SINthetik Messiah closes out the year with a brutal, genre-warping gift to the dark electronic underground: the 2025 Compilation (End of the Year Edition) — a 21-track onslaught spanning ambient hauntings, witch house atmospheres, rhythmic noise assaults, and more.
This collection isn’t just a sale — it’s a full-spectrum descent into the many fractured identities of SINthetik Messiah, distilled into one end-of-year sonic ritual for only $8. A perfect storm for listeners who crave shadow, experimentation, and sheer electronic chaos.
FiXT has officially dropped Celldweller’s sinister seasonal anomaly, An Offworld Christmas — a holiday release engineered for those who prefer their cheer distorted, interstellar, and pulsing with alien energy.
Blending cybernetic sleigh bells, industrial frostbite, and Celldweller’s unmistakable offworld sound design, this release reframes Christmas through a darker cosmic lens. It’s festive… but from a timeline where the stars sing back.
The pulse of a forgotten era roars back to life as SPANKTHENUN unveils “Berlin,” a pure New Beat time capsule forged entirely from authentic 1987 hardware.
The Sound of a Dark Dancefloor Reborn 💀
SPANKTHENUN steps straight into the shadows of electronic history with “Berlin,” the first transmission from their upcoming New Beat Collection: Era 1987. This release is more than a song—it’s a restoration of an era when underground clubs bled smoke, neon, and minimalist mechanical rhythm.
To honor the origins of New Beat, the band turned back the clock and used only gear from 1987—no modern shortcuts, no plugins, no digital gloss. The result? A raw, pulsing, hypnotic groove that feels ripped straight from a European nightclub caught between darkness and desire.
A Refrain That Possesses the Mind 🖤
The mantra at the core of Berlin is as addictive as it is transportive:
“Baby, take me to Berlin.” “Baby, nimm mich mit nach Berlin.”
A bilingual invocation. A looping seduction. A phrase engineered to echo in your skull long after the track stops spinning.
This is the kind of single that doesn’t just play—it haunts.
Mach FoX’s journey into the shadows of electronic music began long before Zwaremachine emerged as a fully realized force. Drawn to the synthetic pulse of ‘80s music—processed drums, hypnotic synths, and the strange allure of acts like Gary Numan, Fad Gadget, and Alien Sex Fiend—he quickly discovered that alternative sounds weren’t just music but escape routes. Punk cracked open the door even wider, offering not only attitude but permission. When he shifted from guitar to sequencers and drum machines, he realized he could operate as a one-man band sculpted entirely from electricity. That spark would become the earliest prototype of Zwaremachine.
Throughout the ‘90s, he honed his identity across guitar and synth-driven projects. Then, in 2005, he released his solo Mach FoX album and formed a band to play it live—an act defined by theatrical lighting, costuming, and performance art. This experience birthed Zwaremachine’s audio-visual DNA. As he expanded into VJ work and installation-style video art, syncing imagery with sound became not just an aesthetic choice but an obsession.
Years of performances sharpened his instinct for pairing music with glitchy, circuit-bent visuals. The result? A sonic identity defined not by rigid genre labels but by tension, repetition, and mechanical hypnosis. When Be A Light arrived, Mach coined the phrase “minimal hypnotic industrial body music” to describe a style all his own—long looping sequences cut into tight rhythmic pulses, merging physicality with cold circuitry.
Influence came not just from records, but screens: Tetsuo: The Iron Man, Mad Max, Alien, RoboCop, and the biomechanical nightmares of H.R. Giger. Bands like Sigue Sigue Sputnik and Skinny Puppy shaped his desire for cyberpunk spectacle. Early Zwaremachine shows were chaotic—hardware failing, members missing—but Mach learned self-sufficiency when a DJ collaborator got arrested minutes before showtime. He performed alone. No computers, no backup band—just grit, planning, and will. “Zwaremachine” means “heavy machine,” and in those days, the name matched the literal weight of the gear he dragged to every venue.
Asked what he’d tell his younger self, he answered with conviction: commit to the vision, trust your instincts, and don’t clone anyone else’s sound. Originality is earned through persistence.
⚡
Today, Zwaremachine’s international cult following is the result of years of transformation. A major turning point arrived in 2019 when Bas—Dein Offizier—brought a Brazilian surdo drum into the mix. Its booming resonance expanded the band’s sonic footprint. Shortly afterward, Mach’s longtime collaborator Dbot joined on bass guitar, pushing Zwaremachine from a solo-driven project into a fully realized band with new energy and melodic strength. His contributions shaped Conquest 3000 and set the foundation for the upcoming third album.
The evolution continued with the arrival of guitarist Paul K and electronic drummer Marshall B, shifting Zwaremachine into an industrial rock organism with electrifying live dynamics. The onstage energy surged—heavier, louder, more physical.
Mach remains dedicated to the band’s visual identity, customizing microphones and modifying equipment to maintain a cohesive cyberpunk aesthetic. While earlier performances involved juggling sequencers and visuals live, Mach later realized he needed to step out from behind the machines to truly lead the show. Looping visuals preserved the hypnotic vibe while freeing him to become the frontperson the music demanded. Minimalism remained key: black-and-white glitch art, stark lighting, and lyric-driven repetition designed to pull crowds into a trance. Be A Light, with its single verse and five choruses, exemplified this mantra.
Creative flow within the band is fluid and collaborative. Older tracks left little room for added instrumentation, but newer compositions allow Dbot’s Wax Trax-inspired basslines and Paul K’s textured guitars to flourish. Their third album will be their most unified effort yet, with every member writing and shaping their sound.
Though Zwaremachine excels visually, Mach remains grounded. Whether performing at underground clubs or international festivals, he channels raw punk energy into every show. Music remains his anchor—an outlet for darker emotions in a world that grows more chaotic by the day.
🔮
The road ahead for Zwaremachine is charged with momentum. Their next album promises a more aggressive assault—faster tempos, heavier synths, and arrangements built for live detonation. Recording begins in November, with Mach traveling to the Netherlands to capture performances from Paul K and Marshall B, marking the band’s most global collaboration to date.
Before that arrives, a deeply emotional release is queued under the Mach FoX name. Chaos of Man, arriving in October 2025, was born from tragedy. Originally intended for Zwaremachine’s third record, the material shifted dramatically after the passing of drummer Dein Offizier. Mach found himself unable to revisit the songs for long stretches, and when he did, the arrangements changed—synths replaced with guitars, structures altered to reflect grief’s imprint. Ultimately, the songs no longer fit Zwaremachine’s identity, but they carried a truth that needed to be released. The album stands as both tribute and closure.
Beyond music, Mach plans to return to video art—especially for upcoming music videos tied to the new album. While technology pushes toward virtual and AI-enhanced experiences, Zwaremachine remains unapologetically analog for the time being. The future may bring new tools, but the pulse of the project remains human.
In terms of dream collaborations, Mach’s top choice is visual mastermind Paul Gerrard, whose grotesque and cinematic artwork resonates with Zwaremachine’s dystopian edge.
As he looks forward, Mach’s message to the next generation is simple and razor-sharp: Find your voice. Distill it. Weaponize it. Never conform.
Danish alt-metal innovators MØL return with their breathtaking new single “Young,” the second advance track from their upcoming album Dreamcrush, out January 30th, 2026 via Nuclear Blast Records. Following the shimmering, shoegaze-laden elegance of lead single “Garland,” the band now erupts with a violent, emotional tidal wave that is unmistakably MØL.
Where “Garland” floated upward in dreamy atmosphere, “Young” wastes no time descending into chaos. The track explodes instantly—blistering blast beats, scorching blackgaze fury, and that iconic MØL mix of shimmering guitars and cathartic melodic release.
Dreamcrush — A Journey Through Desire, Doubt & Transformation 🌫️💔
With Dreamcrush, MØL sharpen their heaviest edges while infusing the album with towering alt-rock hooks and emotional vulnerability. It explores the fragile space between aspiration and collapse, the dreams that lift us up—and the ones that shatter us.
Vocalist Kim Song Sternkopf shares: “Performing DREAMCRUSH live feels like tearing up that dream in front of the crowd—fragile, heavy, and luminous. This tour marks a thrilling new chapter for us.”
Drawing influence from My Bloody Valentine, Cocteau Twins, and Smashing Pumpkins, the band weaves soaring melody through devastation, creating their most explosive and affecting work yet.
Recording took place over several months in Frederik Uglebjerg’s Aarhus studio, allowing MØL to refine the album’s emotional core. Highlights include:
Guitarist Nicolai Busse reveals the song’s deeply personal origins: “‘Young’ is a song that has travelled through time. The chorus is one of the first pieces of music I wrote for MØL back in 2012. I returned to it again and again, but couldn’t make it fit—until now. The song represents a time in my life of second-guessing myself and trying to stand on my own.”
Dreamcrush Headline Tour — Europe & UK 🌌🔥 (Feb 2026)
MØL will take Dreamcrush to the stage with support from Tayne and Cold Night For Alligators, bringing their immersive sonic world directly to fans.
Full Tour Dates:
Feb 6 — Berlin, DE — Hole 44 Feb 7 — Prague, CZ — Futurum Feb 8 — Leipzig, DE — Naummans Feb 9 — München, DE — Feierwerk Feb 10 — Wiesbaden, DE — Kesselhaus Feb 11 — Eindhoven, NL — Effenaar KZ Feb 12 — London, UK — Underworld Feb 13 — Manchester, UK — Rebellion Feb 14 — Glasgow, UK — Classic Grand Feb 15 — Leeds, UK — Key Club Feb 16 — Birmingham, UK — O2 Institute2 Feb 17 — Bristol, UK — Exchange Feb 18 — Paris, FR — Petit Bain Feb 20 — Köln, DE — Club Volta Feb 21 — Hamburg, DE — Betty
Industrial-electro giants Combichrist return with a violent, seductive new offering: “Feraline,” the third single from their forthcoming full-length album. Following the crushing intensity of “Desolation” and “RISE,” the band now dives deeper into ritualistic darkness—unveiling a track built for the clubs, the shadows, and the wildness within us all.
A Dark Invocation for the Dancefloor 🌑🔥
“Feraline” is Combichrist in their purest, most feral form: distorted synths, primal rhythms, hypnotic vocals, and a surge of industrial energy sharpened for a new era.
The band’s signature aggression pulses through every beat, paired with a modern electronic edge that guarantees its domination across goth clubs, industrial nights, and festival floors worldwide.
Frontman Andy LaPlegua explains the myth behind the madness:
“Feraline is a Goddess, symbolizing the return to nature — a way to connect to your own feral self, to truly be free from modern-day society.”
Fresh off a blistering Australian tour and a special old-school electro European run, Combichrist continue to build global momentum. Their next album grows nearer—and “Feraline” serves as a seductive omen of what is coming.
The band now prepares for their next conquests:
E-Tropolis Festival 2026 (Germany)
Dark Force Fest 2026 (USA)
Expect sweat, noise, chaos, and a feral transformation under open skies.
About Combichrist 🩸
Founded by Norwegian mastermind Andy LaPlegua, Combichrist have spent more than 20 years reshaping industrial, EBM, and metal with relentless innovation and brutal energy. From legendary albums to explosive stage shows, the band stands at the frontlines of the global industrial movement—fearless, evolving, and eternally ferocious.
With their next full-length album rising on the horizon, “Feraline” is more than just a single—it’s the opening growl of a new beast.
London’s rising dark-electronic force OMEN CODE strike again, dropping a razor-sharp final single titled “Tensor”—the last warning shot before their full-length album Alpha State arrives December 5th, 2025 via Dependent Records (Germany).
A chilling fusion of cybernetic beats, dystopian tension, and calculated aggression, “Tensor” showcases the duo at their most precise and most dangerous yet.
A Final Transmission Before the Fall ⚡🖤
“Tensor” serves as the sinister closing chapter to the album’s advance material, offering a taste of what awaits listeners inside Alpha State—a future where the machines pulse, shadows breathe, and humanity hangs by a digital thread.
OMEN CODE consists of:
Kevin Gould — programming & engineering (ex-Electro Assassin)
Agi Taralas — vocals (ex-Our Banshee)
Together, they forge a sound that feels like industrial DNA spliced with modern dark-electronic warfare—cold, clinical, and overwhelmingly atmospheric.
The godfather of Mexican harsh electronics is back. Racso Agroyam—founding member of Hocico and the mind behind the cult industrial project Dulce Líquido—unleashes one final blast of sonic violence before the arrival of his long-awaited new album MIND DOMINATION, out December 19th, 2025 via Out of Line Music.
Today, Dulce Líquido sets the world ablaze with the punishing new single “La Infamia De Los Falsos.” Grinding, venomous, and unflinchingly raw, it offers a deadly final preview of the chaos to come.
The Final Warning Shot ⚡🧪
“La Infamia De Los Falsos” embodies everything that defines Dulce Líquido: corrosive rhythms, mechanical terror, and an atmosphere dense enough to crush lungs. It is rhythmic torture at its purest—Aggranoise, industrial, minimal, and catastrophic.
Mind Domination is built to level dancefloors and destroy neural pathways. Fueled by pounding beats, twisted synths, and Racso’s signature dystopian vision, this album is a brutal continuation of the sound that turned Dulce Líquido into one of the most influential forces in dark industrial music.
Racso describes it best:
“When atoms and beats are combined, Dulce Líquido is ready to annihilate the dancefloors. The record will keep your mind and body dancing until you die on the dancefloor.”
Minimal. Violent. Hypnotic. This is industrial distortion at full force—a ritual of noise, panic, hate, and absolute catharsis.
For true disciples of the project, Mind Domination also arrives in a strictly limited Archives Of Domination edition—containing three additional CDs of unreleased material rescued from Racso’s personal vault.
Digitized from old tapes, MiniDiscs, and CDs, this archive reveals the hidden DNA of Dulce Líquido’s earliest eras.
Racso explains:
“I’ve been preserving this material for years. Some of it I rescued from old recordings—it’s pure gold from the past. These emotions can never be replaced, and I’m proud to finally share them.”
Live: Hocico at Out Of Line’s 30th Anniversary 🎛️🖤
Racso returns to the stage for a massive celebration as Hocico performs at Out Of Line’s 30th Anniversary in Berlin on December 19th, the same day Mind Domination drops.
Founded in 1993 by Racso Agroyam, Dulce Líquido is an uncompromising vision of industrial extremity—an outlet for isolation, rage, and psychic disintegration. The project rejects boundaries, creating twisted, violent soundscapes where imagination bleeds into reality.
It is the beast beneath the skin. The panic behind the pulse. A world of dance rhythms, harsh electronics, and grotesque atmospheres—always seeking the next boundary to destroy.
Rob Zombie returns from the cinematic shadows with a vicious new single, “Heathen Days,” the latest blast of Hellbilly venom from his forthcoming album The Great Satan, arriving February 27th via Nuclear Blast Records. The master of shock-horror rock is back—and he’s kicking the doors off 2026 with a sound that drips gasoline, grime, and chaos.
A Hellbilly Resurrection 🔥🩸
“Heathen Days” drags listeners straight into Zombie’s old-school furnace—grinding riffs, sleazy groove, and that unmistakable devil-on-the-mic snarl. Directed by Zombie himself, the music video is a filthy, psychedelic nightmare ripped straight from the brain of a man who’s spent decades blurring the line between cinema and carnage.
Following the Top 10 success of The Lunar Injection Kool Aid Eclipse Conspiracy (2021), Zombie now shifts back into the Hellbilly gear that made him a household name among the dark, the damned, and the gloriously unhinged.
The Great Satan marks his 8th studio album—a punk-infused, heavy-rock, blood-spattered carnival that promises to be his most feral offering in years. Fans can expect signature freak-show chaos across tracks like “Tarantula,” “(I’m a) Rock ‘N’ Roller,” and the already-viral single “Punks and Demons.”
With over 15 million albums sold, nine feature films, and a legacy soaked in grindhouse aesthetics and savage creativity, Rob Zombie remains one of the most successful crossover artists in rock history. From White Zombie to Hellbilly Deluxe to The Devil’s Rejects, he has carved out a universe that’s equal parts carnival, corpse pile, and comic book fever dream.
2026 marks a full return to form—louder, weirder, nastier, and unmistakably Zombie.
Sweden’s unstoppable Viking metal warlords Amon Amarth are returning in 2026 with a colossal UK + EU headline siege—one built on fire, steel, and the promise of an entirely new era of brutality.
The Allfather Awakens Tour brings an all-Swedish lineup of devastation, with Orbit Culture and Soilwork joining the charge as the longships push ashore throughout October and November 2026.
A New Age of War Is Coming ⚔️🔥
Fresh from conquering festival seas, supporting Slayer across the UK, and leveling the U.S. alongside Pantera, Amon Amarth now prepare to unveil an all-new theatrical stage production—their most ambitious vision yet.
The band will also deliver an extended headline set, forging the next chapter of Viking metal mythology. The raid begins October 9th in Manchester before tearing across London, Wolverhampton, and then the entire EU with no mercy left behind.
This is not myth. This is not illusion. This is modern metal’s most dominant storytellers calling their armies to war.
Tickets go live Friday, November 28th at 9am GMT / 10am CET via AmonAbarth.com/Tour.
A New Single, a New Age, a New Album Incoming 🌊⚔️
To mark the turning of the tide, Amon Amarth recently fired off their newest single, “We Rule The Waves,” a triumphant offering to the gods. The song’s video stands as a war banner announcing what’s next:
A full new album arrives late 2026.
Forged in iron, shaped by salt and storm, and sharpened by decades of mythic storytelling, the coming record promises to be one of the most devastating offerings in their entire saga.
UK RAID DATES 🇬🇧
Fri 9 Oct — Manchester, O2 Apollo Sat 10 Oct — London, Eventim Apollo Sun 11 Oct — Wolverhampton, Civic Hall
EU RAID DATES 🇪🇺
13 Oct — Paris, FR — Zenith 14 Oct — Esch sur Alzette, LUX — Rockhal 16 Oct — Stuttgart, DE — Schleyer-Halle 17 Oct — Frankfurt, DE — Festhalle 18 Oct — Antwerp, BE — Lotto Hall 20 Oct — Den Bosch, NL — Mainstage 21 Oct — Hamburg, DE — Sporthalle 23 Oct — Gothenburg, SE — Scandinavium 24 Oct — Stockholm, SE — Hovet 26 Oct — Helsinki, FI — Ice Hall 27 Oct — Tallinn, EE — Unibet Arena 29 Oct — Gliwice, PL — PreZero Arena 30 Oct — Leipzig, DE — Quarterback Arena 31 Oct — Oberhausen, DE — Rudolf Weber Arena 2 Nov — Budapest, HU — Barba Negra 3 Nov — Vienna, AT — Gasometer 4 Nov — Bamberg, DE — Brose Arena 6 Nov — Prague, CZ — O2 Universum 7 Nov — Berlin, DE — Velodrom 8 Nov — Munich, DE — Zenith 10 Nov — Milan, IT — Alcatraz 11 Nov — Zurich, CH — The Hall 13 Nov — Barcelona, ES — Sant Jordi Club 14 Nov — Madrid, ES — Vistalegre 15 Nov — Lisbon, PT — Sala Tejo
The Legend of Amon Amarth Continues 🛡️
Formed in 1992, Amon Amarth have forged their iron legacy with albums like “Twilight of the Thunder God” and “Jomsviking,” merging myth, melody, and mayhem into one of metal’s most recognizable identities. Their worldwide domination, festival headlining might, and explosive live production have crowned them kings of the modern Viking metal era.
From the shores of Valhalla to the stages of the world, Amon Amarth continue to evolve without abandoning the power, heart, and ferocity that built their dynasty.
For the first time in over ten years, KING 810 are returning to Australia — and this time they’re leading the charge. The Flint-born rustbelt titans will storm across the continent in March 2026, joining forces with Gloom In The Corner and DREGG for a brutal, unfiltered run of shows fans have been begging for since their last visit.
The Return to Oz 🇦🇺💀
KING 810’s upcoming tour marks their first-ever Australian headlining run, an overdue milestone for one of America’s most uncompromising metal acts. Known for blending bleak storytelling with suffocating heaviness, this tour promises a raw dose of the band’s signature rustbelt mythology — delivered with the full weight of a decade’s anticipation.
Cities include: ADELAIDE, MELBOURNE, SYDNEY, NEWCASTLE, & BRISBANE, where chaos, catharsis, and steel-toothed poetry will collide.
Ticket Details 🎟️
For fans who refuse to wait:
Presale opens:27/11/2025 – 10:00 AM (local time) General sale:28/11/2025 – 10:00 AM (local time)
France’s sad electronica/dream pop enigma GRABYOURFACE returns with a haunting new visual for “All I Have Is Love, All I Do Is Destroy,” the standout descent into heartbreak from the February 5th album Sadgirl Mixtape.
A Ritual of Ruin ⚡
In the new video, GRABYOURFACE drifts through the motions of daily life — smoking, walking, driving — the kinds of quiet rituals we cling to when a relationship collapses under its own weight. Each gesture feels slow, suspended, as if time itself refuses to move forward. Beneath these momentary distractions sits the raw void: loneliness, lingering pain, and the quiet ache of trying to outrun memories that won’t stop whispering.
It’s stark. It’s vulnerable. It’s the sound of a heart learning to beat again.
GRABYOURFACE thrives in that intoxicating place between emotional ruin and dancefloor confessionals — where tears fall in strobe lights and heartbreak turns into something strangely powerful.
Her sonic palette draws from Boy Harsher, Linkin Park, Lana Del Rey, and Lil Peep, forming a shadowy hybrid of dream pop, sad electronica, and emotional excavation. At her shows, she lets the demons loose: a catharsis of dark glamour, melancholy, and violent beauty. It’s intimate. It’s dangerous. It’s unforgettable.
All music, lyrics, and performance by GRABYOURFACE Mixed & mastered by GRABYOURFACE Additional support from Ben Concrete (Petrol Bastard, Ray the Binman) and Matt Fanale (Caustic, Klack, Daddybear)
Discography 📼
1LLNES$E$ (EP, 2017)
philophobia (EP, 2017)
We Live (EP, 2018)
Keep Me Closer (LP, 2018)
Summer on Saturn (EP, 2019)
Summer on Saturn Remixes (LP, 2020)
Sea (LP, 2020)
Rob The Bank (Single, 2021)
FKNBSTRDS / HOWDAREU (EP, 2022)
Haine X Guillotine (EP, 2023)
Sadgirl Mixtape (LP, 2025)
🎶 Listen Now:
Deep Dive into the Universe of GRABYOURFACE 🌌
Bandcamp – Link Instagram – Link Facebook – Link TikTok – Link The Dark Channel PR – Link
Dark Descent Records unleashes a debut forged from abyssal rage and extreme-metal DNA — where death, doom, and cosmic horror collide.
A New Force Crawls Out of the Catacombs ⚰️🔥
Dark Descent Records has released Ash Eclipses Flesh, the devastating debut album from Terror Corpse — and it’s already carving its name into the skull of the underground. The album officially arrives November 21, but you can dive into the abyss now and claim your copy below.
This record isn’t a gentle introduction. It’s a feral, bone-grinding assault crafted by members of:
Malignant Altar
Necrofier
Insect Warfare
It’s rare for a debut to feel this seasoned, this savage, and this sure of its identity — but Terror Corpse lands like a meteor crater.
The Sound: Flesh-Ripping Extremity in Its Purest Form 💀🔥
Ash Eclipses Flesh delivers:
Pulverizing riffs scorched in death metal fire
Blackened atmospheres thick enough to suffocate
Doom-dragging weight that feels apocalyptic
Blasts that hit like collapsing star systems
Vocals carved straight from the throat of the void
This is the kind of album that doesn’t just ask for your attention — it devours it.
Terror Corpse operate in the lineage of extremity, but they’re not copying their influences… They’re weaponizing them.
The Mythos: When Flesh Burns and Ash Speaks ☠️🌑
The album’s title is more than a phrase — it is a prophecy.
Within this record, flesh is temporary. Ash is eternal. And the cosmos doesn’t care who survives.
Terror Corpse channel a universe where decay is holy, violence is scripture, and the last remaining heartbeat is swallowed by cosmic dust.
Their debut is not just an album. It’s a funeral pyre.
Dark Descent Records: Keepers of the Abyss ⚙️
Dark Descent continues to stand as one of extreme metal’s most respected and uncompromising labels — releasing music that prioritizes atmosphere, brutality, and authenticity over trend-chasing. Terror Corpse is the next monster added to their ever-expanding crypt.
istortion Productions ignites the underground with a release built for sweat-drenched dancefloors and shadow-lit neon nights.
Amulet Returns With a Filthy, High-Voltage Statement ⚡🔥
Distortion Productions has unleashed “Dirty Hard Beats (XXX)” by Amulet, a release engineered for bodies that crave movement and minds that thrive in the darker corners of electronic energy. This isn’t just a track — it’s a physical experience, built from steel-cut rhythms, filthy bass grit, and a pulse that refuses to quit.
Amulet leans deep into raw circuitry and hedonistic groovecraft, crossing industrial grit with club-level heat. “Dirty Hard Beats (XXX)” is exactly what the title hints at — dangerous, sweaty, unapologetically rhythm-driven, and tailor-made for nights when nothing matters except the beat and the body.
This is Amulet at their most primal. This is Distortion Productions doing what they do best — feeding the underground.
The Sound: Sleaze, Steel & Sonic Sin 💣🖤
This release taps into a lethal blend of:
Dirty industrial percussion
XXX-grade swagger
Gutter-slick bass hits
Sweat-dripping, no-apology groove
If you want clean, polished, pristine electronics — this isn’t it. If you want grit, heat, and attitude — welcome home.
“Dirty Hard Beats (XXX)” feels like the soundtrack to an after-hours basement rave where the lights never come on and everyone knows exactly why they’re there.
Amulet: A Name Rising from the Smoke 💀
Amulet continues to grow into one of the scene’s most unapologetically visceral acts. Their sonic identity embraces industrial electronics stripped down to their filthiest core — the place where rhythm takes over and intention becomes instinct.
Every release sharpens their edges a little more. “Dirty Hard Beats (XXX)” sharpens them to a knife point.
Distortion Productions: The Factory of Dark Energy ⚙️
Distortion Productions remains one of the most trusted and hard-charging labels in the alternative electronic world. Their catalog is a constant engine of industrial, dark electro, EBM, and everything adjacent to the shadows.
With this release, they continue their streak of championing artists who push boundaries, break floors, and hit harder than the mainstream ever dares.
The Danish synth automatons return with a chilling new chapter—one where even robots are afraid of the dark.
Nightmare Arrives Friday — And It Bites Hard 🩸
The new digital single “Nightmare” drops Friday, November 14th, 2024, across all major streaming platforms — and in pristine lossless format through ManMindMachine’s Bandcamp, complete with an exclusive bonus track, “Monsters.”
The Track: Synthetic Fear Wrapped in EBM ⚙️💀
“Nightmare” is an energetic, melodic EBM burner—wired with pulsing basslines, crisp machine grooves, and a sinister layer of horror-infused atmosphere. It’s the kind of track that compels the body to move while the mind slips into a darker dimension.
Over on Bandcamp, listeners also get “Monsters,” an exclusive b-side that slides into a slower, more haunting realm. Downbeat. Paranoid. Velvet darkness. A very different emotional vector, but unmistakably ManMindMachine.
When Robots Face the Dark: The Nightmare Lore 🤖👁️
The last time we encountered ManMindMachine, their robotic consciousness had evolved—dreaming not of electric sheep, but of possibilities beyond human constraint.
But around Halloween / Samhain / Allerheiligen, when the veil between realms grows thin… something changed.
The robots began to dream of nightmares. They saw monsters in their sleep. And they couldn’t understand why.
Unaccustomed to fear, their digital minds split: What is a dream? What is reality? What stalks them from inside their own code?
Now they invite you into their terror loop. Are you ready for the nightmare?
Who Are ManMindMachine? ⚡
A Danish Synth/EBM collective, ManMindMachine are driven by a devotion to alternative electronic music—but with a mission to reinterpret genres in fresh and unexpected ways. Their sound fuses classic EBM pulses with futuristic textures and philosophical machine-mythology.
About Tinnitorturous Records 🩸🖤
Tinnitorturous is a fiercely independent Danish label dedicated to industrial, EBM, and alternative electronic underground. Operated by veterans of the scene, it is anchored by:
Jens B. Petersen (ManMindMachine, Negant, more)
Tommy B-Kuhlmann (In Absentia, Negant, Body-Banden, more)
They maintain a relentless release schedule packed with genre-shaping singles, EPs, and albums.
Prepare for a dive into the circuits and shadows of industrial rebellion—Zwaremachine is ready to speak. On December 1st, 2025, Evol Radio unleashes an exclusive interview with Mach FoX, the enigmatic force behind the minimal hypnotic industrial body music machine that is Zwaremachine.
🧠 The Mind Behind the Machine From the gritty days of 90s guitar riffs to leading a cyberpunk-infused live act across continents, Mach FoX opens up about his artistic evolution, audio-visual warfare, and the pain-into-power ethos that drives his vision. Expect tales of broken gear, arrested DJs, ghostly visuals, and a sonic philosophy that refuses to conform.
🕶️ Past, Present, and Future Rewired The interview doesn’t just cover Zwaremachine’s origin story—it propels forward. Learn how tragedy shaped their upcoming third full-length release, how live bass and Brazilian drums reshaped their sound, and why Mach FoX is keeping things “old school” in a world sprinting toward AI-driven creativity.
📅 Mark Your Calendar The full interview will go live on EvolRadio.com on Friday, December 1st, 2025—just in time to fuel your weekend with insight, attitude, and the unapologetic truth of a band forged in circuits and scars.
Seattle’s Degraved invades the death metal underground with their full-length debut “Spectral Realm of Ruin,” embracing the grime of ’90s fury and modern sonic decay.
The Assault Begins
The album dropped on November 14, 2025 via Dark Descent Records and the co-label Me Saco Un Ojo. Dark Descent Records+2Dark Descent Records+2 Degraved’s circuitous path from demos and EPs to this full-blown eruption finds them harnessing the raw energy of early death metal and injecting it with a biting edge. Dark Descent Records+1
What to Expect
Soundscape: Blast beats, cavernous guitars, snarled vocals soaked in morbidity — Degraved mix furious brutality with eerie atmosphere. Degraved+1
Influences: You’ll hear echoes of Morbid Angel, Immolation, and the raw “old school death metal” spirit. Degraved
Key tracks: “Pariah of Death & Darkness”, “Sulfuric Embalming” and “Unseen” are standout moments that deliver both speed and menace. Dark Descent Records+1
Production: Recorded at their home studio, mixed with the grime intact — no polish kills the character. Degraved
Degraved aren’t reinventing death metal — they’re re-invigorating it. That’s the hook: this is a band that doesn’t care about trends, cares about tearing flesh with riffs. As one review puts it:
In a ruthless sonic onslaught, Suicide Queen’s newest album “Crowned in Blood” pushes every boundary of their industrial-metal hybrid, delivering raw emotion sharpened to a blade.
The Reckoning Arrives
Los Angeles-based Suicide Queen unleash “Crowned in Blood” via COP International. SIDE-LINE+1 The album follows their debut Nymphomaniac and arrives as a full-length, 11-track release packed with ferocity. SIDE-LINE Frontwoman Kay Dolores writes with a bite: “We forced ourselves to go heavier, louder, more personal”. Guitarist Ron Graves and Scarr Kevorkian deliver on strings and programming, while Dorian Dolore’s remix and lead-guitar cameo bring a twist of weirdness and inevitability.
Why It Hits Hard
This isn’t a safe listen — Suicide Queen go in deep, lyrically and vocally, digging at wounds and turning them into sound.
The mix is brutal: heavy guitars, pounding industrial rhythm, layered anger and melody colliding.
COP International champions this kind of dark-electric assault, ensuring the record lands in the right hands. COP International+1
For fans of aggressive electronic/metal hybrids, this is the kind of release you will spin loud.
Emerging from the industrial underworld, Sensuous Enemy delivers a fierce re-interpretation of their track “Shadowlands,” remixed by Red Lokust and unleashed on Distortion Productions.
Sensuous Enemy has resurfaced with a new aggressive remix of their track “Shadowlands,” reworked by Red Lokust and released via Distortion Productions. YouTube+2Facebook+2 The original band — fronted by vocalist JAI with John Freriks (programming/guitars) and Bob Hensley (programmer/synths/drums) — brings their darkwave/industrial sound into sharper relief under Red Lokust’s remix aesthetic. Distortion Productions Red Lokust’s involvement adds heavier EBM/industrial edges and dance-floor momentum. The label Distortion Productions, based in Pittsburgh, continues to support the underground electronic scene. Distortion Productions
This remix bridges Sensuous Enemy’s melodic darkwave roots with Red Lokust’s harsher industrial club energy — ideal for fans of both realms.
For the label, it’s another strong move in expanding their roster’s reach and reinforcing credibility in the underground scene.
For listeners and DJs, it offers a fresh track suited for both introspective listening and high-octane dance-floor sets.
Expect Sensuous Enemy to continue evolving their sound, possibly leading up to a larger full-length or album cycle. Their past work and this new remix suggest they’re ramping up momentum. For Red Lokust and Distortion Productions, this shows the label’s hunger to push boundary-crossing collaborations and remixes.
🎶 Listen Now:
Deep Dive into the Universe of Sensuous Enemy & Red Lokust
Digital World Audio has just dropped a powerful new strike from the shadows — PROMETHEUS FLAME returns with the explosive single “March On Blaze,” a rallying cry forged in smoke, steel, and cyber-industrial fire.
🔥 PROMETHEUS FLAME — A Rising Force in the Dark Electronic Vanguard PROMETHEUS FLAME has been slowly carving a place in the global industrial underground, mixing militant electronic rhythms with cinematic atmospheres and razor-edged production. Known for a sound that blends dark electro, post-apocalyptic ambience, and martial industrial influence, PROMETHEUS FLAME continues to evolve with each new release — and “March On Blaze” is their most incendiary offering yet.
🔥 “March On Blaze” — A Call to Stand, Fight, and Survive Built on thunderous percussion, smoldering synths, and the unmistakable mechanical heartbeat of Digital World Audio’s signature aesthetic, “March On Blaze” is a track that hits like a strike of lightning across a war-torn horizon. It carries the spirit of rebellion, the weight of resistance, and the full fury of PROMETHEUS FLAME’s sonic arsenal.
🔥 Digital World Audio Continues Its Tactical Expansion Released via Digital World Audio, one of the most consistent players in underground industrial, the track arrives as part of the label’s continued push to spotlight high-intensity electronic warfare from emerging and established artists alike.
Fifty years after the tragic sinking, KLACK resurrect one of the Midwest’s most storied ballads with their unmistakable retro-industrial pulse.
KLACK, Wisconsin’s beloved retro-industrial/EBM duo, return with their yearly tradition: dropping a brand-new cover track that no one sees coming — but everyone ends up obsessed with. For 2025, they’ve gone full Midwest-goth by reimagining Gordon Lightfoot’s iconic “The Wreck of the Edmund Fitzgerald.”
The choice wasn’t random. Today marks the 50-year anniversary of the ship’s tragic sinking on Lake Superior, a moment forever etched into Great Lakes history. Originally, the band had another track in mind — but then Eric had a brilliantly twisted idea: “Why not KLACK-ify one of the most haunting folk ballads ever written?”
Given their Wisconsin roots, the decision clicked instantly. Not many classic songs honor “Cheeseland,” and even fewer lend themselves so perfectly to KLACK’s signature blend of body-moving beats, coldwave grit, and nostalgic machine-soul swagger. The result? A dark, driving, reverent tribute that transforms a folk elegy into a steel-stomp industrial anthem.
Even better — the track is pay-what-you-want, staying true to KLACK’s tradition of giving fans something special each year without a barrier.
Enjoy the stormy synthwaves, the mechanical melancholy, and the electronic respect paid to a legendary piece of North American history.
Daniel Graves launches a powerful new chapter with a high-voltage single and music video, marking the band’s return to Out of Line Music.
Aesthetic Perfection have officially come home. After several years navigating the independent landscape, the genre-bending industrial pop project led by Daniel Graves has reunited with Berlin powerhouse Out of Line Music. And they’re celebrating this renewed alliance with a thunderous new single and music video: “We Bring the Beat.”
A Creative Partnership Reborn
This reunion is more than a return — it’s an evolution. The early partnership between Aesthetic Perfection and Out of Line shaped some of the band’s most defining moments. Now, they step back into the fold as seasoned innovators, bringing sharpened vision, expanded sonic identity, and total creative independence to the label that helped launch their rise.
With Graves splitting his life between Los Angeles and Austria, Aesthetic Perfection has built a legacy on pushing boundaries. Over two decades, they’ve torn apart genre expectations and rebuilt them with their signature mix of pop hooks, aggressive electronics, and emotional vulnerability — a combination powerful enough to fill clubs, crush festival stages, and captivate massive arena audiences.
The Sound of Evolution
“We Bring the Beat” embodies everything that makes Aesthetic Perfection unstoppable: high-octane production, slick industrial swagger, and a pulse engineered for movement. The track arrives with an equally intense music video, amplifying their vision with bold visuals and kinetic energy.
Across seven studio albums, countless singles, and ceaseless touring, Aesthetic Perfection have carved their own lane — collaborating with alt-culture giants like Richard Z. Kruspe, Rhys Fulber, Sean Beavan, Jinxx, Celldweller, and others. Their ambitious “12 Singles in 12 Months” project, the Bad Vibes EP, and sold-out tours further cement their place as one of the most forward-thinking acts in industrial and electronic music.
Right now, Aesthetic Perfection are storming arenas across Europe as direct support for Till Lindemann on his massive Meine Welt 2025 Tour, while also squeezing in select headline dates along the way.
Upcoming Live Dates
2025 OCT 31 – Amsterdam, NL – Ziggo Dome+ NOV 02 – Antwerp, BE – Sportpaleis+ NOV 03 – London, UK – Camden Underworld* NOV 04 – London, UK – OVO Arena Wembley+ NOV 06 – Frankfurt, DE – Festhalle+ NOV 07 – Braunschweig, DE – Westand* NOV 08 – Dortmund, DE – Westfalenhalle+ NOV 10 – Dresden, DE – Messe Dresden+ NOV 13 – Barcelona, ES – Sant Jordi Club+ NOV 15 – Madrid, ES – Palacio Vistalegre+ NOV 17 – Lisbon, PT – MEO Arena+ NOV 20 – Paris, FR – ADIDAS Arena+ NOV 21 – Düsseldorf, DE – PSD Bank Dome+ NOV 23 – Hamburg, DE – Barclay’s Arena+ NOV 25 – Munich, DE – Olympiahalle+ NOV 27 – Nuremberg, DE – Arena Nürnberger Versicherung+ NOV 28 – Wroclaw, PL – Club Liverpool* NOV 29 – Vienna, AT – Stadthalle+ NOV 30 – Vienna, AT – Szene* DEC 01 – Krakow, PL – Tauron Arena+ DEC 02 – Budapest, HU – MVM Dome+ DEC 04 – Bucharest, RO – ROMEXPO+ DEC 06 – Istanbul, TR – Ülker Sports Arena+ DEC 08 – Sofia, BG – Arena Armeec+ DEC 09 – Belgrade, SER – Zappa Baza* DEC 10 – Zagreb, HR – Arena+ DEC 12 – Milan, IT – Alcatraz+ DEC 13 – Karlsruhe, DE – Stadtmitte* DEC 14 – Zürich, CH – Hallenstadion+ DEC 16 – Stuttgart, DE – Hanns-Martin-Schleier-Halle+ DEC 17 – Frankfurt, DE – Das Bett* DEC 18 – Prague, CZ – O2 Arena+ DEC 19 – Prague, CZ – Cargo Gallery*
2026 JAN 30 – Nuremberg, DE – Schattenspiel Festival MAY 07 – Berlin, DE – Out of Line Weekender# AUG 08 – Hildesheim, DE – M’era Luna Festival
= Old-School Electro Show
= Headline Show
= Supporting Till Lindemann
Deep Dive into the Universe of Aesthetic Perfection
DAWN OF ASHES Announce Their Next Chapter: Reinfecting the Scars 💀🔥
Dawn of Ashes emerge once more from the void with a devastating new era, officially announcing Reinfecting the Scars, a violent and ambitious expansion of their blackened industrial legacy. A band already synonymous with cinematic horror, electronic brutality, and extreme metal intensity, Dawn of Ashes now returns with a release that digs deeper into their mythology — reopening old wounds only to infect them anew.
Built on the foundation of Infecting the Scars and Scars of the Broken, this new chapter accelerates the band’s evolution. The new material fuses serrated electronics, ritual-heavy atmospheres, and suffocating aggression into a sound engineered for both internal destruction and external domination. This is Dawn of Ashes at their most sharpened, their most emotionally charged, and their most sonically dangerous.
A Resurrection of Fury
For long-time followers, Reinfecting the Scars feels like a resurrection of the darker DOA eras — reimagined through modern production and a more vicious narrative voice. For those newly stepping into their world, this is the perfect initiation: a chance to witness one of industrial metal’s most enduring forces in full, unrestrained form.
Kristof Bathory continues to push the band’s thematic universe into deeper psychological territory. The release explores trauma, spiritual rot, and transformation through darkness — themes that have defined Dawn of Ashes since their inception but now manifest with even greater clarity and intention. Musically, the band drops listeners into a corrupted ritual space: trance-like ambience suddenly exploding into blast-beat violence, mechanical synth strikes, and guttural proclamations from the abyss.
The DOA Ascension
Sonically, fans can expect a perfect storm of industrial metal, aggrotech, atmospheric blackened textures, and hybridized cinematic sound design. DOA’s ability to merge genres without losing identity is on full display here — a further evolution of their signature aesthetic, sharpened by years of performance, experimentation, and spiritual excavation.
As Dawn of Ashes continue to dominate festival stages and underground circles alike, this new release feels like a culmination — and a new beginning. Reinfecting the Scars isn’t nostalgia. It’s transformation. It’s escalation. It’s the next mutation of a band built on blood, nightmares, and visionary sonic violence.
When the scars reopen, the question is simple: Will you turn away — or lean in closer?
A fierce and electrifying new chapter for one of industrial rock’s most iconic voices.
The Evolution of an Icon
Lucia Cifarelli has long been a dominant force in industrial and electronic rock, celebrated worldwide for her unmistakable voice, razor-sharp delivery, and magnetic stage presence. Many know her as the powerhouse vocalist of KMFDM, a role she has commanded since joining the band at the dawn of the 2000s. Over more than two decades and twelve albums, Cifarelli has become one of the group’s core creative engines — shaping their sound, penning lyrics, and helping define the sonic identity of one of industrial music’s most enduring names.
Roots in Rebellion
Before conquering the industrial world, Cifarelli’s first chapter unfolded with Drill, the explosive mid-’90s band she founded after stepping away from traditional paths and leaning into raw, aggressive expression. Drill toured with titans like Stabbing Westward, Marilyn Manson, Genitorturers, and Gang of Four, leaving an imprint on the era’s darker, heavier underground. Although short-lived, Drill served as a creative forge — a necessary evolution that ultimately led to her alliance with KMFDM architect Sascha Konietzko.
A Solo Legacy of Fire and Fearlessness
Outside her work with KMFDM, Cifarelli has built a potent solo career. Since 2007, she has released three albums that explore a more personal, introspective, and experimental side of her artistry. Her 2021 Metropolis Records release I Am Eye captured hearts with its blend of empowerment, grit, vulnerability, and stomping electronic intensity. One of its standout tracks, the bold and anthemic “Girls Like Me,” originally dropped just ahead of the album’s release — instantly positioning itself as a rallying cry of defiance and individuality.
The New Transformation — alleyKat Ignites the Dancefloor
Now, “Girls Like Me” is reborn.
Las Vegas/Los Angeles–based DJ and producer alleykat, known for crafting emotionally charged progressive house and melodic techno, delivers a massive, cinematic remix that injects new pulse into Lucia’s fire. The remix elevates the original into something bigger, brighter, and club-ready — a sweeping journey of rhythm, atmosphere, and empowerment.
The single arrives today, 14 November 2025, via Metropolis Records, marking a new milestone in Cifarelli’s continuous evolution as an unstoppable creative force.
Swedish melodic death metal juggernaut THE HALO EFFECT returns November 21, 2025, with their brand-new EP We Are Shadows, out via Nuclear Blast Records. This release delivers a bold and personal reflection of the band’s roots, with each member handpicking one song to cover—offering a unique window into the influences that shaped their sound.
A Tribute to Their Influences ⚙️
After the massive success of their sophomore album March of the Unheard—which stormed the charts (#4 in Germany and Austria, #3 in Sweden)—THE HALO EFFECT keeps their momentum blazing. With We Are Shadows, they reimagine classics across rock and metal history, channeling them through the signature “Gothenburg Sound” that defines their legacy.
Each track is a personal homage:
“How The Gods Kill” (Danzig cover) – “During my teenage years the darkness and allure of early Danzig albums introduced me to a whole new way of thinking about what rock and metal could be.” — Mikael Stanne
“If You Were Here” (Kent cover) – “Kent’s mix of pop rock and synth deeply moved me; we wanted to honor their soul while creating something new.” — Peter Iwers
“I Wanna Be Somebody” (W.A.S.P. cover) – “W.A.S.P.’s extreme, dramatic sound was my first taste of metal rebellion.” — Jesper Strömblad
“Dance With The Devil” (Phenomena cover) – “This song struck me like lightning back in 7th grade—pure magic.” — Niclas Engelin
“Shoreline” (Broder Daniel cover) – “Broder Daniel built the Gothenburg indie scene with the same DIY fire that shaped us.” — Daniel Svensson
The result is a stunning cross-section of decades-spanning influence—dark, melodic, and unapologetically human.
EP & Tour Info ⚡
Following a few teaser singles, We Are Shadows arrives November 21, 2025, in both digital and limited-edition vinyl formats.
To close out the year, THE HALO EFFECT will return to Japan, Bulgaria, Turkey, and Finland, before joining Heaven Shall Burn on their “Heimat Over Europe Tour” alongside The Black Dahlia Murder and Frozen Soul in early 2026.
THE HALO EFFECT LIVE DATES
2025 21.11 – Sofia, BG – Pirotska 5 Event Center 22.11 – Besiktas, TR – IF Performance Hall 25.11 – Osaka, JP – BigCat 26.11 – Tokyo, JP – Toyosu PIT 28.11 – Jyväskylä, FI – John Smith Frozen 2025 29.11 – Joensuu, FI – Unholy Winter Fest 2025
2026 – “Heimat Over Europe Tour” with Heaven Shall Burn, The Black Dahlia Murder, and Frozen Soul 27.02 – Hamburg, DE – Inselpark Arena 28.02 – Köln, DE – Palladium 01.03 – Tilburg, NL – Poppodium 013 03.03 – Villeurbanne, FR – Le Transbordeur 04.03 – Paris, FR – Élysée Montmartre 05.03 – Bruxelles, BE – Ancienne Belgique 06.03 – Stuttgart, DE – Porsche-Arena 07.03 – Wiesbaden, DE – Schlachthof 08.03 – Zürich, CH – Halle 622 10.03 – Trezzo sull’Adda, IT – Live Club 11.03 – Esch-sur-Alzette, LU – Rockhal Main Hall 13.03 – Berlin, DE – Columbiahalle 14.03 – Jena, DE – Sparkassen-Arena 15.03 – Brno, CZ – Sono Centrum 17.03 – Budapest, HU – Barba Negra Csepel 18.03 – Kraków, PL – Klub Studio 19.03 – Vienna, AT – Gasometer Raiffeisen Halle 20.03 – Dresden, DE – Messe Halle 1 21.03 – München, DE – Zenith
Band Line-Up 🔥
Niclas Engelin – Guitar Jesper Strömblad – Guitar Mikael Stanne – Vocals Peter Iwers – Bass Daniel Svensson – Drums
Just in time for the dark season, NIGHT RIVALS return with their haunting new single “Vampires In Love (Black Eyes And Love Bites)” — a seductive mix of passion, pain, and pulse-pounding rock energy that captures the gothic spirit perfectly.
The band describes it simply:
“Only music. No A.I. Only real people. No bots. Just us. Big love to you all.”
Authentic, human, and charged with emotion — “Vampires In Love” is a love letter to the night itself. Sink your fangs into it now and celebrate the eternal romance of darkness. 🦇
British industrial techno/gabba powerhouse JUNKIE KUT has dropped his ferocious new single “OutPSYders”, a battle cry for the misfits, freaks, and free thinkers of a homogenized world. The track is now available on all major streaming platforms and serves as a fiery follow-up to his acclaimed 2024 album ekstasis.
⚙️ A Battle Cry for the Outsiders
“So many of us struggle to live in mainstream culture,” says JUNKIE KUT, “so I wanted to make a track of optimistic rage—dedicated to the people who don’t fit in; the goths, the ravers, the punks, the geeks, the freaks. It’s a battle cry for individuality in a painfully homogenous world.”
“OutPSYders” captures that energy with a wall of distorted industrial beats and relentless gabba fury, fusing defiance and euphoria into one explosive statement of rebellion.
🔊 The Sonic Weaponry of JUNKIE KUT
Known for fusing industrial, punk, metal, speedcore, gabba, techno, and trance, JUNKIE KUT stands as one of the most radical forces in the underground scene. After igniting main stages at Resistanz Festival and Infest, he continues to shatter genre boundaries with unfiltered energy and raw intensity.
Having performed alongside Aesthetic Perfection, Zardonic, Deviant UK, and Ayria, and tearing up legendary hardcore events like Hardshock, Pokkie Herrie, Terrordrang, and Berlin’s F*ckParade, his cult following stretches across Germany, the Netherlands, and the UK.
🔥 Radical Sound, Revolutionary Spirit
Fueled by counterculture and neo-shamanic visions of liberation, JUNKIE KUT channels chaos into catharsis. His sound—described as “optimistic rage”—transforms despair into movement and rebellion into art.
This is more than music—it’s a sonic ritual for those who refuse to conform. This is music for the outPSYders.
🩸 Upcoming Tour Dates
07 Nov – Project Speedcore Dungeon, Club Nopti Albe, Köln, DE 08 Nov – Helsinki Industrial Festival, Helsinki, FI
💽 Discography Highlights
Terror, Rage and Liberty (2010 – DTRASH / Splatterkore)
T.H.E.Y (2012 – Unrepresented Music)
Enter The Dreamtime (2017 – Splatterkore)
EKSTASIS (2024 – Self-Released)
All True Weapons (2025 – Digital World Audio / Resistanz)
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