DAWN OF ASHES has unleashed their brand new album, “Infecting The Scars,” which is available everywhere today, June 7th, 2025! The highly anticipated release sees Kristof Bathory return the project to its aggrotech roots while pushing forward with a new level of intensity and maturity.
“Full of dark songs and deathly imagery, brought to life by demonic vocals. It’s vampiric, it’s black metal, it’s post-industrial witchcraft, driven by an infectious electronic groove. Very moreish indeed,” praises DEVOLUTION MAGAZINE (UK). ORKUS (DE) hails it as: “Past meets future on an electronic industrial metal delight that will get you on the dance floor. Each of the ten tracks can certainly hit the clubs like a bomb.” VERDAMMNIS (FR) concurs: “Refuses to stagnate while continuing to explore its universe and themes with coherence, intelligence, panache, care and personality. Blends the enthusiasm of youth with a current know-how to make aggrotech great again!”
Stream “Infecting The Scars” now on your preferred platform or via Bandcamp.
Dawn Of Ashes was founded in Los Angeles by Kristof Bathory at the turn of the millennium, the group moniker he chose suggesting ‘the beginning of the end’. Emerging from the industrial and aggrotech genres before expanding into the blackened metal and extreme industrial scenes, Bathory and his band have been a relentless force ever since, evolving and redefining the boundaries of extreme music for over two decades.
“Infecting The Scars” marks a rebirth, fusing the raw, unfiltered aggression of the past with a refined and evolved sound. Lyrically and sonically, it sees them reach a level where the songs are no longer merely anthems of destruction, but rather an exploration of psychological horror, inner demons, and the scars left behind by life’s most brutal moments. The album includes the powerful track “Visceral Rage” with an accompanying lyric video.
Embodying this evolution, the track “Hypertensive Crisis” was issued ahead of the album. It was described by Bathory as “a deliberate attempt to recapture the nostalgia of our early era while seamlessly blending it with fresh, modern elements. It showcases a fully realised version of our classic sound, reimagined with a new intensity and depth.”
A recent relocation to Denmark has also seen Dawn Of Ashes set to expand its reach, bringing the group’s visceral live performances to new territories. European tour dates are currently in the works alongside planned shows in South America, promising a global assault of chaos and horror.
New England metal band DEATH RATTLE continues to build momentum with the release of their powerful new single and music video, “The Darkness,” available today, June 2nd, 2025. This release comes as anticipation builds for their forthcoming album, The Moral Chokehold, now set to drop on July 11th, 2025, due to a manufacturing delay.
Check out “The Darkness” on all streaming/download digital platforms or watch the music video here.
“’The Darkness’ is collectively one of, if not our most favorite song from the ‘Moral Chokehold,” states guitarist Ryan Vanderwolk. “Not only is it the closer for the record, but also the closer for our live sets. Born from a couple of riff ideas, it quickly grew to a much larger, and diverse song as everyone put their fingerprints on it. There are the elements of the groove, and aggression Death Rattle does well, but also has more relaxed moments, a huge catchy chorus, and a very progressive climax. ‘Rage against the dying of the light’ and enter ‘The Darkness.’”
Building on recent tours with diverse acts like Left To Die, Gorgoroth, and Aeturnus, and gaining traction on Liquid Metal radio, DEATH RATTLE showcases their blend of groove, melody, and aggression, as previously heard in tracks like “Malthusian Dependency”, “Immersed in Black,” and “Nietzsche, and the Fall” (featuring Bjorn “Speed” Strid of SOILWORK/THE NIGHT FLIGHT ORCHESTRA).
Pre-order The Moral Chokehold now for a limited edition 300 “Philosopher’s Moon” colored vinyl, CD, and Digital formats at http://lnk.to/deathrattle.
The Moral Chokehold boasts a powerful sound, thanks to production by Kevin Billingslea (Lamb of God, Trivium), mixing/mastering by Jens Bogren (Amon Amarth, Kreator), and stunning artwork from Tamer Azab of The Dark Art in Dubai.
“We are beyond stoked to release ‘The Moral Chokehold.’ For us, this album has been almost four years in the making. We had a blast writing and recording it, but for the last year we have been in the trenches making content and releasing things to hype up the release. It is the grind of the music business. It feels so good to finally get back to what we are passionate about – the music. Releasing these songs to the world and touring to support them is what this whole venture is all about. Creatively, this was a giant step forward for us. We experimented with writing more in the studio environment and playing with different melody structures. It has brought out a new energy in our live show. When a group of songs inspires the band to begin writing the next album before the music is even released, you know you have made something special. That is how we feel about ‘…Chokehold.’ We cannot wait for you all to hear this thing all the way through.”
Hailing from New England, a region known for producing influential metal acts, DEATH RATTLE aims to follow in those footsteps. They have already released two independent albums, toured the US four times (including supporting The Convalescence), and toured Japan twice, supporting acts like Cattle Decapitation, Revocation, Ne Obliviscaris, and Wolfheart. They have also played regionally with Hatebreed, Soulfly, Unearth, Crowbar, Allegaeon, Philip H Anselmo and the Illegals, Let Us Prey, and appeared at festivals like Mayhem Fest, Summer Slaughter, New England Metal and Hardcore Fest, and the Tattoo & Music Festival.
The spark that ignited Dead Posey was a shared love for rock’s dark heart. Danyell, then immersed in acting and modeling, found her calling one night in Tony’s studio. Already a seasoned musician with Eve 6 and a producer in his own right, Tony witnessed Danyell’s raw talent as she sang Nirvana’s “Come As You Are.” “A newfound passion was unlocked in me,” she recalls, “I knew from that moment in my bones that this is what I was meant to do in life.” They hit the ground running, writing songs that would soon define their unique sound.
Their early “Freak Show EP” era, what they now call Dead Posey 1.0, was a significant milestone, landing them publishing and record deals, along with crucial sync placements. At the time, they believed they had found their sound—a bluesy, garage-rock feel. However, the road ahead held more evolution. As they played live more often, their sound matured, growing harder and more aggressive, embracing darker, synthier rock with heavy guitars. This transformation led to Dead Posey 2.0, where they truly found their stride, blending their favorite influences into a cohesive, powerful force. Playing new songs live before release became a vital part of this evolution, injecting a new level of energy into their recordings.
Early tracks like “Don’t Stop the Devil” became unexpected launching pads, propelling their music into TV and film. These placements were a crucial early boost, providing funding for gear, tours, and merch. “It’s funny looking back, though,” Danyell muses, “our sound has changed so much since then, and we thought that time was the peak. But in reality, it was just the beginning.” This early success taught them a valuable lesson: constant growth and adaptation are essential to building a solid, sustainable foundation in an ever-changing industry.
Their sound is a potent cocktail of influences, a blend of Marilyn Manson, Garbage, Hole, Nine Inch Nails, Nirvana, and Depeche Mode. They gravitate toward anything with dark energy, industrial textures, raw emotion, classic melodies, and a guitar thrust. It’s an intuitive process, a musical blender where everything goes in, and something uniquely Dead Posey emerges. The Freak Show EP, their debut, remains a special marker of their journey, an “innocent but still polished” snapshot of their early days, even as they’ve creatively moved far beyond it.
Breaking into the competitive music industry as a DIY band presented immense challenges, and they’re still pushing boundaries a decade later. They’ve learned not to rely on fickle industry support, choosing instead to focus on what they can control: creating music they’re passionate about and fostering genuine connections with fans through social media and live shows. Their mantra: “Fluff doesn’t create a sustainable career; it’s the hard work you put in every day when no one’s watching that truly makes a difference.” Looking back, their advice to their younger selves would be blunt: “Buckle up – this journey is a long, winding road! The blood, sweat, and tears it will take are beyond imagination so be ready.” They’ve been knocked down countless times, but their unwavering love for creating music, performing live, and connecting with their fans always pulls them back up.
A palpable fire ignites Dead Posey’s latest releases. Their current sound is fueled by rebellion, survival, and self-liberation, a visceral response to the chaos of the world. They’re relentlessly pushing through darkness—mentally, emotionally, and sonically—emerging stronger with every note. Uninterested in trends, they channel years of frustration, power, and resilience into music that is unapologetically their own, designed to endure.
Current Energy & Headspace
While their sound has evolved, their core songwriting and production process remains collaborative. Danyell brings thematic and lyrical vision, while Tony, a versatile musician, masterfully pulls everything into a cohesive, impactful whole. They’ve always been hands-on, writing and producing every element themselves. A significant recent shift involves road-testing new songs live before finalizing them, allowing them to gauge audience connection and infuse recordings with live energy.
Beyond the music, Dead Posey cultivates an iconic visual aesthetic, an extension of their sound. Every release is an opportunity to expand the Dead Posey universe, telling stories through artwork, photos, and stage attire. They draw inspiration from gritty rock ‘n’ roll, vintage flair, dark surrealism, and classic and modern horror, letting the visuals organically rise from the music itself.
Maintaining creative chemistry amidst constant demands requires discipline. They strive to shut out distractions in the studio, finding inspiration in their creative space. Their shared investment in every aspect of the band keeps them grounded and hungry. It’s a delicate balance of trust, taking necessary breaks, and open communication. Their driving force: “The energy we put into the band is what will keep it thriving.”
In an industry where mental health is paramount, they prioritize staying grounded by focusing on what they can control, often breaking it down into week-by-week chunks. They’ve learned not to chase external validation, instead centering on creating music they love and connecting with their fans. Setting boundaries with industry interactions has become crucial for protecting their energy and mental space. Self-care, even in small ways, is essential for navigating the chaos. This past year, they’ve embraced resilience, learning that growth flourishes in discomfort and uncertainty, leading to greater confidence and personal evolution. Their proudest moments of 2024 include releasing their debut album, Are You In A Cult?, headlining shows in the UK, and playing for their biggest crowd yet at Spain’s Rockland festival.
What Lies Ahead
With their debut full-length album, Are You In A Cult?, recently released, Dead Posey is taking time to let it resonate, focusing on touring and bringing their sonic world to as many fans as possible. While always writing, they’re not rushing into another album, instead considering collabs or special versions of existing songs for later in the year. Their dream collaborations span legends like Lady Gaga, Marilyn Manson, Nine Inch Nails, Depeche Mode, or Garbage, recognizing these artists’ profound influence on Dead Posey’s DNA, but they’re equally open to teaming up with rising acts who share their vibe.
Dead Posey remains a core duo, bringing in talented live musicians for their shows. Their vision and songwriting will always stem from the two of them. Their ultimate goal is to become a headlining act, capable of easily touring small to medium clubs, and from there, building to bucket-list aspirations like headlining festivals and becoming a household name. They’re not waiting for opportunities; they’re building their own solid foundation.
They constantly push boundaries in their sound and performance, aiming for an immersive live experience that transcends mere song delivery, engaging audiences on a deeper level with visuals and raw energy. They refuse to stay stagnant, always striving to surprise themselves and their fans. In a rock, alt, and industrial landscape that often blurs genre lines, Dead Posey stands apart with their raw energy and authenticity, in it for the long haul to build their own path.
Ultimately, Dead Posey hopes to leave a lasting mark by demonstrating that success and a loyal fanbase can be found outside “the club,” even in a constantly shifting social media landscape. They aspire to inspire other artists to trust their instincts and remain true to their vision, even when external pressures push in different directions.
Catch Dead Posey headlining and get your VIP tickets for THE DAMNED & THE DEAD tour this June: https://www.deadposey.com/tour
Slighter has just dropped “Stories To Tell,” a new track featuring Craig Joseph Huxtable (Landscape Body Machine, Ohmelectronic, Front Line Assembly). This is the final single before Slighter’s forthcoming album, In Ruins, arrives!
“Stories To Tell” is both catchy and hypnotic, driven by Craig’s brooding and angelic vocals. It also includes a 12″ Club Mix style ‘B-side’ perfect for DJs!
Add to your Spotify playlists! (Please note: A direct Spotify link for this specific single was not provided, but you can search for “Slighter Stories To Tell” on Spotify.)
Metal Blade Records is thrilled to welcome Tasmanian death metal behemoths PSYCROPTIC to its esteemed roster for the release of their forthcoming new full-length album. To mark the occasion, the band has just unleashed their new video and single, “Architects Of Extinction.”
PSYCROPTIC stands as Australia’s most globally respected death metal act for a quarter-century. When the history of technical metal is written, PSYCROPTIC will undoubtedly claim a hefty chapter. They carved their path into the underground in the late ’90s and have consistently pushed the genre forward with their dense riff jungles, bursting into powerfully rhythmic grooves and blasts. The profound talent of brothers Joe (guitar) and Dave Haley (drums) anchors their sound. Joe’s esoteric picking style weaves hooks that ensnare listeners, while Dave’s pulsating rhythms provide the backbone. Their level of synchronization is unparalleled, a testament to decades of playing together. The telepathic performance is only matched by the precise contributions of Todd Stern on bass and the charismatic roar of Jason Peppiatt. Like true masters, they make the impossible look impossibly easy.
Guitarist Joe Haley comments on the signing: “Having grown up listening to countless amazing bands on the Metal Blade roster, the label had a big impact on shaping who we are as musicians, essentially becoming an integral part of our creative DNA. From the early days of picking up our instruments to finding our own sound as a band, Metal Blade has always represented the pinnacle of heavy music and a place where groundbreaking artists are created and thrive. So we’re beyond honored to announce that we’re officially joining the Metal Blade family – a surreal and humbling moment for all of us in PSYCROPTIC. We’re currently in the final stages of finishing our new album, and we can’t wait to share what we’ve been working on. To kick off this awesome new chapter on the right note, we’re dropping our brand-new single, ‘Architects Of Extinction.’ Enjoy.”
Bassist Todd Stern adds, “As PSYCROPTIC prepares to release our ninth full-length studio album, we couldn’t be more excited about the fact that we’ve joined forces with the one and only Metal Blade Records, who will be handling its release. We feel that at this point in our career, both the timing and the fit are seemingly perfect. Metal Blade and its roster have always been exceptional, and we are very grateful and humbled to join such a legendary list of artists that have been part of the label’s family throughout the ages. We are adding the final touches on our next record, but in the meantime we have something savory prepared: a dense, hard-hitting single entitled ‘Architects Of Extinction.’ Get ready for the golden age of Tasmania’s most prolific metal band!”
Watch PSYCROPTIC’s “Architects Of Extinction” video HERE.
Next week, PSYCROPTIC will kick off a host of Summer performances throughout Australia and Europe. See all confirmed dates below.
PSYCROPTIC Live:
6/06/2025 Republic Bar – Hobart, AU
6/07/2025 Royal Oak – Launceston, AU
6/08/2025 Pub Rock Diner – Devonport, AU
6/10/2025 Magnet House – Perth, AU
6/11/2025 Lion Arts – Adelaide, AU
6/13/2025 170 Russell – Melbourne, AU
6/14/2025 Metro Theatre – Sydney, AU
6/15/2025 Princess Theatre – Brisbane, AU
7/26/2025 Tolminator – Tolmin, SI
7/27/2025 Backstage Free & Easy – München, DE
7/28/2025 Vaudeville – Lindau, DE
7/29/2025 Garage – Saarbrücken, DE
7/30/2025 Hellraiser – Leipzig, DE
8/02/2025 Manchester Academy – Manchester, UK
8/05/2025 La Eventhalle – Cham, DE
8/07/2025 Brutal Assault – Jaromer, CZ
8/09/2025 Alcatraz – Kortrijk, BE
8/10/2025 Hall Of Fame – Tilburg, NL
Most bands take a few albums to find their feet, but PSYCROPTIC’s first two releases were underground classics: The Isle Of Disenchantment (2001, self-released) and The Scepter Of The Ancients (2003, Unique Leader). Vocalist Matthew Chalk and bassist Cameron Grant were part of the first squad who joined the Haleys on their quest for perfection. A relentless touring schedule emerged in Australia, including legendary appearances at Canberra’s Metal For The Brain festival. Normally this would be the high point for an Australian metal band. Two albums out, successful shows, who could ask for more?
Tasmania couldn’t contain them, and as it turned out, neither could Australia. Their first overseas tour was Europe in 2004. Matthew was replaced on vocals by Jason Peppiatt, and PSYCROPTIC went on to record Symbols Of Failure (2006, Neurotic). The band expanded their sound with Ob (Servant) (2008, Nuclear Blast), bringing in ambience and atmosphere, then The Inherited Repression (2012, Nuclear Blast) introduced the powerful neck-cracking grooves that would mark their sound going forward.
It also introduced them to touring the US with their first happening in 2010. This pushed their lust for the road to new levels, smashing audiences and stupefying musicians around the planet. They’re unique among death metal bands in that it’s almost pointless to try and list the festivals and countries they’ve visited, let alone the bands they’ve played with. It can be condensed to “everyone, everywhere.” Official estimates are at forty countries.
PSYCROPTIC solidified their American relationship by signing to Prosthetic Records in 2014, replacing Cameron on bass with US legend Todd Stern in 2015, then releasing their self-titled album in the same year. At this point something indefinable clicked, and the band unleashed As The Kingdom Drowns (2018), a clear step up from their previous work. Divine Council (2022) proved that this wasn’t a new level for the band – it’s a new normal. Origin vocalist Jason Keyser, long considered a part of PSYCROPTIC’s extended family, contributed vocals to Divine Council as well as the upcoming new material. Keyser remains a session and live vocalist on select tours.
Signing to the legendary Metal Blade Records for their forthcoming full-length album – there is no slowing down. PSYCROPTIC are no longer the local Australian band made good: they are a global powerhouse with a footprint the size of the world, nothing left to prove, and an endless commitment to finding ways to rock you as hard as technically possible.
Mexico’s electro-industrial juggernauts HOCICO once again plunge into the dystopian psyche of the digital era. Erk Aicrag and Racso Agroyam return with a visceral, unrelenting track that strips away the glossy veneer of online life and exposes the rot festering beneath.
If The Screen was a direct attack on the anonymity of internet cruelty, “Brainrot” dives even deeper, capturing the suffocating grip of algorithmic addiction. It’s a grotesque ballet of dopamine, dependency, and despair, screamed through Erk’s searing vocals and wrapped in Racso’s hellish production.
Musically, “Brainrot” marks a bold evolution in Hocico’s sound. Infused with aggressive drum and bass influences, it hits with a hyperkinetic energy that feels both chaotic and meticulously controlled. The track seamlessly fuses this rhythmic onslaught with the duo’s signature industrial brutality and aggrotech venom, creating a sound that feels both fresh and devastatingly familiar. This is not a trend-following experiment—it’s a fully weaponized Hocico beatdown, sharpened for the digital battlefield.
From the very first line, “Plug me in, I’m a slave to the screen,” the listener is dragged into a world where identity, free will, and humanity are systematically dismantled by our tech overlords. The lyrics are a cyberpunk confession: raw, paranoid, and disturbingly accurate. Lines like “I dance for the likes, I bleed for the views” hit like gut punches, capturing the performance anxiety and manufactured existence many experience but few dare to articulate.
The chorus, an unrelenting chant of “Brainrot!”, becomes a war cry and a diagnosis all at once. Each repetition digs deeper into the madness, like a virus rewriting the code of the self. The distorted synths and glitchy textures reflect the chaos of a mind being rewired for engagement, not meaning.
Hocico doesn’t just critique digital culture—they drag its corpse onto the stage, expose its entrails, and make you dance with it. The track’s final verse, “Now I’m the king of nothing but brainrot!”, isn’t just a lyric, it’s a warning: the more we feed the machine, the more it devours us.
With “Brainrot,” Hocico once again proves they are not just musicians but prophets of a dying age, screaming from the edge of digital oblivion. This isn’t just music, it’s a mirror. And you won’t like what you see.
Metamorph, the captivating project led by Margot Day, has just announced the release of their new “Harlot EP”!
While specific details about the EP’s soundscapes and lyrical themes are eagerly awaited, this new offering from Metamorph promises to continue Margot Day’s unique artistic vision.
Steel City Kings MALEVOLENCE have unleashed a new single from their massively anticipated new album, Where Only The Truth Is Spoken, which is set to be released on the 20th June via MLVLTD in partnership with Nuclear Blast Records.
Compared to the punishing previous singles, ‘Trenches’ and ‘If It’s All The Same To You’ the brand new release ‘Salt The Wound’ shows a more emotional side of MALEVOLENCE, but that only makes its incredibly heavy chorus stand out even more.
Alex Taylor (vocals) commented: “’Salt The Wound’ is the product of us making a conscious decision to bridge the two faces of Malevolence. On one hand we have the heavy aggressive side, and on the other we have the slower melodic songs, so we wanted a song that could combine the two. The video was entirely shot in Sheffield and the surrounding areas. From the industrial depths of Sheffield, a 900-year-old ruined Abbey, to a perfect sunrise over some of the incredible hills of Derbyshire, there is some incredible scenery in the north of the UK which we sometimes take for granted, so this song felt like the perfect opportunity to show case some of that. From the moment I heard the guitar solo Josh had written for this song, I pictured him on a mountain top doing the solo, so we made it happen, Malev style!”
Malevolence – ‘Salt The Wound’ (Official Music Video) Where Only The Truth Is Spoken
Blood To The Leech
Trenches
If It’s All The Same To You
Counterfeit
Salt The Wound
So Help Me God
Imperfect Picture
Heavens Shake
In Spite (ft. Randy Blythe)
Demonstration Of Pain
With Dirt From My Grave
MALEVOLENCE are currently touring Australia for a run of dates supporting Alpha Wolf.
22.05. – AU – Adelaide – Jive 23.05. – AU – Warrnambool – The Whalers† 24.05. – AU – Forth – Forth Pub† 25.05. – AU – Hobart – Altar Bar† 28.05. – AU – Melbourne – Stay Gold 29.05. – AU – Geelong – Wool Exchange† 30.05. – AU – Albury – Beer Deluxe† 31.05. – AU – Castlemaine – Theatre Royal† 01.06. – AU – Narre Warren – District 14†
†supporting Alpha Wolf
SUMMER SLAUGHTER TOUR 2025 w/ HATEBREED, BLEEDING THROUGH …
08.07. – US – St Petersburg, FL – Jannus Live 09.07. – US – Atlanta, GA – The Eastern 11.07. – US – San Antonio, TX – Vibes Event Center 12.07. – US – Oklahoma City, OK – Diamond Ballroom 13.07. – US – Dallas, TX – The Bomb Factory 15.07. – US – Indianapolis, IN – Egyptian Room at Old National Centre 16.07. – US – Pittsburgh, PA – Stage AE 17.07. – US – Huntington, NY – The Paramount 19.07. – US – Sayreville, NJ – Starland Ballroom 20.07. – US – Philadelphia, PA – Franklin Music Hall 22.07. – US – Charleston, SC – Charleston Music Hall 23.07. – US – Charlotte, NC – The Fillmore Charlotte 25.07. – US – Rochester, NY – Water Street Music Hall 26.07. – US – Detroit, MI – Harpos 27.07. – US – Milwaukee, WI – The Rave 28.07. – US – Grand Rapids, MI – The Intersection
MALEVOLENCE HEADLINE UK & EU TOUR 2025
27.10 – FR – Toulouse – Bikini Club 28.10 – FR – Paris – Elysee Montmartre 30.10 – DE – Munich – Backstage 31.10 – DE – Leipzig – Felsenkeller 01.11 – DE – Berlin – Huxleys 02.11 – DE – Hamburg – Gruenspan 04.11 – NL – Tilburg – 013 05.11 – DE – Cologne – Live Music Hall 06.11 – BE – Ghent – Vooruit 08.11 – UK – Manchester – O2 Victoria Warehouse 09.11 – UK – London – O2 Academy Brixton
MALEVOLENCE have never waited for permission. From the underground to festival main stages, they’ve built their reputation on sheer force of will, crushing live shows, and an unshakable foundation of heavy riffs and harder work. Now, with their fourth studio album Where Only The Truth Is Spoken, Sheffield’s finest step into a new league.
Recorded in California at Dave Grohl’s legendary Studio 606, the album was tracked through the iconic Neve 8078 console, the same desk that captured game-changing records like Nirvana’s Nevermind, Fleetwood Mac’s Rumours, and Tom Petty’s Wildflowers. For a band that’s always pushed forward without compromise, it was the perfect setting to carve out a record that represents everything MALEVOLENCE stands for. The album marks a new level of songwriting precision without sacrificing the band’s trademark weight. Working alongside Grammy Award-winning producer Josh Wilbur (Lamb of God, Gojira, Trivium), the result is MALEVOLENCE at their most punishing, urgent, and anthemic.
Lyrically, Where Only The Truth Is Spoken reflects the principles that MALEVOLENCE have lived by since day one—honesty, loyalty, and integrity. These are not just themes woven into the album but values the band holds in their personal and professional lives. This record doesn’t deal in facades or empty gestures; it’s an unfiltered expression of the struggles, victories, and unshakable brotherhood that have carried them this far.
Malevolence are:
Alex Taylor | Vocals
Konan Hall | Guitar / Vocals
Josh Baines | Guitar
Wilkie Robinson | Bass
Charlie Thorpe | Drums
Deep Dive into the Universe of Malevolence: 🎧 Website – Facebook,
IGORRR is set to unleash their latest single, “Blastbeat Falafel,” taken from the band’s stunning fifth album, “Amen,” which will see its release on September 19th via Metal Blade Records. This new track features guest appearances by Trey Spruance (Mr. Bungle) and Timba Harris (Estradasphere, Secret Chiefs 3).
French multi-instrumentalist and producer Gautier Serre has been operating under the moniker IGORRR for two decades, yet each new record still resonates with a startling freshness and radical vitality. Mr. Bungle, Spruance’s main band, has long been a savvy comparison for IGORRR’s ethos of tightly controlled musical anarchy and gleeful boundary-smashing intensity, serving as another motivating force for the young Gautier. Like Mr. Bungle, IGORRR stubbornly repels the sort of generic pigeonholing that certain media and fans love to indulge in.
On “Blastbeat Falafel,” Gautier further elaborates, “The track is an unnatural and unorthodox connection between metal and traditional oriental music. A metalhead who truly loves oriental music tried to fit in with the codes of oriental music but didn’t succeed. He tried too hard, lost his identity, and ended up in a psychiatric hospital.”
Stay tuned for more info on “Amen” to be unveiled in the coming weeks.
“Amen” Track Listing:
Daemoni
Headbutt
Limbo
Blastbeat Falafel
ADHD
2020
Mustard Mucous
Infestis
Ancient Sun
Pure Disproportionate Black and White Nihilism
Étude n°120
Silence
Photo by Ophélie Legriffon / Artwork by Adrian Baxter
IGORRR Live w/ Master Boot Record, Imperial Triumphant:
10/01/2025 Le Rocher de Palmer – Bordeaux, FR
10/02/2025 Le Bikini – Toulouse, FR
10/03/2025 Santana 27 – Bilbao, ES
10/04/2025 Apollo 1 – Barcelona, ES
10/05/2025 La Riviera – Madrid, ES
10/07/2025 L’Usine – Istres, FR
10/08/2025 Les Docks – Lausanne, CH
10/09/2025 Batschkapp – Frankfurt, DE
10/10/2025 Soulcrusher Festival – Nijmegen, NL
10/11/2025 Ancienne Belgique – Brussels, BE
10/12/2025 Live Music Hall – Cologne, DE
10/14/2025 Markthalle – Hamburg, DE
10/15/2025 Nancy Jazz Pulsation – Nancy, FR
10/16/2025 Le Transbordeur – Lyon, FR
10/17/2025 L’Olympia – Paris, FR
10/19/2025 Stereolux – Nantes, FR
10/21/2025 Prospect Building Crane – Bristol, UK
10/22/2025 Shepherd’s Bush Empire – London, UK
10/23/2025 O2 Ritz – Manchester, UK
More on IGORRR’s Amen:
Since signing to Metal Blade in 2017, the IGORRR name has expanded from one man’s pseudonym to become a full group identity, but Gautier remains the project’s guiding light and mastermind. Steadfastly unclassifiable, “Amen” blindsides its listeners with a new set of exploratory curveballs and continues to surprise and unnerve even the most attuned enthusiast. “This album is definitely darker than its predecessors, it has such a very weighty and solemn vibe that has never been reached before in IGORRR,” explains Gautier. “The fact that I recorded a real choir in a church helped this a lot, but above all there has been very long and meticulous work on the sound and the choice of instruments, and deep experimental research to create a unique sound design. Of course, because it’s an IGORRR album, there are some more colorful tracks, like ‘Blastbeat Falafel,’ ‘ADHD’ etc… They contrast very much with the ambient heaviness. I need tracks like these on an album, it helps to really get through it fully focused, like a shot of limoncello before the next meal.”
With an urge to continually take IGORRR’s multifaceted and challenging sound further forward with each release, Gautier has spent a lot of time cultivating multiple new modes and methods of working since 2020’s breathtaking, critically acclaimed opus Spirituality And Distortion, which even reached number twelve on the official German album chart. Gautier has always made clear that IGORRR is as much about the influence of Bach and Chopin as it is about Cannibal Corpse, Aphex Twin, and Meshuggah, but the source of specific stimuli gets harder to ascertain as the process is refined.
“It’s always difficult for me to know from where the inspiration comes,” he muses. “Music is an expression of life, and everything, even what seems the most insignificant thing, can be a source of inspiration. I would say there hasn’t been one event or one experience that has led me on a creative process, it’s more like a cumulation of everything. I love making music. My brain processes music all the time. You cannot imagine the amount of albums and concertos I create during my sleep. The challenge is more how to sort these ideas to keep the ones with the best potential, the ones that I won’t get bored of, the ones that I really Love, with a big letter L.”
Feast upon the gothic sludge night stalker, BLOOD VULTURE, created by Jordan Olds (2 Minutes To Late Night), as they unveil their 2nd single, “Grey Mourning” (Featuring Jade Puget of AFI), from the upcoming debut album, Die Close, set to be unleashed on June 27th via Pure Noise Records.
Commenting on the song, Olds states: “When I was in middle school, AFI was my gateway to punk, hardcore, and goth. Jade Puget specifically was probably the biggest influence on my guitar playing and songwriting in that very formative time in my life. He’s such a melodic and unique player, and “Grey Mourning” is just a barrage of chromatic death metal riffs, so I thought it would be a really fun juxtaposition to set him loose in that kind of space and see what he came up with. I was honored that he agreed to do it, and his solo is so cool and unpredictable. It was exactly what I wanted. In my freshman year of highschool, I snagged a black Les Paul studio because I saw him playing one in the Leaving Song Pt. II video and that’s actually the same guitar that I used to mimic his solo for the video. So this whole thing has been a wild full circle moment for me. Oh yeah, and the song is about vampires.”
The impending debut, Die Close, lures listeners in with a mesmerizing melding of gothic romanticism, lush metallic vibes and brutal reckoning. The record features luminary guests Jade Puget (AFI), Kristin Hayter (Lingua Ignota) and Brian Fair (Shadows Fall).
BLOOD VULTURE will perform in Brooklyn, NY on June 1st at The Meadows with Pallbearer and Cinder Well.
About BLOOD VULTURE:
This is the story of a vampire known as “The Blood Vulture.” A once-insatiable bloodthirsty abomination of a creature, he is now a recluse long locked away as he grapples with what it means to live forever in a world of impermanence. His tales of regret and grief and terror will be told from hereon through songs that meld the emotive vocal stylings of grunge’s golden era with death metal, goth rock, and doom metal.
Prepare for a sonic recalibration! The enigmatic project LOCKJAW is gearing up to unleash their electrifying cover of Garbage’s iconic track “Vow” on Friday, May 23rd, 2025. This isn’t just a simple rendition; LOCKJAW is tearing down the original and rebuilding it with their own signature industrial-tinged intensity. Adding extra voltage to this sonic experiment are two familiar faces from the scene: the formidable Jose Ramirez (formerly of LOCKJAW) on guitars, and the powerhouse Ken Pillar (known for his work with Project 44, WORM, and Apocalypse Theater) on drums.
While details surrounding LOCKJAW remain somewhat shrouded in digital mist, their reputation for crafting hard-hitting, technologically infused soundscapes precedes them. This cover of “Vow” promises to be no exception, likely injecting the original’s raw energy with a layer of metallic grit and electronic precision. The involvement of Jose Ramirez, a former architect of LOCKJAW’s sonic identity, adds an intriguing layer of continuity and perhaps a nod to the project’s past.
Ken Pillar, a name synonymous with thunderous and intricate drumming in the industrial and alternative metal underground, further elevates the anticipation for this release. His powerful rhythms and dynamic style are sure to provide a solid and driving backbone to LOCKJAW’s interpretation of the Garbage classic. The collaboration between these seasoned musicians hints at a cover that will not only pay homage to the original but also carve its own distinct sonic territory.
Garbage’s “Vow,” released in 1995 as their debut single, was a groundbreaking track that blended alternative rock with electronic textures and Shirley Manson’s distinctive vocals. Its raw emotion and powerful delivery cemented Garbage’s place in the mid-90s music landscape. LOCKJAW’s decision to tackle such an influential song suggests a bold and potentially transformative reimagining.
The anticipation for LOCKJAW’s “Vow” cover is building within the industrial and alternative music communities. The combination of LOCKJAW’s sonic aesthetic, the return of Jose Ramirez on guitar, and the percussive force of Ken Pillar on drums makes this a highly anticipated release for fans of both the original track and the darker, more electronic edges of alternative music. Mark your digital calendars for Friday, May 23rd, and prepare for a sonic collision of past and present.
Stay locked onto your digital feeds for the imminent release of LOCKJAW’s cover of “Vow.” This promises to be a potent injection of industrial energy into a beloved alternative anthem.
Keep your circuits open for LOCKJAW’s “Vow” on May 23rd!
Explore the shadowy corners of LOCKJAW’s digital realm: 🎧⚙️
[Links to LOCKJAW’s online presence – likely Bandcamp, social media – will be added upon release]
Matt hopes you enjoy it! If you do, please spread the word! Word of mouth is everything for DIY artists, so any plays or mentions are greatly appreciated! ❤️
Today, three epic forces collide: Diablo®, the legendary Action RPG; Berserk, the iconic manga by Kentaro Miura; and Finnish heavy metal band BEAST IN BLACK! 🤘 They’ve joined forces to unleash ‘Enter The Behelit,’ an exclusive new track! 🎶 The song is available on limited-edition vinyl and digitally worldwide, accompanied by a brand-new music video! 🎬
The Berserk crossover event begins in Diablo® IV on May 6th and in Diablo Immortal on May 1st. Both Diablo and Berserk explore the eternal struggle between good and evil, making this a perfect match for fans! 😈
The Maxi Single 💿
The limited-edition maxi single includes ‘Enter The Behelit,’ a brand-new track inspired by Berserk, plus remastered versions of ‘Die By The Blade’ and ‘The Fifth Angel.’ Beast In Black’s music often mirrors Berserk’s themes of struggle and battling inner demons, a perfect fit for the Diablo universe.
Limited to 200 copies, the vinyl features artwork from Diablo IV and Diablo Immortal, created in collaboration with the Diablo art team and the Berserk IP holders. It also includes a turntable zoetrope slipmat, band stickers, behind-the-scenes photos, and concept art.
“The essence that swells in boundless volumes from the juxtaposition of light and darkness, angels and demons, good and evil, the carnal and the spiritual, is the key that seamlessly binds together the aesthetics and narratives of Diablo, Berserk and Beast In Black’’, said Anton Kabanen, guitarist and songwriter on BEAST IN BLACK.
“To somewhat poetically reflect on this extraordinary yet congruous collaboration I can say it feels almost as if this newborn and destined-to-be trinity has been designed by the God Hand itself. On behalf of Beast In Black’s team I express our sincerest gratitude to the dedicated teams at Blizzard, Berserk and Nuclear Blast. Thank you for making this happen. And finally, my individual acknowledgement and bottomless gratitude goes – as always – to Kentaro Miura’’.
The track is digitally distributed by Nuclear Blast.
The Music Video 🎥
The ‘Enter The Behelit’ music video, directed by Katri Ilona Koppanen, blends the worlds of Diablo, Berserk, and Beast In Black. It features an animated trailer inspired by Diablo and Berserk, bringing the song’s story to life.
A behind-the-scenes “making of” video will also be released.
Berserk Crossover in Diablo Games 🎮
Diablo IV Season 8: Belial’s Return launches on April 29th, bringing back Belial and continuing Diablo’s dark storyline.
Throughout May, Diablo players can acquire Berserk-themed cosmetics, including Berserker armour for the Barbarian, a Skull Knight skin for the Necromancer, and the “Chimimoryo” pet in Diablo IV. Diablo Immortal players can gear up in Guts’ or Griffith’s armour, fight alongside a Golem, and even face off against Nosferatu Zodd.
UK dark synth band Massive Ego, fresh off the heels of their February single “(My) Death Song,” have dropped their latest high-octane track, “Hit The Kerb Running,” from their upcoming album. This song is a dark-wave, post-punk infused anthem about facing life’s challenges head-on, even when you stumble, with the confidence to keep running towards victory.
Approaching their 30th anniversary in 2026, Massive Ego is back with new music and performances. They are scheduled to perform at Germany’s M’era Luna festival (August 9-10th, 2025) and Hellsinki Industrial Festival (November 6-8th, 2025).
The song’s message echoes the spirit of 1976 Punk: “too fast to live / we’re too young to die.” It’s about picking yourself up and persevering despite setbacks.
“Hit The Kerb Running” includes two remixes: a harder club mix by Germany’s XTR Human and a vocal-led dark remix by Portuguese duo IAMTHESHADOW.
The music video features fast cuts and edits, reflecting the song’s theme of running towards and away from danger, symbolized by the color red.
Massive Ego continues to break rules, defying genres and trends.
Metropolis Records has officially unveiled ‘Anemia’, the latest release from Mari Kattman! Known for her haunting vocals and immersive electronic soundscapes, Kattman delivers a dark, atmospheric journey that blends industrial, trip-hop, and synth-driven melodies into a mesmerizing sonic experience.
Sheffield’s MALEVOLENCE has officially unveiled details for their highly anticipated new album, ‘Where Only The Truth Is Spoken,’ set for release on June 20th via MLVLTD in partnership with Nuclear Blast Records. This marks the band’s fourth studio album, elevating their signature heavy-hitting sound to new heights with Grammy Award-winning producer Josh Wilbur (Lamb of God, Gojira, Trivium) at the helm.
🚨 New Single + Video ‘If It’s All The Same To You’ Out Now! 🚨 Alongside the album announcement, MALEVOLENCE has dropped the video for their explosive new single, ‘If It’s All The Same To You’—a cinematic heist-style production featuring none other than acting legend Alan Ford (Snatch, Lock Stock & Two Smoking Barrels). The action-packed video follows the band as they execute an art heist and engage in an intense police chase—complete with hidden easter eggs hinting at what’s next for MALEVOLENCE.
🎧 Stream ‘If It’s All The Same To You’ 👉 HERE 📺 Watch the Official Music Video 👉 HERE
🔥 A Bold Statement from MALEVOLENCE 🔥
On the new album, the band states: “‘Where Only The Truth Is Spoken’ is a level up in every sense—musically, lyrically, and visually. Recording in LA with Josh Wilbur was a fresh experience that pushed us to explore new creative heights. The production, songwriting, and visuals are the biggest we’ve ever done.”
“To everyone who supports what we do, thank you. We wouldn’t be here without you. This is just the beginning of something even greater.”
🔗 Pre-order ‘Where Only The Truth Is Spoken’ 👉 HERE
💿 ‘Where Only The Truth Is Spoken’ – Tracklist:
1️⃣ Blood To The Leech 2️⃣ Trenches 3️⃣ If It’s All The Same To You 4️⃣ Counterfeit 5️⃣ Salt The Wound 6️⃣ So Help Me God 7️⃣ Imperfect Picture 8️⃣ Heavens Shake 9️⃣ In Spite (ft. Randy Blythe) 🔟 Demonstration Of Pain 1️⃣1️⃣ With Dirt From My Grave
🎸 MALEVOLENCE On Tour – US & Australia! 🌍🔥
MALEVOLENCE is currently on tour in the U.S., supporting Counterparts, before heading to Australia for a massive run with Alpha Wolf.
📅 Upcoming Tour Dates: 🇺🇸 (Supporting Counterparts) 📍 March 19 – Madison, TN @ Eastside Bowl 📍 March 20 – Chicago, IL @ Concord 📍 March 21 – Lakewood, OH @ The Roxy 📍 March 22 – Detroit, MI @ St. Andrew’s Hall
🇦🇺 (Supporting Alpha Wolf) 📍 May 1 – Cairns, AU @ Edge Hill Tavern 📍 May 2 – Townsville, AU @ Otherwise Bar 📍 May 3 – Mackay, AU @ Seabreeze Hotel 📍 May 4 – Gladstone, AU @ Harvey Road Tavern 📍 May 8 – Sunshine Coast, AU @ The Station 📍 May 9 – Toowoomba, AU @ Powerhouse 📍 May 10 – Coffs Harbour, AU @ Hoey Moey 📍 May 11 – Gold Coast, AU @ Coolangatta Hotel 📍 May 14 – Tamworth, AU @ Blazes Showroom 📍 May 15 – Carinobah, AU @ Carinobah Hotel 📍 May 16 – Central Coast, AU @ Drifters Wharf 📍 May 17 – Wollongong, AU @ Waves 📍 May 18 – Canberra, AU @ The Basement 📍 May 20 – Perth, AU @ Lynotts Lounge 📍 May 23 – Warrnambool, AU @ The Whalers 📍 May 24 – Forth, AU @ Forth Pub 📍 May 25 – Hobart, AU @ Altar Bar 📍 May 29 – Geelong, AU @ Wool Exchange 📍 May 30 – Albury, AU @ Beer Deluxe 📍 May 31 – Castlemaine, AU @ Theatre Royal 📍 June 1 – Narre Warren, AU @ District 14
Hailing from Sheffield, UK, MALEVOLENCE has carved a path in modern hardcore and metal with their crushing riffs, electrifying energy, and uncompromising work ethic. From the underground scene to festival main stages, the band has built a devoted fanbase, known for their explosive live performances and DIY mentality.
📀 New Album ‘Where Only The Truth Is Spoken’ was recorded at Dave Grohl’s legendary Studio 606 in California—tracked through the iconic Neve 8078 console that captured albums like Nirvana’s ‘Nevermind’, Fleetwood Mac’s ‘Rumours’, and Tom Petty’s ‘Wildflowers’.
With Grammy-winning producer Josh Wilbur behind the boards, this album pushes MALEVOLENCE to new creative heights—more brutal, urgent, and anthemic than ever before. Lyrically, it’s an unfiltered expression of honesty, loyalty, and integrity—themes the band has lived by since day one.
📸 Photo Credit: Ramsey Ramone
🤘 MALEVOLENCE IS:
🎤 Alex Taylor – Vocals 🎸 Konan Hall – Guitar / Vocals 🎸 Josh Baines – Guitar 🎸 Wilkie Robinson – Bass 🥁 Charlie Thorpe – Drums
European progressive hard rock outfit HEADLESS has returned with their latest single, “Weightless,” available now on all streaming and download platforms. Fans can also watch the animated music video directed by Dime Stamenov (Sabaton, Uriah Heep, Saxon) HERE.
A Preview of ‘Transitional Objects’
“Weightless” serves as the first glimpse into HEADLESS’ forthcoming album, ‘Transitional Objects,’ set for release in late summer 2025. Mastered by Ted Jensen (Dream Theater, Metallica), the track encapsulates the band’s signature fusion of intricate guitar work, dynamic rhythms, and soaring melodic vocals.
Guitarist Walter Cianciusi describes the single as “a hyper-prog song” filled with complex rhythmic textures and a deeply personal lyrical theme:
“This single delivers a brand-new level of complexity. It’s a hyper-progressive song where the rhythm section creates an intricate tapestry at the limits of human performance. At the same time, the vocal melody remains smooth and uplifting, narrating the growing bond between a father and son.”
He further explains that the new album is:
“A no-frills heavy release featuring eight solid prog songs that mark the absolute peak of HEADLESS’ career. We achieved a level of chemistry and craftsmanship that will likely remain unparalleled in future releases.”
A Legacy of Excellence in Hard Rock and Progressive Metal
One of the defining elements of HEADLESS’ sound is the unmistakable voice of Göran Edman, the Swedish singer renowned for his work with Yngwie Malmsteen, John Norum, Vinnie Vincent, Madison, Swedish Erotica, Glory, Karmakanic, and many more.
Formed in 1996 by cousins Walter (guitars) and Enrico Cianciusi (drums), the band initially released ‘Future to Past’ (1996) and ‘Inside You’ (1998) before disbanding in 2000. Walter later revived the project in 2011 with a fresh lineup, incorporating elements of progressive metal, melodic rock, and AOR-style choruses.
The band’s comeback album ‘Growing Apart’ (2013) featured Queensrÿche’s Scott Rockenfield on drums, followed by ‘Melt the Ice Away’ (2016) (featuring Jim Matheos of Fates Warning). Their 2021 release, ‘Square One’, marked their debut with M-Theory Audio and introduced bassist Martin Helmantel (Elegy), further strengthening their sound.
Praised by Critics and Fans Alike
“The right combination of technique and melody.” – Metal Hammer
“Fans will find catchy choruses, excellent melodies, and well-crafted songs—a fine piece of hard rock.” – Metal Temple
“Flawless melodic hard rock.” – PowerMetal.de
A Respected Live Act Across Europe
HEADLESS has shared the stage with Geoff Tate, Fates Warning, Queensrÿche, Tygers of Pan Tang, Angra, Skid Row, Bonfire, D.A.D., Candlemass, The Dead Daisies, and more.
Guitarist Walter Cianciusi is currently on tour with David Ellefson and has previously toured with Geoff Tate, even appearing on his ‘Sweet Oblivion’ album.
Twisted Flesh Recordings has just announced the release of “Sunset Overdrive”, the latest electrifying single from Terrorbit!
Bringing a surge of 80s-inspired synth energy, this track delivers a high-octane retro banger guaranteed to get listeners moving. Available now for just 0.5 euros, “Sunset Overdrive” is an instant addition to any retro-futuristic, synthwave, or cyberpunk playlist.
Terrorbit adds: “If you’d like to support my music, feel free to send a few dollars – every bit goes directly into making more music!”
🔥 Listen now and immerse yourself in the neon-drenched soundscape of “Sunset Overdrive”! 🎛️✨
Progressive death metal titans Rivers of Nihil have unleashed their latest single, “American Death,” a ferocious and hard-hitting track taken from their highly anticipated self-titled fifth full-length album, set to drop on May 30th via Metal Blade Records.
🗣 Guitarist Brody Uttley shares: “American Death” is a title we’ve had floating around since 2013. It was finally time to write a song with that name, and given the lyrics, it had to be a brutal, relentless track. This is definitely one of the heaviest songs on the album, and we can’t wait to perform it live!”
💿 Album Details & Formats: The self-titled album will be available on CD, digital, and vinyl in multiple variants, including: 🔹 Bleach & Ammonia (Light Blue Smoke – US) 🔹 Adenochrome (Tiger’s Eye – US) 🔹 Stomach Acid (Blue / Yellow Smoke – US) 🔹 House of Light (Yellow / Green Marbled – US Tour Exclusive) 🔹 Radiant Light (Neon Yellow Marbled – EU)
🔥 Upcoming Tours:
EU/UK Headlining Tour w/ Cynic, Beyond Creation, Dååth 📆 March 12 – March 29, 2025 📍 Full list of dates & tickets: Click Here
North American Tour w/ Holy Fawn, Inter Arma, Glacial Tomb 📆 May 22 – June 22, 2025 📍 Full list of dates & tickets: Click Here
💀 About “Rivers of Nihil” Sixteen years into their career, Rivers of Nihil is entering a new era with their self-titled album. Featuring the return of original vocalist Adam Biggs and the addition of guitarist Andy Thomas (ex-Black Crown Initiate), the album delivers ten crushing tracks that explore death from multiple perspectives.
With production from Carson Slovak and Grant McFarland at Atrium Audio, and guest contributions including Patrick Corona (alto sax), Stephan Lopez (banjo), and Grant McFarland (cello), Rivers of Nihil is an album that blends brutality, melody, and technical mastery like never before.
Industrial-electro powerhouse HASSWUT brings their high-energy, hard-hitting sound to North America with Sauerstoff! 💀⚙️ This explosive release fuses pounding beats, aggressive synths, and raw intensity, delivering an unrelenting sonic assault.
💿 Sauerstoff is now available for North American orders exclusively through Negative Gain Productions! Don’t miss out on this powerhouse of industrial fury! 🎧🔥
Chicago-based industrial powerhouse Derision Cult has just dropped Mercenary Notes Pt. 2, delivering another relentless dose of gritty, hard-hitting industrial rock. 💀⚙️ This latest release continues the project’s signature fusion of aggressive guitars, pounding beats, and thought-provoking themes, making it a must-listen for fans of politically charged, dystopian soundscapes.
🔊 Mercenary Notes Pt. 2 is available now on all major digital platforms! Don’t miss out—dive into the sonic warfare today! 🎧🔥
Re:Mission Entertainment has just dropped Reciprocate, the electrifying new single from Divider. Packed with pulsating energy, this latest release delivers a powerhouse of electronic body music (EBM) intensity, complete with a stellar lineup of remixes from some of the scene’s most innovative producers.
Daniel Myer infuses his remix with industrial-trance elements, adding an entrancing, rhythmic pulse, while Caustic’s version drives forward with pounding beats and raw energy. R0T0R and A Void Eye each bring their signature styles, further expanding and deepening the sonic landscape of Reciprocate.
The single officially lands on all major digital platforms on March 14, 2025, via Re:Mission Entertainment. As an exclusive bonus, Divider also delivers a gripping cover of Tears for Fears’ classic Shout, available only on Bandcamp.
📅 New Single Release:February 28, 2025 📀 New Album:“ÀNV” – Out April 25, 2025 (Nuclear Blast Records) 🎧 Listen Now:Stream “Awen” 📺 Watch the Video:Click Here 💿 Pre-Order “ÀNV”:Pre-Save Here
Swiss Folk Metal Pioneers ELUVEITIE Drop Uplifting New Single “Awen” 🌿✨
As anticipation builds for the release of their upcoming album “ÀNV”, Swiss folk metal legends ELUVEITIE have unveiled their latest single, “Awen”. The song embraces the band’s deep Celtic roots, featuring rich traditional instrumentation layered with their signature melodic death metal sound.
Frontman Chrigel Glanzmann shares insights into the track: 💬 “‘Awen’ is musically one of the album’s catchiest songs… It brings a modern metal sound while staying true to our traditional, melancholic, and mystical roots. Lyrically, the track transports ancient mythological lines into the modern age, making them resonate with today’s world. We’re incredibly proud of this song and hope you enjoy it as much as we do!”
The upcoming album “ÀNV”, set for release on April 25, 2025, promises to be one of ELUVEITIE’s most immersive works yet. This concept album dives deep into Celtic mythology and spirituality, marking a powerful new chapter in the band’s two-decade-long journey.
“ÀNV” – Tracklist 📜🎼
1️⃣ Emerge 2️⃣ Taranoías 3️⃣ The Prodigal Ones 4️⃣ ÀNV 5️⃣ Premonition 6️⃣ Awen 7️⃣ Anamcara 8️⃣ The Harvest 9️⃣ Memories of Innocence 🔟 All Is One 1️⃣1️⃣ Aeon of the Crescent Moon 1️⃣2️⃣ The Prophecy
ELUVEITIE Joins ARCH ENEMY, AMORPHIS & GATECREEPER on the European Blood Dynasty Tour 2025 ⚔️🔥
Following the overwhelming success of their headlining tour, ELUVEITIE will return to the stage this October 2025, supporting ARCH ENEMY alongside AMORPHIS and GATECREEPER.
📍 European Blood Dynasty Tour 2025 – Tour Dates
📅 October 10 – Stuttgart, DE @ Schleyerhalle 📅 October 11 – Frankfurt, DE @ Jahrhunderthalle 📅 October 12 – Munich, DE @ Zenith 📅 October 14 – Budapest, HU @ Barba Negra 📅 October 15 – Vienna, AT @ Gasometer 📅 October 17 – Berlin, DE @ Columbiahalle 📅 October 18 – Prague, CZ @ Sportovni Hala Fortuna 📅 October 19 – Gliwice, PL @ PreZero Arena Gliwice 📅 October 21 – Zurich, CH @ The Hall 📅 October 22 – Milan, IT @ Alcatraz 📅 October 23 – Lyon, FR @ Radiant Bellevue 📅 October 25 – Madrid, ES @ Vistalegre 📅 October 27 – Paris, FR @ Zenith 📅 October 28 – Amsterdam, NL @ AFAS Live 📅 October 30 – Wolverhampton, UK @ Civic Hall 📅 October 31 – Manchester, UK @ O2 Apollo 📅 November 1 – London, UK @ Eventim Apollo 📅 November 3 – Esch sur Alzette, LU @ Rockhal 📅 November 4 – Brussels, BE @ Ancienne Belgique 📅 November 5 – Leipzig, DE @ Haus Auensee 📅 November 7 – Gothenburg, SE @ Partille Arena 📅 November 8 – Stockholm, SE @ Annexet 📅 November 10 – Helsinki, FI @ Ice Hall 📅 November 12 – Oslo, NO @ Sentrum Scene 📅 November 13 – Copenhagen, DK @ Poolen 📅 November 14 – Hannover, DE @ Swiss Life Hall 📅 November 15 – Düsseldorf, DE @ Mitsubishi Electric Hall
About ELUVEITIE: A Legacy of Folk & Metal Fusion 🌍🎶
Since their formation in 2002, ELUVEITIE has become a global force in the folk metal scene, seamlessly blending traditional Celtic melodies with melodic death metal. The Swiss collective has earned widespread acclaim for their ability to merge ancient history with modern music, offering fans both heavy riffs and historical storytelling.
From their breakout record “Slania” (2008) to the epic “Ategnatos” (2019), and the acoustic explorations of “Evocation I & II”, the band continues to reinvent their sound. Their most recent singles “Aidus” and “Exile of the Gods” introduced fans to the conceptual groundwork for “ÀNV”, setting the stage for a transformative new era in ELUVEITIE’s career.
The band recently welcomed Lea-Sophie Fischer on violin, further expanding their sonic depth while maintaining their signature sound. With nine studio albums, countless world tours, and a dedicated global fanbase, ELUVEITIE continues to be a powerful and innovative force in modern metal.
Racso Agroyam, widely recognized as one half of the legendary dark electro duo Hocico, revives his solo projectDulce Liquido with the release of “Signs of Decay”, the second single from his upcoming album. Out now via Out Of Line Music, this track plunges deep into a dystopian soundscape, marked by heavy industrial beats, distorted textures, and an uncompromising electronic intensity.
Dulce Liquido is renowned for defying conventions, breaking the barriers between mind and music with relentless dark electro energy. The project continues to push sonic limits, delivering an unfiltered auditory assault that fans of harsh industrial, electro, and aggrotech will immediately embrace.
Each release showcases Alfa Matrix’s signature blend of cutting-edge darkwave, electro, and post-punk sounds, offering listeners a captivating journey through atmospheric melodies and haunting vocals.
with Bonus Track “NotManMade” Available for Digital Download and Streaming
Format: Digital download and streaming Cat. No.: TT-DDS-30 Style: EBM
After a period of dormancy, the ManMindMachine robots have been recharged and rebooted, awakening to a world they find displeasing. Their latest single, “Propaganda,” serves as an angry and hard-hitting anthem, compelling artificial limbs to move and provoking vehement reactions against Homo Sapiens.
The digital single is set to launch on Saturday, January 13, 2024, accessible on major digital music platforms. Additionally, it will be available in lossless quality on ManMindMachine’s Bandcamp, featuring a bonus track titled ‘NotManMade.’
Cover design credits go to Tommy B-Kuhlmann of Pixit Design.
About ManMindMachine: ManMindMachine is a Danish Synth/EBM act born out of a shared love for alternative electronic music. Their passion lies in delving into subgenres and interpreting them in novel and unexpected ways.
Tinnitorturous, a Danish independent music label, focuses on industrial, EBM, and alternative electronic underground music. It is helmed by experienced musicians from the scene, Jens B. Petersen (ManMindMachine, Negant, and more) and Tommy B-Kuhlmann (In Absentia, Negant, Body-Banden, and more), who maintain daily operations.
The much-anticipated re-release of Lord Of The Lost’s cherished album, “Swan Songs,” is now open for pre-order HERE and is set to officially release on February 16. This remarkable edition marks the debut of “Swan Songs” on vinyl, providing fans with a unique immersion into the band’s acclaimed work.
Originally a standout in Lord Of The Lost’s versatile discography, “Swan Songs” offers a symphonic and orchestral interpretation of their iconic gothic, metal, and rock fusion. The 10th Anniversary Edition is a testament to the band’s musical versatility, featuring reimagined versions of their songs. Set against a backdrop of classical and symphonic arrangements, including strings and piano, these songs add a new emotive depth to their already powerful music. The limited 3LP edition is an essential collector’s item, reflecting the band’s dedication to their art and their fans.
“Swan Songs” 10th Anniversary Edition is available in two formats: a 2CD edition and a 3LP black vinyl edition. Both offer a rich auditory experience, with the vinyl edition being a unique and valuable addition to any fan’s collection. Pre-orders are open now, promising a nostalgic yet fresh journey through the band’s creative landscape. Don’t miss the chance to own a piece of Lord Of The Lost history! Prepare to be enveloped in the hauntingly beautiful world of “Swan Songs” on vinyl.
Since its inception in 2007 by Chris Harms in Hamburg, Germany, Lord Of The Lost has captivated audiences with their theatrical performances and profound, story-rich lyrics. This re-release is not just a nod to their past but a celebration of their evolutionary journey in music.
DE: Lord Of The Lost präsentiert epische “Swan Songs” 10. Jubiläumsausgabe: Jetzt vorbestellen und in Gothic-Symphonien auf Vinyl eintauchen!
Die lang ersehnte Neuauflage des beliebten Lord Of The Lost-Albums “Swan Songs” ist ab sofort HIER vorbestellbar und wird am 16. Februar 2024 erscheinen. Mit dieser bedeutsamen Edition wird “Swan Songs” zum ersten Mal auf Vinyl präsentiert und bietet den Fans ein einzigartiges Eintauchen in das gefeierte Werk der Band.
Die Jubiläumsausgabe zum 10-jährigen Jubiläum von “Swan Songs” ist Ausdruck der musikalischen Vielseitigkeit der Band und enthält neu interpretierte Versionen ihrer Songs. Die Songs, die nun vor dem Hintergrund klassischer und symphonischer Arrangements, einschließlich Streichern und Klavier, erklingen, verleihen ihrer ohnehin schon kraftvollen Musik eine neue emotionale Tiefe. Die limitierte 3LP-Edition ist ein unverzichtbares Sammlerstück und spiegelt die Hingabe der Band an ihre Kunst und ihre Fans. “Swan Songs” 10th Anniversary Edition ist in zwei Formaten erhältlich: als 2CD-Edition und als 3LP-Edition auf schwarzem Vinyl. Beide bieten ein intensives Hörerlebnis, wobei die Vinyl-Edition eine einzigartige und wertvolle Ergänzung für die Sammlung eines jeden Fans darstellt. Vorbestellungen sind ab sofort möglich, mit dem Versprechen einer nostalgischen und doch frischen Reise durch die kreative Seite der Band. Verpasst nicht die Chance, ein Stück der Lord Of The Lost-Geschichte zu besitzen!
Hervorgegangen aus der vielseitigen Diskografie von Lord Of The Lost, zeigt es eine symphonische, orchestrale Interpretation ihrer ikonischen Fusion aus Gothic, Metal und Rock. Seit ihrer Gründung im Jahr 2007 durch Chris Harms in Hamburg haben Lord Of The Lost das Publikum mit ihren theatralischen Auftritten und tiefgründigen, geschichtenreichen Texten in ihren Bann gezogen. Diese Wiederveröffentlichung ist nicht nur eine Hommage an ihre Vergangenheit, sondern eine Feier ihrer musikalischen Entwicklung.
Tracklists:
2CD Edition: CD 1
Six Feet Underground
Dry The Rain
Beyond Beautiful
See You Soon
Go To Hell
Antagony
Love In A Time Of War
October 29
Prison
CD2
Till Death Us Do Part
Afterlife
Sober
Credo
Porcelain
Lost In A Heartbeat
Annabel Lee
So Good It Hurts
This Life Divided
The Sands Of Time
If Johnny Cash Was Here
Somewhere
3LP Edition: LP1: A1 Six Feet Underground A2 Dry The Rain A3 Beyond Beautiful B1 See You Soon B2 Go To Hell B3 Antagony
LP2: C1 Love In A Time Of War C2 October 29 C3 Prison D1 Till Death Us Do Part D2 Afterlife D3 Sober D4 Credo
LP3: E1 Porcelain E2 Lost In A Heartbeat E3 Annabel Lee E4 So Good It Hurts F1 This Life Divided F2The Sands Of Time F3 If Johnny Cash Was Here F4 Somewhere
Get ready for the pulse-pounding beats of “Death Seed,” the latest single from the upcoming album “Final Construct,” set to drop on 02/22/24.
This harbinger of sonic intensity arrives in a sleek CD single format housed in a Digifile, ready to unleash its industrial, EBM, and cyberpunk vibes.
This new single is not just a standalone piece; it’s a glimpse into the impending sonic landscape of “Final Construct.” As it hits all major download and streaming platforms, fans of Funker Vogt can immerse themselves in the intense auditory experience that’s about to unfold.
Experience the sonic journey as DIMMU BORGIR drops their much-anticipated cover album, “Inspiratio Profanus,” available now. This release compiles eight cover songs, a homage to some of DIMMU BORGIR’s favorite tracks that have left an indelible mark on their musical journey.
Silenoz, commenting on “Inspiratio Profanus,” shares the band’s excitement: “We’re pleased to announce the Inspiratio Profanus release! We thought it was about time to finally compile the cover songs we’ve done over the years and give these renditions an updated mastering, all in one package, highlighting some of our many influences!”
Tracklist:
Black Metal (Venom)
Satan My Master (Bathory)
Dead Men Don’t Rape (G.G.F.H.)
Nocturnal Fear (Celtic Frost)
Burn In Hell (Twisted Sister)
Perfect Strangers (Deep Purple)
Metal Heart (Accept)
Nocturnal Fear (Celtically Processed) (Celtic Frost)
About DIMMU BORGIR: DIMMU BORGIR, born in the heart of the Norwegian black metal scene in 1993, celebrates its 30th anniversary. Known for pushing the boundaries of the genre, they blend a traditional raven black sound with symphonic orchestration. With albums like “Enthrone Darkness Triumphant,” “Spiritual Black Dimensions,” and “Death Cult Armageddon,” DIMMU BORGIR has become an influential force, touring globally and leaving an indelible mark on the black metal landscape.
After the success of “Abrahadabra” and “Eonian,” DIMMU BORGIR now reflects on their 30-year legacy with “Inspiratio Profanus,” a collection of cover songs that pays tribute to the influential artists who shaped their distinctive sound. Experience the electric renditions of classics like ‘Black Metal’ (VENOM) and ‘Perfect Strangers’ (DEEP PURPLE) that define the evolution of DIMMU BORGIR’s musical odyssey.
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