Metropolis Records has officially released “Rage,” the latest hard-hitting single from Damage Control, featuring an unrelenting collaboration with EBM and industrial icon Leæther Strip.
Built on pounding rhythms, harsh electronics, and a confrontational atmosphere, “Rage” lives up to its title—channeling pure aggression into a tightly wound, club-ready weapon. Damage Control bring precision and force, while Leæther Strip injects a signature intensity that reinforces the track’s raw, uncompromising edge.
The release stands as a meeting point between modern industrial ferocity and legacy EBM power, continuing Metropolis Records’ long-standing tradition of bridging generations within the dark electronic underground.
🎶 Listen Now
Deep Dive into the Universe of Damage Control & Leæther Strip
Confusion Inc. has just released “Crawler (DJ Mixes),” a new remix-focused drop from dark electronic artist Slighter. Reimagined for the dancefloor, the release gives Crawler a full DJ remix treatment—reshaped with club-ready energy and deeper rhythmic pressure.
Adding extra weight for dedicated listeners, the release also includes a Bandcamp-exclusive “dub” version, stripping things down to their raw, hypnotic core. It’s a release designed for late-night sets, industrial-adjacent dancefloors, and anyone who prefers their electronics dark, immersive, and functional.
Crawler (DJ Mixes) is available now, continuing Confusion Inc.’s steady output of forward-leaning underground electronic releases.
Circle of Dust returns with Machines of Our Disgrace (Single Edits), a streamlined reintroduction to one of the project’s most confrontational modern-era statements.
Originally released as a full-length album, Machines of Our Disgrace dissected the growing tension between humanity, technology, and systems of control. With Single Edits, the material is re-presented in a more immediate, broadcast-ready form — sharper cuts, tighter runtimes, and maximum impact.
Precision Cuts for a Digital Age
These edits aren’t about dilution. They’re about focus. The Single Edits strip each track down to its most essential elements, amplifying the mechanical pulse, serrated synth work, and industrial weight that define Circle of Dust’s sound. It’s the same warning signal — just delivered faster and harder.
Man vs. Machine, Revisited
Lyrically and thematically, Machines of Our Disgrace remains brutally relevant. Surveillance culture, algorithmic control, and technological dependence loom large, framed through Circle of Dust’s signature blend of cold electronics and human urgency. The Single Edits sharpen that message, making it impossible to ignore in an era where machines increasingly dictate behavior.
Why This Release Matters
Machines of Our Disgrace (Single Edits) serves as both an entry point for new listeners and a fresh angle for longtime fans. It reinforces the album’s core message while adapting it for modern listening habits — playlists, radio rotation, and rapid-fire digital consumption.
This is industrial music engineered for now: efficient, unflinching, and still deeply human beneath the circuitry.
Nutronic returns with Futures (Definitive Edition), a fully realized reissue that cements the project’s vision as it was always meant to be heard.
Originally released as Futures, the album has now been revisited, refined, and locked into place with the release of Futures (Definitive Edition) — a version designed not as a bonus update, but as the final, authoritative statement of the work.
A Definitive Statement, Not a Repackaging
This is not a simple remaster or archival repost. Futures (Definitive Edition) represents a deliberate effort to correct, strengthen, and future-proof the album. Updated mastering and refined mixes bring greater clarity and weight to the production, allowing the mechanical pulse and cold electronic textures to fully assert themselves.
In this form, the album replaces earlier versions entirely, presenting a consistent sonic identity and narrative flow that reflects Nutronic’s original intent.
Industrial Futures, Fully Realized
Musically, Nutronic remains rooted in the industrial, EBM, and dark electronic tradition, drawing power from rigid rhythms, synthetic tension, and an atmosphere steeped in technological unease. Futures explores themes of control, isolation, and speculative tomorrow-states — a forward-facing dystopia where progress and alienation move in lockstep.
The Definitive Edition sharpens these ideas, reinforcing the album’s conceptual cohesion and emphasizing its role as a unified work rather than a collection of tracks.
By releasing Futures (Definitive Edition), Nutronic effectively closes the chapter on earlier iterations and establishes this edition as the canonical version going forward. It’s a move that speaks to long-term intent: ensuring the album stands strong within the artist’s catalog and remains relevant as both sound and statement.
For listeners drawn to disciplined industrial production with modern precision, this release offers a clear entry point into Nutronic’s world — one that feels complete, intentional, and uncompromising.
After years of anticipation, Lords of Acid are officially back on U.S. soil. The legendary electronic provocateurs have announced the “Cheeky Freaky Tour,” a 29-date headlining run launching April 25 in Las Vegas and stretching coast to coast through the end of May. More than a simple comeback, the tour marks the opening chapter of a fully reenergized era for the band—one that looks forward without erasing its infamous past.
This spring run is deliberately framed as a reinvention rather than a nostalgia trip. The “Cheeky Freaky Tour” blends intimate club settings with large-scale festival appearances, including Sick New World in Las Vegas and Ritual Noize Fest in Denver. Each stop promises a high-impact, immersive experience that reflects decades of live evolution while amplifying the band’s modern edge.
Founder and creative architect Praga Khan confirms that this momentum is driven by more than touring ambition. For the first time in eight years, LORDS OF ACID have completed entirely new material, with a brand-new album expected later this year. According to Khan, the upcoming record respects the legacy that built the band’s reputation while decisively pushing their sound, visuals, and performance energy into the future.
Now fronted by Carla Harvey, the current Acid Queen era bridges generations seamlessly. Setlists are designed to collide eras—iconic tracks like “Pu**y,” “I Sit On Acid,” and “Crablouse” sit alongside unreleased material that previews what’s next. The focus remains on tension, theatrical presence, and sonic impact, reinforcing the band’s reputation for performances that feel confrontational, playful, and dangerously alive.
The supporting lineup has been curated to match the tour’s boundary-breaking ethos. Dead on a Sunday bring raw, modern gothic energy, while Princess Superstar delivers razor-sharp lyricism and club-ready confidence. Tony and the Kiki add fashion-forward alternative pop flair, and MZ Neon opens each night with pulsing underground electronics. Notably, both Princess Superstar and Tony and the Kiki appear on the forthcoming LORDS OF ACID album, offering fans an early glimpse into the band’s next creative phase—live and unfiltered.
Decades into their career, LORDS OF ACID continue to defy expectations of what an electronic act can be. Loud, visual, provocative, and unapologetically bold, the “Cheeky Freaky Tour” is less about reclaiming relevance and more about proving they never lost it.
LORDS OF ACID – Cheeky Freaky Tour Dates
April 25, 2026 – Las Vegas, NV – Sick New World * April 26, 2026 – Fontana, CA – Stage Red + April 29, 2026 – Grand Junction, CO – Mesa Theater + April 30, 2026 – Albuquerque, NM – Sunshine Theater + May 1, 2026 – Colorado Springs, CO – Black Sheep + May 2, 2026 – Denver, CO – Ritual Noize Fest * May 4, 2026 – Kansas City, KS – Warehouse May 5, 2026 – Minneapolis, MN – Varsity Theater May 6, 2026 – Chicago, IL – Bottom Lounge May 7, 2026 – Detroit, MI – Magic Stick May 8, 2026 – Pittsburgh, PA – Preserving Underground May 9, 2026 – Washington, DC – Union May 11, 2026 – Cleveland, OH – Mercury May 12, 2026 – New York, NY – Racket May 14, 2026 – Atlanta, GA – Masquerade + May 15, 2026 – Orlando, FL – The Abbey May 16, 2026 – Fort Lauderdale, FL – Culture Room May 17, 2026 – Tampa, FL – Orpheum May 19, 2026 – Fort Walton Beach, FL – Downtown Music Hall May 21, 2026 – Houston, TX – Scout Bar May 22, 2026 – Dallas, TX – Trees May 23, 2026 – Austin, TX – Come And Take It Live May 24, 2026 – San Antonio, TX – Paper Tiger May 26, 2026 – Tucson, AZ – 191 Toole May 27, 2026 – Phoenix, AZ – Nile May 28, 2026 – Las Vegas, NV – Swandive May 29, 2026 – San Diego, CA – Music Box May 30, 2026 – Los Angeles, CA – Echoplex May 31, 2026 – San Jose, CA – The Ritz
Mesh are back, and they’re not easing into it. With the release of “Exile”, the iconic British synthpop duo signal a powerful resurgence—one that feels both urgent and refined. Out today, the new single captures Mesh at their most emotionally charged, blending polished electronic production with the introspective weight longtime fans crave.
“Exile” doesn’t just arrive — it confronts. Propelled by driving synth lines and unmistakably human vulnerability, the track stands as a bold statement of intent. It’s a reminder of why Mesh continue to matter: emotionally resonant songwriting wrapped in precision-crafted electronic atmospheres.
The forthcoming album is already shaping up to be something special. Early impressions place it among their strongest work to date—rivaled only by Automation Baby, a high watermark in the band’s catalog. For fans who value depth, melody, and emotional honesty, this next era promises to deliver in full.
Preorders are now live, with regional options recommended for convenience:
European customers are encouraged to order via Dependent or POPoNAUT
UK fans should order directly from Mesh
🎶Listen Now:
This is Mesh, fully present and fully realized. If “Exile” is the opening signal, what follows may well define their modern legacy.
As the calendar turns, there’s a quiet milestone approaching in the Faderhead universe. March 31, 2026 marks 20 years since the release of FH1—the debut album that kicked open the door back in 2006. Two decades later, the machine is still running, sharper and more self-aware than ever.
20 Years of Faderhead ⚙️
With the anniversary looming, planning is already underway. While the final release schedule is still being locked in, all signs point toward a brand-new Faderhead album landing in the second half of 2026, accompanied by very few “20 Years of Faderhead” headline shows—likely no more than two. No victory lap. No nostalgia overload. Just precision.
2025 Patreon Songs 🎧
To close out 2025, a snippet mix of the 12 Patreon-exclusive tracks released throughout the year was shared—offering a rare look behind the curtain. The reaction was unexpected: a surprising number of listeners didn’t even realize Patreon existed, let alone what it actually offers.
So let’s clarify.
What Is Patreon, Really? 🔒
Patreon is the Faderhead Inner Circle—a space for fans, creatives, and curious minds who want more than just the finished product.
What You Get:
One exclusive song every month – Patron-only releases, usually never available elsewhere
Weekly “Faderhead Friday” newsletter – Over 500 consecutive weeks and counting
Studio livestreams & Q&As(Producer tier) – Real-time writing and production insight
Monthly 1-on-1 mentorship calls(Mentor tier) – Personalized Zoom sessions to level up your art or project
This isn’t about content farming.
It’s about connection, insight, and transparency—a direct line into how things actually work, without industry theater or posturing. And yes, it costs less than a McDonald’s meal.
Live in 2026 🔥
March 28, 2026 – E-Tropolis, Oberhausen (DE)
June 26–27, 2026 – Black Lower Castle, Kranichfeld (DE)
Limited appearances. No filler.
You Don’t Hate Social Media. You Just Suck at It. 🧠
This part might sting—but it matters.
If social media feels exhausting, humiliating, time-consuming, or vaguely insulting to your intelligence, there’s a strong chance the issue isn’t the platform.
It’s inefficiency.
Slowness Turns Neutral Tasks Into Enemies
Watching someone spend nearly an hour editing a simple Instagram Reel—basic cuts, timing, text—says everything. For someone experienced, that’s a 3–5 minute task. The task didn’t change. The skill level did.
And with it, the emotional reaction.
If every post feels like an existential crisis, the problem isn’t social media. It’s friction.
“Hate” Is Often Just Resistance
Most musicians who claim to hate social media don’t hate publishing.
They hate:
Not knowing what to post
Taking forever to decide
Feeling clumsy with the tools
Watching others move fast while they struggle
So the ego steps in with comforting lies:
This is fake
This isn’t real art
I shouldn’t have to do this
Convenient. Comfortable. Completely useless.
The Hidden Cost Nobody Calculates
When posting takes an hour, you avoid it. When you avoid it, you stay bad. When you stay bad, the hour never becomes five minutes.
That loop—not algorithms, audiences, or “culture decline”—is the real enemy.
An untrained muscle you refuse to train because you resent the gym.
Speed Is Freedom, Not Selling Out
People who are good at social media don’t dramatize it. They don’t overidentify with it. They don’t justify it.
They open the app. They do the thing. They close the app.
The faster something becomes, the less emotional weight it carries. Ironically, competence is what creates distance.
One Uncomfortable Question
Before declaring social media beneath you, ask this:
If this took five minutes instead of fifty, would I still hate it?
If the honest answer is no, then this isn’t a values problem.
It’s a skill gap.
And skill gaps don’t close by pretending your frustration is philosophical.
Simon Carter has kicked the doors open on 2026 with the release of Welcome, a new EP engineered for the underground. Designed to hit hardest after midnight, the record dives headfirst into shadow-soaked spaces where rhythm rules and the outside world fades away.
Built across four hypnotic techno cuts, Welcome thrives on driving basslines, industrial grit, and a relentless forward motion. Each track locks into a deep pulse, layering mechanical textures and pressure-heavy grooves that feel tailor-made for dark rooms, late nights, and packed dance floors.
This EP isn’t about easing listeners in—it’s about total immersion. From the first beat to the last echo, Welcome establishes Simon Carter’s intent for the year ahead: uncompromising energy, raw atmosphere, and a sound rooted firmly in the underground.
If this release is any indication, 2026 is arriving loud—and Simon Carter is setting the tone.
The Ultra Heavy Beat never dies—but sometimes it’s forced to regroup. German electronic and industrial rock pioneers KMFDM have officially postponed their nearly sold-out European tour, originally scheduled for February and March 2026, due to a severe illness requiring immediate medical intervention and ongoing therapy.
Tour Update: Health Comes First
The tour was set to support the band’s forthcoming 24th studio album, ENEMY, but circumstances beyond their control have brought plans to a temporary halt.
“We are so very sorry. We were looking forward to do this tour, but we will make up for it,” states KMFDM founder Sascha ‘Käpt’n K’ Konietzko. “We appreciate your love and support! Long live the ULTRA HEAVY BEAT,” adds co-vocalist Lucia Cifarelli.
All tickets will remain valid for the rescheduled dates. A revised tour timeline is expected to be announced soon.
Album Release Unchanged: ENEMY Arrives February 6, 2026
Despite the tour delay, the release of ENEMY remains locked in for February 6, 2026, via Metropolis Records.
The first single, “OUBLIETTE,” is already available and sets the tone for what may be KMFDM’s most confrontational release yet.
ENEMY
Formats: 2×LP | CD | Digital
Release Date: February 6, 2026
Label: Metropolis Records
Includes the single: OUBLIETTE (WAV | MP3 | Streaming | Bandcamp)
The Sound of Defiance
Society fractures. Fascism parades openly. Silence is demanded. KMFDM responds the only way they know how—louder, sharper, and more uncompromising than ever.
With 42 years of conceptual continuity through distinction, KMFDM declare themselves the ENEMY—a direct challenge to hypocrisy, discrimination, and systemic decay. The album is helmed by the songwriting and vocal command of Konietzko and Cifarelli, driven by the percussive assault of Andy Selway, and now reinforced by London-based guitarist Tidor Nieddu, whose vivid six-string attack injects fresh aggression into the KMFDM arsenal.
Adding another striking dimension, Annabella Konietzko appears on the explosive track “YOÜ,” marking her songwriting debut with the band after mesmerizing audiences during the 40th anniversary tour.
Musical Warfare Across the Tracklist
ENEMY is stylistically fearless—biting satire, political venom, and dancefloor-ready brutality collide across its runtime:
Dance/rock melodicism: OUBLIETTE
Dark industrial grooves: CATCH & KILL
Thrash satire: OUTERNATIONAL INTERVENTION
Vicious industrial metal: L’ETAT
Funk-driven menace: VAMPYR
Dub-laced defiance: STRAY BULLET 2.0
KMFDM continues to move—dancing on the blood-dimmed tide, roaring against a world that demands ignorance over awareness.
ENEMY – Tracklist
ENEMY
OUBLIETTE
L’ETAT
VAMPYR
YOÜ
OUTERNATIONAL INTERVENTION
A OKAY
STRAY BULLET 2.0
CATCH & KILL
GUN QUARTER SUE
THE SECOND COMING
Legacy of the Ultra Heavy Beat
Founded in Hamburg in 1984 by Sascha Konietzko, KMFDM carved a singular path through industrial rock—combining confrontational politics, abrasive electronics, and undeniable hooks. Early releases in Germany led to U.S. success through Wax Trax! Records, with the 1990s cementing their legacy via hits like “Juke Joint Jezebel” and soundtrack placements in Bad Boys and Mortal Kombat.
Bands such as Rammstein and Korn cut their teeth opening on KMFDM tours. After a brief hiatus in 1999, the band re-emerged on Metropolis Records with Lucia Cifarelli, continuing a relentless cycle of releases and tours. Their most recent album, LET GO (2024), capped a 40-year legacy, followed by a remixed and remastered edition of HAU RUCK in 2025.
U.S. electro-industrial act genCAB rises from the depths once more with their haunting new single, “Open Grave,” out now via Metropolis Records. Released on October 31, 2025, this brooding club anthem drags listeners into a confessional spiral of self-sabotage, decay, and emotional dissection—set to a driving, dancefloor-ready beat.
💿 Includes:
Open Grave
Open Grave (Unsolved Remix by Lost Signal)
Last (Nine Inch Nails cover)
🩸 A Dance with Self-Destruction
“The song explores the decay of our own undoing. I’m a self-destructive person, and ‘Open Grave’ is about lying in my own mess that I create for myself,” confesses David Dutton, the creative force behind genCAB.
Dutton adds, “Most of the advice we get is to keep our inner pain hidden, so we isolate further. This song is me laying that pain bare—for anyone to hear, whenever they need it. It’s more accessible than my past work, but it carries a message that’s universal. Sometimes life is just a dance track and an outlet to lose yourself. Who knows what’s left when you tear yourself apart—but at least it’s honest.”
⚙️ genCAB’s Sonic Evolution
Since their 2008 debut II transMuter, genCAB has been a force in the darker corners of electronic music, expertly merging EBM, synth-pop, and alternative rock. After a long hiatus that saw Dutton and drummer Tim Van Horn touring with Aesthetic Perfection, genCAB returned in 2022 with Thoughts Beyond Words and the Everything You See Is Mine EP—showcasing a renewed energy and emotional intensity.
Their 2023 Metropolis release Signature Flaws introduced dreamlike shoegaze and post-hardcore influences, while 2024’s III I II (THIRD EYE GEMINI) reimagined and expanded upon their earliest material with modern, atmospheric depth. Now, Open Grave continues that evolution—melding catharsis with rhythm, and ruin with revelation.
The ever-fierce I Ya Toyah returns with a new surge of energy through “Denial (Aesthetic Perfection Remix)”, reimagining her haunting industrial sound with Daniel Graves’ signature electronic venom. This remix blends icy synth lines, pulsating bass, and a dose of Aesthetic Perfection’s dark-pop flair, transforming the original into a dancefloor inferno for the disillusioned and defiant.
Fans can expect the remix to amplify the raw emotion and cyberpunk tension that I Ya Toyah is known for—twisting the edges of pain and beauty into something electrifying.
🎶 Listen Now:
💬 “Denial is about confronting the uncomfortable truths we try to bury,” says I Ya Toyah. “This remix turns that confrontation into a dark celebration—a scream disguised as a song.”
⚡ About I Ya Toyah
Born in Poland and now based in Chicago, I Ya Toyah’s name translates roughly to “It’s just me”—a fitting declaration for the one-woman army behind her music. Blending industrial, darkwave, synth-pop, and electronic rock, she writes, records, and produces everything herself, championing a fiercely DIY ethos under her own label Femme Fatale Records.
Her work delves deep into themes of mental health, human rights, and self-empowerment, often donating proceeds from her music and merchandise to causes such as the American Foundation for Suicide Prevention and Animal Hope & Wellness. I Ya Toyah views her project not merely as music, but as a movement—a rallying cry for individuality and strength in dark times.
Her debut album Code Blue (2018) introduced her as a formidable voice in the industrial underground, with subsequent releases and collaborations pushing her further into global recognition. “Denial (Aesthetic Perfection Remix)” continues that legacy, fusing raw emotion with machine-driven precision.
🌍 Upcoming Tour Dates (Post November 1, 2025)
I Ya Toyah is currently bringing her electrified stage presence to Europe, delivering an immersive live show that merges sound, light, and sheer intensity.
Nov 2, 2025 – Zik-Zak, Ittre, Belgium
Nov 4, 2025 – L’Ampérage, Grenoble, France
Nov 5, 2025 – Backstage By The Mill, Paris, France
Nov 7, 2025 – Salle de Spectacle, Saint-Ismier, France
Nov 8, 2025 – Beasto Blanco, Telfs, Austria
Nov 11, 2025 – Analog Music Hall, Budapest, Hungary
Fans describe her performances as cathartic, defiant, and hypnotic—a raw surge of emotion set against pulsating visuals and cybernetic rhythm.
🖤 Swedish electronic pioneers COVENANT have released the deeply moving Andreas EP, a heartfelt five-song tribute to their late bandmate Andreas Catjar-Danielsson (March 3, 1973 – July 29, 2024). Known for his creative brilliance and contribution to the band’s distinctive sound, Andreas’ legacy continues to resonate through this powerful collection.
✨ The EP serves not only as a musical homage but also as an act of compassion — all proceeds from the Andreas EP will go directly to support Andreas’ wife and children. In an admirable gesture of solidarity, Dependent Records has waived all label profits from the vinyl release, ensuring every purchase directly benefits his family.
🎧 Musically, the Andreas EP channels Covenant’s signature blend of emotional depth and electronic sophistication, carrying traces of melancholy and resilience. It’s a sonic reflection of love, loss, and the unbreakable bonds formed through music. Each track feels like a conversation with the past — an elegy written in synths and silence.
🔥 The EP is now available on all major digital and streaming platforms. Fans and supporters can make a meaningful difference simply by listening or purchasing a copy.
Today, darkwave and synthpop powerhouse Brittany Bindrim drops her new full-length Counterpoison, a record that radiates cinematic tension, propulsive beats, and raw emotion. This latest release marks a fierce, faster-paced evolution from her 2024 debut Velella Velella, diving headfirst into the shadows of duality, resistance, and renewal.
🔥 A Transformation Through Sound At its core, Counterpoison is a story of transformation — an antidote for the toxins that corrode us both personally and collectively. The album embodies the concept of art as alchemy, turning pain, betrayal, and societal decay into fuel for empowerment and rebirth.
🎛 Sonic Craftsmanship Written and performed by Bindrim herself, the album was produced and mixed by Matt McJunkins (A Perfect Circle, Puscifer, Eagles of Death Metal, Poppy) and mastered by Ken “Hiwatt” Marshall. The result? A visceral, high-voltage soundscape pulsing with cinematic grandeur and industrial precision.
💿 Out Now Counterpoison is available today on limited edition vinyl, CD, and across all digital and streaming platforms. Bindrim will also bring the album’s dark energy to life through select performances in Seattle, Portland, and Los Angeles.
Electro-industrial and synth-pop icon Assemblage 23 — the project of Tom Shear — returns with “Believe,” the powerful new single from the upcoming album Null, out November 7th, 2025 via Metropolis Records.
✨ Finding Light in the Static “This song is about believing that there is hope for better things, even with the state of the world as it is today,” explains Shear. “We are responsible for making the kind of world we live in. In the face of bad times, sometimes the most subversive thing you can do is have hope.”
“Believe” marks the second single from Null — Assemblage 23’s tenth studio album and the long-awaited follow-up to 2020’s Mourn. The record also features the recent single “Tolerate” and showcases Shear’s trademark fusion of melodic precision, emotional resonance, and electronic craftsmanship that has defined his two-decade legacy in the dark electronic scene.
💀 Legacy of Innovation and Emotion Since emerging with Contempt at the turn of the millennium, Assemblage 23 has remained a defining force in futurepop, breaking from European dominance with emotionally charged songwriting and razor-sharp production. Shear’s lyrics — often touching on themes of loss, depression, resilience, and hope — have built a deeply loyal following and continue to resonate across generations of listeners.
British industrial/EBM visionary ESA has unveiled Pound of Flesh, a three-part music film drawn from his latest album, Sounds for Your Happiness, released July 5th via Negative Gain Productions.
🎬 Watch “Pound of Flesh” here:YouTube 💽 Order Sounds for Your Happiness: Bandcamp
🔥 A Vision of Darkness and Redemption Filmed across Bangkok, Thailand, and Manchester, UK, Pound of Flesh marks ESA’s most ambitious visual journey yet. Starring Tan Toafa Maneepasopchock (Gotham, Oceans 10) and Panita Hutacharern, alongside a cast of Thai actors, the film weaves a story of torment, astral projection, and spiritual decay.
The narrative follows a soul plagued by inner demons who learns to leap between bodies through astral projection—only to discover that pain cannot be escaped, merely transferred. As madness spreads through each new vessel, the demons close in, leading to an explosive exorcism sequence that blurs the line between spiritual horror and industrial art.
🎞️ A Sonic and Visual Obsession Blacker describes Pound of Flesh as both “a powerful narrative experience” and “a love letter to Thailand,” a country that has deeply influenced his creative evolution. The film’s haunting visuals pair perfectly with ESA’s grinding, genre-defying soundtrack—a fusion of EBM, industrial, black metal, dark ambient, punk, techno, and power noise.
As ESA declares:
“I’m moving into the place between the walls you made for me.”
⚡ About the Album — Sounds for Your Happiness A ferocious blend of chaos and catharsis, Sounds for Your Happiness channels everything from Gesaffelstein to Godflesh, Ulver, and Pitchshifter, crafting a brutal electronic odyssey that’s both punishing and euphoric.
All music by: Jamie Blacker Mixing/Mastering by: Stephan Sutor (Obscure Music)
Dark electronic artist Sapphira Vee has just released her latest single, “Unfolding,” — a mesmerizing fusion of ethereal vocals, brooding synths, and cinematic atmosphere. This track captures the essence of transformation and vulnerability, weaving emotion through layers of haunting production and hypnotic rhythm.
🎧 Listen Now:
“Unfolding” showcases Sapphira’s signature balance of shadow and light — a delicate interplay of beauty and intensity that defines her sonic world. With lush textures, pulsing beats, and evocative lyrics, this release marks another bold step forward in her artistic evolution.
German dark electro-pop visionaries ROTERSAND have dropped not one but two electrifying singles — “It Was Night” (released September 5th) and “Train” (out now, October 3rd) — further expanding the digital edition of their latest full-length album Don’t Become The Thing You Hated. Both tracks were previously available only on the CD version and are now streaming globally.
The new material continues the duo’s signature balance of brooding atmosphere and intelligent rhythm, uniting philosophical reflection with sharp-edged electronic craftsmanship. These songs arrive as part of the ongoing evolution of Rascal Nikov (vocals, electronics) and Krischan Jan-Eric Wesenberg (electronics), whose work has long blurred the lines between dancefloor power and emotional introspection.
💀 A Dark Reflection of Modern Times Following their previous singles “Private Firmament (I Fell For You)” and “Sexiness of Slow,” the album stands as both a cultural critique and a sonic manifesto. Don’t Become The Thing You Hated captures the existential unease of an era defined by division and disillusionment. ROTERSAND uses their trademark precision sound design to question how, in fighting oppression and ignorance, one might risk adopting the same destructive tendencies they resist.
Their latest offerings—“It Was Night” and “Train”—fuse propulsive industrial-electronic energy with haunting melodic beauty. The result is a sound both intellectual and visceral: densely layered synthscapes, crisp percussion, and an emotive tension that mirrors the contradictions of our age.
💀 The Message Beneath the Machines Lyrically, these songs extend the philosophical pulse of the album—inviting listeners to reflect on complicity, anger, and empathy in a world that thrives on chaos. ROTERSAND’s latest work doesn’t just provide a soundtrack for dark nights of the soul—it demands introspection, calling for vigilance against the forces that distort truth and erode identity.
🖤 Don’t Become The Thing You Hated — Out Now Tracklisting:
Dark electro visionary Sapphira Vee has just unveiled her upcoming release, Unfolding, a deeply personal and atmospheric exploration set to captivate listeners across the darkwave and industrial spectrum. The announcement marks a new era for the artist, known for weaving ethereal melodies, brooding electronics, and raw emotional power into immersive soundscapes.
🌑 A New Chapter in Sound and Spirit
“Unfolding” promises to dive deep into themes of self-discovery, resilience, and metamorphosis — a reflection on emerging from chaos and reclaiming strength. With lush textures, haunting vocals, and cinematic production, this release is shaping up to be one of Sapphira Vee’s most evocative works to date.
Fans can expect the signature fusion of dark electronic atmospheres and emotive storytelling that have defined her sound and earned her a loyal following across the global underground scene.
The pulse of the underground just got louder — ULTRA SUNN return with their electrifying new single, The Beast In You, now available across all platforms. The track strikes with the signature blend of darkwave, EBM, and post-punk energy that has made the Brussels duo one of the most commanding forces in modern electronic music.
The Beast In You prowls through the depths of human emotion — confronting the duality within us all. It’s a sonic exploration of instinct, fear, and control, set to throbbing basslines, haunting synths, and hypnotic vocals. This is ULTRA SUNN at their most visceral and cinematic, balancing aggression and elegance in a perfectly controlled storm of sound.
🌒 Darkwave and synthpop force Brittany Bindrim returns with her brand-new single “Hunting In The Dark”, a pulse-racing taste of what’s to come from her forthcoming sophomore album Counterpoison, arriving October 24.
⚡ Powered by thunderous beats, hypnotic hooks, and vocals that cut through the darkness, “Hunting In The Dark” is a shadow-soaked dance-floor burner that transforms heavy emotions into surges of energy and positivity. With themes of finding light — and maybe a touch of playful mischief — within the shadows, the track hits hard while lifting spirits.
🎛 Produced by Matt McJunkins (A Perfect Circle, Puscifer), this single blazes the trail for Bindrim’s full Counterpoison rollout and is available now on all streaming platforms.
A rare collector’s edition has just surfaced from the underground—Room 23 Music unveils the deluxe lathe-cut vinyl of Embrionyc & Cubic Nomad – Sensation of the Mind (Deluxe Edition), available now in extremely limited quantities.
A Collector’s Dream ⚡
This isn’t your standard pressing. The deluxe edition arrives with brand-new artwork, a full-color inner sleeve, and lathe-cut craftsmanship—produced in very small numbers, making each copy a true collector’s piece. Fans of dark electronic soundscapes and physical media know: once these vanish, they’re gone forever.
But Room 23 isn’t stopping there. Alongside the vinyl comes a wave of new releases designed to expand minds and destroy dancefloors:
Cubic Nomad – Planet X: A sonic exploration of alien horizons, taking listeners on a journey through heavy atmospheres and cosmic tension.
B.U.N.K.E.R. Kicks Vol. I: A brutal arsenal of pounding kicks, raw percussion, and industrial weaponry for producers.
Mute – The Ever Present Absence: An introspective yet relentless dive into shadows and silence, weaving moods that pull you under.
More Than Music: Gear for the Dark Side 🧥
For those who wear their devotion on their sleeve, Room 23 also unveiled fresh merch—bomber jackets, shirts, and slipmats—built for both the club and the street. Just as limited as the vinyl, they’re another way to step deeper into the Room 23 aesthetic.
Electronic artists Pixelgrinder and Stormformer have released their new collaborative project, the STRMGRNDR EP. The release is a joint effort that blends the unique sonic styles of both artists into a cohesive and powerful sound.
Deep Dive into the Universe of Pixelgrinder
The EP is available for purchase and streaming on various platforms. While a direct link to the EP could not be found, you can explore the music of one of the artists here:
Slighter has released a brand new single, “Vulture,” from his latest album, In Ruins. The moody and atmospheric track was co-written with Ian Pickering, who is known for his work on the ’90s hits “Six Underground” and “Spin Spin Sugar” with the Sneaker Pimps.
In partnership with the music site GetMusic!, a free Bandcamp download of “Vulture” is available for a limited time. The new album, In Ruins, features 13 tracks and is available on major streaming platforms.
MIKROMETRIK has just released their new single, “P.O.F.O.K.O.” This dark electro mantra, built on heavy beats and distortion, is the first single from the band’s upcoming album, “Hell is Empty,” set to be released in 2026. The track, an industrial ritual for the dancefloor, takes its name from the phrase “People Only Feed On Killing Others,” forging rage, frustration, and raw truth into sound.
OMEN CODE, a new rising star in the EBM scene, has revealed their grim cyberpunk track, “Brutal + Pure.” This is the first single from their forthcoming debut album, “Alpha State.” The London, England-based duo, consisting of programmer and engineer Kevin Gould (formerly of Electro Assassin) and vocalist Agi Taralas (formerly of Our Banshee), creates a dark, gritty, industrial sound with captivating mid-tempo tracks that evoke a dystopian future.
Additional singles will be released over the next few months, leading up to the highly anticipated “Alpha State” album, which will be released by Dependent Records of Germany on December 5, 2025. A 48-page artbook 2-CD version of the album is available for pre-order, while the single “Brutal + Pure” is available now on all streaming and digital platforms.
Dark Force Fest, the ultimate gathering for fans of industrial, gothic, darkwave, EBM, and electronic music, is set to make its highly anticipated return in 2026. Taking place from May 1st to May 3rd at the Sheraton in Parsippany, New Jersey, this year’s festival promises an unforgettable experience with an array of genre-defining artists, iconic performances, and an unparalleled atmosphere of music, art, and community.
Presented by VampireFreaks, the 2026 edition of Dark Force Fest brings together a diverse collection of acts, both well-established and emerging, from the world of dark, industrial, and electronic music. With performances spanning three nights, fans can expect a wide variety of genres, from aggressive industrial to melodic darkwave and everything in between. The festival has confirmed a total of 35 bands performing over three days, plus two bands on the Thursday night pre-party.
Confirmed Lineup Spotlight
London After Midnight – A rare performance from this influential dark wave / post-punk band from the early 90s, known for their goth-club hits and headlining major festivals worldwide.
Combichrist – One of the most popular bands in the electro-industrial “aggrotech” movement, recognized for dominating dance floors with aggressive bangers and successful tours with Rammstein, including a performance at Madison Square Garden.
Front Line Assembly – A Canadian electro-industrial band formed by Bill Leeb in 1986 after leaving Skinny Puppy. They are highly revered as one of the pioneers and godfathers of the industrial music scene.
Das Ich – A German dark wave/gothic-industrial band formed in 1989 and one of the prominent founders of “Neue Deutsche Todeskunst” (New German Death Art).
Leaether Strip – The solo project of legendary Danish electronic industrial artist Claus Larsen, formed in 1989. Leaether Strip quickly built a reputation as one of the most exciting emerging industrial acts in the early ’90s.
LaPlegua – A new industrial supergroup featuring legendary Norwegian artist Andy LaPlegua and bandmates. They will be playing favorite songs from his career, including Icon of Coil, Combichrist, Panzer AG, and Scandy, plus original material.
Ultra Sunn – The Brussels dark wave duo making waves across the world. Their chart-topping hit “Keep Your Eyes Peeled” quickly amassed over 34 million Spotify plays, and they’ve been touring the world ever since.
PIG – The British industrial group founded by Raymond Watts, featuring En Esch, both original members and songwriters of KMFDM.
Rabbit Junk – Formed in 2004, this American digital hardcore act pulls from multiple electronic and guitar-driven genres to deliver a punk & metal-fueled reconstruction of the goth-industrial sound.
Priest – An electronic-industrial act from Sweden, containing ex-members from Ghost. With millions of streams, praised global tours, and critically acclaimed releases, they have successfully generated an ever-growing fanbase worldwide.
Industrial music provocateurs spankthenun have released a new project titled BLAK, which they are presenting not as a traditional album but as a “declassified sonic dossier.” The release is framed as an urgent advisory to the public, warning of an “imminent data release” detailing a phenomenon described as a subculture unified by a stark, dark aesthetic.
The band states that the project is a deep-field study into a “memetic contagion” and that the tracks themselves are “stabilizations” of data. These sonic interpretations include “The Singularity Edit,” which represents an act of separation from the mainstream, and “The Event Horizon Edit,” which explores the boundary of this subculture. A third track, “The Absolute Zero Rendition,” captures what the band calls the sound of “elegant, defiant isolation.”
In a statement, the band acknowledged their role in the phenomenon, saying, “We were not composing; we were documenting a memetic contagion…This release is a warning, an invitation, and a confession. We are all part of the experiment now.”
BLAK is now available on all major streaming platforms, with exclusive versions offered on their Bandcamp page.
BLAK is a chilling and atmospheric release that pushes the boundaries of industrial music, delivering a soundscape that is both immersive and unsettling. The project’s unique conceptual framing as a government-style data release adds to its intrigue and artistic weight. It is a must-listen for fans of industrial, darkwave, and experimental electronic music.
The relentless industrial energy of MATT HART returns in a new form with the release of “CATHARTIC (11GRAMS Dub Remix)”—a searing reinterpretation by electro-industrial duo 11GRAMS. This remix injects a darker, heavier dub-infused pulse into the original track, amplifying its emotional intensity and club-crushing rhythm.
Whether you’re already a fan of MATT HART’s dystopian soundscapes or diving in for the first time, this remix delivers a fresh sonic assault you won’t want to miss.
German synthpop icons Beborn Beton just unveiled Stars [remixed] — a radiant reinterpretation of one of their most beloved tracks. Merging nostalgic elegance with fresh electronic polish, the new remix breathes modern life into a fan favorite, shimmering with melodic warmth and refined dancefloor energy.
🎧 Check out Stars [remixed] now on all major platforms! Whether you’re a longtime devotee or new to the world of Beton, this reimagining is pure electronic bliss.
🌌 About the Release
Stars [remixed] captures the band’s signature emotive vocal delivery wrapped in rich synth layers, propulsive beats, and atmospheric textures — all refined through a contemporary lens. The result? A track that feels timeless and timely, glowing with introspection and motion.
The synthwave overlord returns with a cyber-apocalyptic journey featuring Ulver, Alcest, and Author & Punisher
French darksynth icon Perturbator (James Kent) has announced his upcoming full-length album, Age of Aquarius, set for release on October 10, 2025 via Nuclear Blast Records. This will mark his debut on the legendary metal label, and the album’s thematic focus splits between misanthropy and violent collapse on one side… and the flames of free will on the other. Welcome to the revolution.
💥 Apocalypse Now: The First Strike
The album’s first single, “Apocalypse Now,” is a brooding, cinematic track featuring a powerful guest appearance from Ulver’s Kristoffer Rygg. The accompanying music video—directed by longtime visual collaborator David Fitt—offers a stark and surreal visualization of society spiraling into chaos.
“The first half of the album explores misanthropy and violence,” Kent explains. “The second half reflects the strength of the individual and the rejection of the herd.”
🧠 Themes of War, Rebirth, and Autonomy
Across its 11 tracks, Age of Aquarius takes listeners through war-torn dreamscapes, haunted cityscapes, and introspective spirals. Kent, known for his genre-bending fusion of synthwave, industrial, and post-punk, goes deeper than ever into existential and societal fractures. It’s as philosophical as it is visceral.
Guest collaborations read like a who’s who of dark sonic alchemy:
Ulver lends apocalyptic vocals on “Apocalypse Now”
Author & Punisher brings machine-worship doom on “Venus”
Greta Link delivers haunted beauty on “Lady Moon”
Alcest closes the album in celestial ruin with “Age of Aquarius”
📀 Tracklist for Age of Aquarius
Apocalypse Now (feat. Ulver)
Lunacy
Venus (feat. Author & Punisher)
Glass Staircase
Hangover Square
The Art of War
12th House
Lady Moon (feat. Greta Link)
The Swimming Pool
Mors Ultima Ratio
Age of Aquarius (feat. Alcest)
🛒 Pre-Orders + Formats
Fans can now pre-order the album via Bandcamp and Nuclear Blast. Formats include:
2LP marbled blue gatefold vinyl
Standard and deluxe CD editions
Digital download and streaming
All physical editions are expected to ship in mid-September.
🎶 Listen Now:
Watch the official video for “Apocalypse Now” on YouTube.
🌍 The Live Experience
Perturbator is set to hit the road across Europe and the UK this fall, including high-profile stops in London, Berlin, and Paris. Tour support and full dates are expected soon.
💣 Gothic, sultry, and unapologetically self-made—Mari Kattman returns with her third solo album Year Of The Katt, dropping June 20th on Metropolis Records. Featuring the recent singles “Anemia” and “Sharp Shooter,” this record positions Kattman not just as a rising voice, but as the reigning gothic club queen of the modern electronic scene.
“She is now taking her place as the alluring gothic club queen she always had the potential to be. Her best solo effort yet.” — ELECTRICITYCLUB.CO.UK
🔥 Album Highlights
Written, recorded, composed, and produced entirely by Mari herself
First full-length since signing with Metropolis in 2024
A genre-fluid, emotionally intense ride through trap, hip hop, electro, ambient, EBM, and industrial
Delivered with her unmistakable, powerful vocal presence
💬 “Finishing this album was a truly herculean effort,” says Mari. “There were a lot of learning curves and things I needed to sort out before I was truly happy with the end product. I feel relief and enormously proud that I got it done.”
🎶 Tracklisting – Year Of The Katt
Typical Girl
Sharp Shooter
Take
Ascending
Anemia
Little Bullet Girl
PunisHER
The Worst
Take Myself Back
Pain
🎤 The Voice Behind the Movement
Whether solo or as part of Helix, Mari Kattman has made her mark across the electronic underground. Her distinctive vocals have graced tracks by Assemblage 23, Mesh, Ivardensphere, Psy’Aviah, Neuroticfish, Solitary Experiments, Aiboforcen, Comaduster, and dozens more.
But it’s in her own material—like “Fever Shakes,” “URGOD.AI,” and “Swallow”—where Kattman showcases her songwriting strength and ability to create pulsing, dancefloor-ready tracks that pack emotional and sonic weight.
The Greek synth duo Paradox Obscur, comprised of Kriistal Ann and Toxic Razor, has just released their new single, “Switch To Love,” available today, June 7th, 2025. This captivating track is the second single from their upcoming album, IKONA, which is set for release on September 12th via Metropolis Records.
“Switch To Love” is accompanied by an atmospheric neo-noir music video, shot entirely on 16mm film and directed by Venezuelan filmmaker Mariangela Pluchino, with cinematography by Ville Piippo from Finland. The result is a visually compelling piece that pays homage to love, set against the band’s signature retro synthwave soundscape and elevated by the expressive and haunting vocals of Kriistal Ann.
“Switch To Love” follows their late April release, “Lose This Feeling,” a dreamily nostalgic synth-oriented reinterpretation of a 2023 dance anthem by Dutch DJ and producer Armin van Buuren.
Stream “Switch To Love” now and watch the video here.
IKONA is the duo’s most expressionistic work to date, blending sound experiments, wide-ranging electronic influences, and deeply personal expression to craft a sonic identity that remains distinctly their own. They have once again composed and recorded in real time using synthesizers and drum machines, preserving the classic essence of contemporary electronic music while forging a uniquely timeless aesthetic.
Paradox Obscur is celebrated for their authentic, analog-driven sound. Eschewing computers and digital plugins, they create all of their music in real time using hardware synthesizers and drum machines, delivering a raw and immersive listening experience. While rooted in the spirit of ‘80s-’90s underground music, their unique blend of haunting melodies, driving rhythms, and cinematic atmosphere appeals to a wide range of listeners, regardless of genre preference. Their music transcends commercial boundaries, offering something for both devoted electronic fans and casual listeners alike.
Get ready for a triple dose of electronic goodness as METROLAND, SYNAPSYCHE, and ELEKTROSTAUB drop their latest EPs, each offering a unique sonic journey!
METROLAND – Reset EP
With “Reset,” Belgian conceptual techno-pop duo METROLAND delivers the fourth and final EP from their well-received album Forum. Inspired by the controversial World Economic Forum initiative, The Great Reset, this digital release marks not just the end of an EP cycle, but the culmination of METROLAND’s sonic exploration of global industrial evolution.
Anchored in critical reflection and forward-thinking beats, “Reset” offers two new versions of the original track: the compact yet dynamic “The Smaller Reset,” and its expansive, club-ready counterpart “The Greater Reset”—both infused with increased tempo and dancefloor energy. Adding further depth, the exclusive non-album track “Improving the State of the World” blends pop sensibility with pointed commentary, echoing the WEF’s aspirational slogans while inviting listeners to consider the implications of global decision-making. “Reset” is more than just a release—it is the final destination in METROLAND’s conceptual journey, closing the loop that began with “0” and reached its climax in “Forum.” The system is shutting down… ready for a reset?
SYNAPSYCHE – Muteness EP
After the sonic shockwave of “Deafness,” SYNAPSYCHE raises the stakes with “Muteness”—the second piece in their three-part concept around “Miscommunication,” dissecting the fear of self-expression in a world that rewards silence over truth. Some people never speak up. They sit on the sidelines, afraid to take a stand, blending into the background to maintain their fragile social acceptance. But silence is complicity. And SYNAPSYCHE is here to shatter the quiet with a firestorm of brutal beats, razor-sharp synths, and vocals that swing between venomous growls, electrifying clean hooks, and even a touch of rap-infused aggression. This explosive EP is backed by a dark-pop rework of FLEETWOOD MAC’s “Little Lies” and a ruthless remix of “Anti Manifesto” by STATIK SEKT—two reinventions that push the band’s boundaries even further. No more hiding. No more hesitation. Shut your muteness up and scream with SYNAPSYCHE!
ELEKTROSTAUB – Falling EP
ELEKTROSTAUB is back with “Falling”—an irresistible future pop anthem destined to ignite dancefloors. For this striking new single, mastermind Patrick Knoch teams up with none other than synthpop icon Pal Magnus Rybom of ECHO IMAGE. The result is pure electropop magic—an instant classic where sharp production meets soaring melodies! Serving as a first taste of the forthcoming album Humility, this 7-track EP doesn’t stop at just one hit. It also features “Too Far From The Pack,” a high-energy collaboration with Salva Maine (CULTURE KULTÜR), oozing club potential and emotional impact. The EP comes packed with a powerful selection of remixes by fellow Alfa Matrix artists: IMPLANT, NEUROACTIVE, 808 DOT POP, DARKNESS ON DEMAND, and remix maestro PEOPLE THEATRE—each offering a unique twist on ELEKTROSTAUB’s signature sound. With “Falling,” ELEKTROSTAUB reaffirms his knack for blending sleek production with the perfect guest vocalist. This is premium-grade future pop – emotional, melodic, and made to move you.
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