
Musical Warfare Across the Tracklist
ENEMY is stylistically fearless—biting satire, political venom, and dancefloor-ready brutality collide across its runtime:
Dance/rock melodicism: OUBLIETTE
Dark industrial grooves: CATCH & KILL
Thrash satire: OUTERNATIONAL INTERVENTION
Vicious industrial metal: L’ETAT
Funk-driven menace: VAMPYR
Dub-laced defiance: STRAY BULLET 2.0
KMFDM continues to move—dancing on the blood-dimmed tide, roaring against a world that demands ignorance over awareness.
ENEMY – Tracklist
ENEMY
OUBLIETTE
L’ETAT
VAMPYR
YOÜ
OUTERNATIONAL INTERVENTION
A OKAY
STRAY BULLET 2.0
CATCH & KILL
GUN QUARTER SUE
THE SECOND COMING
Legacy of the Ultra Heavy Beat
Founded in Hamburg in 1984 by Sascha Konietzko, KMFDM carved a singular path through industrial rock—combining confrontational politics, abrasive electronics, and undeniable hooks. Early releases in Germany led to U.S. success through Wax Trax! Records, with the 1990s cementing their legacy via hits like “Juke Joint Jezebel” and soundtrack placements in Bad Boys and Mortal Kombat.
Bands such as Rammstein and Korn cut their teeth opening on KMFDM tours. After a brief hiatus in 1999, the band re-emerged on Metropolis Records with Lucia Cifarelli, continuing a relentless cycle of releases and tours. Their most recent album, LET GO (2024), capped a 40-year legacy, followed by a remixed and remastered edition of HAU RUCK in 2025.
Los Angeles heavy hitters Fatalist return with a punishing new visual statement that drags modern metalcore back into the gutter — and dares you to sit with it.
Released just 14 hours ago, LOWLIFE marks the latest chapter in the evolving sonic identity of Fatalist, a project that continues to blur the lines between nu-core aggression, modern metal brutality, and raw emotional confrontation.
There’s no polish-for-radio here. LOWLIFE hits like a clenched jaw and a swinging fist — intentional, uncomfortable, and unapologetically real.
⚠️ A VIDEO THAT STARES BACK
The official music video for LOWLIFE doesn’t just accompany the track — it amplifies it. Shot with a stripped-down, confrontational visual style, the video places the viewer face-to-face with the band’s raw intensity. Stark lighting, claustrophobic framing, and chaotic performance energy combine to mirror the song’s internal tension.
This isn’t escapism. It’s confrontation.
The visuals feel grounded in the same emotional weight as the music — a reflection of frustration, self-awareness, and the grind of existing at the margins. Every frame reinforces the feeling that LOWLIFE isn’t a character — it’s a mirror.
🔥 LOS ANGELES DNA, NO COMPROMISE
Forged in Los Angeles, California, Fatalist channels the city’s volatile underground energy into a sound that feels both modern and feral. This is music born from concrete, sweat-soaked rooms, and the pressure of a scene that doesn’t hand anything out for free.
LOWLIFE continues the band’s trajectory of releases that prioritize impact over comfort, proving Fatalist isn’t chasing trends — they’re documenting a state of mind shaped by survival, grit, and defiance.
A slow pulse. A frozen loop. A track designed not to move you—but to stop you. spankthenun has officially announced Rigor Mortis, a release that operates less like a traditional song and more like a sustained psychological state.
❄️ A Loop That Refuses to Die
At the core of Rigor Mortis lies a loop that never fully resolves. It pulses steadily, mechanically, as if unearthed rather than written. The beat is slow, deliberate, and unrelenting, while a minimal hook repeats just enough to bypass conscious thought and settle directly into the body. This is repetition as ritual—designed to linger long after the sound stops.
“We unearthed a loop that never stopped pulsing.”
Rather than building toward release or climax, Rigor Mortis traps the listener in suspension. The track doesn’t escalate—it locks in, holding its ground with clinical precision.
🩸 Hypnosis Over Emotion
This is not a song meant to provoke feeling in the traditional sense. Instead, it explores detachment, stillness, and the eerie calm that follows overstimulation. The simplicity is intentional. The restraint is the weapon.
“A slow beat and simple hook hypnotize the body long after the mind has checked out.”
The experience feels physical before it feels emotional—muscle memory responding while the mind drifts elsewhere. It’s industrial minimalism at its most unsettling.
🧊 When Numbness Means It’s Working
Perhaps the most chilling aspect of Rigor Mortis is its mission statement. The track embraces emotional absence as success, leaning into coldness as a final form rather than something to escape.
“If you feel nothing when you hear it, that means it is working.”
There’s no comfort here. No catharsis. Just the slow acceptance of stillness as the beat continues, indifferent to the listener’s response.
⚙️ A Condition, Not a Song
Rigor Mortis feels less like a standalone release and more like a state of activation—something that spreads gradually, tightening its grip over time. It’s built for headphones, isolation, and late-night immersion, where repetition becomes oppressive and silence feels louder than sound.
Industrial provocateurs return to the stage with a transatlantic run backed by scene heavyweights and festival firepower.
Aesthetic Perfection have officially locked in their 2026 tour, delivering a stacked schedule that spans the United States and Germany, blending intimate club shows, high-energy support bills, and major festival appearances. Known for confrontational performances, sweat-drenched crowds, and relentless momentum, this tour marks another decisive chapter in the project’s ongoing evolution.
⚙️ A Relentless Live Force Returns
Fronted by Daniel Graves, Aesthetic Perfection has built a reputation for shows that refuse complacency. Every performance is engineered for impact—aggressive electronics, razor-edged hooks, and constant audience interaction. The 2026 tour continues that tradition, reinforcing the project’s position at the crossroads of industrial, EBM, aggrotech, and dark alternative culture.
This run also brings strategic support and collaborations, reinforcing scene unity while pushing the intensity higher night after night.
🇺🇸 United States Tour Dates — April 2026
The U.S. leg kicks off on the West Coast before cutting across the Midwest and East Coast, closing out in the Southwest.
Apr 2 (Thu) — Whisky A Go Go — West Hollywood, CA withJulien-K
Apr 3 (Fri) — Brick By Brick — San Diego, CA with Julien-K, Priest
Apr 4 (Sat) — Flyway — Pomona, CA
Apr 5 (Sun) — DNA Lounge — San Francisco, CA with Julien-K, Priest
Apr 11 (Sat) — The Foundry Concert Club — Cleveland, OH with Julien-K, Priest
Apr 12 (Sun) — Capital City Music Hall — Harrisburg, PA with Julien-K, Priest
Apr 14 (Tue) — Dingbatz — Clifton, NJ with Julien-K
Apr 17 (Fri) — The Meadows — New York City, NY
Apr 24 (Fri) — Come and Take It Live — Austin, TX
Apr 25 (Sat) — Scout Bar — Houston, TX
Apr 29 (Wed) — The 44 Sports Grill & Nightlife — Glendale, AZ
🇩🇪 Germany — Festival & Fall Tour 2026
Aesthetic Perfection’s European presence begins with a major festival appearance before returning for an extensive fall club run across Germany.
May 2026
May 7 (Thu) — Out Of Line Weekender 2026 — Berlin (Festival appearance alongside Priest, Chrom, Ashbury Heights, Dawn of Ashes, Massive Ego, and more)
May 8 (Fri) — Astra Kulturhaus — Berlin
November 2026
Nov 3 (Tue) — Essigfabrik — Köln
Nov 4 (Wed) — Frannz Club — Berlin
Nov 6 (Fri) — Kulttempel — Oberhausen
Nov 10 (Tue) — Backstage — München
Nov 11 (Wed) — Das Bett — Frankfurt am Main
Nov 12 (Thu) — Musikzentrum — Hannover
Nov 13 (Fri) — Hellraiser — Leipzig/Engelsdorf
Nov 14 (Sat) — Markthalle — Hamburg
This isn’t a nostalgia lap—it’s a forward strike. With Julien-K and Priest reinforcing the U.S. dates and a high-profile appearance at Out Of Line Weekender, Aesthetic Perfection’s 2026 tour reflects a scene that’s still evolving, still aggressive, and still unwilling to dilute its edge.
Expect packed floors, no-filter performances, and nights engineered for maximum impact.
Deep Dive into the Universe of Aesthetic Perfection
Shock-rock icon Marilyn Manson has officially extended his ongoing One Assassination Under God Tour, announcing a new run of Spring 2026 U.S. dates with support from Australian death-pop duo VOWWS.
Following a year defined by sold-out performances across the globe, Manson shows no signs of retreat. The newly announced dates continue the campaign behind his critically praised 2024 release One Assassination Under God – Chapter 1, out now via Nuclear Blast Records.
🩸 A RECORD BUILT ON DEFIANCE
One Assassination Under God – Chapter 1 stands as one of the most focused and confrontational statements of Manson’s career. Tracks like “Sacrilegious,” “Raise The Red Flag,” and “As Sick As The Secrets Within” fuse scorched-earth lyrics with industrial weight and ritualistic menace, reinforcing his legacy as a provocateur who thrives in chaos.
This next chapter of the tour continues that narrative on stage — theatrical, abrasive, and unfiltered.
🎟️ TICKET INFORMATION
Artist Presale: Tuesday, 12/16 @ 12:00 PM (Local) Password: OAUG26WT
Public On Sale: Friday, 12/19 @ 10:00 AM (Local)
🗓️ MARILYN MANSON — ONE ASSASSINATION UNDER GOD
2026 U.S. TOUR DATES
4/23 – Highland, CA – Yaamava’ Theater*
4/25 – Las Vegas, NV – Sick New World*
5/08 – Minneapolis, MN – The Armory
5/10 – Green Bay, WI – EPIC Event Center
5/12 – Louisville, KY – The Louisville Palace Theatre
5/13 – Memphis, TN – Graceland Soundstage
5/15 – Nashville, TN – The Pinnacle
5/16 – Columbus, OH – Sonic Temple*
10/24 – Fort Worth, TX – Sick New World Texas*
* without VOWWS
📀 ONE ASSASSINATION UNDER GOD – CHAPTER 1
Tracklist
One Assassination Under God
No Funeral Without Applause
Nod If You Understand
As Sick As The Secrets Within
Sacrilegious
Death Is Not A Costume
Meet Me In Purgatory
Raise The Red Flag
Sacrifice Of The Mass
Multiple official music videos from the album — including “Sacrilegious,” “Raise The Red Flag,” and “As Sick As The Secrets Within” — further expand the album’s bleak, cinematic vision.
Italy’s boundary-breaking computer metal project Master Boot Record is set to return to North America in Spring 2026, launching a full coast-to-coast headlining tour across the United States and Canada.
Following a hugely successful European run alongside Igorrr with support from Imperial Triumphant, MBR now brings their uncompromising live assault back across the Atlantic. The tour ignites on April 24 in Cambridge, Massachusetts, and culminates on May 30 in Brooklyn, New York, marking over a month of relentless execution.
Tickets are on sale now.
🧠 COMPUTER METAL RETURNS — LOUDER, SHARPER, DEADLIER
MASTER BOOT RECORD describes the upcoming run as both a return and an expansion — revisiting familiar strongholds while finally infiltrating long-awaited new cities.
Fans can expect:
Brand-new synchronized visual systems
A full expanded live set
Inclusion of “Tenebre Rosso Sangue” by Keygen Church, as performed during the recent European tour
This is computer metal in its most evolved state — precision-engineered, visually weaponized, and physically overwhelming.
SPREAD THE CODE.
🗓️ MASTER BOOT RECORD — 2026 NORTH AMERICAN TOUR DATES
4/24 – Sonia – Cambridge, MA
4/25 – Piranha Bar – Montreal, QC
4/27 – Lee’s Palace – Toronto, ON
4/28 – Sanctuary – Hamtramck, MI
4/29 – The Foundry – Columbus, OH
4/30 – Reggies – Chicago, IL
5/01 – X-Ray Arcade – Milwaukee, WI
5/02 – Zhora Darling – Minneapolis, MN
5/03 – Slowdown – Omaha, NE
5/05 – HQ – Denver, CO
5/07 – Metro Music Hall – Salt Lake City, UT
5/09 – Rickshaw – Vancouver, BC
5/10 – Star Theater – Portland, OR
5/12 – El Corazon – Seattle, WA
5/14 – Café Colonial – Sacramento, CA
5/15 – DNA Lounge – San Francisco, CA
5/16 – Zebulon – Los Angeles, CA
5/17 – Brick By Brick – San Diego, CA
5/19 – The Rosetta Room – Mesa, AZ
5/22 – Empire Control Room – Austin, TX
5/23 – Siberia – New Orleans, LA
5/24 – Garden Club – Atlanta, GA
5/26 – Chapel of Bones – Raleigh, NC
5/27 – Richmond Music Hall – Richmond, VA
5/28 – Metro Gallery – Baltimore, MD
5/29 – Underground Arts – Philadelphia, PA
5/30 – The Meadows – Brooklyn, NY
🧨 CRITICAL PRAISE
“A relentless stream of instrumental metal fused with retro computer-game bleeps and aesthetics… technically dazzling, packed with tapping, sweeping, and shredding.” — Rock Flesh
“Loaded and ready to execute. Their sound is crushing, industrial, and punishing — the crowd is fully onboard.” — At The Barrier
💽 HARDWAREZ — THE CODE BEHIND THE CHAOS
MASTER BOOT RECORD tours in support of HARDWAREZ, the 2024 full-length released via Metal Blade Records.
Created by multi-instrumentalist and mastermind Vittorio D’Amore (aka Victor Love), HARDWAREZ explores the duality of technology — power versus dependence, precision versus chaos. The album follows Personal Computer (2022) and Floppy Disk Overdrive (2020), further expanding MBR’s cybernetic mythology.
True to form, HARDWAREZ was composed live via desktop streaming, entirely programmed through MIDI, then reinforced by real guitars, updated drum systems, and a heavier, punchier mix approach developed through intensive touring.
The second single from j:dead, titled “Disgusting,” lands on January 2, 2026, via Infacted Recordings, marking a sharper, more volatile evolution of the project’s sound and intent.
Following the debut single “Pressure,” which centered on emotional strain and resilience, “Disgusting” turns inward with far less restraint. This release confronts the discomfort of self-awareness—those moments when complacency, emotional stagnation, and repetitive personal patterns become impossible to ignore. It’s not reflective for comfort’s sake; it’s reflective because looking away is no longer an option.
A More Aggressive Sonic Identity
Musically, “Disgusting” pushes j:dead further into industrial-rock territory. Distorted synth lines grind against driving rhythms while raw, unfiltered vocals deliver their message with urgency. The track is intentionally abrasive—designed to hit hard in both club environments and alternative live settings, trading subtlety for impact.
A Campaign Built on Progression
This release emphasizes evolution over repetition. Rather than chasing frequency alone, each monthly release exposes a different emotional and sonic dimension of j:dead.
The result is a project unfolding in real time—growing darker, heavier, and more self-aware with every chapter while maintaining a direct connection with listeners.
Out Sunday, December 21st, 2025, New World Disorder – A Tinnitorturous Sampler arrives exactly when the night is longest—released on all major digital music services and free (or pay-what-you-want) in lossless quality on the artists’ Bandcamps. This is more than a compilation. It’s a ritual, a statement, and a reflection of a year that tested resolve across the underground.
🌘 A Solstice Ritual Forged in Sound
Each year, the winter solstice marks the balance point between darkness and the slow return of light. In that spirit, Tinnitorturous returns with a sampler that channels the weight of the times through industrial, EBM, and alternative electronic expression.
Following last year’s uncompromising tribute Shouldn’t Have Done That – A Depeche Mode Tribute (still available for free on Bandcamp 💀), this year’s release goes deeper. Inspired by real-world events and rising global tensions, a select group of Tinnitorturous artists created brand-new, exclusive tracks—raw, confrontational, and unfiltered.
⚙️ Art as Resistance
New World Disorder stands as a response to a year defined by authoritarian aggression, propaganda, and attempts to suppress liberty. Fascism wears many masks—but the message here is clear: question supremacy, reject dictatorship, and never accept manufactured greatness. This EP doesn’t preach—it confronts.
As the light slowly returns, this sampler carries a faint but defiant hope: that 2026 may arrive with less madness, less bloodshed, and more humanity.
Founded in Denmark, Tinnitorturous is an independent label dedicated to industrial, EBM, and alternative electronic underground music, run by scene-veteran musicians who live and breathe the culture.
Daily operations are handled by:
Jens B. Petersen(ManMindMachine, Negant, more)
Tommy B-Kuhlmann(In Absentia, Negant, Body-Banden, more)
The label has steadily built a catalog rooted in sonic defiance, mechanical rhythms, and uncompromising vision.
🧾 Selected Discography Highlights
From early digital singles like Eisenwolf – Krigskøter (2019) to landmark releases such as ManMindMachine – RetroFuturist, Institute for the Criminally Insane – Ferryman’s Bell, and the 2024 sampler Shouldn’t Have Done That – A Depeche Mode Tribute, the label’s trajectory has been relentless.
The journey culminates—so far—with: V.A. – New World Disorder – A Tinnitorturous Sampler Digital EP | TT-DDEP-07 | Out December 21, 2025
Raw. Intimate. Unfiltered. Bloodrunner return with a release that proves thrash metal doesn’t need distortion to hit hard.
A New Chapter, Fully Exposed 🔥 Chicago thrashers BLOODRUNNER are back — but not the way you expect. With the release of Unplugged Live At WZRD, the long-running Midwest metal force peels back the amps, distortion, and aggression to reveal the beating heart beneath their catalog.
“This album represents a new chapter for Bloodrunner: stripped down, intimate and real,” explains founder, vocalist, and guitarist Neal Rodriguez. And that honesty is felt in every note.
Recorded during the summer of 2025 at Northeastern University’s legendary radio station WZRD, the live session captures Bloodrunner in a raw acoustic setting while simultaneously introducing a new lineup — a bold move for a band that has never been afraid of reinvention.
Thrash Roots, Reinvented ⚡ Formed in 2004 by Neal Rodriguez, Bloodrunner have been a persistent force in the Chicago metal underground for over two decades. From their debut full-length Total Annihilation (2007, remastered and reissued in 2025) to the self-titled EP released in 2023, the band has continually evolved while staying true to their thrash foundation.
Now joined by Tito (bass) and Jeff (drums), Bloodrunner reimagine their songs in an unplugged format — proving that powerful songwriting and emotional weight don’t rely on volume alone. The absence of distortion doesn’t soften the impact; instead, it sharpens it.
“These songs have always had a heart,” Neal shares. “Playing them unplugged lets that shine through in a new way. It’s exciting to share this chapter with our fans.”
Survival, Reinvention, and Relentless Drive 🖤 Bloodrunner’s history is one of persistence. Lineup changes, industry shifts, and long gaps between releases never stopped the project from moving forward. After periods of activity with other bands — including The Upsets — Neal reactivated Bloodrunner in 2020, releasing new material despite setbacks and continued lineup changes.
By 2024, the vision became clear: revisit the past through a new lens. That vision led directly to the unplugged era, with Unplugged Live At WZRD serving as both a statement and a bridge toward the upcoming Bloodrunner Unplugged EP, scheduled for CD release in 2026.
This isn’t nostalgia. It’s survival through reinvention.
After years of silence and anticipation, Unter Null continues her long-awaited resurgence with the official music video for “Coming Up To Breathe,” translating raw emotion into a powerful visual statement that cuts straight to the core.
A Visual Reckoning 🖤 “Coming Up To Breathe” has already resonated deeply as a comeback track—equal parts defiance, vulnerability, and survival. With the release of its official music video, Unter Null elevates the song into a cinematic experience, pairing stark imagery with the relentless emotional weight that defined her earlier legacy while signaling a sharpened, more intentional evolution.
Rather than relying on excess or spectacle, the video leans into atmosphere and tension. Every frame reinforces the song’s central theme: the fight to reclaim identity and breath after prolonged suffocation—personal, creative, and societal. It’s not nostalgia. It’s confrontation.
A Milestone Moment in the Unter Null Revival 🔥 This release marks a significant chapter in Unter Null’s return to the industrial landscape. Long regarded as a defining voice in the aggrotech and dark electro movement, her re-emergence has been measured, deliberate, and uncompromising. The video for “Coming Up To Breathe” stands as both a statement and a promise: this era is not about revisiting the past—it’s about finishing unfinished business.
For longtime followers, it’s a powerful reminder of why Unter Null mattered then. For new listeners, it’s an invitation into a universe built on truth, pressure, and release.
The Browning have officially announced Burn This World [EVOLVED], a reengineered and weaponized evolution of one of their most defining tracks. This isn’t a simple remix or reissue—it’s a full-scale reconstruction designed to hit harder, move faster, and reflect just how far the band’s cyber-metal assault has progressed.
Known for fusing extreme metal brutality with relentless electronic programming, The Browning use [EVOLVED] as both a statement and a warning. The track revisits familiar foundations while amplifying everything—heavier drops, sharper synth architecture, and a modernized sonic core built for today’s dystopian landscape. It’s the sound of a band refusing stagnation, constantly rewriting their own rulebook.
“Burn This World [EVOLVED]” stands as proof that The Browning are not content to live in past victories. Instead, they continue to adapt, mutate, and push their hybrid sound into more aggressive and future-forward territory—where metal, electronics, and chaos collide at full force.
This evolution isn’t about nostalgia. It’s about dominance.
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