Get ready for the pulse-pounding beats of “Death Seed,” the latest single from the upcoming album “Final Construct,” set to drop on 02/22/24.
This harbinger of sonic intensity arrives in a sleek CD single format housed in a Digifile, ready to unleash its industrial, EBM, and cyberpunk vibes.
This new single is not just a standalone piece; it’s a glimpse into the impending sonic landscape of “Final Construct.” As it hits all major download and streaming platforms, fans of Funker Vogt can immerse themselves in the intense auditory experience that’s about to unfold.
After the triumphant release of their self-titled album “Beyond The Black” in January 2023, the band unveils a fresh piano rendition of the song ‘Wide Awake.’ This version sets the perfect tone for the approaching pre-Christmas season, capturing the essence of the original creation process with its pure, almost naked delivery. Jennifer Haben, the vocalist, expresses the song’s personal significance, emphasizing its roots in piano and vocals.
As anticipation builds for their eagerly awaited “Dancing In The Dark” tour starting in April 2024, the band has shared all the tour dates. The tour kicks off in Munich, Germany, on April 5th, and includes stops in various European cities, promising an electrifying experience for fans.
Commenting on the X-Mas shows, the band expresses their excitement for turning what was once a Bay Area Thrash Metal tradition into a global phenomenon. Both nights of the 8th Annual “Another Death Angel Christmas” shows at The Great American Music Hall in San Francisco on December 21st and 22nd will be streamed live worldwide. The shows feature special guests Forbidden, along with openers Frolic and Tornadic. Virtual merchandise booths with exclusive Death Angel items will be available, and the shows will be accessible for continuous viewing through December 30th.
In the wake of an eventful year, marked by relentless shows in support of their critically acclaimed album “Humanicide,” which included tours across Asia, Europe, and North America alongside renowned acts like Kreator, Sepultura, Sacred Reich, Testament, and Exodus, Death Angel is ready to cap it off with a thrilling X-Mas celebration.
Bay Area thrash titans DEATH ANGEL are gearing up for their 8th Annual X-Mas Show, a metal extravaganza set to blaze The Great American Music Hall in San Francisco, CA, on December 21st and 22nd. The lineup boasts special guest appearances by FORBIDDEN, and the opening acts include FROLIC and TORNADIC.
While tickets for the live shows are SOLD OUT, there’s no need to despair for fans unable to attend in person. Both nights will be broadcast globally through a live stream. Secure your virtual tickets at https://www.deathangel.us/, and brace yourselves for a face-melting experience.
The band shared their excitement about the X-Mas shows, turning what was once a Bay Area Thrash Metal tradition into a global phenomenon. The live stream will feature both nights, with Forbidden and Frolic on December 21st and Forbidden and Tornadic on December 22nd. Fans can enjoy a virtual merchandise booth with exclusive Death Angel items available for purchase. The shows will be available for continuous viewing until December 30th.
This Annual X-Mas Show marks the culmination of a bustling year for DEATH ANGEL, marked by relentless shows in support of their critically acclaimed album Humanicide. Their journey included tours across Asia, Europe, and North America, sharing the stage with renowned acts like KREATOR, SEPULTURA, SACRED REICH, TESTAMENT, and EXODUS.
Hailing from San Francisco since 1982, DEATH ANGEL stands as one of the pioneering thrash bands alongside TESTAMENT, EXODUS, POSSESSED, VIO-LENCE, and FORBIDDEN. Renowned for their influential presence in the thrash metal realm, DEATH ANGEL has unleashed nine full-length albums, with their latest, Humanicide, earning a Grammy Award nomination. The quintet, comprising Rob Cavestany (guitar, vocals), Mark Osegueda (vocals), Ted Aguilar (guitar, vocals), Will Carroll (drums), and Damien Sisson (bass), concludes their five-year global tour in support of Humanicide. Anticipating no slowdown, they are set to embark on a spring South American tour in 2024 before diving into the creation of their next metal opus.
KIRLIAN CAMERA, the avant-garde musical innovators, are offering a tantalizing preview of their highly anticipated album, ‘Radio Signals for the Dying.’ This sneak peek comes in the form of the single “Il Tempo Profondo (Radio Signal Version)” and its visually immersive counterpart, the video for “Il Tempo Profondo (Dark Psychedelia Vision).” Lead vocalist Elena Alice Fossi guides us into the profound concept of ‘deep time,’ portraying it as the expansive temporal dimension where humanity is intricately interwoven with Earth and geological forces.
In her insightful commentary, Fossi delves into the intricate layers of this concept, highlighting it as the vast canvas upon which human experience unfolds. The focus is on liberation from the cyclic patterns of existence, a wheel perpetuated by the self-centered desires of humanity. Within this framework, “Il Tempo Profondo” becomes more than a song; it emerges as a sonic exploration of the human condition, grappling with notions of hatred, craving, and delusion that persist within the intricate tapestry of existence.
This single, “Il Tempo Profondo,” is not just a standalone release but the herald of a larger musical narrative. It stands as the lead track from the much-anticipated double album, “Radio Signals for the Dying.” For eager listeners, this transformative musical journey is available for pre-order on CD and limited vinyl through Dependent Records. The album is poised for a grand unveiling on February 23rd, 2024, promising an immersive experience that transcends the boundaries of conventional musical expression.
As KIRLIAN CAMERA continues to push the boundaries of sonic artistry, “Il Tempo Profondo” beckons listeners to embark on a unique odyssey, exploring the depths of time and the human psyche. The accompanying video, “Il Tempo Profondo (Dark Psychedelia Vision),” adds a visual dimension to this sonic exploration, creating a multi-sensory experience that captivates and challenges perceptions. With this release, KIRLIAN CAMERA once again establishes themselves as pioneers of avant-garde sound, inviting audiences to step beyond the ordinary into a realm of musical transcendence.
The Adelaidean invites you on a sonic exploration with “Going Home the Long Way Around.” This ambient masterpiece, available as a Name-Your-Price download on Bandcamp, is a collection drawn from seven of The Adelaidean’s nine Projekt albums. To enrich the musical journey, two non-Projekt tracks are added, broadening the spectrum of this ambient experience.
The music delves into the still places of the living mind, capturing the ebbs and flows of mood, thought, and memory that weave the tapestry of human experience. The layered quality of the music is enhanced by archival textures, including avant-garde experiments from the artist’s teenage years in the 1980s and recordings by jazz pianist father-in-law Ted Nettelbeck. Collaborations with artists like Sam Rosenthal, Deepspace (Mirko Ruckels), and stepson Xander Monteath contribute to the rich, multi-dimensional nature of the compositions, complemented by the evocative cover art of Thom Buchanan.
Critics describe the work as “stark, extreme, and beautiful,” offering a “unique sonic experience.” Mark Frauenfelder of Boing Boing finds it a “blessed escape hatch to a distant present,” and Dave Aftandilian on Bandcamp likens the journey to “floating in the midst of eternity, gentle currents carrying me toward an unseen destination.”
The tracklist features remastered classics and collaborations, including the mesmerizing “Going Home the Long Way Around” with Xander Monteath, the atmospheric “Under the Bright Cuernavaca Sky” with Sam Rosenthal, and the ethereal “I Spelled My Name but the Wind Forgot” with Deepspace.
TheAdelaidean, alias Sean Williams, is not only a prolific musician but also an award-winning, #1 New York Times bestselling author and Discipline Lead of Creative Writing at Flinders University, South Australia. In addition to his work with Projekt Records, he has independently released music under “theAdelaidean” and his real name for various creative projects, including exhibitions, film scores, and stage productions.
Don’t miss this opportunity to embark on a musical journey; the album is available as a Name-Your-Price download on Bandcamp. Your contribution, even as little as a dollar, ensures the album becomes part of your Bandcamp collection, ready for streaming and download. Choose zero if you wish to download without adding to your collection. Dive into the rich ambient landscapes of TheAdelaidean and let the music transport you.
Track List:
Solar Shower
Against All Expectations / Nothing but Itself
Going Home the Long Way Around (remastered) with Xander Monteath
Under the Bright Cuernavaca Sky with Sam Rosenthal
The Anchor Tree (Release)
Flux
Cinnabar Field (remastered)
Dreams of Utopia
I Spelled My Name but the Wind Forgot with Deepspace
Experience the sonic journey as DIMMU BORGIR drops their much-anticipated cover album, “Inspiratio Profanus,” available now. This release compiles eight cover songs, a homage to some of DIMMU BORGIR’s favorite tracks that have left an indelible mark on their musical journey.
Silenoz, commenting on “Inspiratio Profanus,” shares the band’s excitement: “We’re pleased to announce the Inspiratio Profanus release! We thought it was about time to finally compile the cover songs we’ve done over the years and give these renditions an updated mastering, all in one package, highlighting some of our many influences!”
Tracklist:
Black Metal (Venom)
Satan My Master (Bathory)
Dead Men Don’t Rape (G.G.F.H.)
Nocturnal Fear (Celtic Frost)
Burn In Hell (Twisted Sister)
Perfect Strangers (Deep Purple)
Metal Heart (Accept)
Nocturnal Fear (Celtically Processed) (Celtic Frost)
About DIMMU BORGIR: DIMMU BORGIR, born in the heart of the Norwegian black metal scene in 1993, celebrates its 30th anniversary. Known for pushing the boundaries of the genre, they blend a traditional raven black sound with symphonic orchestration. With albums like “Enthrone Darkness Triumphant,” “Spiritual Black Dimensions,” and “Death Cult Armageddon,” DIMMU BORGIR has become an influential force, touring globally and leaving an indelible mark on the black metal landscape.
After the success of “Abrahadabra” and “Eonian,” DIMMU BORGIR now reflects on their 30-year legacy with “Inspiratio Profanus,” a collection of cover songs that pays tribute to the influential artists who shaped their distinctive sound. Experience the electric renditions of classics like ‘Black Metal’ (VENOM) and ‘Perfect Strangers’ (DEEP PURPLE) that define the evolution of DIMMU BORGIR’s musical odyssey.
Today marks a significant milestone for electronic pop vocalist Brittany Bindrim as she unveils her debut single, “Obelisk,” along with an accompanying dreamy music video directed by Simona Noreik. Renowned for her captivating melodies and commanding vocal prowess as a member of the band I:Scintilla, Brittany embarks on a new solo journey, exploring fresh sonic landscapes on her upcoming album ‘Velella Velella.’ This album promises hard-hitting, edgy tracks adorned with punishing beats and harsh synthesizers, showcasing a different facet of her artistic expression. As the first taste of what’s to come, “Obelisk” sets the stage for the release of the complete album by Metropolis Records in the upcoming year.
For those eager to dive into Brittany Bindrim’s solo venture, the album ‘Velella Velella’ offers a glimpse into a musical realm where her creativity knows no bounds. The tracklist, featuring a series of hard-hitting compositions, reflects Brittany’s commitment to pushing boundaries and creating a distinctive sound that resonates with fans of electronic pop. The release of “Obelisk” is just the beginning, with more singles slated for the coming months, building anticipation and paving the way for the full unveiling of ‘Velella Velella’ in the new year.
To experience the sonic journey laid out by Brittany Bindrim, “Obelisk” and subsequent releases can be found on various platforms, including Bandcamp for those who appreciate the immersive qualities of a full album. The official music video for “Obelisk” provides a visual complement to the music, offering viewers a captivating interpretation of the song’s essence. As the anticipation builds, Brittany Bindrim invites listeners to join her on this exciting solo endeavor, promising a musical adventure that transcends expectations.
For those who appreciate a full album experience, ‘Velella Velella’ by Brittany Bindrim is available on Bandcamp, providing a platform for fans to immerse themselves in the complete sonic tapestry crafted by this talented artist. The debut single “Obelisk” and its accompanying music video offer a taste of what’s to come, setting the stage for a series of releases that will culminate in the unveiling of the full album by Metropolis Records in the upcoming year.
Hungarian electro-pop duo BLACK NAIL CABARET has unveiled the mesmerizing video for “Autogenic,” the lead single from their upcoming album ‘Chrysanthemum,’ set to be released by Dependent Records of Germany.
-Black Nail Cabaret – Autogenic [Official Music Video]:
Emèse Árvai-Illes, the vocalist of Black Nail Cabaret, shared insights into the song and video, emphasizing the connection between the mind and body. According to her, delving into self-awareness and being present is a form of self-hypnosis, a theme echoed in the captivating visuals. The video takes viewers on a dreamlike journey, tapping into the imagery of the 90s, paying homage to its cult classics, movies, and music videos that have profoundly influenced the duo.
The forthcoming album ‘Chrysanthemum,’ Black Nail Cabaret’s sixth full-length, is scheduled to be unleashed on March 1st, 2024. With a rich electro-pop sound, the album promises to be a significant addition to the duo’s discography.
As the first glimpse into this musical venture, “Autogenic” not only showcases their sonic evolution but also serves as a visual tribute to the nostalgia and influence of the 90s. Black Nail Cabaret invites listeners to immerse themselves in a hypnotic experience that intertwines the past and present, creating a unique blend of sounds and visuals.
As the duo prepares to launch ‘Chrysanthemum,’ fans can explore the evocative realms of “Autogenic” through its official music video, available for viewing on various platforms, providing a glimpse into the artistic direction and thematic richness that Black Nail Cabaret has in store for their audience.
Watch the official music video for “Autogenic” here: [Link to the video]
NOLA thrash and groove pioneers EXHORDER have unveiled their spring 2024 US tour schedule alongside Bay Area thrash legends VIO-LENCE, Virginian extreme metallers DECEASED, and LA death metal outfit MORTAL WOUND. The intense journey commences on April 5th in Cambridge, MA, reaching its zenith on April 13th in Chicago, IL. This upcoming tour follows the band’s recent winter venture with VIO-LENCE in South America.
EXHORDER shared their excitement about the impending tour, stating, “To share a bill with Vio-Lence on two separate tours this coming year is something that we are looking forward to immensely. We will join Deceased and Mortal Wound in the process of getting the evening started! Get off your couches and come support live music—if we can make it, so can you!”
Tickets for the tour are available now through the provided links.
About EXHORDER: Formed in 1986, EXHORDER’s journey has been thrilling yet tumultuous. After a twenty-seven-year hiatus following their final Roadrunner Records release in 1992, EXHORDER re-entered the scene with an album considered by many as a contender for the “Best Comeback Album” category. The band dropped Mourn the Southern Skies in October 2019 through Nuclear Blast Records. Despite lineup changes and the challenges of the 2020-2021 pandemic, EXHORDER has fought back to prepare another album for their iconic discography, set to be unveiled next year.
Iconic heavy metal powerhouse, ARMORED SAINT, is set to make a triumphant return to European stages in the summer of 2024. The band will embark on a full run of club shows and handpicked festivals, with more dates to be confirmed soon.
Expressing his excitement, ARMORED SAINT vocalist John Bush shares, “What up Euro Saint heads, Long time no talk. Well, that’s about to end. After not performing on European soil since 2019, we’re proud to announce that we will be returning to Europe in the summer of 2024.”
The tour will feature a mix of festival performances, including Wacken, Alcatraz, Rock of Ages, Brutal Assault, and Rockstadt Extreme in Romania—a first for the band. Headline shows are also planned in Germany, Poland, The Netherlands, and a series of five dates in Britain.
Bush adds, “We love Europe and have been frustrated that it has taken so long to come back but, we WILL make up for lost time! Thanks for your patience! Looking forward to playing Punching the Sky songs as well as all the classics and maybe a few deep tracks. See ya soon. Happy Holidays and Happy New Year!”
Full Tour Dates:
27/07/24 DE – Brande-Hörnerkirchen Headbangers Open Air
28/07/24 DE – Rottenburg-Seebronn Rock of Ages Festival
30/07/24 DE – Berlin – Hole 44 / + support
31/07/24 PL – Goleniów – Rampa Kultura / + support
01/08/24 DE – Wacken – Wacken Open Air
04/08/24 RO – Rasnov – Rockstadt Extreme Fest
07/08/24 CZ – Josefov – Brutal Assault Festival
09/08/24 NL – Amsterdam – Melkweg / + support
10/08/24 DE – Essen – Turock / + support
11/08/24 BE – Kortrijk – Alcatraz Festival
13/08/24 UK – Nottingham – Rescue Rooms / + support
14/08/24 UK – Manchester – Rebellion / + support
16/08/24 UK – Wolverhampton – KK’s Steelmill / + support
17/08/24 UK – London – The Dome / + support
18/08/24 UK – Milton Keynes – Craufurd Arms / + support
ARMORED SAINT’s latest studio album, Punching The Sky, released in 2020, received critical acclaim and chart success worldwide. Stay tuned for an electrifying experience as the band brings their signature sound and classics to European fans.
On December 1st, 2023, the highly anticipated album ‘Blue-Devilled’ by MILDREDA was unleashed via Dependent Records. This marked a significant moment for fans eagerly awaiting the fusion of dark dance and hard electro that defines MILDREDA’s unique musical style. The release garnered immediate attention, securing the prestigious #1 ranking in the soundcheck review section of Sonic Seducer, a leading German magazine.
In conjunction with the album, MILDREDA delighted their audience with a visually captivating black-and-white video for “Devil’s Gaze.” Jan Dewulf, the band’s leader and mastermind, shared insights into the creative process, stating, “My aim was to craft a club track while staying true to the dark electro sound that defines us.” This commitment to artistic integrity has been a hallmark of MILDREDA’s approach.
Hailing from Belgium, MILDREDA made a notable debut with the album “I Was Never There” in 2021, establishing themselves as a force in the electro music scene. The release of ‘Blue-Devilled’ solidifies their position and showcases the evolution and refinement of their sound. The album is not only available on all major streaming platforms but also as a limited 60-page artbook CD edition, complete with a bonus CD, courtesy of Dependent Records in Germany.
The album’s success reflects not only the band’s musical prowess but also their ability to connect with a diverse audience. MILDREDA’s commitment to delivering a rich and authentic dark electro experience is evident in every track, making ‘Blue-Devilled’ a standout addition to their discography. As the year draws to a close, the album serves as a testament to MILDREDA’s continued innovation and contribution to the electro music landscape.
The Halo Trees “Dark Clouds Over London” (Official Video)
The renowned US indie label COP International (Stabbing Westward, The Cassandra Complex, Beasto Blanco etc.) recently signed the Berlin band The Halo Trees. The group around singer/guitarist Sascha Blach describes their music as Deep Dark Indie Rock, which includes elements of Post-Punk, Indie Rock and Post-Rock.
The dark Rock sound is characterized by complex arrangements in which the violin also has a fixed place, as well as the frontman’s deep melancholic vocals. In the past, The Halo Trees have been repeatedly compared to bands like The National, Lambchop and Mark Lanegan. After the outfit recently released a few singles on their own such as “Mr. Abundance” or “The Beginning Of Something Beautiful”, the next record “Where The Deep Ends” will be released in spring 2024 worldwide via COP International. The band promises an introspective headphone album with a warm, organic sound that contains lots of little details. The record release will be preceded by the first single and music video still this year.
Christian Petke, label boss of COP International, says about the signing: “I am genuinely thrilled to join forces with The Halo Trees. Their music exudes an introverted, deep, and intensely quiet post-punk vibe that resonated with me on a profound level. Sascha Blach, a truly prolific songwriter, has crafted something extraordinary, and I’m eagerly anticipating the moment we can unveil their incredible new music to the world.”
Sascha Blach from The Halo Trees is pleased: “I know COP International still from the first incarnation of the label and have therefore been following Christian’s work from afar for a long time. I think it’s great that he has revitalized the label and is now expanding musically. In our conversations he proved to be a great idealist and a very likeable person. I see it as a good sign that our first Zoom call lasted over 2.5 hours. So I’m looking forward to what I hope will be a long-term collaboration and I hope we as a band can take the next step.”
It’s starting to feel a lot like fuck this: While many of us are dusting off old photos and sentimental items, Swedish melodic death metal virtuosos SOILWORK have unearthed a different kind of trip down memory lane. Today, the band digitally releases ‘Kvicksilver’, a Swedish version of ‘Mercury Shadow’, originally released in 2002 on SOILWORK’s fourth album, Natural Born Chaos.
SOILWORK states: “Here’s an old gem from the vaults! ‘Kvicksilver’ means ‘mercury’ in Swedish, and somehow we decided to make a Swedish version of one of our songs during the recording of the Natural Born Chaos album, back in 2002. We think it turned out pretty damn cool and definitely deserves to be shared with the world at this point. Enjoy ‘Mercury Shadow’ – all sung in Scanian dialect, we give you ‘Kvicksilver’!”
SOILWORK has just announced new European tour dates with IN FLAMES and ARCH ENEMY for autumn 2024. Under the banner of the Rising From The North Tour, the band will tour thirteen countries, starting in the United Kingdom on October 3rd.
Find the tour dates here:
OFFICIAL TOUR DATES:
03.10. UK Glasgow – O2 Academy
04.10. UK Manchester – Manchester Academy
05.10. UK Birmingham – O2 Academy
06.10. UK London – Eventim Apollo Hammersmith
08.10. FR Paris – Olympia
09.10. LU Esch-sur-Alzette – Rockhal
11.10. DE Hamburg – Sporthalle
12.10. DE Düsseldorf – Mitsubishi Electric Hall
13.10. NL Den Bosch – Mainstage
15.10. CH Zurich – The Hall
16.10. IT Milan – Alcatraz
18.10 DE Stuttgart – Schleyer-Halle
19.10. DE Frankfurt – Jahrhunderthalle
20.10. DE Munich – Zenith
22.10. AT Vienna – Gasometer
23.10. HU Budapest – Barba Negra
25.10. CZ Prague – Sportovni Hala Fortuna
26.10. DE Dresden – Messe
27.10. DE Berlin – Columbiahalle
29.10. NO Oslo – Spektrum
31.10. SE Malmö – Malmö Arena
01.11. SE Gothenburg – Scandinavium
02.11. SE Stockholm – Hovet
03.11. SE Sundsvall – Nordichallen
05.11. FI Helsinki – Ice Hall
SOILWORK’s high-class creative consistency, which they have maintained throughout their career, is the virtue that probably best defines them. Founded at the end of 1995, SOILWORK released their debut album Steelbath Suicide in 1998, garnering a great early response. By 2001, SOILWORK had joined Nuclear Blast, and by 2003 they already had five records under their belt.
Continuing their tradition of high-quality musical output, 2022 saw their twelfth studio album ‘Övergivenheten’, which represents the band in their growth and their current phase of life – marked by a time that probably no one on this planet will forget so quickly.
For its momentous 100th release, Distortion Productions has something truly special in store. The label’s owner, Jim Semonik, has always held a deep appreciation for the soundtrack of the 1987 film “The Lost Boys.” To pay homage to both the film and its iconic soundtrack, Distortion has curated a remarkable tribute.
From Chicago’s Go Fight’s high-energy rendition of INXS’s “Good Times” to God Module’s electrifying “Lost in the Shadows,” this album sets the mood for a vibrant party. Noteworthy tracks include Ashbury Heights’ haunting “Cry Little Sister” and Glass Apple Bonzai’s “I Still Believe.”
Every artist brings their best to the table, from Eva X covering Elton John, The Battlefront’s take on INXS, Adoration Destroyed collaborating with NØIR on The Doors, Sapphira Vee’s captivating rendition of Eddie & the Tide, to the sultry version of “Beauty Has Her Way” by Null Device.
The album reaches its zenith with Red Lokust’s “To the Shock of Miss Louise.”
So grab your copy, some comics, head to the beach in Santa Carla, and join the ranks of the lost. “Be One of Us: 1987 Revisited” is available on CD and all major digital streaming platforms via Distortion Productions.
Iconic heavy metal band ARMORED SAINT will embark on a North American tour with Queensrÿche in Spring 2024. The tour starts on March 27, 2024, in Anaheim, California, and concludes on May 21, 2024, in Las Vegas, Nevada. It features several headlining shows by ARMORED SAINT.
ARMORED SAINT’s vocalist John Bush expressed his excitement about the tour, stating, “Playing shows with Eddie [Jackson], Michael [Wilton], Todd [La Torre], Casey [Grillo], and Mike [Stone] is always inspiring and a lot of fun. The tour hits lots of cities we haven’t played in a while, including dates in Canada!”
Additionally, ARMORED SAINT will be writing new music and is set to re-record the majority of their classic back catalog, with releases throughout 2024 on COP International.
**Tickets for the tour go on sale Friday, November 10th at 10:00am local time, with VIP upgrades available. See all confirmed tour dates below.
ARMORED SAINT will also appear at this year’s edition of Life After Death Horror Fest in Mexico City, Mexico, on December 3, 2023, followed by a special show with KK’s Priest in Bogota, Columbia, on December 5, 2023. The band will participate in the Monsters Of Rock Cruise, which departs from Miami, Florida, on March 2, 2024, sailing for five days with stops in Jamaica and the Bahamas.
ARMORED SAINT:
12/03/2023 Life After Death Horror Fest – Mexico City, MX
12/05/2023 Royal Center – Bogota, CO w/ KK’s Priest
3/02/2024 Monsters Of Rock Cruise – Miami, FL
ARMORED SAINT’s North American Tour with Queensrÿche:
3/27/2024 House Of Blues – Anaheim, CA
3/28/2024 Ace Of Spades – Sacramento, CA
3/29/2024 Great American Music Hall – San Francisco, CA **
3/31/2024 Neptune Theater – Seattle, WA
4/02/2024 Black Sheep – Colorado Springs, CO
4/03/2024 Gothic Theater – Englewood, CO
4/05/2024 Barnato – Omaha, NE **
4/06/2024 Delmar Hall – St Louis, MO
4/07/2024 Paramount – Cedar Rapids, IA
4/09/2024 Coronado Performing Arts Center – Rockford, IL
4/10/2024 Peoria Civic Center – Peoria, IL
4/11/2024 The King Of Clubs – Columbus, OH **
4/12/2024 The Vogue – Indianapolis, IN
4/13/2024 State Theater – Kalamazoo, MI
4/14/2024 Majestic – Detroit, MI
4/16/2024 Bogart’s – Cincinnati, OH
4/17/2024 House Of Blues – Cleveland, OH
4/19/2024 Phoenix Theater – Toronto, ON
4/20/2024 Theater Beanfield – Montreal, QC
4/21/2024 Elements – Kitchener, ON
4/23/2024 Tally Ho Theater – Leesburg, VA **
4/24/2024 The Roxian – Pittsburgh, PA
4/26/2024 Empire Live – Albany, NY
4/27/2024 Palladium – Worcester, MA
4/28/2024 Toad’s – New Haven, CT
4/30/2024 Starland Ballroom – Sayreville, NJ
5/01/2024 Keswick Theater – Glenside, PA
5/02/2024 Montage Music Hall – Rochester, NY **
5/03/2024 The Paramount – Huntington, NY
5/04/2024 Lovedrafts – Mechanicsburg, PA **
5/05/2024 The Fillmore – Charlotte, NC
5/07/2024 Masquerade – Atlanta, GA
5/09/2024 Jannus Live – St. Petersburg, FL
5/10/2024 The Plaza Live – Orlando, FL
5/11/2024 Culture Room – Ft Lauderdale, FL
5/12/2024 The Ranch – Ft Myers, FL
5/15/2024 Scout Bar – Houston, TX **
5/16/2024 Come And Take It Live – Austin, TX ** w/ Dangerous Toys
5/21/2024 Count’s Vamp’d – Las Vegas, NV ** ** ARMORED SAINT headlining show
ARMORED SAINT’s most recent studio album, “Punching The Sky,” was released in 2020 and received critical acclaim. The album charted on various Billboard charts, making it one of their most successful releases.
For more updates and information, visit ARMORED SAINT’s official website and social media profiles.
After an eighteen-year hiatus, electro/industrial band FLESH FIELD makes a triumphant return with their latest album, ‘Voice of the Echo Chamber.’ Ian Ross, the creative force behind Flesh Field, delves into the dark and tragic journey of radicalization that leads individuals towards political violence in each track of this album.
With songs featured in TV shows like True Blood and video games such as Project Gotham Racing, Flesh Field is back and ready for more. ‘Voice of the Echo Chamber’ is officially released on November 3, 2023, by Metropolis Records, available on CD and across various digital and streaming platforms.
Composed between March and July 2023, and now a solo endeavor, Flesh Field’s signature sound remains intact, but the music ventures into new orchestral territories with powerful percussion and a cinematic score ambiance, all while retaining the raw intensity of their previous works.
This album, ‘Voice of the Echo Chamber,’ is released Today, November 3, 2023, is now available on CD through Metropolis Records.
You can listen to it on Bandcamp here or stream it on Spotify
For more information about Flesh Field and their latest release, you can visit their official website here.
In the heart of Eastern North Carolina, where the neon lights glimmer like promises and the echoes of the 80s still resonate, a twisted harmony of nostalgia and darkness was brewing.
Jason, is a man with a penchant for the night. Ttransplanted to the city in 1986, andfinding solace in the ethereal tunes of Duran Duran and the haunting beats of Oingo Boingo wove his fascination with the night, where mysteries unfolded in the shadows. The radio waves whispered secrets of the city, leading him down a path where the line between light and dark blurred. His punk roots intertwined with the pulse of electronic music, forming a new rhythm in his soul. It was the night that beckoned him, the night that rivaled the day for his attention.
Chris is the voice behind Night Rivals, han insatiable desire for creation, and found his calling in the wild rush of a live show. A single song written while in high school revealed the exhilaration of the stage, and he embraced the power it held over his emotions. Drums and dreams became his constant companions, and the urge to make music grew stronger. When their paths converged, a new sound emerged. Their influences, wildly different yet curiously compatible, gave birth to a unique blend of synth, goth, pop, and disco. Night Rivals was born. Unafraid to explore the unknown, they became a rhythmic enigma in the city’s underground music scene. The name Night Rivals emerged from a labyrinth of ideas. The night held the power to rival the day, to stir the passions of those who longed for something more than the ordinary. The duo’s quest to bring the night to life resonated with the audience, and the name captured the essence of their music. But the road to recognition is never easy. They found themselves in a race against time, battling against other bands with the same dreams. The night was their ally, but also their rival, challenging them to stand out in a world cloaked in shadows.
In the dimly lit studio, the creative process unfolded. Jason, untrained but driven, crafted melodies from emotions. Minor scales became his voice, an outlet for his inner darkness. Chris, the restless musician, let the lyrics write themselves as he surrendered to the music’s whims. Their songwriting was not just an artistic endeavor; it was a conduit for their souls. The melodies were catharsis, a release of their deepest desires and fears. Each composition revealed a piece of their essence, haunting and mesmerizing in equal measure. Collaboration was both a gift and a curse. The studio witnessed moments of brilliance when their differences ignited sparks of creativity. But it also bore witness to clashes, where egos clashed like titans. In their pursuit of perfection, they learned that sometimes, it was the absence of a rigid plan that allowed the music to flow. Time constraints and progress markers only stifled their creative spirits. The night gave them the freedom to create without boundaries, where music became a form of therapy.
Music had the power to change the world. It held the ability to unite people, to convey messages that words alone couldn’t. The echoes of charity concerts from their youth still resonated in their memories, reminding them of the collective strength of music. As Night Rivals, they hoped to continue the tradition, to create music that touched hearts and minds. The journey was long and arduous, but they believed that the pioneers of change were out there, finding their voices through the music. Their music embodied the essence of the night, where emotions ran deep, and desires danced in the shadows. As they played their haunting melodies, their audience was transported to a realm where the night was both a friend and a foe. In the city of Chicago, where the neon lights whispered secrets and the night held its breath, Night Rivals left an indelible mark.
The story of Night Rivals was an unfinished symphony, a journey filled with haunting echoes of the night. Their melodies continued to echo through the alleys of the city, drawing in those who longed for the enigmatic embrace of the night. In the end, their music would remain a testament to the power of the night, a tribute to the shadows that hid the mysteries of life. Night Rivals, forever in pursuit of the elusive night, left their mark on the city’s music scene, echoing through time and memory. And so, the night continued to rival the day, as the music of Night Rivals played on, a haunting melody that transcended the boundaries of time and space.
10.28.2023 the album ‘Cinematic’ will be released on physical disc only, featuring various remixed hits of the last year. The next single, ‘Love Persuasion,’ was released in August. Additionally, we are working on a western US tour for November ’23..
For staying updated and connected, you can find them on Instagram and on Facebook.
Additionally, fans can listen to their music on various streaming platforms such as Apple Music, Spotify, YouTube Music, Tidal, and more.
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Vaselyne, the avant-garde music duo, is set to release their latest EP, “Necromancer,” showcasing their ever-evolving sound. The EP opens with the title track, featuring the hauntingly charismatic lead vocals of Frank Weyzig, accompanied by Yvette’s signature harmonies. “Necromancer” pays homage to their post-punk roots, enveloping listeners in its dark and hypnotic aura, reminiscent of the iconic Bauhaus.
Continuing their musical prowess, Vaselyne delivers a remarkable interpretation of “The Doomed” by A Perfect Circle. Yvette takes the lead, offering a powerful reinterpretation that’s both grand and opulent.
The EP’s third track is an instrumental version of “Necromancer,” allowing listeners to fully appreciate Vaselyne’s exceptional musicianship.
Cover Art: Greg Rolfes
Closing out the EP is a club anthem courtesy of Pete Burns/Kills Shelter. His remix of “Necromancer” deconstructs the original track while infusing it with an electrifying dose of energy and spice, turning the song into an absolute banger.
Vaselyne’s “Necromancer” EP is a testament to their artistic evolution and prowess, promising an enthralling musical journey from start to finish.
Tracklist:
Necromancer
The Doomed (A Perfect Circle cover)
Necromancer (Instrumental)
Necromancer (Kill Shelter remix)
Special Thanks to:
Remco Helbers for co-writing “Necromancer”
Willem van Antwerpen for additional drum arrangements on “Necromancer” and “The Doomed”
Pete Burns for remixing “Necromancer”
Song Credits:
“Necromancer” Music: Remco Helbers / Frank Weyzig, Words: Frank Weyzig
“The Doomed” written by Keenan & Howerdel
Tracks 1, 2 & 3 arranged and mixed by Frank Weyzig
Track 4 remixed by Pete Burns
Mastered by Frank Weyzig
Pre-order Information: Fans can pre-order the record on Bandcamp starting next Friday, October 6th.
Vaselyne Members:
Yvette Winkler: Vocals
Frank Weyzig: Instruments (Lead vocals on “Necromancer”)
In the heart of Sheffield, a city known for its industrial past, Resistanz Festival emerged in 2011, carving a unique space in the music scene. This electronic music extravaganza was the brainchild of a passionate music enthusiast, driven by a deep love for genres like industrial, EBM, futurepop, synthpop, and power noise.
Resistanz Festival’s origins were humble but filled with ambition. It was born from the collaboration between the festival’s visionary and the renowned live music venue, Corporation. This visionary had been a fixture in Sheffield’s music scene for years, hosting club nights, live shows, and DJ sets since 2004. The festival was the natural progression, a dream come true, an opportunity to share a profound love for music with kindred spirits on a grander scale.
The festival’s niche focus on alternative electronic music was a response to the craving for diversity within the music festival landscape. In a world dominated by rock and metal festivals, Resistanz Festival offered something different. It was a celebration of electronic beats, a fusion of styles that spanned the spectrum from industrial grit to synthpop melodies.
Year after year, the festival took over the Corporation venue in Sheffield during the Easter weekend. This choice of location wasn’t arbitrary; it was a deliberate move to craft a unique atmosphere. The venue’s layout was ideal, with a main stage area, bars, an outdoor courtyard for food vendors, and a spacious warehouse for merch stalls. It transformed into one big after-party room as the night unfolded. A smaller second stage hosted fresh talent and DJs, while an upstairs area held untapped potential for future expansion.
But 2020 disrupted the festival’s rhythm. The pandemic struck, forcing a tough decision to reschedule. A year’s worth of meticulous planning and preparation hung in the balance. Resistanz Festival, like many events, faced uncertainty and disappointment. The resilience to reschedule for 2021 was met with another setback. The festival’s future hung in the balance as motivation waned.
However, the unwavering support of the festivalgoers, the passionate community that had grown around Resistanz, rekindled the flame. The decision to push forward to 2022 was a daunting challenge, requiring intense effort in a fraction of the usual time. Yet, against the odds, the festival returned, demonstrating the power of music to overcome adversity.
The lineup curation was a meticulous process. Balancing well-known acts with emerging talent was key. The festival aimed to offer an eclectic experience, drawing attendees with a blend of familiar favorites and new discoveries. Each year, the list of potential acts was refined and narrowed down to achieve this delicate equilibrium.
Resistanz Festival continued to evolve. A second room was introduced, featuring artists from genres like Chiptune, EDM, and Drum and Bass. This expansion opened doors to fresh experiences and brought diversity to the event, enriching the attendees’ musical journey.
Memories from past editions were abundant, but a few performances stood out. Acts like Celldweller, Alice In Videoland, Ultraviolence, Icon Of Coil, Savant, and Godflesh left indelible marks, embodying the festival’s commitment to excellence.
As Resistanz Festival looks to 2024, attendees can anticipate an array of musical diversity. Kanga, Zardonic, and Amelia Arsenic are just a glimpse of the talent gracing the stage. The festival’s legacy lies in its ability to connect artists with new fans, fostering growth and opportunity within the music industry.
Staying true to its roots while embracing change has been the festival’s guiding principle. Resistanz Festival is a testament to the enduring power of music to unite, inspire, and evolve. With each passing year, it forges its path, a beacon for electronic music lovers, and a testament to the resilience of the human spirit in the face of challenges.
To Deep Dive into the Resistanz Festival universe:
CZARINA, is more than a musician; she’s a multifaceted artist who paints her sonic and visual landscapes with unmatched creativity. Born in the Philippines and now based in Spain, her music defies easy categorization, blending symphonic dark electro, neo-pagan mysticism, gothic prog rock, darkwave, synthpop, and more. CZARINA’s work is a tapestry woven from animist mysticism, folklore, mythology, metaphysics, and gothic themes, creating a sound and visual experience that transcends genres.
Her journey into music wasn’t a typical one. She began as a young performer and Broadway enthusiast, but her passion later shifted towards dark alternative rock and industrial music. However, she temporarily paused her musical pursuits to build a successful career in fashion, leading her own company. Yet, the relentless ambition and eventual burnout made her realize that something vital was missing – her music. CZARINA made a life-altering decision to reignite her musical path five years ago, drawing from the rich tapestry of life experiences and perspectives she had accumulated.
The name “CZARINA” echoes her past endeavors in building “empires” and her transformative journey towards higher principles and grounded pursuits. It’s a name that carries a sense of regality, much like her shared birthday with the legendary artist Prince.
What sets CZARINA apart is her refusal to fit neatly into any musical box. Her latest record, “Arcana,” defies categorization, blending electronic and organic elements with ancient and modern sounds. Her compositions incorporate intricate rhythms, harmonic layering between orchestral and electronic instruments, and her powerful vocals. CZARINA’s music captivates with its authenticity and complexity, defying easy classification.
Her creative process is deeply influenced by her surroundings. Moving from the bustling New York City to the mystical landscapes of Galicia, Spain, profoundly impacted her sound. The ethereal beauty of the Costa Da Morte, where her house sits by the water, seeped into her music, especially on her album “Arcana.” Her music became a vessel for capturing the magic of her newfound home.
CZARINA’s artistic journey has had its challenges, but she’s learned that success in music doesn’t always follow a predictable path. It’s not a matter of being the best; it’s about finding the right audience and developing a dedicated following. Authenticity doesn’t need to compete; it resonates with those who connect with it.
Beyond her music, CZARINA believes in the metaphysical power of sound. Music is a healer, and she views her favorite artists as magicians and alchemists who know how to harness sound for profound experiences and healing. Frequencies and vibrations can dismantle the walls we build within ourselves and bring about transformation.
CZARINA is not just a vocalist; she’s a multi-instrumentalist, playing the piano/keys, synths, and guitars. Each instrument contributes uniquely to her music, whether it’s the piano as her primary composing tool or the guitar adding a distinct voice to her compositions.
She draws inspiration from artists like Tool, whose intricate rhythms and sound designs have influenced her approach. Trent Reznor of Nine Inch Nails and Bjork also inspire her to push creative boundaries while staying true to her own vision.
Her songs are open to interpretation, often holding multiple meanings and layers. For instance, “Wonderland” celebrates the magic of Galicia but also serves as a metaphor for the sacred wonder within all our lives, a reminder of the healing power of music.
Despite the challenges of a music career, CZARINA finds the most rewarding aspect in creating art that aligns with her vision and values. It’s about making something deeply personal and genuine. However, the music industry’s landscape is challenging, and artists often struggle to make a living. CZARINA believes in the power of authenticity and hopes for solutions to help independent artists thrive.
She actively supports causes that protect nature, the ocean, and wildlife, such as the Sea Shepherds. Nature and the environment hold a special place in her heart, and she advocates for their preservation.
Looking ahead, CZARINA aspires to tour the world and continue pushing her creative boundaries. Her music will evolve and progress, reaching more listeners and hearts.
In the coming months, she has exciting projects, including a cover song and music video, an epic music film for “The Fox’s Wedding,” and work on her third record, slated for release in 2024.
In 2023, Side-Line Magazine, based in Brussels (BE), proudly presents its latest endeavor, the charity compilation “Electronic Bodies,” a captivating collection of 88 tracks from the EBM (Electronic Body Music) underground scene.
This compilation delves deep into the rhythmic realms of EBM, New Beat, and their contemporary offshoots. Featuring artists from diverse corners of the globe, including Germany, Australia, the United States, Estonia, and beyond, it showcases the enduring global influence of EBM, a genre established over 40 years ago.
Side-Line’s commitment to promoting both emerging talents and established bands remains steadfast, as it continues to serve as a platform for launching new artists. Special recognition goes to Erlend Eilertsen (Lights A.M, Essence Of Mind) for skillfully enhancing certain tracks when necessary.
The “Electronic Bodies” compilation is a sonic journey divided into two distinct halves: the first immerses listeners in old-school vibes, while the latter grants bands greater creative freedom in terms of sound.
In a compassionate gesture, all donations from this endeavor will be directed toward providing psychological support to Ukrainian soldiers and citizens grappling with PTSD.
For those who relish a tangible connection to the music, Side-Line offers an exclusive ‘Electronic Bodies’ T-shirt. In true EBM spirit, there’s also a combo package available, which includes a limited edition, hand-numbered Electronic Bodies flask. Each merchandise order includes a download of the compilation, ensuring the beats never cease.
Shipping for merchandise orders is scheduled for the first week of October. Early ordering is encouraged to help gauge stock requirements.
Side-Line’s legacy of impactful compilations includes releases such as “The Insane Vaults,” “Face The Beat: Sessions 1-7,” “Shane Aungst vs Face The Beat Megamixes,” “Post-Punk (Genesis),” “Electronic Resistance,” “Electronic Resistance – Reconstruction,” “Ukraina EP,” and now, “Electronic Bodies: Session 1.”
Deep Dive into the charitable side of Side-Line’s , or at the links below, to explore this dynamic world of electronic music and charitable donations.
Ohio thrashers, War Curse, are set to release their third full-length album, “Confession,” via Blacklight Media on October 20th. The band, known for their thrash-oriented metallic attack, has built a dedicated fan base over the years.
“Confession” marks a new chapter for War Curse. The album showcases their evolution as musicians, focusing on songwriting, groove, dynamics, and melody, while retaining their signature brutal style. The first single, “Miracle Broker,” combines bludgeoning death metal with unconventional riffing, reminiscent of legendary experimentalists like Cynic, Atheist, and Gorguts.
Guitarist Justin Roth explains, “We experimented with new sounds, old sounds, took in new influences, old influences, and let the songs come together as organically as possible. If I lose my thrash card for it, oh well, I’ll hand in my battle vest.”
The pandemic disrupted their extensive touring plans in 2020, pushing the band to channel their energy into creating this album. It took a year to write and record, with each song meticulously crafted. The result is an album that stands as a cohesive musical journey.
“Confession” features the vocal contributions of Blaine Gordon, who brings a newfound confidence and melodic direction to the band’s sound. The album includes a cover of Grip Inc.’s “Rusty Nail” as a tribute to their former bassist, Jason Vie Brooks.
War Curse has released the first single, “Miracle Broker,” along with an accompanying video. The song takes aim at corrupt religious figureheads who manipulate their followers through brainwashing campaigns.
Arizona death metallers JOB FOR A COWBOY return after a near decade long hiatus with their brand new single and accompanying video for [“The Agony Seeping Storm”](insert video link). The track comes by way of the band’s first new full-length in a decade, set for release in 2024 via Metal Blade Records!
JOB FOR A COWBOY released their Sun Eater full-length in 2014. The record received an overwhelmingly positive response, with [Decibel Magazine](insert Decibel Magazine website link) confessing, “Fuck it, I can admit when I’m wrong… while I was busy pointedly not paying attention to them, these deathcore progenitors actually became a pretty damn good band.” In a 4.5/5 review, [Alternative Press](insert Alternative Press website link) championed, “a full-on progressive death metal band… the songs have progressive sweep and epic power, at times recalling Opeth’s heavier work,” adding, “Sun Eater is one of 2014′s best metal albums, period,” while [Metal Injection](insert Metal Injection website link) hailed an album, “that will be a solid brick in the foundation of the death metal genre with no gimmicks or trends to back it up.”
Ten years later, the band returns with their most volatile work to date. The as-yet-untitled full-length is at once musically multifaceted, unabashedly brutal, and compellingly conceptual. First single, [“The Agony Seeping Storm”](insert video link), is a mathematically mind-blowing hybrid of bludgeoning death metal specializing in unconventional riffing that echoes the resemblance of legendary experimentalists like Cynic, Atheist, and Gorguts. A newly refreshed and reinspired lineup – vocalist Jonny Davy, guitarists Tony Sannicandro and Al Glassman, bassist Nick Schendzielos, and drummer (since 2020) Navene Koperweis – seamlessly pick up the mantle where Sun Eater left off.
Issues Davy, “‘The Agony Seeping Storm’ gives a slice of our upcoming concept record. Regarding the video, the band collaborated extensively with director K. Hunter Lumar (Digital Mile), while our bassist, Nick Schendzielos, co-directed. The concept was inspired by a close friend who embarked on a relentless quest for profound enlightenment through the incessant abuse of hallucinogenic drugs. However, as they delved deeper into their religious-like experimentation they began exhibiting symptoms of bipolar disorder and schizophrenia. They came to believe that they could access an alternate, esoteric reality through hallucinogenic intoxication, where they encountered gnostic and biblical figures and imagery. These songs reflect their thoughts, ideas, and experiences.”
Further info on JOB FOR A COWBOY’s new full-length will be revealed in the coming weeks. Stay alert!
JOB FOR A COWBOY’s official comeback show will take place at this year’s edition of Blue Ridge Rock Fest with additional live dates to be announced soon.
JOB FOR A COWBOY Live: 9/08/2023 Blue Ridge Rock Fest – Alton, VA
JOB FOR A COWBOY hails from Glendale, Arizona. Formed in 2003, the band’s debut album, Genesis, was released in 2007, peaking at #54 on the US Billboard 200 and selling 13,000 copies in its first week of release. The second album, 2009’s Ruination, sold 10,600 copies in the United States in its first week to debut at position #42 on the Billboard 200 chart! The band has been described by [The New York Times](insert The New York Times website link) as “an Arizona band with a guttural, brute-force sound descended (indirectly) from hardcore punk,” and a, “straightforwardly brutal act,” by [Rolling Stone Magazine](insert Rolling Stone Magazine website link). The band has appeared on numerous music festivals both stateside and abroad, including Sounds Of The Underground, Download Festival, Mayhem Festival, Summer Slaughter, Graspop Metal Meeting, and Wacken Open Air, among others.
Photo by Tom Couture
JOB FOR A COWBOY: Jonny Davy – vocals Al Glassman – guitar Nick Schendzielos – bass Tony Sannicandro – guitar
New York’s trailblazing death metal pioneers, SUFFOCATION, are set to join forces this fall with the legendary death metal outfit INCANTATION for the monumental ‘Ancient Unholy Rising Tour 2023’. Spanning 26 intense dates, this epic journey commences on November 7th in Baltimore and will traverse North America, gracing iconic cities like Montreal, Seattle, and Houston before culminating in Greensboro on December 4th. The tour promises to be an unmissable event for metal aficionados, featuring two of the most revered names in the genre, with support acts SKELETAL REMAINS and STABBING.
SUFFOCATION is bursting with enthusiasm, exclaiming, “We’re excited to hit the road alongside our brothers in Death Metal, INCANTATION, and support acts SKELETAL REMAINS and STABBING. The USA and Canada won’t know what hit ’em! By the way — If there was ever a tour you do not want to miss, THIS is the one because we’ve got a lot of surprises in place for fans, so look for some HUGE announcements coming soon; you guys have waited long enough.”
The ‘Ancient Unholy Rising Tour 2023’ holds particular significance for SUFFOCATION, as it will serve as their North American album release tour. Expect exciting details about a new album announcement in the very near future.
Tickets for this colossal event go on sale this Friday, September 1st at 9 AM Eastern. Secure your tickets at: Ticket Purchase Link
The confirmed dates for SUFFOCATION’s ‘Ancient Unholy Uprising’ Tour 2023, featuring co-headliners INCANTATION, as well as SKELETAL REMAINS and STABBING, are as follows:
11.07.2023: U.S. Baltimore, MD – Baltimore Soundstage
11.08.2023: U.S. Reading, PA – Reverb
11.09.2023: U.S. Brooklyn, NY – Warsaw
11.10.2023: U.S. Providence, RI – Alchemy
11.11.2023: CA Trois-Rivières, QC – Amphithéâtre Cogeco
11.12.2023: CA Montreal, QC – Studio TO
11.13.2023: CA Toronto, ON – Lee’s Palace
11.14.2023: U.S. Detroit, MI – The Sanctuary
11.15.2023: U.S. Chicago, IL – Reggies
11.16.2023: U.S. Madison, WI – The Annex
11.17.2023: U.S. Lawrence, KS – The Granada
11.18.2023: U.S. Denver, CO – HQ
11.20.2023: U.S. Richland, WA – Ray’s Golden Lion
11.21.2023: U.S. Seattle, WA – El Corazon
11.22.2023: U.S. Portland, OR – Bossanova Ballroom
11.24.2023: U.S. San Francisco, CA – DNA Lounge
11.25.2023: U.S. San Diego, CA – Brick By Brick
11.26.2023: U.S. Los Angeles, CA – 1720
11.27.2023: U.S. Phoenix, AZ – Rebel Lounge
11.28.2023: U.S. Albuquerque, NM – Launchpad
11.29.2023: U.S. Oklahoma City, OK – 89th Street Collective
11.30.2023: U.S. Dallas, TX – Granada Theater
12.01.2023: U.S. Houston, TX – Scout Bar
12.02.2023: U.S. San Antonio, TX – Paper Tiger
12.03.2023: U.S. New Orleans, LA – Southport Music Hall
12.04.2023: U.S. Greensboro, NC – Hangar 1819
SUFFOCATION Line-up:
Terrence Hobbs | Guitar
Derrek Boyer | Bass
Eric Morotti | Drums
Charlie Errigo | Guitar
Ricky Myers | Vocals
Stay updated with SUFFOCATION’s journey and musical endeavors:
Sapphira Vee, the exceptionally talented artist known for her distinctive blend of slinky, sexy, hard, and danceable music, has just unveiled a thrilling new video for her latest track, “What it Was.” This captivating release offers fans a tantalizing glimpse into her forthcoming album, aptly titled “Fortune”.
Following the resounding success of her debut album with Distortion Productions, “Aerial Human”, Vee is back with a fresh musical journey set to hit the airwaves on September 8th, making it available on CD and across all major digital and streaming platforms.
“Fortune” promises to be a musical treasure trove, delivering a futuristic soundscape where answers to questions about identity and desires start to crystallize. With its sensual and moody groove, this album is a testament to Vee’s ability to craft music that simultaneously entices and mesmerizes. It’s a collection of songs that invite listeners to explore the depths of their emotions and embark on a profound musical journey.
The intoxicating new video for “What it Was” is a visual masterpiece, meticulously assembled by the talented James Marcus of Die Warzau. It complements the song’s allure and adds a visual dimension that enhances the overall experience. This pairing of music and visuals creates an artistic synergy that promises to leave a lasting impression.
For those eager to immerse themselves in this musical odyssey, “What it Was” and the “Fortune” album are available for pre-sale on Bandcamp. This early access offers fans a chance to secure their copy of what is sure to be one of the standout releases of the year. Sapphira Vee’s dedication to her craft and her ability to evoke a range of emotions through her music make “Fortune” a must-listen for anyone seeking a transformative musical experience.
As Sapphira Vee continues to push the boundaries of her artistry, “Fortune” represents a significant milestone in her career. It’s a testament to her commitment to creating music that resonates on a deep level with her audience. With the release date fast approaching, fans can anticipate a musical journey like no other, where the boundaries between the present and the future blur, and the essence of who we are and what we desire comes into sharper focus.
In the world of music, there are artists, and then there are visionaries who take their craft to a whole new level. Claudia Blackstar, a singer and music producer hailing from Birmingham, UK, undoubtedly falls into the latter category. Born into a world steeped in musical influences, Claudia’s journey has been one of transformation, self-discovery, and the relentless pursuit of artistic excellence.
Claudia’s enigmatic Stage Persona “Claudia Blackstar” draws inspiration from the world of scene arts, where performers take on distinct roles masked in mystery. Influenced by bands like Slipknot and Ghost, Claudia weaves a visual tapestry that transcends the conventional boundaries of music. It’s a unique blend of music and theater, a testament to her artistic depth. Claudia’s music isn’t just about the visuals; it carries a profound message. Her lyrics delve into the realms of wiccan beliefs, nature, and personal reflections, inviting listeners to embark on a journey of self-discovery. Each song is a poetic exploration, leaving room for interpretation and connection.
The journey to becoming Claudia Blackstar wasn’t a straight path. Claudia’s initial foray into music was through songwriting and demos. Still, her true understanding of music expanded when she ventured into the world of music production. It was a pivotal moment that allowed her to transform her ideas into tangible musical expressions.The name “Blackstar” itself holds a captivating allure. It’s a nod to Claudia’s fascination with the dark and mysterious, drawing from influences like Lucifer Morningstar. It’s a name that’s both evocative and concise, a perfect fit for her solo work.Claudia’s musical influences are a testament to her eclectic taste. Her playlist spans from goth legends like Bauhaus and The Sisters Of Mercy to contemporary artists like Evanescence and Linkin Park. It’s a rich tapestry of sounds that she effortlessly weaves into her music, creating a unique and authentic sonic experience.
When it comes to creativity, Claudia’s process is all about letting ideas flow. She thrives in a quiet environment, fully focused on the task at hand. It’s a moment of connection with her inner self, where inspiration takes shape. Joining electro-goth project Drop Beat Empire and alternative metal outfit After Dark was a turning point in Claudia’s career. These collaborations widened her artistic horizons, allowing her to explore different musical dimensions while staying rooted in her influences.
Collaboration in the music industry can be tricky, but Claudia approaches it with professionalism and alignment of tastes. She believes in maintaining a consistent line of work while embracing diversity in styles. Balancing creativity across various projects requires clear roles and boundaries. Claudia ensures that her solo work encompasses her full creative spectrum, while collaborations allow her to focus on specific aspects, depending on the project’s needs. Yet, the path of a musician isn’t without its challenges. Burnout, a common hurdle, is something Claudia grapples with. Her valuable lesson is the importance of giving time to oneself, a reminder that self-care is paramount.
Music, for Claudia, is a powerful tool for change. It has the ability to impact lives, but its effect depends on the willingness of the audience to embrace the message. While smaller artists like Claudia may have a more localized impact, they still inspire change within their communities. Instruments like the keyboard and guitar play a significant role in Claudia’s music. They serve as tools to translate her ideas into melodies and arrangements, enhancing the emotional depth of her compositions.
Influence is a two-way street. Claudia’s singing approach, inspired by artists like Amy Lee, is characterized by a passionate delivery. It’s a passion that resonates throughout her music, an embodiment of her artistic individuality. Claudia’s lyrics, often poetic and rooted in her dark insights, carry stories waiting to be discovered. While there may not be hidden meanings, there are tales to be told, some abstract, others direct, all wrapped in her unique perspective.
The most rewarding aspect of being a musician, according to Claudia, is knowing that her work connects with someone out there. It’s the joy of making that emotional bond, even if it’s with just one person. However, the challenges of dealing with burnout are real, as time becomes the most precious resource. Claudia doesn’t just create music; she fosters a community of fellow artists. Her platform encourages and inspires others to pursue their creative endeavors, fostering a sense of togetherness.
Looking to the future, Claudia remains rooted in the present. She can’t predict what lies ahead, but as long as inspiration flows and people believe in her work, she’ll continue to evolve as an artist and as a person. As for upcoming releases, Claudia keeps her projects close to her chest, but she has announced her debut album, “Visions Of The Moon,” which promises to be a mesmerizing journey into her artistic world.
To stay updated and connected with Claudia Blackstar’s latest work, visit The Claudia Blackstar Official Instagram. or The Claudia Blackstar Official LinkTree You’ll find links to her YouTube, Bandcamp, and Spotify, among others. Join her on this enigmatic musical voyage, and discover the depths of Claudia Blackstar’s artistry.
Probe 7, comprised of synthesist Brent Heinze and vocalist Jasun Mark, is making waves with their latest single, “Pretty in Pink (Isn’t He),” accompanied by 15 remixes and an empowering video. This rendition of the classic Psychedelic Furs track has been beautifully reimagined to narrate the struggle for self-acceptance faced by a queer individual.
The single features an array of dancefloor-friendly remixes contributed by prominent artists such as The Cassandra Complex, Ego Likeness, Angelspit, Provision, The AXIOM Divide, Eloquent, Revolution State, Spoils of Grace, Swishcraft, Jack Chang, Aliester Growley, James Grey, and Seven Whores of the Apocalypse. The video showcases students from the Sexuality & Gender Alliance (SAGA) at the College of the Desert.
Founder Brent Heinze emphasizes the importance of LGBTQ+ artists sharing their stories to empower others, especially younger individuals navigating the path to self-acceptance in the face of societal prejudice and negativity.
This release marks Probe 7’s impressive 10th release on their independent label, Lokusdor Records. With deep roots in the LGBTQ+ community, Probe 7 crafts synth-driven compositions that celebrate the rich tapestry of human experiences. Their music blends elements of new wave, industrial, synthpop, and rock, creating an infectious groove complemented by poignant lyrics that explore themes of love, loss, pain, and hope.
“Pretty in Pink (Isn’t He)” is another chapter in Probe 7’s mission to connect with listeners through emotionally charged songs that uplift and inspire. Currently, they are hard at work in Southern California, crafting their upcoming full-length album.
Prepare for an electrifying and thought-provoking sonic journey as Stoneburner unveils their highly anticipated EP, “The Great Filter.”
This avant-garde masterpiece, taking its name from Robin Hanson’s profound theory, is poised to push boundaries and redefine the industrial music genre with its relentless energy and captivating dance-friendly rhythms.
Taking inspiration from Hanson’s “Great Filter” argument, Stoneburner weaves a conceptual tapestry that delves deep into the mysteries of intelligent life and its potential demise. Each track embarks on a unique and immersive journey, exploring themes of human existence, self-destruction, and the unsettling uncertainties of the future.
While “The Great Filter” EP carries forward Stoneburner’s signature sonic intensity, it introduces a surprising twist. Embracing a more club and dance-friendly atmosphere, the songs retain the quintessential aggression that defines industrial music, creating a striking fusion.
For those wanting to own a piece of this sonic journey, the EP is available for order on Bandcamp.
Stoneburner continues to push the boundaries of industrial music, solidifying their thundering legacy while evolving into new dimensions. Don’t miss out on “The Great Filter,” a release that promises to captivate both longtime fans and newcomers to the genre.
Prepare for a musical explosion as CATALYST, the Belgian metal band from Waasland, launches their dynamic single “FIRE IN THE ENGINE ROOM,” a teaser for their forthcoming album release show on September 9th at Kavka Antwerp.
Crafted as a powerful and critical reflection on society, “FIRE IN THE ENGINE ROOM” showcases a heavier and more intense sound than CATALYST’s usual repertoire. This track, part of their upcoming album ‘THE AGE OF ROCKETEERS,’ marks a significant step in the band’s musical evolution.
The single opens serenely, only to swiftly catapult listeners into a whirlwind of intense riffs and potent vocals by frontman Jeroen. The song’s dynamic nature intertwines speedy guitar passages with serene interludes. An unexpected funky medley halfway through adds an exciting twist, leading to an epic conclusion.
To celebrate the single’s release, CATALYST presents a thrilling music video created by guitarist Aäron. Compiled from live footage of their pre-release show in the ghost town of Doel in March 2023, the video mirrors the song’s energetic essence. Watch the video on YouTube, while the single is available on all streaming platforms.
Album Artwork: Designed by Lien Van Ranst, the artwork reflects the impact of space exploration on our generation and symbolizes social evolution.
Don’t miss the explosive album release show of ‘THE AGE OF ROCKETEERS’ on September 9th at Kavka Antwerp/Belgium!
Hailing from Belgium, CATALYST (2018) fuses elements of metal to address today’s societal fears and failures. With members spread across Waasland (BE), Hulst (NL), Sint-Niklaas (BE), and Lennik (BE), the band’s sound is fueled by political, economic, and ecological concerns. Following the end of the Heavy Metal project Gitaron, Philip Pedraza and Aäron Onghena decided to continue their musical journey. Joined by Benjamin Onghena and Jannes Lemaitre (ex-Titan, Patroness), they formed CATALYST. Later, vocalist Jeroen Van Ranst (Monomad) completed the lineup.
CATALYST released their first three songs in 2018, followed by “Sustainable Dignity” and “Fear Well” in 2019. Drummer Jannes Lemaitre left, replaced by Sam Bogaert (ex-Dead end Path, ex-Oceans Burning). In 2021, the band released “Rights of Passage,” paving the way for a full-length album reflecting on post-pandemic society and rocketeers’ reign.
For those who resonate with bands like Greta Van Fleet, Dirty Honey, Dead Daisies, Bomber, Hitten, Scorpions, Rainbow, Skid Row, Guns n’ Roses, and more…
Lisbon, July 5, 2023 – Today marks the exciting release of the debut full-length album “Hard Rock Is Back” by the Portuguese powerhouse Coastwise. This album boldly blends hard rock, rock, hard ‘n’ heavy, and traditional heavy metal elements, promising a thrilling sonic experience.
Coastwise – Hard Rock Is Back This debut album, independently released by the band itself, signifies a triumphant entry into the music scene. With influences ranging from classic rock to heavy metal, Coastwise’s “Hard Rock Is Back” encapsulates a sonic journey that spans across genres.
Navigating the grim reality of being coerced into taking another’s life is an unimaginable ordeal. This somber backdrop sets the tone for the forthcoming 4-track EP titled “Coercion” by Retrograth.
The debut single “Redoubt” is a poignant reflection on the life of a distant relative, Per Persson, who fell in the Battle of Poltava in 1709 during Ukraine’s tumultuous past. Three tracks on the EP pay homage to relatives who served in various wars, while the final one breathes new life into a traditional medieval melody that narrates tales of armed men.
The initial composition, “Redoubt (Poltava),” was crafted in the signature 6/8 time signature, a foundation that sparked experimental diversions into rhythms like 10/8 and 3/4. This musical journey also embraces samples tied to the military ambiance.
As autumn descends, the journey of the World Oscillation tour will continue with shows across Sweden and the United States. The tour commenced in Belgium on May 13 and is set to captivate audiences on both continents.
Stay tuned for the release of the “Coercion” EP in mid-October, featuring the tracks:
Redoubt (Poltava)
Thin Wires (Svir)
Rapture (Peenemünde)
The Armed Man (Trad.)
Single Release:
“Redoubt (Poltava)” – September 15
Upcoming Gigs in Sweden:
September 16: Gamla enskede bryggeri, Johanneshov, Sweden
September 30: Masikhallen, Grängesberg, Sweden
October 21: Kvarteret, Örebro, Sweden
October 28: Snövit, Stockholm, Sweden
November 3: Melody Box, Hägersten, Sweden (Support to Ghost Dance)
As the festival season nears its end, the international powerhouse, BEAST IN BLACK, is gearing up for their upcoming series of live performances. This tour will traverse the United States and Canada, encompassing a total of 31 exhilarating shows.
The band has treated their fans to a mesmerizing music video for the track ‘To The Last Drop Of Blood’, extracted from their latest album, Dark Connection. In this rendition, the German nu-metal outfit puts their distinctive spin on the iconic SYSTEM OF A DOWN classic. The video captures the undeniable synergy and raw talent of each band member, promising an unforgettable concert experience. From riveting solos to breathtaking vocal deliveries, this live video showcases BEAST IN BLACK at the zenith of their musical excellence.
Directed by Damien Dausch from Psyrus Studio, the video was filmed during the band’s European tour, spanning from November 30 to December 5, 2022.
Timo Rotten, the band’s member, comments on the track: “As we hit bigger and bigger stages in front of tens of thousands of fans, the power of the Beast continues to break loose! We also want to show this madness to those people who have never had the chance to see us live. For that, we chose a powerful song from our latest album, Dark Connection, and we asked Damien Dausch to film it on some shows of the tour. Now, we can proudly present you the music video for ‘To The Last Drop Of Blood’! We hope it brings the big arena feeling into your home.”
Join BEAST IN BLACK live on their forthcoming tour across the USA and Canada, where they will be joined by special guest DANCE WITH THE DEAD.
North American Tour Dates:
07.09 USA Atlanta, GA – ProgPower USA 08.09. USA Richmond, VA – The Canal Club 09.09. USA Baltimore, MD – Baltimore Soundstage 10.09. USA Millvale, PA – Mr. Smalls Theatre 11.09. USA New York, NY – Gramercy Theatre 12.09. USA Harrisburg, PA – Harrisburg Midtown Arts Center 13.09. USA Cambridge, MA – The Middle East 15.09. USA Quebec City, QC – Imperial Bell 16.09. CAN Montreal, QC – Club Soda 17.09. CAN Toronto, ON – The Axis Club Theatre 20.09. CAN Winnipeg, MB – The Park Theatre 21.09. CAN Saskatoon, SK – Louis’ 22.09. CAN Calgary, AB – Dickens 23.09. CAN Edmonton, AB – The Starlite Room 25.09. CAN Vancouver, BC – Rickshaw Theatre 26.09. USA Seattle, WA – Substation Seattle 27.09. USA Portland, OR – Star Theater 29.09. USA Roseville, CA – Goldfield Trading Post 30.09. USA Santa Ana, CA – The Observatory 01.10. USA Mesa, AZ – Nile Theater 03.10. USA Salt Lake City, UT – Metro Music Hall 04.10. USA Denver, CO – Gothic Theatre 06.10. USA Dallas, TX – Granada Theater 07.10. USA San Antonio, TX – The Rock Box 08.10. USA Houston, TX – White Oak Music Hall 09.10. USA Baton Rouge, LLA – Chelsea’s Live 10.10. USA Birmingham, AL – Saturn 11.10. USA Nashville, TN – Exit/In 13.10. USA West Palm Beach, FL – Respectable Street 14.10. USA Tampa, FL – The Orpheum 15.10. USA Winter Park, FL – The Conduit
BEAST IN BLACK also has an exciting European tour lined up for 2024, titled “GLORY AND THE BEAST – DOUBLE HEADLINE TOUR 2024,” in collaboration with GLORYHAMMER.
The tour will feature special guest BROTHERS OF METAL and will take them through several cities across Europe.
10.01.24: SE Stockholm, Arenan Fryshuset 11.01.24: NO Oslo, Sentrum Scene 12.01.24: DK Roskilde, Epic Fest 13.01.24: DE Hamburg, Edel Optics Arena 14.01.24: NL Tilburg, 013 Poppodium 16.01.24: CH Zurich, Volkshaus 17.01.24: IT Milan, Alcatraz 19.01.24: DE Munich, TonHalle 20.01.24: HU Budapest, Barba Negra Red Stage 21.01.24: CZ Zlin, Sports Hall Datart 23.01.24: AT Vienna, Gasometer 24.01.24: PL Krakow, Studio 26.01.24: DE Leipzig, Haus Auensee 27.01.24: DE Oberhausen, Turbinenhalle 28.01.24: DE Wiesbaden, Schlachthof 30.01.24: FR Paris, Olympia 01.02.24: BE Brussels, Ancienne Belgique 02.02.04: DE Geiselwind, Eventhalle 03.02.04: DE Stuttgart, Wagenhallen 04.02.04: DE Saarbrücken, Garage 06.02.04: UK London, O2 Forum Kentish Town
OCEANS makes an emphatic return, marking their resurgence since the release of their second studio album “Hell Is Where The Heart Is” last November. The German nu-metal ensemble presents their latest single, a cover of SYSTEM OF A DOWN’s timeless classic ‘Chop Suey’. True to their signature style, OCEANS imparts their distinctive touch to the song, crafting a darker rendition of this legendary track as a homage to their musical origins.
Accompanying the new single, OCEANS treats fans to an insightful behind-the-scenes video, offering a glimpse into their creative process. Watch it here: Behind-the-Scenes Video
Timo Rotten, the band’s vocalist, comments on the endeavor: “Toxicity was one of my favorite albums when it came out, but I hadn’t heard it in a while. Then Thomas dug it up again a few weeks ago and the question immediately came to my mind: How would this sound with growls? And whether I could do it at all. We just had to try it out. Did I get it right? I think you have to decide for yourselves.”
About OCEANS: From their inception, the emerging German outfit OCEANS has captured attention with a sound that defies easy categorization, straddling nu-metal, progressive, post, and death metal, all while prioritizing mental health themes. Renowned for their innovation and experimentation within their genre, they’ve covered songs by artists like Alessia Cara and collaborated with notable musicians, including MACHINE HEAD’s Robb Flynn and CALIBAN’s Andy Dörner. With a string of releases, from EPs to full albums, OCEANS, led by visionary Timo Rotten, has firmly established itself as one of Europe’s most dedicated and prolific bands. Their triumvirate album “Hell Is Where The Heart Is,” consisting of parts I, II, and III, stands as a testament to their constant evolution.
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