Rob Zombie and Marilyn Manson — two of rock’s most notorious and theatrical icons — are hitting the road together once again for a massive 21-date North American co-headline tour this summer. Dubbed the “Freaks on Parade” Tour, the trek promises late-summer chaos, industrial shock-rock spectacle, and a carnival-of-the-damned energy that only these two showmen can deliver.
The tour kicks off on August 20 in West Palm Beach, Florida at the iTHINK Financial Amphitheatre and barrels through major cities including Tampa, Charlotte, Boston, Chicago, Toronto, and Detroit, before closing out on September 20 in Concord, California at the Toyota Pavilion at Concord.
Tour Highlights
21 dates across the U.S. and Canada with stops in Florida, Georgia, New Jersey, Pennsylvania, Ontario, Michigan, Missouri, Colorado, Utah, Washington, and more.
Special guests The Hu, the Mongolian metal collective blending traditional instrumentation with thunderous rhythms, will join every show.
Industrial rock veterans Orgy, famed for their late-’90s hits, ride shotgun throughout the tour.
Tickets go on sale January 23 to the general public after presales via Citi and artist presales earlier in the week.
This isn’t the first time Zombie and Manson have linked up — their storied history goes back to previous joint tours, where theatrical shock rock and chaotic stage presence became a signature draw for fans.
Whether you’re a long-time fan of industrial mayhem or just crave an unforgettable night of warped theatrics and hard-hitting rock, Freaks on Parade is shaping up to be one of summer 2026’s unmissable live experiences.
Deep Dive into the Universe of Rob Zombie & Marilyn Manson
At its core, j:dead is not simply a music project—it is a psychological space. A place where self-reflection replaces performance, where discomfort is not avoided but examined, and where creativity becomes a form of survival rather than spectacle.
The name j:dead was never meant to function like a conventional band identity. Instead, it represents a second state of being—a presence that takes over once the creative process begins. For him, it exists somewhere between an alter ego and a dissociated mindset, where instinct leads and the “normal” version of himself steps aside. It’s a familiar sensation for creatives: the moment when something internal assumes control and drives the work forward without hesitation or self-censorship.
That mindset arrived at a pivotal time. After touring since the age of 17 with various dark-scene acts—and quietly writing original material since the age of 14—he realized he was sitting on decades of unreleased work. Songs that had lived privately for years, heard only by him, accumulating meaning without ever being given space to exist publicly. Eventually, that archive became impossible to ignore.
More than a career move, j:dead became a necessity. Not because collaboration had failed—there were no creative conflicts—but because this project needed to belong entirely to him. It became a place to process thoughts honestly and therapeutically, without compromise or external expectation.
Lyrically and emotionally, j:dead is grounded in lived experience. While societal context inevitably seeps into the storytelling, the focus remains inward. He has no interest in positioning himself as a commentator or spokesperson. He writes from emotional proximity—his own life, his relationships, and the internal patterns he understands most intimately.
Looking back at the earliest releases, the project reflects a period of transition. New routines, reconnection with self, and the slow rebuilding of identity. Much of that music drew from experiences spanning nearly two decades, blending past trauma with present change. Years later, those releases are remembered fondly—not as endpoints, but as markers of growth, both personally and artistically.
The current chapter of j:dead unfolds through an approach that mirrors life itself—unstructured, reactive, and honest. While Pressure introduced themes of endurance and emotional strain, its follow-up, Disgusting, sharpens the focus inward. The escalation wasn’t meticulously planned; the upcoming twelve-track series is being released largely in the order the songs were written and finished, allowing real-time emotional shifts to guide the journey.
That unfiltered sequencing works. Disgusting arrives early, providing immediate contrast and signaling that the path ahead will not be linear or comfortable.
At its core, Disgusting is about self-directed disgust—an unflinching confrontation with personal behavior, insecurity, and physical self-image. It isn’t a plea for reassurance or sympathy. For him, tough love is necessary. Self-criticism, when handled constructively, becomes fuel rather than damage. He views this mindset as deeply human, culturally familiar, and not inherently unhealthy when it leads to reflection instead of paralysis.
Sonically, the track leans harder into industrial-rock aggression, though not by design. His process always begins with music before vocals or lyrics, and style is never predetermined. Writing primarily from his home studio, the emotional weight of the day dictates the sound. This instinct-driven approach has resulted in a wide emotional and sonic range across the upcoming releases.
That raw energy is sharpened through trusted collaboration. Friends and seasoned professionals helped refine the mix and master, adding precision and impact without dulling the emotional edge. Every distorted texture, rhythmic push, and dynamic shift acts as a catalyst for the lyrical content—and vice versa. Sound and emotion are inseparable here.
The decision to release music monthly comes from a desire to give each track its own moment. In a time when full albums are rarely experienced front-to-back, this strategy ensures no song is lost to passive listening habits. Not every track needs to be a “hit”—but each deserves recognition. At the same time, he is candid about the practical reality: this approach aligns with modern listening behavior and supports the continued growth of the project.
Creatively, the process required a fundamental shift. Instead of working linearly, the writing was divided into phases—melody and structure, sound design, lyrics and vocals, final production—allowing different mindsets to coexist without bottlenecks. The result is a body of work that feels more complete and intentional than anything before it.
Emotionally, detachment remains impossible. For him, release doesn’t come from letting go of meaning—it comes from getting the thoughts out of his head and into the music in the first place.
When listeners describe feeling uncomfortable or “called out,” the response is deliberate. j:dead does not project negativity outward. The harshness is inward-facing, reflective rather than accusatory. While many artists frame their work around triumph and uplift, j:dead occupies a different space—one where doubt, regret, and self-criticism are acknowledged without resolution. It isn’t about making people feel better. It’s about being honest.
Over time, a unifying thread has emerged across the upcoming releases: a personal reset. Frustration with others mirrored by frustration with self. Patience lost, then rebuilt. Each track stands on its own, yet together they trace an arc of internal recalibration.
Sonically, the direction moves toward something more emotionally raw and industrial-forward, balancing aggression and restraint with greater clarity. While synth-pop influences remain part of his creative DNA, the emphasis has shifted toward heavier textures and deeper emotional weight.
At its core, j:dead will always be about self-confrontation. The project exists first and foremost as therapy. There is no calculation around perception, no attempt to tailor the music for external approval. As life evolves, so will the project—but its purpose remains unchanged.
Live performance plays a crucial role in that evolution. j:dead was never meant to exist behind static keyboards. On stage, it becomes fully alive—drums, guitars, bass, vocals, and musicians fully present in every moment. That physicality has directly influenced the production choices on the upcoming material, grounding the recordings in movement and urgency.
Ultimately, he hopes listeners walk away with a simple understanding: it’s okay to be human. It’s okay to feel, to fail, to not have answers. Life doesn’t always deliver messages or resolutions—it simply exists. j:dead exists to reflect that reality without apology.
For those discovering j:dead for the first time through Disgusting, understanding isn’t required. The goal isn’t clarity—it’s presence. To offer something stylistically distinct in an overcrowded landscape, and to let the work stand on its own terms.
j:dead exists because without it, he isn’t sure where he’d be. It is the space where reflection happens, where growth begins, and where lived experience becomes sound.
On January 18, 2026, Evol Radio will publish an exclusive in-depth interview with j:dead, diving beneath the surface of one of the most emotionally confrontational industrial projects currently emerging from the underground.
This interview moves beyond standard promo cycles, instead unfolding as a PAST / PRESENT / FUTURE narrative—examining origin, escalation, and intent with brutal clarity.
A PROJECT BUILT FROM PRESSURE
Since the release of Pressure, j:dead has positioned the project as more than sound—using distortion, repetition, and emotional friction as tools for self-examination. With the follow-up single Disgusting, the project sharpens its edge, turning inward and outward at the same time, forcing listeners to sit with discomfort rather than escape it.
The upcoming Evol Radio interview traces the roots of j:dead’s identity, exploring the moments that demanded the project exist in the first place, and how those early impulses continue to shape its trajectory.
PRESENT TENSION, FUTURE COLLISION
At the center of the conversation is j:dead’s evolving release strategy—monthly drops designed not for algorithmic noise, but for progression in real time. The interview dissects how this approach affects creative detachment, listener connection, and the emotional cost of staying exposed in public.
Topics include:
The psychological meaning behind the name j:dead
The shift from endurance to confrontation between releases
The role of discomfort as a catalyst for growth
Whether j:dead is meant to exist on stage—or remain internal and solitary
This isn’t a surface-level Q&A. It’s a study in self-awareness, pressure, and refusal to numb out—a conversation for listeners who don’t just consume music, but use it as a mirror.
The full interview will be published January 18, 2026, exclusively on evolradio.com.
FiXT sharpens the blade with the release of Machines of Our Disgrace (Single Edits), a precision-cut offering that distills the raw power of Circle of Dust and Celldweller into streamlined, high-impact versions built for immediate immersion. These single edits preserve the aggression, atmosphere, and mechanical soul of the originals—now tightened for repeat listens without losing an ounce of weight.
This release bridges eras and aliases, bringing together two pillars of Klayton’s sonic universe under the FiXT banner. Industrial pressure, cinematic tension, and cybernetic rhythm collide in edits designed to hit fast, hit hard, and linger long after the last transient fades.
The Ultra Heavy Beat never dies—but sometimes it’s forced to regroup. German electronic and industrial rock pioneers KMFDM have officially postponed their nearly sold-out European tour, originally scheduled for February and March 2026, due to a severe illness requiring immediate medical intervention and ongoing therapy.
Tour Update: Health Comes First
The tour was set to support the band’s forthcoming 24th studio album, ENEMY, but circumstances beyond their control have brought plans to a temporary halt.
“We are so very sorry. We were looking forward to do this tour, but we will make up for it,” states KMFDM founder Sascha ‘Käpt’n K’ Konietzko. “We appreciate your love and support! Long live the ULTRA HEAVY BEAT,” adds co-vocalist Lucia Cifarelli.
All tickets will remain valid for the rescheduled dates. A revised tour timeline is expected to be announced soon.
Album Release Unchanged: ENEMY Arrives February 6, 2026
Despite the tour delay, the release of ENEMY remains locked in for February 6, 2026, via Metropolis Records.
The first single, “OUBLIETTE,” is already available and sets the tone for what may be KMFDM’s most confrontational release yet.
ENEMY
Formats: 2×LP | CD | Digital
Release Date: February 6, 2026
Label: Metropolis Records
Includes the single: OUBLIETTE (WAV | MP3 | Streaming | Bandcamp)
The Sound of Defiance
Society fractures. Fascism parades openly. Silence is demanded. KMFDM responds the only way they know how—louder, sharper, and more uncompromising than ever.
With 42 years of conceptual continuity through distinction, KMFDM declare themselves the ENEMY—a direct challenge to hypocrisy, discrimination, and systemic decay. The album is helmed by the songwriting and vocal command of Konietzko and Cifarelli, driven by the percussive assault of Andy Selway, and now reinforced by London-based guitarist Tidor Nieddu, whose vivid six-string attack injects fresh aggression into the KMFDM arsenal.
Adding another striking dimension, Annabella Konietzko appears on the explosive track “YOÜ,” marking her songwriting debut with the band after mesmerizing audiences during the 40th anniversary tour.
Musical Warfare Across the Tracklist
ENEMY is stylistically fearless—biting satire, political venom, and dancefloor-ready brutality collide across its runtime:
Dance/rock melodicism: OUBLIETTE
Dark industrial grooves: CATCH & KILL
Thrash satire: OUTERNATIONAL INTERVENTION
Vicious industrial metal: L’ETAT
Funk-driven menace: VAMPYR
Dub-laced defiance: STRAY BULLET 2.0
KMFDM continues to move—dancing on the blood-dimmed tide, roaring against a world that demands ignorance over awareness.
ENEMY – Tracklist
ENEMY
OUBLIETTE
L’ETAT
VAMPYR
YOÜ
OUTERNATIONAL INTERVENTION
A OKAY
STRAY BULLET 2.0
CATCH & KILL
GUN QUARTER SUE
THE SECOND COMING
Legacy of the Ultra Heavy Beat
Founded in Hamburg in 1984 by Sascha Konietzko, KMFDM carved a singular path through industrial rock—combining confrontational politics, abrasive electronics, and undeniable hooks. Early releases in Germany led to U.S. success through Wax Trax! Records, with the 1990s cementing their legacy via hits like “Juke Joint Jezebel” and soundtrack placements in Bad Boys and Mortal Kombat.
Bands such as Rammstein and Korn cut their teeth opening on KMFDM tours. After a brief hiatus in 1999, the band re-emerged on Metropolis Records with Lucia Cifarelli, continuing a relentless cycle of releases and tours. Their most recent album, LET GO (2024), capped a 40-year legacy, followed by a remixed and remastered edition of HAU RUCK in 2025.
Shock-rock icon Marilyn Manson has officially extended his ongoing One Assassination Under God Tour, announcing a new run of Spring 2026 U.S. dates with support from Australian death-pop duo VOWWS.
Following a year defined by sold-out performances across the globe, Manson shows no signs of retreat. The newly announced dates continue the campaign behind his critically praised 2024 release One Assassination Under God – Chapter 1, out now via Nuclear Blast Records.
🩸 A RECORD BUILT ON DEFIANCE
One Assassination Under God – Chapter 1 stands as one of the most focused and confrontational statements of Manson’s career. Tracks like “Sacrilegious,” “Raise The Red Flag,” and “As Sick As The Secrets Within” fuse scorched-earth lyrics with industrial weight and ritualistic menace, reinforcing his legacy as a provocateur who thrives in chaos.
This next chapter of the tour continues that narrative on stage — theatrical, abrasive, and unfiltered.
🎟️ TICKET INFORMATION
Artist Presale: Tuesday, 12/16 @ 12:00 PM (Local) Password: OAUG26WT
Public On Sale: Friday, 12/19 @ 10:00 AM (Local)
🗓️ MARILYN MANSON — ONE ASSASSINATION UNDER GOD
2026 U.S. TOUR DATES
4/23 – Highland, CA – Yaamava’ Theater*
4/25 – Las Vegas, NV – Sick New World*
5/08 – Minneapolis, MN – The Armory
5/10 – Green Bay, WI – EPIC Event Center
5/12 – Louisville, KY – The Louisville Palace Theatre
5/13 – Memphis, TN – Graceland Soundstage
5/15 – Nashville, TN – The Pinnacle
5/16 – Columbus, OH – Sonic Temple*
10/24 – Fort Worth, TX – Sick New World Texas*
* without VOWWS
📀 ONE ASSASSINATION UNDER GOD – CHAPTER 1
Tracklist
One Assassination Under God
No Funeral Without Applause
Nod If You Understand
As Sick As The Secrets Within
Sacrilegious
Death Is Not A Costume
Meet Me In Purgatory
Raise The Red Flag
Sacrifice Of The Mass
Multiple official music videos from the album — including “Sacrilegious,” “Raise The Red Flag,” and “As Sick As The Secrets Within” — further expand the album’s bleak, cinematic vision.
The second single from j:dead, titled “Disgusting,” lands on January 2, 2026, via Infacted Recordings, marking a sharper, more volatile evolution of the project’s sound and intent.
Following the debut single “Pressure,” which centered on emotional strain and resilience, “Disgusting” turns inward with far less restraint. This release confronts the discomfort of self-awareness—those moments when complacency, emotional stagnation, and repetitive personal patterns become impossible to ignore. It’s not reflective for comfort’s sake; it’s reflective because looking away is no longer an option.
A More Aggressive Sonic Identity
Musically, “Disgusting” pushes j:dead further into industrial-rock territory. Distorted synth lines grind against driving rhythms while raw, unfiltered vocals deliver their message with urgency. The track is intentionally abrasive—designed to hit hard in both club environments and alternative live settings, trading subtlety for impact.
A Campaign Built on Progression
This release emphasizes evolution over repetition. Rather than chasing frequency alone, each monthly release exposes a different emotional and sonic dimension of j:dead.
The result is a project unfolding in real time—growing darker, heavier, and more self-aware with every chapter while maintaining a direct connection with listeners.
KMFDM are back in full combat mode. The legendary industrial rock architects have unleashed “OUBLIETTE”, the first single from their upcoming 24th studio album, ENEMY—a release that reaffirms their role as permanent agitators in a world spiraling toward controlled amnesia and authoritarian comfort.
Released on December 12, 2025 via Metropolis Records, “OUBLIETTE” is available in WAV, MP3, streaming formats, and on Bandcamp, and serves as the opening salvo for what promises to be one of the band’s most confrontational chapters yet.
“OUBLIETTE”: A Place to Be Forgotten 🩸
Derived from the French word oublier (“to forget”), an oubliette is a dungeon accessible only through a trapdoor above—designed to erase its victims from memory entirely. From KMFDM’s perspective, it’s a perfect metaphor.
“A place to be forgotten. What nobody sees, nobody knows.”
Musically, “OUBLIETTE” balances dance-rock propulsion with razor-edged industrial force, setting the tone for ENEMY’s themes of erasure, control, and resistance in an age where truth is buried on purpose.
ENEMY: 42 Years of Defiance, Sharpened 🔥
Set for release on February 6, 2026, ENEMY arrives just weeks before KMFDM launch a previously announced and nearly sold-out European tour. The album is available as 2xLP, CD, and digital, with Bandcamp pre-orders live now.
Society may be unraveling, but KMFDM remain resolute. Forty-two years deep into their legacy, the Ultra Heavy Beat still rises to confront fascism, hypocrisy, and systemic decay—louder and more dangerous than ever.
Lineup: Power, Precision, and New Blood ⚙️
Still commanded by Sascha “Käpt’n K” Konietzko (songwriting, vocals) and Lucia Cifarelli (vocals, songwriting), KMFDM continue their sonic assault with the percussive force of Andy Selway. The current incarnation is further energized by Tidor Nieddu, a London-based guitarist injecting bold new textures and bite.
Following her standout performance of “Professional Killer” during the 40th anniversary tour, Annabella Konietzko makes a powerful return on the explosive track “YOÜ”, marking her official songwriting debut with the band.
A Brutal, Uncompromising Album Statement 💀
Never content with repetition, ENEMY stands among KMFDM’s most stylistically daring and politically scathing releases:
The dance-rock menace of “OUBLIETTE”
The shadowed grooves of “CATCH & KILL”
The satirical thrash of “OUTERNATIONAL INTERVENTION”
The vicious industrial metal of “L’ETAT”
The dark funk pulse of “VAMPYR”
The sly dub swagger of “STRAY BULLET 2.0”
KMFDM don’t retreat—they advance, roaring against a culture that demands silence and submission. The message is clear: join the Ultra Heavy Beat, or become the ENEMY.
HIGHSOCIETY & Micah Martin collide with Zardonic’s bass-fueled chaos for a remix built to detonate speakers.
⚡ A New Single Rewired for Maximum Impact
FiXT has officially released “Going Under (Zardonic Remix)”, transforming the original HIGHSOCIETY & Micah Martin collaboration into a relentless hybrid of rock, electronic aggression, and cyberpunk energy. Zardonic injects his unmistakable style—razor-edged synths, crushing low end, and pulse-racing momentum—into a track that thrives in both the pit and the club.
🔊 Where Rock Meets Electronic Warfare
Micah Martin’s powerful vocal delivery remains front and center, now surrounded by Zardonic’s high-octane production that amplifies the tension and intensity. The result is a remix that doesn’t just reinterpret the song—it weaponizes it.
Mach FoX’s journey into the shadows of electronic music began long before Zwaremachine emerged as a fully realized force. Drawn to the synthetic pulse of ‘80s music—processed drums, hypnotic synths, and the strange allure of acts like Gary Numan, Fad Gadget, and Alien Sex Fiend—he quickly discovered that alternative sounds weren’t just music but escape routes. Punk cracked open the door even wider, offering not only attitude but permission. When he shifted from guitar to sequencers and drum machines, he realized he could operate as a one-man band sculpted entirely from electricity. That spark would become the earliest prototype of Zwaremachine.
Throughout the ‘90s, he honed his identity across guitar and synth-driven projects. Then, in 2005, he released his solo Mach FoX album and formed a band to play it live—an act defined by theatrical lighting, costuming, and performance art. This experience birthed Zwaremachine’s audio-visual DNA. As he expanded into VJ work and installation-style video art, syncing imagery with sound became not just an aesthetic choice but an obsession.
Years of performances sharpened his instinct for pairing music with glitchy, circuit-bent visuals. The result? A sonic identity defined not by rigid genre labels but by tension, repetition, and mechanical hypnosis. When Be A Light arrived, Mach coined the phrase “minimal hypnotic industrial body music” to describe a style all his own—long looping sequences cut into tight rhythmic pulses, merging physicality with cold circuitry.
Influence came not just from records, but screens: Tetsuo: The Iron Man, Mad Max, Alien, RoboCop, and the biomechanical nightmares of H.R. Giger. Bands like Sigue Sigue Sputnik and Skinny Puppy shaped his desire for cyberpunk spectacle. Early Zwaremachine shows were chaotic—hardware failing, members missing—but Mach learned self-sufficiency when a DJ collaborator got arrested minutes before showtime. He performed alone. No computers, no backup band—just grit, planning, and will. “Zwaremachine” means “heavy machine,” and in those days, the name matched the literal weight of the gear he dragged to every venue.
Asked what he’d tell his younger self, he answered with conviction: commit to the vision, trust your instincts, and don’t clone anyone else’s sound. Originality is earned through persistence.
⚡
Today, Zwaremachine’s international cult following is the result of years of transformation. A major turning point arrived in 2019 when Bas—Dein Offizier—brought a Brazilian surdo drum into the mix. Its booming resonance expanded the band’s sonic footprint. Shortly afterward, Mach’s longtime collaborator Dbot joined on bass guitar, pushing Zwaremachine from a solo-driven project into a fully realized band with new energy and melodic strength. His contributions shaped Conquest 3000 and set the foundation for the upcoming third album.
The evolution continued with the arrival of guitarist Paul K and electronic drummer Marshall B, shifting Zwaremachine into an industrial rock organism with electrifying live dynamics. The onstage energy surged—heavier, louder, more physical.
Mach remains dedicated to the band’s visual identity, customizing microphones and modifying equipment to maintain a cohesive cyberpunk aesthetic. While earlier performances involved juggling sequencers and visuals live, Mach later realized he needed to step out from behind the machines to truly lead the show. Looping visuals preserved the hypnotic vibe while freeing him to become the frontperson the music demanded. Minimalism remained key: black-and-white glitch art, stark lighting, and lyric-driven repetition designed to pull crowds into a trance. Be A Light, with its single verse and five choruses, exemplified this mantra.
Creative flow within the band is fluid and collaborative. Older tracks left little room for added instrumentation, but newer compositions allow Dbot’s Wax Trax-inspired basslines and Paul K’s textured guitars to flourish. Their third album will be their most unified effort yet, with every member writing and shaping their sound.
Though Zwaremachine excels visually, Mach remains grounded. Whether performing at underground clubs or international festivals, he channels raw punk energy into every show. Music remains his anchor—an outlet for darker emotions in a world that grows more chaotic by the day.
🔮
The road ahead for Zwaremachine is charged with momentum. Their next album promises a more aggressive assault—faster tempos, heavier synths, and arrangements built for live detonation. Recording begins in November, with Mach traveling to the Netherlands to capture performances from Paul K and Marshall B, marking the band’s most global collaboration to date.
Before that arrives, a deeply emotional release is queued under the Mach FoX name. Chaos of Man, arriving in October 2025, was born from tragedy. Originally intended for Zwaremachine’s third record, the material shifted dramatically after the passing of drummer Dein Offizier. Mach found himself unable to revisit the songs for long stretches, and when he did, the arrangements changed—synths replaced with guitars, structures altered to reflect grief’s imprint. Ultimately, the songs no longer fit Zwaremachine’s identity, but they carried a truth that needed to be released. The album stands as both tribute and closure.
Beyond music, Mach plans to return to video art—especially for upcoming music videos tied to the new album. While technology pushes toward virtual and AI-enhanced experiences, Zwaremachine remains unapologetically analog for the time being. The future may bring new tools, but the pulse of the project remains human.
In terms of dream collaborations, Mach’s top choice is visual mastermind Paul Gerrard, whose grotesque and cinematic artwork resonates with Zwaremachine’s dystopian edge.
As he looks forward, Mach’s message to the next generation is simple and razor-sharp: Find your voice. Distill it. Weaponize it. Never conform.
U.S. electro-industrial act genCAB rises from the depths once more with their haunting new single, “Open Grave,” out now via Metropolis Records. Released on October 31, 2025, this brooding club anthem drags listeners into a confessional spiral of self-sabotage, decay, and emotional dissection—set to a driving, dancefloor-ready beat.
💿 Includes:
Open Grave
Open Grave (Unsolved Remix by Lost Signal)
Last (Nine Inch Nails cover)
🩸 A Dance with Self-Destruction
“The song explores the decay of our own undoing. I’m a self-destructive person, and ‘Open Grave’ is about lying in my own mess that I create for myself,” confesses David Dutton, the creative force behind genCAB.
Dutton adds, “Most of the advice we get is to keep our inner pain hidden, so we isolate further. This song is me laying that pain bare—for anyone to hear, whenever they need it. It’s more accessible than my past work, but it carries a message that’s universal. Sometimes life is just a dance track and an outlet to lose yourself. Who knows what’s left when you tear yourself apart—but at least it’s honest.”
⚙️ genCAB’s Sonic Evolution
Since their 2008 debut II transMuter, genCAB has been a force in the darker corners of electronic music, expertly merging EBM, synth-pop, and alternative rock. After a long hiatus that saw Dutton and drummer Tim Van Horn touring with Aesthetic Perfection, genCAB returned in 2022 with Thoughts Beyond Words and the Everything You See Is Mine EP—showcasing a renewed energy and emotional intensity.
Their 2023 Metropolis release Signature Flaws introduced dreamlike shoegaze and post-hardcore influences, while 2024’s III I II (THIRD EYE GEMINI) reimagined and expanded upon their earliest material with modern, atmospheric depth. Now, Open Grave continues that evolution—melding catharsis with rhythm, and ruin with revelation.
Gasoline Invertebrate, the aggressive industrial rock project of producer and multi-instrumentalist Brian Graupner, has unveiled a new single, “Wrongthink” (BIOCARBON13 remix). The track, which infuses the original song with a fresh dose of distorted electronics and heavy rhythms, is a powerful reinterpretation of a standout from the album, Bending the Light. The original album was released on July 19, 2025.
Deep Dive into the Universe of Gasoline Invertebrate
Listen to and download the new remix here: Bandcamp For more on Gasoline Invertebrate, check out the official pages below:
London-based artist RAY NOIR has just released his most personal and unapologetic effort to date, the EP Against The Machine. This EP is a blend of industrial rock, goth, and electro-metal, and explores love, loss, and defiance from the perspective of a queer person fighting to be seen.
Against The Machine features a guest appearance from Grammy-winning guitarist Steve Stevens and was produced by Jon Cass. The project is described by Noir as “romantic, violent, tender, and angry all at once,” a scream from the margins for those who have always been told they don’t deserve love.
Along with the EP, Ray Noir has released a music video for the single “Mad World.” The video for this politically charged ballad, which you can watch here, strips everything back to expose the stark reality of living in a world dictated by power and corruption.
You can stream or download Against The MachineHERE
A Deluxe Edition of the EP is set to follow in December 2025, featuring exclusive remixes by Tension Control, Verona on Venus, Junkie Kut, and Die Kur. The EP will also be released on vinyl and CD at a later date.
FiXT has officially released “NIGHT OF,” the latest powerful single from electronic rock artist The Anix. Known for pushing the boundaries between modern rock and industrial electronica, the project, led by Brandon Smith, delivers a track that showcases a meticulous blend of driving synthetic rhythms, atmospheric soundscapes, and soaring vocal melodies. The single represents the next chapter in the band’s ever-evolving sonic journey, immediately grabbing listeners and drawing them into a darker, more introspective world.
Thematically and sonically, “NIGHT OF” is a nocturnal anthem that explores introspection and the unknown. The track’s production is polished yet haunting, built on a foundation of pulsing basslines and intricate synth work that creates a cinematic, dystopian atmosphere. The song builds tension with its dynamic arrangement, culminating in an emotionally charged chorus that feels both epic and deeply personal. It’s a testament to The Anix’s ability to craft songs that are not only sonically compelling but also rich in narrative depth, providing a multi-layered experience for longtime fans and new listeners alike.
With “NIGHT OF,” The Anix solidifies its reputation as a leading force in the electronic rock scene. The single stands as a testament to the project’s consistent quality and creative vision, maintaining the high standard set by previous releases on the FiXT label. This new song offers a tantalizing preview of what’s to come, hinting at a larger body of work on the horizon. Fans are encouraged to stream “NIGHT OF” now and stay connected for more announcements from The Anix and FiXT.
Full-Length Album ‘More Of Less’ Drops July 25th via Metropolis Records
💥 Industrial rock trailblazers 16VOLT are back with a searing new single, “White Noise,” out June 20, 2025 via Metropolis Records, and available now to stream and on Bandcamp. The track marks the band’s first fresh material in seven years and serves as the lead single from their upcoming album More Of Less, due out July 25th on LP, CD, and digital formats.
“‘White Noise’ is a song about feeling unheard,” explains founding member Eric Powell, who signed his first record deal back in 1991 as a teenager. “When your voice gets drowned out and it seems like no one is listening to you— to others, you become just white noise, that static sound of nothingness.”
The track arrives just weeks after the band’s 1993 debut Wisdom was issued on vinyl for the first time—selling out immediately. Powell officially revived 16VOLT in 2024 with Negative On Arrivals, a retrospective release compiling tracks from their 2016 and 2017 albums.
Upcoming Album: More Of Less (Out July 25, 2025)
Tracklist:
More Of Less
White Noise
On Memory Lane
The Worst Of Us
If You Like It
Empty As Hell
Unfolding Time
Add It All Up
Then The World
Down Here
💀 A Legacy Forged in Static and Steel
Emerging from the early ‘90s industrial scene, 16VOLT quickly made their mark with albums like Wisdom, Skin, and LetDownCrush, working with genre-defining producers like David Ogilvie (Skinny Puppy), Keith “Fluffy” Auerbach (Ministry), and Jeff “Critter” Newell (NIN, blink-182).
Despite industry setbacks—including legal clashes during the release of SuperCoolNothing—Powell’s tenacity paid off. He bought back the rights to the album and brokered a deal with Sony to feature it in the cult PlayStation game Primal.
By the 2000s, 16VOLT was deep in the Metropolis Records era, releasing powerhouse records like FullBlackHabit, American Porn Songs, and Beating Dead Horses, which featured guests like Paul Raven (Killing Joke, Prong), Steve White (KMFDM), and mix engineer Shaun Thingvold (Strapping Young Lad).
The band’s genre-defiant style and visceral live shows earned them tours with heavyweights like Korn, Filter, Prong, Revolting Cocks, Stabbing Westward, and Front 242.
The spark that ignited Dead Posey was a shared love for rock’s dark heart. Danyell, then immersed in acting and modeling, found her calling one night in Tony’s studio. Already a seasoned musician with Eve 6 and a producer in his own right, Tony witnessed Danyell’s raw talent as she sang Nirvana’s “Come As You Are.” “A newfound passion was unlocked in me,” she recalls, “I knew from that moment in my bones that this is what I was meant to do in life.” They hit the ground running, writing songs that would soon define their unique sound.
Their early “Freak Show EP” era, what they now call Dead Posey 1.0, was a significant milestone, landing them publishing and record deals, along with crucial sync placements. At the time, they believed they had found their sound—a bluesy, garage-rock feel. However, the road ahead held more evolution. As they played live more often, their sound matured, growing harder and more aggressive, embracing darker, synthier rock with heavy guitars. This transformation led to Dead Posey 2.0, where they truly found their stride, blending their favorite influences into a cohesive, powerful force. Playing new songs live before release became a vital part of this evolution, injecting a new level of energy into their recordings.
Early tracks like “Don’t Stop the Devil” became unexpected launching pads, propelling their music into TV and film. These placements were a crucial early boost, providing funding for gear, tours, and merch. “It’s funny looking back, though,” Danyell muses, “our sound has changed so much since then, and we thought that time was the peak. But in reality, it was just the beginning.” This early success taught them a valuable lesson: constant growth and adaptation are essential to building a solid, sustainable foundation in an ever-changing industry.
Their sound is a potent cocktail of influences, a blend of Marilyn Manson, Garbage, Hole, Nine Inch Nails, Nirvana, and Depeche Mode. They gravitate toward anything with dark energy, industrial textures, raw emotion, classic melodies, and a guitar thrust. It’s an intuitive process, a musical blender where everything goes in, and something uniquely Dead Posey emerges. The Freak Show EP, their debut, remains a special marker of their journey, an “innocent but still polished” snapshot of their early days, even as they’ve creatively moved far beyond it.
Breaking into the competitive music industry as a DIY band presented immense challenges, and they’re still pushing boundaries a decade later. They’ve learned not to rely on fickle industry support, choosing instead to focus on what they can control: creating music they’re passionate about and fostering genuine connections with fans through social media and live shows. Their mantra: “Fluff doesn’t create a sustainable career; it’s the hard work you put in every day when no one’s watching that truly makes a difference.” Looking back, their advice to their younger selves would be blunt: “Buckle up – this journey is a long, winding road! The blood, sweat, and tears it will take are beyond imagination so be ready.” They’ve been knocked down countless times, but their unwavering love for creating music, performing live, and connecting with their fans always pulls them back up.
A palpable fire ignites Dead Posey’s latest releases. Their current sound is fueled by rebellion, survival, and self-liberation, a visceral response to the chaos of the world. They’re relentlessly pushing through darkness—mentally, emotionally, and sonically—emerging stronger with every note. Uninterested in trends, they channel years of frustration, power, and resilience into music that is unapologetically their own, designed to endure.
Current Energy & Headspace
While their sound has evolved, their core songwriting and production process remains collaborative. Danyell brings thematic and lyrical vision, while Tony, a versatile musician, masterfully pulls everything into a cohesive, impactful whole. They’ve always been hands-on, writing and producing every element themselves. A significant recent shift involves road-testing new songs live before finalizing them, allowing them to gauge audience connection and infuse recordings with live energy.
Beyond the music, Dead Posey cultivates an iconic visual aesthetic, an extension of their sound. Every release is an opportunity to expand the Dead Posey universe, telling stories through artwork, photos, and stage attire. They draw inspiration from gritty rock ‘n’ roll, vintage flair, dark surrealism, and classic and modern horror, letting the visuals organically rise from the music itself.
Maintaining creative chemistry amidst constant demands requires discipline. They strive to shut out distractions in the studio, finding inspiration in their creative space. Their shared investment in every aspect of the band keeps them grounded and hungry. It’s a delicate balance of trust, taking necessary breaks, and open communication. Their driving force: “The energy we put into the band is what will keep it thriving.”
In an industry where mental health is paramount, they prioritize staying grounded by focusing on what they can control, often breaking it down into week-by-week chunks. They’ve learned not to chase external validation, instead centering on creating music they love and connecting with their fans. Setting boundaries with industry interactions has become crucial for protecting their energy and mental space. Self-care, even in small ways, is essential for navigating the chaos. This past year, they’ve embraced resilience, learning that growth flourishes in discomfort and uncertainty, leading to greater confidence and personal evolution. Their proudest moments of 2024 include releasing their debut album, Are You In A Cult?, headlining shows in the UK, and playing for their biggest crowd yet at Spain’s Rockland festival.
What Lies Ahead
With their debut full-length album, Are You In A Cult?, recently released, Dead Posey is taking time to let it resonate, focusing on touring and bringing their sonic world to as many fans as possible. While always writing, they’re not rushing into another album, instead considering collabs or special versions of existing songs for later in the year. Their dream collaborations span legends like Lady Gaga, Marilyn Manson, Nine Inch Nails, Depeche Mode, or Garbage, recognizing these artists’ profound influence on Dead Posey’s DNA, but they’re equally open to teaming up with rising acts who share their vibe.
Dead Posey remains a core duo, bringing in talented live musicians for their shows. Their vision and songwriting will always stem from the two of them. Their ultimate goal is to become a headlining act, capable of easily touring small to medium clubs, and from there, building to bucket-list aspirations like headlining festivals and becoming a household name. They’re not waiting for opportunities; they’re building their own solid foundation.
They constantly push boundaries in their sound and performance, aiming for an immersive live experience that transcends mere song delivery, engaging audiences on a deeper level with visuals and raw energy. They refuse to stay stagnant, always striving to surprise themselves and their fans. In a rock, alt, and industrial landscape that often blurs genre lines, Dead Posey stands apart with their raw energy and authenticity, in it for the long haul to build their own path.
Ultimately, Dead Posey hopes to leave a lasting mark by demonstrating that success and a loyal fanbase can be found outside “the club,” even in a constantly shifting social media landscape. They aspire to inspire other artists to trust their instincts and remain true to their vision, even when external pressures push in different directions.
Catch Dead Posey headlining and get your VIP tickets for THE DAMNED & THE DEAD tour this June: https://www.deadposey.com/tour
KMFDM is set to re-release their classic fourteenth album, “HAU RUCK,” on May 23rd, 2025, via Metropolis Records. This special 20th-anniversary edition, titled “HAU RUCK 2025,” has been completely remixed and remastered, and will be available on 2xLP, CD, and digital formats. Fans can get an early taste with the newly available audio for ‘FREE YOUR HATE’.
The original “HAU RUCK” was recorded in Seattle and released in 2005. Following their industrial/metal assault with 2003’s ‘WWIII’, KMFDM sought a fresh direction. Band leader Sascha Konietzko expressed the desire for something “more noisy, more dance-y, more electronic, and less butt rock.” The album’s concept was playfully dubbed FUBAR – ‘Fucked Up Beyond All Recognition/Repair’ – reflecting their aim to push boundaries.
From the politically charged anthems of ‘Free Your Hate’ and ‘New American Century’ to the grimly emotional grooves of ‘Real Thing’; from the confrontational dancefloor venom of ‘Ready to Blow’ and ‘Professional Killer’; and encompassing a swinging cover of Jacques Dutronc’s ‘Mini Mini Mini’ and the self-effacing snark of ‘Feed Our Fame’, the album proved anything but FUBAR. It showcased KMFDM at its most concentrated, sharply focused, and aggressive, imploring audiences to fight corruption and embrace individuality. The powerful German phrase ‘HAU RUCK’ (meaning ‘Heave Ho’) perfectly captured this defiant spirit.
Hamburg-based industrial rock pioneers KMFDM have carved out a unique path since their founding by Sascha ‘Käpt’n K’ Konietzko in 1984. They’ve continuously refined and redefined modern music while boldly addressing social and political issues. After early albums recorded in Germany, the band moved to the US and gained widespread recognition with Chicago-based Wax Trax! Records.
The 1990s saw KMFDM become a household name in the global industrial rock scene. Their 1995 hit ‘Juke Joint Jezebel’ propelled them onto the Billboard charts and earned them placements on film soundtracks like ‘Bad Boys’ and ‘Mortal Kombat’. Future titans such as Rammstein and Korn even started their careers opening for KMFDM tours.
After a hiatus in 1999 following their tenth album for Wax Trax!, Konietzko resurrected KMFDM three years later, signing with Metropolis Records. This new era featured American singer Lucia Cifarelli (from Drill) and Tim Skold (who later joined Marilyn Manson). Konietzko and Cifarelli returned to Germany in 2008 and have consistently recorded and toured. Their most recent album, ‘LET GO’, released in 2024, coincided with the group’s 40th anniversary.
Mojave Phone Booth, the compelling husband and wife duo of Mitchell J Doran and Tobey Torres-Doran, have today, May 16th, 2025, released their brand new single, “Ceramic,” via Label 51 Recordings. This marks the latest sonic transmission from the pair, who first began their musical journey together in the late ’90s as pivotal members of the cult industrial rock act Snake River Conspiracy.
“‘Ceramic’ was written on a Moog synthesizer with self-sampled drums and other pre-programmed sounds, plus a mistake that actually became my favourite instrument in the track,” Mitchell explains, offering a glimpse into their experimental process. “I also sampled a burning electric motor and distorted it through a Marshall guitar amp, and layered it in throughout. It’s the first and last sound you hear in this track. The words in the song tie into the larger concept of our new album. What happens on Sunday?” This intriguing question hints at the narrative threads woven throughout their upcoming work.
The album in question is Mojave Phone Booth’s highly anticipated third record, “Blood Doctor Volume One,” slated for release in the summer of 2025. This new offering melds abrasive textures, intricately crafted melodic song structures, and propulsive electronic rhythms into a singular and compelling sonic combination. Known for their relentless and meticulous approach, with an unwavering attention to detail and surgical precision, Mojave Phone Booth has forged their most aggressive and experimental work to date with “Blood Doctor Volume One.”
Tobey Torres-Doran’s powerful presence as the lead vocalist and frontperson for Snake River Conspiracy saw her touring the globe alongside renowned acts such as A Perfect Circle, Queens of the Stone Age, and Filter. Her vocal talents also extended to session work for various recordings under the Warner/Reprise Records banner.
Mitchell J Doran’s musical journey began in his teens, working as a session musician and recording engineer on releases for major labels like Warner, collaborating with iconic bands such as Queensryche and Dio. He was later recruited to Snake River Conspiracy as the lead guitarist and programmer, marking the inception of his creative partnership with Tobey that ultimately blossomed into Mojave Phone Booth.
Their second and most recent album, “Hollow The Numbers” (2023), served as a bold testament to their fearless creative spirit. Written and recorded in their home studio nestled in the Bay Area of Northern California, it masterfully showcased their “studio as instrument” philosophy. They not only drew from an eclectic array of analog gear but also elevated their craft by constructing much of that equipment themselves.
Once again conceived and recorded within the walls of their home studio, “Blood Doctor Volume One” represents the next evolution of their unique creative process. In addition to their instrumental prowess on synths, drums, bass, and guitars, Mitchell also takes on the roles of recording and producing their albums. “Sounds we were inspired by this time were recycling trucks, mechanical telephone switching systems and electronic voice phenomena,” he continues, highlighting their unconventional sonic palette. “We used a wide range of instruments and equipment to create a careful selection of textures.”
“Blood Doctor Volume One” arrests the listener with its immediacy, drawing them into a world brimming with palpable tension and searing emotional depth. Imbued with an otherworldly sonic innovation, Mojave Phone Booth thrives in the compelling space where industrial rock collides with the boundless possibilities of analog electronic experimentation.
Deep Dive into the Universe of Mojave Phone Booth: 🎧🌵
Dilemma, the darkly captivating project forged in the shadows by producer Alex Elias, is releasing its most emotionally resonant single to date, “The Gift (that Keeps on Giving),” today, May 14th, 2025, via Outer Darkness Records. This intensely brooding track plunges listeners into a soundscape that is both exquisitely tormented and deeply personal, serving as a melancholic reflection on the visceral realities of enduring chronic pain.
“The Gift (that Keeps on Giving)” exists in the liminal space between a gothic lament and an industrial outpouring, drawing its power from the profound wellspring of emotional and physical struggle. The lyrics possess a sharp, almost painful beauty, cutting through the sonic darkness like shards of glass beneath a shattered moonlit sky. The poignant line, “and those moments of reprieve, fleeting but pristine, I treasure them as true gift without irony,” lies at the heart of the track’s ironically titled name, encapsulating its bittersweet and deeply human message.
This already powerful single is further amplified by the inclusion of two compelling remixes, each offering a unique perspective on Dilemma’s haunting original:
Pixelgrinder, a formidable force also residing within the Outer Darkness Records stable, injects his signature cybernetic precision into the track, crafting a grinding and deliciously relentless reinterpretation that will resonate with fans of intricate electronic sequencing.
Brandon Smith, the electronic rock visionary behind The Anix and a 20-year veteran of the industry, contributes a masterclass in melancholic extraction. He artfully distills the original’s sorrowful waves, juxtaposing them with an elegy of solemnity and fragile hope, creating a beautifully nuanced sonic tapestry.
“The Gift (that Keeps on Giving)” masterfully showcases Dilemma’s ability to seamlessly blend brooding vulnerability with moments of industrial aggression, offering a cathartic release for anyone who understands the often-invisible battles fought against chronic pain, whether experienced firsthand or witnessed in a loved one.
For media inquiries regarding playlist placement, blog features, or interviews, please direct your correspondence to MGMT.DilemmaIndustrial@Protonmail.com.
Immerse yourself in Dilemma’s “The Gift (that Keeps on Giving)”: [Download Link: Dilemma – The Gift (that Keeps on Giving)] [Download Code: tljf-brbn]
Iconic rock legend MARILYN MANSON has unveiled his rendition of Phil Collins’ renowned track ‘In The Air Tonight’ in anticipation of his 2025 One Assassination Under God Tour. The single, paired with the B-side ‘As Sick As The Secrets Of (Sleep),’ was released as a Maxi Single CD which quickly sold out within four hours. Both tracks are now available for streaming on all platforms.
MARILYN MANSON’s worldwide One Assassination Under God Tour commences in May and will run through November. Tickets are on sale now: https://www.marilynmanson.com/
May 2 – Grand Rapids, MI – GLC Live at 20 Monroe (SOLD OUT)
May 3 – Gary, IN – Hard Rock Live Northern Indiana (SOLD OUT)
May 4 – Detroit, MI – The Fillmore (SOLD OUT)
May 6 – Huntington, NY – The Paramount (SOLD OUT)
May 7 – Bethlehem, PA – Wind Creek Event Center (SOLD OUT)
May 9 – Philadelphia, PA – The Met
May 10 – Boston, MA – Citizens House of Blues (SOLD OUT)
May 12 – Montclair, NJ – The Wellmont Theater (SOLD OUT)
May 13 – Baltimore, MD – Pier Six Pavilion
May 15 – Myrtle Beach, SC – House of Blues (SOLD OUT)
May 16 – Charlotte, NC – The Fillmore (SOLD OUT)
May 18 – Daytona Beach, FL – Welcome To Rockville
May 20 – Atlanta, GA – Tabernacle (SOLD OUT)
May 21 – New Orleans, LA – The Fillmore (SOLD OUT)
May 24 – The Woodlands, TX – Cynthia Woods Mitchell Pavilion
May 25 – Dallas, TX – Dos Equis Pavilion
July 17 – Milwaukee, WI – Fiserv Forum
July 18 – Cadott, WI – Rock Fest
July 19 – Mansfield, OH – Inkcarceration Festival
Aug 7 – Sturgis, SD – Buffalo Chip
Aug 29 – Pryor, OK – Rocklahoma
Sep 3 – Istanbul, TR – Bonus Parkorman
Sep 18 – Louisville, KY – Louder Than Life
Sep 20 – Pittsburgh, PA – Roxian Theatre (SOLD OUT)
Sep 22 – St. Louis, MO – The Pageant
Sep 23 – Kansas City, MO – The Midland Theatre
Sep 25 – Denver, CO – Fillmore Auditorium
Sep 27 – Albuquerque, NM – Revel
Sep 30 – Anaheim, CA – House of Blues (SOLD OUT)
Oct 1 – San Diego, CA – SOMA
Oct 3 – Las Vegas, NV – Pearl Theater
Oct 5 – Sacramento, CA – Aftershock Festival
Oct 29 – Brighton, UK – Brighton Centre
Oct 31 – Bournemouth, UK – Windsor Hall
Nov 1 – Cardiff, UK – Utilita Arena
Nov 2 – Nottingham, UK – Motorpoint Arena
Nov 4 – Manchester, UK – O2 Apollo (SOLD OUT)
Nov 7 – London, UK – OVO Arena Wembley
Nov 9 – Nantes, FR – Zénith
Nov 11 – Paris, FR – Zénith (SOLD OUT)
Nov 13 – Antwerp, BE – Lotto Arena
Nov 14 – Dusseldorf, DE – Mitsubishi Electric Halle
Nov 15 – Prague, CZ – Fortuna Sports Hall
Nov 17 – Berlin, DE – Max-Schmeling-Halle
Nov 19 – Warsaw, PL – Torwar (SOLD OUT)
Nov 20 – Leipzig, DE – Quarterback Immobilien Arena
Nov 22 – Bern, CH – Festhalle Bern
Nov 23 – Grenoble, FR – Le Summum (SOLD OUT)
Nov 25 – Bergamo, IT – Chorus Life Arena (SOLD OUT)
Nov 27 – Barcelona, ES – Palau Olimpic de Badalona
Nov 28 – Madrid, ES – Palacio Vistalegre
Nov 30 – Lisbon, PT – Sagres Campo Pequeno
MARILYN MANSON’s 12th album, One Assassination Under God – Chapter 1, is available now from Nuclear Blast Records. Stream and purchase at https://mm.bfan.link/oaug-ch-1.
One Assassination Under God – Chapter 1 Tracklist:
Out now via Out Of Line Music, rising Australian darkwave duo VOWWS return with the haunting new single “Hurt You” — a brooding, sensual exploration of love, memory, and longing. Following the success of their hard-hitting track “Blood’s On Fire” featuring Josh Freese of Foo Fighters, “Hurt You” brings a more intimate, melancholic energy while maintaining their signature cinematic edge.
“This is probably as close as we’ll get to an actual love song,” VOWWS explain. “But it’s more like a memory of love. A rose-tinted longing… Sometimes these memories change and become their own entity, like an old, flickering movie of the past. That feeling is what the song represents to us.”
Known for their fearless fusion of industrial, electronica, and alt-rock, VOWWS (Rizz + Matt James) have already captured the attention of legends like Deftones, Gary Numan, Korn, A Perfect Circle, and Billy Corgan. With their upcoming 2025 album, the duo have sharpened their vision further — collaborating with Billy Howerdel (A Perfect Circle) to bring their sonic storytelling to life.
Beyond music, VOWWS have also made waves in the fashion world, working with Commes des Garçons, Givenchy, Alyx, and Byredo for live performances and brand compositions, reflecting their multi-dimensional artistic impact.
🔥 Catch VOWWS Live — Headline Shows + Supporting Jerry Cantrell (Alice In Chains):
May
31 – Padua, IT – Hall (w/ Jerry Cantrell)
June
1 – Milan, IT – Magazzini Generali (w/ Jerry Cantrell)
2 – Munich, DE – Kranhalle (headline)
4 – Bochum, DE – Rockpalast (headline)
6 – Berlin, DE – Columbia Theater (w/ Jerry Cantrell)
7 – Rock Im Park, DE
8 – Rock Am Ring, DE
10 – Zagreb, HR – Culture Factory (w/ Jerry Cantrell)
11 – Rock For People, CZ
12 – Nova Rock Festival, AT
15 – Download Festival, UK
17 – London, UK – O2 Forum Kentish Town (w/ Jerry Cantrell)
18 – Portsmouth, UK – Kola (headline)
20 – Hellfest, FR
21 – Graspop Metal Meeting, BE
23 – Nijmegen, NL – Merleyn (headline)
24 – Paris, FR – Machine du Moulin Rouge (w/ Jerry Cantrell)
🔥 Industrial Titans KMFDM Announce 2025 Remaster of Their Iconic Album “Hau Ruck” 🔥
Industrial music legends KMFDM are set to unleash a remastered 2025 re-release of their classic album Hau Ruck, bringing fresh power and intensity to the groundbreaking 2005 record. This reissue will be available on a high-fidelity 45rpm 2-LP vinyl and CD, ensuring fans can experience the album’s crushing industrial beats and razor-sharp lyricism like never before.
To mark the occasion, KMFDM is also dropping an exclusive commemorative T-shirt, celebrating this milestone release—so don’t sleep on it! Once it’s gone, it’s gone!
Founded in 1984 by Sascha Konietzko, KMFDM (Kein Mehrheit Für Die Mitleid) has been a driving force in the industrial rock and electronic body music (EBM) movements for four decades. Known for their signature fusion of hard-hitting beats, aggressive guitars, and politically charged lyrics, KMFDM has influenced countless bands in the realms of industrial, metal, and electronic music.
From their early experimental sounds in Germany’s underground scene to their rise in global prominence, KMFDM’s relentless work ethic and bold sonic identity have kept them at the forefront of heavy electronic music. With albums like “Naïve” (1990), “Angst” (1993), “Nihil” (1995), and “Xtort” (1996), the band pioneered a style that blended pounding electronic rhythms with razor-sharp riffs and biting social commentary.
KMFDM’s ability to reinvent themselves while staying true to their signature ultra-heavy beat has made them an enduring force in the industrial scene. Their fans—often known as the KMFDM Army—have stood by the band through every evolution, keeping their legacy alive in clubs, live shows, and underground playlists worldwide.
The Impact of “Hau Ruck”
Originally released in 2005, “Hau Ruck” marked a new era for KMFDM. The album introduced a heavier, more guitar-driven sound, incorporating elements of industrial metal and hard rock while still retaining the electronic backbone that made KMFDM famous. Tracks like “Free Your Hate,” “Professional Killer,” and the title track “Hau Ruck” delivered a crushing sonic assault, filled with rebellious energy and anti-authoritarian themes.
Now, with the 2025 remastered edition, the album is set to sound bigger, bolder, and even more explosive than ever before. Fans old and new will get to experience “Hau Ruck” in stunning high-definition audio, ensuring every beat, riff, and lyric punches through with maximum impact.
Why This Remaster Matters
For die-hard KMFDM fans and newcomers alike, this 2025 reissue of “Hau Ruck” is more than just a remaster—it’s a celebration of the band’s unwavering legacy in the industrial music scene. Whether you’re a longtime follower or discovering KMFDM for the first time, this release serves as a testament to the band’s raw power, unfiltered creativity, and relentless innovation.
💿 Available in 45rpm 2-LP Vinyl & CD 👕 Limited-Edition Commemorative Shirt 🔥 Experience the Ultra-Heavy Beat Like Never Before!
Rammstein frontman Till Lindemann has released his latest solo single, “Meine Welt”, marking a bold and thought-provoking addition to his growing catalog of solo work. Initially launched digitally on December 20, 2024, the single has now been made available in physical formats as of March 14, 2025, through Out of Line Music.
“Meine Welt” (translated as My World) showcases Lindemann’s signature deep, commanding vocals paired with an intense, cinematic arrangement. The track dives into themes of personal identity, defiance, and resilience, reinforcing his reputation as one of the most expressive and provocative artists in modern German music.
A Sonic and Visual Statement
The single arrives alongside a visually striking music video that reflects Lindemann’s dark, avant-garde artistic vision. With haunting imagery and cryptic symbolism, the video echoes the song’s theme of constructing one’s own reality despite external pressures.
“Meine Welt” was composed by German musician Nicolas Ludwig and produced with a distinct fusion of industrial rock, orchestral elements, and electronic flourishes. Its release comes at a pivotal moment in Lindemann’s career, following a turbulent period of public scrutiny, which the song appears to confront head-on.
A Special Edition Release
Fans can now purchase “Meine Welt” in multiple physical formats, including:
Standard CD Single
Limited Edition Picture Minimax CD
7-Inch Vinyl (Regular and Limited Edition Picture Vinyl)
These collectible versions highlight the track’s stark and confrontational aesthetic, with cover art featuring “Kill Till” spelled in Cyrillic, an apparent reference to past controversies.
A Remix from Avenged Sevenfold’s Zacky Vengeance
Adding a unique twist to the single, Lindemann enlisted Zacky Vengeance of Avenged Sevenfold to craft an exclusive remix of “Meine Welt,” injecting a fresh, aggressive dimension into the track. The collaboration merges Lindemann’s theatrical style with Vengeance’s hard-hitting guitar work, creating an electrifying reinterpretation.
The “Meine Welt” Tour: A Grand Spectacle Awaits
The release of “Meine Welt” sets the stage for Lindemann’s highly anticipated Meine Welt Tour 2025, kicking off on October 29, 2025, in Leipzig, Germany. The extensive tour will see Lindemann perform across multiple European cities, delivering his signature mix of industrial metal, theatrical storytelling, and boundary-pushing performances.
Deep Dive into the Universe of Till Lindemann
For more information on “Meine Welt”, tour dates, and exclusive merchandise, visit:
With “Meine Welt”, Till Lindemann reaffirms his artistic independence and unapologetic vision, proving once again that his world—his music, his storytelling, and his raw, unfiltered emotions—belong solely to him.
Chicago-based industrial powerhouse Derision Cult has just dropped Mercenary Notes Pt. 2, delivering another relentless dose of gritty, hard-hitting industrial rock. 💀⚙️ This latest release continues the project’s signature fusion of aggressive guitars, pounding beats, and thought-provoking themes, making it a must-listen for fans of politically charged, dystopian soundscapes.
🔊 Mercenary Notes Pt. 2 is available now on all major digital platforms! Don’t miss out—dive into the sonic warfare today! 🎧🔥
Rising alternative metal artist Fae Fatale is set to release her chilling new single, “Grim Reaper,” on April 4, 2025. Known for her eerie storytelling and cinematic, horror-infused visuals, Fae Fatale continues to carve her own path in the metal scene with a unique blend of industrial, alternative, and classic rock influences.
A Dark and Cathartic Musical Journey
“Grim Reaper is my own dance with death,” Fae Fatale shares. “I embraced the darkness in my mind and my experience with my own mental health. This song is a beautiful creation born from the catharsis I find in writing music, and now, it’s time to share that experience with the world.”
Blending infectious melodies, raw emotion, and heavy rock riffs, Grim Reaper cements Fae Fatale as a rising force in the alternative metal landscape. Fans of artists such as In This Moment, Motionless In White, and Evanescence will find themselves drawn to her haunting yet powerful sound.
A Visually Stunning Music Video
The single will be accompanied by a visually captivating music video that stays true to Fae Fatale’s horror-inspired aesthetic. Known for her nightmarish yet whimsically twisted cinematic visuals, this latest release promises to be an immersive experience that complements the song’s dark themes.
The Evolution of Fae Fatale
Following the success of “Lobotomy” and “Raw Meat,”Grim Reaper marks a new chapter in Fae Fatale’s evolution as she continues to redefine modern metal with bold storytelling and genre-defying compositions. With a growing social media presence and an ever-expanding fanbase, she is proving that metal is alive and thriving in 2025.
“Grim Reaper” will be available on all major streaming platforms on April 4, 2025.
💀 Industrial Metal Powerhouse Gears Up for “And Then Oblivion” Release on March 21, 2025 💀
US industrial-metal titans Psyclon Nine continue their relentless sonic assault with the release of “Devil’s Work”, the latest single from their highly anticipated album, And Then Oblivion. Arriving on February 14, 2025 via Metropolis Records, this track builds on the unrelenting ferocity of its predecessor, “I Choose Violence”, setting the stage for the band’s next evolution.
🎥 The official “Devil’s Work” music video premieres on February 15, 2025!
Currently tearing through North America on their latest tour, Psyclon Nine continues to push the boundaries of industrial rock, metal, deathcore, ambient, and trap.
⚡ Band leader Nero Bellum has stated that his goal with And Then Oblivion is: “To break as many genre limitations as possible while staying true to the concepts and imagery that Psyclon Nine evokes.”
The album, set for release on March 21, 2025, follows the darkly immersive Less to Heaven (2022) and its companion remix collection More to Hell (2023).
💿 Pre-orders for And Then Oblivion are now available via Bandcamp!
🔗 Pre-order “And Then Oblivion” on Bandcamp:💿 Link
💀 A Legacy of Chaos and Sonic Innovation 💀
Since forming in 2000, Psyclon Nine has become one of the most notorious names in industrial and extreme music, credited as pioneers of Blackened Industrial.
🌍 Their global presence has been solidified through consistent international touring, including performances at major festivals such as: ⚫ Dark Malta ⚫ Castle Party (Poland) ⚫ Wave Gotik Treffen (Germany) – Four appearances to audiences of 30,000+
🎸 The band is set to return to Europe and the UK in Summer 2025 for another wave of high-energy live shows! 🎸
🎶 Tracklist – “And Then Oblivion” 🎶
1️⃣ Devil’s Work 2️⃣ I Choose Violence 3️⃣ Shoot to Kill 4️⃣ CRWLNG FRM CNT T CSKT 5️⃣ Locust of Everything 6️⃣ Speak Evil 7️⃣ Say Your Prayers 8️⃣ Après Toi Le Déluge 9️⃣ Taxidermy 🔟 (Hidden Track)
FiXT is back with another electrifying release to kick off 2025! DEATH X DESTINY, the latest sonic adventure from THE DEFECT, delivers a hard-hitting blend of dark electronic, industrial, and metal influences. Known for their intense soundscapes and aggressive beats, THE DEFECT pushes boundaries once again with a collection that will resonate deeply with fans of dark electronic and industrial metal.
“DEATH X DESTINY is more than just an album; it’s a statement of survival, chaos, and rebirth in a fractured world.” – THE DEFECT
Track Highlights
🔥 “Destiny Falls” – A relentless anthem with grinding guitars and eerie synth layers
⚡ “Broken Crown” – A powerful mix of industrial beats and haunting melodies
💥 “Death Reign” – Dark, heavy, and uncompromising
About FiXT
FiXT Music is a globally recognized label specializing in electronic rock, synthwave, industrial, and futuristic soundscapes. Known for its cutting-edge roster of artists, FiXT continues to redefine the boundaries of alternative music.
🌐 Deep Dive into the Universe of FiXT Music THE DEFECT:
Derision Cult has officially unleashed their latest album, Abdication Day. This hard-hitting release promises to deliver a powerful blend of industrial, metal, and dark electronic sounds that fans have come to love.
Listen Now
Experience Abdication Day on your favorite platform:
Swedish industrial rock powerhouse MORLOCKS kick off 2025 with the release of their brand-new EP, Amor, Monstra Et Horrore Profundi, available today, January 10, 2025, via Metropolis Records. This ambitious five-track offering blends industrial rock, neo-classical, darkwave, and metal into a bold and cinematic sound.
Critical Acclaim for Amor, Monstra Et Horrore Profundi
“Majestic soundscapes imbued with dark menace stand on an equal footing with uplifting chorus lines. Morlocks are a powerhouse force to be reckoned with.” – Louder Than War
“Remarkably ambitious and unashamedly lavish in every way, this EP is something special.” – Aural Aggravation
“Wonderful mix of industrial rock, neo-classical, darkwave and metal.” – Maximum Volume Music
“Grandiloquent, crazy, intense, nasty, hilarious, delightful, as wide as a blockbuster, as twisted as a B-movie: it’s a stroke of genius.” – Verdammnis (FR)
“A must-listen for fans of dark sounds with a dash of madness, Morlocks are back with an impressive performance!” – Medienkonverter (DE)
EP Highlights
The EP features five tracks, including reimagined versions of rare gems and iconic covers:
The S.N.A.F.U. Principle v3.0 – A re-recorded version of a track from their 2001 debut album.
March Of The Goblins – Another powerful re-recording from their early catalog.
The Lake Pt. I & The Lake Pt. II – Cover versions of Bathory classics.
Young Prisoners – A cover of Borghesia’s underground masterpiece.
About MORLOCKS
Formed in Gothenburg, Sweden, in the early ’90s by J. Strauss, MORLOCKS has evolved from a guitar-driven electronic rock sound into a grand industrial symphonic powerhouse. The addition of Innocentius Rabiatus (Andreas Wandegren of Dark Side Cowboys) in 2003 saw the group lean into heavier industrial rock influences, culminating in their celebrated 2011 album The Outlaw of Fives.
Notable collaborations include working with KMFDM’s Sascha Konietzko, dark ambient electro artist Karin My, and black metal vocalist Heljarmadr (Grá/Dark Funeral). Their most recent full-length release, Praise The Iconoclast, was hailed as a masterpiece in the industrial and darkwave scene.
“Nichts ist mehr so wie’s immer war / Hauptsache everything is wunderbar.” (“Nothing is the way it always was / The main thing is that everything is wonderful.”)
Eisbrecher, one of Germany’s most iconic and provocative rock bands, roars back with their powerful new single, “Everything Is Wunderbar.” With biting commentary and unapologetic energy, this track heralds a bold return for frontman Alexander Wesselsky and his crew.
As winter tightens its grip, the icy anthem blasts through the frost, serving as a rallying cry against complacency and apathy. With their signature mix of crushing guitars, fiery synths, and thunderous drums, Eisbrecher delivers a track steeped in cynicism and raw power—a defiant anthem for these turbulent times.
A Soundtrack for a Frozen World
Global warming may heat the planet, but Eisbrecher turns up the chill with a sound that mirrors the coldness creeping into our hearts and societies. “Everything Is Wunderbar” doesn’t just critique—it confronts.
Wesselsky’s razor-sharp lyrics cut deep: “Wir liegen uns zu Füßen / Wir denken megagroß / Wir graden unser Leben up / Und jagen alles hoch.” (“We lie at each other’s feet / We think mega-big / We upgrade our lives / And drive everything up.”)
Through relentless riffs and electrifying beats, Eisbrecher exposes the cracks in our self-obsessed, hedonistic culture. It’s a wake-up call wrapped in an unrelenting sonic assault.
Introducing Kaltfront
“Everything Is Wunderbar” is the first taste of Eisbrecher’s upcoming album, Kaltfront—a manifesto against stagnation, indifference, and the obsession with self-optimization. This album promises to eclipse even their celebrated past.
With more than 20 years of groundbreaking music, Eisbrecher continues to evolve while holding a mirror to society. Their last two albums, Sturmfahrt (2017) and Liebe macht Monster (2021), both topped the German charts. Known for their seismic live performances, Eisbrecher consistently proves why they remain titans of German rock.
FiXT Music artist The Anix has released Voltage, a groundbreaking new album that pushes the boundaries of modern electronic rock. Known for his cinematic soundscapes and immersive audio storytelling, The Anix—the brainchild of artist and producer Brandon Smith—delivers a powerful collection of tracks that blur the lines between industrial, alternative rock, and synthwave.
About Voltage Voltage captures the electrifying essence of a futuristic dystopia, where technology and humanity collide. The album explores themes of isolation, rebellion, and perseverance, set against a backdrop of pulsating beats, soaring vocals, and thunderous guitars. Each track is a meticulously crafted narrative, reflecting Smith’s innovative approach to blending electronic textures with rock energy.
From adrenaline-fueled anthems like “Critical Strike” to introspective tracks like “Forgotten Machines,” Voltage offers a diverse listening experience that showcases The Anix’s versatility. Fans of cyberpunk aesthetics and cinematic music will find Voltage to be an instant classic.
Singles from the Album The release of Voltage was preceded by several hit singles, including:
“Overdrive”: A high-energy track that captures the thrill of pushing limits.
“Electric Eyes”: A hauntingly beautiful song that pairs shimmering synths with emotional lyrics.
“Crash Test”: A gritty, industrial-tinged anthem with a powerful chorus.
A Visionary Sound Brandon Smith’s work as The Anix continues to redefine the boundaries of electronic rock. Combining his experience as a former member of the rock band Apoptygma Berzerk with his love for futuristic concepts, Smith’s music resonates with fans of artists like Nine Inch Nails, Deftones, and Carpenter Brut.
With Voltage, Smith amplifies his signature sound, offering a listening experience that is equal parts nostalgic and forward-thinking.
Exclusive Album Editions To celebrate the release of Voltage, FiXT Music is offering exclusive editions:
Digital Release: Available for streaming and download on all major platforms.
CD Edition: Featuring exclusive artwork and a booklet with behind-the-scenes insights into the making of the album.
Limited Vinyl Release: Includes a special holographic design and a bonus instrumental track.
Deep Dive into the Universe of The Anix Stay connected with The Anix to explore more music, exclusive content, and future announcements:
Marilyn Manson is set to make a thunderous return with his 12th studio album, One Assassination Under God – Chapter 1. This highly anticipated release will hit the airwaves and shelves worldwide on November 22, 2024, via the renowned Nuclear Blast Records.
The album features three riveting singles:
“As Sick As The Secrets Within” – A haunting dive into the dark corners of the human psyche.
“Raise The Red Flag” – A rallying cry against societal decay, brimming with rebellion and ferocity.
“Sacrilegious” – A provocative anthem challenging norms and exploring the intersection of faith and defiance.
A New Era for Marilyn Manson One Assassination Under God – Chapter 1 is more than just an album; it’s a conceptual journey. The first chapter of what promises to be a multi-part saga delves into themes of betrayal, control, redemption, and the loss of faith in modern times. Musically, it merges Manson’s iconic industrial rock roots with experimental elements, offering a soundscape that is both familiar and groundbreaking.
Production & Collaborators The album is a collaborative masterpiece, with Manson working alongside longtime producer Tyler Bates, and guest contributions from prominent artists in the rock and industrial genres. Fans can expect dynamic arrangements, sinister vocals, and lyrics that pierce straight to the soul.
The album will be available in multiple formats to cater to collectors and fans:
Standard CD & Digital Album
Limited Edition Vinyl featuring exclusive artwork and a bonus track
Collector’s Box Set including a hardcover lyric book, exclusive artwork, and a behind-the-scenes DVD
Pre-Order Now! Pre-orders are live on the Nuclear Blast Records website and select retailers. Secure your copy today to ensure you don’t miss out on this groundbreaking release.
In an impressive feat, the band collaborated with The Ultraterrestrial Choir, a 233-voice ensemble made up of fans, friends, and family from around the globe. Each choir member’s contribution was multitracked, resulting in thousands of vocal tracks layered together.
Guitarist Per Nilsson expressed, “‘Xenotaph’ concludes Phase II in an open-ended way, leaving the listener on a bit of a cliffhanger musically as well as lyrically. We felt strongly that ‘Xenotaph’ deserved its own music video, to bring closure to this second part of our Singularity saga and showcase the song to the fullest, and put the spotlight on our amazing, crowd-sourced choir – it is definitely not the last time we will call upon our fans to sing with us!”
Watch the captivating music video for ‘Xenotaph’ here.
You can stream and purchase The Singularity (Phase II – Xenotaph) here.
SCAR SYMMETRY 2023 Live Dates
22.07.23: FI – Laukaa, John Smith Open Air
28.-29.07.23: DE – Heimburg, HMN Festival
03.-05.08.23: SE – Rejmyre, Skogsröjet
12.08.23: FIN – Helsinki, Hellsinki Metal Festival
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