Ohio thrashers, War Curse, are set to release their third full-length album, “Confession,” via Blacklight Media on October 20th. The band, known for their thrash-oriented metallic attack, has built a dedicated fan base over the years.
“Confession” marks a new chapter for War Curse. The album showcases their evolution as musicians, focusing on songwriting, groove, dynamics, and melody, while retaining their signature brutal style. The first single, “Miracle Broker,” combines bludgeoning death metal with unconventional riffing, reminiscent of legendary experimentalists like Cynic, Atheist, and Gorguts.
Guitarist Justin Roth explains, “We experimented with new sounds, old sounds, took in new influences, old influences, and let the songs come together as organically as possible. If I lose my thrash card for it, oh well, I’ll hand in my battle vest.”
The pandemic disrupted their extensive touring plans in 2020, pushing the band to channel their energy into creating this album. It took a year to write and record, with each song meticulously crafted. The result is an album that stands as a cohesive musical journey.
“Confession” features the vocal contributions of Blaine Gordon, who brings a newfound confidence and melodic direction to the band’s sound. The album includes a cover of Grip Inc.’s “Rusty Nail” as a tribute to their former bassist, Jason Vie Brooks.
War Curse has released the first single, “Miracle Broker,” along with an accompanying video. The song takes aim at corrupt religious figureheads who manipulate their followers through brainwashing campaigns.
Arizona death metallers JOB FOR A COWBOY return after a near decade long hiatus with their brand new single and accompanying video for [“The Agony Seeping Storm”](insert video link). The track comes by way of the band’s first new full-length in a decade, set for release in 2024 via Metal Blade Records!
JOB FOR A COWBOY released their Sun Eater full-length in 2014. The record received an overwhelmingly positive response, with [Decibel Magazine](insert Decibel Magazine website link) confessing, “Fuck it, I can admit when I’m wrong… while I was busy pointedly not paying attention to them, these deathcore progenitors actually became a pretty damn good band.” In a 4.5/5 review, [Alternative Press](insert Alternative Press website link) championed, “a full-on progressive death metal band… the songs have progressive sweep and epic power, at times recalling Opeth’s heavier work,” adding, “Sun Eater is one of 2014′s best metal albums, period,” while [Metal Injection](insert Metal Injection website link) hailed an album, “that will be a solid brick in the foundation of the death metal genre with no gimmicks or trends to back it up.”
Ten years later, the band returns with their most volatile work to date. The as-yet-untitled full-length is at once musically multifaceted, unabashedly brutal, and compellingly conceptual. First single, [“The Agony Seeping Storm”](insert video link), is a mathematically mind-blowing hybrid of bludgeoning death metal specializing in unconventional riffing that echoes the resemblance of legendary experimentalists like Cynic, Atheist, and Gorguts. A newly refreshed and reinspired lineup – vocalist Jonny Davy, guitarists Tony Sannicandro and Al Glassman, bassist Nick Schendzielos, and drummer (since 2020) Navene Koperweis – seamlessly pick up the mantle where Sun Eater left off.
Issues Davy, “‘The Agony Seeping Storm’ gives a slice of our upcoming concept record. Regarding the video, the band collaborated extensively with director K. Hunter Lumar (Digital Mile), while our bassist, Nick Schendzielos, co-directed. The concept was inspired by a close friend who embarked on a relentless quest for profound enlightenment through the incessant abuse of hallucinogenic drugs. However, as they delved deeper into their religious-like experimentation they began exhibiting symptoms of bipolar disorder and schizophrenia. They came to believe that they could access an alternate, esoteric reality through hallucinogenic intoxication, where they encountered gnostic and biblical figures and imagery. These songs reflect their thoughts, ideas, and experiences.”
Further info on JOB FOR A COWBOY’s new full-length will be revealed in the coming weeks. Stay alert!
JOB FOR A COWBOY’s official comeback show will take place at this year’s edition of Blue Ridge Rock Fest with additional live dates to be announced soon.
JOB FOR A COWBOY Live: 9/08/2023 Blue Ridge Rock Fest – Alton, VA
JOB FOR A COWBOY hails from Glendale, Arizona. Formed in 2003, the band’s debut album, Genesis, was released in 2007, peaking at #54 on the US Billboard 200 and selling 13,000 copies in its first week of release. The second album, 2009’s Ruination, sold 10,600 copies in the United States in its first week to debut at position #42 on the Billboard 200 chart! The band has been described by [The New York Times](insert The New York Times website link) as “an Arizona band with a guttural, brute-force sound descended (indirectly) from hardcore punk,” and a, “straightforwardly brutal act,” by [Rolling Stone Magazine](insert Rolling Stone Magazine website link). The band has appeared on numerous music festivals both stateside and abroad, including Sounds Of The Underground, Download Festival, Mayhem Festival, Summer Slaughter, Graspop Metal Meeting, and Wacken Open Air, among others.
Photo by Tom Couture
JOB FOR A COWBOY: Jonny Davy – vocals Al Glassman – guitar Nick Schendzielos – bass Tony Sannicandro – guitar
New York’s trailblazing death metal pioneers, SUFFOCATION, are set to join forces this fall with the legendary death metal outfit INCANTATION for the monumental ‘Ancient Unholy Rising Tour 2023’. Spanning 26 intense dates, this epic journey commences on November 7th in Baltimore and will traverse North America, gracing iconic cities like Montreal, Seattle, and Houston before culminating in Greensboro on December 4th. The tour promises to be an unmissable event for metal aficionados, featuring two of the most revered names in the genre, with support acts SKELETAL REMAINS and STABBING.
SUFFOCATION is bursting with enthusiasm, exclaiming, “We’re excited to hit the road alongside our brothers in Death Metal, INCANTATION, and support acts SKELETAL REMAINS and STABBING. The USA and Canada won’t know what hit ’em! By the way — If there was ever a tour you do not want to miss, THIS is the one because we’ve got a lot of surprises in place for fans, so look for some HUGE announcements coming soon; you guys have waited long enough.”
The ‘Ancient Unholy Rising Tour 2023’ holds particular significance for SUFFOCATION, as it will serve as their North American album release tour. Expect exciting details about a new album announcement in the very near future.
Tickets for this colossal event go on sale this Friday, September 1st at 9 AM Eastern. Secure your tickets at: Ticket Purchase Link
The confirmed dates for SUFFOCATION’s ‘Ancient Unholy Uprising’ Tour 2023, featuring co-headliners INCANTATION, as well as SKELETAL REMAINS and STABBING, are as follows:
11.07.2023: U.S. Baltimore, MD – Baltimore Soundstage
11.08.2023: U.S. Reading, PA – Reverb
11.09.2023: U.S. Brooklyn, NY – Warsaw
11.10.2023: U.S. Providence, RI – Alchemy
11.11.2023: CA Trois-Rivières, QC – Amphithéâtre Cogeco
11.12.2023: CA Montreal, QC – Studio TO
11.13.2023: CA Toronto, ON – Lee’s Palace
11.14.2023: U.S. Detroit, MI – The Sanctuary
11.15.2023: U.S. Chicago, IL – Reggies
11.16.2023: U.S. Madison, WI – The Annex
11.17.2023: U.S. Lawrence, KS – The Granada
11.18.2023: U.S. Denver, CO – HQ
11.20.2023: U.S. Richland, WA – Ray’s Golden Lion
11.21.2023: U.S. Seattle, WA – El Corazon
11.22.2023: U.S. Portland, OR – Bossanova Ballroom
11.24.2023: U.S. San Francisco, CA – DNA Lounge
11.25.2023: U.S. San Diego, CA – Brick By Brick
11.26.2023: U.S. Los Angeles, CA – 1720
11.27.2023: U.S. Phoenix, AZ – Rebel Lounge
11.28.2023: U.S. Albuquerque, NM – Launchpad
11.29.2023: U.S. Oklahoma City, OK – 89th Street Collective
11.30.2023: U.S. Dallas, TX – Granada Theater
12.01.2023: U.S. Houston, TX – Scout Bar
12.02.2023: U.S. San Antonio, TX – Paper Tiger
12.03.2023: U.S. New Orleans, LA – Southport Music Hall
12.04.2023: U.S. Greensboro, NC – Hangar 1819
SUFFOCATION Line-up:
Terrence Hobbs | Guitar
Derrek Boyer | Bass
Eric Morotti | Drums
Charlie Errigo | Guitar
Ricky Myers | Vocals
Stay updated with SUFFOCATION’s journey and musical endeavors:
Sapphira Vee, the exceptionally talented artist known for her distinctive blend of slinky, sexy, hard, and danceable music, has just unveiled a thrilling new video for her latest track, “What it Was.” This captivating release offers fans a tantalizing glimpse into her forthcoming album, aptly titled “Fortune”.
Following the resounding success of her debut album with Distortion Productions, “Aerial Human”, Vee is back with a fresh musical journey set to hit the airwaves on September 8th, making it available on CD and across all major digital and streaming platforms.
“Fortune” promises to be a musical treasure trove, delivering a futuristic soundscape where answers to questions about identity and desires start to crystallize. With its sensual and moody groove, this album is a testament to Vee’s ability to craft music that simultaneously entices and mesmerizes. It’s a collection of songs that invite listeners to explore the depths of their emotions and embark on a profound musical journey.
The intoxicating new video for “What it Was” is a visual masterpiece, meticulously assembled by the talented James Marcus of Die Warzau. It complements the song’s allure and adds a visual dimension that enhances the overall experience. This pairing of music and visuals creates an artistic synergy that promises to leave a lasting impression.
For those eager to immerse themselves in this musical odyssey, “What it Was” and the “Fortune” album are available for pre-sale on Bandcamp. This early access offers fans a chance to secure their copy of what is sure to be one of the standout releases of the year. Sapphira Vee’s dedication to her craft and her ability to evoke a range of emotions through her music make “Fortune” a must-listen for anyone seeking a transformative musical experience.
As Sapphira Vee continues to push the boundaries of her artistry, “Fortune” represents a significant milestone in her career. It’s a testament to her commitment to creating music that resonates on a deep level with her audience. With the release date fast approaching, fans can anticipate a musical journey like no other, where the boundaries between the present and the future blur, and the essence of who we are and what we desire comes into sharper focus.
In the world of music, there are artists, and then there are visionaries who take their craft to a whole new level. Claudia Blackstar, a singer and music producer hailing from Birmingham, UK, undoubtedly falls into the latter category. Born into a world steeped in musical influences, Claudia’s journey has been one of transformation, self-discovery, and the relentless pursuit of artistic excellence.
Claudia’s enigmatic Stage Persona “Claudia Blackstar” draws inspiration from the world of scene arts, where performers take on distinct roles masked in mystery. Influenced by bands like Slipknot and Ghost, Claudia weaves a visual tapestry that transcends the conventional boundaries of music. It’s a unique blend of music and theater, a testament to her artistic depth. Claudia’s music isn’t just about the visuals; it carries a profound message. Her lyrics delve into the realms of wiccan beliefs, nature, and personal reflections, inviting listeners to embark on a journey of self-discovery. Each song is a poetic exploration, leaving room for interpretation and connection.
The journey to becoming Claudia Blackstar wasn’t a straight path. Claudia’s initial foray into music was through songwriting and demos. Still, her true understanding of music expanded when she ventured into the world of music production. It was a pivotal moment that allowed her to transform her ideas into tangible musical expressions.The name “Blackstar” itself holds a captivating allure. It’s a nod to Claudia’s fascination with the dark and mysterious, drawing from influences like Lucifer Morningstar. It’s a name that’s both evocative and concise, a perfect fit for her solo work.Claudia’s musical influences are a testament to her eclectic taste. Her playlist spans from goth legends like Bauhaus and The Sisters Of Mercy to contemporary artists like Evanescence and Linkin Park. It’s a rich tapestry of sounds that she effortlessly weaves into her music, creating a unique and authentic sonic experience.
When it comes to creativity, Claudia’s process is all about letting ideas flow. She thrives in a quiet environment, fully focused on the task at hand. It’s a moment of connection with her inner self, where inspiration takes shape. Joining electro-goth project Drop Beat Empire and alternative metal outfit After Dark was a turning point in Claudia’s career. These collaborations widened her artistic horizons, allowing her to explore different musical dimensions while staying rooted in her influences.
Collaboration in the music industry can be tricky, but Claudia approaches it with professionalism and alignment of tastes. She believes in maintaining a consistent line of work while embracing diversity in styles. Balancing creativity across various projects requires clear roles and boundaries. Claudia ensures that her solo work encompasses her full creative spectrum, while collaborations allow her to focus on specific aspects, depending on the project’s needs. Yet, the path of a musician isn’t without its challenges. Burnout, a common hurdle, is something Claudia grapples with. Her valuable lesson is the importance of giving time to oneself, a reminder that self-care is paramount.
Music, for Claudia, is a powerful tool for change. It has the ability to impact lives, but its effect depends on the willingness of the audience to embrace the message. While smaller artists like Claudia may have a more localized impact, they still inspire change within their communities. Instruments like the keyboard and guitar play a significant role in Claudia’s music. They serve as tools to translate her ideas into melodies and arrangements, enhancing the emotional depth of her compositions.
Influence is a two-way street. Claudia’s singing approach, inspired by artists like Amy Lee, is characterized by a passionate delivery. It’s a passion that resonates throughout her music, an embodiment of her artistic individuality. Claudia’s lyrics, often poetic and rooted in her dark insights, carry stories waiting to be discovered. While there may not be hidden meanings, there are tales to be told, some abstract, others direct, all wrapped in her unique perspective.
The most rewarding aspect of being a musician, according to Claudia, is knowing that her work connects with someone out there. It’s the joy of making that emotional bond, even if it’s with just one person. However, the challenges of dealing with burnout are real, as time becomes the most precious resource. Claudia doesn’t just create music; she fosters a community of fellow artists. Her platform encourages and inspires others to pursue their creative endeavors, fostering a sense of togetherness.
Looking to the future, Claudia remains rooted in the present. She can’t predict what lies ahead, but as long as inspiration flows and people believe in her work, she’ll continue to evolve as an artist and as a person. As for upcoming releases, Claudia keeps her projects close to her chest, but she has announced her debut album, “Visions Of The Moon,” which promises to be a mesmerizing journey into her artistic world.
To stay updated and connected with Claudia Blackstar’s latest work, visit The Claudia Blackstar Official Instagram. or The Claudia Blackstar Official LinkTree You’ll find links to her YouTube, Bandcamp, and Spotify, among others. Join her on this enigmatic musical voyage, and discover the depths of Claudia Blackstar’s artistry.
Probe 7, comprised of synthesist Brent Heinze and vocalist Jasun Mark, is making waves with their latest single, “Pretty in Pink (Isn’t He),” accompanied by 15 remixes and an empowering video. This rendition of the classic Psychedelic Furs track has been beautifully reimagined to narrate the struggle for self-acceptance faced by a queer individual.
The single features an array of dancefloor-friendly remixes contributed by prominent artists such as The Cassandra Complex, Ego Likeness, Angelspit, Provision, The AXIOM Divide, Eloquent, Revolution State, Spoils of Grace, Swishcraft, Jack Chang, Aliester Growley, James Grey, and Seven Whores of the Apocalypse. The video showcases students from the Sexuality & Gender Alliance (SAGA) at the College of the Desert.
Founder Brent Heinze emphasizes the importance of LGBTQ+ artists sharing their stories to empower others, especially younger individuals navigating the path to self-acceptance in the face of societal prejudice and negativity.
This release marks Probe 7’s impressive 10th release on their independent label, Lokusdor Records. With deep roots in the LGBTQ+ community, Probe 7 crafts synth-driven compositions that celebrate the rich tapestry of human experiences. Their music blends elements of new wave, industrial, synthpop, and rock, creating an infectious groove complemented by poignant lyrics that explore themes of love, loss, pain, and hope.
“Pretty in Pink (Isn’t He)” is another chapter in Probe 7’s mission to connect with listeners through emotionally charged songs that uplift and inspire. Currently, they are hard at work in Southern California, crafting their upcoming full-length album.
Prepare for an electrifying and thought-provoking sonic journey as Stoneburner unveils their highly anticipated EP, “The Great Filter.”
This avant-garde masterpiece, taking its name from Robin Hanson’s profound theory, is poised to push boundaries and redefine the industrial music genre with its relentless energy and captivating dance-friendly rhythms.
Taking inspiration from Hanson’s “Great Filter” argument, Stoneburner weaves a conceptual tapestry that delves deep into the mysteries of intelligent life and its potential demise. Each track embarks on a unique and immersive journey, exploring themes of human existence, self-destruction, and the unsettling uncertainties of the future.
While “The Great Filter” EP carries forward Stoneburner’s signature sonic intensity, it introduces a surprising twist. Embracing a more club and dance-friendly atmosphere, the songs retain the quintessential aggression that defines industrial music, creating a striking fusion.
For those wanting to own a piece of this sonic journey, the EP is available for order on Bandcamp.
Stoneburner continues to push the boundaries of industrial music, solidifying their thundering legacy while evolving into new dimensions. Don’t miss out on “The Great Filter,” a release that promises to captivate both longtime fans and newcomers to the genre.
Prepare for a musical explosion as CATALYST, the Belgian metal band from Waasland, launches their dynamic single “FIRE IN THE ENGINE ROOM,” a teaser for their forthcoming album release show on September 9th at Kavka Antwerp.
Crafted as a powerful and critical reflection on society, “FIRE IN THE ENGINE ROOM” showcases a heavier and more intense sound than CATALYST’s usual repertoire. This track, part of their upcoming album ‘THE AGE OF ROCKETEERS,’ marks a significant step in the band’s musical evolution.
The single opens serenely, only to swiftly catapult listeners into a whirlwind of intense riffs and potent vocals by frontman Jeroen. The song’s dynamic nature intertwines speedy guitar passages with serene interludes. An unexpected funky medley halfway through adds an exciting twist, leading to an epic conclusion.
To celebrate the single’s release, CATALYST presents a thrilling music video created by guitarist Aäron. Compiled from live footage of their pre-release show in the ghost town of Doel in March 2023, the video mirrors the song’s energetic essence. Watch the video on YouTube, while the single is available on all streaming platforms.
Album Artwork: Designed by Lien Van Ranst, the artwork reflects the impact of space exploration on our generation and symbolizes social evolution.
Don’t miss the explosive album release show of ‘THE AGE OF ROCKETEERS’ on September 9th at Kavka Antwerp/Belgium!
Hailing from Belgium, CATALYST (2018) fuses elements of metal to address today’s societal fears and failures. With members spread across Waasland (BE), Hulst (NL), Sint-Niklaas (BE), and Lennik (BE), the band’s sound is fueled by political, economic, and ecological concerns. Following the end of the Heavy Metal project Gitaron, Philip Pedraza and Aäron Onghena decided to continue their musical journey. Joined by Benjamin Onghena and Jannes Lemaitre (ex-Titan, Patroness), they formed CATALYST. Later, vocalist Jeroen Van Ranst (Monomad) completed the lineup.
CATALYST released their first three songs in 2018, followed by “Sustainable Dignity” and “Fear Well” in 2019. Drummer Jannes Lemaitre left, replaced by Sam Bogaert (ex-Dead end Path, ex-Oceans Burning). In 2021, the band released “Rights of Passage,” paving the way for a full-length album reflecting on post-pandemic society and rocketeers’ reign.
For those who resonate with bands like Greta Van Fleet, Dirty Honey, Dead Daisies, Bomber, Hitten, Scorpions, Rainbow, Skid Row, Guns n’ Roses, and more…
Lisbon, July 5, 2023 – Today marks the exciting release of the debut full-length album “Hard Rock Is Back” by the Portuguese powerhouse Coastwise. This album boldly blends hard rock, rock, hard ‘n’ heavy, and traditional heavy metal elements, promising a thrilling sonic experience.
Coastwise – Hard Rock Is Back This debut album, independently released by the band itself, signifies a triumphant entry into the music scene. With influences ranging from classic rock to heavy metal, Coastwise’s “Hard Rock Is Back” encapsulates a sonic journey that spans across genres.
Navigating the grim reality of being coerced into taking another’s life is an unimaginable ordeal. This somber backdrop sets the tone for the forthcoming 4-track EP titled “Coercion” by Retrograth.
The debut single “Redoubt” is a poignant reflection on the life of a distant relative, Per Persson, who fell in the Battle of Poltava in 1709 during Ukraine’s tumultuous past. Three tracks on the EP pay homage to relatives who served in various wars, while the final one breathes new life into a traditional medieval melody that narrates tales of armed men.
The initial composition, “Redoubt (Poltava),” was crafted in the signature 6/8 time signature, a foundation that sparked experimental diversions into rhythms like 10/8 and 3/4. This musical journey also embraces samples tied to the military ambiance.
As autumn descends, the journey of the World Oscillation tour will continue with shows across Sweden and the United States. The tour commenced in Belgium on May 13 and is set to captivate audiences on both continents.
Stay tuned for the release of the “Coercion” EP in mid-October, featuring the tracks:
Redoubt (Poltava)
Thin Wires (Svir)
Rapture (Peenemünde)
The Armed Man (Trad.)
Single Release:
“Redoubt (Poltava)” – September 15
Upcoming Gigs in Sweden:
September 16: Gamla enskede bryggeri, Johanneshov, Sweden
September 30: Masikhallen, Grängesberg, Sweden
October 21: Kvarteret, Örebro, Sweden
October 28: Snövit, Stockholm, Sweden
November 3: Melody Box, Hägersten, Sweden (Support to Ghost Dance)
As the festival season nears its end, the international powerhouse, BEAST IN BLACK, is gearing up for their upcoming series of live performances. This tour will traverse the United States and Canada, encompassing a total of 31 exhilarating shows.
The band has treated their fans to a mesmerizing music video for the track ‘To The Last Drop Of Blood’, extracted from their latest album, Dark Connection. In this rendition, the German nu-metal outfit puts their distinctive spin on the iconic SYSTEM OF A DOWN classic. The video captures the undeniable synergy and raw talent of each band member, promising an unforgettable concert experience. From riveting solos to breathtaking vocal deliveries, this live video showcases BEAST IN BLACK at the zenith of their musical excellence.
Directed by Damien Dausch from Psyrus Studio, the video was filmed during the band’s European tour, spanning from November 30 to December 5, 2022.
Timo Rotten, the band’s member, comments on the track: “As we hit bigger and bigger stages in front of tens of thousands of fans, the power of the Beast continues to break loose! We also want to show this madness to those people who have never had the chance to see us live. For that, we chose a powerful song from our latest album, Dark Connection, and we asked Damien Dausch to film it on some shows of the tour. Now, we can proudly present you the music video for ‘To The Last Drop Of Blood’! We hope it brings the big arena feeling into your home.”
Join BEAST IN BLACK live on their forthcoming tour across the USA and Canada, where they will be joined by special guest DANCE WITH THE DEAD.
North American Tour Dates:
07.09 USA Atlanta, GA – ProgPower USA 08.09. USA Richmond, VA – The Canal Club 09.09. USA Baltimore, MD – Baltimore Soundstage 10.09. USA Millvale, PA – Mr. Smalls Theatre 11.09. USA New York, NY – Gramercy Theatre 12.09. USA Harrisburg, PA – Harrisburg Midtown Arts Center 13.09. USA Cambridge, MA – The Middle East 15.09. USA Quebec City, QC – Imperial Bell 16.09. CAN Montreal, QC – Club Soda 17.09. CAN Toronto, ON – The Axis Club Theatre 20.09. CAN Winnipeg, MB – The Park Theatre 21.09. CAN Saskatoon, SK – Louis’ 22.09. CAN Calgary, AB – Dickens 23.09. CAN Edmonton, AB – The Starlite Room 25.09. CAN Vancouver, BC – Rickshaw Theatre 26.09. USA Seattle, WA – Substation Seattle 27.09. USA Portland, OR – Star Theater 29.09. USA Roseville, CA – Goldfield Trading Post 30.09. USA Santa Ana, CA – The Observatory 01.10. USA Mesa, AZ – Nile Theater 03.10. USA Salt Lake City, UT – Metro Music Hall 04.10. USA Denver, CO – Gothic Theatre 06.10. USA Dallas, TX – Granada Theater 07.10. USA San Antonio, TX – The Rock Box 08.10. USA Houston, TX – White Oak Music Hall 09.10. USA Baton Rouge, LLA – Chelsea’s Live 10.10. USA Birmingham, AL – Saturn 11.10. USA Nashville, TN – Exit/In 13.10. USA West Palm Beach, FL – Respectable Street 14.10. USA Tampa, FL – The Orpheum 15.10. USA Winter Park, FL – The Conduit
BEAST IN BLACK also has an exciting European tour lined up for 2024, titled “GLORY AND THE BEAST – DOUBLE HEADLINE TOUR 2024,” in collaboration with GLORYHAMMER.
The tour will feature special guest BROTHERS OF METAL and will take them through several cities across Europe.
10.01.24: SE Stockholm, Arenan Fryshuset 11.01.24: NO Oslo, Sentrum Scene 12.01.24: DK Roskilde, Epic Fest 13.01.24: DE Hamburg, Edel Optics Arena 14.01.24: NL Tilburg, 013 Poppodium 16.01.24: CH Zurich, Volkshaus 17.01.24: IT Milan, Alcatraz 19.01.24: DE Munich, TonHalle 20.01.24: HU Budapest, Barba Negra Red Stage 21.01.24: CZ Zlin, Sports Hall Datart 23.01.24: AT Vienna, Gasometer 24.01.24: PL Krakow, Studio 26.01.24: DE Leipzig, Haus Auensee 27.01.24: DE Oberhausen, Turbinenhalle 28.01.24: DE Wiesbaden, Schlachthof 30.01.24: FR Paris, Olympia 01.02.24: BE Brussels, Ancienne Belgique 02.02.04: DE Geiselwind, Eventhalle 03.02.04: DE Stuttgart, Wagenhallen 04.02.04: DE Saarbrücken, Garage 06.02.04: UK London, O2 Forum Kentish Town
OCEANS makes an emphatic return, marking their resurgence since the release of their second studio album “Hell Is Where The Heart Is” last November. The German nu-metal ensemble presents their latest single, a cover of SYSTEM OF A DOWN’s timeless classic ‘Chop Suey’. True to their signature style, OCEANS imparts their distinctive touch to the song, crafting a darker rendition of this legendary track as a homage to their musical origins.
Accompanying the new single, OCEANS treats fans to an insightful behind-the-scenes video, offering a glimpse into their creative process. Watch it here: Behind-the-Scenes Video
Timo Rotten, the band’s vocalist, comments on the endeavor: “Toxicity was one of my favorite albums when it came out, but I hadn’t heard it in a while. Then Thomas dug it up again a few weeks ago and the question immediately came to my mind: How would this sound with growls? And whether I could do it at all. We just had to try it out. Did I get it right? I think you have to decide for yourselves.”
About OCEANS: From their inception, the emerging German outfit OCEANS has captured attention with a sound that defies easy categorization, straddling nu-metal, progressive, post, and death metal, all while prioritizing mental health themes. Renowned for their innovation and experimentation within their genre, they’ve covered songs by artists like Alessia Cara and collaborated with notable musicians, including MACHINE HEAD’s Robb Flynn and CALIBAN’s Andy Dörner. With a string of releases, from EPs to full albums, OCEANS, led by visionary Timo Rotten, has firmly established itself as one of Europe’s most dedicated and prolific bands. Their triumvirate album “Hell Is Where The Heart Is,” consisting of parts I, II, and III, stands as a testament to their constant evolution.
For decades, the name Lizzy Borden has been synonymous with top-tier heavy metal music. Now, Lizzy Borden returns with his first original music since the widely praised album My Midnight Things from 2018, presenting the digital single “Death of Me” – out now!
This new single was meticulously crafted, engineered, produced, mixed, and mastered by none other than Kane Churko (known for his work with Ozzy Osbourne, Papa Roach, Five Finger Death Punch, In This Moment).
Reflecting on the new track, Lizzy Borden commented: “Death of Me was a fantastic experiment! Kane Churko was Dr. Frankenstein, and I was the monster roaring in the vocal booth as he injected bolts of electricity over and over, seeking the ideal vocal performance. Collaborating with individuals who can push me beyond my comfort zone has been a constant pursuit. As a result, I’ve never recorded two albums that sound the same. Every song I write represents an opportunity to explore new territory. In my initial conversation with Kane about working together, he remarked that he didn’t know how to do what I do, just as I hadn’t spent much time in his world. He asked, ‘Are you sure you want to give this a shot?’ I saw it as a challenge!”
Lizzy continued, “Our first two hours in the studio were spent in conversation. Kane was trying to grasp the kind of song I wanted to create with him. After producing numerous albums and performing worldwide throughout the decades, the word that resonated was perseverance. While our approaches to music may seem worlds apart, navigating life’s challenges one obstacle at a time is a universal theme… and that’s the essence of the song I aimed to compose. ‘Death of Me’ embodies the spirit of never surrendering, of refusing to let anyone drag you down. It celebrates the realization that this journey won’t be easy, yet we’re committed to overcoming it. You can cut me until I bleed, but you won’t be my demise.”
Regarding the music video, Lizzy added: “Working with Robert Graves was reminiscent of my collaboration with a young Zack Snyder (known for his work on Superman, Batman vs Superman, Justice League) on the ‘Love Is a Crime’ video from the Master of Disguise album. Their directing styles align closely, and filming felt like we were crafting a movie rather than a music video. Robert listened to the song and after a brief phone conversation, he devised this storyline. Filming this gothic horror tale was an absolute delight. A boy stalks a girl, she ensnares him like a spider capturing a fly, and too late, the boy realizes he was the victim all along; a story as old as time itself. I hope the audience has as much fun watching this video as we did creating it. See you on the other side.”
Experience, Listen, and Purchase “Death of Me” Here: metalblade.com/lizzyborden
Lizzy Borden has lined up these live dates for 2023/2024:
December 03, 2023 – Mexico City, MX @ Life After Death Horror Fest
February 23, 2024 – Hollywood, CA @ The Whisky a Go Go
Arizona’s death-crusters, GO AHEAD AND DIE, are gearing up to release their blistering sophomore album, “Unhealthy Mechanisms,” on October 20th via Nuclear Blast Records. Crafted from the fervent minds of Igor Amadeus Cavalera (HEALING MAGIC) and Max Cavalera (SOULFLY, CAVALERA CONSPIRACY), this latest addition to the band’s dystopian discography delves deeply into society’s madness and the mental pollution plaguing our minds.
The album’s first glimpse arrives in the form of the single ‘Tumors.’ This headbanging track serves as a resounding call-out to the toxic elements of life, often likened to “tumors,” which, if left unchecked, can metastasize into a cancerous existence. The accompanying animated video, brilliantly created by Romanian artist Costin Chioreanu, amplifies the song’s powerful message.
Max Cavalera enthuses, “The new G.A.A.D. is on its way! More brutal, feral, extreme, and intense than ever before! The album goes in a deep dive into the mental health subject and it’s produced by Igor A! It’s by far the most anarchist record I’ve ever been a part of in my entire career!”
Igor Amadeus Cavalera adds, “I’m so excited to release this monster of a record! This album will take you through the darkened madness of declining mental health. It is definitely the heaviest record I’ve ever created, and I can’t wait to unleash it on the masses! G.A.A.D.!”
“Unhealthy Mechanisms” Production Details: Produced by Igor Amadeus Cavalera, the album’s recording took place at John Aquilino’s Platinum Underground Studio, enveloped in the mystic ambience of the Superstition Mountains’ foothills. The mixing and mastering were deftly handled by Arthur Rizk (CAVALERA, SOULFLY, TURNSTILE ). The eerie artwork, in perfect harmony with the album’s title, was envisioned by Santiago Jaramillo of Triple Seis Design. The record stands as GO AHEAD AND DIE’s testament to the global struggle of deteriorating mental health, serving as a reminder that our pain is shared. The mind may be lost, but the fuse is lit, ready to ignite everything in its path.
“Unhealthy Mechanisms” Track Listing:
Desert Carnage
Split Scalp
Tumors
Drug-O-Cop
No Easy Way Out
M.D.A. (Most Dangerous Animal)
Chasm
Cyber Slavery
Blast Zone
Unhealthy Mechanisms
“Unhealthy Mechanisms” Formats: • CD Jewel • Red Cassette (Limited to 400) • Vinyl o Red with Black Splatter o White with Black Splatter
GO AHEAD AND DIE Lineup:
Max Cavalera | Vocals, Guitar
Igor Amadeus Cavalera | Vocals, Guitar, Bass
Johnny Valles | Drums
As GO AHEAD AND DIE prepares to unleash “Unhealthy Mechanisms,” fans can anticipate an electrifying array of thrash-infused mayhem and thought-provoking themes, once again asserting the band’s unyielding presence in the realm of metal.
A-Z, the progressive metal band, has unveiled the lyric video for their song “Window Panes.” This release marks the band’s 10th video from their debut self-titled album, which was launched on August 12, 2022.
The origins of this song date back to before the formation of A-Z, as it was initially penned by Viv. However, when A-Z came into existence, the band decided to give it their unique sound and feel, with the help of Mark Zonder and others.
Mark Zonder, the band’s drummer, expressed, “We had planned to do a video for every song on the record and this is number 10 out of 11. We thought it was important, as we are currently in the process of recording the new album, to let the fans know we are moving forward and will be out with a record soon. Yes, there will be the all-important video 11 as well!”
For fans of A-Z, the band’s debut self-titled album is available for streaming in its entirety on Metal Blade Records.
A-Z Tracklist:
Trial by Fire (Official Video)
The Far Side of the Horizon (Lyric Video)
The Machine Gunner (Official Video)
Rise Again (Official Video)
Window Panes (Lyric Video)
Run Away (Official Video)
Stranded (Official Video)
At the Waters Edge (Official Video)
Borrowed Time (Lyric Video)
Sometimes
The Silence Broken [Bonus Track] (Official Video)
A-Z continues to showcase their musical prowess with each release, and “Window Panes” is another testament to their talent and creativity. As they work on their new album, fans can eagerly anticipate more music and visuals from this promising band.
Mexican death grind band BRUJERIA unveils the world of cartels and ritualistic murder with a brutal power akin to the impact of NWA on pop culture in Compton. Their fifth full-length album, Esto Es Brujeria, is set to be unleashed on September 15th via Nuclear Blast Records. ‘Bruja Encabronada’ serves as the second single from the upcoming album, accompanied by a music video featuring live footage captured by Roel Verscheure (GRIMM Gent) and Emerik Siimessalmi.
Esto Es Brujeria was recorded across various studios worldwide, including Dog Run Studio in Riverside, CA; Total Annihilation Studios in East Los Angeles, CA; Robanna’s in Birmingham, UK; and Audiocustom in Santiago, Chile. The album’s production was helmed by the band, with engineering being a collaborative effort between Eddie Casillas, Eddie Rivas, and Miguel Seco. Seba Puente handled the mixing and mastering, also contributing to the engineering team. The album’s artwork was designed by Gary Ronaldson. The ferocious album cover features the return of the metal mascot Coco Loco.
Esto Es Brujeria will be available digitally and in the following formats:
CD Jewelcase
Orange Cassette (Limited to 550)
2LP
Orange with Red & Black Splatter (Limited to 3,000)
Orange and Red Split Vinyl (EU Limited to 500)
On November 2nd, BRUJERIA will embark on their ‘Esto Es Tour 2023‘ starting in Yuma, Arizona. The tour will comprise 29 dates, including stops in Dallas, Boston, and Seattle, concluding in Pomona on December 10th. Joining them on this tour are PIÑATA PROTEST and NO/MÁS.
BRUJERIA’s Juan Brujo comments, “Al fin Esto Es… Brujeria!”
Tickets for the tour are available for purchase at: Get tour tickets
Confirmed dates for BRUJERIA’s ‘Esto Es tour 2023’ with PIÑATA PROTEST and NO/MÁS include:
11.02. U.S. – Yuma, AZ – Red Moon Ale House
11.03. U.S. – Tucson, AZ – The Rock
11.04. U.S. – Albuquerque, NM – Launchpad
11.06. U.S. – Dallas, TX – Granada Theater
11.07. U.S. – Lubbock, TX – Jakes Sports Cafe
11.08. U.S. – Oklahoma City, OK – 89th Street Collective
11.09. U.S. – Austin, TX – Come And Take It Live
11.10. U.S. – Houston, TX – Houston Vert Ramp
11.11. U.S. – Brownsville, TX – Outdoors at The Kraken Lounge
11.14. U.S. – Orlando, FL – Conduit
11.15. U.S. – Atlanta, GA – The Loft at Center Stage
11.16. U.S. – Asheville, NC – Asheville Music Hall
11.17. U.S. – Virginia Beach, VA – Elevation 27
11.18. U.S. – Mechanicsburg, PA – Lovedrafts
11.19. U.S. – Boston, MA – Brighton Music Hall
11.21. U.S. – Brooklyn, NY – Saint Vitus
11.22. U.S. – Pittsburgh, PA – Preserving Underground
11.24. U.S. – Cleveland Heights, OH – Grog Shop
11.25. U.S. – Chicago, IL – Reggie’s
11.28. U.S. – Denver, CO – Bluebird Theater
11.29. U.S. – Salt Lake City, UT – Metro Music Hall
12.01. U.S. – Seattle, WA – Substation
12.02. U.S. – Portland, OR – Bossanova Ballroom
12.05. U.S. – San Francisco, CA – Great American Music Hall
12.06. U.S. – Roseville, CA – Goldfield Trading Post
12.07. U.S. – San Jose, CA – The Ritz
12.08. U.S. – Los Angeles, CA – Teragram Ballroom
12.09. U.S. – Las Vegas, NV – The Usual Place
12.10. U.S. – Pomona, CA – The Glass House Concert Hall
Following the highly acclaimed debut “Blacken the Skies” (2021), TERMINAL refines their industrial glam formula with a touch of “more industrial, more glam.” Noteworthy lyricist Thomas Mark Anthony elevates the genre, crafting intricate rhymes and anthemic choruses around themes of power, zealotry, and corruption. Building on the previous album’s critique of society’s hypocrites, the album kicks off with the compelling line “How many guns would Jesus buy?” The title and theme of the album, inspired by Plato’s Republic, delve into the idea that an unjust society is doomed, and democracy alone is insufficient against demagogues and tyrants. Enriching the mix is Anthony’s resonant baritone, while the lyrics delve into existential topics of religion and mortality, appealing particularly to the Goth community.
Dedicated to Dave Heckman, the album features tracks like:
“Asymmetric Warfare” (1:11)
“The Sin of the Sanctified [v4b]” (3:52)
“Smart Weapons” (4:50)
“Did We Ask For Truth” (4:09)
“[Redacted]” (1:05)
“Don’t Be Taken Alive” (4:14)
“The New Republic” (5:02)
“Paradoxical Reactions” (1:17)
“Fall of the Reign” (5:46)
“Dirty River [Necrosis]” (4:06)
“Testify” (4:21)
“Disproportionate Response” (1:16)
“Rise”
Get ready to explore the sonic world of “The New Republic” and experience TERMINAL’s intricate themes and captivating soundscape.
Cleveland’s own RINGWORM marks their triumphant return with the release of their 9th studio album, “Seeing Through Fire,” a sonic onslaught that’s out today via Nuclear Blast Records. This uncompromising metal powerhouse delivers an auditory rampage, featuring intense tracks such as “Thought Crimes,” “No Solace, No Quarter, No Mercy,” and the impactful “House of Flies.”
Founding vocalist Human Furnace describes the album as, “a total burner… smash your face and leave you layin’ there wondering what you got hit with.” RINGWORM’s signature sound remains while new sonic elements add depth to “Seeing Through Fire,” showcasing the band’s continuous evolution.
Vocalist HF elaborates on the track, “‘House of Flies’ delves into the lingering secrets we all hold, festering like flies beneath the surface. As they grow, they ultimately emerge, and the fly becomes a universal symbol of death and decay.”
As part of their “Seeing Through Fire” release, RINGWORM is teaming up with VENOM INC. for their “Better to Reign In Hell Tour Part 2,” alongside SATAN and 72 LEGIONS. Get ready to immerse yourself in their live fury and witness their sonic prowess firsthand.
Step into the realm of mind-bending melodies and technical prowess as OBSCURA presents their highly anticipated live album, A Celebration I – Live in North America, which will be released on October 27th via Nuclear Blast Records. Witness the sheer brilliance of this German metal band as they take the stage by storm, leaving audiences spellbound with their awe-inspiring performance. A Celebration I – Live in North America takes you on a mesmerizing journey through their iconic discography, featuring fan-favorites from albums like Cosmogenesis, Omnivium, Akroasis, Diluvium and the chart-breaking A Valediction. Experience the sheer energy and raw intensity of their stage presence, captured flawlessly in this one-of-a-kind live recording. Not only does this live album showcase OBSCURA’s unparalleled musical mastery, but it also offers a glimpse into their latest studio release, A Valediction. Immerse yourself in the sonic landscapes of their most recent opus, as they explore new depths and push the boundaries of metal. Mixed & Mastered by award-winning producer and engineer Fredrik Nordström, in Gothenburg, Sweden, where mastermind Steffen Kummerer collaborated with him for one week on the live material. The recordings were all made in the USA, Canada, and Mexico between 2022 and 2023 as part of the ‘A Valediction World Tour’. Today, we get a taste with a stunning live video for the track ´The Anticosmic Overload´from the album Cosmogenesis, filmed by Vincent Grundke, who has been accompanying the band as a videographer and photographer since 2021.
Steffen Kummerer comments: “A Celebration I – Live in North America covers a selection of concerts we performed in the United States of America, Canada, and Mexico between 2022 and 2023 as part of the ‘A Valediction World Tour’. Within 20 years, we are looking towards the first live album of Obscura, spiked with songs of our last five releases. It was a pleasure working through every recorded show to pick the best song, the loudest possible audience and a stellar performance by a band that’s on fire. As a first impression, we choose ‘The Anticosmic Overload’ performed in the United States of America, since this was the first song ever we performed in North America back in 2009.”
Tracklist
Forsaken
Emergent Evolution
Ode To The Sun
The Anticosmic Overload
Septuagint
A Valediction
Ocean Gateways
Akroasis
Orbital Elements II
Incarnated
Catch OBSCURA live, as they will embark on an extensive Latin America tour, followed by another extensive run through UK with label buddies DECAPITATED.
Latin America tour 28.10. ARG Buenos Aires – Uniclub 29.10. BR Sao Paulo – Carioca Club 31.10. CHL Santiago – Teatro Cariola 02.11. PER Lima – Teatro Cantaro 04.11. COL Bogota – Ace Of Spades 05.11. HND Tegucigalpa – Radio house Casa Campo 07.11. GTM Guatemala City – Rock ´ol Vuh 08.11. SLV San Salvador – Café Catedral 09.11. CRI San José – Pepper´s 11.11. MX Monterrey – Mexico Metal Fest
With Decapitated & Inferi 29.11. UK Bristol – The Fleece 30.11. UK Milton Keynes – MK 11 01.12. UK Bournemouth – The Old Fire Station 02.12. UK Torquay – The Foundry 03.12. UK Merthyr Tydfil – Redhouse Cymru 04.12. UK Liverpool – O2 Academy 2 06.12. IRE Limerick – Dolan´s Warehouse 07.12. UK Dublin – Opium 08.12. UK Belfast – Limelight 2 09.12. UK Glasgow – Slay 10.12. UK Newcastle – The Grove 11.12. UK Leeds – The Key Club 12.12. UK Norwich – The Waterfront 13.12. UK Southend-on-Sea – Chinneys 14.12. UK London – 229 15.12. UK Manchester – Club Academy 16.12. UK Birmingham – Asylum
Four years after their last studio album “No Halos in Hell,” CYHRA proudly presents their new album “The Vertigo Trigger.” The Swedes’ third full-length has been released today, and it reflects exactly what the melodic metal band stands for: ear-splitting riffs, catchy choruses, and plenty of melodies that make the band truly stand out.
The band, based around singer Jake E (ex-AMARANTHE) and guitarists Jesper Strömblad (THE HALO EFFECT/ex-IN FLAMES) Euge Valovirta (ex-SHINING), drummer Alex Landenburg (KAMELOT), and guitarist Marcus Sunesson (ex-THE CROWN / ex-ENGLE), demonstrate that they haven’t slowed down. With “The Vertigo Trigger,” CYHRA has not only further developed their distinctive sound but also proven how diverse they are. The best example of this is the latest single “Ashlight,” which combines hard-hitting elements with a gentle attitude. And if that wasn’t enough, the Swedes also deliver a new music video for the latest single to celebrate the album release.
Vocalist Jake E comments: “It feels amazing to FINALLY have new music to release again! We put a lot of effort into finding out what the future of Cyhra’s music was to be, and I must say I am overwhelmed with the result. Both with the album and also the songwriting! I think that we have made a fantastic follow-up to both of our first two albums, but also at the same time, we’ve managed to modernize the songwriting. I can assure you that no Cyhra fan will be disappointed!”
Drummer Alex Landenburg adds: “To me, this is a perfect successor to our first two records. It has all the Cyhra trademarks, but it’s a bit more Rock’n’Roll, more raw, in the way we recorded it. And on top of that, Euge’s great mix and Jacob Hansen’s mastering are a wicked combination!”
Guitarist Euge Valovirta about the new song: “This is the first album we produced by ourselves, and it turned out to be just like I heard it in my head before we even started to record it. We still wanted to have (long-time producer) Jacob Hansen’s input on it, so he did the mastering, and I did the mixing. I’m very proud of it. And us. Something old, something new, something borrowed, and something blue.”
Marcus Sunesson adds: “It’s the first of the three Cyhra albums that I played guitar on and also contributed to the songwriting. It was a fun and very creative process but also challenging since we wanted to break new ground to make the best Cyhra album possible. I am so happy and proud of this beast of an album! This time we took a deep breath and dove down to explore a slightly darker, more progressive, and modern side of ourselves. Yet still sounding like the Cyhra you all know and love. This album will definitely turn some heads. You will love it!”
Jesper Strömblad comments as well: “It’s so great to have a new album around the corner. We have kept the essential Cyhra sound, but at the same time, upgraded and updated it a bit. I love what Euge has done to the mix, and I know you are not gonna be disappointed!”
Recorded in the summer/autumn of 2022, “The Vertigo Trigger” is the band’s darkest album to date. The album was entirely self-produced and mixed by guitarist Euge Valovirta, while the mastering was handled by long-term producer Jacob Hansen. This new album offers fans the classic CYHRA sound, full of the band’s trademarks but fresh and refined. The Swedes have modernized their songwriting, meaning that no CYHRA fan will be disappointed, making “The Vertigo Trigger” a more than worthy successor to their first two albums.
And although guitarist Jesper Strömblad isn’t a part of CYHRA’s live shows currently, he was deeply involved in the writing and recording process of the album. Therefore, the band can hardly wait for his return as soon as he is ready again.
“The Vertigo Trigger” tracklisting:
Ready To Rumble
Let’s Have My Story Told
Live A Little
1.000.000 Fahrenheit
Buried Alive
The Voice You Need To Hear
Life Is A Hurricane
IF I
Fear Of Missing Out
Ashlight
Too Old For Fairy Tales
“The Vertigo Trigger” formats:
“The Vertigo Trigger” CD (Jewelcase)
“The Vertigo Trigger” LP (Transparent Orange Vinyl)
For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid ’90s. When Poulsen was putting together songs for Volbeat’s 2021 album, Servant of the Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for “Ungodly Hour”), is a tribute to Poulsen’s favorite old-school groups.
“‘Island of Dead Men’ was the second song I wrote for the album,” says Poulsen. “It’s one of the faster and more aggressive songs on the record, but with a groovy Death chorus and a solid middle piece that hails the mighty Autopsy. Enjoy… or don’t!”
Poulsen has rekindled the death metal fire that fueled his first band Dominus. He began jamming on riffs with longtime friend and neighbor, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten’s tiny garage: no mics, no P.A. – just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favorite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).
“I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat,” Grewe says. “Then he called for real and said, ‘Yeah, I want to do it now. Are you up for it?’ Immediately, I was like, ‘Yes, of course!'”
With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund.
Harm’s Way Unveils New Single/Video “Devour” and Announces North American Fall Tour
Hardcore pioneers Harm’s Way have just released their intense new single “Devour,” which delves into the impact of toxic relationships. The band explains, “‘Devour’ is an expression of self-reflection following the realization that everything that was once there to give has been spent. Led down a path of deception and manipulation, one’s sense of self has been lost along the way. ‘Devour’ is the process of waking up to your isolation, with actions and purpose that are somehow no longer your own. It’s a crossroads that can lead you either the rest of the way down, or back to where whatever’s lost may be found again.”
Harm’s Way’s influence in the hardcore scene has spanned nearly two decades, molding heavy music’s direction with impactful songs that have contributed to reshaping the genre. Always evolving, they’ve continuously incorporated new and creative influences, crafting some of the most finely executed tracks in the hardcore punk and metal scene.
Their upcoming album, Common Suffering, stands as their most musically diverse venture yet. Overflowing with memorable riffs, breakdowns, and exceptional songwriting, the album serves as a reflection of the tumultuous experiences of the past three years – embodying chaos, misanthropy, paranoia, disorder, confusion, and anxiety. Themes explored include personal mental health struggles, relationships, political upheaval, corruption, and political power.
Despite their reputation for unrelenting intensity, Common Suffering surprises with moments of intricate songwriting that showcase light and shade. The album demonstrates their mastery of dynamics, intensifying an already powerful record. Harm’s Way has reached their apex, displaying the ambitious sound of a band unafraid to venture into new territories.
Recorded at Studio 4 in Pennsylvania with producer Will Yip (Turnstile, Code Orange), the album’s production aimed to enhance the band’s processes, experiment during production, and achieve the best from each track. The result is a culmination of band members pushing their creative limits, resulting in unprecedented material.
Common Suffering will be released on September 29 via Metal Blade Records, available on all digital streaming platforms, vinyl, and CD formats.
Harm’s Way has also announced a North American tour starting October 18, spanning through various locations, including Texas and both coasts. The tour will feature support from Fleshwater, Ingrown, and Jivebomb. Tickets will be available starting August 18.
Evol Radio is honored to premiere the video for these tracks, both of which VEiiLA will perform live at The Boo Cafe in Vanadzor, Armenia. This single offers a tantalizing glimpse into their upcoming album, “Sentimental Craving For Beauty,” set to release on September 8th in digital format and as a limited edition CD (only 500 copies available).
You can also enjoy it on platforms like Spotify, YouTube, iTunes, and more.
VEiiLA, a Russian duo in exile, excels in turning harrowing despair into beauty and passion. Combining immaculate electronics, slow rhythms, and late-night sensuality in their female vocals, Bes Eirid and Vif Nüte craft a melancholic tapestry woven with existential lyrics that hit deep.
In anticipation of their forthcoming album “Sentimental Craving For Beauty,” VEiiLA offers a glimpse with two advance tracks. The stripped-down production showcases the hypnotic swirl of the vocals, murmuring intimate allegories of universal indifference and lost hope.
“Can’t Forgive Myself” delves into themes of regret, specifically the regret born from childlike naivety mistaking cynical manipulations for genuine kindness. “Another Day,” seemingly an unpretentious lounge ballad, conceals one of VEiiLA’s gloomiest songs. With melancholic detachment, Vif’s soft vocals rest on a minimal underwater arrangement, guiding the listener to the weight of the lyrics. The song revolves around lies, presenting deceit as the last resort in the game of clinging to life.
Under the seductive mellow electronics, translucent guitars, enthralling percussion, synth bass, and alluring vocals lies the suffocating vapor of venomous despair and the inevitable pain of human existence, all juxtaposed against a catchy beat and sensual downtempo atmosphere.
“I’m lying to you And I’m lying to myself There’s nothing I can do There’s nothing to be said And I’m lying to you And I’m lying to myself Cause if we don’t believe Then we’re already dead”
Svalbard, the acclaimed band, has revealed their poignant composition titled ‘How To Swim Down,’ the third single from their upcoming studio album, ‘The Weight Of The Mask,’ set for release on October 6th. This track marks a unique and emotionally resonant departure from their previous work, featuring ethereal violin melodies by Liam Phelan and a deeply moving vocal performance by Serena Cherry.
Accompanying the track is a beautifully crafted animated video by Boy Tillkens. The animation tenderly portrays the fragility and strength within human existence, encapsulating the song’s profound emotional essence.
Serena Cherry of Svalbard shared her insights on the song:
“This track delves into the exquisite pain and poignant beauty of unrequited love. It’s perhaps the saddest, most heart-rending song we’ve ever composed. Lyrically, the verses touch on the hidden adoration, while the chorus reveals the acceptance of silently loving someone from a distance.
The music video for ‘How To Swim Down’ evokes such poignant emotions in me that I can’t help but cry. Boy has captured the bittersweet sentiment of the song with incredible delicacy, making the animation an exceptionally moving piece.
Musically, ‘How To Swim Down’ takes us into uncharted territory, with Liam’s addition of mournful violin layers, a first in Svalbard’s history! It’s thrilling to feature new instruments. Another unique aspect is that the song solely showcases clean vocals, without any screams. The delivery of these lyrics aims to emulate whispering a secret to someone while they sleep. This vocal style represents a lonely form of communication, like singing to oneself in an empty house. It’s a private, selfless love song, where only the listener is privy to my heartache.”
Pre-Order ‘The Weight Of The Mask’ Album + Listen to ‘How To Swim Down’ HERE
Stream previous singles ‘Faking It‘ HERE and ‘Eternal Spirits‘ HERE Watch the ‘Faking It‘ video HERE Watch the ‘Eternal Spirits‘ video HERE
Svalbard’s commitment to their music lies in providing solace during times of darkness. ‘The Weight Of The Mask’ boldly lays bare experiences of mental health and depression, aiming to destigmatize these crucial subjects.
‘The Weight Of The Mask’ – Tracklist:
Faking It
Eternal Spirits
Defiance
November
Lights Out
How To Swim Down
Be My Tomb
Pillar In The Sand
To Wilt Beneath The Weight
Svalbard recently concluded a comprehensive tour, supporting renowned post-metal giants Cult Of Luna and Russian Circles. The band is presently captivating audiences across European summer festivals, including appearances at Inferno (Norway), Hellfest (France), With Full Force (Germany), 2000Trees, and Portals (UK).
Following this, Svalbard will embark on a six-show headline tour in October across mainland Europe, followed by a performance at the Cult Of Luna curated event, Beyond The Redshift, in London, and a headline show at The Key Club in Leeds.
While many bands boast about being the next big thing or compare themselves to legendary acts like Led Zeppelin, Anger As Art doesn’t feel the need to do so. Their track record speaks volumes.
Since 2004, Anger As Art has embodied top-tier, old-school thrash metal. The band’s roots are deeply intertwined with the rich history of its members, who hail from influential groups such as Abattoir, EvilDead, Bloodlust, Hirax, Death, Manowar, Raven, Heretic, and Bitch, among others. Their journey has taken them on multiple world tours, sharing stages with iconic bands like Destruction, Overkill, Testament, Death Angel, Exodus, Saxon, Agent Steel, former Maiden vocalists Bayley and DiAnno, Tankard, Onslaught, Katatonia, and more.
Originally meant to be a tribute, Anger As Art’s existence was demanded by fervent fans. With the addition of drummer Rob Alaniz, bassist and vocalist Eric Bryan, and guitarist Albert Gonzales, the band hit the road with unyielding vigor, touring globally. In 2023, Anger As Art reemerges with their seventh and most powerful album to date, “Virtual Sympathy.” This 11-track powerhouse is a testament to doom-laden thrash, characterized by soaring guitars, gut-wrenching vocals, and an exceptional rhythm section. Rather than slowing down, these thrash veterans are only gaining momentum in the worldwide metal scene.
Mark your calendars for September 1st when “Virtual Sympathy” drops on all digital and streaming platforms, as well as CD. A limited vinyl pressing will also be available later in the year.
Don’t miss the first single and music video for the track ‘The Enemy Within’: Watch ‘The Enemy Within’
After a three-decade hiatus, Applehead makes a triumphant return with their latest album, ‘The Light Side of the Apple,’ proudly presented by Roxx Records. Roxx Records, an independent label renowned for championing both cherished legacy artists and promising new talents in the rock and metal scene worldwide.
The album ‘Meaning,’ Applehead’s initial offering, recently resurfaced as a limited-edition vinyl/CD through Roxx Records. However, ‘The Light Side of the Apple’ is more than just a nostalgic revival.
Driven by personal struggles and unanswered questions, Greg Minier masterfully guides listeners through a barrage of metal riffs that traverse diverse musical genres, evoking emotional ties reminiscent of rock’s original heyday.
Staying true to the core Applehead ethos, Greg Minier takes charge of vocals and instrumental performances, except for bass lines, gracefully handled by Jaymi ‘Pinkbassman’ Millard (known for his work with Mark Slaughter Band and Slaughter).
As the summer unfolds, Greg Minier prepares with the live band, aiming to grace stages later in the year.
Emerging in 1992 as Greg Minier’s solo project during his tenure with the acclaimed California thrash metal band, the Crucified, Applehead kicked off their journey by opening for the Crucified shows the same year. The debut album ‘Meaning’ was released under the Ocean Records label (with a limited reissue in 2022 by Roxx Records). Greg Minier even gained prominence in the August 1993 edition of Guitar World magazine, featuring a five-page exposé on his guitar expertise and his association with the Crucified.
Mark your calendars for September 1st, 2023, when the new album will hit all streaming platforms, digital outlets, and CD stores. Keep an eye out for the limited vinyl edition, with pre-order options coming your way soon!
The apple tree has matured, bearing more robust branches, and the fruits of these branches are primed to deliver an electrifying rock experience!
EX AEGIS emerges as a dynamic fusion of classic Hard Rock, Power Metal, Progressive Rock, with a touch of Pop for added flavor. Founded in 2019 by close friends and skilled guitarists, Scott Allen and Ryan Bowe, the band’s mission was crystal clear: rekindle the kind of Metal that had been craved since the decline of Rock and Metal in the mid-nineties. Melding influences like Van Halen, Queensryche, King Diamond, and Ozzy Osbourne, alongside their own distinctive styles, Ryan and Scott embarked on creating their inaugural masterpiece.
After an unfortunate pandemic-related delay in 2020, all the puzzle pieces were in place, except one. Enter the powerhouse vocalist, Judith Morgan. Jude possessed the vocal range, passion, and versatile chops to navigate through the twists and turns the duo had crafted. With the thunderous drumming of Alex Bosson and the meticulous production of Tom Frost, the recording and mixing process reached its culmination.
The outcome is now unveiled to the world – a tribute to the glory days of Rock and Metal and a glimpse into the future. A firm declaration that Rock is far from extinct. EX AEGIS introduces an all-encompassing Metal style that doesn’t forsake melody and catchy hooks. They uphold an unwavering focus on songcraft while keeping the instrumental virtuosity that defines remarkable Metal. The music welcomes Hard Rock enthusiasts with open arms, yet retains the intensity and boldness that unmistakably define the band’s Metal identity. The tracks shine with heavy riffs, scorching solos, monumental hooks, and celestial vocals. EX AEGIS emphatically announces that the era of Metal isn’t behind us but ahead. Their debut album release will serve as the first stepping stones, evolving into an unstoppable force that propels Metal back into the mainstream.
Industrial metal pioneers FEAR FACTORY have solidified their status over the years, as one of the metal genre’s most important bands.
The machine will rise this Fall! This journey will commence with a one-off date on September 17th at the Metal Injection Festival @ House Of Blues where they will perform a very special Demanufacture and Obsolete set.
The band will then launch their five-date healing ‘DisrupTour’ with special guests LIONS AT THE GATE which will kick off on October 7th. This will be followed by the band heading out on the ‘October Dawn 2023’ tour with headliners LACUNA COIL and openers LIONS AT THE GATE. The 10-date trek will begin on October 13th in Atlanta and will make stops in Louisville, Oklahoma City, and Houston before concluding in St. Petersburg on October 29th before heading on their European/U.K. tour!
FEAR FACTORY’s Dino Cazares comments, “We are so excited to be touring with our Italian friends in LACUNA COIL & and our Los Angeles brothers in LIONS AT THE GATE. The Machine Will Rise.”
Catch FEAR FACTORY live: 09.17. US Anaheim, CA – Metal Injection Festival @ House Of Blues
Headlining Dates 10.07. U.S. Tucson, AZ – Encore 10.08. U.S. Albuquerque, NM – Sunshine Theatre 10.09. U.S. EL Paso, TX – The Rockhouse 10.11. U.S. Tulsa, OK – The Shrine 10.12. U.S. Memphis, TN – Growlers
‘October Dawn 2023’ Headliner LACUNA COIL Support: LIONS AT THE GATE 10.13. U.S. Atlanta, GA – The Masquerade 10.14. U.S. Knoxville, TN – The Concourse 10.15. U.S. Louisville, KY – Mercury Ballroom 10.17. U.S. Suget, IL – Pops 10.18. U.S. Lincoln, NE – Bourbon Theatre 10.19. U.S. Lawrence, KS – Granada Theater 10.20. U.S. Oklahoma City, OK – The Diamond Ballroom 10.21. U.S. Dallas, TX- Granada Theater 10.23. U.S. Houston, TX – House Of Blues 10.24. U.S. San Antonio, TX – Aztec Theater
2023 UK & EUROPEAN TOUR Support: BUTCHER BABIES & IGNEA 27.10. UK Nottingham – Rock City 28.10. UK Wolverhampton – KK’s Steel Mill 29.10. UK Glasgow – Garage 30.10. UK Belfast – Limelight 31.10. IE Dublin – Academy 02.11. UK Manchester – Academy 2 03.11. UK London – Electric Ballroom 04.11. UK Bristol – SWX 06.11. FR Lille – Le Splendid 07.11. FR Paris – L’élysée Montmartre 08.11. FR Clermont Ferrand – La Cooperative 09.11. FR Toulouse – Metronum 10.11. ES Barcelona – Razzmatazz 2 11.11. ES Madrid – La Sala 12.11. PT Lisbon – Lav 14.11. FR Bordeaux – Le Rocher Palmer 15.11. FR Grenoble – L’ilyade 16.11. IT Milan – Santeria 17.11. CH Lausanne – Les Docks 18.11. CH Zurich – Dynamo 19.11. IT Treviso – New Age 21.11. AT Graz – PPC 22.11. HU Budapest – Barba Negra 23.11. AT Vienna – Simm City 24.11. DE Munich – Backstage Halle 25.11. DE Frankfurt – Batschkapp 26.11. FR Strasbourg – La Laiterie 28.11. DE Stuttgart – LKA Longhorn 29.11. LU Esch-Sur-Alzette – Rockhal 30.11. BE Antwerp – Trix 01.12. NL Amsterdam – Melkweg 02.12. DE Cologne – Live Music Hall 03.12. DE Berlin – Columbia Theater 05.12. CZ Prague – Meet Factory 06.12. PL Warsaw – Proxima 07.12. DE Hamburg – Markthalle 09.12. DK Copenhagen – Pumpehuset 10.12. SE Gothenburg – Valand 11.12. NO Oslo – Vulkan Arena 12.12. SE Stockholm – Fryshuset Klubben 14.12. FI Tampere – Olympia 15.12. EE Tallinn – Helitehas 16.12. FI Helsinki – Tavastia
Distortion Productions is thrilled to announce the addition of Charlotte, North Carolina’s IIOIOIOII (pronounced IO or eye-oh). IIOIOIOII has been an active band since 2012 and is best described as dark and atmospheric electronic synthpop taking inspiration from classic New Wave and Industrial music. IIOIOIOII takes on lush soundscapes and heavy melodic elements and combines them with hard-hitting beats. The single “Frozen Sea” along with the accompanying video is the first taste of their forthcoming album “Dreaming,” slated for release in the Fall of 2023 on Distortion Productions.
The dark dream pop duo MAGIC WANDS, based in Los Angeles, has recently unveiled their latest creation – a remix album titled “Switched.” This album acts as a companion to their highly acclaimed record “Switch.” “Switched” features a collection of remixes by artists such as Shadow Mirrors, Stargods, and Lars Deutsch. Released by Metropolis Records, the remix album is now available on all major digital and streaming platforms.
MAGIC WANDS is gearing up for an exciting West Coast summer tour that kicks off on August 17th in Los Angeles at the Moroccan Lounge. The tour will feature captivating performances by Lorelei K and Treasvre on select dates.
“Aggressive and contemptuous of division and dysfunction, ‘Goliath’ is also everything you could want and expect from a Kataklysm record, marrying thrash, punk, and melodeath into a lean muscular whole.” Metal Hammer (UK)
“Unique, powerful, and uncompromising sound! With ‘Goliath’, Kataklysm confirms once again its status of one of the best devastated Metal bands ever!” Metallian (FR)
“Violent, searing, frenzied cadence, dense and limpid sound. ‘Goliath’ is as uncompromising as it is memorable!” Loud TV (FR)
“KATAKLYSM set a big, fat example with their most exciting piece since ‘Waiting For The End To Come’.” Metal Hammer (GER) (Album of the Month #1 Soundcheck position)
“‘Goliath’ is a loud and powerful statement from a band showing no signs of slowing down yet (literally or figuratively).” Metal Storm (US)
For almost three decades, the US/French Canadian-based melodic death metal syndicate KATAKLYSM has delivered unapologetic waves of powerful sound across the entire globe. The band’s fifteenth full-length studio album, Goliath, is now available for the masses via Nuclear Blast Records.
08.16. DE Dinkelsbühl – Summer Breeze Open Air 2023
08.17. DE Munich – Backstage Halle
Goliath was recorded at JFD Studios in Dallas, TX and Studio City, CA as well as The Cabin in Orlando, FL by J-F Dagenais, who also produced and engineered the album. For the mixing and mastering, the band returned to Chris Clancy with assistance from Colin Richardson. The cover artwork required an image that captured the iconic battle of David versus Goliath theme that is echoed throughout the album while matching the power of the music. The band enlisted renowned Berlin metal illustrator Eliran Kantor (TESTAMENT, FLESHGOD APOCALYPSE) to create the artwork which took the KATAKLYSM look and gave it a macabre filter that compliments the brooding sense of uneasiness that was felt during the writing and recording of the album.
Below is the tracklisting for Goliath:
Dark Wings Of Deception
Goliath
Die As A King
Bringer Of Vengeance
Combustion
From The Land Of The Living To The Land Of The Dead
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