SPANKTHENUN, alongside twisted re-imaginings from CVRBON DECVY and Melody Whore, has just unveiled “PANOPTIKON,” a chillingly captivating 4-on-the-floor electro experience. This track serves as an ominous sonic tribute to Dallas’s iconic Panoptikon club, pulling you into its shadowy embrace.
“PANOPTIKON” ensnares the listener with its relentless surveillance beats and a haunting, unforgettable refrain (“See me now, see forever, PANOPTIKON”). You’re drawn into a world of neon grids and pulsing rhythms, where the infectious groove becomes your captor. As shadows writhe and the intensity builds, the very notion of freedom seems to slip away within this hypnotic soundscape.
Adding further layers to this digital menace, the release features compelling and distorted remixes from the sonic architects CVRBON DECVY and Melody Whore. Each remix amplifies the track’s inherent darkness and technological dread, offering unique and unsettling perspectives on SPANKTHENUN’s original vision.
Experience the captivating darkness of SPANKTHENUN’s “PANOPTIKON”: [Link to where the release can be found will be added if available]
From the vibrant heart of Brazil emerges AESTHETISCHE, the formidable EBM duo led by Gui Pires and Fab Viscardi, delivering a powerful sonic statement for 2025: the “Selling Fear” EP. In a reality increasingly fractured by the weight of misinformation, manipulative media, and escalating socio-political tensions, this new EP strikes with the urgency of a pounding alarm – a defiant and vital soundtrack for an era teetering on the edge.
With “Selling Fear,” AESTHETISCHE channels their signature fusion of precise electronic craftsmanship and raw, gritty intensity into six fiercely sharp tracks. These sonic creations artfully straddle the line between potent protest anthems and irresistible dance floor weapons. Drawing inspiration from the iconic legacies of FRONT LINE ASSEMBLY and the “Tyranny For You”-era FRONT 242, the duo seamlessly blends abrasive industrial textures with compelling melodic EBM grooves – a potent combination of visceral energy and intellectual depth.
From the aggressive rhythmic onslaught of the title track itself to its intriguing reinterpretations, “Selling Fear” provides multiple angles on a central, undeniable truth: resistance is not optional, and silence equates to complicity. The EP also features a fresh and impactful 2025 rework of “Everything Ends,” transforming last year’s original into a hard-hitting, club-ready anthem.
This is more than just an EP; “Selling Fear” is a sonic manifesto. AESTHETISCHE issues a rallying cry to all sonic dissidents: confront the overwhelming noise, decipher the pervasive lies, and transmute fear into the very fuel for change.
Let the machines articulate the message – and let the unvarnished truth resonate.
Hailing from the heart of Hungary and wielding powerful rhythms comes STAHLGEIST, the nation’s prime purveyors of Electronic Body Music. Their latest decree, “Justice,” isn’t just an album; it’s a 13-track sonic sentencing that proves their recent “Silence” EP was merely a polite cough before a full-throated roar. The masterminds behind this auditory arraignment are István Gazdag (also known for FIRST AID 4 SOULS and FIRST AID TECH) and the vocal prosecutor Tamás Bank (of WORKER MUNKAS and INTERZONE INC.). Together, they’ve crafted their most rigorously engineered and brutally effective record to date – a dance floor demolition expertly produced and as shadowy as an oil slick in a moonless night.
Prepare for a journey that begins with the wailing sirens of the opening track, “Justice,” navigates the darkly melodic highways of “Bad Galaxy,” slams you with the percussive force of the club hit “Boots On The Ground,” and finally leaves you in the stark quietude of “Silence.” This album cleverly synthesizes the militant drive of vintage NITZER EBB, the catchy synth lines of AND ONE, the sonic venom of LEAETHER STRIP, and the precise impact of FRONT LINE ASSEMBLY, all while retaining STAHLGEIST’s distinct Central European edge. Gazdag’s production achieves a crystalline clarity within a darkly textured soundscape, while Bank’s vocals deliver biting accusations against societal ills, urban decay, and even divine comeuppance.
Forged over three years, “Justice” stands as STAHLGEIST’s artistic creed: no backing down, no leniency, just pure power channeled through compelling beats. If your musical tastes align with the classic sounds of FRONT 242 (circa 1985), the relentless intensity of :WUMPSCUT:, the early melodicism of AND ONE, or the stark aggression of NITZER EBB, then prepare to have your speakers thoroughly interrogated.
The final verdict? Unquestionably guilty of inciting total dance floor pandemonium. Initiate playback and feel the sonic gavel fall!
ProNoize, purveyors of hard-hitting electronic sounds, has just unleashed the latest sonic assault from Chainreactor: “Roar”! Prepare for an intense auditory experience that lives up to its powerful title.
Chainreactor is known for their uncompromising approach to industrial and dark electronic music. Expect heavy, distorted beats, menacing synth lines, and a relentless energy that often evokes themes of dystopia, technology, and inner turmoil. A release on ProNoize further solidifies their commitment to delivering high-octane sonic landscapes for discerning listeners of the genre.
“Roar” likely embodies these characteristics, promising a track (or EP/album, depending on the context of “single” in ProNoize’s announcements) filled with the signature Chainreactor sound. It’s an invitation to immerse yourself in a world of powerful rhythms and dark atmospheres.
For those who crave the harder edges of electronic music and appreciate the sonic intensity of Chainreactor, the call to check it out here is an unmissable directive. Prepare for the “Roar”!
Deep Dive into the Universe of Chainreactorand Explore the sonic landscape of ProNoize: darkdimensions.de
Mojave Phone Booth, the compelling husband and wife duo of Mitchell J Doran and Tobey Torres-Doran, have today, May 16th, 2025, released their brand new single, “Ceramic,” via Label 51 Recordings. This marks the latest sonic transmission from the pair, who first began their musical journey together in the late ’90s as pivotal members of the cult industrial rock act Snake River Conspiracy.
“‘Ceramic’ was written on a Moog synthesizer with self-sampled drums and other pre-programmed sounds, plus a mistake that actually became my favourite instrument in the track,” Mitchell explains, offering a glimpse into their experimental process. “I also sampled a burning electric motor and distorted it through a Marshall guitar amp, and layered it in throughout. It’s the first and last sound you hear in this track. The words in the song tie into the larger concept of our new album. What happens on Sunday?” This intriguing question hints at the narrative threads woven throughout their upcoming work.
The album in question is Mojave Phone Booth’s highly anticipated third record, “Blood Doctor Volume One,” slated for release in the summer of 2025. This new offering melds abrasive textures, intricately crafted melodic song structures, and propulsive electronic rhythms into a singular and compelling sonic combination. Known for their relentless and meticulous approach, with an unwavering attention to detail and surgical precision, Mojave Phone Booth has forged their most aggressive and experimental work to date with “Blood Doctor Volume One.”
Tobey Torres-Doran’s powerful presence as the lead vocalist and frontperson for Snake River Conspiracy saw her touring the globe alongside renowned acts such as A Perfect Circle, Queens of the Stone Age, and Filter. Her vocal talents also extended to session work for various recordings under the Warner/Reprise Records banner.
Mitchell J Doran’s musical journey began in his teens, working as a session musician and recording engineer on releases for major labels like Warner, collaborating with iconic bands such as Queensryche and Dio. He was later recruited to Snake River Conspiracy as the lead guitarist and programmer, marking the inception of his creative partnership with Tobey that ultimately blossomed into Mojave Phone Booth.
Their second and most recent album, “Hollow The Numbers” (2023), served as a bold testament to their fearless creative spirit. Written and recorded in their home studio nestled in the Bay Area of Northern California, it masterfully showcased their “studio as instrument” philosophy. They not only drew from an eclectic array of analog gear but also elevated their craft by constructing much of that equipment themselves.
Once again conceived and recorded within the walls of their home studio, “Blood Doctor Volume One” represents the next evolution of their unique creative process. In addition to their instrumental prowess on synths, drums, bass, and guitars, Mitchell also takes on the roles of recording and producing their albums. “Sounds we were inspired by this time were recycling trucks, mechanical telephone switching systems and electronic voice phenomena,” he continues, highlighting their unconventional sonic palette. “We used a wide range of instruments and equipment to create a careful selection of textures.”
“Blood Doctor Volume One” arrests the listener with its immediacy, drawing them into a world brimming with palpable tension and searing emotional depth. Imbued with an otherworldly sonic innovation, Mojave Phone Booth thrives in the compelling space where industrial rock collides with the boundless possibilities of analog electronic experimentation.
Deep Dive into the Universe of Mojave Phone Booth: 🎧🌵
The captivating electronic musician and vocalist Mari Kattman, known for her integral role in the duo Helix and her compelling solo work, unleashes her brand new single, “Sharp Shooter,” today, Friday, May 16th, 2025, via Metropolis Records. This electrifying track serves as the second tantalizing glimpse into her upcoming full-length solo debut for the label (and third overall), aptly titled “Year Of The Katt,” which is slated for release on June 20th.
“‘Sharp Shooter’ explores the theme of an intelligent soul that navigates to painful circumstances for the chance to grow. No shots missed,” states Kattman, hinting at the track’s blend of introspective depth and sonic precision. The single follows her recent release, “Anemia,” a track that drew a stark parallel between vampiric exploitation and the debilitating weakness often experienced by those living with the condition.
Regarding the upcoming “Year Of The Katt” album, Kattman reveals the intensely personal journey of its creation: “Finishing it was a truly herculean effort. It was an album completely recorded, composed and produced by myself, so there were a lot of learning curves and things I needed to sort out before I was truly happy with the end product. I feel relief and enormously proud that I got it done.” This self-sufficient approach underscores Kattman’s artistic vision and unwavering dedication to her craft.
A prominent figure in today’s electronic music landscape, Mari Kattman has been a dynamic force since 2012, consistently writing, recording, producing, and performing her unique sonic creations. Her impressive resume boasts collaborations with a veritable who’s who of the scene, including Assemblage 23, Mesh, Ivardensphere, Jean-Marc Lederman, Psy’Aviah, Aesthetiche, Neuroticfish, BlackCarBurning, Cassetter, This Morn Omina, Solitary Experiments, Mephisto Walz, Aiboforcen, and Interface, showcasing her remarkable vocal versatility.
However, Kattman’s extensive vocal contributions for these esteemed acts only hint at her own considerable talents as a songwriter and producer. Previous singles such as ‘Fever Shakes’, ‘URGOD.AI’ and ‘Swallow’ have already demonstrated her knack for crafting irresistibly catchy electronic songs, tailor-made for the dance floor, where elements of Trap, Hip Hop, Electro, Ambient, EBM, and Industrial music seamlessly intertwine with her powerfully distinctive voice. “Sharp Shooter” promises to be another bullseye in her expanding sonic arsenal, further solidifying her position as a compelling and innovative artist.
Lock onto Mari Kattman’s “Sharp Shooter” now: [Stream/Download/Bandcamp Links Will Be Added Upon Release]
Pre-save Mari Kattman’s “Year Of The Katt” album: [Bandcamp Link Will Be Added]
The ethereal trio known as AURI, guided by the celestial voice of Johanna Kurkela, the sonic landscapes of Tuomas Holopainen, and the instrumental artistry of Troy Donockley, is set to release their long-awaited third studio album, “III – Candles & Beginnings,” on August 15, 2025. Prepare to be transported to a world that defies genre, a realm where folk, progressive, and symphonic elements intertwine with touches of world, pop, and avant-garde influences.
“III – Candles & Beginnings” promises an immersive journey for the senses, a testament to AURI’s unique ability to weave intricate sonic tapestries. The creative process for this new chapter began in 2023, following the completion of Nightwish’s “Yesterwynde” album. Troy composed in the serene landscapes of Yorkshire, while Tuomas and Johanna crafted melodies and lyrics from their home in Kitee, Finland, bridging worlds both musically and geographically.
As a first glimpse into AURI’s evolving soundscape, the hauntingly beautiful lead single “Shieldmaiden” is available now, accompanied by a stunning cinematic video directed by Ville Lipiäinen. Troy Donockley describes the track as “a mysterious song, obscured by its own slow rising power. Auri thrives on mystery and ambiguity so all is well…”
San Jose metalcore/hardcore juggernaut MUGSHOT has unleashed their second blistering single, “Next To Your Idols,” from their highly anticipated sophomore album, “All The Devils Are Here,” set to detonate on June 20th via Pure Noise Records. This track is a furious indictment of celebrity worship and the disturbing trend of idolizing those who abuse their power and platform.
“‘Next To Your Idols’ is a critique on celebrity culture and the adornment of those who use their platform to mistreat or take advantage of others,” the band states with righteous anger. “It’s an indictment on Hollywood and the manipulation that surrounds it and similar circles.” The track delivers this message with MUGSHOT’s signature blend of brutal metalcore and hardcore intensity, a sonic battering ram aimed squarely at the toxic underbelly of fame.
“All The Devils Are Here,” a massive 12-track record produced by Randy Leboeuf (known for his work with Kublai Kahn, The Acacia Strain, Gideon, and Bad Omens), marks a significant new chapter for MUGSHOT. Following their hard-hitting 2023 EP, “Cold Will,” and nearly a decade after their acclaimed full-length debut, “Dull Boy,” this album sees vocalist Ringo Waterman, guitarist Michael Demko, drummer Connor Haines, and bassist Ciro Abraham locked into a devastatingly brutal groove. Their sound is a violent storm, a relentless collision of metal and hardcore influences. The album also features the previously released sonic assaults “Vale of Tears,” “Die In Fear,” and “Afore A Waking Nightmare,” all hinting at the sheer rage contained within.
Regarding the new album, the band comments: “This album is the most collaborative we have ever been as a band, every person had a major hand in creating whether that be musically, lyrically or both. It’s also the first album we haven’t self produced and having Randy Leboeuf on board was so invaluable, he really felt like a 5th member. Lyrically this is the most personal and pissed off we have ever been and we think everyone will be able to connect with many tracks on this record.”
MUGSHOT will be taking their sonic fury on the road all summer long in support of “All The Devils Are Here,” including performances at major festivals like Welcome To Rockville and Louder Than Life. Tickets are available now at https://mugshotca.com/.
Re:Mission Entertainment, known for its dedication to the harder edges of electronic music, has just announced the impending arrival of Fermion’s new single, “Impetus”! Set to detonate on Sunday, May 18th, 2025, this release promises a potent dose of raw energy and deep, driving industrial dance vibes that will ignite dance floors and resonate in the shadows.
“Impetus” is not just a single; it’s a sonic force propelling forward with relentless intensity and atmosphere. Fermion crafts a soundscape built upon heavy, pounding beats and darkly resonant synthesizers, creating a track that demands movement and evokes a sense of powerful momentum.
Adding further depth to this release is a remix of “Impetus” by Divider, promising a potentially different and compelling take on the original’s raw energy. The single is also accompanied by a B-side track titled “Of What Remains,” offering an additional glimpse into Fermion’s sonic world and further solidifying this as a must-have release for fans of industrial dance music.
With “Impetus,” Fermion and Re:Mission Entertainment are poised to deliver a track that embodies the core elements of compelling industrial music: visceral energy, dark atmosphere, and an undeniable rhythmic drive. Mark your calendars for May 18th and prepare to be swept away by the sonic force of “Impetus.”
Engage with the raw energy of Fermion’s “Impetus”: [Link to where the release can be found will be active on May 18th]
Room 23 Music has just unearthed a sonic artifact of profound darkness: “Crux Aeternum” by the enigmatic entity known as Obscura Secta. This isn’t merely a release; it’s a 16-minute invocation, a journey into a darkness not defined by the absence of light, but born from within – a seeping, sentient, and seemingly eternal presence. Prepare to tread the threshold between utter desolation and a terrifying form of revelation.
Obscura Secta emerges from the shadows, unbound by conventional reference, with “Crux Aeternum” unfolding across three distinct and unsettling movements. The first, “Ex Solis Umbra” (From the Shadow of the Sun), crawls forth with low-frequency pulses, the last vestiges of warmth extinguished by an unseen and total eclipse. It’s a slow, creeping dread that settles deep within the listener.
The second movement, “Via Lucida” (The Lucid Way), offers no true clarity or illumination. Instead, it presents only the agonizing flicker of brief insight, moments of piercing awareness that serve only to amplify the surrounding darkness. There is no comfort to be found on this path, only the stark reality of a fractured perception.
Finally, the concluding movement, “Lux Occulta” (The Hidden Light), delves into the buried truth, the secrets that fester beneath the surface. Here, the veil between worlds tears, and the silence between the carefully placed tones becomes almost unbearable, pregnant with unspoken dread and the weight of hidden knowledge.
“Crux Aeternum” is presented not as a mere musical release, but as a relic – a sonic document chronicling a slow, inexorable decay and a holy dread that permeates every frequency. This is an experience for those who dare to confront the abyss and find a strange form of resonance within its depths.
Embark on the 16-minute descent into Obscura Secta’s “Crux Aeternum”: [Link to where the release can be found will be added if available]
The legendary Claus Larsen, the mastermind behind the iconic industrial project Leaether Strip, has just dropped a potent and long-shelved cover of Cabaret Voltaire’s seminal track, “Thank You America”! This electrifying rendition is now available for your listening pleasure, directly from the source.
In a candid message to fans, Claus explained the track’s delayed release: “Dear Friends! I recorded this Cabaret Voltaire cover a few years ago, but ‘some’ label people thought it would be a bad idea to release. Oh well, you all know I love America and playing there and music that isn´t listened to is nonexistent, and we can´t have that. Thank you Cabaret Voltaire for making me become a better songwriter! If you are offended, just don´t listen, it’s very easy 🙂 Thank You America! Love Claus.” This personal note underscores Claus’s passion for both the original track and his connection with his American fanbase.
Leaether Strip’s take on Cabaret Voltaire’s “Thank You America” promises to be a powerful fusion of classic industrial grit and Claus Larsen’s signature sonic intensity. Known for his raw vocals, hard-hitting beats, and often politically charged lyrics, Leaether Strip is likely to inject this cover with a contemporary edge while honoring the groundbreaking spirit of the original. Cabaret Voltaire, pioneers of industrial and electronic music, released “Thank You America” in 1981, a track known for its stark soundscapes and critical commentary. Leaether Strip revisiting this influential piece is a significant nod to the genre’s roots.
For longtime fans of both Leaether Strip and Cabaret Voltaire, this release is a must-hear. It’s a unique opportunity to witness a legendary industrial artist paying homage to another pivotal force in electronic music history. Claus’s personal investment in the track and his dedication to his audience make this release all the more compelling.
Don’t let this powerful cover remain nonexistent! Plug in, turn up the volume, and experience Leaether Strip’s electrifying “Thank You America.”
Deep Dive into the Universe of Leaether Strip: 🎧🇺🇸
Mari Kattman, known for her captivating vocals and genre-bending explorations, has just announced the imminent arrival of her brand new single, “Sharp Shooter”! Set to officially drop this Friday, May 16th, 2025, this track is the second taste from her upcoming album, “Year Of The Katt,” slated for release on Metropolis Records on June 20th, 2025.
While the full sonic landscape of “Sharp Shooter” is yet to be unveiled, Mari Kattman’s previous work offers a tantalizing glimpse of what to expect. Her music often blends elements of darkwave, synthpop, and electronic music with a distinctive vocal delivery that can be both ethereal and powerfully direct. Known for lush harmonies and strategic vocal/musical syncopation, her sound often features a compelling balance of atmospheric pads, intricate high hats, and deep, resonant basslines, creating a moody and captivating sonic experience.
“Sharp Shooter” follows her recent single “Anemia” and builds anticipation for the full “Year Of The Katt” album. With a discography that includes albums like “Stay Up” and “Hover,” as well as EPs and collaborations with artists like Comaduster and Psy’Aviah, Mari Kattman has established herself as a unique and compelling voice in the alternative electronic scene. Her involvement in the project Helix with Assemblage 23’s Tom Shear further showcases her versatility and collaborative spirit.
The announcement of “Sharp Shooter” has already generated buzz within the dark alternative electronic community, with anticipation building for its release on Metropolis Records. This new single promises to be another compelling addition to Mari Kattman’s evolving sonic narrative, showcasing her sharp musical instincts and distinctive artistic vision.
Keep your sights locked on Friday, May 16th, and prepare for Mari Kattman’s “Sharp Shooter” to hit its target!
Twisted Flesh Recordings, purveyors of the sonically abrasive and darkly intense, have just announced the arrival of the latest offering from Against I: “All Hope Is Gone.” Prepare for a descent into nihilistic soundscapes and confront the void with this new release.
While specific details about Against I and their album “All Hope Is Gone” are likely lurking within the shadowy corners of the industrial and experimental music underground, the very name “Twisted Flesh Recordings” speaks volumes about the sonic territory they inhabit. Known for championing artists who push boundaries and delve into the more extreme and often unsettling realms of sound, a release on this label suggests an uncompromising and potentially visceral listening experience.
“All Hope Is Gone” likely explores themes of despair, disillusionment, and perhaps a confrontation with the darker aspects of the human condition or societal decay. Expect potentially harsh textures, aggressive rhythms, and an overall atmosphere of bleak intensity, aligning with the label’s established penchant for the sonically challenging.
For those who seek out the audibly extreme and are willing to confront the abyss through sound, Twisted Flesh Recordings’ announcement of Against I’s “All Hope Is Gone” is a call to explore the depths. Click the link below and prepare to immerse yourself in a sonic landscape where hope may indeed be absent, but raw, unfiltered expression undoubtedly remains.
Room 23 Music has just unleashed the latest sonic transgression from the French sound provocateur known as Autist: “Les Fleurs du Mal.” This daring EP, released on the Spirit of Progress imprint, is an uncompromising exploration of the bleak, the beautiful, and the brutally honest corners of the human (and perhaps neurodivergent) experience. Prepare for a journey into soundscapes that challenge, confront, and ultimately captivate.
Autist throws down the gauntlet with “Chaotic Harmony,” the EP’s opening salvo. This track unfolds with a slow-burning intensity, a relentless rhythmic noise mechanic that is abrasive, obsessive, and physically demanding. It’s a sonic confrontation with inner architecture, channeling themes of neurodiversity through sheer repetition and building tension, forcing a stark examination of the self.
The EP then takes a turn inward with “You Lied to Me,” a ghostly soundscape scarred by acidic pulses and echoing voids. The space created here is not one of comfort or solace, but rather a stark arena for dissection, inviting listeners to confront uncomfortable truths and raw emotions laid bare.
Finally, the title track, “Les Fleurs du Mal,” serves as a potent fusion of the EP’s preceding extremes. It inhabits a grey zone where pain and clarity intersect, where corrosive sonic textures meet haunting rhythmic echoes in the desolate space between. This track encapsulates the EP’s overarching theme of finding a strange and unsettling beauty within the darker aspects of existence.
For those with a penchant for sonic provocation and a willingness to explore the fringes of electronic sound, Autist’s “Les Fleurs du Mal” on Room 23 Music’s Spirit of Progress is an essential listen. Dive into this uncompromising sonic landscape and discover the bleak beauty within.
Dilemma, the darkly captivating project forged in the shadows by producer Alex Elias, is releasing its most emotionally resonant single to date, “The Gift (that Keeps on Giving),” today, May 14th, 2025, via Outer Darkness Records. This intensely brooding track plunges listeners into a soundscape that is both exquisitely tormented and deeply personal, serving as a melancholic reflection on the visceral realities of enduring chronic pain.
“The Gift (that Keeps on Giving)” exists in the liminal space between a gothic lament and an industrial outpouring, drawing its power from the profound wellspring of emotional and physical struggle. The lyrics possess a sharp, almost painful beauty, cutting through the sonic darkness like shards of glass beneath a shattered moonlit sky. The poignant line, “and those moments of reprieve, fleeting but pristine, I treasure them as true gift without irony,” lies at the heart of the track’s ironically titled name, encapsulating its bittersweet and deeply human message.
This already powerful single is further amplified by the inclusion of two compelling remixes, each offering a unique perspective on Dilemma’s haunting original:
Pixelgrinder, a formidable force also residing within the Outer Darkness Records stable, injects his signature cybernetic precision into the track, crafting a grinding and deliciously relentless reinterpretation that will resonate with fans of intricate electronic sequencing.
Brandon Smith, the electronic rock visionary behind The Anix and a 20-year veteran of the industry, contributes a masterclass in melancholic extraction. He artfully distills the original’s sorrowful waves, juxtaposing them with an elegy of solemnity and fragile hope, creating a beautifully nuanced sonic tapestry.
“The Gift (that Keeps on Giving)” masterfully showcases Dilemma’s ability to seamlessly blend brooding vulnerability with moments of industrial aggression, offering a cathartic release for anyone who understands the often-invisible battles fought against chronic pain, whether experienced firsthand or witnessed in a loved one.
For media inquiries regarding playlist placement, blog features, or interviews, please direct your correspondence to MGMT.DilemmaIndustrial@Protonmail.com.
Immerse yourself in Dilemma’s “The Gift (that Keeps on Giving)”: [Download Link: Dilemma – The Gift (that Keeps on Giving)] [Download Code: tljf-brbn]
From the shadowy corners of the underground, Acid Bath Records has just delivered a new sonic offering: “Hate Of Shadows” by the enigmatic artist Slichtnacht. For those who crave the darker frequencies and the unsettling beauty found within them, this release promises a descent into captivating sonic landscapes.
While direct information about Slichtnacht and “Hate Of Shadows” might be lurking in the deeper recesses of the web, the very name “Acid Bath Records” carries a certain weight and expectation within the realms of dark and experimental music. Known for unearthing and showcasing artists who delve into the more abrasive, atmospheric, and often unsettling sonic territories, a release on this label suggests a journey into soundscapes that are far from the mainstream.
“Hate Of Shadows” likely explores themes and sonic textures that resonate with the label’s established aesthetic. Expect potentially heavy atmospheres, perhaps industrial undertones, or a foray into the more experimental fringes of electronic or dark ambient music. The title itself hints at a confrontation with inner darkness or the shadowy aspects of existence.
For those intrigued by the sonic alchemy conjured by Acid Bath Records and the enigmatic presence of Slichtnacht, the call to “check it out here” is an invitation to plunge into the unknown. Be prepared to explore soundscapes that may challenge, provoke, and ultimately captivate those with a taste for the audibly obscure and the emotionally resonant darkness.
Venture into the shadows of Slichtnacht’s “Hate Of Shadows”: [Link to where the release can be found will be added if available]
Prepare to be drawn into a realm of shadowy allure as the Portuguese darkwave collective, Order In Chaos, unveils their latest single, “Wicked Paradise,” across all major digital platforms on Tuesday, May 21st, 2025, at 6:00 PM (your local time may vary, adjust your sundials accordingly!). Simultaneously, the band will premiere the captivating music video for “Wicked Paradise” on YouTube, offering a visual gateway into their darkly romantic world.
Hailing from Portugal, Order In Chaos crafts a sonic tapestry woven from a rich array of influences, seamlessly blending the melancholic beauty of gothic rock and darkwave with the driving energy of alternative rock and the shimmering textures of new wave and synthpop. Hints of post-punk’s introspective edge also permeate their sound, creating a unique auditory landscape that is both familiar and strikingly original.
The music of Order In Chaos is more than just a collection of notes and rhythms; it’s an immersive journey into a vividly imagined world, one where romance and eroticism intertwine with shadows and a profound sense of melancholy. Their songs paint sonic portraits of moonlit trysts and heartbroken whispers, all set against a backdrop of elegant decay and yearning desire. “Wicked Paradise” promises to be another compelling chapter in this ongoing narrative, beckoning listeners to explore the intoxicating beauty found within the darkness.
Mark your digital calendars and prepare to surrender to the alluring embrace of “Wicked Paradise” on May 21st. Order In Chaos is poised to deliver a single and video that will linger in your thoughts long after the final notes fade.
Set your coordinates for “Wicked Paradise”: [Links to digital platforms and YouTube video will be active on May 21st]
From the depths of their creative core, the duo known as Tangerine Cat (Zhenia and Paul) have unveiled their latest offering, the profoundly moving album “Grief.” Released into the world today, this collection of soundscapes is described by the artists as their most honest and passionate work to date, a raw and unfiltered exploration of the human experience now ready for you to embrace.
“Grief” isn’t just an album; it’s an intimate journey, a sonic tapestry woven with threads of vulnerability and strength. Tangerine Cat has poured their hearts and souls into this creation, and now they extend it to their listeners, hoping that its resonance will offer solace, understanding, or perhaps simply a moment of profound connection.
For those who appreciate the tangible beauty of physical media, “Grief” is available in a limited edition run of green and black vinyl, as well as on CD. Digital download options are also available for immediate immersion. To further commemorate this deeply personal work, Tangerine Cat has also released unisex and women’s t-shirts, allowing you to wear your connection to this powerful album. For the ultimate experience, bundles combining music and merchandise are also on offer.
This release is indeed a limited affair, adding a sense of urgency for those who desire a physical piece of “Grief.” As of this moment, less than half of the initial run of 300 green vinyl records remain, and half of the 200 black vinyl records have already found their way to eager listeners. The uniquely designed “women’s” t-shirts are also in scarce supply. For those who pre-ordered, rest assured that your packages have already embarked on their journeys across the globe.
Tangerine Cat expresses their heartfelt gratitude for the unwavering support they have received and humbly requests your assistance in spreading the word about “Grief.” They also extend an invitation to connect with local venues, festivals, and promoters if you wish to experience the raw emotion of “Grief” performed live. Their message is one of empowerment and hope: “We have power to change things and create miracles!”
The profound impact of “Grief” has already been recognized, with Andy Brown of Louder Than War eloquently stating: “‘Grief’ is the sound of perseverance, the triumph of art and the human spirit in the face of adversity.” This powerful endorsement speaks volumes about the album’s ability to connect with the deepest aspects of the human condition.
After a five-year silence, the legendary Electronic Saviors compilation series has returned with a thunderous new volume, a testament to the enduring spirit of the electronic music community and their unwavering commitment to a vital cause. This isn’t just a revival; it’s a rebirth, a colossal undertaking featuring a staggering 98 brand new tracks, each a unique creation forged exclusively for this monumental collection. Once again, the formidable alliance of Metropolis Records and Distortion Productions has united to deliver an absolute behemoth of music, all in the name of conquering cancer.
Prepare to be overwhelmed by the sheer artistic power on display. The contributing artists have truly outdone themselves, crafting some of the most epic and compelling work of their careers. This new volume boasts exclusive tracks from a who’s who of the industrial and electronic music landscape, including the likes of 16Volt, Acumen Nation, Die Sektor, blackcarburning, Metamorph Feat Stabbing Westward, Negative Format, Out Out, Lead Into Gold, Interface, Xenturion Prime, Ego Likeness, Marc Heal, Red Lokust, Amulet, genCAB, NOIR, Panic Lift, I:Scintilla, Sapphira Vee, Inertia, Hexedene, and a legion of other sonic innovators. Every beat, every synth line, every vocal utterance on this compilation is a new weapon in the fight against this relentless disease.
The driving force behind this extraordinary endeavor, cancer survivor and organizer Jim Semonik, reflects on this unexpected return: “It’s not something I’d ever thought would happen again. I’m lucky. Not only in the sense that I get to be here after surviving for 17 years post-cancer, but that I get to work with my heroes and share the fruits of their labor with the world. It’s really quite something and the fact that we are working with Young Adult Survivors United is an absolute thrill for me. With 7 ES volumes, 3 spinoffs, 2 sponsored comps, 117k donated and over 500 bands and artists involved worldwide, I can only see this growing further! We’re back!” Semonik’s passionate dedication and the overwhelming generosity of the participating artists underscore the profound impact of this series.
For those who crave a tangible artifact of this sonic crusade, CD boxsets are available in both a four-disc Regular Edition and a six-disc (plus 7”) Premium Edition, the latter brimming with additional merchandise. The Regular Edition can be exclusively acquired via distortionprod.com and at select festivals: Dark Force Fest, Mechanismus, and Coldwaves. For those in the digital realm, the entire 98-track arsenal is available via Bandcamp.
The “Electronic Saviors: Industrial Music To Cure Cancer” series first emerged in 2010, born from Jim Semonik’s own personal battle with the disease. Volumes 2 through 6 followed, each featuring a wealth of exclusive tracks from prominent figures across the industrial, EBM, synth-pop, and electronic music scenes. This new volume marks a powerful resurgence, a united front of artists wielding their sonic creations as instruments of hope and progress in the ongoing fight against cancer.
Join the sonic resistance and support this vital cause!
Acquire your copy of the new Electronic Saviors volume: [Links to Distortion Prod, Bandcamp, etc. will be added upon release]
Explore the legacy of the Electronic Saviors series: [Links to previous volumes, Distortion Prod, Metropolis Records will be added]
Connect with the forces behind this sonic salvation: 🎧🔗
Prepare for a sonic recalibration! The enigmatic project LOCKJAW is gearing up to unleash their electrifying cover of Garbage’s iconic track “Vow” on Friday, May 23rd, 2025. This isn’t just a simple rendition; LOCKJAW is tearing down the original and rebuilding it with their own signature industrial-tinged intensity. Adding extra voltage to this sonic experiment are two familiar faces from the scene: the formidable Jose Ramirez (formerly of LOCKJAW) on guitars, and the powerhouse Ken Pillar (known for his work with Project 44, WORM, and Apocalypse Theater) on drums.
While details surrounding LOCKJAW remain somewhat shrouded in digital mist, their reputation for crafting hard-hitting, technologically infused soundscapes precedes them. This cover of “Vow” promises to be no exception, likely injecting the original’s raw energy with a layer of metallic grit and electronic precision. The involvement of Jose Ramirez, a former architect of LOCKJAW’s sonic identity, adds an intriguing layer of continuity and perhaps a nod to the project’s past.
Ken Pillar, a name synonymous with thunderous and intricate drumming in the industrial and alternative metal underground, further elevates the anticipation for this release. His powerful rhythms and dynamic style are sure to provide a solid and driving backbone to LOCKJAW’s interpretation of the Garbage classic. The collaboration between these seasoned musicians hints at a cover that will not only pay homage to the original but also carve its own distinct sonic territory.
Garbage’s “Vow,” released in 1995 as their debut single, was a groundbreaking track that blended alternative rock with electronic textures and Shirley Manson’s distinctive vocals. Its raw emotion and powerful delivery cemented Garbage’s place in the mid-90s music landscape. LOCKJAW’s decision to tackle such an influential song suggests a bold and potentially transformative reimagining.
The anticipation for LOCKJAW’s “Vow” cover is building within the industrial and alternative music communities. The combination of LOCKJAW’s sonic aesthetic, the return of Jose Ramirez on guitar, and the percussive force of Ken Pillar on drums makes this a highly anticipated release for fans of both the original track and the darker, more electronic edges of alternative music. Mark your digital calendars for Friday, May 23rd, and prepare for a sonic collision of past and present.
Stay locked onto your digital feeds for the imminent release of LOCKJAW’s cover of “Vow.” This promises to be a potent injection of industrial energy into a beloved alternative anthem.
Keep your circuits open for LOCKJAW’s “Vow” on May 23rd!
Explore the shadowy corners of LOCKJAW’s digital realm: 🎧⚙️
[Links to LOCKJAW’s online presence – likely Bandcamp, social media – will be added upon release]
The titans of futurepop, VNV Nation, helmed by the visionary Ronan Harris, have once again expanded their sonic empire with the release of their twelfth studio album, “Construct,” on May 9th, 2025, via their own Anachron Sounds imprint. Following the critically acclaimed “Electric Sun,” “Construct” marks another significant step in VNV Nation’s evolution, delivering a meticulously crafted collection of ten tracks that seamlessly blend their signature anthemic beats with profound emotional and lyrical depth.
Originally conceived as part of a double album project titled “Construct // Destruct,” the sheer scope and distinct character of each collection led Harris to ultimately release them as two separate entities. “Construct,” as its name suggests, leans towards a more positive and forward-looking sonic architecture. Ronan Harris himself has described the album as exploring the duality within us, the “two wolves” vying for dominance, and the importance of acknowledging our shadow selves to find balance. He also hinted that fans of their classic track “Illusion” would find much to embrace within this new offering.
“Construct” builds upon VNV Nation’s established sound while pushing its boundaries. From the pulsing energy of the previously released singles “Silence Speaks,” “Station 21,” and “By Your Side,” to the emotive and orchestrally-inspired moments found in tracks like “Nothing More” and the epic “Frontier I + II,” the album offers a dynamic and immersive listening experience. Harris’s lyrical prowess remains a cornerstone, weaving narratives of resilience, hope, and the search for meaning in an increasingly complex world.
The album’s creation took place at VNV Nation’s Hamburg studio between May 2024 and January 2025, with Ronan Harris at the helm of production. The mixing was a collaborative effort between Harris and Benjamin Lawrenz, known for his work with Lord of the Lost and KMFDM, while mastering duties were handled to ensure a polished and powerful final product. The physical release of “Construct” features a striking cover design, employing a grid of cut-out characters to subtly reveal the band name and album title, adding another layer of artistic depth to the project.
With “Construct” now available on various formats, including Digipak CD, limited and regular vinyl, and digital platforms, VNV Nation continues their journey of sonic exploration, building new anthems for their devoted fanbase. This album serves as a testament to their enduring creativity and their ability to construct soundscapes that resonate deeply within the hearts and minds of their listeners
From the pulsating heart of Brooklyn, Bootblacks, sonic architects of the night, have dropped their latest electrifying single, “Leipzig,” a neon-drenched anthem beamed directly to your auditory cortex via Artoffact Records. This track isn’t just music; it’s a journey into the glittering, synthetic soul of the late 20th century’s nightclub futurism, a soundtrack for lost souls finding fleeting connection under strobing lights.
“Leipzig” finds Bootblacks at their most kinetically charged, a raw machine driven by punchy, aggressive basslines and manic arpeggiation. Adding an unexpected layer of human warmth and soulful grit is Oskar Carls of Viagra Boys, whose saxophone weaves through the synthetic landscape like a lost memory in a digital dream. This isn’t just a song that soundtracks the club; it is the club – the sweat-slicked dance floor, the fleeting glances, the whispered confessions in smoke-filled corners, and the bittersweet ache of love found and lost before the morning’s harsh glare.
As the track unfolds, the interplay of light and darkness becomes a central theme: “Light, light, light / Washes over you / Night, night, night / What it takes from you.” “Leipzig” transcends mere club banger status, evolving into a meditation on the delicate balance of connection – what we willingly give away in the pursuit of another’s gaze, and what ethereal essence remains when the final beat fades into the silence of dawn.
For those who’ve been entranced by Bootblacks’ frenetic live performances across North America and Europe since their formation in 2010, “Leipzig” is a potent distillation of their core essence: a captivating balance of introspective depth and buoyant energy, a sound that simultaneously nods to the ghosts of post-punk past while forging a distinctly modern path. Their Artoffact Records debut, 2020’s acclaimed “Thin Skies,” solidified their place as innovators in the scene.
With a sonic evolution that began with their 2012 debut EP “Narrowed” (which included a collaboration with the legendary Jim Sclavunos of Nick Cave & the Bad Seeds), and continued through the post-punk explorations of 2016’s “Veins” and the synth-heavy atmospheres of 2017’s “Fragments,” Bootblacks have consistently defied complacency. “Fragments,” in particular, propelled them onto numerous “best-of” lists and secured their status as a must-see live act, leading to appearances at prestigious festivals like Cold Waves and Wave Gotik Treffen.
Now, with “Leipzig,” Bootblacks offer a tantalizing glimpse into their forthcoming album, “Paradise,” set to bloom on June 13th, 2025, via Artoffact Records. Pre-order your slice of this neon-lit utopia now and prepare to lose yourself in the shimmering soundscapes they’ve crafted.
Listen to the electric pulse of “Leipzig”: Listen Here Revisit the shadows of “Only You”: [Listen Here]([Searching for “Only You” link…]) Pre-order your escape to “Paradise”: [Order Here]([Searching for “Paradise” pre-order link…])
Deep Dive into the Bootblacks’ Illuminated World: 🎧🌃
From the frostbitten landscapes of Finland, where even the heavy metal is forged in the heart of a dying sun, Battle Beast, a name that conjures images of both brutal power and soaring melodies, has unleashed their latest single, “Last Goodbye,” a taste of their seventh studio album, set to detonate later this year. With six studio albums already under their studded belts, four of which clawed their way to #1 in their homeland, and a lineup that could shatter glaciers with a single power chord, Battle Beast is not a band content to rest on their laurels. “Last Goodbye” is a testament to their enduring fire, a sonic Molotov cocktail hurled into the face of oblivion.
Eero Sipilä, the band’s bassist and a key lyricist, reveals the unlikely genesis of this anthemic track: “The spark for Last Goodbye was lit in the least rock ’n roll place imaginable: a hospital. In 2020, I spent a few weeks there and met an older woman battling cancer—a fight she’d been waging on and off since 1985. It made me wonder: how much can a person take before they give up? But she never did. She kept showing up, kept pushing through the treatments, kept being around. Last Goodbye is a tribute to that human fighting spirit—the will to rise every time life knocks you down. As long as you’re breathing, you’re still in the game.” This personal anecdote adds a layer of raw, human resilience to the band’s already epic sound, a reminder that even in the darkest of times, the will to fight can become a symphony.
“Last Goodbye” is more than just a catchy metal tune; it’s a battle cry for a world teetering on the edge. It’s a reminder that even when faced with insurmountable odds, the human spirit can endure, a theme that resonates deeply with Battle Beast’s signature blend of power and symphonic metal. The track is a potent mix of Noora Louhimo’s soaring vocals, the band’s trademark thunderous riffs, and a melancholic undercurrent that speaks to the fragility of existence.
To further fuel the flames of their impending sonic assault, Battle Beast has also announced a massive European tour, commencing on October 17th, 2025, with a colossal headline show in Hamburg, Germany. Joining them on this metal pilgrimage are Dominum, purveyors of melodic metal mayhem, and Sweden’s rising power metal force, Majestica, ensuring a night of unadulterated metal supremacy.
13-Dec-25 Czech Republic, Zlin – Sports Hall Datart
14-Dec-25 Poland, Warsaw – Progresja
With their “Circus Of Doom – Live in Helsinki 2023” album, released earlier this year, Battle Beast proved their live prowess is as formidable as their studio recordings. This 117-minute spectacle, captured in their hometown, is a testament to their enduring power and a must-have for any self-respecting metalhead. But rest assured, this is not the end of the tale. Battle Beast is already forging a new chapter, one that promises to be even more explosive, more visceral, and more unforgettable.
Emerging from the digital sprawl of Berlin, alt-electro newcomer Mintage is injecting a fresh dose of corrupted code into the scene with his second single, “Rag Doll,” released just in time for his inaugural live performance at the Out Of Line Weekender Festival on May 10th, 2025. Signed to Out Of Line Music, Mintage isn’t just making music; he’s crafting sonic viruses that infect your consciousness with a blend of raw emotion and synthesized rebellion. “Rag Doll” is the latest transmission from this artist, a track that pulses with a dark, energetic heart, yet bleeds with the vulnerability of a discarded android.
“Rag Doll” isn’t your typical synth-pop fluff; it’s a raw data stream directly from Mintage’s fractured psyche. As the artist himself describes it, the track is “a raw confrontation with what it means to be truly connected,” a digital mirror reflecting two conflicting inner voices. One voice seeks solace in unwavering trust, a warmth likened to a cherished (and perhaps malfunctioning) plush companion. The other voice, however, bears the digital scars of abandonment, the cold, hard drive of a discarded toy.
This track isn’t just about catchy hooks and danceable beats; it’s about forcing you to confront uncomfortable questions in the neon-drenched alleys of your own mind. What does it truly mean to be a friend in this hyper-connected, yet utterly isolated world? Do you possess the processing power to accept both the sacrifices and the betrayals that come bundled with loyalty? Mintage doesn’t offer any sugar-coated answers; “Rag Doll” is a stark reminder that genuine connection isn’t a commodity to be bought and sold, but a hard-earned reward, forged in the messy, glitchy reality of human (and perhaps synthetic) interaction.
Mintage elaborates on the personal source code behind “Rag Doll”: “I wrote this song about a mistake I made. A mistake that might for others not even be one, but for me it was the beginning of a broken friendship. That day I introduced two friends of mine to each other and they got along pretty well – too well. I think we all know this feeling of being replaced, being used by friends you think are loyal to you. But some small situations tell more about a person than any word they could say to you. I am that Rag Doll, only being played with if they’re in the mood. And if there’s a new toy, I might just dust for eternity in that closet.” This raw honesty, this willingness to expose his own vulnerabilities, is what sets Mintage apart from the army of synth-drenched clones flooding the digital airwaves.
Before unleashing “Rag Doll” upon the world, Mintage made significant waves with his previous single, “Bad 4 You,” a track accompanied by a visually arresting video that earned him the title of “Best EDM & Dance Music Video” at the Europe Music Video Awards, and an Honorable Mention for Experimental Music Video at the MMVAs. This video, a hyper-industrial fever dream, mirrored the song’s themes of emotional malfunction, fractured identity, and intense introspection, showcasing Mintage’s commitment to creating a complete sensory experience.
With “Rag Doll,” Mintage continues his mission to redefine electronic music, wielding his self-proclaimed “hyperbass” style like a sonic weapon. This genre-bending fusion of dark electro, alternative, and hyperpop, filtered through a lens of raw emotion and avant-garde artistry, is a force to be reckoned with. Mintage isn’t just an artist; he’s a digital architect, building soundscapes that are as unpredictable as they are unforgettable. He’s an artistic anomaly, driven by emotional chaos, fascinated by the bizarre code of human behavior, and fueled by a burning desire for sonic rebellion.
From the desolate plains of North Dakota, a storm of depressive black metal has emerged. Ghost Bath, the sonic entity masterminded by the artist known only as Nameless (aka Dennis Mikula), has unleashed their latest full-length album, “Rose Thorn Necklace,” upon a world already teetering on the brink. Released on May 9th, 2025, via Nuclear Blast Records, this album is not for the faint of heart. It’s a journey into the abyss, a soundtrack for the end times, and a testament to the enduring power of bleakness.
In their twelfth year of existence, Ghost Bath shows no signs of softening their edges. Instead, “Rose Thorn Necklace” sees Nameless (Dennis Mikula), the band’s sole constant member, embracing his most antisocial tendencies, sharpening his sound into a weaponized form of melancholic aggression. This album is a rusty blade, honed to a razor’s edge over years of sonic toil. To further enhance this vision of sonic ruin, the band has also released a visualizer for the track “Vodka Butterfly,” a swirling vortex of bleak imagery and crushing soundscapes.
Nameless (Dennis Mikula) offered a brief, yet ominous statement regarding the album’s release: “Rose Thorn Necklace is now yours. This latest offering is very special, and we hope you take from it whatever you need.” What you might need, however, may be a strong dose of therapy after immersing yourself in this sonic landscape.
“Rose Thorn Necklace” was forged in the fires of 2024, between January and June. The percussive onslaught was captured by Mike Heller (of Fear Factory fame) at Heaven and Heller Studios, while Nameless (Dennis Mikula) handled the remaining instrumentation in his home studio, creating a stark contrast between the raw power and the introspective darkness. The resulting mix, courtesy of Jack Shirley, is a dense and suffocating experience, perfectly complemented by the haunting cover artwork created by Ksenija Tarasova.
Free from the conceptual constraints of the “Moonlover-Starmourner-Self Loather” trilogy, “Rose Thorn Necklace” sees Nameless (Dennis Mikula) delving into the most intense and introspective corners of Ghost Bath’s sonic palette. Expect blackened blasts, melancholic movements, and a general sense of unease as Ghost Bath drags you, kicking and screaming, into the unknown.
“’40 years on and the guitars still try to strangle each other, the words still struggle to make sense of chaos and the rhythms drive us to a glorious destination.’ ~David Wolfenden of Red Lorry Yellow Lorry”
Seminal post-punk legends Red Lorry Yellow Lorry are set to release their long-awaited and final album, “Strange Kind of Paradise,” this July via COP International. This album, nearly two decades in the making, marks the poignant conclusion to the Leeds, England band’s remarkable career.
Despite their years, Red Lorry Yellow Lorry retain every bit of their signature edge and swagger. “Strange Kind of Paradise” burns with the raw intensity that made them so compelling from the start, thrashing against the chaos of modern life and grappling with themes of disillusionment, survival, and fleeting transcendence.
Arriving after their acclaimed “Driving Black” EP from late 2024, “Strange Kind of Paradise” is now available for preorder via Bandcamp from COP International in limited edition vinyl and CD formats, as well as across all digital and streaming platforms. The track “Walking On Air” is currently available for streaming exclusively on Bandcamp.
Emerging from the creature-infested depths of New York, the epic fantasy heavy metal band CASTLE RAT, led by the formidable “Rat Queen” (Riley Pinkerton), have revealed details for their highly anticipated sophomore album, “The Bestiary,” set to be unleashed on September 19th via a collaborative release from King Volume Records (US) and Blues Funeral Recordings (UK/Europe).
Following their critically acclaimed debut, “Into The Realm,” “The Bestiary” promises 13 spellbinding tracks of mystical metal carnage, brought to life by “The Rat Queen,” “The Count,” “The Plague Doctor,” and “The All-Seeing Druid” in their ongoing battles against “The Rat Reaperess.”
“The Bestiary” was recorded by the renowned Randall Dunn (Sunn O))), Wolves in the Throne Room, Björk) and mixed by Jonathan Nuñez (Torche, Restless Spirit), ensuring a sonic journey of epic proportions.
The Rat Queen herself describes the album: “‘The Bestiary’ is a conceptual book of beasts containing a collection of mystical creatures from a world forgotten. The last remaining souls of each have been gathered and preserved by ‘The Wizard.’ Cautionary tales of each beast and The Wizard himself are woven through the power of traditional heavy metal song and spell.”
The Bestiary Tracklist:
PHOENIX I: Ardent
WOLF I: Tooth & Blade
WIZARD: Crystal Heart
SIREN: The Pull of Promise
UNICORN: Carnage and Ice
PATH OF MOSS
CRYSTAL CAVE: Enshrined
SERPENT: Coiled Figure
WOLF II: Celestial Beast
DRAGON: Lord of The Sky
SUMMONING SPELL
SUN SONG: Behold The Flame
PHOENIX II: Cinerous
In support of “The Bestiary,” CASTLE RAT will embark on “The Book of Beasts Tour” across the US in late summer. Tickets are available for purchase here: https://bnds.us/jnqiyj
CASTLE RAT Tour Dates: Sep 5 – Boston, MA – Sonia Sep 6 – Elizabethtown, NY – Otis Sep 7 – Montreal, QC – Piranha Bar Sep 8 – Toronto, ON – Lee’s Palace Sep 9 – Columbus, OH – Ace of Cups Sep 10 – Chicago, IL – Reggies Sep 12 – Kansas City, MO – The Ship Sep 13 – Colorado Springs, CO – What’s Left Fest Sep 14 – Salt Lake City, UT – Urban Lounge Sep 16 – Seattle, WA – Clockout Lounge Sep 17 – Portland, OR – Star Theater Sep 18 – Austin, TX – Fantastic Fest Sep 20 – Berkeley, CA – Cornerstone Sep 21 – Los Angeles, CA – Zebulon Sep 22 – San Diego, CA – The Casbah Sep 23 – Phoenix, AZ – Last Exit Sep 24 – Albuquerque, NM – Sister Sep 27 – Houston, TX – Last Concert Sep 28 – New Orleans, LA – Gasa Gasa Sep 30 – Atlanta, GA – The Earl Oct 1 – Asheville, NC – Eulogy Oct 2 – Raleigh, NC – Chapel of Bones Oct 3 – Charlottesville, VA – Southern Cafe Oct 4 – Baltimore, MD – Ottobar Oct 5 – Brooklyn, NY – Music Hall of Williamsburg
Cyanotic has just unleashed their powerful industrial take on the techno/breakbeat classic “Atom Bomb” by Fluke! You can grab this electrifying cover now on a “pay what you want” basis. They hope you dig their industrial-fueled rendition of this timeless track.
Racso Agroyam, best known from the dark electro powerhouse Hocico, has reignited his industrial/techno solo project DULCE LIQUIDO with the release of his new single, “Get On Your Knees.” This is the third single leading up to a forthcoming full-length album.
Released digitally via Out Of Line Music, “Get On Your Knees” is accompanied by a brand new t-shirt, available now at the Out Of Line Shop.
DULCE LIQUIDO follows no particular pattern and breaks the barriers between mind and music with dark, heavy electro beats fit for the darkest depths of any dance floor. 😈
FiXT has just released the captivating and powerful new single “Night Mother” from the enigmatic artist Daedric! Prepare to be drawn into its dark and alluring soundscape.
Artoffact Records has just announced the upcoming EP “FROM ANOTHER ROOM” by the captivating darkwave artist SOFT VEIN! Get ready for a new dose of their signature sound.
Get ready for a sonic assault! Gasoline Invertebrate has just dropped their latest offering, “Rage Magus.” If you’re into the heavier, more experimental side of industrial music, this is definitely something to check out. Expect a blend of intense rhythms, distorted textures, and a generally dark and abrasive soundscape.
Deep Dive into the The Universe of Gasoline Invertebrate
If you’re a fan of industrial music with a leaning towards the experimental and noisy, “Rage Magus” is likely to be right up your alley. Give it a listen and let me know what you think!
Chicago’s electro-rock quartet, Comasoft, have made a triumphant return with their brand new EP, “Gather at the End,” released on April 25th via Moth in a Flame! The EP features five fresh tracks, including the previously released singles “Numbing” and “Firebomb.”
Produced at BLVM3 Studios in Chicago, “Gather at the End” features founding member Tomasz Banach alongside Ramirez, Christopher Lee, and Chris Cambell. This marks Comasoft’s first new music since 2023’s “Finis Temporis” and 2015’s “Let’s go All the Way” EP.
This new EP is particularly significant as it celebrates the 20th anniversary of their self-titled debut release on Moth in a Flame Records. Over two decades, the band has released two full-length albums, four EPs, and numerous singles, including their college radio hit “10volt.” While band members have evolved, Comasoft continues to deliver a sound that feels both fresh and reminiscent of iconic bands like The Cure, Placebo, and Gary Numan, all wrapped in an 80s neon aesthetic. Ramirez’s new romantic vocals blend seamlessly with powerful synthesizers and sharp guitars.
Gather at the End Tracklisting:
Fire Bomb
Restless Life
Numbing (Perchance)
Deprive
Trapped in a Vial
For those who came of age in Chicago between Generation X and Millennial, Comasoft was a familiar face in the city’s dark, fog-filled clubs, sharing stages with electro-glam contemporaries and supporting major acts like Madina Lake, Hawthorne Heights, Breathe Carolina, The Presets, and Kill Hannah, as well as dark electronic artists such as IAMX, Apoptygma Berzerk, and Stabbing Westward.
Comasoft made their long-awaited return to the stage this past November, opening for a sold-out hometown show with Stabbing Westward. Riding high on the energy of that performance, Jay Ramirez and Comasoft focused on completing their new EP and booking more shows in 2025. Upcoming dates include a headlining show at Cobra Lounge in Chicago on April 25th and supporting EBM legends Leaether Strip in Columbus, Ohio on July 11th. More dates for 2025 are expected to be announced soon.
COMASOFT LIVE DATES 2025:
4/25/2025 Cobra Lounge, Chicago w/ BA Sisters and DJ Leo
7/11/2025 Black Swan Bar and Grill, Columbus w/Leaether Strip and the Stigmas
Dark/Alt/Dance Culture, Music Entertainment News, Mental Health/STEM updates, Educational/Informational Community Outreach resources, Fashion, and Interviews with the artists you know and love – Featuring a HUGE mix of THE Most Dirty, Heavy, Danceable, Electronica, Rock, Metal, and Industrial! from the underground to the mainstream, coast to coast, and ALL around the globe.
Your source for Dark/Alt/Dance culture on EvolRadio.com- with DJ Darkside 