Raw. Intimate. Unfiltered. Bloodrunner return with a release that proves thrash metal doesn’t need distortion to hit hard.
A New Chapter, Fully Exposed 🔥 Chicago thrashers BLOODRUNNER are back — but not the way you expect. With the release of Unplugged Live At WZRD, the long-running Midwest metal force peels back the amps, distortion, and aggression to reveal the beating heart beneath their catalog.
“This album represents a new chapter for Bloodrunner: stripped down, intimate and real,” explains founder, vocalist, and guitarist Neal Rodriguez. And that honesty is felt in every note.
Recorded during the summer of 2025 at Northeastern University’s legendary radio station WZRD, the live session captures Bloodrunner in a raw acoustic setting while simultaneously introducing a new lineup — a bold move for a band that has never been afraid of reinvention.
Thrash Roots, Reinvented ⚡ Formed in 2004 by Neal Rodriguez, Bloodrunner have been a persistent force in the Chicago metal underground for over two decades. From their debut full-length Total Annihilation (2007, remastered and reissued in 2025) to the self-titled EP released in 2023, the band has continually evolved while staying true to their thrash foundation.
Now joined by Tito (bass) and Jeff (drums), Bloodrunner reimagine their songs in an unplugged format — proving that powerful songwriting and emotional weight don’t rely on volume alone. The absence of distortion doesn’t soften the impact; instead, it sharpens it.
“These songs have always had a heart,” Neal shares. “Playing them unplugged lets that shine through in a new way. It’s exciting to share this chapter with our fans.”
Survival, Reinvention, and Relentless Drive 🖤 Bloodrunner’s history is one of persistence. Lineup changes, industry shifts, and long gaps between releases never stopped the project from moving forward. After periods of activity with other bands — including The Upsets — Neal reactivated Bloodrunner in 2020, releasing new material despite setbacks and continued lineup changes.
By 2024, the vision became clear: revisit the past through a new lens. That vision led directly to the unplugged era, with Unplugged Live At WZRD serving as both a statement and a bridge toward the upcoming Bloodrunner Unplugged EP, scheduled for CD release in 2026.
This isn’t nostalgia. It’s survival through reinvention.
After years of silence and anticipation, Unter Null continues her long-awaited resurgence with the official music video for “Coming Up To Breathe,” translating raw emotion into a powerful visual statement that cuts straight to the core.
A Visual Reckoning 🖤 “Coming Up To Breathe” has already resonated deeply as a comeback track—equal parts defiance, vulnerability, and survival. With the release of its official music video, Unter Null elevates the song into a cinematic experience, pairing stark imagery with the relentless emotional weight that defined her earlier legacy while signaling a sharpened, more intentional evolution.
Rather than relying on excess or spectacle, the video leans into atmosphere and tension. Every frame reinforces the song’s central theme: the fight to reclaim identity and breath after prolonged suffocation—personal, creative, and societal. It’s not nostalgia. It’s confrontation.
A Milestone Moment in the Unter Null Revival 🔥 This release marks a significant chapter in Unter Null’s return to the industrial landscape. Long regarded as a defining voice in the aggrotech and dark electro movement, her re-emergence has been measured, deliberate, and uncompromising. The video for “Coming Up To Breathe” stands as both a statement and a promise: this era is not about revisiting the past—it’s about finishing unfinished business.
For longtime followers, it’s a powerful reminder of why Unter Null mattered then. For new listeners, it’s an invitation into a universe built on truth, pressure, and release.
The Browning have officially announced Burn This World [EVOLVED], a reengineered and weaponized evolution of one of their most defining tracks. This isn’t a simple remix or reissue—it’s a full-scale reconstruction designed to hit harder, move faster, and reflect just how far the band’s cyber-metal assault has progressed.
Known for fusing extreme metal brutality with relentless electronic programming, The Browning use [EVOLVED] as both a statement and a warning. The track revisits familiar foundations while amplifying everything—heavier drops, sharper synth architecture, and a modernized sonic core built for today’s dystopian landscape. It’s the sound of a band refusing stagnation, constantly rewriting their own rulebook.
“Burn This World [EVOLVED]” stands as proof that The Browning are not content to live in past victories. Instead, they continue to adapt, mutate, and push their hybrid sound into more aggressive and future-forward territory—where metal, electronics, and chaos collide at full force.
This evolution isn’t about nostalgia. It’s about dominance.
A raw transmission from the inner machinery of the self, “Behind My Eyes” marks a defining moment in the evolution of DarkHeart Syndicate.
DarkHeart Syndicate have officially released their new single Behind My Eyes, delivering a stark, emotionally charged entry into their growing catalog of dark electronic and industrial-infused soundscapes. The track arrives as both a confession and a confrontation—an unfiltered look at the internal battles that rage beneath the surface.
A Glimpse Beneath the Surface
“Behind My Eyes” leans heavily into atmosphere and tension, pairing brooding electronics with a sense of restrained aggression. Rather than relying solely on brute force, the song builds its impact through mood, pacing, and lyrical introspection. It feels claustrophobic by design—pulling the listener inward, into a mental space shaped by isolation, perception, and unresolved conflict.
There’s a deliberate contrast at play: cold, mechanical textures collide with deeply human emotion. The result is a track that doesn’t just play—it lingers, echoing long after the final note fades.
Soundtrack for the Inner War
At its core, “Behind My Eyes” explores the divide between what is shown to the world and what remains hidden. It speaks to survival, endurance, and the quiet strength required to carry unseen weight. This is not a song engineered for surface-level consumption; it’s meant for listeners who resonate with darkness not as spectacle, but as truth.
A Statement Release
With this release, DarkHeart Syndicate continues to sharpen its identity—blending dystopian aesthetics, emotional realism, and a cinematic sense of scale. “Behind My Eyes” feels less like a standalone single and more like a mission statement, signaling deeper narratives and heavier transmissions yet to come.
Fans of industrial, dark electronic, and emotionally driven alternative music will find plenty to dissect here—both sonically and thematically.
This isn’t about fitting into the system or playing along with its rules—it’s about reshaping the landscape entirely and claiming what was never meant to be given.
Deep Dive into the Universe of DarkHeart Syndicate
Time to wake up and smell the dystopia. Twisted Flesh Recordings has just unleashed Redacted, the latest sonic assault from Terrorbit—and it hits like a corrupted data stream ripping through the last illusions of comfort.
Built on crushing industrial rhythms, distorted electronics, and a cold, confrontational atmosphere, Redacted feels engineered for a world drowning in surveillance, misinformation, and systemic decay. Terrorbit doesn’t whisper warnings—they broadcast them at full volume, dragging listeners into a fractured future where truth is fragmented and control is constant.
True to the Twisted Flesh Recordings ethos, this release thrives in the shadows between aggression and precision. Every beat feels intentional. Every texture feels weaponized. Redacted isn’t just a release—it’s a signal flare for those already awake, and a rude awakening for those still asleep.
If you crave dark electronic music that reflects the unease of modern existence without compromise, Redacted delivers exactly that—raw, relentless, and unapologetically dystopian.
KMFDM are back in full combat mode. The legendary industrial rock architects have unleashed “OUBLIETTE”, the first single from their upcoming 24th studio album, ENEMY—a release that reaffirms their role as permanent agitators in a world spiraling toward controlled amnesia and authoritarian comfort.
Released on December 12, 2025 via Metropolis Records, “OUBLIETTE” is available in WAV, MP3, streaming formats, and on Bandcamp, and serves as the opening salvo for what promises to be one of the band’s most confrontational chapters yet.
“OUBLIETTE”: A Place to Be Forgotten 🩸
Derived from the French word oublier (“to forget”), an oubliette is a dungeon accessible only through a trapdoor above—designed to erase its victims from memory entirely. From KMFDM’s perspective, it’s a perfect metaphor.
“A place to be forgotten. What nobody sees, nobody knows.”
Musically, “OUBLIETTE” balances dance-rock propulsion with razor-edged industrial force, setting the tone for ENEMY’s themes of erasure, control, and resistance in an age where truth is buried on purpose.
ENEMY: 42 Years of Defiance, Sharpened 🔥
Set for release on February 6, 2026, ENEMY arrives just weeks before KMFDM launch a previously announced and nearly sold-out European tour. The album is available as 2xLP, CD, and digital, with Bandcamp pre-orders live now.
Society may be unraveling, but KMFDM remain resolute. Forty-two years deep into their legacy, the Ultra Heavy Beat still rises to confront fascism, hypocrisy, and systemic decay—louder and more dangerous than ever.
Lineup: Power, Precision, and New Blood ⚙️
Still commanded by Sascha “Käpt’n K” Konietzko (songwriting, vocals) and Lucia Cifarelli (vocals, songwriting), KMFDM continue their sonic assault with the percussive force of Andy Selway. The current incarnation is further energized by Tidor Nieddu, a London-based guitarist injecting bold new textures and bite.
Following her standout performance of “Professional Killer” during the 40th anniversary tour, Annabella Konietzko makes a powerful return on the explosive track “YOÜ”, marking her official songwriting debut with the band.
A Brutal, Uncompromising Album Statement 💀
Never content with repetition, ENEMY stands among KMFDM’s most stylistically daring and politically scathing releases:
The dance-rock menace of “OUBLIETTE”
The shadowed grooves of “CATCH & KILL”
The satirical thrash of “OUTERNATIONAL INTERVENTION”
The vicious industrial metal of “L’ETAT”
The dark funk pulse of “VAMPYR”
The sly dub swagger of “STRAY BULLET 2.0”
KMFDM don’t retreat—they advance, roaring against a culture that demands silence and submission. The message is clear: join the Ultra Heavy Beat, or become the ENEMY.
Alfa Matrix has officially unleashed “Failure (Bonus Edition)”, the long-awaited full-length statement from American industrial agitators FRONTAL BOUNDARY — and it’s nothing short of a relentless psychological onslaught. Following the bile-drenched fury of Hate and the suffocating intensity of Faith, the trio return with a release that stares straight into collapse, rage, despair, and the fragile glimmer of hope that survives the wreckage.
A Brutal Core of 12 Tracks 🩸
At its heart, Failure is a merciless examination of the human condition. Across 12 devastating tracks, FRONTAL BOUNDARY tear open themes of anger, self-destruction, disillusionment, and emotional fracture, channeling them through crushing rhythms, corrosive textures, and an atmosphere that feels both intimate and apocalyptic. This is industrial music at its most confrontational — cold, punishing, and unapologetically honest.
Bonus Edition: Total System Overdrive 🔥
The experience doesn’t stop with the main album. The limited 2CD digipak edition pushes Failure far beyond its breaking point, adding 12 exclusive bonus tracks and remixes that reforge the album into new, club-annihilating forms.
A devastating roster of collaborators — including UNTER NULL, VISCERA DRIP, PYGMY CHILDREN, MISERIA ULTIMA, HER OWN WORLD, FACT PATTERN, BLAKLIGHT, DREAD RISKS, CONTRACULT, and LIVERNOIS — tear into FRONTAL BOUNDARY’s material, mutating it into fresh weapons of sonic destruction. The band themselves also return with their own punishing reworks, ensuring the bonus disc hits just as hard as the original.
Live at Dark Force Fest 2026 🖤
FRONTAL BOUNDARY are also gearing up to bring the Failure experience to a live stage this spring with a **scheduled appearance at **Dark Force Fest 2026 — the three-day goth/industrial music festival running from May 1–3, 2026, at the Sheraton Parsippany in New Jersey. This event gathers underground dark wave, industrial, and alternative acts from around the world for performances, club events, vendors, panels, and more. Dark Force Fest+1
Expect FRONTAL BOUNDARY to deliver their crushing new material live, surrounded by fellow heavy hitters in the scene and a weekend of immersive industrial energy.
Industrial Collapse, Perfected 💀
Failure (Bonus Edition) isn’t just an expansion — it’s an escalation. A deeper plunge into darkness, sharper edges, and a clear declaration that FRONTAL BOUNDARY are operating at full destructive capacity.
Till Lindemann, the unmistakable voice and provocateur behind Rammstein, has once again stepped beyond the boundaries of comfort with the release of his latest solo single, “Alles Ändert Sich…Ich Nicht” (“Everything Changes…Not Me”). Accompanied by an unsettling and visually intense music video, the track continues Lindemann’s uncompromising exploration of identity, decay, and defiance in a world obsessed with transformation.
A Defiant Statement Against Change 🩸
The title alone sets the tone: while the world shifts, mutates, and reinvents itself, Lindemann stands immovable. The song leans heavily into themes of personal stagnation versus societal evolution, delivered with his signature baritone that feels both confrontational and eerily introspective. It’s not nostalgia—it’s resistance.
A Video Designed to Disturb ⚙️
True to form, the accompanying video is deliberately provocative. Stark imagery, unsettling symbolism, and a cold, industrial atmosphere collide to create a visual experience that feels more like a psychological endurance test than a traditional music video. Lindemann doesn’t aim to shock for novelty’s sake—every frame reinforces the song’s core message: discomfort is the point.
Till Lindemann Unfiltered 💀
As with his previous solo work, Lindemann uses this project to push further into raw, controversial territory than Rammstein typically allows. Free from band consensus, his solo output feels more personal, more grotesque, and more confrontational—an unfiltered glimpse into the artist’s darker creative impulses.
“Alles Ändert Sich…Ich Nicht” isn’t just a song; it’s a declaration. Lindemann remains exactly where he wants to be—unapologetic, immovable, and utterly indifferent to expectations.
Industrial discipline meets unrelenting force as one of the genre’s architects strikes again.
⚙️ A New Release Forged in Steel
Dependent has officially released “Will nicht – MUSS! / On Collision Course” by DIE KRUPPS, delivering a dual-track statement rooted in precision, power, and confrontation. This release reinforces the band’s legacy of merging mechanical rhythm with militant intent—no excess, no retreat.
🔥 Collision Is Inevitable
From the defiant German-language command of “Will nicht – MUSS!” to the forward-driving pressure of “On Collision Course,” DIE KRUPPS sound focused, hardened, and unapologetic. These tracks feel engineered for impact—march-ready electronics, rigid structure, and an undercurrent of resistance that refuses to yield.
HIGHSOCIETY & Micah Martin collide with Zardonic’s bass-fueled chaos for a remix built to detonate speakers.
⚡ A New Single Rewired for Maximum Impact
FiXT has officially released “Going Under (Zardonic Remix)”, transforming the original HIGHSOCIETY & Micah Martin collaboration into a relentless hybrid of rock, electronic aggression, and cyberpunk energy. Zardonic injects his unmistakable style—razor-edged synths, crushing low end, and pulse-racing momentum—into a track that thrives in both the pit and the club.
🔊 Where Rock Meets Electronic Warfare
Micah Martin’s powerful vocal delivery remains front and center, now surrounded by Zardonic’s high-octane production that amplifies the tension and intensity. The result is a remix that doesn’t just reinterpret the song—it weaponizes it.
No album cycle. No compromises. Just raw, confrontational energy aimed straight at the dancefloor.
🔥 A New Single—And It Stands Alone
MIKROMETRIK has officially unleashed “Ashes of God [Club Mix]”, a standalone release forged to exist outside the upcoming album’s narrative. This isn’t a teaser or a leftover—this track is its own entity, built to hit harder, darker, and more aggressively than anything before it.
⚙️ Harsh Energy. Relentless Intent.
Driven by punishing EBM rhythms and aggrotech ferocity, “Ashes of God” channels unfiltered anti-religion fury into a club-ready assault. It’s confrontational, uncompromising, and designed to burn everything in its path. Expect zero mercy—only impact.
After weeks of anticipation, the rollout has officially begun. KING 810 LIVE! has landed on SAMHAIN 2—and this is only the opening strike.
🔥 The Rollout Has Begun
The first episode of KING 810 LIVE! is now live on SAMHAIN 2. If you missed the notification or aren’t subscribed yet, now’s the moment to dive in—Ophiel sets the tone, framing what’s coming next with purpose, intensity, and zero compromise. This series isn’t just a recap; it’s a living document of the movement.
🕯️ LIVE! on SAMHAIN 2 — The Strongest Showing Yet
This year’s SAMHAIN 2 performance hit harder than ever. The energy, the crowd, the ritual—everything aligned. Once again, massive respect goes out to everyone who continues to materialize for this annual gathering. As the dust settles, preparation for 2026 is already underway, with multiple new projects in motion. Stay alert.
📀 SAMHAIN 2 2025 — DVD & LIVE CD (Pre-Order Now)
For those who want to own this moment:
KING 810 LIVE! on SAMHAIN 2 (2025) — DVD 💀 Pre-Order Available Now — $30.00
Prefer sound over sight? The LIVE CD captures the full performance experience in raw audio form.
As winter descends across alien terrain, Celldweller opens a shimmering portal between galaxies, holiday nostalgia, and the next era of his sonic universe.
A Holiday Broadcast from the U.S.S. Solaris ❄️🚀
Hovering above the frozen Atirian plains, Celldweller reflects on how a fresh coat of crystalline snowfall can soften even the harshest landscape. From Command Control aboard the U.S.S. Solaris, he uses this rare serenity to deliver a gift to his interstellar listeners: the first two tracks from his growing Offworld Christmas collection.
His blistering, atmospheric renditions of “Silent Night” and “What Child Is This?”—now available everywhere—mark the beginning of a long-term plan to craft a full offworld holiday album, one song at a time. No luck required—just relentless cosmic craftsmanship.
Millions of Streams & A Year of Gratitude 🌌
With 2025 approaching its final checkpoint, Celldweller turns his attention back to you—the listeners who helped push his music into the millions upon millions of streams. Every play, every share, every deep-dive into his sonic architecture fuels the engine behind his galaxy-sized creativity.
New Worlds, New Scores, New Sagas 🎮🔥
The year ahead marks a major turning point. Celldweller now confirms two full game scores have been completed:
Legacy of Kain: Soul Reaver – The Dead Shall Rise
A second, yet-unannounced score dropping in early-to-mid 2026
Whether you’re a fan of the franchises or simply a devotee of dark, cinematic audio, he promises these compositions stand on their own as massive pieces of the Celldweller mythos.
God Mode: The Next Celldweller EP 💀⚡
The next chapter begins with God Mode, a brutal, high-energy EP already pulsing with momentum. The first single “Fakebreaker”—featuring SWARM and REEBZ—has already rocketed to 1.6 million views on YouTube in a single month.
Next up: “Respawn,” now in the final phase of production, vocals locked, arrangements nearly perfected. With luck (or determination), it should reach listeners in early 2026.
Even further down the pipeline is a new track tentatively titled “No Damage,” along with sketches for additional songs. Celldweller assures fans: God Mode is very real—and very imminent.
Scandroid Reawakens 🟥🟦
On the synthwave frontier, the Scandroid universe has been quietly expanding in the shadows. A full album already exists in demo form, with several tracks fully mixed and awaiting deployment.
This era promises the most elaborate world-building ever attempted under the Scandroid banner—an immersive retro-futuristic odyssey set to unfold once God Mode clears its final checkpoints.
Upgrading the Arsenal: Canon R6 mkIII & New Creative Tools 📸✨
After an agonizing internal battle between Canon and Sony, Celldweller made his choice: the Canon R6 mkIII now joins his offworld toolkit.
This means sharper studio content, more detailed behind-the-scenes glimpses, and perhaps… short films. Ambitious? Absolutely. Off the table? Never.
And if you’ve got unused photography or videography gear gathering stardust in storage? Send it into orbit—he’ll put it to work.
Holiday Warmth from the Cold Atirian Surface 🎁🌲
As moonflare pines glow against a bleak alien horizon, Celldweller reminds fans that warm vibes—and holiday sales—await at the FiXT Store.
You can explore Celldweller’s music, merch, and seasonal offerings right here: FiXT Store
Toward 2026 and Beyond 🌠
Celldweller closes his transmission with hope: wherever you roam—Earth, Atiria, or any orbit in between—pause to embrace whatever peace your world can offer. Spend time with family, friends, or your favorite Outland Industries Companion Bot (Series 9 recommended for optimal conversation).
He’ll see you back on Earth in 2026. Until then… sleep in heavenly peace.
From the depths of the Dark Lands comes a new mutation: Collected: Into The Dark Lands – Chronicles of the Pale Wanderer: The Remixes, a collaboration forged by the ever-expanding Dark. Descent. collective — now available for descent, distortion, and ritual consumption.
The Pale Wanderer Returns… in New and Distorted Forms 🖤
The Pale Wanderer does not fade. Instead, its shadow stretches longer, darker, and more disfigured as familiar themes twist into unfamiliar shapes. This remix companion pushes the mythology of Chronicles of the Pale Wanderer further into the abyss, reshaping past echoes into something far more vicious, more cryptic, and more ritualized.
Each remix channels a different vein of the Wanderer’s essence, expanding the lore with fresh scars and spectral interpretations. What once was known is now reborn — warped, sharpened, and spiritually unhinged.
A Family of Shadows Reworking the Bloodline ⚔️
In true Dark. Descent. fashion, the artists themselves confront each other: Paired at random, members of the D.D. family were tasked with reimagining one another’s work, tearing apart familiar sonic DNA and rebuilding it into four axes of darkness.
The result? A convergence of minds, a communion of blackened creativity, and a shared frequency that vibrates between myth, memory, and metamorphosis.
Industrial chaos architect CAUSTIC tears open the vault once again, resurrecting the long-buried This Is Jizzcore: PreJizz EPs (2008) — a relic from an era before streaming swallowed the underground.
A Blast From the Filthy Past 🩸
Originally dropped as free downloads on the legendary VampireFreaks platform in late 2008, these early EPs were the feral warm-up before CAUSTIC released the full-length This Is Jizzcore the following year.
For years, these tracks were buried in the digital graveyard, unheard and untouched. Now, they crawl back into the light — unrestored, unfiltered, and unapologetically chaotic.
A Who’s Who of Industrial Mayhem ⚙️
The release features a stacked lineup of remixers from the golden age of online industrial culture, including:
UBERBYTE (RIP Richard)
SKINJOB (RIP Fitz)
UNWOMAN
[SYNDIKA_ZERO]
BETA VIRUS
ALTER DER RUINE
…and more resurrected audio degeneracy
This EP set is more than a release — it’s a digital artifact from a subculture that thrived before algorithms, playlists, and “skip” buttons. A preserved snapshot of industrial’s DIY heartbeat, soaked in noise, humor, and absolute audacity.
MORTAL REALM Invokes Digital Decay with New Single “ROT (And Decompose)” 💀
US industrial force MORTAL REALM returns with a corrosive new offering, releasing “ROT (And Decompose)” on December 5th via Negative Gain — a track that drags listeners deeper into the project’s expanding world of dread-soaked electronic ritual.
A Descent Into Beautiful Corruption 🖤
“ROT (And Decompose)” is a slow, shadow-breathing anthem of erosion and emotional collapse. Built on heavy mechanical pulses, haunted atmospheres, and MORTAL REALM’s signature sonic corrosion, the track feels like a living machine rotting from within — and inviting you to witness every moment of its decay.
The single’s design is intentionally claustrophobic, textured, and immersive, pulling from the raw power of industrial grit while weaving in melodic undertones that linger like ghosts in rusted hallways.
The Mind Behind the Machine: Adam V. Jones ⚙️
MORTAL REALM is the multi-genre, industrial-driven creation of Adam V. Jones, known for his impactful work in Haex and Sterling Silicon.
After carving open a new era of dark electronics with the 2024 debut album Stab in the Dark on Negative Gain Productions, the project has continued expanding its sonic palette — fusing heavy electronics, melodic textures, and esoteric atmospheres into a style that feels both ritualistic and futuristic.
“ROT (And Decompose)” marks one of two new singles arriving in Fall 2025, alongside the emotionally crushing “With a Heavy Heart,” signaling a new chapter of evolution in Jones’s expanding world of digital sorrow and industrial chaos.
Negative Gain’s Arsenal Grows Stronger ⚔️
With each release, MORTAL REALM becomes a sharper weapon in Negative Gain’s dark sonic arsenal. This new single is crafted for fans who crave immersive industrial soundscapes, post-apocalyptic electronics, and emotionally charged decay — a track meant to burrow under the skin and stay there.
Symphonic metal powerhouse Beyond the Black return with a soaring, deeply emotional new single, “Ravens,” the fifth preview from their upcoming studio album Break The Silence — arriving January 9th, 2026 via Nuclear Blast Records.
“Ravens” is a tribute to unity, loyalty, and shared resilience — rising together through darkness like the birds that give the song its name. The single and its accompanying video feature contributions from Beyond the Black fans themselves, embodying the album’s central theme: breaking communication barriers and forging connection in a divided world.
Frontwoman Jennifer Haben describes it perfectly:
“‘Ravens’ is about belonging — about finding light in others when everything feels disconnected. Hearing our fans’ voices on this song made that message real in the most beautiful way.”
The band adds a heartfelt message to their community:
“This song was created with our fans at its heart. Thank you, our RAVENS, for helping us bring it to life.”
🎶 Listen Now: /shortcode
The upcoming sixth album, Break The Silence, expands Beyond the Black’s signature melodic metal into a cinematic concept record blending ethno influences and emotional depth. Tracks such as “Let There Be Rain,” “(La Vie Est Un) Cinéma,” “Ravens,” and “The Flood” explore how communication — or the lack of it — shapes relationships, identity, and resilience. It’s a multilayered journey reflecting the complexities of the modern world.
French synthwave titan Carpenter Brut has returned, tearing open the next chapter of his dark cinematic universe with the release of “Leather Temple,” the first single from the third and final installment of his legendary Leather trilogy, arriving in 2026. Brut’s newest offering is a serrated collision of abrasive beats, metallic tension, and dystopian world-building—his most ambitious vision yet.
Directed by Dehn Sora, the accompanying video introduces Midwichpolis, a scorched post-nuclear metropolis reborn from the ashes of 2077. This sprawling nightmare city forms the narrative backbone of the new album.
At its core stands the monolithic Temple, a blackened tower piercing the skyline like a ceremonial blade. It serves as the throne of Iron Tusk, the brutal ruler whose empire thrives on fear, propaganda, and decadence. While the upper sectors—known as the City of Light—bathe in neon excess, holographic glamour, and grotesque luxury, the truth is far more rotten. Below the shimmering facade stretch the Midwich Slums, a labyrinth of ruin, poverty, and perpetual surveillance. Here, rebellion simmers. Here, the shadows swallow the innocent whole.
“Leather Temple” channels this tension directly into sound. Its steel-sharpened beats and heavy metal-kissed riffs echo the rage of the oppressed, while blistering neon synths reflect the glowing corruption above. Saturated in 90s electro grit and soaked in dystopian atmosphere, the track stomps forward with distorted aggression and relentless propulsion—classic Carpenter Brut, but fiercer, darker, and even more cinematic.
Since erupting onto the scene in 2012, Carpenter Brut has fused metal, dark electronic music, and ‘80s pop culture into his own unmistakable universe—equal parts John Carpenter, Dario Argento, Slayer, and Justice. The Leather trilogy has become a modern mythos: • Leather Teeth (2018) — a glam-rock-infused neon nightmare • Leather Terror (2022) — a brutal slasher odyssey following anti-hero Brett Halford • The forthcoming final chapter — the ultimate crescendo of this filmic saga
Carpenter Brut’s live spectacle continues to evolve alongside the narrative, and he has announced extensive European and U.S. dates for March 2026, including a massive North American co-headline run with HEALTH.
UK industrial/electronic force j:dead has launched a massive year-long campaign—12 singles in 12 months—and the first strike has already landed with devastating impact. “Pressure”, released today via Infacted Recordings (DE), arrives as both a mission statement and a warning: expect zero restraint from here on out.
Built on urgency, tension, and raw emotional voltage, Pressure captures everything this campaign intends to deliver. The track radiates immediacy—dark electronics, visceral vocals, and a production style sharpened for both the introspective listener and the dancefloor addict.
The single moves like a psychological collapse in two acts: the first half drifts in with melancholic isolation, quiet tragedy, and emotional fragility… before detonation. The second half hits hard—percussive, aggressive, club-driven, and cathartic. It mirrors the human breaking point: sometimes shattering us, sometimes transforming us.
Musically, Pressure continues j:dead’s evolution toward bigger hooks, darker atmospheres, and increasingly cinematic storytelling. The vocals cut deep while the electronics pulse with a near-mechanical inevitability. It’s a powerful opening salvo for the 12-month series, setting a high bar for what’s ahead.
With performances at Amphi Festival, Wave Gotik Treffen, Plage Noire, and other major European dark-electronic events, j:dead is quickly embedding himself into the fabric of the modern industrial scene. His refreshed sound is wired for live impact, ensuring every upcoming single will land heavy in club sets across the world.
The underground just rumbled — MATT HART has announced his newest descent into dystopian darkness: TALES FROM THE BELOW.
Known for fusing industrial grit, cybernetic atmosphere, and post-apocalyptic storytelling, Hart’s latest chapter promises a heavier, deeper excavation of the world beneath the wasteland. Tales From the Below feels less like a simple announcement and more like a transmission — a warning flare fired upward from the dark.
Expect pounding machines, metallic tension, and narrative shadows that refuse to let go. This is MATT HART at his most expansive and mythic yet.
Check it out now and step into the underworld he’s building.
Confusion Inc. closes 2025 with a final shockwave as Slighter drops a brand-new reimagining of the In Ruins standout: “WORMS (DJ Dub).”
This version hits different — stripped, sharpened, and rebuilt for maximum club damage. Slighter leans into a laser-focused, beat-driven architecture that transforms the original into a venomous dancefloor weapon. It’s darker, tighter, and engineered to move bodies through smoke and strobe.
And for a limited time, Slighter is handing this one out like a holiday hex: FREE to download by entering 0 at checkout. A perfect year-end gift before the project storms into 2026.
Twisted Flesh Recordings cracks open a new abyss today as Against I erupt with their latest sonic offering, Darkness Within — a release carved straight from the marrow of industrial aggression and shadow-drenched atmosphere. This is not just another drop… it’s an invocation. A pulse. A descent.
From the first hit, Darkness Within coils around the listener like barbed wire in slow motion, fusing dark electronics, punishing rhythms, and a sense of dread that feels almost ceremonial. Against I sharpen their sound here — tighter, heavier, more unrelenting — proving once again why they remain a force inside the darker corners of alternative music.
This release is engineered for dim rooms, heavy nights, and those who find comfort where the light refuses to go.
Check out Darkness Within now and experience the fracture point between power, pain, and purpose.
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Deep Dive into the Universe of Twisted Flesh Recordings
FiXT has officially dropped Celldweller’s sinister seasonal anomaly, An Offworld Christmas — a holiday release engineered for those who prefer their cheer distorted, interstellar, and pulsing with alien energy.
Blending cybernetic sleigh bells, industrial frostbite, and Celldweller’s unmistakable offworld sound design, this release reframes Christmas through a darker cosmic lens. It’s festive… but from a timeline where the stars sing back.
The pulse of a forgotten era roars back to life as SPANKTHENUN unveils “Berlin,” a pure New Beat time capsule forged entirely from authentic 1987 hardware.
The Sound of a Dark Dancefloor Reborn 💀
SPANKTHENUN steps straight into the shadows of electronic history with “Berlin,” the first transmission from their upcoming New Beat Collection: Era 1987. This release is more than a song—it’s a restoration of an era when underground clubs bled smoke, neon, and minimalist mechanical rhythm.
To honor the origins of New Beat, the band turned back the clock and used only gear from 1987—no modern shortcuts, no plugins, no digital gloss. The result? A raw, pulsing, hypnotic groove that feels ripped straight from a European nightclub caught between darkness and desire.
A Refrain That Possesses the Mind 🖤
The mantra at the core of Berlin is as addictive as it is transportive:
“Baby, take me to Berlin.” “Baby, nimm mich mit nach Berlin.”
A bilingual invocation. A looping seduction. A phrase engineered to echo in your skull long after the track stops spinning.
This is the kind of single that doesn’t just play—it haunts.
Mach FoX’s journey into the shadows of electronic music began long before Zwaremachine emerged as a fully realized force. Drawn to the synthetic pulse of ‘80s music—processed drums, hypnotic synths, and the strange allure of acts like Gary Numan, Fad Gadget, and Alien Sex Fiend—he quickly discovered that alternative sounds weren’t just music but escape routes. Punk cracked open the door even wider, offering not only attitude but permission. When he shifted from guitar to sequencers and drum machines, he realized he could operate as a one-man band sculpted entirely from electricity. That spark would become the earliest prototype of Zwaremachine.
Throughout the ‘90s, he honed his identity across guitar and synth-driven projects. Then, in 2005, he released his solo Mach FoX album and formed a band to play it live—an act defined by theatrical lighting, costuming, and performance art. This experience birthed Zwaremachine’s audio-visual DNA. As he expanded into VJ work and installation-style video art, syncing imagery with sound became not just an aesthetic choice but an obsession.
Years of performances sharpened his instinct for pairing music with glitchy, circuit-bent visuals. The result? A sonic identity defined not by rigid genre labels but by tension, repetition, and mechanical hypnosis. When Be A Light arrived, Mach coined the phrase “minimal hypnotic industrial body music” to describe a style all his own—long looping sequences cut into tight rhythmic pulses, merging physicality with cold circuitry.
Influence came not just from records, but screens: Tetsuo: The Iron Man, Mad Max, Alien, RoboCop, and the biomechanical nightmares of H.R. Giger. Bands like Sigue Sigue Sputnik and Skinny Puppy shaped his desire for cyberpunk spectacle. Early Zwaremachine shows were chaotic—hardware failing, members missing—but Mach learned self-sufficiency when a DJ collaborator got arrested minutes before showtime. He performed alone. No computers, no backup band—just grit, planning, and will. “Zwaremachine” means “heavy machine,” and in those days, the name matched the literal weight of the gear he dragged to every venue.
Asked what he’d tell his younger self, he answered with conviction: commit to the vision, trust your instincts, and don’t clone anyone else’s sound. Originality is earned through persistence.
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Today, Zwaremachine’s international cult following is the result of years of transformation. A major turning point arrived in 2019 when Bas—Dein Offizier—brought a Brazilian surdo drum into the mix. Its booming resonance expanded the band’s sonic footprint. Shortly afterward, Mach’s longtime collaborator Dbot joined on bass guitar, pushing Zwaremachine from a solo-driven project into a fully realized band with new energy and melodic strength. His contributions shaped Conquest 3000 and set the foundation for the upcoming third album.
The evolution continued with the arrival of guitarist Paul K and electronic drummer Marshall B, shifting Zwaremachine into an industrial rock organism with electrifying live dynamics. The onstage energy surged—heavier, louder, more physical.
Mach remains dedicated to the band’s visual identity, customizing microphones and modifying equipment to maintain a cohesive cyberpunk aesthetic. While earlier performances involved juggling sequencers and visuals live, Mach later realized he needed to step out from behind the machines to truly lead the show. Looping visuals preserved the hypnotic vibe while freeing him to become the frontperson the music demanded. Minimalism remained key: black-and-white glitch art, stark lighting, and lyric-driven repetition designed to pull crowds into a trance. Be A Light, with its single verse and five choruses, exemplified this mantra.
Creative flow within the band is fluid and collaborative. Older tracks left little room for added instrumentation, but newer compositions allow Dbot’s Wax Trax-inspired basslines and Paul K’s textured guitars to flourish. Their third album will be their most unified effort yet, with every member writing and shaping their sound.
Though Zwaremachine excels visually, Mach remains grounded. Whether performing at underground clubs or international festivals, he channels raw punk energy into every show. Music remains his anchor—an outlet for darker emotions in a world that grows more chaotic by the day.
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The road ahead for Zwaremachine is charged with momentum. Their next album promises a more aggressive assault—faster tempos, heavier synths, and arrangements built for live detonation. Recording begins in November, with Mach traveling to the Netherlands to capture performances from Paul K and Marshall B, marking the band’s most global collaboration to date.
Before that arrives, a deeply emotional release is queued under the Mach FoX name. Chaos of Man, arriving in October 2025, was born from tragedy. Originally intended for Zwaremachine’s third record, the material shifted dramatically after the passing of drummer Dein Offizier. Mach found himself unable to revisit the songs for long stretches, and when he did, the arrangements changed—synths replaced with guitars, structures altered to reflect grief’s imprint. Ultimately, the songs no longer fit Zwaremachine’s identity, but they carried a truth that needed to be released. The album stands as both tribute and closure.
Beyond music, Mach plans to return to video art—especially for upcoming music videos tied to the new album. While technology pushes toward virtual and AI-enhanced experiences, Zwaremachine remains unapologetically analog for the time being. The future may bring new tools, but the pulse of the project remains human.
In terms of dream collaborations, Mach’s top choice is visual mastermind Paul Gerrard, whose grotesque and cinematic artwork resonates with Zwaremachine’s dystopian edge.
As he looks forward, Mach’s message to the next generation is simple and razor-sharp: Find your voice. Distill it. Weaponize it. Never conform.
Danish alt-metal innovators MØL return with their breathtaking new single “Young,” the second advance track from their upcoming album Dreamcrush, out January 30th, 2026 via Nuclear Blast Records. Following the shimmering, shoegaze-laden elegance of lead single “Garland,” the band now erupts with a violent, emotional tidal wave that is unmistakably MØL.
Where “Garland” floated upward in dreamy atmosphere, “Young” wastes no time descending into chaos. The track explodes instantly—blistering blast beats, scorching blackgaze fury, and that iconic MØL mix of shimmering guitars and cathartic melodic release.
Dreamcrush — A Journey Through Desire, Doubt & Transformation 🌫️💔
With Dreamcrush, MØL sharpen their heaviest edges while infusing the album with towering alt-rock hooks and emotional vulnerability. It explores the fragile space between aspiration and collapse, the dreams that lift us up—and the ones that shatter us.
Vocalist Kim Song Sternkopf shares: “Performing DREAMCRUSH live feels like tearing up that dream in front of the crowd—fragile, heavy, and luminous. This tour marks a thrilling new chapter for us.”
Drawing influence from My Bloody Valentine, Cocteau Twins, and Smashing Pumpkins, the band weaves soaring melody through devastation, creating their most explosive and affecting work yet.
Recording took place over several months in Frederik Uglebjerg’s Aarhus studio, allowing MØL to refine the album’s emotional core. Highlights include:
Guitarist Nicolai Busse reveals the song’s deeply personal origins: “‘Young’ is a song that has travelled through time. The chorus is one of the first pieces of music I wrote for MØL back in 2012. I returned to it again and again, but couldn’t make it fit—until now. The song represents a time in my life of second-guessing myself and trying to stand on my own.”
Dreamcrush Headline Tour — Europe & UK 🌌🔥 (Feb 2026)
MØL will take Dreamcrush to the stage with support from Tayne and Cold Night For Alligators, bringing their immersive sonic world directly to fans.
Full Tour Dates:
Feb 6 — Berlin, DE — Hole 44 Feb 7 — Prague, CZ — Futurum Feb 8 — Leipzig, DE — Naummans Feb 9 — München, DE — Feierwerk Feb 10 — Wiesbaden, DE — Kesselhaus Feb 11 — Eindhoven, NL — Effenaar KZ Feb 12 — London, UK — Underworld Feb 13 — Manchester, UK — Rebellion Feb 14 — Glasgow, UK — Classic Grand Feb 15 — Leeds, UK — Key Club Feb 16 — Birmingham, UK — O2 Institute2 Feb 17 — Bristol, UK — Exchange Feb 18 — Paris, FR — Petit Bain Feb 20 — Köln, DE — Club Volta Feb 21 — Hamburg, DE — Betty
Industrial-electro giants Combichrist return with a violent, seductive new offering: “Feraline,” the third single from their forthcoming full-length album. Following the crushing intensity of “Desolation” and “RISE,” the band now dives deeper into ritualistic darkness—unveiling a track built for the clubs, the shadows, and the wildness within us all.
A Dark Invocation for the Dancefloor 🌑🔥
“Feraline” is Combichrist in their purest, most feral form: distorted synths, primal rhythms, hypnotic vocals, and a surge of industrial energy sharpened for a new era.
The band’s signature aggression pulses through every beat, paired with a modern electronic edge that guarantees its domination across goth clubs, industrial nights, and festival floors worldwide.
Frontman Andy LaPlegua explains the myth behind the madness:
“Feraline is a Goddess, symbolizing the return to nature — a way to connect to your own feral self, to truly be free from modern-day society.”
Fresh off a blistering Australian tour and a special old-school electro European run, Combichrist continue to build global momentum. Their next album grows nearer—and “Feraline” serves as a seductive omen of what is coming.
The band now prepares for their next conquests:
E-Tropolis Festival 2026 (Germany)
Dark Force Fest 2026 (USA)
Expect sweat, noise, chaos, and a feral transformation under open skies.
About Combichrist 🩸
Founded by Norwegian mastermind Andy LaPlegua, Combichrist have spent more than 20 years reshaping industrial, EBM, and metal with relentless innovation and brutal energy. From legendary albums to explosive stage shows, the band stands at the frontlines of the global industrial movement—fearless, evolving, and eternally ferocious.
With their next full-length album rising on the horizon, “Feraline” is more than just a single—it’s the opening growl of a new beast.
London’s rising dark-electronic force OMEN CODE strike again, dropping a razor-sharp final single titled “Tensor”—the last warning shot before their full-length album Alpha State arrives December 5th, 2025 via Dependent Records (Germany).
A chilling fusion of cybernetic beats, dystopian tension, and calculated aggression, “Tensor” showcases the duo at their most precise and most dangerous yet.
A Final Transmission Before the Fall ⚡🖤
“Tensor” serves as the sinister closing chapter to the album’s advance material, offering a taste of what awaits listeners inside Alpha State—a future where the machines pulse, shadows breathe, and humanity hangs by a digital thread.
OMEN CODE consists of:
Kevin Gould — programming & engineering (ex-Electro Assassin)
Agi Taralas — vocals (ex-Our Banshee)
Together, they forge a sound that feels like industrial DNA spliced with modern dark-electronic warfare—cold, clinical, and overwhelmingly atmospheric.
The godfather of Mexican harsh electronics is back. Racso Agroyam—founding member of Hocico and the mind behind the cult industrial project Dulce Líquido—unleashes one final blast of sonic violence before the arrival of his long-awaited new album MIND DOMINATION, out December 19th, 2025 via Out of Line Music.
Today, Dulce Líquido sets the world ablaze with the punishing new single “La Infamia De Los Falsos.” Grinding, venomous, and unflinchingly raw, it offers a deadly final preview of the chaos to come.
The Final Warning Shot ⚡🧪
“La Infamia De Los Falsos” embodies everything that defines Dulce Líquido: corrosive rhythms, mechanical terror, and an atmosphere dense enough to crush lungs. It is rhythmic torture at its purest—Aggranoise, industrial, minimal, and catastrophic.
Mind Domination is built to level dancefloors and destroy neural pathways. Fueled by pounding beats, twisted synths, and Racso’s signature dystopian vision, this album is a brutal continuation of the sound that turned Dulce Líquido into one of the most influential forces in dark industrial music.
Racso describes it best:
“When atoms and beats are combined, Dulce Líquido is ready to annihilate the dancefloors. The record will keep your mind and body dancing until you die on the dancefloor.”
Minimal. Violent. Hypnotic. This is industrial distortion at full force—a ritual of noise, panic, hate, and absolute catharsis.
For true disciples of the project, Mind Domination also arrives in a strictly limited Archives Of Domination edition—containing three additional CDs of unreleased material rescued from Racso’s personal vault.
Digitized from old tapes, MiniDiscs, and CDs, this archive reveals the hidden DNA of Dulce Líquido’s earliest eras.
Racso explains:
“I’ve been preserving this material for years. Some of it I rescued from old recordings—it’s pure gold from the past. These emotions can never be replaced, and I’m proud to finally share them.”
Live: Hocico at Out Of Line’s 30th Anniversary 🎛️🖤
Racso returns to the stage for a massive celebration as Hocico performs at Out Of Line’s 30th Anniversary in Berlin on December 19th, the same day Mind Domination drops.
Founded in 1993 by Racso Agroyam, Dulce Líquido is an uncompromising vision of industrial extremity—an outlet for isolation, rage, and psychic disintegration. The project rejects boundaries, creating twisted, violent soundscapes where imagination bleeds into reality.
It is the beast beneath the skin. The panic behind the pulse. A world of dance rhythms, harsh electronics, and grotesque atmospheres—always seeking the next boundary to destroy.
Rob Zombie returns from the cinematic shadows with a vicious new single, “Heathen Days,” the latest blast of Hellbilly venom from his forthcoming album The Great Satan, arriving February 27th via Nuclear Blast Records. The master of shock-horror rock is back—and he’s kicking the doors off 2026 with a sound that drips gasoline, grime, and chaos.
A Hellbilly Resurrection 🔥🩸
“Heathen Days” drags listeners straight into Zombie’s old-school furnace—grinding riffs, sleazy groove, and that unmistakable devil-on-the-mic snarl. Directed by Zombie himself, the music video is a filthy, psychedelic nightmare ripped straight from the brain of a man who’s spent decades blurring the line between cinema and carnage.
Following the Top 10 success of The Lunar Injection Kool Aid Eclipse Conspiracy (2021), Zombie now shifts back into the Hellbilly gear that made him a household name among the dark, the damned, and the gloriously unhinged.
The Great Satan marks his 8th studio album—a punk-infused, heavy-rock, blood-spattered carnival that promises to be his most feral offering in years. Fans can expect signature freak-show chaos across tracks like “Tarantula,” “(I’m a) Rock ‘N’ Roller,” and the already-viral single “Punks and Demons.”
With over 15 million albums sold, nine feature films, and a legacy soaked in grindhouse aesthetics and savage creativity, Rob Zombie remains one of the most successful crossover artists in rock history. From White Zombie to Hellbilly Deluxe to The Devil’s Rejects, he has carved out a universe that’s equal parts carnival, corpse pile, and comic book fever dream.
2026 marks a full return to form—louder, weirder, nastier, and unmistakably Zombie.
Sweden’s unstoppable Viking metal warlords Amon Amarth are returning in 2026 with a colossal UK + EU headline siege—one built on fire, steel, and the promise of an entirely new era of brutality.
The Allfather Awakens Tour brings an all-Swedish lineup of devastation, with Orbit Culture and Soilwork joining the charge as the longships push ashore throughout October and November 2026.
A New Age of War Is Coming ⚔️🔥
Fresh from conquering festival seas, supporting Slayer across the UK, and leveling the U.S. alongside Pantera, Amon Amarth now prepare to unveil an all-new theatrical stage production—their most ambitious vision yet.
The band will also deliver an extended headline set, forging the next chapter of Viking metal mythology. The raid begins October 9th in Manchester before tearing across London, Wolverhampton, and then the entire EU with no mercy left behind.
This is not myth. This is not illusion. This is modern metal’s most dominant storytellers calling their armies to war.
Tickets go live Friday, November 28th at 9am GMT / 10am CET via AmonAbarth.com/Tour.
A New Single, a New Age, a New Album Incoming 🌊⚔️
To mark the turning of the tide, Amon Amarth recently fired off their newest single, “We Rule The Waves,” a triumphant offering to the gods. The song’s video stands as a war banner announcing what’s next:
A full new album arrives late 2026.
Forged in iron, shaped by salt and storm, and sharpened by decades of mythic storytelling, the coming record promises to be one of the most devastating offerings in their entire saga.
UK RAID DATES 🇬🇧
Fri 9 Oct — Manchester, O2 Apollo Sat 10 Oct — London, Eventim Apollo Sun 11 Oct — Wolverhampton, Civic Hall
EU RAID DATES 🇪🇺
13 Oct — Paris, FR — Zenith 14 Oct — Esch sur Alzette, LUX — Rockhal 16 Oct — Stuttgart, DE — Schleyer-Halle 17 Oct — Frankfurt, DE — Festhalle 18 Oct — Antwerp, BE — Lotto Hall 20 Oct — Den Bosch, NL — Mainstage 21 Oct — Hamburg, DE — Sporthalle 23 Oct — Gothenburg, SE — Scandinavium 24 Oct — Stockholm, SE — Hovet 26 Oct — Helsinki, FI — Ice Hall 27 Oct — Tallinn, EE — Unibet Arena 29 Oct — Gliwice, PL — PreZero Arena 30 Oct — Leipzig, DE — Quarterback Arena 31 Oct — Oberhausen, DE — Rudolf Weber Arena 2 Nov — Budapest, HU — Barba Negra 3 Nov — Vienna, AT — Gasometer 4 Nov — Bamberg, DE — Brose Arena 6 Nov — Prague, CZ — O2 Universum 7 Nov — Berlin, DE — Velodrom 8 Nov — Munich, DE — Zenith 10 Nov — Milan, IT — Alcatraz 11 Nov — Zurich, CH — The Hall 13 Nov — Barcelona, ES — Sant Jordi Club 14 Nov — Madrid, ES — Vistalegre 15 Nov — Lisbon, PT — Sala Tejo
The Legend of Amon Amarth Continues 🛡️
Formed in 1992, Amon Amarth have forged their iron legacy with albums like “Twilight of the Thunder God” and “Jomsviking,” merging myth, melody, and mayhem into one of metal’s most recognizable identities. Their worldwide domination, festival headlining might, and explosive live production have crowned them kings of the modern Viking metal era.
From the shores of Valhalla to the stages of the world, Amon Amarth continue to evolve without abandoning the power, heart, and ferocity that built their dynasty.
France’s sad electronica/dream pop enigma GRABYOURFACE returns with a haunting new visual for “All I Have Is Love, All I Do Is Destroy,” the standout descent into heartbreak from the February 5th album Sadgirl Mixtape.
A Ritual of Ruin ⚡
In the new video, GRABYOURFACE drifts through the motions of daily life — smoking, walking, driving — the kinds of quiet rituals we cling to when a relationship collapses under its own weight. Each gesture feels slow, suspended, as if time itself refuses to move forward. Beneath these momentary distractions sits the raw void: loneliness, lingering pain, and the quiet ache of trying to outrun memories that won’t stop whispering.
It’s stark. It’s vulnerable. It’s the sound of a heart learning to beat again.
GRABYOURFACE thrives in that intoxicating place between emotional ruin and dancefloor confessionals — where tears fall in strobe lights and heartbreak turns into something strangely powerful.
Her sonic palette draws from Boy Harsher, Linkin Park, Lana Del Rey, and Lil Peep, forming a shadowy hybrid of dream pop, sad electronica, and emotional excavation. At her shows, she lets the demons loose: a catharsis of dark glamour, melancholy, and violent beauty. It’s intimate. It’s dangerous. It’s unforgettable.
All music, lyrics, and performance by GRABYOURFACE Mixed & mastered by GRABYOURFACE Additional support from Ben Concrete (Petrol Bastard, Ray the Binman) and Matt Fanale (Caustic, Klack, Daddybear)
Discography 📼
1LLNES$E$ (EP, 2017)
philophobia (EP, 2017)
We Live (EP, 2018)
Keep Me Closer (LP, 2018)
Summer on Saturn (EP, 2019)
Summer on Saturn Remixes (LP, 2020)
Sea (LP, 2020)
Rob The Bank (Single, 2021)
FKNBSTRDS / HOWDAREU (EP, 2022)
Haine X Guillotine (EP, 2023)
Sadgirl Mixtape (LP, 2025)
🎶 Listen Now:
Deep Dive into the Universe of GRABYOURFACE 🌌
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