Dark Descent Records drops brutal news on the underground metal world
🔥 A Ruthless New Chapter Begins The queens of death metal carnage, Castrator, are back with a blood-soaked vengeance. Dark Descent Records has just announced the band’s newest album, Coronation of the Grotesque — a follow-up destined to leave no flesh unscathed.
💀 Brutality Refined, Feminine Fury Unleashed Known for their unrelenting old-school death metal assault and unapologetic lyrical venom, Castrator’s latest effort looks to be their most ferocious yet. Though details remain grimly minimal, the title Coronation of the Grotesque promises a reign soaked in gore, power, and retribution.
👑 Still Reigning Supreme Following their 2022 full-length Defiled in Oblivion, this new chapter reaffirms Castrator’s place among the most vital forces in death metal today — crushing boundaries and patriarchal bones alike.
Out now via Out of Line Music — a hypnotic twist on their darkwave favorite
Hot off the release of their expansive 19-track opus Purple Pain, death pop trio CORLYX return with a lush new reinterpretation of one of their most beloved tracks. “The Echo (DreamPop Version)” delivers a softer, spectral vibe—wrapping their post-punk heartbeat in dreamy reverb and synth-soaked nostalgia.
From ’80s synthpop to darkwave and alt-rock, Corlyx continue to bend genres and expectations. Fronted by the magnetic Caitlin Stokes, joined by producer/guitarist Brandon Ashley and bassist Davide Rocco, the band splits their time between the UK and Italy, crafting a sound that resonates across continents.
Following high-profile tours alongside Blutengel, Twin Tribes, Unzucht, and collaborations with scene icons like Lord Of The Lost, Massive Ego, and Ashbury Heights, Corlyx’s influence only continues to grow. Their bold vision reached a fever pitch with Purple Pain, their third studio album—a fearless journey through post-punk decay and dreamlike sonic architecture.
🖤 Recently seen storming the stage at Wave-Gotik-Treffen (DE), Corlyx are already gearing up to mesmerize fans again at M’era Luna Festival (DE) later this year.
⚔️ Metal Blade Records Museum Expands Hours & Storefront – A Shrine to Heavy Metal History Now Open Daily!
📍 The Metal Blade Records Museum in Las Vegas just turned the volume up to 11! Starting Friday the 13th, the museum will now be open daily (except Sundays) from 12pm–3pm, inviting metalheads from around the world to experience four decades of heavy metal history in one immersive space. 🎟️ Tickets available HERE
🧱 Even bigger news? The Metal Blade brick-and-mortar store has officially relocated into the museum itself! That means fans can now browse rare vinyl, vintage shirts, out-of-print CDs, and exclusive collectibles while surrounded by iconic artifacts from Slayer, Metallica, Alice Cooper, Deep Purple, Aerosmith, Thin Lizzy, and many more.
🤘 What’s Inside the Museum? Curated from the private vault of Brian Slagel, Metal Blade founder and CEO, the museum features:
Sunset Strip-era flyers and promo posters
Tour props and original stage gear
Album artwork and promo photo shoots
Label-exclusive merch from past and present
Memorabilia from Metal Massacre to Cattle Decapitation
Born from a record store clerk’s passion project in 1982, Metal Blade Records became the engine behind countless legendary bands. Brian Slagel famously helped launch Metallica via Metal Massacre, and went on to shape the careers of Slayer, GWAR, Amon Amarth, Cannibal Corpse, Fates Warning, The Black Dahlia Murder, and dozens more.
In recent years, Metal Blade has celebrated its 40th anniversary with live events, reissues, branded spirits, and a second book from Slagel, Swing of the Blade. The museum is the physical embodiment of that legacy—a love letter to the fans and the genre that continues to evolve and endure.
🎙️ In 2024, the label launched the “100 Songs That Define Heavy Metal” podcast with Pantheon Media, hosted by Slagel himself. Featuring in-depth analysis, historic commentary, and appearances from artists like James Hetfield, Lars Ulrich, and Stephen Pearcy, the show offers an authoritative deep dive into the songs that forged the metal genre.
Witness one of metal’s most iconic albums reborn live — with special guests FEAR FACTORY on select dates!
🔥 CHAOS A.D. LIVE IN FULL THIS FALL Metal legends CAVALERA are gearing up to unleash pure sonic warfare across North America this Fall, performing their groundbreaking 1993 classic CHAOS A.D.in its entirety. The 18-date tour kicks off September 18 at Louder Than Life and storms through cities coast to coast before wrapping October 18 in Dallas, TX. General admission tickets are on sale now — get yours here before they vanish into the mosh pit.
🧠 The Legacy Continues Built on decades of uncompromising aggression, the name CAVALERA remains synonymous with extreme metal royalty. In 2023, Max and Iggor Cavalera defied the odds by resurrecting their earliest works — Morbid Visions and Bestial Devastation — with jaw-breaking re-recordings that channeled the raw intensity of their youth. Their mastery of this sonic time warp set the stage for their next act: breathing new life into CHAOS A.D. — a record still hailed as a defining moment in 90s heavy metal and a Gold-certified masterpiece.
⚔️ Songs That Shaped a Generation Get ready to scream along to anthems like ‘Refuse/Resist,’ ‘Territory,’ ‘Propaganda,’ and ‘Slave New World’ — rallying cries for the outcasts and the defiant. This tour promises not just a performance, but a full resurrection of CHAOS A.D. with all the fire, fury, and force it commanded more than three decades ago.
🤖 Special Guests: FEAR FACTORY Industrial metal pioneers FEAR FACTORY will join select dates — a full-circle reunion, as CAVALERA originally brought them along on the very first Chaos A.D. U.S. tour over 30 years ago. Metal history, reborn.
📅 TOUR DATES — FALL 2025 09/18 – Louisville, KY @ Louder Than Life 09/20 – Hershey, PA @ Hershey Park Stadium w/ SLAYER* 09/21 – Liverpool, NY @ Sharkey’s Event Center 09/23 – Norwalk, CT @ District Music Hall 09/25 – Fort Wayne, IN @ Piere’s Entertainment Center 09/26 – Des Moines, IA @ Val Air Ballroom 09/27 – Hammond, IN @ Horseshoe w/ LAMB OF GOD* 09/28 – St. Louis, MO @ Red Flag 10/01 – Englewood, CO @ Gothic Theatre 10/02 – Salt Lake City, UT @ The Complex 10/05 – Sacramento, CA @ Aftershock Festival* 10/07 – Anaheim, CA @ House of Blues 10/10 – Las Vegas, NV @ House of Blues 10/11 – Tempe, AZ @ The Marquee 10/12 – Albuquerque, NM @ Sunshine Theater 10/16 – Houston, TX @ White Oak Music Hall 10/17 – Austin, TX @ Come and Take It Live 10/18 – Dallas, TX @ Ferris Wheelers Backyard & BBQ *No FEAR FACTORY on these dates
🎸 CAVALERA Lineup Max Cavalera – Vocals, Guitar Iggor Cavalera – Drums, Percussion Igor Amadeus Cavalera – Bass Travis Stone – Lead Guitar
The Greek synth duo Paradox Obscur, comprised of Kriistal Ann and Toxic Razor, has just released their new single, “Switch To Love,” available today, June 7th, 2025. This captivating track is the second single from their upcoming album, IKONA, which is set for release on September 12th via Metropolis Records.
“Switch To Love” is accompanied by an atmospheric neo-noir music video, shot entirely on 16mm film and directed by Venezuelan filmmaker Mariangela Pluchino, with cinematography by Ville Piippo from Finland. The result is a visually compelling piece that pays homage to love, set against the band’s signature retro synthwave soundscape and elevated by the expressive and haunting vocals of Kriistal Ann.
“Switch To Love” follows their late April release, “Lose This Feeling,” a dreamily nostalgic synth-oriented reinterpretation of a 2023 dance anthem by Dutch DJ and producer Armin van Buuren.
Stream “Switch To Love” now and watch the video here.
IKONA is the duo’s most expressionistic work to date, blending sound experiments, wide-ranging electronic influences, and deeply personal expression to craft a sonic identity that remains distinctly their own. They have once again composed and recorded in real time using synthesizers and drum machines, preserving the classic essence of contemporary electronic music while forging a uniquely timeless aesthetic.
Paradox Obscur is celebrated for their authentic, analog-driven sound. Eschewing computers and digital plugins, they create all of their music in real time using hardware synthesizers and drum machines, delivering a raw and immersive listening experience. While rooted in the spirit of ‘80s-’90s underground music, their unique blend of haunting melodies, driving rhythms, and cinematic atmosphere appeals to a wide range of listeners, regardless of genre preference. Their music transcends commercial boundaries, offering something for both devoted electronic fans and casual listeners alike.
Get ready for a triple dose of electronic goodness as METROLAND, SYNAPSYCHE, and ELEKTROSTAUB drop their latest EPs, each offering a unique sonic journey!
METROLAND – Reset EP
With “Reset,” Belgian conceptual techno-pop duo METROLAND delivers the fourth and final EP from their well-received album Forum. Inspired by the controversial World Economic Forum initiative, The Great Reset, this digital release marks not just the end of an EP cycle, but the culmination of METROLAND’s sonic exploration of global industrial evolution.
Anchored in critical reflection and forward-thinking beats, “Reset” offers two new versions of the original track: the compact yet dynamic “The Smaller Reset,” and its expansive, club-ready counterpart “The Greater Reset”—both infused with increased tempo and dancefloor energy. Adding further depth, the exclusive non-album track “Improving the State of the World” blends pop sensibility with pointed commentary, echoing the WEF’s aspirational slogans while inviting listeners to consider the implications of global decision-making. “Reset” is more than just a release—it is the final destination in METROLAND’s conceptual journey, closing the loop that began with “0” and reached its climax in “Forum.” The system is shutting down… ready for a reset?
SYNAPSYCHE – Muteness EP
After the sonic shockwave of “Deafness,” SYNAPSYCHE raises the stakes with “Muteness”—the second piece in their three-part concept around “Miscommunication,” dissecting the fear of self-expression in a world that rewards silence over truth. Some people never speak up. They sit on the sidelines, afraid to take a stand, blending into the background to maintain their fragile social acceptance. But silence is complicity. And SYNAPSYCHE is here to shatter the quiet with a firestorm of brutal beats, razor-sharp synths, and vocals that swing between venomous growls, electrifying clean hooks, and even a touch of rap-infused aggression. This explosive EP is backed by a dark-pop rework of FLEETWOOD MAC’s “Little Lies” and a ruthless remix of “Anti Manifesto” by STATIK SEKT—two reinventions that push the band’s boundaries even further. No more hiding. No more hesitation. Shut your muteness up and scream with SYNAPSYCHE!
ELEKTROSTAUB – Falling EP
ELEKTROSTAUB is back with “Falling”—an irresistible future pop anthem destined to ignite dancefloors. For this striking new single, mastermind Patrick Knoch teams up with none other than synthpop icon Pal Magnus Rybom of ECHO IMAGE. The result is pure electropop magic—an instant classic where sharp production meets soaring melodies! Serving as a first taste of the forthcoming album Humility, this 7-track EP doesn’t stop at just one hit. It also features “Too Far From The Pack,” a high-energy collaboration with Salva Maine (CULTURE KULTÜR), oozing club potential and emotional impact. The EP comes packed with a powerful selection of remixes by fellow Alfa Matrix artists: IMPLANT, NEUROACTIVE, 808 DOT POP, DARKNESS ON DEMAND, and remix maestro PEOPLE THEATRE—each offering a unique twist on ELEKTROSTAUB’s signature sound. With “Falling,” ELEKTROSTAUB reaffirms his knack for blending sleek production with the perfect guest vocalist. This is premium-grade future pop – emotional, melodic, and made to move you.
Front Line Assembly has just announced “Machine Vision,” the new solo project from mastermind Bill Leeb! Dive into this exciting new release from the iconic electronic music pioneer.
Negative Gain Productions has just announced the release of “To Live Another Day,” the new single from Panic Priest! Dive into this captivating track from the acclaimed darkwave artist.
Murder Love God is officially releasing “Alter of Evolution” on all streaming services, including Bandcamp, this coming Friday, June 6th, 2025! This remix and collaborative album features heavy hitters from the underground scene.
Murder Love God is the project of Medavon DeRaj’e, best known as the frontman for LOCKJAW, which he started in 2007. He is often joined by Jose Ramirez (LOCKJAW) on guitars and Jeremy Gardipee (Incekt) both on album and live.
“Alter of Evolution” is described as an aggressive, psychedelic electro reinterpretation of songs spanning back in time, akin to an acid trip. The album boasts collaborations with a formidable lineup, including W.O.R.M., Short To Ground, DJ Darkside, Razorwire Halo, N Y X, Vein Collector, Produkt, and Hate Dept..
SPANKTHENUN has just released their chilling new track, “PANOPTIKON,” featuring CVRBON DECVY and MelodyWhore! This cold, dark 4-on-4 electro trance piece is an ominous ode to Dallas’s legendary Panoptikon club, immersing listeners in a world of surveillance beats and haunting refrains.
“See me now, see forever, PANOPTIKON” traps you under neon grids as the infectious groove becomes your captor. Shadows twist, pulses rise, and freedom fades in this hypnotic soundscape. The release also features twisted remixes from CVRBON DECVY and MelodyWhore, each amplifying the track’s digital menace.
ESA has just added their new release, “Sounds for your Happiness, Compact Disc,” to Bandcamp! This physical release offers fans a new way to experience ESA’s unique sound.
DAWN OF ASHES has unleashed their brand new album, “Infecting The Scars,” which is available everywhere today, June 7th, 2025! The highly anticipated release sees Kristof Bathory return the project to its aggrotech roots while pushing forward with a new level of intensity and maturity.
“Full of dark songs and deathly imagery, brought to life by demonic vocals. It’s vampiric, it’s black metal, it’s post-industrial witchcraft, driven by an infectious electronic groove. Very moreish indeed,” praises DEVOLUTION MAGAZINE (UK). ORKUS (DE) hails it as: “Past meets future on an electronic industrial metal delight that will get you on the dance floor. Each of the ten tracks can certainly hit the clubs like a bomb.” VERDAMMNIS (FR) concurs: “Refuses to stagnate while continuing to explore its universe and themes with coherence, intelligence, panache, care and personality. Blends the enthusiasm of youth with a current know-how to make aggrotech great again!”
Stream “Infecting The Scars” now on your preferred platform or via Bandcamp.
Dawn Of Ashes was founded in Los Angeles by Kristof Bathory at the turn of the millennium, the group moniker he chose suggesting ‘the beginning of the end’. Emerging from the industrial and aggrotech genres before expanding into the blackened metal and extreme industrial scenes, Bathory and his band have been a relentless force ever since, evolving and redefining the boundaries of extreme music for over two decades.
“Infecting The Scars” marks a rebirth, fusing the raw, unfiltered aggression of the past with a refined and evolved sound. Lyrically and sonically, it sees them reach a level where the songs are no longer merely anthems of destruction, but rather an exploration of psychological horror, inner demons, and the scars left behind by life’s most brutal moments. The album includes the powerful track “Visceral Rage” with an accompanying lyric video.
Embodying this evolution, the track “Hypertensive Crisis” was issued ahead of the album. It was described by Bathory as “a deliberate attempt to recapture the nostalgia of our early era while seamlessly blending it with fresh, modern elements. It showcases a fully realised version of our classic sound, reimagined with a new intensity and depth.”
A recent relocation to Denmark has also seen Dawn Of Ashes set to expand its reach, bringing the group’s visceral live performances to new territories. European tour dates are currently in the works alongside planned shows in South America, promising a global assault of chaos and horror.
The German dark electro-pop duo Rotersand has just released their new single, “Private Firmament (I Fell For You),” available today, June 7th, 2025. This powerful track serves as a preview of their highly anticipated new album, “Don’t Become The Thing You Hated,” set for release on August 8th via Metropolis Records (North America) and Trisol (Rest of World). This will be their first full-length studio record since How Do You Feel Today? in March 2020.
Explaining the meaning behind the new single, the band states: “Human nature is not binary, but algorithm-induced communication forces us to choose virtual sides to stimulate emotions and click rates. Yes or no, black or white, for or against, one or the other. Ultimately, we sit in our post-fact, post-science, post-truth private firmaments with nothing in common other than the cold light of screens pretending to shine for us. We say, leave the private firmaments and dance with us, with real faces under real stars.”
‘Don’t Become the Thing You Hated’ sees the Hamburg-based act (comprised of Rascal Nikov and Krischan Jan-Eric Wesenberg) return with an album that is as much a cultural critique as it is a musical statement. In a world increasingly defined by division, alienation, and existential anxiety, the duo casts a sharp eye on the psychological toll of our times and issues a warning. The message is clear: in fighting what we oppose, we risk becoming it ourselves.
Musically, the album is a masterclass in synthesis, melding sonic sophistication with visceral emotional impact. Navigating seamlessly between intricate sound design and tightly constructed rhythmic frameworks, these are layered with melodic hooks that are as intellectually engaging as they are dancefloor-ready. The album soundscape is dark yet resolutely hopeful and explores a dynamic spectrum of styles, from propulsive electro with surgically crisp beats and brooding industrial textures to anthemic, almost dreamlike interludes. Each track reveals itself as a meticulously crafted entity, constantly surprising the listener yet never straying from its emotional nucleus.
The song lyrics address themes of disillusionment, anger, and the fragile line between resistance and complicity. Indeed, the album title itself functions as a thesis statement that confronts listeners with a central dilemma of our era – how do we oppose injustice without replicating its methods or mindset? Rotersand offer no easy answers, but instead encourage a kind of inner vigilance; a conscious rejection of the very forces that threaten to erode empathy, nuance, and individual integrity.
What sets this album apart is its rare ability to operate on multiple levels. Not only is it a compelling club record, it is also a philosophical commentary on the state of the world and the psyche. The duo have crafted a work that challenges the listener to not only hear, but to think and feel more deeply. With ‘Don’t Become the Thing You Hated’, they reaffirm their position as one of the most thoughtful and forward-looking acts in the dark electronic music genre.
New England metal band DEATH RATTLE continues to build momentum with the release of their powerful new single and music video, “The Darkness,” available today, June 2nd, 2025. This release comes as anticipation builds for their forthcoming album, The Moral Chokehold, now set to drop on July 11th, 2025, due to a manufacturing delay.
Check out “The Darkness” on all streaming/download digital platforms or watch the music video here.
“’The Darkness’ is collectively one of, if not our most favorite song from the ‘Moral Chokehold,” states guitarist Ryan Vanderwolk. “Not only is it the closer for the record, but also the closer for our live sets. Born from a couple of riff ideas, it quickly grew to a much larger, and diverse song as everyone put their fingerprints on it. There are the elements of the groove, and aggression Death Rattle does well, but also has more relaxed moments, a huge catchy chorus, and a very progressive climax. ‘Rage against the dying of the light’ and enter ‘The Darkness.’”
Building on recent tours with diverse acts like Left To Die, Gorgoroth, and Aeturnus, and gaining traction on Liquid Metal radio, DEATH RATTLE showcases their blend of groove, melody, and aggression, as previously heard in tracks like “Malthusian Dependency”, “Immersed in Black,” and “Nietzsche, and the Fall” (featuring Bjorn “Speed” Strid of SOILWORK/THE NIGHT FLIGHT ORCHESTRA).
Pre-order The Moral Chokehold now for a limited edition 300 “Philosopher’s Moon” colored vinyl, CD, and Digital formats at http://lnk.to/deathrattle.
The Moral Chokehold boasts a powerful sound, thanks to production by Kevin Billingslea (Lamb of God, Trivium), mixing/mastering by Jens Bogren (Amon Amarth, Kreator), and stunning artwork from Tamer Azab of The Dark Art in Dubai.
“We are beyond stoked to release ‘The Moral Chokehold.’ For us, this album has been almost four years in the making. We had a blast writing and recording it, but for the last year we have been in the trenches making content and releasing things to hype up the release. It is the grind of the music business. It feels so good to finally get back to what we are passionate about – the music. Releasing these songs to the world and touring to support them is what this whole venture is all about. Creatively, this was a giant step forward for us. We experimented with writing more in the studio environment and playing with different melody structures. It has brought out a new energy in our live show. When a group of songs inspires the band to begin writing the next album before the music is even released, you know you have made something special. That is how we feel about ‘…Chokehold.’ We cannot wait for you all to hear this thing all the way through.”
Hailing from New England, a region known for producing influential metal acts, DEATH RATTLE aims to follow in those footsteps. They have already released two independent albums, toured the US four times (including supporting The Convalescence), and toured Japan twice, supporting acts like Cattle Decapitation, Revocation, Ne Obliviscaris, and Wolfheart. They have also played regionally with Hatebreed, Soulfly, Unearth, Crowbar, Allegaeon, Philip H Anselmo and the Illegals, Let Us Prey, and appeared at festivals like Mayhem Fest, Summer Slaughter, New England Metal and Hardcore Fest, and the Tattoo & Music Festival.
The spark that ignited Dead Posey was a shared love for rock’s dark heart. Danyell, then immersed in acting and modeling, found her calling one night in Tony’s studio. Already a seasoned musician with Eve 6 and a producer in his own right, Tony witnessed Danyell’s raw talent as she sang Nirvana’s “Come As You Are.” “A newfound passion was unlocked in me,” she recalls, “I knew from that moment in my bones that this is what I was meant to do in life.” They hit the ground running, writing songs that would soon define their unique sound.
Their early “Freak Show EP” era, what they now call Dead Posey 1.0, was a significant milestone, landing them publishing and record deals, along with crucial sync placements. At the time, they believed they had found their sound—a bluesy, garage-rock feel. However, the road ahead held more evolution. As they played live more often, their sound matured, growing harder and more aggressive, embracing darker, synthier rock with heavy guitars. This transformation led to Dead Posey 2.0, where they truly found their stride, blending their favorite influences into a cohesive, powerful force. Playing new songs live before release became a vital part of this evolution, injecting a new level of energy into their recordings.
Early tracks like “Don’t Stop the Devil” became unexpected launching pads, propelling their music into TV and film. These placements were a crucial early boost, providing funding for gear, tours, and merch. “It’s funny looking back, though,” Danyell muses, “our sound has changed so much since then, and we thought that time was the peak. But in reality, it was just the beginning.” This early success taught them a valuable lesson: constant growth and adaptation are essential to building a solid, sustainable foundation in an ever-changing industry.
Their sound is a potent cocktail of influences, a blend of Marilyn Manson, Garbage, Hole, Nine Inch Nails, Nirvana, and Depeche Mode. They gravitate toward anything with dark energy, industrial textures, raw emotion, classic melodies, and a guitar thrust. It’s an intuitive process, a musical blender where everything goes in, and something uniquely Dead Posey emerges. The Freak Show EP, their debut, remains a special marker of their journey, an “innocent but still polished” snapshot of their early days, even as they’ve creatively moved far beyond it.
Breaking into the competitive music industry as a DIY band presented immense challenges, and they’re still pushing boundaries a decade later. They’ve learned not to rely on fickle industry support, choosing instead to focus on what they can control: creating music they’re passionate about and fostering genuine connections with fans through social media and live shows. Their mantra: “Fluff doesn’t create a sustainable career; it’s the hard work you put in every day when no one’s watching that truly makes a difference.” Looking back, their advice to their younger selves would be blunt: “Buckle up – this journey is a long, winding road! The blood, sweat, and tears it will take are beyond imagination so be ready.” They’ve been knocked down countless times, but their unwavering love for creating music, performing live, and connecting with their fans always pulls them back up.
A palpable fire ignites Dead Posey’s latest releases. Their current sound is fueled by rebellion, survival, and self-liberation, a visceral response to the chaos of the world. They’re relentlessly pushing through darkness—mentally, emotionally, and sonically—emerging stronger with every note. Uninterested in trends, they channel years of frustration, power, and resilience into music that is unapologetically their own, designed to endure.
Current Energy & Headspace
While their sound has evolved, their core songwriting and production process remains collaborative. Danyell brings thematic and lyrical vision, while Tony, a versatile musician, masterfully pulls everything into a cohesive, impactful whole. They’ve always been hands-on, writing and producing every element themselves. A significant recent shift involves road-testing new songs live before finalizing them, allowing them to gauge audience connection and infuse recordings with live energy.
Beyond the music, Dead Posey cultivates an iconic visual aesthetic, an extension of their sound. Every release is an opportunity to expand the Dead Posey universe, telling stories through artwork, photos, and stage attire. They draw inspiration from gritty rock ‘n’ roll, vintage flair, dark surrealism, and classic and modern horror, letting the visuals organically rise from the music itself.
Maintaining creative chemistry amidst constant demands requires discipline. They strive to shut out distractions in the studio, finding inspiration in their creative space. Their shared investment in every aspect of the band keeps them grounded and hungry. It’s a delicate balance of trust, taking necessary breaks, and open communication. Their driving force: “The energy we put into the band is what will keep it thriving.”
In an industry where mental health is paramount, they prioritize staying grounded by focusing on what they can control, often breaking it down into week-by-week chunks. They’ve learned not to chase external validation, instead centering on creating music they love and connecting with their fans. Setting boundaries with industry interactions has become crucial for protecting their energy and mental space. Self-care, even in small ways, is essential for navigating the chaos. This past year, they’ve embraced resilience, learning that growth flourishes in discomfort and uncertainty, leading to greater confidence and personal evolution. Their proudest moments of 2024 include releasing their debut album, Are You In A Cult?, headlining shows in the UK, and playing for their biggest crowd yet at Spain’s Rockland festival.
What Lies Ahead
With their debut full-length album, Are You In A Cult?, recently released, Dead Posey is taking time to let it resonate, focusing on touring and bringing their sonic world to as many fans as possible. While always writing, they’re not rushing into another album, instead considering collabs or special versions of existing songs for later in the year. Their dream collaborations span legends like Lady Gaga, Marilyn Manson, Nine Inch Nails, Depeche Mode, or Garbage, recognizing these artists’ profound influence on Dead Posey’s DNA, but they’re equally open to teaming up with rising acts who share their vibe.
Dead Posey remains a core duo, bringing in talented live musicians for their shows. Their vision and songwriting will always stem from the two of them. Their ultimate goal is to become a headlining act, capable of easily touring small to medium clubs, and from there, building to bucket-list aspirations like headlining festivals and becoming a household name. They’re not waiting for opportunities; they’re building their own solid foundation.
They constantly push boundaries in their sound and performance, aiming for an immersive live experience that transcends mere song delivery, engaging audiences on a deeper level with visuals and raw energy. They refuse to stay stagnant, always striving to surprise themselves and their fans. In a rock, alt, and industrial landscape that often blurs genre lines, Dead Posey stands apart with their raw energy and authenticity, in it for the long haul to build their own path.
Ultimately, Dead Posey hopes to leave a lasting mark by demonstrating that success and a loyal fanbase can be found outside “the club,” even in a constantly shifting social media landscape. They aspire to inspire other artists to trust their instincts and remain true to their vision, even when external pressures push in different directions.
Catch Dead Posey headlining and get your VIP tickets for THE DAMNED & THE DEAD tour this June: https://www.deadposey.com/tour
The Machines Vs Monsters tour is off to an explosive start with the first show completely SOLD OUT, and tickets for the remaining dates are flying! Don’t miss your chance to catch this incredible lineup.
North American Dates:
May 30: Minneapolis MN – The Fillmore Minneapolis – SOLD OUT!
A brand new Celldweller bundle has just landed, perfectly crafted for fans ready to immerse themselves in the cinematic world of Offworld. Inspired by the album’s atmospheric sound and emotional depth, this limited set is the ideal way to revisit one of Celldweller’s most introspective and emotionally gripping releases.
The Offworld bundle invites listeners on a journey that departs from Klayton’s signature aggressive guitars and blasting beats, offering a collection of sentimental feels and intimate songwriting. The album, originally released in 2017, features tracks like the soul-searching “How Little I Must Know,” the modern shoegazer “Echoes,” the somber a cappella “Mother’s Arms,” and the acoustic-driven “The Great Divide.” The narrative of the album, beginning and ending with the title track, evokes a sci-fi adventure of leaving the world behind, with the familiar Celldweller lyric, “we will never die.”
This exclusive Offworld Bundle includes:
Celldweller – Offworld [Limited Edition Vinyl]: Experience the album’s rich sound on a special eco-mix graphite vinyl, wrapped in a matte jacket for tactile enjoyment and aesthetics.
Echoes in the Void Shirt: A stylish shirt inspired by the album’s themes.
Offworld 5″x7″ 8-Postcard Set: Collect evocative artwork that captures the essence of Offworld.
Offworld 11×17″ Poster: A vibrant poster to adorn your space.
Offworld 5×5″ Vinyl Sticker: Show your allegiance with this durable sticker.
The Offworld Bundle is available for $59.99 USD (with slight variations for larger shirt sizes) and can be purchased directly from the FiXT Store. Don’t miss your chance to own this special collection, perfect for long-time fans and new listeners alike.
Slighter has just dropped “Stories To Tell,” a new track featuring Craig Joseph Huxtable (Landscape Body Machine, Ohmelectronic, Front Line Assembly). This is the final single before Slighter’s forthcoming album, In Ruins, arrives!
“Stories To Tell” is both catchy and hypnotic, driven by Craig’s brooding and angelic vocals. It also includes a 12″ Club Mix style ‘B-side’ perfect for DJs!
Add to your Spotify playlists! (Please note: A direct Spotify link for this specific single was not provided, but you can search for “Slighter Stories To Tell” on Spotify.)
FLESH FIELD, the acclaimed electro-industrial project led by Ian Ross, has just released a new single, “Where Angels Go To Die,” out today, May 30th. This track is lifted from a remastered reissue of their 1999 debut album, “Viral Extinction,” which is set to arrive on June 27th via Metropolis Records.
“It was written in apocalyptic language as a bleak reflection on disillusionment, spiritual decay and loss of belief,” Ross reflects. “Musically, however, it was designed to sound darkly angelic.”
About “Viral Extinction” Reissue:
“Viral Extinction” Tracklisting:
Heretic
Inside
Overload
The Plague
Silicon Skies
Where Angels Go To Die
Prophecy
My Saviour
Utopia
Animal
Fallen Angel
Cyberchrist
Prophecy (Nostrothomas A23 Mix)
My Saviour (Violated Beauty Remix)
About FLESH FIELD:
Flesh Field was founded in Ohio in the mid-90s by composer Ian Ross. Renowned for its widescreen cinematic sound achieved by blending synths, percussion, guitar, and sampled choir, the group’s music soon earned plaudits for its aggressive approach and subsequently featured in a number of film/TV soundtracks and video games. Having retired the name in 2011, Ross eventually relocated to Virginia, where he resurrected Flesh Field to issue an album entitled ‘Voice of the Echo Chamber’ in late 2023 and the companion piece ‘Voice Of Reason’ EP in April 2024.
Their debut album, ‘Viral Extinction’, was released three years later, earning glowing reviews for its brutal and aggressive sound, while some of its songs were subsequently remixed by several contemporaries (including scene leaders Covenant) and issued together with some new songs on the album-length ‘Redemption’ EP in 2000.
Highlighting the band’s compositional skills with bombastic symphonic elements and intricate synth and percussion programming, 2001’s ‘Belief Control’ solidified Flesh Field’s status as a band to be reckoned with. It also led to the group signing to Metropolis Records for the US release of their third album, ‘Strain’. With new layers of acoustic and electronic percussion, guitar, and choral effects added into the mix, these elements resulted in an an epic and anthemic feel to a record that was acclaimed by fans and critics alike.
Then, silence. For almost two decades, Flesh Field lay dormant, even as numerous tracks from their catalog were placed in the soundtracks of films including ‘The Mill’, TV shows such as ‘True Blood’, and video games like ‘Project Gotham Racing’. ‘Voice Of The Echo Chamber’ suddenly appeared in 2023; a concept work with each of its ten tracks representing stages of political radicalization and violence, it was followed by an album length companion piece EP entitled ‘Voice Of Reason’.
Metal Blade Records is thrilled to welcome Tasmanian death metal behemoths PSYCROPTIC to its esteemed roster for the release of their forthcoming new full-length album. To mark the occasion, the band has just unleashed their new video and single, “Architects Of Extinction.”
PSYCROPTIC stands as Australia’s most globally respected death metal act for a quarter-century. When the history of technical metal is written, PSYCROPTIC will undoubtedly claim a hefty chapter. They carved their path into the underground in the late ’90s and have consistently pushed the genre forward with their dense riff jungles, bursting into powerfully rhythmic grooves and blasts. The profound talent of brothers Joe (guitar) and Dave Haley (drums) anchors their sound. Joe’s esoteric picking style weaves hooks that ensnare listeners, while Dave’s pulsating rhythms provide the backbone. Their level of synchronization is unparalleled, a testament to decades of playing together. The telepathic performance is only matched by the precise contributions of Todd Stern on bass and the charismatic roar of Jason Peppiatt. Like true masters, they make the impossible look impossibly easy.
Guitarist Joe Haley comments on the signing: “Having grown up listening to countless amazing bands on the Metal Blade roster, the label had a big impact on shaping who we are as musicians, essentially becoming an integral part of our creative DNA. From the early days of picking up our instruments to finding our own sound as a band, Metal Blade has always represented the pinnacle of heavy music and a place where groundbreaking artists are created and thrive. So we’re beyond honored to announce that we’re officially joining the Metal Blade family – a surreal and humbling moment for all of us in PSYCROPTIC. We’re currently in the final stages of finishing our new album, and we can’t wait to share what we’ve been working on. To kick off this awesome new chapter on the right note, we’re dropping our brand-new single, ‘Architects Of Extinction.’ Enjoy.”
Bassist Todd Stern adds, “As PSYCROPTIC prepares to release our ninth full-length studio album, we couldn’t be more excited about the fact that we’ve joined forces with the one and only Metal Blade Records, who will be handling its release. We feel that at this point in our career, both the timing and the fit are seemingly perfect. Metal Blade and its roster have always been exceptional, and we are very grateful and humbled to join such a legendary list of artists that have been part of the label’s family throughout the ages. We are adding the final touches on our next record, but in the meantime we have something savory prepared: a dense, hard-hitting single entitled ‘Architects Of Extinction.’ Get ready for the golden age of Tasmania’s most prolific metal band!”
Watch PSYCROPTIC’s “Architects Of Extinction” video HERE.
Next week, PSYCROPTIC will kick off a host of Summer performances throughout Australia and Europe. See all confirmed dates below.
PSYCROPTIC Live:
6/06/2025 Republic Bar – Hobart, AU
6/07/2025 Royal Oak – Launceston, AU
6/08/2025 Pub Rock Diner – Devonport, AU
6/10/2025 Magnet House – Perth, AU
6/11/2025 Lion Arts – Adelaide, AU
6/13/2025 170 Russell – Melbourne, AU
6/14/2025 Metro Theatre – Sydney, AU
6/15/2025 Princess Theatre – Brisbane, AU
7/26/2025 Tolminator – Tolmin, SI
7/27/2025 Backstage Free & Easy – München, DE
7/28/2025 Vaudeville – Lindau, DE
7/29/2025 Garage – Saarbrücken, DE
7/30/2025 Hellraiser – Leipzig, DE
8/02/2025 Manchester Academy – Manchester, UK
8/05/2025 La Eventhalle – Cham, DE
8/07/2025 Brutal Assault – Jaromer, CZ
8/09/2025 Alcatraz – Kortrijk, BE
8/10/2025 Hall Of Fame – Tilburg, NL
Most bands take a few albums to find their feet, but PSYCROPTIC’s first two releases were underground classics: The Isle Of Disenchantment (2001, self-released) and The Scepter Of The Ancients (2003, Unique Leader). Vocalist Matthew Chalk and bassist Cameron Grant were part of the first squad who joined the Haleys on their quest for perfection. A relentless touring schedule emerged in Australia, including legendary appearances at Canberra’s Metal For The Brain festival. Normally this would be the high point for an Australian metal band. Two albums out, successful shows, who could ask for more?
Tasmania couldn’t contain them, and as it turned out, neither could Australia. Their first overseas tour was Europe in 2004. Matthew was replaced on vocals by Jason Peppiatt, and PSYCROPTIC went on to record Symbols Of Failure (2006, Neurotic). The band expanded their sound with Ob (Servant) (2008, Nuclear Blast), bringing in ambience and atmosphere, then The Inherited Repression (2012, Nuclear Blast) introduced the powerful neck-cracking grooves that would mark their sound going forward.
It also introduced them to touring the US with their first happening in 2010. This pushed their lust for the road to new levels, smashing audiences and stupefying musicians around the planet. They’re unique among death metal bands in that it’s almost pointless to try and list the festivals and countries they’ve visited, let alone the bands they’ve played with. It can be condensed to “everyone, everywhere.” Official estimates are at forty countries.
PSYCROPTIC solidified their American relationship by signing to Prosthetic Records in 2014, replacing Cameron on bass with US legend Todd Stern in 2015, then releasing their self-titled album in the same year. At this point something indefinable clicked, and the band unleashed As The Kingdom Drowns (2018), a clear step up from their previous work. Divine Council (2022) proved that this wasn’t a new level for the band – it’s a new normal. Origin vocalist Jason Keyser, long considered a part of PSYCROPTIC’s extended family, contributed vocals to Divine Council as well as the upcoming new material. Keyser remains a session and live vocalist on select tours.
Signing to the legendary Metal Blade Records for their forthcoming full-length album – there is no slowing down. PSYCROPTIC are no longer the local Australian band made good: they are a global powerhouse with a footprint the size of the world, nothing left to prove, and an endless commitment to finding ways to rock you as hard as technically possible.
Electronic artist Rhys Fulber has released his new single, “Only Love Will Save Us,” featuring suicide disco icon Barkosina (from Years of Denial). The track is available today, May 30th, and is a powerful precursor to his upcoming solo album, “Memory Impulse Autonomy,” set for release on September 5th via Artoffact Records.
“Only Love Will Save Us” delivers a powerful and emotional message. Its chorus, acting as a potent mantra, declares that love is the sole force capable of healing, uniting, and redeeming humanity from its darkest tendencies. Amidst the sweeping synth lines of this moodily atmospheric club banger, Barkosina takes a moment to shine, lending her unique touch to its timely lyrics.
Listen to the previously released single ‘The Abyss’ HERE.
Fêted electronic artist Rhys Fulber takes you further back and forward with his first solo release for Artoffact, Memory Impulse Autonomy. The album harks back to the music that Fulber made in his youth, inspired by bands such as Cabaret Voltaire, Portion Control, and fellow Vancouverites Skinny Puppy, but blends those influences with the brutalist rhythms and harsh industrial techno that he has been pioneering in recent years.
Thematically, the record explores his joy of creating music for the first time in the Eighties, using primitive equipment with a freedom of expression driven only by his imagination.
’The title refers to fond memories of my roots in making electronic music and the excitement and passion I had for these sounds that were new at the time,’ Fulber says. ‘That style is embedded in me. Going back to them allowed me to make music on impulse, and many of the instrumentals were created from studio jams.’
While there are distinct nods to the past in the gnarly Richard H Kirk-esque cut ups of ‘All Of You Go To Heaven’ and ‘Baaderzeit’s’ eerie Tangerine Dream-like sequences, the album is also very much a modernist collaborative effort, utilizing voices from the forefront of contemporary electronic music including William Maybelline (Qual/Lebanon Hanover), Years of Denial’s Barkosina, and Hamburg-based aufnahme+wiedergabe recording artist Konstantin Unwohl.
‘The vocalists are new artists who are inspired by a similar era,’ Fulber adds.
Darkwave and EBM artist Qual guests on two tracks, lending his trademark lugubrious vocals and bleakly humorous lyrics to the dark techno of opening track and first single ‘The Abyss’ and the strident rhythmic ‘Control’.
Suicide disco icon Barkosina takes a moment to shine amid the sweeping synth lines of ‘Only Love Will Save Us’, a moodily atmospheric club banger with timely lyrics, while Unwohl, a genre-bending artist with a growing cult following and a series of groundbreaking releases, delivers a sonorous vocodered turn on melancholic electro-ballad ‘Nichts Dafür Getan’, a slow burning epic with lyrics that Unwohl originally wrote for a punk song.
Elsewhere, the chugging dancefloor friendly ‘Exlavier’ and the titanic beats of ‘New Despotism’ contrast with the pretty interlocking textures of ‘The Elder’ and the gently pulsing ambient closer ‘Further Back And Forward’.
The distinctive cover art comes courtesy of legendary graphic designer Steven R Gilmore, perhaps best known for his decades-long relationship with Skinny Puppy and his work for Vancouver-based label Nettwerk, for whom he provided eye-catching sleeves for A Perfect Circle, Moev, Severed Heads, Chris & Cosey, and many others.
’The concept for the album is not a total replication of the past, except in the case of the artwork, which recalls that era at its peak’, says Fulber.
Fulber is a longtime member of Canadian industrial outfit Front Line Assembly and ambient pop duo Delerium (both with Bill Leeb), and solo project Conjure One. As a producer, he has worked with artists as varied as Fear Factory, Paradise Lost, Sinead O’Connor, Sarah McLachlan, and Youth Code.
“Memory Impulse Autonomy” Tracklisting:
The Abyss (featuring Qual)
Control (featuring Qual)
Only Love Will Save Us (featuring Barkosina)
Exclavier
Nichts Dafür Getan (featuring Konstantin Unwohl)
New Despotism
All Of You Go To Heaven
The Elder
Baaderzeit
Further Back And Forward
More About Rhys Fulber:
Rhys Fulber is widely known in the industrial and electronic music circles for his EBM trailblazing with Front Line Assembly, chart topping with Delerium, and dramatic melodies with Conjure One. Additionally holding a grey cardinal status in metal and a variety of other genres, Fulber is a respected producer whose discography and work speaks for itself. Rhys Fulber now opens a new chapter, sculpting both intricate and hard hitting music best described as “Future EBM.”
Ethereal darkwave artist Ships In The Night is set to perform for the first time at the upcoming iconic Wave-Gotik-Treffen festival in Leipzig, Germany. This performance marks a major milestone for the project helmed by Alethea Leventhal, known for her haunting vocals, cinematic soundscapes, and emotionally charged live shows.
Wave-Gotik-Treffen, held annually in Leipzig since 1992, draws over 20,000 attendees and transforms the city into a celebration of Gothic culture, music, fashion, and art. Ships In The Night is scheduled to perform among a vast selection of acts spanning darkwave, post-punk, and industrial genres that include Drab Majesty, Public Image Limited, New Model Army, and Selofan, to name a few.
Ships In The Night’s latest album, “Protection Spells,” was recently released by Metropolis Records, earning critical praise with a sound that echoes the melancholy of ’80s darkwave while also forging new emotional ground. “It’s an incredible honor to be part of a festival that has meant so much to the dark music community for decades,” says Alethea. “I’m excited to bring Ships In The Night to Leipzig and share this experience with people from around the world.”
Ships In The Night will perform at Moritzbastei for the Wave-Gotik-Treffen festival in Leipzig on Friday, June 6th at 9 PM.
Deep Dive into the Universe of Ships In The Night: 🎧🎶
Mexico’s electro-industrial juggernauts HOCICO once again plunge into the dystopian psyche of the digital era. Erk Aicrag and Racso Agroyam return with a visceral, unrelenting track that strips away the glossy veneer of online life and exposes the rot festering beneath.
If The Screen was a direct attack on the anonymity of internet cruelty, “Brainrot” dives even deeper, capturing the suffocating grip of algorithmic addiction. It’s a grotesque ballet of dopamine, dependency, and despair, screamed through Erk’s searing vocals and wrapped in Racso’s hellish production.
Musically, “Brainrot” marks a bold evolution in Hocico’s sound. Infused with aggressive drum and bass influences, it hits with a hyperkinetic energy that feels both chaotic and meticulously controlled. The track seamlessly fuses this rhythmic onslaught with the duo’s signature industrial brutality and aggrotech venom, creating a sound that feels both fresh and devastatingly familiar. This is not a trend-following experiment—it’s a fully weaponized Hocico beatdown, sharpened for the digital battlefield.
From the very first line, “Plug me in, I’m a slave to the screen,” the listener is dragged into a world where identity, free will, and humanity are systematically dismantled by our tech overlords. The lyrics are a cyberpunk confession: raw, paranoid, and disturbingly accurate. Lines like “I dance for the likes, I bleed for the views” hit like gut punches, capturing the performance anxiety and manufactured existence many experience but few dare to articulate.
The chorus, an unrelenting chant of “Brainrot!”, becomes a war cry and a diagnosis all at once. Each repetition digs deeper into the madness, like a virus rewriting the code of the self. The distorted synths and glitchy textures reflect the chaos of a mind being rewired for engagement, not meaning.
Hocico doesn’t just critique digital culture—they drag its corpse onto the stage, expose its entrails, and make you dance with it. The track’s final verse, “Now I’m the king of nothing but brainrot!”, isn’t just a lyric, it’s a warning: the more we feed the machine, the more it devours us.
With “Brainrot,” Hocico once again proves they are not just musicians but prophets of a dying age, screaming from the edge of digital oblivion. This isn’t just music, it’s a mirror. And you won’t like what you see.
CHAMELEONS have today, May 29th, released their brand new single, ‘Saviours Are A Dangerous Thing,’ via Metropolis Records. The track is taken from their recently announced and long-awaited album, ‘Arctic Moon,’ which is now available for pre-order.
Vocalist/bassist Vox (Mark Burgess) explains the inspiration behind the new single: “I see too many echoes of the 1930s in what’s going on in the world, which I see as being extremely dangerous both for the country I’ve chosen to live in and the Western world in general.” He adds, “It was the last song to be completed for the album. I’m particularly pleased with the way it turned out, because it was our guitarist Stephen Rice who initially brought the rough idea to the table and we all then collaborated on it to produce the final song.”
‘Saviours Are A Dangerous Thing’ perfectly captures Chameleons’ innate flair for crafting exquisite guitar textures, merging them with Vox’s sharp grasp of melody and wordplay. The song delivers a dark message about the current political climate amidst its thoroughly engaging sound. Reinforcing this theme, the accompanying video splices live performance footage with kaleidoscopic images of war, its effects, and the surrounding propaganda, creating a compelling statement.
“The lyrics came to me quite quickly,” Vox explains. “They reflect what has been happening globally and how senior officials line up to kiss the rings of clowns who regard themselves as self-proclaimed kings rather than elected statesmen.”
‘Arctic Moon,’ set for release on September 12th on Metropolis Records, marks the first full-length album by Chameleons since 2001’s ‘Why Call It Anything?’ Vox concludes, “There is an obvious maturity to the songwriting on this record, and anyone familiar with our past work will hear that this is a positive step forward. While we’re proud of the band’s legacy, we really wanted to forge something fresh while retaining that profound and imaginative quality we’re known for. We think that we have managed to do that and deliver a very strong record!”
The band will continue to tour extensively around the album release, with dates in Spain and Portugal from June 6th-19th, followed by a set at the Forever Now festival in Milton Keynes on June 22nd. They will then return to the US for headlining shows and a dozen dates with The Psychedelic Furs commencing on June 26th. A further headlining tour of North American cities kicks off two weeks after the release of ‘Arctic Moon’, with mainland European dates in Germany and the Benelux scheduled from late October, ahead of a previously announced UK tour in November.
Long cited as a hugely influential act, inspiring bands like (The) Verve, Oasis, Interpol, The Killers, Editors, and White Lies, Chameleons are renowned for their transformative catalog and intense, emotionally charged live performances. Their legacy extends far beyond their four studio albums to date. Their widely acclaimed debut, ‘Script of the Bridge’ (1983), has been cited by many as a masterpiece ahead of its time, followed by ‘What Does Anything Mean? Basically!’ (1984), ‘Strange Times’ (1986), and ‘Why Call It Anything?’ (2001).
Their unique sound quickly captivated audiences with its mix of melancholic yet energetic and powerful tunes, hypnotic, ethereal riffs, and a potent, timeless lyrical style. They are considered one of the most influential guitar bands of the ‘80s and ‘90s, contributing substantially to the post-punk, shoegaze, and indie scenes.
2024 saw the release of two EPs that kicked off a new chapter for the band: ‘Where Are You?’, consisting of three new songs, and ‘Tomorrow Remember Yesterday,’ featuring five re-recorded archive tracks. ‘Arctic Moon’ sees them propelling forward musically while retaining the essence that originally made them iconic.
WHITECHAPEL is set to return to US stages this Fall on the Rituals Of Hate headlining tour. This extensive journey will hit over two dozen cities from November 12th through December 14th, with the band performing their critically acclaimed new full-length, Hymns In Dissonance, in its devastating entirety, alongside some old favorites. Support will be provided by Bodysnatcher, Angelmaker, and Disembodied Tyrant.
The band comments, “After the overwhelming responses from the Hymns In Dissonance release, we decided it would be great to close out the year by giving this album to the fans live front to back. The tour will be ending with our 10th annual hometown Christmas benefit show in Knoxville, Tennessee. Do not wait and grab your tickets/VIP now for this special tour!”
Presales begin Wednesday, May 28th at 10:00 AM local time. General on-sale date is Friday, May 30th at 10:00 AM local time. VIP upgrades will be available at whitechapel.soundrink.com and include:
Released earlier this Spring on Metal Blade Records, WHITECHAPEL’sHymns In Dissonance debuted at #2 on Billboard’s Current Hard Rock Albums chart, #3 on the Independent Label Current Albums chart, #4 on the Current Rock Albums chart, and #7 on the Digital Albums chart in its first week.
The record showcases the band’s reinvention, diving deeper and heavier than ever before. Guitarist Alex Wade notes, “We attempted to write our heaviest album to date. We wanted to put out something that was shockingly menacing and brutal.”
Critics have lauded the album, with Revolver praising its “blistering attack of ground-fissuring blasts, terror-thrashed guitar melodies and guts-hucking mosh sections.” Metal Injection agreed, calling it “heavy as shit, it’s unrelenting, and it will destroy you.” MetalSucks championed it as “one of WHITECHAPEL’s heaviest offerings since the glory days of The Somatic Defilement and This Is Exile,” adding that it “captures that same raw energy and mouth-frothing rage… but with a new and improved modern twist.” Blabbermouth hailed the band’s “…white-knuckle, weaponized deathcore with brains, brawn, and a point to prove. Hold on to your helmets.”
Hymns In Dissonance is available now on CD, vinyl, and digital formats. For orders, visit: [suspicious link removed]. Find merch bundles and band-exclusive vinyl at: whitechapelband.com.
Watch WHITECHAPEL’s Videos:
“Hymns In Dissonance” HERE, “A Visceral Retch” HERE, and “Hate Cult Ritual” HERE.
AMIENSUS has surprisingly dropped a digital single for their new song “Fields of Emerald Fire.” Just last year, the epic, melodic, progressive black metal group released two critically acclaimed records. Not resting on their laurels, AMIENSUS now gives fans the first of several new tracks in the works. Listen to “Fields of Emerald Fire” here or watch the streaming visualizer here.
“’Fields of Emerald Fire’ was written concerning The Great Hunger,” explains singer/guitarist James Benson. “As a band that has often written about historical events, as well as current events, we used this opportunity to draw parallels between the past and present actions of governments and their oppression of minorities.”
James continues, “’Fields of Emerald Fire’ is the first of multiple singles to be released in 2025. Some of these tracks were written with the objective of creating within a limited time span, and therefore pushing ourselves to maintain our standards on creativity without the pesky overanalyzing that often can delay completion of songs/albums. We have a lot of material for the future and a lot to speak on. We hope you enjoy ‘Fields…’ and look forward to sharing more music with you this year!”
James Benson, who also fronts Midwest post-black metal operatives CHROME WAVES, is joined in AMIENSUS by GHOST BATH drummer Chris Piette plus guitarists Alec Rozsa, Kelsey Roe and bassist Todd Farnham. Chilling, harsh yet melodic and progressive are just some ideas of AMIENSUS’ sound heard on “Fields of Emerald Fire,” which will sate fans of their two-part ‘Reclamation’ opus while they continue work on additional new music this year.
AMIENSUS formed in Minnesota in 2010 as a project amongst friends, who self-released an EP that same year. It took 3 years for the band to develop into a full group, expanding their lineup way beyond state lines to find the right talents and mindsets, and release the atmospheric black metal album ‘Restoration’ in 2013. Two years later AMIENSUS were back with the more polished and well-received ‘Ascension,’ which introduced Alec and Todd. 2017 marked the release of the lengthy EP, ‘All Paths Lead To Death’ (Apathia/Black Lion Records), which saw the band drop some of the heavy orchestration in favor of more melodic death and black metal passages and introduced Chris. In 2020, AMIENSUS signed with Transcending Records to release the heralded ‘Abreaction,’ which now also included Kelsey. That same lineup remains today and also recorded the aforementioned ‘Reclamation’ albums.
Here’s what some have written about ‘Reclamation’: “Easily the group’s best album yet, demonstrating that they more than deserve to be mentioned in the same breath as their more prominent peers… Agalloch, Alcest, Borknagar and Enslaved. – No Clean Singing”
“This is an auditory journey like no other—a fusion of raging, intense black metal with glorious melodies that will ignite your soul. It’s a sonic tempest, a whirlwind of ferocity and beauty that will leave you breathless and exhilarated. You’ll be engulfed in the raw power of black metal, with blistering riffs and thunderous drums. Yet within, melodies soar and cascade, weaving a tapestry of beauty and emotion that transcends the brutality of the music. This is an early contender for “Album of the Year” for sure. – Metal Temple”
“An impressive album that shows all of AMIENSUS’ finest features and builds them to a level that the band has not achieved previously, Reclamation part 1 builds further anticipation for its second half, while reminding the metal community that they are still one of the underground’s best kept secrets. Black, death, prog, folk – whatever your flavor, you are going to find plenty of content with Reclamation that will leave you incredibly impressed even if you are already familiar with the band. AMIENSUS have a poignant and genre-pushing masterpiece in their hands… it will more than satiate anyone looking for high quality extreme metal that tosses the traditional boundaries aside for something insightful and far more unique. – Dead Rhetoric”
KMFDM is set to re-release their classic fourteenth album, “HAU RUCK,” on May 23rd, 2025, via Metropolis Records. This special 20th-anniversary edition, titled “HAU RUCK 2025,” has been completely remixed and remastered, and will be available on 2xLP, CD, and digital formats. Fans can get an early taste with the newly available audio for ‘FREE YOUR HATE’.
The original “HAU RUCK” was recorded in Seattle and released in 2005. Following their industrial/metal assault with 2003’s ‘WWIII’, KMFDM sought a fresh direction. Band leader Sascha Konietzko expressed the desire for something “more noisy, more dance-y, more electronic, and less butt rock.” The album’s concept was playfully dubbed FUBAR – ‘Fucked Up Beyond All Recognition/Repair’ – reflecting their aim to push boundaries.
From the politically charged anthems of ‘Free Your Hate’ and ‘New American Century’ to the grimly emotional grooves of ‘Real Thing’; from the confrontational dancefloor venom of ‘Ready to Blow’ and ‘Professional Killer’; and encompassing a swinging cover of Jacques Dutronc’s ‘Mini Mini Mini’ and the self-effacing snark of ‘Feed Our Fame’, the album proved anything but FUBAR. It showcased KMFDM at its most concentrated, sharply focused, and aggressive, imploring audiences to fight corruption and embrace individuality. The powerful German phrase ‘HAU RUCK’ (meaning ‘Heave Ho’) perfectly captured this defiant spirit.
Hamburg-based industrial rock pioneers KMFDM have carved out a unique path since their founding by Sascha ‘Käpt’n K’ Konietzko in 1984. They’ve continuously refined and redefined modern music while boldly addressing social and political issues. After early albums recorded in Germany, the band moved to the US and gained widespread recognition with Chicago-based Wax Trax! Records.
The 1990s saw KMFDM become a household name in the global industrial rock scene. Their 1995 hit ‘Juke Joint Jezebel’ propelled them onto the Billboard charts and earned them placements on film soundtracks like ‘Bad Boys’ and ‘Mortal Kombat’. Future titans such as Rammstein and Korn even started their careers opening for KMFDM tours.
After a hiatus in 1999 following their tenth album for Wax Trax!, Konietzko resurrected KMFDM three years later, signing with Metropolis Records. This new era featured American singer Lucia Cifarelli (from Drill) and Tim Skold (who later joined Marilyn Manson). Konietzko and Cifarelli returned to Germany in 2008 and have consistently recorded and toured. Their most recent album, ‘LET GO’, released in 2024, coincided with the group’s 40th anniversary.
Metamorph, the captivating project led by Margot Day, has just announced the release of their new “Harlot EP”!
While specific details about the EP’s soundscapes and lyrical themes are eagerly awaited, this new offering from Metamorph promises to continue Margot Day’s unique artistic vision.
This Sunday, May 31st, prepare for a full-on assault of mechanical, raw, and unapologetic sound as we bring you an in-depth look into the world of Dead Posey!
Join us as we dive deep into their origin story, how they forged their signature sound, and the challenges they’ve overcome to become the undeniable force they are today. From their early breakthroughs with tracks like “Don’t Stop the Devil” to the potent fire behind their latest album, Are You In A Cult?, you’ll hear the raw, unvarnished truth of their journey.
Discover their creative process, their fight for authenticity in a fickle industry, and what it truly takes to push boundaries and build a lasting legacy. If you crave music that’s rebellious, empowering, and unapologetically real, you don’t want to miss this!
Tune in to evolradio.com this Sunday, May 31st to immerse yourself in the Dead Posey universe.
Dark/Alt/Dance Culture, Music Entertainment News, Mental Health/STEM updates, Educational/Informational Community Outreach resources, Fashion, and Interviews with the artists you know and love – Featuring a HUGE mix of THE Most Dirty, Heavy, Danceable, Electronica, Rock, Metal, and Industrial! from the underground to the mainstream, coast to coast, and ALL around the globe.
Your source for Dark/Alt/Dance culture on EvolRadio.com- with DJ Darkside 