Front Line Assembly has just announced “Machine Vision,” the new solo project from mastermind Bill Leeb! Dive into this exciting new release from the iconic electronic music pioneer.
Deep Dive into the Universe of Bill Leeb and Front Line Assembly: 🎧🎶 Front Line Assembly Official Site – Bill Leeb Bandcamp – Front Line Assembly Facebook – Front Line Assembly Instagram,
Slighter has just dropped “Stories To Tell,” a new track featuring Craig Joseph Huxtable (Landscape Body Machine, Ohmelectronic, Front Line Assembly). This is the final single before Slighter’s forthcoming album, In Ruins, arrives!
“Stories To Tell” is both catchy and hypnotic, driven by Craig’s brooding and angelic vocals. It also includes a 12″ Club Mix style ‘B-side’ perfect for DJs!
Add to your Spotify playlists! (Please note: A direct Spotify link for this specific single was not provided, but you can search for “Slighter Stories To Tell” on Spotify.)
Choose to listen on your favorite streaming platform! (Please note: A direct universal streaming link was not provided, but you can typically find it via the artist’s official channels.)
Deep Dive into the Universe of Slighter: 🎧🎶
Bandcamp – Instagram – Facebook,
FLESH FIELD, the acclaimed electro-industrial project led by Ian Ross, has just released a new single, “Where Angels Go To Die,” out today, May 30th. This track is lifted from a remastered reissue of their 1999 debut album, “Viral Extinction,” which is set to arrive on June 27th via Metropolis Records.
“It was written in apocalyptic language as a bleak reflection on disillusionment, spiritual decay and loss of belief,” Ross reflects. “Musically, however, it was designed to sound darkly angelic.”
“Viral Extinction” Tracklisting:
Flesh Field was founded in Ohio in the mid-90s by composer Ian Ross. Renowned for its widescreen cinematic sound achieved by blending synths, percussion, guitar, and sampled choir, the group’s music soon earned plaudits for its aggressive approach and subsequently featured in a number of film/TV soundtracks and video games. Having retired the name in 2011, Ross eventually relocated to Virginia, where he resurrected Flesh Field to issue an album entitled ‘Voice of the Echo Chamber’ in late 2023 and the companion piece ‘Voice Of Reason’ EP in April 2024.
Their debut album, ‘Viral Extinction’, was released three years later, earning glowing reviews for its brutal and aggressive sound, while some of its songs were subsequently remixed by several contemporaries (including scene leaders Covenant) and issued together with some new songs on the album-length ‘Redemption’ EP in 2000.
Highlighting the band’s compositional skills with bombastic symphonic elements and intricate synth and percussion programming, 2001’s ‘Belief Control’ solidified Flesh Field’s status as a band to be reckoned with. It also led to the group signing to Metropolis Records for the US release of their third album, ‘Strain’. With new layers of acoustic and electronic percussion, guitar, and choral effects added into the mix, these elements resulted in an an epic and anthemic feel to a record that was acclaimed by fans and critics alike.
Then, silence. For almost two decades, Flesh Field lay dormant, even as numerous tracks from their catalog were placed in the soundtracks of films including ‘The Mill’, TV shows such as ‘True Blood’, and video games like ‘Project Gotham Racing’. ‘Voice Of The Echo Chamber’ suddenly appeared in 2023; a concept work with each of its ten tracks representing stages of political radicalization and violence, it was followed by an album length companion piece EP entitled ‘Voice Of Reason’.
Deep Dive into the Universe of Flesh Field: 🎧🎶
Facebook – Bandcamp – Metropolis Records
Electronic artist Rhys Fulber has released his new single, “Only Love Will Save Us,” featuring suicide disco icon Barkosina (from Years of Denial). The track is available today, May 30th, and is a powerful precursor to his upcoming solo album, “Memory Impulse Autonomy,” set for release on September 5th via Artoffact Records.
“Only Love Will Save Us” delivers a powerful and emotional message. Its chorus, acting as a potent mantra, declares that love is the sole force capable of healing, uniting, and redeeming humanity from its darkest tendencies. Amidst the sweeping synth lines of this moodily atmospheric club banger, Barkosina takes a moment to shine, lending her unique touch to its timely lyrics.
Listen to ‘Only Love Will Save Us’ HERE.
Listen to the previously released single ‘The Abyss’ HERE.
Fêted electronic artist Rhys Fulber takes you further back and forward with his first solo release for Artoffact, Memory Impulse Autonomy. The album harks back to the music that Fulber made in his youth, inspired by bands such as Cabaret Voltaire, Portion Control, and fellow Vancouverites Skinny Puppy, but blends those influences with the brutalist rhythms and harsh industrial techno that he has been pioneering in recent years.
Thematically, the record explores his joy of creating music for the first time in the Eighties, using primitive equipment with a freedom of expression driven only by his imagination.
’The title refers to fond memories of my roots in making electronic music and the excitement and passion I had for these sounds that were new at the time,’ Fulber says. ‘That style is embedded in me. Going back to them allowed me to make music on impulse, and many of the instrumentals were created from studio jams.’
While there are distinct nods to the past in the gnarly Richard H Kirk-esque cut ups of ‘All Of You Go To Heaven’ and ‘Baaderzeit’s’ eerie Tangerine Dream-like sequences, the album is also very much a modernist collaborative effort, utilizing voices from the forefront of contemporary electronic music including William Maybelline (Qual/Lebanon Hanover), Years of Denial’s Barkosina, and Hamburg-based aufnahme+wiedergabe recording artist Konstantin Unwohl.
PRE ORDER “MEMORY IMPULSE AUTONOMY” HERE.
‘The vocalists are new artists who are inspired by a similar era,’ Fulber adds.
Darkwave and EBM artist Qual guests on two tracks, lending his trademark lugubrious vocals and bleakly humorous lyrics to the dark techno of opening track and first single ‘The Abyss’ and the strident rhythmic ‘Control’.
Suicide disco icon Barkosina takes a moment to shine amid the sweeping synth lines of ‘Only Love Will Save Us’, a moodily atmospheric club banger with timely lyrics, while Unwohl, a genre-bending artist with a growing cult following and a series of groundbreaking releases, delivers a sonorous vocodered turn on melancholic electro-ballad ‘Nichts Dafür Getan’, a slow burning epic with lyrics that Unwohl originally wrote for a punk song.
Elsewhere, the chugging dancefloor friendly ‘Exlavier’ and the titanic beats of ‘New Despotism’ contrast with the pretty interlocking textures of ‘The Elder’ and the gently pulsing ambient closer ‘Further Back And Forward’.
The distinctive cover art comes courtesy of legendary graphic designer Steven R Gilmore, perhaps best known for his decades-long relationship with Skinny Puppy and his work for Vancouver-based label Nettwerk, for whom he provided eye-catching sleeves for A Perfect Circle, Moev, Severed Heads, Chris & Cosey, and many others.
’The concept for the album is not a total replication of the past, except in the case of the artwork, which recalls that era at its peak’, says Fulber.
Fulber is a longtime member of Canadian industrial outfit Front Line Assembly and ambient pop duo Delerium (both with Bill Leeb), and solo project Conjure One. As a producer, he has worked with artists as varied as Fear Factory, Paradise Lost, Sinead O’Connor, Sarah McLachlan, and Youth Code.
Rhys Fulber is widely known in the industrial and electronic music circles for his EBM trailblazing with Front Line Assembly, chart topping with Delerium, and dramatic melodies with Conjure One. Additionally holding a grey cardinal status in metal and a variety of other genres, Fulber is a respected producer whose discography and work speaks for itself. Rhys Fulber now opens a new chapter, sculpting both intricate and hard hitting music best described as “Future EBM.”
Deep Dive into the Universe of Rhys Fulber: 🎧🎶
Bandcamp – Instagram – Facebook – Spotify,
Deep Dive into the Universe of Artoffact Records: 🎧🎶
Official Website – Facebook – Instagram – Twitter,
Mexico’s electro-industrial juggernauts HOCICO once again plunge into the dystopian psyche of the digital era. Erk Aicrag and Racso Agroyam return with a visceral, unrelenting track that strips away the glossy veneer of online life and exposes the rot festering beneath.
If The Screen was a direct attack on the anonymity of internet cruelty, “Brainrot” dives even deeper, capturing the suffocating grip of algorithmic addiction. It’s a grotesque ballet of dopamine, dependency, and despair, screamed through Erk’s searing vocals and wrapped in Racso’s hellish production.
Musically, “Brainrot” marks a bold evolution in Hocico’s sound. Infused with aggressive drum and bass influences, it hits with a hyperkinetic energy that feels both chaotic and meticulously controlled. The track seamlessly fuses this rhythmic onslaught with the duo’s signature industrial brutality and aggrotech venom, creating a sound that feels both fresh and devastatingly familiar. This is not a trend-following experiment—it’s a fully weaponized Hocico beatdown, sharpened for the digital battlefield.
From the very first line, “Plug me in, I’m a slave to the screen,” the listener is dragged into a world where identity, free will, and humanity are systematically dismantled by our tech overlords. The lyrics are a cyberpunk confession: raw, paranoid, and disturbingly accurate. Lines like “I dance for the likes, I bleed for the views” hit like gut punches, capturing the performance anxiety and manufactured existence many experience but few dare to articulate.
The chorus, an unrelenting chant of “Brainrot!”, becomes a war cry and a diagnosis all at once. Each repetition digs deeper into the madness, like a virus rewriting the code of the self. The distorted synths and glitchy textures reflect the chaos of a mind being rewired for engagement, not meaning.
Hocico doesn’t just critique digital culture—they drag its corpse onto the stage, expose its entrails, and make you dance with it. The track’s final verse, “Now I’m the king of nothing but brainrot!”, isn’t just a lyric, it’s a warning: the more we feed the machine, the more it devours us.
With “Brainrot,” Hocico once again proves they are not just musicians but prophets of a dying age, screaming from the edge of digital oblivion. This isn’t just music, it’s a mirror. And you won’t like what you see.
Stream “Brainrot” everywhere via Out Of Line Music: https://hocico.lnk.to/Brainrot
Deep Dive into the Universe of Hocico: 🎧🎶
Official Website – Facebook – Instagram – Out Of Line Music,
SPANKTHENUN, alongside twisted re-imaginings from CVRBON DECVY and Melody Whore, has just unveiled “PANOPTIKON,” a chillingly captivating 4-on-the-floor electro experience. This track serves as an ominous sonic tribute to Dallas’s iconic Panoptikon club, pulling you into its shadowy embrace.
“PANOPTIKON” ensnares the listener with its relentless surveillance beats and a haunting, unforgettable refrain (“See me now, see forever, PANOPTIKON”). You’re drawn into a world of neon grids and pulsing rhythms, where the infectious groove becomes your captor. As shadows writhe and the intensity builds, the very notion of freedom seems to slip away within this hypnotic soundscape.
Adding further layers to this digital menace, the release features compelling and distorted remixes from the sonic architects CVRBON DECVY and Melody Whore. Each remix amplifies the track’s inherent darkness and technological dread, offering unique and unsettling perspectives on SPANKTHENUN’s original vision.
Experience the captivating darkness of SPANKTHENUN’s “PANOPTIKON”: [Link to where the release can be found will be added if available]
Deep Dive into the Worlds of: 🎧🌃
SPANKTHENUN: Facebook – Bandcamp – Spotify – Website
CVRBON DECVY: Facebook – Bandcamp – Spotify – Website
Melody Whore: Facebook – Bandcamp – Spotify – Website
From the vibrant heart of Brazil emerges AESTHETISCHE, the formidable EBM duo led by Gui Pires and Fab Viscardi, delivering a powerful sonic statement for 2025: the “Selling Fear” EP. In a reality increasingly fractured by the weight of misinformation, manipulative media, and escalating socio-political tensions, this new EP strikes with the urgency of a pounding alarm – a defiant and vital soundtrack for an era teetering on the edge.
With “Selling Fear,” AESTHETISCHE channels their signature fusion of precise electronic craftsmanship and raw, gritty intensity into six fiercely sharp tracks. These sonic creations artfully straddle the line between potent protest anthems and irresistible dance floor weapons. Drawing inspiration from the iconic legacies of FRONT LINE ASSEMBLY and the “Tyranny For You”-era FRONT 242, the duo seamlessly blends abrasive industrial textures with compelling melodic EBM grooves – a potent combination of visceral energy and intellectual depth.
From the aggressive rhythmic onslaught of the title track itself to its intriguing reinterpretations, “Selling Fear” provides multiple angles on a central, undeniable truth: resistance is not optional, and silence equates to complicity. The EP also features a fresh and impactful 2025 rework of “Everything Ends,” transforming last year’s original into a hard-hitting, club-ready anthem.
This is more than just an EP; “Selling Fear” is a sonic manifesto. AESTHETISCHE issues a rallying cry to all sonic dissidents: confront the overwhelming noise, decipher the pervasive lies, and transmute fear into the very fuel for change.
Let the machines articulate the message – and let the unvarnished truth resonate.
Deep Dive into the Universe of AESTHETISCHE: 🎧
Facebook – Bandcamp – Spotify – Website
Hailing from the heart of Hungary and wielding powerful rhythms comes STAHLGEIST, the nation’s prime purveyors of Electronic Body Music. Their latest decree, “Justice,” isn’t just an album; it’s a 13-track sonic sentencing that proves their recent “Silence” EP was merely a polite cough before a full-throated roar. The masterminds behind this auditory arraignment are István Gazdag (also known for FIRST AID 4 SOULS and FIRST AID TECH) and the vocal prosecutor Tamás Bank (of WORKER MUNKAS and INTERZONE INC.). Together, they’ve crafted their most rigorously engineered and brutally effective record to date – a dance floor demolition expertly produced and as shadowy as an oil slick in a moonless night.
Prepare for a journey that begins with the wailing sirens of the opening track, “Justice,” navigates the darkly melodic highways of “Bad Galaxy,” slams you with the percussive force of the club hit “Boots On The Ground,” and finally leaves you in the stark quietude of “Silence.” This album cleverly synthesizes the militant drive of vintage NITZER EBB, the catchy synth lines of AND ONE, the sonic venom of LEAETHER STRIP, and the precise impact of FRONT LINE ASSEMBLY, all while retaining STAHLGEIST’s distinct Central European edge. Gazdag’s production achieves a crystalline clarity within a darkly textured soundscape, while Bank’s vocals deliver biting accusations against societal ills, urban decay, and even divine comeuppance.
Forged over three years, “Justice” stands as STAHLGEIST’s artistic creed: no backing down, no leniency, just pure power channeled through compelling beats. If your musical tastes align with the classic sounds of FRONT 242 (circa 1985), the relentless intensity of :WUMPSCUT:, the early melodicism of AND ONE, or the stark aggression of NITZER EBB, then prepare to have your speakers thoroughly interrogated.
The final verdict? Unquestionably guilty of inciting total dance floor pandemonium. Initiate playback and feel the sonic gavel fall!
Dive Deeper into the World of STAHLGEIST:
Facebook – Bandcamp – Spotify – Website
ProNoize, purveyors of hard-hitting electronic sounds, has just unleashed the latest sonic assault from Chainreactor: “Roar”! Prepare for an intense auditory experience that lives up to its powerful title.
Chainreactor is known for their uncompromising approach to industrial and dark electronic music. Expect heavy, distorted beats, menacing synth lines, and a relentless energy that often evokes themes of dystopia, technology, and inner turmoil. A release on ProNoize further solidifies their commitment to delivering high-octane sonic landscapes for discerning listeners of the genre.
“Roar” likely embodies these characteristics, promising a track (or EP/album, depending on the context of “single” in ProNoize’s announcements) filled with the signature Chainreactor sound. It’s an invitation to immerse yourself in a world of powerful rhythms and dark atmospheres.
For those who crave the harder edges of electronic music and appreciate the sonic intensity of Chainreactor, the call to check it out here is an unmissable directive. Prepare for the “Roar”!
Deep Dive into the Universe of Chainreactor and Explore the sonic landscape of ProNoize:
darkdimensions.de
Re:Mission Entertainment, known for its dedication to the harder edges of electronic music, has just announced the impending arrival of Fermion’s new single, “Impetus”! Set to detonate on Sunday, May 18th, 2025, this release promises a potent dose of raw energy and deep, driving industrial dance vibes that will ignite dance floors and resonate in the shadows.
“Impetus” is not just a single; it’s a sonic force propelling forward with relentless intensity and atmosphere. Fermion crafts a soundscape built upon heavy, pounding beats and darkly resonant synthesizers, creating a track that demands movement and evokes a sense of powerful momentum.
Adding further depth to this release is a remix of “Impetus” by Divider, promising a potentially different and compelling take on the original’s raw energy. The single is also accompanied by a B-side track titled “Of What Remains,” offering an additional glimpse into Fermion’s sonic world and further solidifying this as a must-have release for fans of industrial dance music.
With “Impetus,” Fermion and Re:Mission Entertainment are poised to deliver a track that embodies the core elements of compelling industrial music: visceral energy, dark atmosphere, and an undeniable rhythmic drive. Mark your calendars for May 18th and prepare to be swept away by the sonic force of “Impetus.”
Engage with the raw energy of Fermion’s “Impetus”: [Link to where the release can be found will be active on May 18th]
The legendary Claus Larsen, the mastermind behind the iconic industrial project Leaether Strip, has just dropped a potent and long-shelved cover of Cabaret Voltaire’s seminal track, “Thank You America”! This electrifying rendition is now available for your listening pleasure, directly from the source.
In a candid message to fans, Claus explained the track’s delayed release: “Dear Friends! I recorded this Cabaret Voltaire cover a few years ago, but ‘some’ label people thought it would be a bad idea to release. Oh well, you all know I love America and playing there and music that isn´t listened to is nonexistent, and we can´t have that. Thank you Cabaret Voltaire for making me become a better songwriter! If you are offended, just don´t listen, it’s very easy 🙂 Thank You America! Love Claus.” This personal note underscores Claus’s passion for both the original track and his connection with his American fanbase.
Leaether Strip’s take on Cabaret Voltaire’s “Thank You America” promises to be a powerful fusion of classic industrial grit and Claus Larsen’s signature sonic intensity. Known for his raw vocals, hard-hitting beats, and often politically charged lyrics, Leaether Strip is likely to inject this cover with a contemporary edge while honoring the groundbreaking spirit of the original. Cabaret Voltaire, pioneers of industrial and electronic music, released “Thank You America” in 1981, a track known for its stark soundscapes and critical commentary. Leaether Strip revisiting this influential piece is a significant nod to the genre’s roots.
For longtime fans of both Leaether Strip and Cabaret Voltaire, this release is a must-hear. It’s a unique opportunity to witness a legendary industrial artist paying homage to another pivotal force in electronic music history. Claus’s personal investment in the track and his dedication to his audience make this release all the more compelling.
Don’t let this powerful cover remain nonexistent! Plug in, turn up the volume, and experience Leaether Strip’s electrifying “Thank You America.”
Deep Dive into the Universe of Leaether Strip: 🎧🇺🇸
Twisted Flesh Recordings, purveyors of the sonically abrasive and darkly intense, have just announced the arrival of the latest offering from Against I: “All Hope Is Gone.” Prepare for a descent into nihilistic soundscapes and confront the void with this new release.
While specific details about Against I and their album “All Hope Is Gone” are likely lurking within the shadowy corners of the industrial and experimental music underground, the very name “Twisted Flesh Recordings” speaks volumes about the sonic territory they inhabit. Known for championing artists who push boundaries and delve into the more extreme and often unsettling realms of sound, a release on this label suggests an uncompromising and potentially visceral listening experience.
“All Hope Is Gone” likely explores themes of despair, disillusionment, and perhaps a confrontation with the darker aspects of the human condition or societal decay. Expect potentially harsh textures, aggressive rhythms, and an overall atmosphere of bleak intensity, aligning with the label’s established penchant for the sonically challenging.
For those who seek out the audibly extreme and are willing to confront the abyss through sound, Twisted Flesh Recordings’ announcement of Against I’s “All Hope Is Gone” is a call to explore the depths. Click the link below and prepare to immerse yourself in a sonic landscape where hope may indeed be absent, but raw, unfiltered expression undoubtedly remains.
Cyanotic has just unleashed their powerful industrial take on the techno/breakbeat classic “Atom Bomb” by Fluke! You can grab this electrifying cover now on a “pay what you want” basis. They hope you dig their industrial-fueled rendition of this timeless track.
Deep Dive into the Universe of Cyanotic: 🎧💀
Get ready for a sonic assault! Gasoline Invertebrate has just dropped their latest offering, “Rage Magus.” If you’re into the heavier, more experimental side of industrial music, this is definitely something to check out. Expect a blend of intense rhythms, distorted textures, and a generally dark and abrasive soundscape.
Deep Dive into the The Universe of Gasoline Invertebrate
If you’re a fan of industrial music with a leaning towards the experimental and noisy, “Rage Magus” is likely to be right up your alley. Give it a listen and let me know what you think!
Acid Bath Records has announced the release of “Resist & Defy,” the latest offering from the enigmatic Dead Angel Ensemble. Fans of dark and experimental sounds can now delve into this new work, available via the label known for its boundary-pushing artists.
Check out “Resist & Defy” here
Deep Dive into the Universe of ACID BATH RECORDS: 🎧
Slighter has once again broken through to mainstream television with a killer (pun intended!) placement of his track “Cold Calculation” on the popular CBS show, FBI! 🎬
Produced by the legendary Dick Wolf productions, the force behind Law & Order and the pioneer of the ‘ripped from the headlines’ procedural crime drama TV style, FBI continues to captivate audiences. You can now watch the full opening sequence to season 7, episode 18 titled “Blkpill” on the official Confusion Inc. YouTube Channel! 👀
Watch the FBI “Blkpill” Opening Sequence
Have you subscribed to the Confusion Inc. YouTube Channel yet? 🤔
And keep your ears to the ground! More news is coming soon about Slighter’s brand new 2025 album, dropping this Summer! 🔥
Deep Dive into the Universe of SLIGHTER: 🎧
April flew by for Faderhead, with main focus on the Hamburg show and the final touches on the upcoming single “This Is Not The End,” including the music video and social media content. 💻Mark your calendars! The new track drops on Friday, May 23rd! 🔥 According to the electrifying reactions at the recent shows in Oberhausen and Hamburg, this one’s shaping up to be a real banger! 💥
Exciting news! Faderhead has also been announced for the prestigious E-Tropolis Festival at Turbinenhalle in Oberhausen, Germany next year! 🇩🇪This goth-electro extravaganza is set to feature 5-6 more fantastic bands, making it a must-attend event for fans of the genre. 🦇
Tickets are expected to sell out fast (just like this year!), so don’t wait until the last minute! ⏳ Faderhead reminds fans not to be like those who miss out on M’era Luna tickets due to procrastination. 😉
LIVE DATES:
Aug 9, 2025 – M’era Luna, Hildesheim/Germany (SOLD OUT!) 🌕
Mar 28, 2026 – E-Tropolis, Oberhausen/Germany
TICKETS
WHAT IF YOU’RE NOT SUPPOSED TO BE HAPPY? 🤔
Let’s be real for a moment: this whole “pursuit of happiness” thing is getting a tad annoying, right? 🙄 Happiness is everywhere! Instagram reels screaming about “highest vibrations,” ads promising happiness through protein powder and coffin-shaped lamps, and podcasts titled “How To Finally Be Happy (And Make Millions…).” 💸🛋️💊✨ And honestly, does it really work? Not for many, even those who are financially stable and healthy. 🤷♂️ So, the thought arises: what if you’re not supposed to be happy all the time? 🤔 What if that was never the point? 🎯 What if this modern obsession with constant happiness is just another marketing scheme for a life that doesn’t actually exist? 🛍️
Broken GPS 🧭
When Faderhead was 25, the goal was a record deal. ✍️ Got it. Then, it was people at shows. 🚶♂️ Got that too. Then, people singing along. 🎤 Check. And guess what? Faderhead was still the same moody, overthinking, slightly-depressed, alcohol-fueled dude with endless half-finished projects and a mix of genius/garbage ideas. 🤷♂️🍺📝 Happiness, it turned out, was a moving target – and Faderhead was chasing it with a faulty GPS. 😵💫
The Alternative 🕊️
What if peace is better than happiness? 😌 What if “content” is better than “ecstatic”? 😊 What if waking up without dread and sleeping with a calm mind is the real win? 🏆 A few weeks ago, someone much younger asked, “Are you happy?” 🤔 Faderhead’s answer: “No. But I’m at peace with most things. And I’m doing stuff that matters to me.” 🙏 Maybe that quieter space, where work feels meaningful and the mind isn’t at war, is the real destination. 🧘 Getting older helps with this perspective. 👴 At 20, it’s all about “more.” ➕ More stuff, more success, more experiences, more “likes.” 👍 Approaching 50, “less” starts to look like freedom. ➖ Less chaos, less drama, less noise, less bullshit. 🚫 Suddenly, quiet moments, close friends, and doing your own thing without external validation become more appealing. 🤫🤝 And somehow, that feels… good. Solid. Real. A quiet kind of content. 💯
What’s The Goal Then? ➡️
So yeah, maybe you’re not supposed to be happy all the time. 🤔 Maybe you’re supposed to be useful. 🛠️ Maybe you’re supposed to grow through pain instead of avoiding it. 🌱 Maybe life isn’t a 24/7 Disneyland ride, but a well-built road that gets you where you need to go, even if it’s bumpy. 🛣️ And maybe, just maybe, you’re doing better than you think. ❤️ Now stop scrolling for happiness and go do something that actually matters to you. ✨
Deep Dive into the Universe of FADERHEAD: 🎧
In 2008, a spark ignited in the unlikeliest of places: the cramped cabin of a car in Italy. Marco, already a seasoned vocalist, shared some old-school EBM—possibly Hocico—with his bandmate and bassist Stefano. That moment of discovery hit hard. Stefano fell headfirst into the world of electronic music, determined to master its intricacies. A couple of years later, he sent Marco a rough demo track and asked for some aggressive vocals. The result? A creative bond that would become Synapsyche.
The two began meeting almost nightly, sharing beers and ideas, their connection tightening with every session. Their creative rhythm developed organically. At first, they shrouded their identities and faces in mystery, constructing a conceptual world brick by brick—naming the band, penning lyrics, crafting their first demos. By 2012, they had a full-length album nearly complete and were just waiting for the right moment to strike.
What set them apart was a shared telepathy. They never fought about direction or style. One of the rare turning points came when Marco suggested blending clean vocals into their sound. Coincidentally, Stefano had been leaning into futurepop influences—proof their musical instincts were eerily aligned.
Looking back on their early work brings a smile. There was rawness, an almost innocent sonic violence, and a heavy-handed use of vocal filters. Yet that unrefined edge had charm, even pride. Like many artists, their evolving tastes and growing experience sharpened their ability to craft bolder vocal lines and higher-quality production.
But building a dark-electro identity in Italy came with its own shadows. The scene barely existed. While Germany and the U.S. had thriving support systems, Italy offered little. With scarce club support and limited media coverage, Synapsyche paradoxically found themselves among the country’s top-tier dark-electro acts—largely by default. Bands like Alien Vampires fled to London, a move Marco suspects gave them a better shot at survival. Staying in Italy, on the other hand, meant struggling to spread their wings.
Today, their creative process runs like a well-oiled machine. Stefano composes the foundations—melodies, synths, sonic bones—while Marco crafts lyrics and overarching themes. Once a track is ready, Marco finalizes vocals, records in Stefano’s studio, and together they polish it into its final form. That synergy remains unbroken.
Despite a more polished sound in their latest material, Synapsyche hasn’t lost their bite. Their inspirations stretch far beyond the industrial box—metal acts like Nightwish and Cradle of Filth, pop titans like Lady Gaga, and even classical composers like Bach and Beethoven. Movie soundtracks and dialogue often creep into their work, with samples dropped in like twisted Easter eggs.
The lyrical chaos Marco pens isn’t always his own—it’s often a psychological patchwork stitched from research and character immersion. He creates personas, explores pathology and morality, and writes with layered meaning, inviting interpretation. If a fan sees something in the words that even he didn’t intend, it’s a sign he’s struck gold.
Live shows, though rare in Italy’s skeletal scene, are electric when they happen. Their pre-show ritual? A couple of strong cocktails to loosen nerves. Stefano stays sharp on the keys, while Marco leans into a tipsy edge that amplifies the emotional charge of each performance.
Surprises continue to define their journey. One standout moment came when a Russian fan shared that Synapsyche’s music helped him endure life on the front lines. Another surreal milestone: collaborating with Chris Harms of Lord of the Lost on their track “The Last Dying Flame”—a dream come true for two artists who revere his voice.
The future of Synapsyche is already unfolding. With the single “Deafness” now out—the first chapter of a conceptual trilogy called The Miscommunication—Marco is already crafting the next narrative, one that promises harsher sonics and deeper exploration. Though tight-lipped on the full concept, he hints it will reflect society’s collapsing dialogue.
Dream collaborations still float on their horizon: Till Lindemann of Rammstein and Dave Gahan of Depeche Mode. The idea of mixing their low, commanding voices with Marco’s higher register is a tantalizing thought.
As technology reshapes music, Synapsyche embraces the digital wave. Always experimenting with new sounds, effects, and production techniques, they remain adaptable—even if adulthood outside the band makes it harder to keep pace. But in a world driven by progress, their genre gives them a unique advantage.
Looking ahead to 2025, the trio of Miscommunication singles will set the tone, with videos accompanying each release. Beyond that, they’ll plunge into the writing of their fifth full-length album—no details yet, but world domination is always a quiet goal, even if the cost of touring makes it a challenge.
Ultimately, Synapsyche doesn’t aim to reinvent the wheel—they aim to leave a fingerprint on it. If someone, somewhere, remembers their music as a lifeline, a catharsis, or simply as art that resonated, they’ve done their job. Marco puts it best: “To make art is nothing but to create something from nothing that conveys emotions to others… Long live Synapsyche!”
Deep Dive into the Universe of Synapsyche:
Prepare your neural pathways for full overload — Italian industrial duo Synapsyche brings their unfiltered energy, brutal honesty, and electronic chaos to EVOL Radio in a brand-new exclusive interview premiering April 20, 2025 on EvolRadio.com.
From the project’s raw beginnings to its genre-fusing evolution under the Alfa Matrix label, the interview explores Synapsyche’s unique soundscape—where aggrotech aggression collides with synthpop hooks and dystopian visions.
Marco Mantovani and Luca Sassi take us on a mind-bending journey across the past, present, and future of their musical and personal lives—diving into songwriting mechanics, lyrical psychology, cyberpunk philosophy, and what’s next for the duo as they push boundaries in both studio and stage realms.
This feature delivers:
💀 “This is more than an interview — it’s a direct neural download from one of the most dangerous minds in modern industrial.” — DJ Darkside, EVOL Radio
The full feature will be available in text format only, with embedded tracks and direct links to Synapsyche’s digital domains.
DSBP Records just dropped the brand-new album Corrupt by hard-hitting industrial act TOXIKK DECEPTION—and it’s available today, April 13th, 2025!
💿 Stream the entire album and preorder the CD, which will begin shipping in 2 weeks.
Corrupt delivers a relentless barrage of electro-industrial fury—mechanized rhythms, razor-sharp synths, and raw vocals that tear through digital dystopia. It’s a brutal soundtrack for a fractured world, and TOXIKK DECEPTION doesn’t hold back.
🛒 Hear it now + preorder the CD via DSBP Bandcamp
🕸️ Deep Dive into the Universe of TOXIKK DECEPTION
DSBP Records
Bandcamp
Back in the early 2000s, the industrial scene was on fire—chaotic, raw, and unapologetically loud. It was in that searing crucible that Unter Null was forged, the brainchild of an artist straddling classical music training and a deep fascination with sonic destruction. Raised on piano, cello, and choir, she’d been composing her own pieces since childhood. But it was the visceral aggression of powernoise and industrial that gripped her soul. The controlled chaos was intoxicating, a vehicle to exorcise emotions that polite concert halls could never contain.
Armed with Cubase and a Yamaha CS2X, she began sculpting the project that would become Unter Null—a collision of elegance and entropy, beauty and brutality.
The name itself—Unter Null, German for “below zero”—emerged as a tongue-in-cheek jab at her own self-esteem. A way to wear vulnerability like armor. “I struggled a lot growing up,” she admits. “It wasn’t some profound branding decision. It was just honest.” But over time, that phrase became more than a label; it became a mantra for transmutation—of pain into power, of failure into fuel.
Albums like The Failure Epiphany and Moving On are brutal emotional snapshots, soaked in the toxic residue of broken relationships and internalized shame. “I didn’t have a grasp on boundaries back then,” she reflects. The Failure Epiphany captured that spiral of self-doubt. But Moving On marked a shift—an album born of personal reckoning and emotional liberation. That record was nearly lost in a studio fire, and only the salvaged hard drives kept it from being incinerated. “That near-loss felt symbolic,” she says. “It mirrored the themes of survival woven through the music.”
While Unter Null remained her aggressive outlet, a new project emerged when a quieter pain needed expression. That project—Stray—was born during a particularly dark period. “The first song I wrote, ‘Does It Really Matter?,’ just didn’t fit with Unter Null,” she says. “It came from a place of vulnerability and empathy rather than rage.” Stray became the space for her softer introspections, standing in contrast to Unter Null’s sonic fury.
Through it all, music remained her emotional life raft. “I’ve never been great at expressing myself any other way,” she says. “Writing has always been instinctive—like a direct channel.” But she’s quick to acknowledge that even music can’t do all the heavy lifting. “It’s not a substitute for taking care of your mental health. You have to consciously work on that too.”
After a period of creative dormancy, the embers were reignited through a long-overdue collaboration. Enter Hollow—a joint effort with Frontal Boundary that resurrected something vital in her. “It felt like we had just hit ‘pause’ and pressed ‘play’ again,” she says of reuniting with Brendin Ross, Krz Souls, and Jaysen Craves. Their synergy was electric, natural, and deeply satisfying. “It reminded me how essential it is to have inspiring, creative people in your circle.”
The track Hollow is a lyrical deep-dive into the psyche of damaged individuals unaware of their own brokenness. “Krz and I wrote it together. It’s about how unhealed trauma can ripple out and wound others,” she explains. Sonically, it blends weight and melody, aggression and emotion—a hallmark of both projects. “That contrast is what makes it work.”
Though she’s returned to the scene, she admits the landscape has changed dramatically. “When I first started, everything was different—especially the connection with fans,” she says. “Social media has reshaped everything.” But through that evolution, she’s found a deeper appreciation for her long-time supporters. “Seeing their excitement about my return has been so moving. I do this for them.”
The experience of releasing music in 2025 is far removed from the gritty underground scene she came up in. “There’s more competition now, but that’s not a bad thing,” she insists. “More people creating music means more voices being heard.” Even the sense of community has shifted. “It doesn’t feel so cutthroat anymore. Artists are lifting each other up, and it’s refreshing.”
With Hollow generating buzz, fans are already eager for more. A special SoCal show on May 26th with SITD will feature both Unter Null and Frontal Boundary, including a live performance of Hollow and a preview of new Unter Null material.
She’s also gearing up to release a brand-new single, Coming Up To Breathe, via Alfa Matrix Records on April 4th. “Unter Null is back in full swing,” she confirms. “Stray will follow, but I try to keep the two separate so they each get the space they deserve.”
Creatively, she’s steering Unter Null in a new direction—one marked by self-empowerment rather than self-destruction. “There’s still darkness, but now it’s about resilience and growth,” she says. Collaborations are fueling that shift, with upcoming projects involving Dawn of Ashes and remix work with Funker Vogt. “It’s exciting to see how each artist brings something unique to the table.”
And what does she want fans to take from all of it?
“I’m back. The sound might be different, more refined—but the core is still there,” she says. “Don’t ever let anyone take away your autonomy or make you feel like you’re not good enough. Stay true to yourself. Always.”
The wait is over. Frontal Boundary has officially dropped their crushing new album Hollow, a relentless, emotionally charged ride through the darker edges of industrial and EBM. And they didn’t come alone…
Hollow features a powerful collaboration with Unter Null, merging harsh beauty with chaos-driven precision. As if that wasn’t enough, the album also includes a stacked remix roster featuring the likes of Rotersand, Leæther Strip, Mortal Realm, genCab, Antibody, and Manufactura—each dragging the track through their own sonic underworld.
This is industrial reimagined, refined, and rebuilt for the damaged and defiant.
🛒 Grab it on Bandcamp via Re:Mission Entertainment
🎥 Watch the official video
🎧 Stream the full album on Spotify
🗓 03.30.25 | 🕖 7PM EST | 🌐 EVOLRadio.com
Brace yourself for a descent into digital decay and emotional warfare. UNTER NULL, the infamous aggrotech/industrial force forged in fire and feedback, joins EVOL Radio for a live interview that cuts deep into the circuitry of creation, collapse, and rebirth. 🖤
🎙️ From raw sonic brutality to the quiet spaces between chaos, Erica Dunham opens up about the return of Unter Null, the future of harsh electronics, and the ghosts that still whisper behind the beats.
🧬 Expect revelations. Expect distortion. Expect nothing soft.
🔗 Follow @EVOLRadioLIVE for countdowns, teasers, and darkwave drops.
🖤💣 Plug in. Power up. Let go.
Berlin will burn in May.
From May 8th to 10th, 2025, the city’s legendary Astra Kulturhaus becomes ground zero for a three-day descent into the depths of darkness, noise, and ritual rhythm: the Out Of Line Weekender 2025 – Dark’n’Electro Edition.
Presented by Out Of Line Music, the event returns with a vengeance, assembling a lineup of titans and underground disruptors from the realms of Industrial, EBM, Darkwave, Post-Punk, Synth, Death Disco, and Electro-Avantgarde. Expect blood-pulse BPMs, gothic atmospherics, and blacklight-drenched breakdowns that transcend genre—and space-time.
🩸 This is not a concert. This is a rite.
| Thursday, May 8 | Friday, May 9 | Saturday, May 10 |
|---|---|---|
| The KVB | Hocico | Covenant |
| Linea Aspera | Solitary Experiments | The Bloody Beetroots (DJ Set) |
| Marie Davidson | Dive | Sidewalks & Skeletons + Cashforgold |
| Motor!k | Torul | Leaether Strip |
| Years of Denial | Klutae | She Hates Emotion |
| Corlyx | Any Second | Violent Magic Orchestra |
| Kllsignl | Mintage |
Each night opens its portal at 6:00 PM (Thursday + Friday) and 5:00 PM (Saturday), with sets detonating soon after. Prepare for immersive visuals, subwoofer-shattering audio, and an audience dressed in equal parts latex, cyberpunk, and pure chaos.
Astra Kulturhaus Berlin
Revaler Str. 99, 10245 Berlin, Germany
💡 Payment options: PayPal, advance transfer
📦 Shipping begins at €4.50 per order
Rising from the digital ash with a torch in hand, Angelo D has dropped his latest sonic incantation: Promethean—a burning tribute to resilience, rebellion, and raw industrial fire.
The title itself nods to the myth of Prometheus—the titan who stole fire from the gods—and this release carries that same outlaw energy. Promethean doesn’t ask for permission. It takes. With layers of scorched synths, thunderous percussion, and a post-apocalyptic heartbeat, Angelo D channels a brutal, cyber-spiritual force that feels ancient and futuristic all at once.
Each track pulses like a war drum for the wired generation—inviting listeners into a shadow realm where defiance becomes ritual. Whether you’re marching through neon ruins or meditating in chaos, this is the soundtrack to your inner uprising.
Promethean is now available across all major platforms.
🔥 Don’t just hear it—feel it burn.
Dark, divine, and unapologetically unholy—SinThya steps out of the shadow and into the fire with “Not Marilyn Manson, But Definitely Antichrist.”
This isn’t cosplay. This is crucifixion couture. A twisted sermon of self-worship. A soundtrack for the damned.
Channeling industrial menace, glitchy glam, and snarling femininity, SinThya doesn’t aim to shock—he aims to ascend. This is not an echo of past provocateurs; it’s a fresh gospel carved into neon flesh. Think glitch-pop at a black mass. Think lips on the blade. Think sacred rage.
Unfiltered. Unrepentant. Unholy.
She isn’t your savior—she’s your reckoning.
🎧 Stream it now. Worship later.
💄🔥⛓️
In the shadows of genre and expectation, SINthetik Messiah emerges like a signal from a corrupted frequency—an industrial renegade with a sound that defies boundaries. Bug Gigabyte, the mind behind the machine, doesn’t just make music—he sculpts high-definition noise into immersive sonic experiences. Describing the project is like trying to map a fever dream. It’s equal parts distorted beauty, emotional vulnerability, and cybernetic grit. Whether you find yourself spiraling through one of his ambient soundscapes or caught in the chaos of a drum & bass break, there’s a feeling that every track is alive—shifting, evolving, and never quite the same.
This sonic shapeshifter doesn’t organize his music by time, but by vibe. On his Bandcamp, styles flow like waves—from the latest release downward into a crescendo of genres. Each body of work builds on the last, like levels in a dystopian tower constructed from metal, emotion, and memory.
Raised on a musical diet of Nine Inch Nails, The Prodigy, and the smoky, compressed soul of Portishead, Bug’s early tastes paved a road into the depths of industrial and electronic experimentation. His journey began in middle school band class, with a trumpet in hand, and was further fueled by the underground rave scene where he cut his teeth at fifteen. Music wasn’t a sudden revelation—it was a slow burn into obsession.
Emotion fuels everything. His songs are stormy vessels, translating invisible feelings into tangible frequencies. Every track starts with a purpose—guided by BPMs drawn from DJ culture, then layered with mood, rhythm, and vision. After crafting the skeleton of a song, he always steps back, recharges, then returns to inject life into the sound. This meticulous process is the reason there are multiple albums—and even a book—on the horizon.
Distortion is the heartbeat of SINthetik Messiah. Whether subtle or savage, every track is soaked in it. Gear doesn’t define the project—creativity does. Bug has used everything from professional DAWs to Nintendo DS consoles. One standout release, Revelations of the Nintendo Generation, was crafted entirely with a DS and stands as a badge of fearless ingenuity. His production philosophy? “Any machine can make industrial music if you smash it hard enough.”
Film, television, and video games feed his imagination. Sci-fi, cyberpunk, horror—all of it bleeds into the thematic DNA of his sound. It’s not just music—it’s a world unto itself. The Vatican might be a spacefaring empire in his conceptual universe, but that’s just the surface. His critique of religion is nuanced, never gimmicky. He rejects the tired goth tropes of shock-value imagery and instead focuses on authentic storytelling through music and visual art.
Live shows are as unpredictable as the man himself. His sets shift depending on the venue and lineup—metal shows get guitar-heavy chaos, while electronic crowds get dancefloor-ready beats. No two performances are the same. And if he doesn’t play your favorite song? That’s okay. Catch him next time. He promises it’ll be different.
What keeps him going isn’t accolades or praise from childhood idols—it’s the real, raw messages from fans who say his music made them feel seen, heard, healed. That impact means more than anything else. “Sad boy vibes” aside, Bug’s sense of humor and humility keep his connection to fans deeply grounded.
He’s collaborated across the scene, from remix artists to professional engineers who elevate his mixes into sonic clarity. These collaborations are creative therapy, and they offer brief escapes from long-term projects. Right now, two new albums are in progress: one instrumental, blending industrial with trip-hop, and another slower, vocal-driven work steeped in old-school electro. He’s even attaching a book to one of them. Grammy dreams? Absolutely. One track is already headed for submission, and 2025 might just be the year the world takes notice.
As for the future, touring internationally is the dream. Once the world settles down, SINthetik Messiah plans to take his universe global—two tours per year across continents, bringing his growing discography to life onstage.
Until then, he remains in the lab—creating, distorting, and waiting for the next wave of noise to rise.
Step into a realm where apocalyptic sermons and celestial incantations collide—“Fall Damage” is here. Out now via darkTunes Music Group, this hypnotic collaboration unites CIRCUIT PREACHER, enigmatic leader of the Church of the Final Days, and CZARINA, the mystical High Priestess of the Coast of Death, for a spellbinding dive into gothic elegance and cinematic intensity.
🖤 Listen + Watch “Fall Damage” now:
Stream + Music Video
With CZARINA’s haunting, ethereal vocals weaving through CIRCUIT PREACHER’s fiery proclamations of inner strength, “Fall Damage” creates a soundscape that is as emotionally transcendent as it is sonically immense. Orchestral darkwave, gothic synths, and brooding industrial rhythms merge into a track that feels like the soundtrack to a dream collapsing into starlight.
“Fall Damage” isn’t just a song—it’s a portal.
💫 A sweeping score for shadow travelers.
🕯️ A love letter to resilience in the face of chaos.
📽️ Directed by The Kitsunés
🎥 Galicia, Spain Cinematography by @deadlykawaii
🎥 Virginia, USA Cinematography by @electronicbodymemes
💎 Rarely do two singular forces align this perfectly—“Fall Damage” is the glorious result of such a union. A must-listen for fans of gothic electro, ethereal industrial, and dark cinematic soundscapes.
🎧 Deep Dive into the Universe of Circuit Preacher & Czarina:
CIRCUIT PREACHER
CZARINA
darkTunes Music Group
Canadian dark electronic duo Ghost Twin have officially unveiled their next sonic ritual — the upcoming release of Industrial Symphony No. 1, announced today by Artoffact Records. 🖤
Equal parts haunting and hypnotic, Industrial Symphony No. 1 promises to be an atmospheric descent into dream logic and distortion, melding elements of synthpop, industrial, post-punk, and cinematic electronica. Known for their striking visuals and emotionally immersive sound, Ghost Twin are returning with a release that blurs the line between music, theatre, and dark surrealism.
🎧 Get ready to experience the shadows — pre-order and explore the world of Industrial Symphony No. 1 now via:
Artoffact Records
Bandcamp
Deep Dive into the Universe of Ghost Twin:
Facebook | Instagram | Twitter | YouTube
🔥 Out Now on All Major Platforms 🔥
Experimental industrial duo TANGERINECAT has just dropped their haunting new single “March of Mourn”, a powerful and visceral track that marches through shadows with hypnotic energy and uncompromising intensity.
Known for their boundary-pushing sound and politically-charged performances, TANGERINECAT blends darkwave, industrial, noise, and folk instrumentation into something wholly their own—raw, emotional, and impossible to ignore.
🔗 Listen to “March of Mourn” Now
Prepare for a sonic experience that both grieves and galvanizes, challenging norms while setting fire to the silence.
🗓 Mark your calendars! On March 23, 2025, Evol Radio LIVE cracks open the dark digital core of industrial music with a brand-new exclusive interview featuring the one and only SYNTHETIK MESSIAH – the boundary-smashing, noise-wielding sonic architect known for torching the lines between experimental electronic, industrial, and breakcore.
🎤 In this explosive and unfiltered sit-down, DJ Darkside dives into the twisted tech, glitchy influences, and apocalyptic vision behind Synthetik Messiah’s sound. From the underground Louisiana roots to international recognition, nothing is off limits in this intense conversation.
💣 Expect:
🔊 Whether you’re a rivethead, cyberpunk, or noise addict, this is mandatory listening. Synthetik Messiah doesn’t hold back — and neither do we.
🕛 Premiering exclusively via EvolRadio.net and on all socials.
🌐 Official Website
📷 Instagram
📘 Facebook
🐦 Twitter/X
🎶 Bandcamp
🎧 Spotify
🔥 Industrial Titans KMFDM Announce 2025 Remaster of Their Iconic Album “Hau Ruck” 🔥
Industrial music legends KMFDM are set to unleash a remastered 2025 re-release of their classic album Hau Ruck, bringing fresh power and intensity to the groundbreaking 2005 record. This reissue will be available on a high-fidelity 45rpm 2-LP vinyl and CD, ensuring fans can experience the album’s crushing industrial beats and razor-sharp lyricism like never before.
To mark the occasion, KMFDM is also dropping an exclusive commemorative T-shirt, celebrating this milestone release—so don’t sleep on it! Once it’s gone, it’s gone!
🎵 Pre-Order Now: KMFDM.FulfillmentMerch.com
Founded in 1984 by Sascha Konietzko, KMFDM (Kein Mehrheit Für Die Mitleid) has been a driving force in the industrial rock and electronic body music (EBM) movements for four decades. Known for their signature fusion of hard-hitting beats, aggressive guitars, and politically charged lyrics, KMFDM has influenced countless bands in the realms of industrial, metal, and electronic music.
From their early experimental sounds in Germany’s underground scene to their rise in global prominence, KMFDM’s relentless work ethic and bold sonic identity have kept them at the forefront of heavy electronic music. With albums like “Naïve” (1990), “Angst” (1993), “Nihil” (1995), and “Xtort” (1996), the band pioneered a style that blended pounding electronic rhythms with razor-sharp riffs and biting social commentary.
KMFDM’s ability to reinvent themselves while staying true to their signature ultra-heavy beat has made them an enduring force in the industrial scene. Their fans—often known as the KMFDM Army—have stood by the band through every evolution, keeping their legacy alive in clubs, live shows, and underground playlists worldwide.
Originally released in 2005, “Hau Ruck” marked a new era for KMFDM. The album introduced a heavier, more guitar-driven sound, incorporating elements of industrial metal and hard rock while still retaining the electronic backbone that made KMFDM famous. Tracks like “Free Your Hate,” “Professional Killer,” and the title track “Hau Ruck” delivered a crushing sonic assault, filled with rebellious energy and anti-authoritarian themes.
Now, with the 2025 remastered edition, the album is set to sound bigger, bolder, and even more explosive than ever before. Fans old and new will get to experience “Hau Ruck” in stunning high-definition audio, ensuring every beat, riff, and lyric punches through with maximum impact.
For die-hard KMFDM fans and newcomers alike, this 2025 reissue of “Hau Ruck” is more than just a remaster—it’s a celebration of the band’s unwavering legacy in the industrial music scene. Whether you’re a longtime follower or discovering KMFDM for the first time, this release serves as a testament to the band’s raw power, unfiltered creativity, and relentless innovation.
💿 Available in 45rpm 2-LP Vinyl & CD
👕 Limited-Edition Commemorative Shirt
🔥 Experience the Ultra-Heavy Beat Like Never Before!
🎵 Pre-Order Now: KMFDM.FulfillmentMerch.com
Metropolis Records has officially unveiled ‘Anemia’, the latest release from Mari Kattman! Known for her haunting vocals and immersive electronic soundscapes, Kattman delivers a dark, atmospheric journey that blends industrial, trip-hop, and synth-driven melodies into a mesmerizing sonic experience.
💿 Listen to ‘Anemia’ now: Click Here
Stay tuned for more from Mari Kattman as she continues to push the boundaries of dark electronic music!
💀 Deep Dive into the Universe of Mari Kattman 💀
🌎 Official Website
📘 Facebook
📷 Instagram
🎵 Spotify
📺 YouTube
Your source for Dark/Alt/Dance culture on EvolRadio.com- with DJ Darkside 