Tag Archives: #ExtremeMusic

KING 810 Ignites SAMHAIN 2 With the Launch of KING 810 LIVE!

After weeks of anticipation, the rollout has officially begun. KING 810 LIVE! has landed on SAMHAIN 2—and this is only the opening strike.

🔥 The Rollout Has Begun

The first episode of KING 810 LIVE! is now live on SAMHAIN 2. If you missed the notification or aren’t subscribed yet, now’s the moment to dive in—Ophiel sets the tone, framing what’s coming next with purpose, intensity, and zero compromise. This series isn’t just a recap; it’s a living document of the movement.

🕯️ LIVE! on SAMHAIN 2 — The Strongest Showing Yet

This year’s SAMHAIN 2 performance hit harder than ever. The energy, the crowd, the ritual—everything aligned. Once again, massive respect goes out to everyone who continues to materialize for this annual gathering. As the dust settles, preparation for 2026 is already underway, with multiple new projects in motion. Stay alert.

📀 SAMHAIN 2 2025 — DVD & LIVE CD (Pre-Order Now)

For those who want to own this moment:

  • KING 810 LIVE! on SAMHAIN 2 (2025) — DVD
    💀 Pre-Order Available Now$30.00
  • Prefer sound over sight?
    The LIVE CD captures the full performance experience in raw audio form.

🔗 Deep Dive into the Universe of KING 810

Official WebsiteYouTubeFacebookInstagram

💀 Dawn of Ashes Unleash “Reinfecting The Scars” — A Brutal New Remix EP via Metropolis Records

Dawn of Ashes Logo

DAWN OF ASHES Announce Their Next Chapter: Reinfecting the Scars 💀🔥

Dawn of Ashes emerge once more from the void with a devastating new era, officially announcing Reinfecting the Scars, a violent and ambitious expansion of their blackened industrial legacy. A band already synonymous with cinematic horror, electronic brutality, and extreme metal intensity, Dawn of Ashes now returns with a release that digs deeper into their mythology — reopening old wounds only to infect them anew.

Built on the foundation of Infecting the Scars and Scars of the Broken, this new chapter accelerates the band’s evolution. The new material fuses serrated electronics, ritual-heavy atmospheres, and suffocating aggression into a sound engineered for both internal destruction and external domination. This is Dawn of Ashes at their most sharpened, their most emotionally charged, and their most sonically dangerous.

Dawn of Ashes – Infecting the Scars era art

A Resurrection of Fury

For long-time followers, Reinfecting the Scars feels like a resurrection of the darker DOA eras — reimagined through modern production and a more vicious narrative voice. For those newly stepping into their world, this is the perfect initiation: a chance to witness one of industrial metal’s most enduring forces in full, unrestrained form.

Kristof Bathory continues to push the band’s thematic universe into deeper psychological territory. The release explores trauma, spiritual rot, and transformation through darkness — themes that have defined Dawn of Ashes since their inception but now manifest with even greater clarity and intention. Musically, the band drops listeners into a corrupted ritual space: trance-like ambience suddenly exploding into blast-beat violence, mechanical synth strikes, and guttural proclamations from the abyss.

The DOA Ascension

Sonically, fans can expect a perfect storm of industrial metal, aggrotech, atmospheric blackened textures, and hybridized cinematic sound design. DOA’s ability to merge genres without losing identity is on full display here — a further evolution of their signature aesthetic, sharpened by years of performance, experimentation, and spiritual excavation.

As Dawn of Ashes continue to dominate festival stages and underground circles alike, this new release feels like a culmination — and a new beginning. Reinfecting the Scars isn’t nostalgia. It’s transformation. It’s escalation. It’s the next mutation of a band built on blood, nightmares, and visionary sonic violence.

When the scars reopen, the question is simple:
Will you turn away — or lean in closer?


🎶 Listen Now


Deep Dive into the Universe of Dawn of Ashes

Facebook – Dawn of Ashes
Instagram – Dawn of Ashes
YouTube – Dawn of Ashes
Spotify – Dawn of Ashes


Hashtags

, #djdarkside, 💀, #dawnofashes, #industrialmetal, #blackenedindustrial, #aggrotech, #darkelectro, #industrialmusic, #newmusic2025, #metropolisrecords, #undergroundmetal, #cyberindustrial, #horrormusic, #extrememusic, #gothindustrial,


If you want, I can do the same end-to-end treatment (with real images inserted) for the Junkie Kut or The Browning – EVOLVE articles next.

VERFÜHRERVERGELTER Erupts with Post-Void / Pre-Body

Industrial noise entity VERFÜHRERVERGELTER has just dropped their latest transmission, Post-Void / Pre-Body—a release that blurs the line between collapse and rebirth, silence and circuitry, decay and resurrection.

A Harsh Emission from the In-Between
The release arrives as five sonic bursts described as “transmitted from the primordial soup of decomposed flesh and corroded PCBs.” Post-Void / Pre-Body is not crafted as a soundtrack or a traditional soundscape—it’s a raw dissection, an exposed noise corpus stitched together from tissue, glitches, and electronic residue.

💀 Between Rot and Simulation
With each track, VERFÜHRERVERGELTER drags the listener through liminal corridors:

  • Between shutdown and reboot.
  • Between rot and simulation.
  • Between meaning and total refusal.

The result is a chaotic yet strangely autonomic pulse—harsh noise refusing narrative, rejecting closure, and leaving behind only corrupted fragments.

🔥 The Artist Speaks in Transmission
As VERFÜHRERVERGELTER declares:

“Every transmission is a scream.
But no one remembers how to listen.
Corruption complete. Still leaking…
No closure. No cleanse.”

🎶 Listen Now:


Deep Dive into the Universe of VERFÜHRERVERGELTER

BandcampFacebookInstagramTwitter/XOfficial Site

DAWN OF ASHES Drops New Single “HYPERTENSIVE CRISIS” Ahead of Upcoming Album

Los Angeles-founded industrial act DAWN OF ASHES, the project of Kristof Bathory since the turn of the millennium, has unleashed their new single, “HYPERTENSIVE CRISIS,” today, April 18th, 2025, via Metropolis Records.

Links to access the single are available for WAV, MP3, streaming platforms, Bandcamp, and the official music video on YouTube:



DAWN OF ASHES – HYPERTENSIVE CRISIS – OFFICIAL MUSIC VIDEO (Radio Version).

This new track is a precursor to their forthcoming album, “INFECTING THE SCARS,” set to be released on June 6th, 2025.

Formed with a moniker suggesting ‘the beginning of the end,’ Dawn Of Ashes initially emerged from the industrial and aggrotech scenes, later incorporating blackened metal and extreme industrial elements. For over two decades, Bathory and the band have consistently pushed the boundaries of extreme music.

Relocating to Denmark, the upcoming album “Infecting The Scars” marks a return to Dawn Of Ashes’ aggrotech roots, infused with a heightened level of intensity and maturity. It is described as a rebirth, blending past aggression with a refined modern sound. The lyrics and sound delve into psychological horror, inner turmoil, and the scars left by life’s harsh experiences, moving beyond mere destructive anthems.

Regarding the new single, “Hypertensive Crisis,” Kristof Bathory states it’s a conscious effort to “recapture the nostalgia of our early era while seamlessly blending it with fresh, modern elements. Evolution and maturity – both in sound and lyrics – are crucial to the creative process. Artistic growth has allowed this project to delve deeper, delivering more meaningful lyrics that evoke horror through the lens of psychosis. This song is a perfect example, showcasing a fully realised version of our classic sound, reimagined with a new intensity and depth.”

The move to Denmark also signals an expansion of Dawn Of Ashes’ live presence, with European tour dates in development alongside planned shows in Mexico, promising widespread chaos and horror.

INFECTING THE SCARS TRACKLISTING:

  1. Intro – Made In Hell
  2. Infecting The Scars
  3. Bone Saw (feat. Alien Vampires)
  4. Visceral Rage
  5. Hypertensive Crisis
  6. Coma Maker
  7. Masochism
  8. Faith Desecration
  9. Throne Of Misanthropy
  10. Outro – Existential Despair

Deep Dive into the Universe of Dawn Of Ashes:
Facebook
Instagram
Twitter/X

🩸 Through Shadows and Scars: A Conversation with Kristof of Dawn of Ashes

From the scorched ruins of aggrotech to the grim grandeur of industrial black metal, Dawn of Ashes has been a relentless force—both terrifying and transformative. Frontman Kristof Bathory is no stranger to trauma, chaos, and creative possession. In this exclusive EVOL Radio interview, he takes us through his past scars, current descent, and future nightmares.

☠️ Born from Isolation and Infernos

Before the sonic abyss that is Dawn of Ashes took shape, Kristof was caught in the all-too-familiar struggle of mismatched bandmates and misaligned visions. Tired of waiting for others to match his hunger, he forged his own path—a solo project carved in darkness and named accordingly.

“I played in various bands before forming Dawn of Ashes, but I often struggled to find musicians who shared my passion. Eventually, I took matters into my own hands and created a solo project—Dawn of Ashes.”

While early releases leaned heavily into aggrotech and EBM, Kristof always had a darker, more metallic beast in mind.

“From the start, my vision was to create an Industrial Black Metal project. After two albums, I missed the organic chaos of live instruments and began fusing extreme metal into the mix. That fusion became our true identity.”

The project truly solidified with Scars of the Broken, a release Kristof considers the moment DOA came into full bloom.

“That album showed the true maturity of the DOA sound.”

As for horror? It’s not just an influence—it’s the marrow of his creativity. But forget slasher films or jump scares. Kristof mines terror from within.

“I delved into the horrors of my own traumas and deep emotions. It scarred me, but it also gave birth to something beautiful.”

Even in the early days, Dawn of Ashes never shied away from controversy or disturbing visuals. That approach, however, has since evolved.

“Some of the early shock value was juvenile. Now, everything I create—visually or musically—must carry meaning. True horror is intelligent and layered.”

🔥 Present-Day Descent

With each new album, Dawn of Ashes goes deeper into psychological darkness. Kristof says the Scars TrilogyScars of the Broken, Reopening the Scars, and Infecting the Scars—is a raw exploration of the human mind’s most grotesque corridors.

“It’s all psychological. Each record explores different mental states and the horrors of the mind.”

Writing has become both an invocation and an exorcism. But unlike the earlier days of creative warfare, Kristof now finds a strange peace in ambient music—saving DOA for when he truly needs to summon something vile.

“Delving into darkness has become more difficult as I’ve gotten older. Sometimes you want the war to end. Ambient music gives me catharsis. Dawn of Ashes is for chaos.”

His songwriting process varies—sometimes channeled like a film director, other times like a general commanding sonic mayhem. But ultimately, it all comes down to emotion.

“It depends on the album’s concept. Everything begins with emotion—it guides the creative rituals.”

DOA’s live shows remain a feast of horror and theatricality, though the definition of horror has matured along with the sound.

“We’ve redefined horror to reflect the vile corners of the human psyche. The stage becomes a mirror for that.”

Though collaboration isn’t a frequent indulgence, Kristof draws inspiration from the dark ambient scene.

“I mainly find influence in ambient artists these days.”

As for the state of industrial music?

“I’m selective about the industrial I listen to. I still connect with older artists I’ve always loved. I’m not really up-to-date with the current scene.”

🔮 Into the Future: Daemons and Discipline

The future of Dawn of Ashes won’t be random destruction—it’ll be structured chaos. Kristof plans to harness the decay, turning inner ruin into something powerful and deliberate.

“I believe in creating with structure and strength. Chaos can be tamed and used. My live shows are a way to express and protect that inner decay.”

When asked if he could summon any entity to join a DOA track, Kristof’s answer was chillingly poetic.

“I summon a daemon with every album I create. Each one is different, shaped by the emotional state of the record.”

And the message to those brave enough to enter Dawn of Ashes’ twisted dimension?

“Be aware of true horror—your internal conflicts can be far more grotesque than anything external. The mind reveals nightmares far beyond superficial shock.”

💀 Deep Dive into the Universe of Dawn of Ashes:

🩸 HARM’S WAY & FULL OF HELL Forge Unholy Alliance for Spring 2025 Tour 💀

Prepare for impact. This May, HARM’S WAY and FULL OF HELL will detonate a co-headlining tour across North America, unleashing sonic violence alongside support from KRUELTY, JARHEAD FERTILIZER, and CLIQUE.

The Spring 2025 run kicks off May 10th in Detroit and runs through June 8th, culminating in Toronto. Along the way, HARM’S WAY will wreck stages at some of the year’s most stacked festivals—Sonic Temple, Welcome to Rockville, and Milwaukee Metal Fest. This relentless campaign also leads into a new HARM’S WAY EP, with further details to surface in the coming weeks.

“We’re building something heavier than just a tour,” said the band in a teaser. “This is about expression, destruction, and evolution.”

The tour follows the acclaimed release of Common Suffering (Metal Blade Records), an album that sees HARM’S WAY exploring grief, disorder, misanthropy, and mental collapse through some of the most diverse and punishing songwriting in their career.

Tickets are on sale now. Brace yourself.

⚙️ Tour Dates – HARM’S WAY x FULL OF HELL 2025

DateVenueCity / Note
5/10/2025Lincoln FactoryDetroit, MI w/ Converge
5/11/2025Sonic Temple ^Columbus, OH
5/13/2025Eulogy **Asheville, NC
5/14/2025New Brookland Tavern **Columbia, SC
5/15/2025Welcome To Rockville ^Daytona, FL
5/16/2025Georgia TheaterAthens, GA w/ Sanguisugabogg
5/18/2025Milwaukee Metal Fest ^Milwaukee, WI
5/19/2025Blueberry Hill Duck RoomSt Louis, MO
5/20/2025PortalLouisville, KY
5/21/2025Exit/InNashville, TN
5/23/2025Rubber GlovesDenton, TX
5/24/2025Empire GarageAustin, TX
5/25/2025Secret GroupHouston, TX
5/27/2025The MasqueradeAtlanta, GA
5/28/2025Motorco Music HallDurham, NC
5/30/2025The Canal ClubRichmond, VA
5/31/2025Baltimore SoundstageBaltimore, MD
6/01/2025Underground ArtsPhiladelphia, PA
6/02/2025Bowery BallroomNew York, NY
6/04/2025AMHAmityville, NY
6/05/2025Webster UndergroundHartford, CT
6/06/2025The Middle EastBoston, MA
6/07/2025Theatre FairmountMontreal, QC
6/08/2025Axis ClubToronto, ON

^ = Festival Date
** = HARM’S WAY Solo Date

🌐 Deep Dive into the Universe of HARM’S WAY:

🔥 PSYCLON NINE Unleashes New Single “Devil’s Work” Ahead of Upcoming Album 🔥

💀 Industrial Metal Powerhouse Gears Up for “And Then Oblivion” Release on March 21, 2025 💀

US industrial-metal titans Psyclon Nine continue their relentless sonic assault with the release of “Devil’s Work”, the latest single from their highly anticipated album, And Then Oblivion. Arriving on February 14, 2025 via Metropolis Records, this track builds on the unrelenting ferocity of its predecessor, “I Choose Violence”, setting the stage for the band’s next evolution.

🎥 The official “Devil’s Work” music video premieres on February 15, 2025!

🔗 Listen & Watch: 🎵 WAV | 🎵 MP3 | 🔊 Stream | 💿 Bandcamp | 🎬 Video (Available February 15)

🔥 A New Era of Industrial Mayhem 🔥

Currently tearing through North America on their latest tour, Psyclon Nine continues to push the boundaries of industrial rock, metal, deathcore, ambient, and trap.

⚡ Band leader Nero Bellum has stated that his goal with And Then Oblivion is:
“To break as many genre limitations as possible while staying true to the concepts and imagery that Psyclon Nine evokes.”

The album, set for release on March 21, 2025, follows the darkly immersive Less to Heaven (2022) and its companion remix collection More to Hell (2023).

💿 Pre-orders for And Then Oblivion are now available via Bandcamp!

🔗 Pre-order “And Then Oblivion” on Bandcamp: 💿 Link

💀 A Legacy of Chaos and Sonic Innovation 💀

Since forming in 2000, Psyclon Nine has become one of the most notorious names in industrial and extreme music, credited as pioneers of Blackened Industrial.

🌍 Their global presence has been solidified through consistent international touring, including performances at major festivals such as:
Dark Malta
Castle Party (Poland)
Wave Gotik Treffen (Germany) – Four appearances to audiences of 30,000+

🎸 The band is set to return to Europe and the UK in Summer 2025 for another wave of high-energy live shows! 🎸


🎶 Tracklist – “And Then Oblivion” 🎶

1️⃣ Devil’s Work
2️⃣ I Choose Violence
3️⃣ Shoot to Kill
4️⃣ CRWLNG FRM CNT T CSKT
5️⃣ Locust of Everything
6️⃣ Speak Evil
7️⃣ Say Your Prayers
8️⃣ Après Toi Le Déluge
9️⃣ Taxidermy
🔟 (Hidden Track)


🌐 Deep Dive into the Universe of PSYCLON NINE 🌐

🔗 📘 Facebook | 📸 Instagram

Metal Blade Museum to Open Its Doors to Fans on Saturday, August 19!

Metal Blade Records Museum, located in Las Vegas, NV, is ready to welcome fans once again. Brian Slagel is opening up the museum doors on Saturday, August 19, and it will be accessible every Saturday from thereon.

On the opening day, Saturday, August 19, Lizzy Borden himself will be present to take a stroll through the museum.

The operating hours are from 12 pm to 5 pm PT, and tickets are available [here](link to tickets).

Ticket holders will receive the museum address after purchase.

About Metal Blade Records:
Founded on Brian Slagel’s relentless drive to discover great bands and share their music with as many people as possible, Metal Blade has been bringing waves of powerful, innovative, and genre-defining music to the metal masses since 1982. The label boasts a diverse and stunning catalog, has weathered challenges faced by independent labels, and celebrated its successful four-decade existence in an era of declining record sales.

Metal Blade Records launched legendary bands like Metallica, Slayer, Armored Saint, Fates Warning, GWAR, Cannibal Corpse, Amon Amarth, Whitechapel, The Black Dahlia Murder, Cattle Decapitation, and many more, shaping the culture of hard rock, metal, and extreme music for over forty years.
Brian Slagel, once a record store clerk, reserved a spot for a young Lars Ulrich on his Metal Massacre compilation series, and Metal Blade has since grown from humble beginnings in Los Angeles into an international powerhouse, selling millions of albums while fiercely maintaining its independence. In 2017, Slayer’s Kerry King inducted the label into the Hall of Heavy Metal History.

Slagel’s book “For the Sake of Heaviness: The History of Metal Blade Records” was released the same year.

Deep Dive into the universe of Metal Blade Records:

Website

Facebook

Instagram

Spotify User

Twitch

YouTube

Twitter