Just in time for the dark season, NIGHT RIVALS return with their haunting new single “Vampires In Love (Black Eyes And Love Bites)” — a seductive mix of passion, pain, and pulse-pounding rock energy that captures the gothic spirit perfectly.
The band describes it simply:
“Only music. No A.I. Only real people. No bots. Just us. Big love to you all.”
Authentic, human, and charged with emotion — “Vampires In Love” is a love letter to the night itself. Sink your fangs into it now and celebrate the eternal romance of darkness. 🦇
The legendary producer returns after nearly five years with an apocalyptic fusion of industrial metal and electronic chaos.
⚡ Explosive Comeback After years of silence on the vocal front, Celldweller — the brainchild of multi-genre mastermind Klayton — has re-emerged with a thunderous new single, “Fakebreaker.” This marks his first full-vocal release in nearly five years, and it’s a sonic firestorm that blends industrial metal, electronic rock, and cinematic bass energy into one devastating package.
Teaming up with dark-bass producer SWARM and vocalist/producer REEBZ, Celldweller delivers a soundscape that’s part cybernetic warfare, part emotional exorcism. Expect thunderous guitars, mechanical grooves, and distorted synths that explode into a dystopian frenzy.
🎛 The Story Behind the Sound Klayton revealed that the project began unexpectedly:
“A 303 acid bassline and a breakbeat… this was a demo for my project FreqGen. While building my new studio, ‘Fakebreaker’ developed into a monster.”
As the track evolved, he enlisted REEBZ for her fierce vocal layering and SWARM for his retro-infused dark electronic textures. The collaboration created a high-impact track that merges three creative visions into one unstoppable sonic juggernaut.
💥 Cinematic Visuals & Future Vision Accompanying the single is a video game-inspired visual where Klayton and REEBZ navigate a neon-drenched digital battlefield — a chaotic visual extension of the track’s post-apocalyptic themes. The release also teases the next phase of Celldweller’s evolution, rumored to build toward his upcoming “God Mode” EP under FiXT.
For long-time fans, this is more than a comeback — it’s a resurgence. For new listeners, it’s a warning shot: Celldweller is still the architect of industrial revolution in modern electronic music.
The ever-fierce I Ya Toyah returns with a new surge of energy through “Denial (Aesthetic Perfection Remix)”, reimagining her haunting industrial sound with Daniel Graves’ signature electronic venom. This remix blends icy synth lines, pulsating bass, and a dose of Aesthetic Perfection’s dark-pop flair, transforming the original into a dancefloor inferno for the disillusioned and defiant.
Fans can expect the remix to amplify the raw emotion and cyberpunk tension that I Ya Toyah is known for—twisting the edges of pain and beauty into something electrifying.
🎶 Listen Now:
💬 “Denial is about confronting the uncomfortable truths we try to bury,” says I Ya Toyah. “This remix turns that confrontation into a dark celebration—a scream disguised as a song.”
⚡ About I Ya Toyah
Born in Poland and now based in Chicago, I Ya Toyah’s name translates roughly to “It’s just me”—a fitting declaration for the one-woman army behind her music. Blending industrial, darkwave, synth-pop, and electronic rock, she writes, records, and produces everything herself, championing a fiercely DIY ethos under her own label Femme Fatale Records.
Her work delves deep into themes of mental health, human rights, and self-empowerment, often donating proceeds from her music and merchandise to causes such as the American Foundation for Suicide Prevention and Animal Hope & Wellness. I Ya Toyah views her project not merely as music, but as a movement—a rallying cry for individuality and strength in dark times.
Her debut album Code Blue (2018) introduced her as a formidable voice in the industrial underground, with subsequent releases and collaborations pushing her further into global recognition. “Denial (Aesthetic Perfection Remix)” continues that legacy, fusing raw emotion with machine-driven precision.
🌍 Upcoming Tour Dates (Post November 1, 2025)
I Ya Toyah is currently bringing her electrified stage presence to Europe, delivering an immersive live show that merges sound, light, and sheer intensity.
Nov 2, 2025 – Zik-Zak, Ittre, Belgium
Nov 4, 2025 – L’Ampérage, Grenoble, France
Nov 5, 2025 – Backstage By The Mill, Paris, France
Nov 7, 2025 – Salle de Spectacle, Saint-Ismier, France
Nov 8, 2025 – Beasto Blanco, Telfs, Austria
Nov 11, 2025 – Analog Music Hall, Budapest, Hungary
Fans describe her performances as cathartic, defiant, and hypnotic—a raw surge of emotion set against pulsating visuals and cybernetic rhythm.
🔥 The fusion of metal and electronic music has a new apex predator — The Browning have dropped their latest single, “EVOLVE,” through FiXT, and it’s a brutal showcase of human endurance, transformation, and defiance against stagnation. Fronted by visionary Jonny McBee, the track represents a continuation of The Browning’s signature cyber-metal hybrid, pushing their aggressive sound to new, futuristic heights.
💥 “EVOLVE” hits with mechanical precision — blending deathcore breakdowns, industrial pulse, and apocalyptic synths that mirror both the chaos and promise of modern existence. Lyrically, the song captures the struggle to grow in a collapsing world, reminding listeners that pain and persistence are catalysts for true evolution. It’s not just a single — it’s an anthem for anyone refusing to stay static in the face of destruction.
🎧 Produced and engineered by McBee himself, the track balances machine-like brutality with cinematic atmosphere, creating a soundscape that’s both punishing and uplifting. Longtime fans will recognize The Browning’s unmistakable energy, but “EVOLVE” also signals a sharper, more refined sonic direction that could define their next era.
🔥 Since their 2011 debut Burn This World, The Browning have remained a force in the industrial metal scene, uniting EDM, hardcore, and cyberpunk aesthetics into something uniquely their own. “EVOLVE” reaffirms their legacy — and hints at a possible new album that could take their sound even deeper into the digital abyss.
🎶 Listen Now:EVOLVE (Single) by The Browning — available now on all major streaming platforms.
Dark electronic artist Sapphira Vee has just released her latest single, “Unfolding,” — a mesmerizing fusion of ethereal vocals, brooding synths, and cinematic atmosphere. This track captures the essence of transformation and vulnerability, weaving emotion through layers of haunting production and hypnotic rhythm.
🎧 Listen Now:
“Unfolding” showcases Sapphira’s signature balance of shadow and light — a delicate interplay of beauty and intensity that defines her sonic world. With lush textures, pulsing beats, and evocative lyrics, this release marks another bold step forward in her artistic evolution.
Industrial chaos engine Gasoline Invertebrate has just announced their latest creation: Misery Monster. This new release promises a venomous blend of pounding electronics, razor-sharp beats, and the kind of dark sonic mischief fans have come to crave.
🎶 Listen Now:
🌐 Deep Dive into the Universe of Gasoline Invertebrate
The US electro-industrial act Flesh Field, led by founder Ian Ross, has just released a new single, “Allegiance.” This 2025 remastered version of the song is a taste of the forthcoming reissue of the group’s second album, Belief Control, which is set for release on October 31, 2025, via Metropolis Records.
This remastered version of “Allegiance” continues the momentum of Flesh Field’s resurrection. The group returned to the scene in 2023 with the new album Voice Of The Echo Chamber, followed by the Voice Of Reason EP in early 2024. In June 2025, they reissued a remastered version of their 1999 debut, Viral Extinction, as part of Metropolis Records’ plan to re-release the entire back catalog.
Originally released in 2001, Belief Control solidified Flesh Field’s status in the electro-industrial scene with its bombastic symphonic elements and intricate programming. After a hiatus that lasted nearly two decades, the band’s music remained relevant, appearing in TV shows like True Blood and video games like Project Gotham Racing.
Gasoline Invertebrate, the aggressive industrial rock project of producer and multi-instrumentalist Brian Graupner, has unveiled a new single, “Wrongthink” (BIOCARBON13 remix). The track, which infuses the original song with a fresh dose of distorted electronics and heavy rhythms, is a powerful reinterpretation of a standout from the album, Bending the Light. The original album was released on July 19, 2025.
Deep Dive into the Universe of Gasoline Invertebrate
Listen to and download the new remix here: Bandcamp For more on Gasoline Invertebrate, check out the official pages below:
Electronic artists Pixelgrinder and Stormformer have released their new collaborative project, the STRMGRNDR EP. The release is a joint effort that blends the unique sonic styles of both artists into a cohesive and powerful sound.
Deep Dive into the Universe of Pixelgrinder
The EP is available for purchase and streaming on various platforms. While a direct link to the EP could not be found, you can explore the music of one of the artists here:
Ghosts In The Graveyard, the Seattle-based deathrock and darkwave duo, have officially released their new single, “In The Darkness,” via Re:Mission Entertainment. The track serves as a hauntingly powerful taste of their upcoming full-length album, Absolute Death, which is slated for release on October 24, 2025.
The new single is a deeply personal, slow-burning, industrial-tinged track that expertly builds to a climactic finale. It’s the second single from the new album, following the release of “I Am The Dark” last month. The duo is led by frontman Byron C. Miller, known for his past work as a live co-frontman for the legendary band God Module.
Deep Dive into the Universe of Ghosts In The Graveyard
FiXT has announced the release of the Definitive Edition of Circle of Dust’s acclaimed album, Machines of Our Disgrace. Originally released in 2016 after a near two-decade hiatus, this new version is a 2-LP vinyl set from artist/producer Klayton, known for both the Circle of Dust and Celldweller projects.
The Definitive Edition is not just a remaster; it’s an expanded two-disc collection that includes the full original album along with brand-new songs like “Invisible World” and “Digital Messiah,” plus an entire second disc of exclusive remixes. The album is a powerful statement on humanity’s descent into technological dependence, fusing industrial metal, electronic rock, and intricate sound design.
Machines of Our Disgrace (Definitive Edition) is currently available for pre-order and is estimated to ship on or before November 21, 2025.
Deep Dive into the Universe of Circle of Dust & Celldweller
The legendary Danish electro-industrial artist Claus Larsen, better known as Leaether Strip, has released a new album, Æppreciation VIII. Available today via Cleopatra Records, this is the latest installment in Larsen’s ongoing series of tribute albums. This edition shines a dark, pulsating spotlight on iconic tracks by female-led artists, offering an industrial-tinged reimagining of each song.
The album features covers of well-known tracks from artists like Garbage and Robyn, reimagined with Leaether Strip’s signature grit and emotional intensity.
Swedish melodic death metal titans Arch Enemy have unleashed their latest single, “Break the Spell,” a powerful new track from the forthcoming deluxe edition of their acclaimed album, Blood Dynasty. The original album, Blood Dynasty, was released on March 28, 2025, and the highly anticipated deluxe version is set to drop on October 10, 2025.
“Break the Spell” delivers Arch Enemy’s signature blend of searing riffs, intricate melodies, and fierce vocals, showcasing why they remain a dominant force in modern metal. Fans can get an immediate taste of the new material by watching the official lyric video, which debuted yesterday, September 17, 2025.
The deluxe edition of Blood Dynasty promises to offer an expanded experience for fans, building upon the original release with new tracks like “Break the Spell.” This release continues Arch Enemy’s legacy of delivering high-quality, uncompromising melodic death metal to their global fanbase.
Slighter has released a brand new single, “Vulture,” from his latest album, In Ruins. The moody and atmospheric track was co-written with Ian Pickering, who is known for his work on the ’90s hits “Six Underground” and “Spin Spin Sugar” with the Sneaker Pimps.
In partnership with the music site GetMusic!, a free Bandcamp download of “Vulture” is available for a limited time. The new album, In Ruins, features 13 tracks and is available on major streaming platforms.
MIKROMETRIK has just released their new single, “P.O.F.O.K.O.” This dark electro mantra, built on heavy beats and distortion, is the first single from the band’s upcoming album, “Hell is Empty,” set to be released in 2026. The track, an industrial ritual for the dancefloor, takes its name from the phrase “People Only Feed On Killing Others,” forging rage, frustration, and raw truth into sound.
London-based artist RAY NOIR has just released his most personal and unapologetic effort to date, the EP Against The Machine. This EP is a blend of industrial rock, goth, and electro-metal, and explores love, loss, and defiance from the perspective of a queer person fighting to be seen.
Against The Machine features a guest appearance from Grammy-winning guitarist Steve Stevens and was produced by Jon Cass. The project is described by Noir as “romantic, violent, tender, and angry all at once,” a scream from the margins for those who have always been told they don’t deserve love.
Along with the EP, Ray Noir has released a music video for the single “Mad World.” The video for this politically charged ballad, which you can watch here, strips everything back to expose the stark reality of living in a world dictated by power and corruption.
You can stream or download Against The MachineHERE
A Deluxe Edition of the EP is set to follow in December 2025, featuring exclusive remixes by Tension Control, Verona on Venus, Junkie Kut, and Die Kur. The EP will also be released on vinyl and CD at a later date.
Louisville natives GATES TO HELL are back with a new digital single, “Disfigured.” The track is a brutally heavy, all-killer-no-filler song—essentially one long, punishing breakdown. The single is a B-side from the band’s recent album, Death Comes to All, which was recorded, mixed, and mastered by Randy LeBoeuf.
The band comments that they wrote the track a few years ago and decided to release it now to coincide with their upcoming tour with Dying Fetus. They recall playing it on a 2023 tour where it got the crowd moving every night, and they’re excited to finally have it out for the world to hear.
Starting on September 20th, GATES TO HELL will embark on a 24-day trek that includes performances at the New England Metal & Hardcore Fest and Louder Than Life. They will also join headliners Dying Fetus on their ‘Into The Cesspool’ US/Canadian 2025 tour with Mugshot. Following the tour, the band will wrap up the year with a show in Albany, New York, before kicking off a run in Europe with Sanguisugabogg, Fulci, and Celestial Sanctuary in the new year.
The band’s recent album, Death Comes to All, was fueled by youthful ambition and a sharp creative focus, with producer Randy LeBoeuf elevating their sound to new heights. The album’s artwork, crafted by WYRMWALK, offers a fitting representation of the blood-soaked dread and suffocating darkness within the music. The album is available in multiple formats, including CD and various vinyl pressings.
Tour Dates
DYING FETUS ‘Into The Cesspool’ US/CAN 2025 Tourwith MUGSHOT
09.24 Norfolk, VA @ The Annex
09.25 Charlotte, NC @ Underground
09.26 Greenville, SC @ Radio Room
09.27 Atlanta, GA @ The Masquerade*
09.28 Birmingham, AL @ Workplay Theater
09.30 Ft. Worth, TX @ Tulips
10.01 El Paso, TX @ Rockhouse Bar & Grill
10.02 Albuquerque, NM @ Sunshine Theater
10.06 Seattle, WA @ The Showbox
10.07 Portland, OR @ Dantes
10.08 Vancouver, BC @ Rickshaw Theater
10.10 Calgary, AB @ Mac Ballroom
10.11 Edmonton, AB @ Starlite Room
10.13 Winnipeg, MB @ Park Theater
10.14 Fargo, ND @ The Sanctuary
10.15 Minneapolis, MN @ The Varsity
10.16 Milwaukee, WI @ The Rave
10.17 Rock Island, IL @ Skylark QC ^
10.18 Joliet, IL @ The Forge
10.19 Grand Rapids, MI @ Elevation
10.20 Cleveland, OH @ The Roxy * GATES TO HELL + MUGSHOT Only^ GATES TO HELL only
FESTIVAL + OTHER DATES
09.20 Worcester, MA @ New England Metal & Hardcore Fest
09.21 Louisville, KY @ Louder Than Life
12.13 Albany, NY @ Empire Live
SANGUISUGABOGG European 2026 Tourwith FULCI, CELESTIAL SANCTUARY
02.13.2026 BE Antwerpen @ Zappa
02.14.2026 FR Paris @ Petit Bain
02.15.2026 GB London @ O2 Academy Islington
02.16.2026 GB Bristol @ The Fleece
02.17.2026 GB Glasgow @ The Classic Grand
02.18.2026 GB Manchester City Centre @ Club Academy
Prolific metal band Fit For An Autopsy has released an unrelenting new standalone single, ‘It Comes For You’. The track is an aggressive, full-throttle journey that masterfully blends the band’s older sound with the high-caliber production and songwriting that’s become their trademark.
‘It Comes For You’ was recorded at Graphic Nature Audio in Kinnelon, NJ, with the band’s own Will Putney handling production, mixing, and mastering. The cover art was created by Jorden Haley.
The band will join Killswitch Engage on their UK and European tour, kicking off on September 29th. The 25-date trek will make stops in London and Berlin before wrapping up in Helsinki on December 3rd. Decapitated will join them for the full tour, with Hatebreed on the first leg and Employed to Serve on the second.
Fit For An Autopsy also just announced their headlining dates in Australia. The 7-date run will feature support from Bodysnatcher, Volatile Ways, and Pain Body. Tickets go on sale on September 11th.
OMEN CODE, a new rising star in the EBM scene, has revealed their grim cyberpunk track, “Brutal + Pure.” This is the first single from their forthcoming debut album, “Alpha State.” The London, England-based duo, consisting of programmer and engineer Kevin Gould (formerly of Electro Assassin) and vocalist Agi Taralas (formerly of Our Banshee), creates a dark, gritty, industrial sound with captivating mid-tempo tracks that evoke a dystopian future.
Additional singles will be released over the next few months, leading up to the highly anticipated “Alpha State” album, which will be released by Dependent Records of Germany on December 5, 2025. A 48-page artbook 2-CD version of the album is available for pre-order, while the single “Brutal + Pure” is available now on all streaming and digital platforms.
King810 is thrilled to announce the release of their latest track, ‘I DON’T MIND,’ from K7. The new single, a grunge-inspired anthem, is now available with both audio and video on all streaming platforms. This marks the latest release from the band, inviting fans to dive in and share their thoughts.
The group is currently busy playing a string of sold-out shows in the UK before returning home to begin their next journey. This includes their annual WEEKEND WITH KING events, followed by the BLOOD RUM & RHYTHM tour. Tickets and VIP packages are still available for all upcoming dates.
Technical death metal architects COGNITIVE have unveiled their outstanding cover of the Slipknot classic, “People = Shit.” The standalone single arrives in advance of the band’s upcoming US tour, supporting death metal legends NILE. The Underground Awaits Tour 2025 is set to begin this Friday, September 12th in Raleigh, North Carolina, and will run through October 11th in Indianapolis, Indiana. Additional support will be provided by Cryptopsy and labelmates, The Last Ten Seconds Of Life.
In a collective statement, COGNITIVE commented on the new release: “We have been hard at work writing our next album and prepping for tour, but decided to spend some time having fun and recorded a cover of ‘People = Shit’ by the almighty Slipknot! We wanted to have fun with something that wasn’t exactly death metal, but still in the extreme realm! The world is an awful place, and humanity doesn’t make it any better, so to us the Slipknot math and song title added up correctly! We hope you enjoy and see you on the road!”
COGNITIVE will be touring in support of their most recent full-length album, Abhorrence, released last spring via Metal Blade Records. The record finds the New Jersey-based quintet at their brutal best. Abhorrence carries on band tradition with its maniacal fusion of relentless riffs and devastating lyrics, making for a raging, draining, and ultimately fulfilling experience.
Re:Mission Entertainment has officially opened pre-orders for Death Kiss, the highly anticipated new album from dark electronic artist Maduro. The full album is scheduled for release on October 17, 2025.
Death Kiss follows the artist’s earlier EP, Worse for the Wear, and marks a significant evolution in Maduro’s sound. The album is a 10-track journey that merges the raw energy of classic EBM with contemporary production. It delves into themes of love, loss, and inner conflict.
The release of Death Kiss has been preceded by three singles. “Black Lipstick” set the stage with its distinct synth-driven sound, followed by “Start A War,” which brought a new level of rhythmic intensity. The most recent single, “You Are Empty,” further expanded the album’s sonic palette with its haunting melodies.
Fans who pre-order the album will receive an instant download of all three singles.
About Maduro
Known for their unique blend of pulsing rhythms and atmospheric textures, Maduro has carved out a distinct space in the electronic music scene. Their music is both a homage to the pioneers of EBM and a bold step into new sonic territory.
Industrial music provocateurs spankthenun have released a new project titled BLAK, which they are presenting not as a traditional album but as a “declassified sonic dossier.” The release is framed as an urgent advisory to the public, warning of an “imminent data release” detailing a phenomenon described as a subculture unified by a stark, dark aesthetic.
The band states that the project is a deep-field study into a “memetic contagion” and that the tracks themselves are “stabilizations” of data. These sonic interpretations include “The Singularity Edit,” which represents an act of separation from the mainstream, and “The Event Horizon Edit,” which explores the boundary of this subculture. A third track, “The Absolute Zero Rendition,” captures what the band calls the sound of “elegant, defiant isolation.”
In a statement, the band acknowledged their role in the phenomenon, saying, “We were not composing; we were documenting a memetic contagion…This release is a warning, an invitation, and a confession. We are all part of the experiment now.”
BLAK is now available on all major streaming platforms, with exclusive versions offered on their Bandcamp page.
BLAK is a chilling and atmospheric release that pushes the boundaries of industrial music, delivering a soundscape that is both immersive and unsettling. The project’s unique conceptual framing as a government-style data release adds to its intrigue and artistic weight. It is a must-listen for fans of industrial, darkwave, and experimental electronic music.
FiXT has officially released “NIGHT OF,” the latest powerful single from electronic rock artist The Anix. Known for pushing the boundaries between modern rock and industrial electronica, the project, led by Brandon Smith, delivers a track that showcases a meticulous blend of driving synthetic rhythms, atmospheric soundscapes, and soaring vocal melodies. The single represents the next chapter in the band’s ever-evolving sonic journey, immediately grabbing listeners and drawing them into a darker, more introspective world.
Thematically and sonically, “NIGHT OF” is a nocturnal anthem that explores introspection and the unknown. The track’s production is polished yet haunting, built on a foundation of pulsing basslines and intricate synth work that creates a cinematic, dystopian atmosphere. The song builds tension with its dynamic arrangement, culminating in an emotionally charged chorus that feels both epic and deeply personal. It’s a testament to The Anix’s ability to craft songs that are not only sonically compelling but also rich in narrative depth, providing a multi-layered experience for longtime fans and new listeners alike.
With “NIGHT OF,” The Anix solidifies its reputation as a leading force in the electronic rock scene. The single stands as a testament to the project’s consistent quality and creative vision, maintaining the high standard set by previous releases on the FiXT label. This new song offers a tantalizing preview of what’s to come, hinting at a larger body of work on the horizon. Fans are encouraged to stream “NIGHT OF” now and stay connected for more announcements from The Anix and FiXT.
Brace yourself for a full-frontal sonic assault as FRONTAL BOUNDARY unleash “Hate”, the explosive new EP that marks the band’s first strike from their upcoming full-length album “Failure” – and also celebrates their signing to leading electro-industrial label Alfa Matrix, home to genre-defining acts like FRONT 242, UNTER NULL, POUPPEE FABRIKK, ALIEN VAMPIRES or yet KOMOR KOMMANDO.
With “Hate”, FRONTAL BOUNDARY channels raw aggression and emotional turmoil into a blistering EBM/industrial anthem. “This track voices the fury felt toward those who constantly try to keep you down”, explains vocalist Krz Souls. Brendin Ross (ex-BILE, ex-INVA//ID, Dawn of Ashes, and Bornless Fire), the band’s founding member and instrumental powerhouse behind FRONTAL BOUNDARY is indeed joined by Krz Souls (ex-INVA//ID, Dawn of Ashes, Bornless Fire) on vocals and Jaysen Craves (Livernois) on synths.
Melding fire and ice, chaos and control, FRONTAL BOUNDARY’s signature sound fuses dense industrial rhythms, driving EBM beats, dark melodic leads, and infectious synthpop textures – topped with harsh, emotional vocals that sometimes veer into future pop territory. Fans of SUICIDE COMMANDO, C-LEKKTOR, COMBICHRIST, LEAETHER STRIP and ROTERSAND will feel right at home.
The “Hate” EP also includes club-destroying remixes by American industrial force FACT PATTERN and cult Alfa Matrix label-mate UNTER NULL, adding new layers of intensity to an already volatile release.
“Hate” is not just a song – it’s a statement. Welcome to FRONTAL BOUNDARY. Resistance is futile.
After smashing expectations with her previous single and reigniting the fire of UNTER NULL, Erica Dunham returns with a vengeance. Her new EP, “You Made A Monster,” is a brutal, no-holds-barred confrontation with trauma, betrayal, and the silent complicity that empowers abusers.
Fueled by raw emotion and cutting honesty, the title track is a devastating dark elektro anthem built from real-life scars. It drags narcissistic abuse and its enablers into the harsh light, pulling no punches: “You knew what he did / You knew of his lies / You gave up your morals for your motherfucking pride.” This is not a song of defeat – it’s a battle cry. A reclaiming of power. A voice for the erased.
“I wrote this because I was tired of being erased”, says Erica. “It’s for anyone who has screamed the truth into a void while everyone else nodded along with the abuser”.
Also featured is the haunting yet defiant “Coming Up To Breathe”, reimagined as well in three powerful remixes: C-LEKKTOR brings his signature dark pulse, LEAETHER STRIP injects classic EBM fire with a melodic touch, and rising force FRONTAL BOUNDARY adds a fierce modern twist.
“You Made A Monster” is not just an EP. It’s a statement. It’s UNTER NULL – louder, stronger, and more intentional than ever. Play it loud. Feel every word. And never be silent again.
A ruthless rework available now—name your price and turn it up!
💥 The latest sonic assault from Gasoline Invertebrate comes in the form of a ferocious remix of “Cessation” by MeatCramp—out now and ready to crush your speakers. Distorted, dystopian, and dripping in noise-fueled venom, this version amplifies the aggression while preserving the track’s raw pulse.
🔥 “Cessation (Gasoline Invertebrate Remix)” is available now for name-your-price on Bandcamp. Whether you’re broke or ballin’, you’ve got no excuse—go grab it, blast it, and spread the virus.
Originally discarded, “Callous” rises from the ashes—reimagined, reengineered, and emotionally raw.
⚡ A Second Chance at Life
Daedric’s newest single, “Callous,” was almost left behind on the cutting room floor. First written in just 20 minutes back in 2021, the track felt dated and disconnected from the band’s evolving vision. But instead of abandoning it, Daedric did something bold—they tore it apart and rebuilt it entirely.
The result? A modernized version of “Callous” that pulses with atmospheric electronics and powerful dual vocals, perfectly aligning with the rest of their dark, cinematic soundscapes.
💔 Cold on the Outside, Bleeding on the Inside
Lyrically, “Callous” plunges into themes of betrayal, emotional abandonment, and revenge. The title reflects the illusion of indifference—punishing someone while secretly harboring pain. The dual vocals represent an inner conflict, almost like arguing with your own reflection in the mirror.
It’s not just a song—it’s a confrontation with heartbreak itself.
🛒 Official Daedric Merch Drop:
Get your hands on some darkwear essentials and collector vinyls, straight from the realm of Daedric:
A ruthless rework available now—name your price and turn it up!
💥 The latest sonic assault from Gasoline Invertebrate comes in the form of a ferocious remix of “Cessation” by MeatCramp—out now and ready to crush your speakers. Distorted, dystopian, and dripping in noise-fueled venom, this version amplifies the aggression while preserving the track’s raw pulse.
🔥 “Cessation (Gasoline Invertebrate Remix)” is available now for name-your-price on Bandcamp. Whether you’re broke or ballin’, you’ve got no excuse—go grab it, blast it, and spread the virus.
Front Line Assembly has just announced “Machine Vision,” the new solo project from mastermind Bill Leeb! Dive into this exciting new release from the iconic electronic music pioneer.
Murder Love God is officially releasing “Alter of Evolution” on all streaming services, including Bandcamp, this coming Friday, June 6th, 2025! This remix and collaborative album features heavy hitters from the underground scene.
Murder Love God is the project of Medavon DeRaj’e, best known as the frontman for LOCKJAW, which he started in 2007. He is often joined by Jose Ramirez (LOCKJAW) on guitars and Jeremy Gardipee (Incekt) both on album and live.
“Alter of Evolution” is described as an aggressive, psychedelic electro reinterpretation of songs spanning back in time, akin to an acid trip. The album boasts collaborations with a formidable lineup, including W.O.R.M., Short To Ground, DJ Darkside, Razorwire Halo, N Y X, Vein Collector, Produkt, and Hate Dept..
SPANKTHENUN has just released their chilling new track, “PANOPTIKON,” featuring CVRBON DECVY and MelodyWhore! This cold, dark 4-on-4 electro trance piece is an ominous ode to Dallas’s legendary Panoptikon club, immersing listeners in a world of surveillance beats and haunting refrains.
“See me now, see forever, PANOPTIKON” traps you under neon grids as the infectious groove becomes your captor. Shadows twist, pulses rise, and freedom fades in this hypnotic soundscape. The release also features twisted remixes from CVRBON DECVY and MelodyWhore, each amplifying the track’s digital menace.
Dark/Alt/Dance Culture, Music Entertainment News, Mental Health/STEM updates, Educational/Informational Community Outreach resources, Fashion, and Interviews with the artists you know and love – Featuring a HUGE mix of THE Most Dirty, Heavy, Danceable, Electronica, Rock, Metal, and Industrial! from the underground to the mainstream, coast to coast, and ALL around the globe.
Your source for Dark/Alt/Dance culture on EvolRadio.com- with DJ Darkside 