Tag Archives: #πŸ’€

🎧🎢 HOCICO Unleashes New Single “Brainrot”! 🎧

Mexico’s electro-industrial juggernauts HOCICO once again plunge into the dystopian psyche of the digital era. Erk Aicrag and Racso Agroyam return with a visceral, unrelenting track that strips away the glossy veneer of online life and exposes the rot festering beneath.

If The Screen was a direct attack on the anonymity of internet cruelty, “Brainrot” dives even deeper, capturing the suffocating grip of algorithmic addiction. It’s a grotesque ballet of dopamine, dependency, and despair, screamed through Erk’s searing vocals and wrapped in Racso’s hellish production.

Musically, “Brainrot” marks a bold evolution in Hocico’s sound. Infused with aggressive drum and bass influences, it hits with a hyperkinetic energy that feels both chaotic and meticulously controlled. The track seamlessly fuses this rhythmic onslaught with the duo’s signature industrial brutality and aggrotech venom, creating a sound that feels both fresh and devastatingly familiar. This is not a trend-following experimentβ€”it’s a fully weaponized Hocico beatdown, sharpened for the digital battlefield.

From the very first line, “Plug me in, I’m a slave to the screen,” the listener is dragged into a world where identity, free will, and humanity are systematically dismantled by our tech overlords. The lyrics are a cyberpunk confession: raw, paranoid, and disturbingly accurate. Lines like β€œI dance for the likes, I bleed for the views” hit like gut punches, capturing the performance anxiety and manufactured existence many experience but few dare to articulate.

The chorus, an unrelenting chant of “Brainrot!”, becomes a war cry and a diagnosis all at once. Each repetition digs deeper into the madness, like a virus rewriting the code of the self. The distorted synths and glitchy textures reflect the chaos of a mind being rewired for engagement, not meaning.

Hocico doesn’t just critique digital cultureβ€”they drag its corpse onto the stage, expose its entrails, and make you dance with it. The track’s final verse, “Now I’m the king of nothing but brainrot!”, isn’t just a lyric, it’s a warning: the more we feed the machine, the more it devours us.

With “Brainrot,” Hocico once again proves they are not just musicians but prophets of a dying age, screaming from the edge of digital oblivion. This isn’t just music, it’s a mirror. And you won’t like what you see.

Listen to “Brainrot” Now:

Stream “Brainrot” everywhere via Out Of Line Music: https://hocico.lnk.to/Brainrot

Deep Dive into the Universe of Hocico: 🎧🎢

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🎧 CHAMELEONS Unleash New Single “Saviours Are A Dangerous Thing” Today – New Album “Arctic Moon” Out September 12th! 🎧

CHAMELEONS have today, May 29th, released their brand new single, β€˜Saviours Are A Dangerous Thing,’ via Metropolis Records. The track is taken from their recently announced and long-awaited album, β€˜Arctic Moon,’ which is now available for pre-order.

Vocalist/bassist Vox (Mark Burgess) explains the inspiration behind the new single: β€œI see too many echoes of the 1930s in what’s going on in the world, which I see as being extremely dangerous both for the country I’ve chosen to live in and the Western world in general.” He adds, β€œIt was the last song to be completed for the album. I’m particularly pleased with the way it turned out, because it was our guitarist Stephen Rice who initially brought the rough idea to the table and we all then collaborated on it to produce the final song.”

β€˜Saviours Are A Dangerous Thing’ perfectly captures Chameleons’ innate flair for crafting exquisite guitar textures, merging them with Vox’s sharp grasp of melody and wordplay. The song delivers a dark message about the current political climate amidst its thoroughly engaging sound. Reinforcing this theme, the accompanying video splices live performance footage with kaleidoscopic images of war, its effects, and the surrounding propaganda, creating a compelling statement.

β€œThe lyrics came to me quite quickly,” Vox explains. β€œThey reflect what has been happening globally and how senior officials line up to kiss the rings of clowns who regard themselves as self-proclaimed kings rather than elected statesmen.”

β€˜Arctic Moon,’ set for release on September 12th on Metropolis Records, marks the first full-length album by Chameleons since 2001’s β€˜Why Call It Anything?’ Vox concludes, β€œThere is an obvious maturity to the songwriting on this record, and anyone familiar with our past work will hear that this is a positive step forward. While we’re proud of the band’s legacy, we really wanted to forge something fresh while retaining that profound and imaginative quality we’re known for. We think that we have managed to do that and deliver a very strong record!”

The band will continue to tour extensively around the album release, with dates in Spain and Portugal from June 6th-19th, followed by a set at the Forever Now festival in Milton Keynes on June 22nd. They will then return to the US for headlining shows and a dozen dates with The Psychedelic Furs commencing on June 26th. A further headlining tour of North American cities kicks off two weeks after the release of β€˜Arctic Moon’, with mainland European dates in Germany and the Benelux scheduled from late October, ahead of a previously announced UK tour in November.

All concert and ticket info can be found here.

About The Chameleons:

Long cited as a hugely influential act, inspiring bands like (The) Verve, Oasis, Interpol, The Killers, Editors, and White Lies, Chameleons are renowned for their transformative catalog and intense, emotionally charged live performances. Their legacy extends far beyond their four studio albums to date. Their widely acclaimed debut, β€˜Script of the Bridge’ (1983), has been cited by many as a masterpiece ahead of its time, followed by β€˜What Does Anything Mean? Basically!’ (1984), β€˜Strange Times’ (1986), and β€˜Why Call It Anything?’ (2001).

Their unique sound quickly captivated audiences with its mix of melancholic yet energetic and powerful tunes, hypnotic, ethereal riffs, and a potent, timeless lyrical style. They are considered one of the most influential guitar bands of the β€˜80s and β€˜90s, contributing substantially to the post-punk, shoegaze, and indie scenes.

2024 saw the release of two EPs that kicked off a new chapter for the band: β€˜Where Are You?’, consisting of three new songs, and β€˜Tomorrow Remember Yesterday,’ featuring five re-recorded archive tracks. β€˜Arctic Moon’ sees them propelling forward musically while retaining the essence that originally made them iconic.

“Arctic Moon” Tracklisting:

  1. Where Are You?
  2. Lady Strange
  3. Feels Like The End Of The World
  4. Free Me
  5. Magnolia
  6. David Bowie Takes My Hand
  7. Saviours Are A Dangerous Thing

The Chameleons Lineup:

  • Mark Burgess (Vox) – vocals, bass
  • Reg Smithies – guitar
  • Stephen Rice – guitar
  • Danny Ashberry – keyboards
  • Todd Demma – drums

Photo by Mick Peek

Deep Dive into the Universe of The Chameleons: 🎧

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🎧 WHITECHAPEL Announces “Rituals Of Hate” US Headlining Tour This Fall – Performing Hymns In Dissonance In Its Entirety! 🎧

WHITECHAPEL is set to return to US stages this Fall on the Rituals Of Hate headlining tour. This extensive journey will hit over two dozen cities from November 12th through December 14th, with the band performing their critically acclaimed new full-length, Hymns In Dissonance, in its devastating entirety, alongside some old favorites. Support will be provided by Bodysnatcher, Angelmaker, and Disembodied Tyrant.

The band comments, “After the overwhelming responses from the Hymns In Dissonance release, we decided it would be great to close out the year by giving this album to the fans live front to back. The tour will be ending with our 10th annual hometown Christmas benefit show in Knoxville, Tennessee. Do not wait and grab your tickets/VIP now for this special tour!”

Presales begin Wednesday, May 28th at 10:00 AM local time. General on-sale date is Friday, May 30th at 10:00 AM local time. VIP upgrades will be available at whitechapel.soundrink.com and include:

  • 1 GA Ticket
  • Meet & Greet w/ WHITECHAPEL
  • Photo Op w/ WHITECHAPEL
  • Exclusive VIP Wall Flag
  • Exclusive Signed Poster
  • Exclusive VIP Enamel Pin
  • Exclusive VIP Laminate w/ Lanyard
  • Early Entry + Early Access To Merch

Rituals Of Hate US Headlining Tour Dates:

WHITECHAPEL w/ Bodysnatcher, Angelmaker, Disembodied Tyrant:

  • 11/12/2025 The Norva – Norfolk, VA
  • 11/14/2025 Reverb – Harrisburg, PA
  • 11/15/2025 Irving Plaza – New York, NY
  • 11/16/2025 Toad’s – New Haven, CT
  • 11/17/2025 Empire – Albany, NY
  • 11/19/2025 Anthology – Rochester, NY
  • 11/20/2025 Mr. Smalls Theatre – Pittsburgh, PA
  • 11/21/2025 Globe Iron – Cleveland, OH
  • 11/22/2025 The Vogue Theatre – Indianapolis, IN
  • 11/23/2025 The Intersection – Grand Rapids, MI
  • 11/25/2025 The Rave – Milwaukee, WI
  • 11/26/2025 Wooly’s – Des Moines, IA
  • 11/28/2025 Delmar Hall – St. Louis, MO
  • 11/29/2025 The Truman – Kansas City, MO
  • 11/30/2025 Diamond Ballroom – Oklahoma City, OK
  • 12/02/2025 The Hall – Little Rock, AR
  • 12/03/2025 Iron City – Birmingham, AL
  • 12/04/2025 Vinyl Music Hall – Pensacola, FL
  • 12/05/2025 FIVE – Jacksonville, FL
  • 12/06/2025 House Of Blues – Orlando, FL
  • 12/08/2025 The National – Richmond, VA
  • 12/09/2025 Brooklyn Bowl – Nashville, TN
  • 12/10/2025 The Signal – Chattanooga, TN
  • 12/12/2025 House Of Blues – Myrtle Beach, SC
  • 12/13/2025 The Orange Peel – Asheville, NC
  • 12/14/2025 Mill & Mine – Knoxville, TN

About Hymns In Dissonance:

Released earlier this Spring on Metal Blade Records, WHITECHAPEL’s Hymns In Dissonance debuted at #2 on Billboard’s Current Hard Rock Albums chart, #3 on the Independent Label Current Albums chart, #4 on the Current Rock Albums chart, and #7 on the Digital Albums chart in its first week.

The record showcases the band’s reinvention, diving deeper and heavier than ever before. Guitarist Alex Wade notes, “We attempted to write our heaviest album to date. We wanted to put out something that was shockingly menacing and brutal.”

Critics have lauded the album, with Revolver praising its “blistering attack of ground-fissuring blasts, terror-thrashed guitar melodies and guts-hucking mosh sections.” Metal Injection agreed, calling it “heavy as shit, it’s unrelenting, and it will destroy you.” MetalSucks championed it as “one of WHITECHAPEL’s heaviest offerings since the glory days of The Somatic Defilement and This Is Exile,” adding that it “captures that same raw energy and mouth-frothing rage… but with a new and improved modern twist.” Blabbermouth hailed the band’s “…white-knuckle, weaponized deathcore with brains, brawn, and a point to prove. Hold on to your helmets.”

Hymns In Dissonance is available now on CD, vinyl, and digital formats. For orders, visit: [suspicious link removed]. Find merch bundles and band-exclusive vinyl at: whitechapelband.com.

Watch WHITECHAPEL’s Videos:

Β “Hymns In Dissonance”Β HERE, “A Visceral Retch”Β HERE, and “Hate Cult Ritual”Β HERE.

WHITECHAPEL Lineup:

  • Phil Bozeman – vocals
  • Ben Savage – lead guitar
  • Alex Wade – rhythm guitar
  • Zach Householder – guitar
  • Gabe Crisp – bass
  • Brandon Zackey – drums

Photo by Alex Morgan

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🎧 AMIENSUS Returns with New Song “FIELDS OF EMERALD FIRE”! 🎧

AMIENSUS has surprisingly dropped a digital single for their new song β€œFields of Emerald Fire.” Just last year, the epic, melodic, progressive black metal group released two critically acclaimed records. Not resting on their laurels, AMIENSUS now gives fans the first of several new tracks in the works. Listen to β€œFields of Emerald Fire” here or watch the streaming visualizer here.

β€œβ€™Fields of Emerald Fire’ was written concerning The Great Hunger,” explains singer/guitarist James Benson. β€œAs a band that has often written about historical events, as well as current events, we used this opportunity to draw parallels between the past and present actions of governments and their oppression of minorities.”

James continues, β€œβ€™Fields of Emerald Fire’ is the first of multiple singles to be released in 2025. Some of these tracks were written with the objective of creating within a limited time span, and therefore pushing ourselves to maintain our standards on creativity without the pesky overanalyzing that often can delay completion of songs/albums. We have a lot of material for the future and a lot to speak on. We hope you enjoy β€˜Fields…’ and look forward to sharing more music with you this year!”

James Benson, who also fronts Midwest post-black metal operatives CHROME WAVES, is joined in AMIENSUS by GHOST BATH drummer Chris Piette plus guitarists Alec Rozsa, Kelsey Roe and bassist Todd Farnham. Chilling, harsh yet melodic and progressive are just some ideas of AMIENSUS’ sound heard on β€œFields of Emerald Fire,” which will sate fans of their two-part β€˜Reclamation’ opus while they continue work on additional new music this year.

AMIENSUS formed in Minnesota in 2010 as a project amongst friends, who self-released an EP that same year. It took 3 years for the band to develop into a full group, expanding their lineup way beyond state lines to find the right talents and mindsets, and release the atmospheric black metal album β€˜Restoration’ in 2013. Two years later AMIENSUS were back with the more polished and well-received β€˜Ascension,’ which introduced Alec and Todd. 2017 marked the release of the lengthy EP, β€˜All Paths Lead To Death’ (Apathia/Black Lion Records), which saw the band drop some of the heavy orchestration in favor of more melodic death and black metal passages and introduced Chris. In 2020, AMIENSUS signed with Transcending Records to release the heralded β€˜Abreaction,’ which now also included Kelsey. That same lineup remains today and also recorded the aforementioned β€˜Reclamation’ albums.

Here’s what some have written about β€˜Reclamation’: β€œEasily the group’s best album yet, demonstrating that they more than deserve to be mentioned in the same breath as their more prominent peers… Agalloch, Alcest, Borknagar and Enslaved. – No Clean Singing”

β€œThis is an auditory journey like no otherβ€”a fusion of raging, intense black metal with glorious melodies that will ignite your soul. It’s a sonic tempest, a whirlwind of ferocity and beauty that will leave you breathless and exhilarated. You’ll be engulfed in the raw power of black metal, with blistering riffs and thunderous drums. Yet within, melodies soar and cascade, weaving a tapestry of beauty and emotion that transcends the brutality of the music. This is an early contender for β€œAlbum of the Year” for sure. – Metal Temple”

β€œAn impressive album that shows all of AMIENSUS’ finest features and builds them to a level that the band has not achieved previously, Reclamation part 1 builds further anticipation for its second half, while reminding the metal community that they are still one of the underground’s best kept secrets. Black, death, prog, folk – whatever your flavor, you are going to find plenty of content with Reclamation that will leave you incredibly impressed even if you are already familiar with the band. AMIENSUS have a poignant and genre-pushing masterpiece in their hands… it will more than satiate anyone looking for high quality extreme metal that tosses the traditional boundaries aside for something insightful and far more unique. – Dead Rhetoric”

Deep Dive into the Universe of Amiensus: πŸŽ§πŸ‡ΊπŸ‡Έ FacebookInstagramBandcampM-Theory Audio,

🎧 KMFDM Announces “HAU RUCK 2025” Reissue – Remixed & Remastered for 20th Anniversary! 🎧

KMFDM is set to re-release their classic fourteenth album, “HAU RUCK,” on May 23rd, 2025, via Metropolis Records. This special 20th-anniversary edition, titled “HAU RUCK 2025,” has been completely remixed and remastered, and will be available on 2xLP, CD, and digital formats. Fans can get an early taste with the newly available audio for ‘FREE YOUR HATE’.

The original “HAU RUCK” was recorded in Seattle and released in 2005. Following their industrial/metal assault with 2003’s ‘WWIII’, KMFDM sought a fresh direction. Band leader Sascha Konietzko expressed the desire for something “more noisy, more dance-y, more electronic, and less butt rock.” The album’s concept was playfully dubbed FUBAR – ‘Fucked Up Beyond All Recognition/Repair’ – reflecting their aim to push boundaries.

From the politically charged anthems of ‘Free Your Hate’ and ‘New American Century’ to the grimly emotional grooves of ‘Real Thing’; from the confrontational dancefloor venom of ‘Ready to Blow’ and ‘Professional Killer’; and encompassing a swinging cover of Jacques Dutronc’s ‘Mini Mini Mini’ and the self-effacing snark of ‘Feed Our Fame’, the album proved anything but FUBAR. It showcased KMFDM at its most concentrated, sharply focused, and aggressive, imploring audiences to fight corruption and embrace individuality. The powerful German phrase ‘HAU RUCK’ (meaning ‘Heave Ho’) perfectly captured this defiant spirit.

The original lineup for ‘HAU RUCK’ included:

  • Sascha Konietzko – vocals, synthesizers, sequencers, engineering
  • Lucia Cifarelli – vocals
  • Jules Hodgson – guitars, bass, programming, engineering
  • Andy Selway – drums, programming
  • Steve White – guitars, programming
  • Mina Stolle – trumpet on ‘Auf Wiederseh’n’

“HAU RUCK 2025” Tracklist:

  1. FREE YOUR HATE
  2. HAU RUCK
  3. YOU’RE NO GOOD
  4. NEW AMERICAN CENTURY
  5. REAL THING
  6. EVERY DAY’S A GOOD DAY
  7. MINI MINI MINI
  8. PROFESSIONAL KILLER
  9. FEED OUR FAME
  10. READY TO BLOW
  11. AUF WIEDERSEH’N

KMFDM Biography

Hamburg-based industrial rock pioneers KMFDM have carved out a unique path since their founding by Sascha β€˜KΓ€pt’n K’ Konietzko in 1984. They’ve continuously refined and redefined modern music while boldly addressing social and political issues. After early albums recorded in Germany, the band moved to the US and gained widespread recognition with Chicago-based Wax Trax! Records.

The 1990s saw KMFDM become a household name in the global industrial rock scene. Their 1995 hit β€˜Juke Joint Jezebel’ propelled them onto the Billboard charts and earned them placements on film soundtracks like β€˜Bad Boys’ and β€˜Mortal Kombat’. Future titans such as Rammstein and Korn even started their careers opening for KMFDM tours.

After a hiatus in 1999 following their tenth album for Wax Trax!, Konietzko resurrected KMFDM three years later, signing with Metropolis Records. This new era featured American singer Lucia Cifarelli (from Drill) and Tim Skold (who later joined Marilyn Manson). Konietzko and Cifarelli returned to Germany in 2008 and have consistently recorded and toured. Their most recent album, β€˜LET GO’, released in 2024, coincided with the group’s 40th anniversary.

Deep Dive into the Universe of KMFDM: 🎧
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🎧🎢 Acid Bath Records Unleashes CADUCODOS’ “ExtinciΓ³n Eficaz”! 🎧

Acid Bath Records has just released “ExtinciΓ³n Eficaz” by Caducodos!

Deep Dive into the Universe of Caducodos: 🎧🎢
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🎧🎢 Metamorph (Margot Day) Announces “Harlot EP”! 🎧

Metamorph, the captivating project led by Margot Day, has just announced the release of their new “Harlot EP”!



While specific details about the EP’s soundscapes and lyrical themes are eagerly awaited, this new offering from Metamorph promises to continue Margot Day’s unique artistic vision.

Listen to the Harlot EP on Bandcamp.

Deep Dive into the Universe of Metamorph: 🎧🎢

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Sonic Assault Incoming: Dead Posey on Evol Radio 05.31.25


This Sunday, May 31st, prepare for a full-on assault of mechanical, raw, and unapologetic sound as we bring you an in-depth look into the world of Dead Posey!

Join us as we dive deep into their origin story, how they forged their signature sound, and the challenges they’ve overcome to become the undeniable force they are today. From their early breakthroughs with tracks like “Don’t Stop the Devil” to the potent fire behind their latest album, Are You In A Cult?, you’ll hear the raw, unvarnished truth of their journey.

Discover their creative process, their fight for authenticity in a fickle industry, and what it truly takes to push boundaries and build a lasting legacy. If you crave music that’s rebellious, empowering, and unapologetically real, you don’t want to miss this!

Tune in to evolradio.com this Sunday, May 31st to immerse yourself in the Dead Posey universe.

🎧 MALEVOLENCE Unleashes Music Video for New Single ‘SALT THE WOUND’ 🎧

Steel City Kings MALEVOLENCE have unleashed a new single from their massively anticipated new album, Where Only The Truth Is Spoken, which is set to be released on the 20th June via MLVLTD in partnership with Nuclear Blast Records.

Compared to the punishing previous singles, ‘Trenches’ and ‘If It’s All The Same To You’ the brand new release ‘Salt The Wound’ shows a more emotional side of MALEVOLENCE, but that only makes its incredibly heavy chorus stand out even more.

Alex Taylor (vocals) commented: β€œ’Salt The Wound’ is the product of us making a conscious decision to bridge the two faces of Malevolence. On one hand we have the heavy aggressive side, and on the other we have the slower melodic songs, so we wanted a song that could combine the two. The video was entirely shot in Sheffield and the surrounding areas. From the industrial depths of Sheffield, a 900-year-old ruined Abbey, to a perfect sunrise over some of the incredible hills of Derbyshire, there is some incredible scenery in the north of the UK which we sometimes take for granted, so this song felt like the perfect opportunity to show case some of that. From the moment I heard the guitar solo Josh had written for this song, I pictured him on a mountain top doing the solo, so we made it happen, Malev style!”

Pre-order and pre-save Where Only The Truth Is Spoken now at: https://malevolence.bfan.link/where-only-the-truth-is-spoken

Stream ‘Salt The Wound’ at: https://malevolence.bfan.link/salt-the-wound

Watch the video for ‘Salt The Wound’: https://youtu.be/TijHWEgqFec

Malevolence – ‘Salt The Wound’ (Official Music Video) Where Only The Truth Is Spoken

  1. Blood To The Leech
  2. Trenches
  3. If It’s All The Same To You
  4. Counterfeit
  5. Salt The Wound
  6. So Help Me God
  7. Imperfect Picture
  8. Heavens Shake
  9. In Spite (ft. Randy Blythe)
  10. Demonstration Of Pain
  11. With Dirt From My Grave

MALEVOLENCEΒ are currently touringΒ Australia for a run of dates supportingΒ Alpha Wolf.

22.05. – AU – Adelaide – Jive
23.05. – AU – Warrnambool – The Whalers†
24.05. – AU – Forth – Forth Pub†
25.05. – AU – Hobart – Altar Bar†
28.05. – AU – Melbourne – Stay Gold
29.05. – AU – Geelong – Wool Exchange†
30.05. – AU – Albury – Beer Deluxe†
31.05. – AU – Castlemaine – Theatre Royal†
01.06. – AU – Narre Warren – District 14†

†supporting Alpha Wolf

SUMMER SLAUGHTER TOUR 2025
w/ HATEBREED, BLEEDING THROUGH …

08.07. – US – St Petersburg, FL – Jannus Live
09.07. – US – Atlanta, GA – The Eastern
11.07. – US – San Antonio, TX – Vibes Event Center
12.07. – US – Oklahoma City, OK – Diamond Ballroom
13.07. – US – Dallas, TX – The Bomb Factory
15.07. – US – Indianapolis, IN – Egyptian Room at Old National Centre
16.07. – US – Pittsburgh, PA – Stage AE
17.07. – US – Huntington, NY – The Paramount
19.07. – US – Sayreville, NJ – Starland Ballroom
20.07. – US – Philadelphia, PA – Franklin Music Hall
22.07. – US – Charleston, SC – Charleston Music Hall
23.07. – US – Charlotte, NC – The Fillmore Charlotte
25.07. – US – Rochester, NY – Water Street Music Hall
26.07. – US – Detroit, MI – Harpos
27.07. – US – Milwaukee, WI – The Rave
28.07. – US – Grand Rapids, MI – The Intersection

MALEVOLENCE HEADLINE UK & EU TOUR 2025

27.10 – FR – Toulouse – Bikini Club
28.10 – FR – Paris – Elysee Montmartre
30.10 – DE – Munich – Backstage
31.10 – DE – Leipzig – Felsenkeller
01.11 – DE – Berlin – Huxleys
02.11 – DE – Hamburg – Gruenspan
04.11 – NL – Tilburg – 013
05.11 – DE – Cologne – Live Music Hall
06.11 – BE – Ghent – Vooruit
08.11 – UK – Manchester – O2 Victoria Warehouse
09.11 – UK – London – O2 Academy Brixton

Tickets here:Β https://mlvltd.com

ABOUT MALEVOLENCE

MALEVOLENCE have never waited for permission. From the underground to festival main stages, they’ve built their reputation on sheer force of will, crushing live shows, and an unshakable foundation of heavy riffs and harder work. Now, with their fourth studio album Where Only The Truth Is Spoken, Sheffield’s finest step into a new league.

Recorded in California at Dave Grohl’s legendary Studio 606, the album was tracked through the iconic Neve 8078 console, the same desk that captured game-changing records like Nirvana’s Nevermind, Fleetwood Mac’s Rumours, and Tom Petty’s Wildflowers. For a band that’s always pushed forward without compromise, it was the perfect setting to carve out a record that represents everything MALEVOLENCE stands for. The album marks a new level of songwriting precision without sacrificing the band’s trademark weight. Working alongside Grammy Award-winning producer Josh Wilbur (Lamb of God, Gojira, Trivium), the result is MALEVOLENCE at their most punishing, urgent, and anthemic.

Lyrically, Where Only The Truth Is Spoken reflects the principles that MALEVOLENCE have lived by since day oneβ€”honesty, loyalty, and integrity. These are not just themes woven into the album but values the band holds in their personal and professional lives. This record doesn’t deal in facades or empty gestures; it’s an unfiltered expression of the struggles, victories, and unshakable brotherhood that have carried them this far.

Malevolence are:

Alex Taylor | Vocals

Konan Hall | Guitar / Vocals

Josh Baines | Guitar

Wilkie Robinson | Bass

Charlie Thorpe | Drums

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🎧🎢 IGORRR Unveils “Blastbeat Falafel” Video / Single Featuring Trey Spruance and Timba Harris – “Amen” Full-Length Arrives September 19th! 🎧

IGORRR is set to unleash their latest single, “Blastbeat Falafel,” taken from the band’s stunning fifth album, “Amen,” which will see its release on September 19th via Metal Blade Records. This new track features guest appearances by Trey Spruance (Mr. Bungle) and Timba Harris (Estradasphere, Secret Chiefs 3).

Watch IGORRR’s “Blastbeat Falafel” video HERE

French multi-instrumentalist and producer Gautier Serre has been operating under the moniker IGORRR for two decades, yet each new record still resonates with a startling freshness and radical vitality. Mr. Bungle, Spruance’s main band, has long been a savvy comparison for IGORRR’s ethos of tightly controlled musical anarchy and gleeful boundary-smashing intensity, serving as another motivating force for the young Gautier. Like Mr. Bungle, IGORRR stubbornly repels the sort of generic pigeonholing that certain media and fans love to indulge in.

On “Blastbeat Falafel,” Gautier further elaborates, “The track is an unnatural and unorthodox connection between metal and traditional oriental music. A metalhead who truly loves oriental music tried to fit in with the codes of oriental music but didn’t succeed. He tried too hard, lost his identity, and ended up in a psychiatric hospital.”

Watch IGORRR’s previously released video for “ADHD” HERE

Stay tuned for more info on “Amen” to be unveiled in the coming weeks.

“Amen” Track Listing:

  1. Daemoni
  2. Headbutt
  3. Limbo
  4. Blastbeat Falafel
  5. ADHD
  6. 2020
  7. Mustard Mucous
  8. Infestis
  9. Ancient Sun
  10. Pure Disproportionate Black and White Nihilism
  11. Γ‰tude nΒ°120
  12. Silence

Photo by OphΓ©lie Legriffon / Artwork by Adrian Baxter

IGORRR Live w/ Master Boot Record, Imperial Triumphant:

  • 10/01/2025 Le Rocher de Palmer – Bordeaux, FR
  • 10/02/2025 Le Bikini – Toulouse, FR
  • 10/03/2025 Santana 27 – Bilbao, ES
  • 10/04/2025 Apollo 1 – Barcelona, ES
  • 10/05/2025 La Riviera – Madrid, ES
  • 10/07/2025 L’Usine – Istres, FR
  • 10/08/2025 Les Docks – Lausanne, CH
  • 10/09/2025 Batschkapp – Frankfurt, DE
  • 10/10/2025 Soulcrusher Festival – Nijmegen, NL
  • 10/11/2025 Ancienne Belgique – Brussels, BE
  • 10/12/2025 Live Music Hall – Cologne, DE
  • 10/14/2025 Markthalle – Hamburg, DE
  • 10/15/2025 Nancy Jazz Pulsation – Nancy, FR
  • 10/16/2025 Le Transbordeur – Lyon, FR
  • 10/17/2025 L’Olympia – Paris, FR
  • 10/19/2025 Stereolux – Nantes, FR
  • 10/21/2025 Prospect Building Crane – Bristol, UK
  • 10/22/2025 Shepherd’s Bush Empire – London, UK
  • 10/23/2025 O2 Ritz – Manchester, UK

More on IGORRR’s Amen:

Since signing to Metal Blade in 2017, the IGORRR name has expanded from one man’s pseudonym to become a full group identity, but Gautier remains the project’s guiding light and mastermind. Steadfastly unclassifiable, “Amen” blindsides its listeners with a new set of exploratory curveballs and continues to surprise and unnerve even the most attuned enthusiast. “This album is definitely darker than its predecessors, it has such a very weighty and solemn vibe that has never been reached before in IGORRR,” explains Gautier. “The fact that I recorded a real choir in a church helped this a lot, but above all there has been very long and meticulous work on the sound and the choice of instruments, and deep experimental research to create a unique sound design. Of course, because it’s an IGORRR album, there are some more colorful tracks, like ‘Blastbeat Falafel,’ ‘ADHD’ etc… They contrast very much with the ambient heaviness. I need tracks like these on an album, it helps to really get through it fully focused, like a shot of limoncello before the next meal.”

With an urge to continually take IGORRR’s multifaceted and challenging sound further forward with each release, Gautier has spent a lot of time cultivating multiple new modes and methods of working since 2020’s breathtaking, critically acclaimed opus Spirituality And Distortion, which even reached number twelve on the official German album chart. Gautier has always made clear that IGORRR is as much about the influence of Bach and Chopin as it is about Cannibal Corpse, Aphex Twin, and Meshuggah, but the source of specific stimuli gets harder to ascertain as the process is refined.

“It’s always difficult for me to know from where the inspiration comes,” he muses. “Music is an expression of life, and everything, even what seems the most insignificant thing, can be a source of inspiration. I would say there hasn’t been one event or one experience that has led me on a creative process, it’s more like a cumulation of everything. I love making music. My brain processes music all the time. You cannot imagine the amount of albums and concertos I create during my sleep. The challenge is more how to sort these ideas to keep the ones with the best potential, the ones that I won’t get bored of, the ones that I really Love, with a big letter L.”

IGORRR is:

Gautier Serre – machines
Jb Le Bail – vocals
Marthe Alexandre – vocals
Remi Serafino – drums
Martyn ClΓ©ment – guitars

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🎧 LOST SOCIETY Return with Blistering New Single “DEAD PEOPLE SCARE ME (BUT THE LIVING MAKE ME SICK)” 🎧

Finland’s fiercest export LOST SOCIETY are back with a vengeance. The band returns with their brand-new single, ‘Dead People Scare Me (But The Living Make Me Sick),’ a high-octane anthem destined to ignite moshpits across festivals all summer long. With this explosive track, LOST SOCIETY kick off a bold new chapter in their career, diving headfirst into fresh sonic territory while retaining the raw energy and aggression fans have come to love. The single is the first taste of their upcoming full-length album, details of which will be revealed soon. Accompanying the release is a riotous party video that perfectly captures the song’s chaotic spirit and tongue-in-cheek attitude β€” a perfect visual complement to the track’s adrenaline-pumping riffs and biting lyrics.

WATCH THE VIDEO FOR ‘DEAD PEOPLE SCARE ME (BUT THE LIVING MAKES ME SICK): https://youtu.be/LntR8-cvh7o

LISTEN TO ‘DEAD PEOPLE SCARE ME (BUT THE LIVING MAKES ME SICK): https://lostsociety.bfan.link/dead-people

Frontman Samy Elbanna comments: β€œWhen we were kids, we often were scared by zombies, the grim reaper and whatever concept of death we felt we knew anything about – but as we grew up and were introduced to the real world, we would find out that there is nothing more terrifying than a person with a heartbeat and power. This track dives into universal themes that most of us think about constantly: fitting in, and questioning why we should fit in? We are brought up in institutions molding us to prepare for adulthood, and even in the 21st century, differing from the mass still makes people look down on you – and this song is an anthem for the downtrodden. No matter how ”mainstream” metal music is, it’s always marginal, and ”being touched by the devil” is a metaphor for all of the people out there who feel like they are doing something that differs from the mass, and they like it.”

LOST SOCIETY on a European festival this summer:
25.06. ES Resurrection Fest
27.06. EST Tallinn Rock Festival
28.06. FI Provinssi
04.07. FI Rokki Raikaa
11.07. FI Metallivuori
19.07. FI Pomefest
30.07. DE Wacken Open Air
31.07. DE Helm Fest
08.08. ES Leyendas Del Rock
15.08. DE Summer Breeze
30.08. FI Nordis Live
08.11. FI Metalli MΓΆssΓΆ XXL

Photo credit: Sam Jamsen Catch
Line up:
Samy Elbanna | Vocals, Guitar
Arttu Lesonen | Guitar
Mirko Lehtinen | Bass
Taz FagerstrΓΆm | Drums

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πŸŽ§πŸ¦‡ BLOOD VULTURE Unleashes “Grey Mourning” (Feat. AFI’s Jade Puget) – Debut Album “Die Close” Out June 27th! 🎧

Feast upon the gothic sludge night stalker, BLOOD VULTURE, created by Jordan Olds (2 Minutes To Late Night), as they unveil their 2nd single, “Grey Mourning” (Featuring Jade Puget of AFI), from the upcoming debut album, Die Close, set to be unleashed on June 27th via Pure Noise Records.

Watch BLOOD VULTURE’s video for their previous single, “A Dream About Starving To Death” HERE

Commenting on the song, Olds states: “When I was in middle school, AFI was my gateway to punk, hardcore, and goth. Jade Puget specifically was probably the biggest influence on my guitar playing and songwriting in that very formative time in my life. He’s such a melodic and unique player, and “Grey Mourning” is just a barrage of chromatic death metal riffs, so I thought it would be a really fun juxtaposition to set him loose in that kind of space and see what he came up with. I was honored that he agreed to do it, and his solo is so cool and unpredictable. It was exactly what I wanted. In my freshman year of highschool, I snagged a black Les Paul studio because I saw him playing one in the Leaving Song Pt. II video and that’s actually the same guitar that I used to mimic his solo for the video. So this whole thing has been a wild full circle moment for me. Oh yeah, and the song is about vampires.”

Stream “Grey Mourning” HERE

The impending debut, Die Close, lures listeners in with a mesmerizing melding of gothic romanticism, lush metallic vibes and brutal reckoning. The record features luminary guests Jade Puget (AFI), Kristin Hayter (Lingua Ignota) and Brian Fair (Shadows Fall).

Pre-Order Die Close HERE

Die Close Tracklist:

  1. Die Close – Overature
  2. An Embrace In The Flood
  3. A Dream About Starving To Death
  4. Grey Mourning (Feat. Jade Puget)
  5. Entwined (Feat. Kristin Hayter)
  6. Die Close – Interlude
  7. Burn For It (Feat. Brian Fair)
  8. The Silence of God
  9. Abomination
  10. Die Close – Finale

“GREY MOURNING” MUSIC VIDEO HERE

BLOOD VULTURE will perform in Brooklyn, NY on June 1st at The Meadows with Pallbearer and Cinder Well.

About BLOOD VULTURE:

This is the story of a vampire known as β€œThe Blood Vulture.” A once-insatiable bloodthirsty abomination of a creature, he is now a recluse long locked away as he grapples with what it means to live forever in a world of impermanence. His tales of regret and grief and terror will be told from hereon through songs that meld the emotive vocal stylings of grunge’s golden era with death metal, goth rock, and doom metal.

Deep Dive into the Universe of Blood Vulture: πŸŽ§πŸ¦‡

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🎧 KATAKLYSM Unleashes “The Rabbit Hole” Video Visualizer! 🎧

For nearly three decades, US/French Canadian melodic death metal powerhouse KATAKLYSM has delivered unrelenting waves of powerful sound. Today, the band offers fans a brand new track entitled, ‘The Rabbit Hole’.

With brutal honesty and relentless force, it rips through the illusion of control and dares listeners to wake up, fight back, and resist. A soundtrack for the disillusionedβ€”unapologetic and unrelenting. The song features Clemens Wijers (CARACH ANGREN) who curated the track’s ambient sound effects and synth section.

KATAKLYSM’S Maurizio Iacono states, “‘The Rabbit hole’ is the bands first stand alone single since the bands classic ‘Iron will’ track. As the world spins out of control and people search for purpose and truth, we felt questioning these things is something important to do, theres a lot of noise and lots of distortion these days, but always trust your gut and what is right vs what is forced fed, so why not put these thoughts to music, so while we wait for the next record, we decided to drop this heavy hitter, spread it an enjoy!”

The single was recorded earlier this year at JFD Studios in Dallas, TX and Studio City, CA as well as The Cabin in Orlando, FL and Silver Black Studio, Laval, QC, Canada. ‘The Rabbit Hole’ was produced, mixed, and mastered by the band’s very own J-F Dagenais.

Watch the visualizer video for the learning anthem of rebellion ‘The Rabbit Hole’ which was created by Ingo Sporl at Hard Media HERE

Stream ‘The Rabbit Hole’ HERE

KATAKLYSM live:

25.07.25 SI Tolmin @Tolminator Festival
26.07.25 AT Vienna @ Metal Fields
29.07.25 DE NΓΌrnberg @ Hirsch
30.07.25 DE Stuttgart @ Wizemann
31.07.25 DE Dortmund @ Dortmund Deathfest *warm up
01.08.25 DE Rojtzschjora @ Full Rewind Festival
02.08.25 RO Rasnov @ Rockstad Extremefest
07.08.25 DE Aschaffenburg @ Colos-Saal
08.08.25 UK Derbyshire @ Bloodstock Festival
09.08.25 CZ Jaromer @ Brutal Assault Festival
10.08.25 DE Munich @ Backstage
12.08.25 DE Karlsruhe @ Substage
14.08.25 FR Carhaix @ Motocultor Festival
15.08.25 CH Cudrefin @ Rock the Lakes Festival
16.08.25 DE Sulingen @ Reload Festival
17.08.25 NL Eindhoven @ Dynamo open air

KATAKLYSM is:

Maurizio Iacono | Vocals
Jean-FranΓ§ois Dagenais | Guitar
Stephane Barbe | Bass
James Payne | Drums

Deep Dive into the Universe of Kataklysm: 🎧

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πŸŽ§πŸ‡ΈπŸ‡ͺTHE NORTHERN TERRITORIES: “A Star in Orbit Still” Album Out Now + Lana Del Rey Cover Video! 🎧

The Northern Territories celebrate today’s release of their new album, “A Star in Orbit Still,” with a new video single cover of Lana Del Rey’s “Say Yes to Heaven.” This acclaimed album, their fourth full-length, has already been hailed as ‘The Album of the Month’ in the renowned German magazine Orkus!

After a record-breaking hiatus of 25 years, THE NORTHERN TERRITORIES are back for good. The Swedish melancholic synth duo has used the time well to hone their musical prowess and to think hard about how they wanted their unique sound to come across in the present. As a result of this intense thought process, the stunning album “A Star in Orbit Still” combines everything that made the band great and generated a dedicated and loyal following that eagerly awaited their return during all those years with a contemporary sound design.


Channeling their trademark melancholy and Nordic knack for captivating melodies, THE NORTHERN TERRITORIES did not even shy away from covering LANA DEL REY’s iconic track ‘Say Yes to Heaven’ and to make it theirs. When the Swedish duo disbanded after the release of their third full-length “Satellite People” in 1999, they left behind many a broken heart in the electronic music scene that was mourning the loss of a one of a kind band with a unique sonic appearance. THE NORTHERN TERRITORIES’ combination of outstanding songwriting with a strong melancholic Nordic tint as well as semi-acoustic, semi-electronic instrumentation created their very own version of a dreampop soundscape. With β€œA Star in Orbit Still’, THE NORTHERN TERRITORIES are not just back on track as if nothing happened in the years of their absence, but the Swedes return on top of their game and fully ready to climb new peaks!

THE NORTHERN TERRITORIES comment: β€œThe video for our cover of Lana Del Rey’s ‘Say Yes to Heaven’ consists of footage that we have lifted from our first ever video clip “Midnight Ambulance”, which we shot in Stockholm during the summer of 1994,” vocalist and multi-instrumentalist John Alexander Ericson explains on behalf of the duo. “We have not released an album in 25 long years, so it made sense to us to include these images as a nod to our past and as a reminder to ourselves and to others about how it all started.”

When the Swedish duo disbanded after the release of their third full-length “Satellite People” in 1999, they left behind many broken hearts. Now, after a record-breaking hiatus of 25 years, THE NORTHERN TERRITORIES are back! “A Star in Orbit Still” was released today by Dependent Records of Germany and is available in a 48-page artbook 2 CD edition along with all streaming and digital platforms.

“Say Yes to Heaven” video HERE


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🎧🎢 SIGH Reimagines a Masterpiece: “I Saw the World’s End – Hangman’s Hymn MMXXV” Unleashed June 13th! 🎧 – πŸ’€

Japanese black metal legends Sigh are celebrating an incredible 35 years of pushing extreme music’s boundaries! With a dozen studio albums, countless global performances, and an unwavering dedication to sonic evolution, they’ve rightfully earned their place as one of metal’s most revered and influential cult acts.

To mark this monumental anniversary, Sigh has turned its gaze back to their 2007 opus, “Hangman’s Hymn.” This album was a compositional tour de force, notable as Sigh’s first concept album, famously weaving aggressive ’80s thrash influences (think Wehrmacht, Sarcofago, Repulsion) with complex classical arrangements, particularly inspired by German symphonies. However, “Hangman’s Hymn” never quite met the band’s own exacting standards in terms of its original execution and production.

Frontman Mirai Kawashima has personally undertaken the ambitious task of rectifying this. He’s meticulously re-recorded this intricate, at times overlooked masterpiece with Sigh’s current lineup and modern production sensibilities. The result is the newly titled “I Saw the World’s End – Hangman’s Hymn MMXXV,” set to drop on Peaceville on June 13th.

Mirai himself sheds light on the project’s genesis: “β€œHangman’s Hymn”, which was released in 2007, is one of my best compositions of my whole career, but it does not necessarily mean that this is my favorite Sigh album. The excessively monotonous drumming must be the biggest issue. The guitars are sloppy. The production is far from the best. And my orchestrations and vocals could have been much better. So what if we re-record this with better musicians and today’s production? The idea was always in my head, and finally the time has come to make it happen. I do know that re-recording can be the double-edged sword. β€œScorn Defeat” has some flaws. So does β€œImaginary Sonicscape”. But I will never ever re-record those albums as I am sure that it would lose their magic. But β€œHangman’s Hymn” is an exception. You can easily tell what I mean if you listen to this completely re-recorded version.”

With Nozomu Wakai on guitar and the formidable Mike Heller returning on drums, “I Saw the World’s End – Hangman’s Hymn MMXXV” is poised to be Sigh’s fiercest, most brutal, and most symphonic album to date. The flawless delivery from the new members, coupled with fresh orchestration featuring real orchestral instruments, brings an entirely new dimension to the work. The album’s enhanced production, courtesy of Lasse Lammert, and striking cover artwork by Eliran Cantor, complete this monumental re-imagining.

About SIGH:

Japanese black metal pioneers Sigh originally formed in 1989/1990. Their genre-defining debut, ‘Scorn Defeat,’ arrived in 1993 via Euronymous’ Deathlike Silence Productions. With each subsequent release, Sigh solidified their reputation as one of Japan’s most influential and revered metal exports. Their career has been a captivating journey through the strange and the psychedelic, eclectically incorporating a vast mix of genre styles and relentless experimentation. Sigh has consistently remained a vital creative force in the avant-garde metal landscape while fiercely maintaining their old-school roots, as powerfully demonstrated by their stellar 2022 album, ‘Shiki.’

Photo Credit: Itsutaka Takusagawa

“I Saw the World’s End – Hangman’s Hymn MMXXV” Tracklist:

  1. Introitus / Kyrie (MMXXV)
  2. Inked in Blood (MMXXV)
  3. Me-Devil (MMXXV)
  4. Dies Irae (MMXXV)
  5. The Master Malice (MMXXV)
  6. The Memories as a Sinner (MMXXV)
  7. Death with Dishonor (MMXXV)
  8. In Devil’s Arms (MMXXV)
  9. Overture (MMXXV)
  10. Rex Tremendae / I Saw the World’s End (MMXXV)
  11. Salvation in Flame / Confutatis (MMXXV)
  12. Finale: Hangman’s Hymn / In Paradisum / Das Ende (MMXXV)

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SUICIDE COMMANDO Unveils “FINAL STAGE” EP (Out July 18) – First Single “DE WEG” Drops June 5! 🎧 – πŸ’€

Belgian electro-industrial pioneer Suicide Commando is set to unleash their powerful new EP, “Final Stage,” on July 18, 2025, via Out Of Line Music. Available on limited edition CD and transparent red vinyl, this release is a raw, stripped-down, and uncompromising return to the project’s roots, embodying a ferocious essence.

“Back to the essence, back to the core! No compromises, no frills, no stupid fashion show…” states Johan Van Roy, emphasizing the EP’s focused intensity.

A Modern Reinterpretation of a Classic

This six-track EP isn’t just a trip down memory lane; it’s a complete transformation. “Final Stage” features five radically reimagined versions of tracks from Suicide Commando’s influential 1994 debut album, Critical Stage. These aren’t mere remixes, but full-scale modern reinterpretations designed to showcase how Critical Stage would sound if crafted with today’s cutting-edge production, all while retaining its classic aggression.

The EP also includes “De weg,” a significant milestone as the first Suicide Commando song ever performed in Johan Van Roy’s native Dutch. Fans won’t have to wait long for a taste of this new material, as “De weg” will be released as the first single on June 5, 2025.

Pre-Order “Final Stage” HERE

Pre-save “De weg” HERE

Tracklist – Final Stage EP:

  1. Where Do We Go From Here? [Final Stage]
  2. H.I.V.+ [Disease Disease]
  3. Traumatize [Shaking 2025]
  4. Fate [Death is Coming… Again!]
  5. Necrophilia [Body to Body]
  6. De weg

Upcoming Live Dates – Suicide Commando 2025:

  • May 24 – Mexico City, Mexico
  • May 25 – Tijuana, Mexico
  • May 27 – Denver, CO (USA)
  • May 28 – Seattle, WA (USA)
  • June 27 – VΓ€nersborg, Sweden
  • June 28 – Izegem, Belgium
  • July 20 – Cologne, Germany
  • August 22 – Leiria, Portugal
  • September 05–07 – Deutzen, Germany
  • September 12 – Karlsruhe, Germany
  • September 13 – Lindau, Germany
  • October 11 – Montreal, Canada
  • November 08 – Liberec, Czech Republic
  • November 14 – Hameln, Germany
  • November 15 – WeissenhΓ€user Strand, Germany
  • December 27 – Langen, Germany

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πŸŽ§πŸ’€ Portland Black/Death Metal Force DROUTH Unleashes “The Teeth of Time” Album + US Tour Kicks Off May 31st! 🎧 – πŸ’€

Prepare for a sonic onslaught from Portland’s burgeoning black/death metal entity, DROUTH, as they unleash their highly anticipated third full-length album, “The Teeth of Time,” today via Eternal Warfare Records!

“We are proud to present The Teeth of Time, a culmination of several years of blood, sweat and pain. It is a nightmare made manifest, and we are both eager to share our creative work and grateful to the many people who helped make it possible,” states the band DROUTH.

“The Teeth of Time,” the long-awaited follow-up to their acclaimed 2020 release, “Excerpts From a Dread Liturgy,” is a true sonic mind-melter. Brace yourself for a potent blend of searing death metal and vicious black metal, as evidenced on crushing tracks like “False Grail” and the title track itself. Step through the portal and experience one of the year’s most intensely rewarding records.

Purchase/Stream “The Teeth of Time”


Stream on YouTube

“The Teeth of Time” Tracklist:

  1. Hurl Your Thunderbolt Even Unto Death
  2. False Grail
  3. The Teeth of Time
  4. Through a Glass, Darkly
  5. Exult, Ye Flagellant

But the darkness doesn’t end with the album! DROUTH is also embarking on a US Spring Tour, starting May 31st:

DROUTH Tour Dates:

May 31 – Portland, OR – High Water Mark
June 2 – Salt Lake City, UT – Ace’s High Saloon
June 3 – Colorado Springs, CO – What’s Left Records
June 4 – Denver, CO – Hi Dive
June 6 – Minneapolis, MN – Zhora Darling
June 7 – Milwaukee, WI – Sabbatic
June 8 – Indianapolis, IN – Black CIrcle
June 9 – Chicago, IL – Reggies
June 10 – Wichita, KS – Kirby’s Beer Store
June 12 – Denton, TX – Dan’s Silverleaf
June 13 – Dallas, TX – Double Wide
June 14 – Austin, TX – The 13th Floor
June 16 – El Paso, TX – Love Buzz
June 17 – Albuquerque, NM – Sister Bar
June 18 – Flagstaff, AZ – Monte Vista Lounge
June 19 – Los Angeles, CA – Eli’s Mile High Club
June 21 – Eureka, CA – Savage Henry Comedy Club

Credit: Jason DeSomer

About DROUTH:

Formed in Portland in 2012 (originally as Contempt), DROUTH has been stirring the local scene with their powerful concoction of black metal, death metal, doom, and crust. Following their 2014 EP “Skinwalker,” 2015’s “Vast, Loathsome” EP, and the albums “Knives, Labyrinths, Mirrors” (2017) and “Excerpts From a Dread Liturgy” (2020), “The Teeth of Time” marks their most crushing offering yet. Recorded and mixed with the legendary Billy Anderson (Neurosis, Cattle Decapitation) and mastered by Justin Weis (Agalloch, Hammers of Misfortune), this five-track behemoth delivers 40 unrelenting minutes of vicious and melodically adventurous black/death metal.

DROUTH is:

Matt Stikker: Guitar, vocals, lyrics
Patrick Fiorentino: Drums
John Edwards: Guitar, vocals
Matt Solis: Bass

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πŸŽ§πŸŒƒ SPANKTHENUN – “PANOPTIKON” (Feat. Remixes by CVRBON DECVY & Melody Whore): Enter the Surveillance Trance! 🎧 – πŸ’€


SPANKTHENUN, alongside twisted re-imaginings from CVRBON DECVY and Melody Whore, has just unveiled “PANOPTIKON,” a chillingly captivating 4-on-the-floor electro experience. This track serves as an ominous sonic tribute to Dallas’s iconic Panoptikon club, pulling you into its shadowy embrace.

“PANOPTIKON” ensnares the listener with its relentless surveillance beats and a haunting, unforgettable refrain (“See me now, see forever, PANOPTIKON”). You’re drawn into a world of neon grids and pulsing rhythms, where the infectious groove becomes your captor. As shadows writhe and the intensity builds, the very notion of freedom seems to slip away within this hypnotic soundscape.

Adding further layers to this digital menace, the release features compelling and distorted remixes from the sonic architects CVRBON DECVY and Melody Whore. Each remix amplifies the track’s inherent darkness and technological dread, offering unique and unsettling perspectives on SPANKTHENUN’s original vision.

Experience the captivating darkness of SPANKTHENUN’s “PANOPTIKON”: [Link to where the release can be found will be added if available]

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🎧 AESTHETISCHE – “Selling Fear” EP: Brazil’s EBM Titans Unleash a Wake-Up Call for a World on the Brink! 🎧 – πŸ’€

From the vibrant heart of Brazil emerges AESTHETISCHE, the formidable EBM duo led by Gui Pires and Fab Viscardi, delivering a powerful sonic statement for 2025: the “Selling Fear” EP. In a reality increasingly fractured by the weight of misinformation, manipulative media, and escalating socio-political tensions, this new EP strikes with the urgency of a pounding alarm – a defiant and vital soundtrack for an era teetering on the edge.

With “Selling Fear,” AESTHETISCHE channels their signature fusion of precise electronic craftsmanship and raw, gritty intensity into six fiercely sharp tracks. These sonic creations artfully straddle the line between potent protest anthems and irresistible dance floor weapons. Drawing inspiration from the iconic legacies of FRONT LINE ASSEMBLY and the “Tyranny For You”-era FRONT 242, the duo seamlessly blends abrasive industrial textures with compelling melodic EBM grooves – a potent combination of visceral energy and intellectual depth.

From the aggressive rhythmic onslaught of the title track itself to its intriguing reinterpretations, “Selling Fear” provides multiple angles on a central, undeniable truth: resistance is not optional, and silence equates to complicity. The EP also features a fresh and impactful 2025 rework of “Everything Ends,” transforming last year’s original into a hard-hitting, club-ready anthem.

This is more than just an EP; “Selling Fear” is a sonic manifesto. AESTHETISCHE issues a rallying cry to all sonic dissidents: confront the overwhelming noise, decipher the pervasive lies, and transmute fear into the very fuel for change.

Let the machines articulate the message – and let the unvarnished truth resonate.

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🎧 STAHLGEIST’s “Justice”: A Crash Course in EBM Mayhem (Out June 13th, 2025 – Detention Recommended!) 🎧 – πŸ’€

Hailing from the heart of Hungary and wielding powerful rhythms comes STAHLGEIST, the nation’s prime purveyors of Electronic Body Music. Their latest decree, “Justice,” isn’t just an album; it’s a 13-track sonic sentencing that proves their recent “Silence” EP was merely a polite cough before a full-throated roar. The masterminds behind this auditory arraignment are IstvΓ‘n Gazdag (also known for FIRST AID 4 SOULS and FIRST AID TECH) and the vocal prosecutor TamΓ‘s Bank (of WORKER MUNKAS and INTERZONE INC.). Together, they’ve crafted their most rigorously engineered and brutally effective record to date – a dance floor demolition expertly produced and as shadowy as an oil slick in a moonless night.

Prepare for a journey that begins with the wailing sirens of the opening track, “Justice,” navigates the darkly melodic highways of “Bad Galaxy,” slams you with the percussive force of the club hit “Boots On The Ground,” and finally leaves you in the stark quietude of “Silence.” This album cleverly synthesizes the militant drive of vintage NITZER EBB, the catchy synth lines of AND ONE, the sonic venom of LEAETHER STRIP, and the precise impact of FRONT LINE ASSEMBLY, all while retaining STAHLGEIST’s distinct Central European edge. Gazdag’s production achieves a crystalline clarity within a darkly textured soundscape, while Bank’s vocals deliver biting accusations against societal ills, urban decay, and even divine comeuppance.

Forged over three years, “Justice” stands as STAHLGEIST’s artistic creed: no backing down, no leniency, just pure power channeled through compelling beats. If your musical tastes align with the classic sounds of FRONT 242 (circa 1985), the relentless intensity of :WUMPSCUT:, the early melodicism of AND ONE, or the stark aggression of NITZER EBB, then prepare to have your speakers thoroughly interrogated.

The final verdict? Unquestionably guilty of inciting total dance floor pandemonium. Initiate playback and feel the sonic gavel fall!

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πŸŽ§πŸ”Š Chainreactor Unleashes the “Roar” via ProNoize! Experience the Sonic Onslaught Here! 🎧 – πŸ’€

ProNoize, purveyors of hard-hitting electronic sounds, has just unleashed the latest sonic assault from Chainreactor: “Roar”! Prepare for an intense auditory experience that lives up to its powerful title.

Chainreactor is known for their uncompromising approach to industrial and dark electronic music. Expect heavy, distorted beats, menacing synth lines, and a relentless energy that often evokes themes of dystopia, technology, and inner turmoil. A release on ProNoize further solidifies their commitment to delivering high-octane sonic landscapes for discerning listeners of the genre.

“Roar” likely embodies these characteristics, promising a track (or EP/album, depending on the context of “single” in ProNoize’s announcements) filled with the signature Chainreactor sound. It’s an invitation to immerse yourself in a world of powerful rhythms and dark atmospheres.

For those who crave the harder edges of electronic music and appreciate the sonic intensity of Chainreactor, the call to check it out here is an unmissable directive. Prepare for the “Roar”!

Deep Dive into the Universe of Chainreactor and Explore the sonic landscape of ProNoize:
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πŸŽ―πŸ”— MARI KATTMAN Fires “Sharp Shooter” Today! New Album “Year Of The Katt” Locked for June 20th! πŸŽ§πŸ–€



The captivating electronic musician and vocalist Mari Kattman, known for her integral role in the duo Helix and her compelling solo work, unleashes her brand new single, “Sharp Shooter,” today, Friday, May 16th, 2025, via Metropolis Records. This electrifying track serves as the second tantalizing glimpse into her upcoming full-length solo debut for the label (and third overall), aptly titled “Year Of The Katt,” which is slated for release on June 20th.

“‘Sharp Shooter’ explores the theme of an intelligent soul that navigates to painful circumstances for the chance to grow. No shots missed,” states Kattman, hinting at the track’s blend of introspective depth and sonic precision. The single follows her recent release, “Anemia,” a track that drew a stark parallel between vampiric exploitation and the debilitating weakness often experienced by those living with the condition.

Regarding the upcoming “Year Of The Katt” album, Kattman reveals the intensely personal journey of its creation: β€œFinishing it was a truly herculean effort. It was an album completely recorded, composed and produced by myself, so there were a lot of learning curves and things I needed to sort out before I was truly happy with the end product. I feel relief and enormously proud that I got it done.” This self-sufficient approach underscores Kattman’s artistic vision and unwavering dedication to her craft.

A prominent figure in today’s electronic music landscape, Mari Kattman has been a dynamic force since 2012, consistently writing, recording, producing, and performing her unique sonic creations. Her impressive resume boasts collaborations with a veritable who’s who of the scene, including Assemblage 23, Mesh, Ivardensphere, Jean-Marc Lederman, Psy’Aviah, Aesthetiche, Neuroticfish, BlackCarBurning, Cassetter, This Morn Omina, Solitary Experiments, Mephisto Walz, Aiboforcen, and Interface, showcasing her remarkable vocal versatility.

However, Kattman’s extensive vocal contributions for these esteemed acts only hint at her own considerable talents as a songwriter and producer. Previous singles such as β€˜Fever Shakes’, β€˜URGOD.AI’ and β€˜Swallow’ have already demonstrated her knack for crafting irresistibly catchy electronic songs, tailor-made for the dance floor, where elements of Trap, Hip Hop, Electro, Ambient, EBM, and Industrial music seamlessly intertwine with her powerfully distinctive voice. “Sharp Shooter” promises to be another bullseye in her expanding sonic arsenal, further solidifying her position as a compelling and innovative artist.

Lock onto Mari Kattman’s “Sharp Shooter” now: [Stream/Download/Bandcamp Links Will Be Added Upon Release]

Pre-save Mari Kattman’s “Year Of The Katt” album: [Bandcamp Link Will Be Added]

“Year Of The Katt” Tracklisting:

  1. Typical Girl
  2. Sharp Shooter
  3. Take
  4. Ascending
  5. Anemia
  6. Little Bullet Girl
  7. PunisHER
  8. The Worst
  9. Take Myself Back
  10. Pain

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βœ¨πŸ•―οΈ AURI Illuminates the Path with New Album “III – Candles & Beginnings” + European Tour Announced! Watch “Shieldmaiden”! πŸŽ§πŸ’€

The ethereal trio known as AURI, guided by the celestial voice of Johanna Kurkela, the sonic landscapes of Tuomas Holopainen, and the instrumental artistry of Troy Donockley, is set to release their long-awaited third studio album, “III – Candles & Beginnings,” on August 15, 2025. Prepare to be transported to a world that defies genre, a realm where folk, progressive, and symphonic elements intertwine with touches of world, pop, and avant-garde influences.

“III – Candles & Beginnings” promises an immersive journey for the senses, a testament to AURI’s unique ability to weave intricate sonic tapestries. The creative process for this new chapter began in 2023, following the completion of Nightwish’s “Yesterwynde” album. Troy composed in the serene landscapes of Yorkshire, while Tuomas and Johanna crafted melodies and lyrics from their home in Kitee, Finland, bridging worlds both musically and geographically.

As a first glimpse into AURI’s evolving soundscape, the hauntingly beautiful lead single “Shieldmaiden” is available now, accompanied by a stunning cinematic video directed by Ville LipiΓ€inen. Troy Donockley describes the track as “a mysterious song, obscured by its own slow rising power. Auri thrives on mystery and ambiguity so all is well…”

Watch the mesmerizing video for “Shieldmaiden”:

Listen to the enchanting “Shieldmaiden”: https://auri.bfan.link/shieldmaiden

Pre-order your passage into “III – Candles & Beginnings”: https://auri.bfan.link/iii-candles-beginnings

“III – Candles & Beginnings” will be available in the following formats:

  • CD Jewelcase, 20-page booklet
  • CD Earbook, 36-page booklet – limited edition!
  • 2 LP Gold, 16-page booklet
  • 2 LP Green/White/Dark Green Splatter, 16-page booklet

For the first time, AURI will embark on a live European tour, bringing their ethereal soundscapes to the stage.

AURI – A Trail Of Candles & Beginnings – European Tour 2025:

  • 13.08. FI Kitee, Kiteesali
  • 14.08. FI Kitee, Kiteesali
  • 16.08. FI Tampere, Tampere-talo
  • 20.08. FI Oulu, Madetojan Sali
  • 22.08. FI Vaasa, Ritz
  • 23.08. FI Helsinki, Helsinki Festival / Huvilateltta (+ Eye Of Melian)
  • 12.09. UK Manchester, RNCM Theatre
  • 13.09. UK Edinburgh, Queen ́s Hall
  • 15.09. UK London, Union Chapel
  • 16.09. BE Gent, Theaterzaal Vooruit
  • 17.09. FR Paris, La Cigale (+ Eye Of Melian)
  • 18.09. NL Utrecht, Tivoli Vredenburg (+ Eye Of Melian)
  • 20.09. CH ZΓΌrich, Volkshaus
  • 21.09. DE Stuttgart, Liederhalle
  • 22.09. DE Cologne Theater am Tanzbrunnen (+ Eye Of Melian)
  • 23.09. DE Essen, Lichtburg
  • 25.09. DE Mannheim, Capitol
  • 26.09. DE Munich, St. MatthΓ€uskirche
  • 27.09. AT Vienna, Simm City
  • 29.09. HU Budapest, MOM Kult
  • 30.09. CZ Prague, Hybernia
  • 01.10. DE Berlin, Passionskirche
  • 02.10. DE Leipzig, Kupfersaal
  • 04.10. PL Warsaw ,Palladium
  • 06.10. DE Hamburg Laeiszhalle
  • 07.10. DK Copenhagen, Amager Bio
  • 08.10. SE Stockholm, Nya Cirkus
  • 09.10. NO Oslo Sentrum Scene
  • 10.10. NO Bergen Grieghallen

Tickets for this extraordinary journey are available at: linktr.ee/auri.band

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πŸŒ‘πŸ”— Obscura Secta’s “Crux Aeternum” – A 16-Minute Descent into Eternal Darkness, Unleashed by Room 23 Music! Explore the Relic Here! πŸŽ§πŸ–€

Room 23 Music has just unearthed a sonic artifact of profound darkness: “Crux Aeternum” by the enigmatic entity known as Obscura Secta. This isn’t merely a release; it’s a 16-minute invocation, a journey into a darkness not defined by the absence of light, but born from within – a seeping, sentient, and seemingly eternal presence. Prepare to tread the threshold between utter desolation and a terrifying form of revelation.

Obscura Secta emerges from the shadows, unbound by conventional reference, with “Crux Aeternum” unfolding across three distinct and unsettling movements. The first, “Ex Solis Umbra” (From the Shadow of the Sun), crawls forth with low-frequency pulses, the last vestiges of warmth extinguished by an unseen and total eclipse. It’s a slow, creeping dread that settles deep within the listener.

The second movement, “Via Lucida” (The Lucid Way), offers no true clarity or illumination. Instead, it presents only the agonizing flicker of brief insight, moments of piercing awareness that serve only to amplify the surrounding darkness. There is no comfort to be found on this path, only the stark reality of a fractured perception.

Finally, the concluding movement, “Lux Occulta” (The Hidden Light), delves into the buried truth, the secrets that fester beneath the surface. Here, the veil between worlds tears, and the silence between the carefully placed tones becomes almost unbearable, pregnant with unspoken dread and the weight of hidden knowledge.

“Crux Aeternum” is presented not as a mere musical release, but as a relic – a sonic document chronicling a slow, inexorable decay and a holy dread that permeates every frequency. This is an experience for those who dare to confront the abyss and find a strange form of resonance within its depths.

Embark on the 16-minute descent into Obscura Secta’s “Crux Aeternum”: [Link to where the release can be found will be added if available]

πŸŒ‘πŸ”— Dilemma Unveils Haunting “The Gift (that Keeps on Giving)” + Pixelgrinder & The Anix Remixes! Out Today via Outer Darkness Records! πŸŽ§πŸ–€

Dilemma, the darkly captivating project forged in the shadows by producer Alex Elias, is releasing its most emotionally resonant single to date, β€œThe Gift (that Keeps on Giving),” today, May 14th, 2025, via Outer Darkness Records. This intensely brooding track plunges listeners into a soundscape that is both exquisitely tormented and deeply personal, serving as a melancholic reflection on the visceral realities of enduring chronic pain.

β€œThe Gift (that Keeps on Giving)” exists in the liminal space between a gothic lament and an industrial outpouring, drawing its power from the profound wellspring of emotional and physical struggle. The lyrics possess a sharp, almost painful beauty, cutting through the sonic darkness like shards of glass beneath a shattered moonlit sky. The poignant line, β€œand those moments of reprieve, fleeting but pristine, I treasure them as true gift without irony,” lies at the heart of the track’s ironically titled name, encapsulating its bittersweet and deeply human message.

This already powerful single is further amplified by the inclusion of two compelling remixes, each offering a unique perspective on Dilemma’s haunting original:

Pixelgrinder, a formidable force also residing within the Outer Darkness Records stable, injects his signature cybernetic precision into the track, crafting a grinding and deliciously relentless reinterpretation that will resonate with fans of intricate electronic sequencing.

Brandon Smith, the electronic rock visionary behind The Anix and a 20-year veteran of the industry, contributes a masterclass in melancholic extraction. He artfully distills the original’s sorrowful waves, juxtaposing them with an elegy of solemnity and fragile hope, creating a beautifully nuanced sonic tapestry.

β€œThe Gift (that Keeps on Giving)” masterfully showcases Dilemma’s ability to seamlessly blend brooding vulnerability with moments of industrial aggression, offering a cathartic release for anyone who understands the often-invisible battles fought against chronic pain, whether experienced firsthand or witnessed in a loved one.

For media inquiries regarding playlist placement, blog features, or interviews, please direct your correspondence to MGMT.DilemmaIndustrial@Protonmail.com.

Immerse yourself in Dilemma’s “The Gift (that Keeps on Giving)”: [Download Link: Dilemma – The Gift (that Keeps on Giving)] [Download Code: tljf-brbn]

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πŸŒ‘πŸ”— Slichtnacht’s “Hate Of Shadows” Unleashed by Acid Bath Records! Dive into the Darkness Here! πŸŽ§πŸ–€

From the shadowy corners of the underground, Acid Bath Records has just delivered a new sonic offering: “Hate Of Shadows” by the enigmatic artist Slichtnacht. For those who crave the darker frequencies and the unsettling beauty found within them, this release promises a descent into captivating sonic landscapes.

While direct information about Slichtnacht and “Hate Of Shadows” might be lurking in the deeper recesses of the web, the very name “Acid Bath Records” carries a certain weight and expectation within the realms of dark and experimental music. Known for unearthing and showcasing artists who delve into the more abrasive, atmospheric, and often unsettling sonic territories, a release on this label suggests a journey into soundscapes that are far from the mainstream.

“Hate Of Shadows” likely explores themes and sonic textures that resonate with the label’s established aesthetic. Expect potentially heavy atmospheres, perhaps industrial undertones, or a foray into the more experimental fringes of electronic or dark ambient music. The title itself hints at a confrontation with inner darkness or the shadowy aspects of existence.

For those intrigued by the sonic alchemy conjured by Acid Bath Records and the enigmatic presence of Slichtnacht, the call to “check it out here” is an invitation to plunge into the unknown. Be prepared to explore soundscapes that may challenge, provoke, and ultimately captivate those with a taste for the audibly obscure and the emotionally resonant darkness.

Venture into the shadows of Slichtnacht’s “Hate Of Shadows”: [Link to where the release can be found will be added if available]

πŸ–€πŸ₯€ TANGERINE CAT’s “Grief” Unleashed: A Testament to Perseverance, Available Now! πŸŽ§πŸ’€

From the depths of their creative core, the duo known as Tangerine Cat (Zhenia and Paul) have unveiled their latest offering, the profoundly moving album “Grief.” Released into the world today, this collection of soundscapes is described by the artists as their most honest and passionate work to date, a raw and unfiltered exploration of the human experience now ready for you to embrace.

“Grief” isn’t just an album; it’s an intimate journey, a sonic tapestry woven with threads of vulnerability and strength. Tangerine Cat has poured their hearts and souls into this creation, and now they extend it to their listeners, hoping that its resonance will offer solace, understanding, or perhaps simply a moment of profound connection.

For those who appreciate the tangible beauty of physical media, “Grief” is available in a limited edition run of green and black vinyl, as well as on CD. Digital download options are also available for immediate immersion. To further commemorate this deeply personal work, Tangerine Cat has also released unisex and women’s t-shirts, allowing you to wear your connection to this powerful album. For the ultimate experience, bundles combining music and merchandise are also on offer.

This release is indeed a limited affair, adding a sense of urgency for those who desire a physical piece of “Grief.” As of this moment, less than half of the initial run of 300 green vinyl records remain, and half of the 200 black vinyl records have already found their way to eager listeners. The uniquely designed “women’s” t-shirts are also in scarce supply. For those who pre-ordered, rest assured that your packages have already embarked on their journeys across the globe.

Tangerine Cat expresses their heartfelt gratitude for the unwavering support they have received and humbly requests your assistance in spreading the word about “Grief.” They also extend an invitation to connect with local venues, festivals, and promoters if you wish to experience the raw emotion of “Grief” performed live. Their message is one of empowerment and hope: “We have power to change things and create miracles!”

The profound impact of “Grief” has already been recognized, with Andy Brown of Louder Than War eloquently stating: “‘Grief’ is the sound of perseverance, the triumph of art and the human spirit in the face of adversity.” This powerful endorsement speaks volumes about the album’s ability to connect with the deepest aspects of the human condition.

Embrace the sonic landscape of “Grief”: Tangerine Cat Official Shop

Immerse yourself in the tracks and the album’s narrative:
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πŸŒƒπŸ’€ BOOTBLACKS Illuminate the Night with Neon-Drenched Single “Leipzig”! Pre-Order “Paradise” Album Now! πŸ’ΎπŸ–€

From the pulsating heart of Brooklyn, Bootblacks, sonic architects of the night, have dropped their latest electrifying single, “Leipzig,” a neon-drenched anthem beamed directly to your auditory cortex via Artoffact Records. This track isn’t just music; it’s a journey into the glittering, synthetic soul of the late 20th century’s nightclub futurism, a soundtrack for lost souls finding fleeting connection under strobing lights.

“Leipzig” finds Bootblacks at their most kinetically charged, a raw machine driven by punchy, aggressive basslines and manic arpeggiation. Adding an unexpected layer of human warmth and soulful grit is Oskar Carls of Viagra Boys, whose saxophone weaves through the synthetic landscape like a lost memory in a digital dream. This isn’t just a song that soundtracks the club; it is the club – the sweat-slicked dance floor, the fleeting glances, the whispered confessions in smoke-filled corners, and the bittersweet ache of love found and lost before the morning’s harsh glare.

As the track unfolds, the interplay of light and darkness becomes a central theme: “Light, light, light / Washes over you / Night, night, night / What it takes from you.” “Leipzig” transcends mere club banger status, evolving into a meditation on the delicate balance of connection – what we willingly give away in the pursuit of another’s gaze, and what ethereal essence remains when the final beat fades into the silence of dawn.

For those who’ve been entranced by Bootblacks’ frenetic live performances across North America and Europe since their formation in 2010, “Leipzig” is a potent distillation of their core essence: a captivating balance of introspective depth and buoyant energy, a sound that simultaneously nods to the ghosts of post-punk past while forging a distinctly modern path. Their Artoffact Records debut, 2020’s acclaimed “Thin Skies,” solidified their place as innovators in the scene.

With a sonic evolution that began with their 2012 debut EP “Narrowed” (which included a collaboration with the legendary Jim Sclavunos of Nick Cave & the Bad Seeds), and continued through the post-punk explorations of 2016’s “Veins” and the synth-heavy atmospheres of 2017’s “Fragments,” Bootblacks have consistently defied complacency. “Fragments,” in particular, propelled them onto numerous “best-of” lists and secured their status as a must-see live act, leading to appearances at prestigious festivals like Cold Waves and Wave Gotik Treffen.

Now, with “Leipzig,” Bootblacks offer a tantalizing glimpse into their forthcoming album, “Paradise,” set to bloom on June 13th, 2025, via Artoffact Records. Pre-order your slice of this neon-lit utopia now and prepare to lose yourself in the shimmering soundscapes they’ve crafted.

Listen to the electric pulse of “Leipzig”: Listen Here Revisit the shadows of “Only You”: [Listen Here]([Searching for “Only You” link…]) Pre-order your escape to “Paradise”: [Order Here]([Searching for “Paradise” pre-order link…])

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βš”οΈπŸ”₯ BATTLE BEAST: “Last Goodbye” – A Symphonic Metal Anthem for a World on Fire, Plus European Tour Announced! πŸŽ€πŸ’€

From the frostbitten landscapes of Finland, where even the heavy metal is forged in the heart of a dying sun, Battle Beast, a name that conjures images of both brutal power and soaring melodies, has unleashed their latest single, “Last Goodbye,” a taste of their seventh studio album, set to detonate later this year. With six studio albums already under their studded belts, four of which clawed their way to #1 in their homeland, and a lineup that could shatter glaciers with a single power chord, Battle Beast is not a band content to rest on their laurels. “Last Goodbye” is a testament to their enduring fire, a sonic Molotov cocktail hurled into the face of oblivion.

Eero SipilΓ€, the band’s bassist and a key lyricist, reveals the unlikely genesis of this anthemic track: “The spark for Last Goodbye was lit in the least rock ’n roll place imaginable: a hospital. In 2020, I spent a few weeks there and met an older woman battling cancerβ€”a fight she’d been waging on and off since 1985. It made me wonder: how much can a person take before they give up? But she never did. She kept showing up, kept pushing through the treatments, kept being around. Last Goodbye is a tribute to that human fighting spiritβ€”the will to rise every time life knocks you down. As long as you’re breathing, you’re still in the game.” This personal anecdote adds a layer of raw, human resilience to the band’s already epic sound, a reminder that even in the darkest of times, the will to fight can become a symphony.

“Last Goodbye” is more than just a catchy metal tune; it’s a battle cry for a world teetering on the edge. It’s a reminder that even when faced with insurmountable odds, the human spirit can endure, a theme that resonates deeply with Battle Beast’s signature blend of power and symphonic metal. The track is a potent mix of Noora Louhimo’s soaring vocals, the band’s trademark thunderous riffs, and a melancholic undercurrent that speaks to the fragility of existence.

To further fuel the flames of their impending sonic assault, Battle Beast has also announced a massive European tour, commencing on October 17th, 2025, with a colossal headline show in Hamburg, Germany. Joining them on this metal pilgrimage are Dominum, purveyors of melodic metal mayhem, and Sweden’s rising power metal force, Majestica, ensuring a night of unadulterated metal supremacy.

Listen to the defiant “Last Goodbye”: Battle Beast – Last Goodbye

Witness the apocalyptic visuals: Battle Beast – Last Goodbye (Official Music Video)

Battle Beast – European Tour 2025 – Prepare for the Onslaught:

  • 17-Oct-25 Germany, Hamburg – Inselpark Arena
  • 18-Oct-25 Germany, Berlin – Huxleys Neue Welt
  • 19-Oct-25 Netherlands, Eindhoven – Effenaar
  • 21-Oct-25 UK, Birmingham – O2 Institute
  • 22-Oct-25 UK Manchester – O2 Ritz
  • 23-Oct-25 UK, Bristol – O2 Academy
  • 24-Oct-25 UK, London – O2 ShepherdΒ΄s Bush Empire
  • 25-Oct-25 France, Paris – Elysee Montmartre
  • 26-Oct-25 France, Toulouse – Bikini Toulouse
  • 28-Oct-25 Spain, Madrid – Sala La Riviera
  • 29-Oct-25 Spain, Barcelona – Sala Apolo
  • 30-Oct-25 France, Lyon – Transbordeur
  • 31-Oct-25 Germany, Filderstadt – FILharmonie
  • 01-Nov-25 Germany, Wiesbaden – Schlachthof
  • 02-Nov-25 Belgium, Antwerp – Trix
  • 04-Nov-25 Germany, Hannover – Capitol
  • 05-Nov-25 Denmark, Roskilde – Gimle
  • 06-Nov-25 Sweden, Huskvarna – Folkets Park
  • 07-Nov-25 Sweden, Gothenburg – TrΓ€dgΓ₯rn
  • 08-Nov-25 Sweden, Stockholm – Fryshuset Arenan
  • 09-Nov-25 Norway, Oslo – Rockefeller Music Hall
  • 28-Nov-25 Germany, Leipzig – Felsenkeller – Ballsaal
  • 29-Nov-25 Germany, Nuremberg, LΓΆwensaal
  • 30-Nov-25 Austria, Vienna – Arena Wien
  • 01-Dec-25 Slovakia, Bratislava – Majestic Music Club
  • 02-Dec-25 Hungary, Budapest – Barba Negra Red Stage
  • 03-Dec-25 Slovenia, Ljubljana – Cvetlicarna d.o.o.
  • 05-Dec-25 Germany, Munich – TonHalle
  • 06-Dec-25 Switzerland, Pratteln – Z7 Konzertfabrik
  • 07-Dec-25 Italy, Trezzo sull’Adda – Live Club
  • 09-Dec-25 Switzerland, Lausanne – Metropole
  • 10-Dec-25 Germany, SaarbrΓΌcken – Garage
  • 12-Dec-25 Germany, Oberhausen – Turbinenhalle
  • 13-Dec-25 Czech Republic, Zlin – Sports Hall Datart
  • 14-Dec-25 Poland, Warsaw – Progresja

With their “Circus Of Doom – Live in Helsinki 2023” album, released earlier this year, Battle Beast proved their live prowess is as formidable as their studio recordings. This 117-minute spectacle, captured in their hometown, is a testament to their enduring power and a must-have for any self-respecting metalhead. But rest assured, this is not the end of the tale. Battle Beast is already forging a new chapter, one that promises to be even more explosive, more visceral, and more unforgettable.

Deep Dive into the Battle Beast Wasteland: πŸŽ§πŸ’€

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πŸ€–πŸ’” MINTAGE: “Rag Doll” – A Glitch in the Matrix of Alt-Electro, Now Live via Out Of Line Music! πŸ’ΎπŸ’€


Emerging from the digital sprawl of Berlin, alt-electro newcomer Mintage is injecting a fresh dose of corrupted code into the scene with his second single, “Rag Doll,” released just in time for his inaugural live performance at the Out Of Line Weekender Festival on May 10th, 2025. Signed to Out Of Line Music, Mintage isn’t just making music; he’s crafting sonic viruses that infect your consciousness with a blend of raw emotion and synthesized rebellion. “Rag Doll” is the latest transmission from this artist, a track that pulses with a dark, energetic heart, yet bleeds with the vulnerability of a discarded android.

Watch the “Bad 4 You” Video: Mintage – Bad 4 You (Official Music Video)

“Rag Doll” isn’t your typical synth-pop fluff; it’s a raw data stream directly from Mintage’s fractured psyche. As the artist himself describes it, the track is “a raw confrontation with what it means to be truly connected,” a digital mirror reflecting two conflicting inner voices. One voice seeks solace in unwavering trust, a warmth likened to a cherished (and perhaps malfunctioning) plush companion. The other voice, however, bears the digital scars of abandonment, the cold, hard drive of a discarded toy.

This track isn’t just about catchy hooks and danceable beats; it’s about forcing you to confront uncomfortable questions in the neon-drenched alleys of your own mind. What does it truly mean to be a friend in this hyper-connected, yet utterly isolated world? Do you possess the processing power to accept both the sacrifices and the betrayals that come bundled with loyalty? Mintage doesn’t offer any sugar-coated answers; “Rag Doll” is a stark reminder that genuine connection isn’t a commodity to be bought and sold, but a hard-earned reward, forged in the messy, glitchy reality of human (and perhaps synthetic) interaction.

Listen to the Glitch: https://mintage.lnk.to/RagDoll

Mintage elaborates on the personal source code behind “Rag Doll”: “I wrote this song about a mistake I made. A mistake that might for others not even be one, but for me it was the beginning of a broken friendship. That day I introduced two friends of mine to each other and they got along pretty well – too well. I think we all know this feeling of being replaced, being used by friends you think are loyal to you. But some small situations tell more about a person than any word they could say to you. I am that Rag Doll, only being played with if they’re in the mood. And if there’s a new toy, I might just dust for eternity in that closet.” This raw honesty, this willingness to expose his own vulnerabilities, is what sets Mintage apart from the army of synth-drenched clones flooding the digital airwaves.

Before unleashing “Rag Doll” upon the world, Mintage made significant waves with his previous single, “Bad 4 You,” a track accompanied by a visually arresting video that earned him the title of β€œBest EDM & Dance Music Video” at the Europe Music Video Awards, and an Honorable Mention for Experimental Music Video at the MMVAs. This video, a hyper-industrial fever dream, mirrored the song’s themes of emotional malfunction, fractured identity, and intense introspection, showcasing Mintage’s commitment to creating a complete sensory experience.

With “Rag Doll,” Mintage continues his mission to redefine electronic music, wielding his self-proclaimed “hyperbass” style like a sonic weapon. This genre-bending fusion of dark electro, alternative, and hyperpop, filtered through a lens of raw emotion and avant-garde artistry, is a force to be reckoned with. Mintage isn’t just an artist; he’s a digital architect, building soundscapes that are as unpredictable as they are unforgettable. He’s an artistic anomaly, driven by emotional chaos, fascinated by the bizarre code of human behavior, and fueled by a burning desire for sonic rebellion.

Deep Dive into the Mintage Data Stream: πŸŽ§πŸ€–

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πŸ₯€πŸ’€ GHOST BATH Unleashes “Rose Thorn Necklace”: A Descent into Depressive Black Metal Madness! πŸ–€β›“οΈ

From the desolate plains of North Dakota, a storm of depressive black metal has emerged. Ghost Bath, the sonic entity masterminded by the artist known only as Nameless (aka Dennis Mikula), has unleashed their latest full-length album, “Rose Thorn Necklace,” upon a world already teetering on the brink. Released on May 9th, 2025, via Nuclear Blast Records, this album is not for the faint of heart. It’s a journey into the abyss, a soundtrack for the end times, and a testament to the enduring power of bleakness.

In their twelfth year of existence, Ghost Bath shows no signs of softening their edges. Instead, “Rose Thorn Necklace” sees Nameless (Dennis Mikula), the band’s sole constant member, embracing his most antisocial tendencies, sharpening his sound into a weaponized form of melancholic aggression. This album is a rusty blade, honed to a razor’s edge over years of sonic toil. To further enhance this vision of sonic ruin, the band has also released a visualizer for the track “Vodka Butterfly,” a swirling vortex of bleak imagery and crushing soundscapes.

Watch the visualizer for ‘Vodka Butterfly’ here: Ghost Bath – Vodka Butterfly (Official Visualizer)

Nameless (Dennis Mikula) offered a brief, yet ominous statement regarding the album’s release: “Rose Thorn Necklace is now yours. This latest offering is very special, and we hope you take from it whatever you need.” What you might need, however, may be a strong dose of therapy after immersing yourself in this sonic landscape.

“Rose Thorn Necklace” was forged in the fires of 2024, between January and June. The percussive onslaught was captured by Mike Heller (of Fear Factory fame) at Heaven and Heller Studios, while Nameless (Dennis Mikula) handled the remaining instrumentation in his home studio, creating a stark contrast between the raw power and the introspective darkness. The resulting mix, courtesy of Jack Shirley, is a dense and suffocating experience, perfectly complemented by the haunting cover artwork created by Ksenija Tarasova.

Free from the conceptual constraints of the “Moonlover-Starmourner-Self Loather” trilogy, “Rose Thorn Necklace” sees Nameless (Dennis Mikula) delving into the most intense and introspective corners of Ghost Bath’s sonic palette. Expect blackened blasts, melancholic movements, and a general sense of unease as Ghost Bath drags you, kicking and screaming, into the unknown.

“Rose Thorn Necklace” Track Listing:

  1. Grotesque Display
  2. Rose Thorn Necklace
  3. Well, I Tried Drowning
  4. Thinly Sliced Heart Muscle
  5. Dandelion Tea
  6. Vodka Butterfly
  7. Stamen and Pistil
  8. Needles
  9. Throat Cancer

Formats available:

  • CD Jewel Case
  • LP (Pink Swirl, Red Swirl)

Current lineup of Ghost Bath:

  • Nameless (Dennis Mikula): Vocals, Guitar, Bass, Piano, Synth
  • Mike Heller: Drums
  • Chewie a.k.a. Jason Tjoei: Piano

Purchase & stream ‘Rose Thorn Necklace’: Rose Thorn Necklace

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βš”οΈπŸ›‘οΈ Fantasy Metal Warriors CASTLE RAT Announce New Album “The Bestiary” + 2025 US Tour! πŸ¦‡πŸ’€

Emerging from the creature-infested depths of New York, the epic fantasy heavy metal band CASTLE RAT, led by the formidable “Rat Queen” (Riley Pinkerton), have revealed details for their highly anticipated sophomore album, “The Bestiary,” set to be unleashed on September 19th via a collaborative release from King Volume Records (US) and Blues Funeral Recordings (UK/Europe).

Following their critically acclaimed debut, “Into The Realm,” “The Bestiary” promises 13 spellbinding tracks of mystical metal carnage, brought to life by “The Rat Queen,” “The Count,” “The Plague Doctor,” and “The All-Seeing Druid” in their ongoing battles against “The Rat Reaperess.”

“The Bestiary” was recorded by the renowned Randall Dunn (Sunn O))), Wolves in the Throne Room, BjΓΆrk) and mixed by Jonathan NuΓ±ez (Torche, Restless Spirit), ensuring a sonic journey of epic proportions.

The Rat Queen herself describes the album: “‘The Bestiary’ is a conceptual book of beasts containing a collection of mystical creatures from a world forgotten. The last remaining souls of each have been gathered and preserved by β€˜The Wizard.’ Cautionary tales of each beast and The Wizard himself are woven through the power of traditional heavy metal song and spell.”

The Bestiary Tracklist:

  1. PHOENIX I: Ardent
  2. WOLF I: Tooth & Blade
  3. WIZARD: Crystal Heart
  4. SIREN: The Pull of Promise
  5. UNICORN: Carnage and Ice
  6. PATH OF MOSS
  7. CRYSTAL CAVE: Enshrined
  8. SERPENT: Coiled Figure
  9. WOLF II: Celestial Beast
  10. DRAGON: Lord of The Sky
  11. SUMMONING SPELL
  12. SUN SONG: Behold The Flame
  13. PHOENIX II: Cinerous

In support of “The Bestiary,” CASTLE RAT will embark on “The Book of Beasts Tour” across the US in late summer. Tickets are available for purchase here: https://bnds.us/jnqiyj

CASTLE RATΒ Tour Dates:Β 
Sep 5 – Boston, MA – Sonia
Sep 6 – Elizabethtown, NY – Otis
Sep 7 – Montreal, QC – Piranha Bar
Sep 8 – Toronto, ON – Lee’s Palace
Sep 9 – Columbus, OH – Ace of Cups
Sep 10 – Chicago, IL – Reggies
Sep 12 – Kansas City, MO – The Ship
Sep 13 – Colorado Springs, CO – What’s Left Fest
Sep 14 – Salt Lake City, UT – Urban Lounge
Sep 16 – Seattle, WA – Clockout Lounge
Sep 17 – Portland, OR – Star Theater
Sep 18 – Austin, TX – Fantastic Fest
Sep 20 – Berkeley, CA – Cornerstone
Sep 21 – Los Angeles, CA – Zebulon
Sep 22 – San Diego, CA – The Casbah
Sep 23 – Phoenix, AZ – Last Exit
Sep 24 – Albuquerque, NM – Sister
Sep 27 – Houston, TX – Last Concert
Sep 28 – New Orleans, LA – Gasa Gasa
Sep 30 – Atlanta, GA – The Earl
Oct 1 – Asheville, NC – Eulogy
Oct 2 – Raleigh, NC – Chapel of Bones
Oct 3 – Charlottesville, VA – Southern Cafe
Oct 4 – Baltimore, MD – Ottobar
Oct 5 – Brooklyn, NY – Music Hall of Williamsburg

Edited with Afterlight

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β˜’οΈπŸ’€ CYANOTIC Drops Industrial Cover of Fluke’s “Atom Bomb”! πŸ’₯⛓️

Cyanotic has just unleashed their powerful industrial take on the techno/breakbeat classic “Atom Bomb” by Fluke! You can grab this electrifying cover now on a “pay what you want” basis. They hope you dig their industrial-fueled rendition of this timeless track.

Deep Dive into the Universe of Cyanotic: πŸŽ§πŸ’€

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