Prepare for a sonic onslaught from Portland’s burgeoning black/death metal entity, DROUTH, as they unleash their highly anticipated third full-length album, “The Teeth of Time,” today via Eternal Warfare Records!
“We are proud to present The Teeth of Time, a culmination of several years of blood, sweat and pain. It is a nightmare made manifest, and we are both eager to share our creative work and grateful to the many people who helped make it possible,β states the band DROUTH.
“The Teeth of Time,” the long-awaited follow-up to their acclaimed 2020 release, “Excerpts From a Dread Liturgy,” is a true sonic mind-melter. Brace yourself for a potent blend of searing death metal and vicious black metal, as evidenced on crushing tracks like “False Grail” and the title track itself. Step through the portal and experience one of the year’s most intensely rewarding records.
But the darkness doesn’t end with the album! DROUTH is also embarking on a US Spring Tour, starting May 31st:
DROUTH Tour Dates:
May 31 – Portland, OR – High Water Mark June 2 – Salt Lake City, UT – Ace’s High Saloon June 3 – Colorado Springs, CO – What’s Left Records June 4 – Denver, CO – Hi Dive June 6 – Minneapolis, MN – Zhora Darling June 7 – Milwaukee, WI – Sabbatic June 8 – Indianapolis, IN – Black CIrcle June 9 – Chicago, IL – Reggies June 10 – Wichita, KS – Kirby’s Beer Store June 12 – Denton, TX – Dan’s Silverleaf June 13 – Dallas, TX – Double Wide June 14 – Austin, TX – The 13th Floor June 16 – El Paso, TX – Love Buzz June 17 – Albuquerque, NM – Sister Bar June 18 – Flagstaff, AZ – Monte Vista Lounge June 19 – Los Angeles, CA – Eli’s Mile High Club June 21 – Eureka, CA – Savage Henry Comedy Club
Credit: Jason DeSomer
About DROUTH:
Formed in Portland in 2012 (originally as Contempt), DROUTH has been stirring the local scene with their powerful concoction of black metal, death metal, doom, and crust. Following their 2014 EP “Skinwalker,” 2015’s “Vast, Loathsome” EP, and the albums “Knives, Labyrinths, Mirrors” (2017) and “Excerpts From a Dread Liturgy” (2020), “The Teeth of Time” marks their most crushing offering yet. Recorded and mixed with the legendary Billy Anderson (Neurosis, Cattle Decapitation) and mastered by Justin Weis (Agalloch, Hammers of Misfortune), this five-track behemoth delivers 40 unrelenting minutes of vicious and melodically adventurous black/death metal.
DROUTH is:
Matt Stikker: Guitar, vocals, lyrics Patrick Fiorentino: Drums John Edwards: Guitar, vocals Matt Solis: Bass
SPANKTHENUN, alongside twisted re-imaginings from CVRBON DECVY and Melody Whore, has just unveiled “PANOPTIKON,” a chillingly captivating 4-on-the-floor electro experience. This track serves as an ominous sonic tribute to Dallas’s iconic Panoptikon club, pulling you into its shadowy embrace.
“PANOPTIKON” ensnares the listener with its relentless surveillance beats and a haunting, unforgettable refrain (“See me now, see forever, PANOPTIKON”). You’re drawn into a world of neon grids and pulsing rhythms, where the infectious groove becomes your captor. As shadows writhe and the intensity builds, the very notion of freedom seems to slip away within this hypnotic soundscape.
Adding further layers to this digital menace, the release features compelling and distorted remixes from the sonic architects CVRBON DECVY and Melody Whore. Each remix amplifies the track’s inherent darkness and technological dread, offering unique and unsettling perspectives on SPANKTHENUN’s original vision.
Experience the captivating darkness of SPANKTHENUN’s “PANOPTIKON”: [Link to where the release can be found will be added if available]
From the vibrant heart of Brazil emerges AESTHETISCHE, the formidable EBM duo led by Gui Pires and Fab Viscardi, delivering a powerful sonic statement for 2025: the “Selling Fear” EP. In a reality increasingly fractured by the weight of misinformation, manipulative media, and escalating socio-political tensions, this new EP strikes with the urgency of a pounding alarm β a defiant and vital soundtrack for an era teetering on the edge.
With “Selling Fear,” AESTHETISCHE channels their signature fusion of precise electronic craftsmanship and raw, gritty intensity into six fiercely sharp tracks. These sonic creations artfully straddle the line between potent protest anthems and irresistible dance floor weapons. Drawing inspiration from the iconic legacies of FRONT LINE ASSEMBLY and the “Tyranny For You”-era FRONT 242, the duo seamlessly blends abrasive industrial textures with compelling melodic EBM grooves β a potent combination of visceral energy and intellectual depth.
From the aggressive rhythmic onslaught of the title track itself to its intriguing reinterpretations, “Selling Fear” provides multiple angles on a central, undeniable truth: resistance is not optional, and silence equates to complicity. The EP also features a fresh and impactful 2025 rework of “Everything Ends,” transforming last year’s original into a hard-hitting, club-ready anthem.
This is more than just an EP; “Selling Fear” is a sonic manifesto. AESTHETISCHE issues a rallying cry to all sonic dissidents: confront the overwhelming noise, decipher the pervasive lies, and transmute fear into the very fuel for change.
Let the machines articulate the message β and let the unvarnished truth resonate.
Hailing from the heart of Hungary and wielding powerful rhythms comes STAHLGEIST, the nation’s prime purveyors of Electronic Body Music. Their latest decree, “Justice,” isn’t just an album; it’s a 13-track sonic sentencing that proves their recent “Silence” EP was merely a polite cough before a full-throated roar. The masterminds behind this auditory arraignment are IstvΓ‘n Gazdag (also known for FIRST AID 4 SOULS and FIRST AID TECH) and the vocal prosecutor TamΓ‘s Bank (of WORKER MUNKAS and INTERZONE INC.). Together, they’ve crafted their most rigorously engineered and brutally effective record to date β a dance floor demolition expertly produced and as shadowy as an oil slick in a moonless night.
Prepare for a journey that begins with the wailing sirens of the opening track, “Justice,” navigates the darkly melodic highways of “Bad Galaxy,” slams you with the percussive force of the club hit “Boots On The Ground,” and finally leaves you in the stark quietude of “Silence.” This album cleverly synthesizes the militant drive of vintage NITZER EBB, the catchy synth lines of AND ONE, the sonic venom of LEAETHER STRIP, and the precise impact of FRONT LINE ASSEMBLY, all while retaining STAHLGEIST’s distinct Central European edge. Gazdag’s production achieves a crystalline clarity within a darkly textured soundscape, while Bank’s vocals deliver biting accusations against societal ills, urban decay, and even divine comeuppance.
Forged over three years, “Justice” stands as STAHLGEIST’s artistic creed: no backing down, no leniency, just pure power channeled through compelling beats. If your musical tastes align with the classic sounds of FRONT 242 (circa 1985), the relentless intensity of :WUMPSCUT:, the early melodicism of AND ONE, or the stark aggression of NITZER EBB, then prepare to have your speakers thoroughly interrogated.
The final verdict? Unquestionably guilty of inciting total dance floor pandemonium. Initiate playback and feel the sonic gavel fall!
ProNoize, purveyors of hard-hitting electronic sounds, has just unleashed the latest sonic assault from Chainreactor: “Roar”! Prepare for an intense auditory experience that lives up to its powerful title.
Chainreactor is known for their uncompromising approach to industrial and dark electronic music. Expect heavy, distorted beats, menacing synth lines, and a relentless energy that often evokes themes of dystopia, technology, and inner turmoil. A release on ProNoize further solidifies their commitment to delivering high-octane sonic landscapes for discerning listeners of the genre.
“Roar” likely embodies these characteristics, promising a track (or EP/album, depending on the context of “single” in ProNoize’s announcements) filled with the signature Chainreactor sound. It’s an invitation to immerse yourself in a world of powerful rhythms and dark atmospheres.
For those who crave the harder edges of electronic music and appreciate the sonic intensity of Chainreactor, the call to check it out here is an unmissable directive. Prepare for the “Roar”!
Deep Dive into the Universe of Chainreactorand Explore the sonic landscape of ProNoize: darkdimensions.de
The captivating electronic musician and vocalist Mari Kattman, known for her integral role in the duo Helix and her compelling solo work, unleashes her brand new single, “Sharp Shooter,” today, Friday, May 16th, 2025, via Metropolis Records. This electrifying track serves as the second tantalizing glimpse into her upcoming full-length solo debut for the label (and third overall), aptly titled “Year Of The Katt,” which is slated for release on June 20th.
“‘Sharp Shooter’ explores the theme of an intelligent soul that navigates to painful circumstances for the chance to grow. No shots missed,” states Kattman, hinting at the track’s blend of introspective depth and sonic precision. The single follows her recent release, “Anemia,” a track that drew a stark parallel between vampiric exploitation and the debilitating weakness often experienced by those living with the condition.
Regarding the upcoming “Year Of The Katt” album, Kattman reveals the intensely personal journey of its creation: βFinishing it was a truly herculean effort. It was an album completely recorded, composed and produced by myself, so there were a lot of learning curves and things I needed to sort out before I was truly happy with the end product. I feel relief and enormously proud that I got it done.β This self-sufficient approach underscores Kattman’s artistic vision and unwavering dedication to her craft.
A prominent figure in today’s electronic music landscape, Mari Kattman has been a dynamic force since 2012, consistently writing, recording, producing, and performing her unique sonic creations. Her impressive resume boasts collaborations with a veritable who’s who of the scene, including Assemblage 23, Mesh, Ivardensphere, Jean-Marc Lederman, PsyβAviah, Aesthetiche, Neuroticfish, BlackCarBurning, Cassetter, This Morn Omina, Solitary Experiments, Mephisto Walz, Aiboforcen, and Interface, showcasing her remarkable vocal versatility.
However, Kattman’s extensive vocal contributions for these esteemed acts only hint at her own considerable talents as a songwriter and producer. Previous singles such as βFever Shakesβ, βURGOD.AIβ and βSwallowβ have already demonstrated her knack for crafting irresistibly catchy electronic songs, tailor-made for the dance floor, where elements of Trap, Hip Hop, Electro, Ambient, EBM, and Industrial music seamlessly intertwine with her powerfully distinctive voice. “Sharp Shooter” promises to be another bullseye in her expanding sonic arsenal, further solidifying her position as a compelling and innovative artist.
Lock onto Mari Kattman’s “Sharp Shooter” now: [Stream/Download/Bandcamp Links Will Be Added Upon Release]
Pre-save Mari Kattman’s “Year Of The Katt” album: [Bandcamp Link Will Be Added]
“Year Of The Katt” Tracklisting:
Typical Girl
Sharp Shooter
Take
Ascending
Anemia
Little Bullet Girl
PunisHER
The Worst
Take Myself Back
Pain
Deep Dive into the Universe of Mari Kattman: π§π―
The ethereal trio known as AURI, guided by the celestial voice of Johanna Kurkela, the sonic landscapes of Tuomas Holopainen, and the instrumental artistry of Troy Donockley, is set to release their long-awaited third studio album, “III – Candles & Beginnings,” on August 15, 2025. Prepare to be transported to a world that defies genre, a realm where folk, progressive, and symphonic elements intertwine with touches of world, pop, and avant-garde influences.
“III – Candles & Beginnings” promises an immersive journey for the senses, a testament to AURI’s unique ability to weave intricate sonic tapestries. The creative process for this new chapter began in 2023, following the completion of Nightwishβs “Yesterwynde” album. Troy composed in the serene landscapes of Yorkshire, while Tuomas and Johanna crafted melodies and lyrics from their home in Kitee, Finland, bridging worlds both musically and geographically.
As a first glimpse into AURI’s evolving soundscape, the hauntingly beautiful lead single “Shieldmaiden” is available now, accompanied by a stunning cinematic video directed by Ville LipiΓ€inen. Troy Donockley describes the track as “a mysterious song, obscured by its own slow rising power. Auri thrives on mystery and ambiguity so all is well⦔
Room 23 Music has just unearthed a sonic artifact of profound darkness: “Crux Aeternum” by the enigmatic entity known as Obscura Secta. This isn’t merely a release; it’s a 16-minute invocation, a journey into a darkness not defined by the absence of light, but born from within β a seeping, sentient, and seemingly eternal presence. Prepare to tread the threshold between utter desolation and a terrifying form of revelation.
Obscura Secta emerges from the shadows, unbound by conventional reference, with “Crux Aeternum” unfolding across three distinct and unsettling movements. The first, “Ex Solis Umbra” (From the Shadow of the Sun), crawls forth with low-frequency pulses, the last vestiges of warmth extinguished by an unseen and total eclipse. It’s a slow, creeping dread that settles deep within the listener.
The second movement, “Via Lucida” (The Lucid Way), offers no true clarity or illumination. Instead, it presents only the agonizing flicker of brief insight, moments of piercing awareness that serve only to amplify the surrounding darkness. There is no comfort to be found on this path, only the stark reality of a fractured perception.
Finally, the concluding movement, “Lux Occulta” (The Hidden Light), delves into the buried truth, the secrets that fester beneath the surface. Here, the veil between worlds tears, and the silence between the carefully placed tones becomes almost unbearable, pregnant with unspoken dread and the weight of hidden knowledge.
“Crux Aeternum” is presented not as a mere musical release, but as a relic β a sonic document chronicling a slow, inexorable decay and a holy dread that permeates every frequency. This is an experience for those who dare to confront the abyss and find a strange form of resonance within its depths.
Embark on the 16-minute descent into Obscura Secta’s “Crux Aeternum”: [Link to where the release can be found will be added if available]
Dilemma, the darkly captivating project forged in the shadows by producer Alex Elias, is releasing its most emotionally resonant single to date, βThe Gift (that Keeps on Giving),β today, May 14th, 2025, via Outer Darkness Records. This intensely brooding track plunges listeners into a soundscape that is both exquisitely tormented and deeply personal, serving as a melancholic reflection on the visceral realities of enduring chronic pain.
βThe Gift (that Keeps on Giving)β exists in the liminal space between a gothic lament and an industrial outpouring, drawing its power from the profound wellspring of emotional and physical struggle. The lyrics possess a sharp, almost painful beauty, cutting through the sonic darkness like shards of glass beneath a shattered moonlit sky. The poignant line, βand those moments of reprieve, fleeting but pristine, I treasure them as true gift without irony,β lies at the heart of the trackβs ironically titled name, encapsulating its bittersweet and deeply human message.
This already powerful single is further amplified by the inclusion of two compelling remixes, each offering a unique perspective on Dilemma’s haunting original:
Pixelgrinder, a formidable force also residing within the Outer Darkness Records stable, injects his signature cybernetic precision into the track, crafting a grinding and deliciously relentless reinterpretation that will resonate with fans of intricate electronic sequencing.
Brandon Smith, the electronic rock visionary behind The Anix and a 20-year veteran of the industry, contributes a masterclass in melancholic extraction. He artfully distills the original’s sorrowful waves, juxtaposing them with an elegy of solemnity and fragile hope, creating a beautifully nuanced sonic tapestry.
βThe Gift (that Keeps on Giving)β masterfully showcases Dilemmaβs ability to seamlessly blend brooding vulnerability with moments of industrial aggression, offering a cathartic release for anyone who understands the often-invisible battles fought against chronic pain, whether experienced firsthand or witnessed in a loved one.
For media inquiries regarding playlist placement, blog features, or interviews, please direct your correspondence to MGMT.DilemmaIndustrial@Protonmail.com.
Immerse yourself in Dilemma’s “The Gift (that Keeps on Giving)”: [Download Link: Dilemma – The Gift (that Keeps on Giving)] [Download Code: tljf-brbn]
From the shadowy corners of the underground, Acid Bath Records has just delivered a new sonic offering: “Hate Of Shadows” by the enigmatic artist Slichtnacht. For those who crave the darker frequencies and the unsettling beauty found within them, this release promises a descent into captivating sonic landscapes.
While direct information about Slichtnacht and “Hate Of Shadows” might be lurking in the deeper recesses of the web, the very name “Acid Bath Records” carries a certain weight and expectation within the realms of dark and experimental music. Known for unearthing and showcasing artists who delve into the more abrasive, atmospheric, and often unsettling sonic territories, a release on this label suggests a journey into soundscapes that are far from the mainstream.
“Hate Of Shadows” likely explores themes and sonic textures that resonate with the label’s established aesthetic. Expect potentially heavy atmospheres, perhaps industrial undertones, or a foray into the more experimental fringes of electronic or dark ambient music. The title itself hints at a confrontation with inner darkness or the shadowy aspects of existence.
For those intrigued by the sonic alchemy conjured by Acid Bath Records and the enigmatic presence of Slichtnacht, the call to “check it out here” is an invitation to plunge into the unknown. Be prepared to explore soundscapes that may challenge, provoke, and ultimately captivate those with a taste for the audibly obscure and the emotionally resonant darkness.
Venture into the shadows of Slichtnacht’s “Hate Of Shadows”: [Link to where the release can be found will be added if available]
From the depths of their creative core, the duo known as Tangerine Cat (Zhenia and Paul) have unveiled their latest offering, the profoundly moving album “Grief.” Released into the world today, this collection of soundscapes is described by the artists as their most honest and passionate work to date, a raw and unfiltered exploration of the human experience now ready for you to embrace.
“Grief” isn’t just an album; it’s an intimate journey, a sonic tapestry woven with threads of vulnerability and strength. Tangerine Cat has poured their hearts and souls into this creation, and now they extend it to their listeners, hoping that its resonance will offer solace, understanding, or perhaps simply a moment of profound connection.
For those who appreciate the tangible beauty of physical media, “Grief” is available in a limited edition run of green and black vinyl, as well as on CD. Digital download options are also available for immediate immersion. To further commemorate this deeply personal work, Tangerine Cat has also released unisex and women’s t-shirts, allowing you to wear your connection to this powerful album. For the ultimate experience, bundles combining music and merchandise are also on offer.
This release is indeed a limited affair, adding a sense of urgency for those who desire a physical piece of “Grief.” As of this moment, less than half of the initial run of 300 green vinyl records remain, and half of the 200 black vinyl records have already found their way to eager listeners. The uniquely designed “women’s” t-shirts are also in scarce supply. For those who pre-ordered, rest assured that your packages have already embarked on their journeys across the globe.
Tangerine Cat expresses their heartfelt gratitude for the unwavering support they have received and humbly requests your assistance in spreading the word about “Grief.” They also extend an invitation to connect with local venues, festivals, and promoters if you wish to experience the raw emotion of “Grief” performed live. Their message is one of empowerment and hope: “We have power to change things and create miracles!”
The profound impact of “Grief” has already been recognized, with Andy Brown of Louder Than War eloquently stating: “‘Grief’ is the sound of perseverance, the triumph of art and the human spirit in the face of adversity.β This powerful endorsement speaks volumes about the album’s ability to connect with the deepest aspects of the human condition.
From the pulsating heart of Brooklyn, Bootblacks, sonic architects of the night, have dropped their latest electrifying single, “Leipzig,” a neon-drenched anthem beamed directly to your auditory cortex via Artoffact Records. This track isn’t just music; it’s a journey into the glittering, synthetic soul of the late 20th century’s nightclub futurism, a soundtrack for lost souls finding fleeting connection under strobing lights.
“Leipzig” finds Bootblacks at their most kinetically charged, a raw machine driven by punchy, aggressive basslines and manic arpeggiation. Adding an unexpected layer of human warmth and soulful grit is Oskar Carls of Viagra Boys, whose saxophone weaves through the synthetic landscape like a lost memory in a digital dream. This isn’t just a song that soundtracks the club; it is the club β the sweat-slicked dance floor, the fleeting glances, the whispered confessions in smoke-filled corners, and the bittersweet ache of love found and lost before the morning’s harsh glare.
As the track unfolds, the interplay of light and darkness becomes a central theme: “Light, light, light / Washes over you / Night, night, night / What it takes from you.” “Leipzig” transcends mere club banger status, evolving into a meditation on the delicate balance of connection β what we willingly give away in the pursuit of another’s gaze, and what ethereal essence remains when the final beat fades into the silence of dawn.
For those who’ve been entranced by Bootblacks’ frenetic live performances across North America and Europe since their formation in 2010, “Leipzig” is a potent distillation of their core essence: a captivating balance of introspective depth and buoyant energy, a sound that simultaneously nods to the ghosts of post-punk past while forging a distinctly modern path. Their Artoffact Records debut, 2020’s acclaimed “Thin Skies,” solidified their place as innovators in the scene.
With a sonic evolution that began with their 2012 debut EP “Narrowed” (which included a collaboration with the legendary Jim Sclavunos of Nick Cave & the Bad Seeds), and continued through the post-punk explorations of 2016’s “Veins” and the synth-heavy atmospheres of 2017’s “Fragments,” Bootblacks have consistently defied complacency. “Fragments,” in particular, propelled them onto numerous “best-of” lists and secured their status as a must-see live act, leading to appearances at prestigious festivals like Cold Waves and Wave Gotik Treffen.
Now, with “Leipzig,” Bootblacks offer a tantalizing glimpse into their forthcoming album, “Paradise,” set to bloom on June 13th, 2025, via Artoffact Records. Pre-order your slice of this neon-lit utopia now and prepare to lose yourself in the shimmering soundscapes they’ve crafted.
Listen to the electric pulse of “Leipzig”: Listen Here Revisit the shadows of “Only You”: [Listen Here]([Searching for “Only You” link…]) Pre-order your escape to “Paradise”: [Order Here]([Searching for “Paradise” pre-order link…])
Deep Dive into the Bootblacks’ Illuminated World: π§π
From the frostbitten landscapes of Finland, where even the heavy metal is forged in the heart of a dying sun, Battle Beast, a name that conjures images of both brutal power and soaring melodies, has unleashed their latest single, “Last Goodbye,” a taste of their seventh studio album, set to detonate later this year. With six studio albums already under their studded belts, four of which clawed their way to #1 in their homeland, and a lineup that could shatter glaciers with a single power chord, Battle Beast is not a band content to rest on their laurels. “Last Goodbye” is a testament to their enduring fire, a sonic Molotov cocktail hurled into the face of oblivion.
Eero SipilΓ€, the band’s bassist and a key lyricist, reveals the unlikely genesis of this anthemic track: “The spark for Last Goodbye was lit in the least rock βn roll place imaginable: a hospital. In 2020, I spent a few weeks there and met an older woman battling cancerβa fight she’d been waging on and off since 1985. It made me wonder: how much can a person take before they give up? But she never did. She kept showing up, kept pushing through the treatments, kept being around. Last Goodbye is a tribute to that human fighting spiritβthe will to rise every time life knocks you down. As long as you’re breathing, you’re still in the game.” This personal anecdote adds a layer of raw, human resilience to the band’s already epic sound, a reminder that even in the darkest of times, the will to fight can become a symphony.
“Last Goodbye” is more than just a catchy metal tune; it’s a battle cry for a world teetering on the edge. It’s a reminder that even when faced with insurmountable odds, the human spirit can endure, a theme that resonates deeply with Battle Beast’s signature blend of power and symphonic metal. The track is a potent mix of Noora Louhimo’s soaring vocals, the band’s trademark thunderous riffs, and a melancholic undercurrent that speaks to the fragility of existence.
To further fuel the flames of their impending sonic assault, Battle Beast has also announced a massive European tour, commencing on October 17th, 2025, with a colossal headline show in Hamburg, Germany. Joining them on this metal pilgrimage are Dominum, purveyors of melodic metal mayhem, and Sweden’s rising power metal force, Majestica, ensuring a night of unadulterated metal supremacy.
13-Dec-25 Czech Republic, Zlin – Sports Hall Datart
14-Dec-25 Poland, Warsaw – Progresja
With their “Circus Of Doom β Live in Helsinki 2023” album, released earlier this year, Battle Beast proved their live prowess is as formidable as their studio recordings. This 117-minute spectacle, captured in their hometown, is a testament to their enduring power and a must-have for any self-respecting metalhead. But rest assured, this is not the end of the tale. Battle Beast is already forging a new chapter, one that promises to be even more explosive, more visceral, and more unforgettable.
Deep Dive into the Battle Beast Wasteland: π§π
Emerging from the digital sprawl of Berlin, alt-electro newcomer Mintage is injecting a fresh dose of corrupted code into the scene with his second single, “Rag Doll,” released just in time for his inaugural live performance at the Out Of Line Weekender Festival on May 10th, 2025. Signed to Out Of Line Music, Mintage isn’t just making music; he’s crafting sonic viruses that infect your consciousness with a blend of raw emotion and synthesized rebellion. “Rag Doll” is the latest transmission from this artist, a track that pulses with a dark, energetic heart, yet bleeds with the vulnerability of a discarded android.
“Rag Doll” isn’t your typical synth-pop fluff; it’s a raw data stream directly from Mintage’s fractured psyche. As the artist himself describes it, the track is “a raw confrontation with what it means to be truly connected,” a digital mirror reflecting two conflicting inner voices. One voice seeks solace in unwavering trust, a warmth likened to a cherished (and perhaps malfunctioning) plush companion. The other voice, however, bears the digital scars of abandonment, the cold, hard drive of a discarded toy.
This track isn’t just about catchy hooks and danceable beats; it’s about forcing you to confront uncomfortable questions in the neon-drenched alleys of your own mind. What does it truly mean to be a friend in this hyper-connected, yet utterly isolated world? Do you possess the processing power to accept both the sacrifices and the betrayals that come bundled with loyalty? Mintage doesn’t offer any sugar-coated answers; “Rag Doll” is a stark reminder that genuine connection isn’t a commodity to be bought and sold, but a hard-earned reward, forged in the messy, glitchy reality of human (and perhaps synthetic) interaction.
Mintage elaborates on the personal source code behind “Rag Doll”: “I wrote this song about a mistake I made. A mistake that might for others not even be one, but for me it was the beginning of a broken friendship. That day I introduced two friends of mine to each other and they got along pretty well – too well. I think we all know this feeling of being replaced, being used by friends you think are loyal to you. But some small situations tell more about a person than any word they could say to you. I am that Rag Doll, only being played with if they’re in the mood. And if there’s a new toy, I might just dust for eternity in that closet.” This raw honesty, this willingness to expose his own vulnerabilities, is what sets Mintage apart from the army of synth-drenched clones flooding the digital airwaves.
Before unleashing “Rag Doll” upon the world, Mintage made significant waves with his previous single, “Bad 4 You,” a track accompanied by a visually arresting video that earned him the title of βBest EDM & Dance Music Videoβ at the Europe Music Video Awards, and an Honorable Mention for Experimental Music Video at the MMVAs. This video, a hyper-industrial fever dream, mirrored the song’s themes of emotional malfunction, fractured identity, and intense introspection, showcasing Mintage’s commitment to creating a complete sensory experience.
With “Rag Doll,” Mintage continues his mission to redefine electronic music, wielding his self-proclaimed “hyperbass” style like a sonic weapon. This genre-bending fusion of dark electro, alternative, and hyperpop, filtered through a lens of raw emotion and avant-garde artistry, is a force to be reckoned with. Mintage isn’t just an artist; he’s a digital architect, building soundscapes that are as unpredictable as they are unforgettable. He’s an artistic anomaly, driven by emotional chaos, fascinated by the bizarre code of human behavior, and fueled by a burning desire for sonic rebellion.
From the desolate plains of North Dakota, a storm of depressive black metal has emerged. Ghost Bath, the sonic entity masterminded by the artist known only as Nameless (aka Dennis Mikula), has unleashed their latest full-length album, “Rose Thorn Necklace,” upon a world already teetering on the brink. Released on May 9th, 2025, via Nuclear Blast Records, this album is not for the faint of heart. It’s a journey into the abyss, a soundtrack for the end times, and a testament to the enduring power of bleakness.
In their twelfth year of existence, Ghost Bath shows no signs of softening their edges. Instead, “Rose Thorn Necklace” sees Nameless (Dennis Mikula), the band’s sole constant member, embracing his most antisocial tendencies, sharpening his sound into a weaponized form of melancholic aggression. This album is a rusty blade, honed to a razor’s edge over years of sonic toil. To further enhance this vision of sonic ruin, the band has also released a visualizer for the track “Vodka Butterfly,” a swirling vortex of bleak imagery and crushing soundscapes.
Nameless (Dennis Mikula) offered a brief, yet ominous statement regarding the album’s release: “Rose Thorn Necklace is now yours. This latest offering is very special, and we hope you take from it whatever you need.” What you might need, however, may be a strong dose of therapy after immersing yourself in this sonic landscape.
“Rose Thorn Necklace” was forged in the fires of 2024, between January and June. The percussive onslaught was captured by Mike Heller (of Fear Factory fame) at Heaven and Heller Studios, while Nameless (Dennis Mikula) handled the remaining instrumentation in his home studio, creating a stark contrast between the raw power and the introspective darkness. The resulting mix, courtesy of Jack Shirley, is a dense and suffocating experience, perfectly complemented by the haunting cover artwork created by Ksenija Tarasova.
Free from the conceptual constraints of the “Moonlover-Starmourner-Self Loather” trilogy, “Rose Thorn Necklace” sees Nameless (Dennis Mikula) delving into the most intense and introspective corners of Ghost Bath’s sonic palette. Expect blackened blasts, melancholic movements, and a general sense of unease as Ghost Bath drags you, kicking and screaming, into the unknown.
Emerging from the creature-infested depths of New York, the epic fantasy heavy metal band CASTLE RAT, led by the formidable “Rat Queen” (Riley Pinkerton), have revealed details for their highly anticipated sophomore album, “The Bestiary,” set to be unleashed on September 19th via a collaborative release from King Volume Records (US) and Blues Funeral Recordings (UK/Europe).
Following their critically acclaimed debut, “Into The Realm,” “The Bestiary” promises 13 spellbinding tracks of mystical metal carnage, brought to life by “The Rat Queen,” “The Count,” “The Plague Doctor,” and “The All-Seeing Druid” in their ongoing battles against “The Rat Reaperess.”
“The Bestiary” was recorded by the renowned Randall Dunn (Sunn O))), Wolves in the Throne Room, BjΓΆrk) and mixed by Jonathan NuΓ±ez (Torche, Restless Spirit), ensuring a sonic journey of epic proportions.
The Rat Queen herself describes the album: “‘The Bestiary’ is a conceptual book of beasts containing a collection of mystical creatures from a world forgotten. The last remaining souls of each have been gathered and preserved by βThe Wizard.β Cautionary tales of each beast and The Wizard himself are woven through the power of traditional heavy metal song and spell.”
The Bestiary Tracklist:
PHOENIX I: Ardent
WOLF I: Tooth & Blade
WIZARD: Crystal Heart
SIREN: The Pull of Promise
UNICORN: Carnage and Ice
PATH OF MOSS
CRYSTAL CAVE: Enshrined
SERPENT: Coiled Figure
WOLF II: Celestial Beast
DRAGON: Lord of The Sky
SUMMONING SPELL
SUN SONG: Behold The Flame
PHOENIX II: Cinerous
In support of “The Bestiary,” CASTLE RAT will embark on “The Book of Beasts Tour” across the US in late summer. Tickets are available for purchase here: https://bnds.us/jnqiyj
CASTLE RATΒ Tour Dates:Β Sep 5 – Boston, MA – Sonia Sep 6 – Elizabethtown, NY – Otis Sep 7 – Montreal, QC – Piranha Bar Sep 8 – Toronto, ON – Lee’s Palace Sep 9 – Columbus, OH – Ace of Cups Sep 10 – Chicago, IL – Reggies Sep 12 – Kansas City, MO – The Ship Sep 13 – Colorado Springs, CO – What’s Left Fest Sep 14 – Salt Lake City, UT – Urban Lounge Sep 16 – Seattle, WA – Clockout Lounge Sep 17 – Portland, OR – Star Theater Sep 18 – Austin, TX – Fantastic Fest Sep 20 – Berkeley, CA – Cornerstone Sep 21 – Los Angeles, CA – Zebulon Sep 22 – San Diego, CA – The Casbah Sep 23 – Phoenix, AZ – Last Exit Sep 24 – Albuquerque, NM – Sister Sep 27 – Houston, TX – Last Concert Sep 28 – New Orleans, LA – Gasa Gasa Sep 30 – Atlanta, GA – The Earl Oct 1 – Asheville, NC – Eulogy Oct 2 – Raleigh, NC – Chapel of Bones Oct 3 – Charlottesville, VA – Southern Cafe Oct 4 – Baltimore, MD – Ottobar Oct 5 – Brooklyn, NY – Music Hall of Williamsburg
Edited with Afterlight
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Cyanotic has just unleashed their powerful industrial take on the techno/breakbeat classic “Atom Bomb” by Fluke! You can grab this electrifying cover now on a “pay what you want” basis. They hope you dig their industrial-fueled rendition of this timeless track.
Racso Agroyam, best known from the dark electro powerhouse Hocico, has reignited his industrial/techno solo project DULCE LIQUIDO with the release of his new single, “Get On Your Knees.” This is the third single leading up to a forthcoming full-length album.
Released digitally via Out Of Line Music, “Get On Your Knees” is accompanied by a brand new t-shirt, available now at the Out Of Line Shop.
DULCE LIQUIDO follows no particular pattern and breaks the barriers between mind and music with dark, heavy electro beats fit for the darkest depths of any dance floor. π
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FiXT has just released the captivating and powerful new single “Night Mother” from the enigmatic artist Daedric! Prepare to be drawn into its dark and alluring soundscape.
Artoffact Records has just announced the upcoming EP “FROM ANOTHER ROOM” by the captivating darkwave artist SOFT VEIN! Get ready for a new dose of their signature sound.
Get ready for a sonic assault! Gasoline Invertebrate has just dropped their latest offering, “Rage Magus.” If you’re into the heavier, more experimental side of industrial music, this is definitely something to check out. Expect a blend of intense rhythms, distorted textures, and a generally dark and abrasive soundscape.
Deep Dive into the The Universe of Gasoline Invertebrate
If you’re a fan of industrial music with a leaning towards the experimental and noisy, “Rage Magus” is likely to be right up your alley. Give it a listen and let me know what you think!
Chicago’s electro-rock quartet, Comasoft, have made a triumphant return with their brand new EP, “Gather at the End,” released on April 25th via Moth in a Flame! The EP features five fresh tracks, including the previously released singles “Numbing” and “Firebomb.”
Produced at BLVM3 Studios in Chicago, “Gather at the End” features founding member Tomasz Banach alongside Ramirez, Christopher Lee, and Chris Cambell. This marks Comasoft’s first new music since 2023’s “Finis Temporis” and 2015’s “Let’s go All the Way” EP.
This new EP is particularly significant as it celebrates the 20th anniversary of their self-titled debut release on Moth in a Flame Records. Over two decades, the band has released two full-length albums, four EPs, and numerous singles, including their college radio hit “10volt.” While band members have evolved, Comasoft continues to deliver a sound that feels both fresh and reminiscent of iconic bands like The Cure, Placebo, and Gary Numan, all wrapped in an 80s neon aesthetic. Ramirez’s new romantic vocals blend seamlessly with powerful synthesizers and sharp guitars.
Gather at the End Tracklisting:
Fire Bomb
Restless Life
Numbing (Perchance)
Deprive
Trapped in a Vial
For those who came of age in Chicago between Generation X and Millennial, Comasoft was a familiar face in the city’s dark, fog-filled clubs, sharing stages with electro-glam contemporaries and supporting major acts like Madina Lake, Hawthorne Heights, Breathe Carolina, The Presets, and Kill Hannah, as well as dark electronic artists such as IAMX, Apoptygma Berzerk, and Stabbing Westward.
Comasoft made their long-awaited return to the stage this past November, opening for a sold-out hometown show with Stabbing Westward. Riding high on the energy of that performance, Jay Ramirez and Comasoft focused on completing their new EP and booking more shows in 2025. Upcoming dates include a headlining show at Cobra Lounge in Chicago on April 25th and supporting EBM legends Leaether Strip in Columbus, Ohio on July 11th. More dates for 2025 are expected to be announced soon.
COMASOFT LIVE DATES 2025:
4/25/2025 Cobra Lounge, Chicago w/ BA Sisters and DJ Leo
7/11/2025 Black Swan Bar and Grill, Columbus w/Leaether Strip and the Stigmas
FiXT has just dropped the explosive “Hive Mind (Single Edit),” a powerful collaboration between Circle of Dust and Celldweller! Prepare for a sonic fusion of industrial intensity.
Projekt Records has just released the remastered version of vidnaObmana’s seminal 1994 work, “The Transcending Quest”! This influential release in tribal ambient and experimental music is now available as a name-your-price download on Projekt’s Bandcamp and will be hitting streaming platforms this Friday.
Originally released as a 3″ CD on the Italian Amplexus label, this 20-minute piece has been meticulously remastered by Dirk Serries in March 2019.
Soundohm describes “THE TRANSCENDING QUEST” as perfectly representing the sound of Vidna Obmana, concentrating all the atmospheres and moods later developed on albums like “THE RIVER OF APPEARANCE” and the collaboration with Steve Roach, “WELL OF SOULS.” They also note it as the beginning of the “wonderful and unforgettable adventure called Amplexus,” deeming it a “must for any Ambient connoisseur!”
Projekt Records has just listed the new CD release from the acclaimed ambient duo Ian Boddy & Erik WΓΈllo, titled “Transmissions,” for pre-order on Bandcamp! Don’t miss your chance to secure this anticipated release.
Check out the pre-order here: [Link to Ian Boddy & Erik WΓΈllo: Transmissions (CD) on Bandcamp]
Death metal legends CANNIBAL CORPSE have announced a headlining North American tour set to take place this Fall! The brutal journey kicks off on September 15th in Nashville, Tennessee, and will hit over two dozen cities before concluding on October 22nd in Charlotte, North Carolina. Joining them as support will be the thrash masters MUNICIPAL WASTE and the death metal force FULCI. This tour follows their recent run across North America with Meshuggah.
Pre-sales for tickets begin today, Wednesday, May 7th at 10:00 AM local time for Blabbermouth and Knotfest. Local and promoter pre-sales start tomorrow, Thursday, May 8th at 10:00 AM local time.
General ticket sales will commence this Friday, May 9th at 10:00 AM local time at cannibalcorpse.net.
CANNIBAL CORPSEΒ w/ Municipal Waste, Fulci: 9/15/2025 Marathon Music Works – Nashville, TN 9/17/2025 The Mill & Mine – Knoxville, TN 9/18/2025 Louder Than Life – Louisville, KY 9/19/2025 The Roxian – Pittsburgh, PA 9/20/2025 NE Metal and Hardcore Fest – Worcester, MA 9/22/2025 Buffalo RiverWorks – Buffalo, NY 9/23/2025 The Agora – Cleveland, OH 9/24/2025 The Intersection – Grand Rapids, MI 9/26/2025 The Rave – Milwaukee, WI 9/27/2025 Epic Event Center – Green Bay, WI 9/28/2025 First Ave – Minneapolis, MN 9/29/2025 The Truman – Kansas City, MO 9/30/2025 Diamond Ballroom – Oklahoma City, OK 10/02/2025 Van Buren – Phoenix, AZ 10/03/2025 Ventura Theater – Ventura, CA 10/04/2025 House Of Blues – Anaheim, CA 10/05/2025 Soma – San Diego, CA 10/07/2025 Rialto Theater – Tucson, AZ 10/09/2025 The Aztec Theatre – San Antonio, TX 10/10/2025 House Of Blues – Houston, TX 10/11/2025 The Hall – Little Rock, AR 10/12/2025 Mars Music Hall – Huntsville, AL 10/14/2025 The Ritz – Raleigh, NC 10/15/2025 The National – Richmond, VA 10/17/2025 The Paramount – Long Island, NY 10/18/2025 Starland Ballroom – Sayreville, NJ 10/19/2025 The Fillmore – Silver Spring, MD 10/21/2025 The Norva – Norfolk, VA 10/22/2025 The Fillmore – Charlotte, NC
CANNIBAL CORPSE’s critically acclaimed album “Chaos Horrific” was released in 2023 via Metal Blade Records. Produced by Erik Rutan, this is his sixth collaboration with the band. “Chaos Horrific” delivers their signature brutal death metal sound with lyrical themes including zombie warfare and mass mutilation. The album’s artwork is by longtime collaborator Vince Locke.
“Chaos Horrific” achieved significant chart success upon its release, hitting #7 on the Billboard Album Sales chart, #2 on the Hard Music Albums chart, and more.
You can purchase “Chaos Horrific” on various formats at the CANNIBAL CORPSE store and Metal Blade Records.
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Alethea Leventhal’s solo project, SHIPS IN THE NIGHT, has just unveiled their third full-length album, “Protection Spells,” via Metropolis Records! The digital version is out now (released May 2nd, 2025), with the CD following on May 9th, 2025.
“Protection Spells” is a compelling and potent collection of dark pop anthems, drawing inspiration from trauma, magic, darkness, and ultimately, hope. As the title suggests, these songs are Leventhal’s sonic incantations, crafted to inspire strength, focus, and transformation during challenging times.
The New York City-based songwriter, multi-instrumentalist, and producer’s signature electronic production beautifully complements her mesmerizing and emotionally charged vocal arrangements. “Protection Spells” promises to transport listeners to enchanting realms, offering solace in a difficult era as they navigate powerful highs and the depths of past sorrow, all within its mystical and emotional embrace.
The album features the previously released singles ‘Some Of Those Dreams’ and βBlood Harmonyβ.
Ships In The Night will be performing ‘Protection Spells’ live at The Black Lodge Ball on May 9th at Fallout RVA in Richmond, Virginia. This special event also celebrates the life and work of David Lynch, with Lynch-inspired DJ sets from Bobby Metronome and Xris Smack. [INFO]([Searching for Black Lodge Ball Info])
PROTECTION SPELLS TRACKLISTING:
Blood Harmony
Some Of Those Dreams
Inside
I Was Your Body
Cold-Blooded
No One Is Coming
Wells Of Pain
A Thousand Lives
Enjoy The Silence
Our Wilderness
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FiXT, the renowned electronic music label, has just released the latest high-energy track from the talented artist Raizer. “Electric Sun” features the captivating vocals of Thomas Millett, delivering a powerful and vibrant new sound.
Experience the energy of “Electric Sun” now: [Link to Electric Sun]
Acid Bath Records has announced the release of “Resist & Defy,” the latest offering from the enigmatic Dead Angel Ensemble. Fans of dark and experimental sounds can now delve into this new work, available via the label known for its boundary-pushing artists.
Slighter has once again broken through to mainstream television with a killer (pun intended!) placement of his track “Cold Calculation” on the popular CBS show, FBI! π¬
Produced by the legendary Dick Wolf productions, the force behind Law & Order and the pioneer of the ‘ripped from the headlines’ procedural crime drama TV style, FBI continues to captivate audiences. You can now watch the full opening sequence to season 7, episode 18 titled “Blkpill” on the official Confusion Inc. YouTube Channel! π
Presenting Caustic’s first single from his upcoming albums, FIEND I & II!
Matt, the mastermind behind Caustic, shares his take on Nick Cave and The Bad Seeds’ “Thirsty Dog,” a song that has resonated with him for decades. πΆ
The single drops this FRIDAY, MAY 2nd on Bandcamp, featuring an exclusive B-side! πΏ
And because you’re neat, here’s an early listen! π
Matt hopes you enjoy it! If you do, please spread the word! Word of mouth is everything for DIY artists, so any plays or mentions are greatly appreciated! β€οΈ
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