Category Archives: Interviews
ZWAREMACHINE: A Dark Circuit Sparks to Life
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Mach FoX’s journey into the shadows of electronic music began long before Zwaremachine emerged as a fully realized force. Drawn to the synthetic pulse of ‘80s music—processed drums, hypnotic synths, and the strange allure of acts like Gary Numan, Fad Gadget, and Alien Sex Fiend—he quickly discovered that alternative sounds weren’t just music but escape routes. Punk cracked open the door even wider, offering not only attitude but permission. When he shifted from guitar to sequencers and drum machines, he realized he could operate as a one-man band sculpted entirely from electricity. That spark would become the earliest prototype of Zwaremachine.
Throughout the ‘90s, he honed his identity across guitar and synth-driven projects. Then, in 2005, he released his solo Mach FoX album and formed a band to play it live—an act defined by theatrical lighting, costuming, and performance art. This experience birthed Zwaremachine’s audio-visual DNA. As he expanded into VJ work and installation-style video art, syncing imagery with sound became not just an aesthetic choice but an obsession.
Years of performances sharpened his instinct for pairing music with glitchy, circuit-bent visuals. The result? A sonic identity defined not by rigid genre labels but by tension, repetition, and mechanical hypnosis. When Be A Light arrived, Mach coined the phrase “minimal hypnotic industrial body music” to describe a style all his own—long looping sequences cut into tight rhythmic pulses, merging physicality with cold circuitry.
Influence came not just from records, but screens: Tetsuo: The Iron Man, Mad Max, Alien, RoboCop, and the biomechanical nightmares of H.R. Giger. Bands like Sigue Sigue Sputnik and Skinny Puppy shaped his desire for cyberpunk spectacle. Early Zwaremachine shows were chaotic—hardware failing, members missing—but Mach learned self-sufficiency when a DJ collaborator got arrested minutes before showtime. He performed alone. No computers, no backup band—just grit, planning, and will. “Zwaremachine” means “heavy machine,” and in those days, the name matched the literal weight of the gear he dragged to every venue.
Asked what he’d tell his younger self, he answered with conviction: commit to the vision, trust your instincts, and don’t clone anyone else’s sound. Originality is earned through persistence.
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Today, Zwaremachine’s international cult following is the result of years of transformation. A major turning point arrived in 2019 when Bas—Dein Offizier—brought a Brazilian surdo drum into the mix. Its booming resonance expanded the band’s sonic footprint. Shortly afterward, Mach’s longtime collaborator Dbot joined on bass guitar, pushing Zwaremachine from a solo-driven project into a fully realized band with new energy and melodic strength. His contributions shaped Conquest 3000 and set the foundation for the upcoming third album.
The evolution continued with the arrival of guitarist Paul K and electronic drummer Marshall B, shifting Zwaremachine into an industrial rock organism with electrifying live dynamics. The onstage energy surged—heavier, louder, more physical.
Mach remains dedicated to the band’s visual identity, customizing microphones and modifying equipment to maintain a cohesive cyberpunk aesthetic. While earlier performances involved juggling sequencers and visuals live, Mach later realized he needed to step out from behind the machines to truly lead the show. Looping visuals preserved the hypnotic vibe while freeing him to become the frontperson the music demanded. Minimalism remained key: black-and-white glitch art, stark lighting, and lyric-driven repetition designed to pull crowds into a trance. Be A Light, with its single verse and five choruses, exemplified this mantra.
Creative flow within the band is fluid and collaborative. Older tracks left little room for added instrumentation, but newer compositions allow Dbot’s Wax Trax-inspired basslines and Paul K’s textured guitars to flourish. Their third album will be their most unified effort yet, with every member writing and shaping their sound.
Though Zwaremachine excels visually, Mach remains grounded. Whether performing at underground clubs or international festivals, he channels raw punk energy into every show. Music remains his anchor—an outlet for darker emotions in a world that grows more chaotic by the day.
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The road ahead for Zwaremachine is charged with momentum. Their next album promises a more aggressive assault—faster tempos, heavier synths, and arrangements built for live detonation. Recording begins in November, with Mach traveling to the Netherlands to capture performances from Paul K and Marshall B, marking the band’s most global collaboration to date.
Before that arrives, a deeply emotional release is queued under the Mach FoX name. Chaos of Man, arriving in October 2025, was born from tragedy. Originally intended for Zwaremachine’s third record, the material shifted dramatically after the passing of drummer Dein Offizier. Mach found himself unable to revisit the songs for long stretches, and when he did, the arrangements changed—synths replaced with guitars, structures altered to reflect grief’s imprint. Ultimately, the songs no longer fit Zwaremachine’s identity, but they carried a truth that needed to be released. The album stands as both tribute and closure.
Beyond music, Mach plans to return to video art—especially for upcoming music videos tied to the new album. While technology pushes toward virtual and AI-enhanced experiences, Zwaremachine remains unapologetically analog for the time being. The future may bring new tools, but the pulse of the project remains human.
In terms of dream collaborations, Mach’s top choice is visual mastermind Paul Gerrard, whose grotesque and cinematic artwork resonates with Zwaremachine’s dystopian edge.
As he looks forward, Mach’s message to the next generation is simple and razor-sharp:
Find your voice. Distill it. Weaponize it. Never conform.
🔗 Deep Dive into the Universe of Zwaremachine
Official Website – Bandcamp (Current Release) – Bandcamp (Previous Releases) – YouTube: “Animals” – YouTube: “Radioakktivity” – YouTube: “War”
💀 Zwaremachine Steps Into the Spotlight: Exclusive Interview Drops Dec 1st
Prepare for a dive into the circuits and shadows of industrial rebellion—Zwaremachine is ready to speak. On December 1st, 2025, Evol Radio unleashes an exclusive interview with Mach FoX, the enigmatic force behind the minimal hypnotic industrial body music machine that is Zwaremachine.
🧠 The Mind Behind the Machine
From the gritty days of 90s guitar riffs to leading a cyberpunk-infused live act across continents, Mach FoX opens up about his artistic evolution, audio-visual warfare, and the pain-into-power ethos that drives his vision. Expect tales of broken gear, arrested DJs, ghostly visuals, and a sonic philosophy that refuses to conform.
🕶️ Past, Present, and Future Rewired
The interview doesn’t just cover Zwaremachine’s origin story—it propels forward. Learn how tragedy shaped their upcoming third full-length release, how live bass and Brazilian drums reshaped their sound, and why Mach FoX is keeping things “old school” in a world sprinting toward AI-driven creativity.
📅 Mark Your Calendar
The full interview will go live on EvolRadio.com on Friday, December 1st, 2025—just in time to fuel your weekend with insight, attitude, and the unapologetic truth of a band forged in circuits and scars.
🌐 Deep Dive into the Universe of Zwaremachine
Zwaremachine Website – Facebook – Instagram – Bandcamp – YouTube – Phage Tapes
Screaming Into the Void: C-Lekktor’s Relentless War Against Human Decay
C-Lekktor never set out to be a hero of Mexico’s underground industrial scene. He never begged for recognition beyond borders, nor did he tailor his sound to win over a European-dominated audience. But through unfiltered rage, raw precision, and a refusal to compromise, he became one of harsh electro’s most vital voices.
Emerging from the shadows of limited gear and a volatile underground, C-Lekktor’s journey began not in glitz or strategy—but in survival. “Life, indeed,” he says, reflecting on how he first collided with music. From folkloric roots to disco flashbacks, his curiosity didn’t rest. And once electronic sounds hit his ears, there was no going back. “I’ve always needed more,” he admits. That hunger birthed a sound that straddles brutality and beauty, fear and clarity.
In his youth, the underground Mexican scene was small but burning with resistance. The few clubs and events that nurtured C-Lekktor’s early sonic rebellion have mostly vanished, but he still honors those holding on. “Working and resisting,” he says of the diehards. “This kind of music here is very limited and underground.” And yet he’s still here—evolving from analog machines and Korg boxes to a digital soundscape that broke down the walls and supercharged his production.
From the beginning, his music was—and still is—a protest. Against human behavior. Against apathy. Against silence. Every C-Lekktor track is a scream in the void.
⚡ New World Disorder: The Rage Amplified
His latest album, New World Disorder, is a precision-crafted war cry born from global dysfunction. “We are living the worst moments as a human race,” he says bluntly. “Every single aspect of humanity is decaying.” And C-Lekktor is not whispering about it. He’s tearing open the gates with his most furious and focused record to date.
Tracks like “Animals,” “Radioakktivity,” and “War” embody his creative process—chaotic but methodical, aggressive yet thoughtful. “There are no rules,” he confesses. “Sometimes a melody. Sometimes a loop. Most of the time I reject what I start.” The final tracks? They’re the ones that passed his own unrelenting quality control. A perfectionist with a death grip on sonic chaos.
🎭 Live Shows as Exorcism
C-Lekktor’s performances haven’t softened with time. “My mind is full of rage and energy,” he says. “What you see is my inner me.” He becomes someone else on stage—unleashed, possessed, and electrified.
And while the project has developed a visual identity over the years, it was never a calculated move. “It happened accidentally,” he explains. “What matters is the message from my music.” Still, visuals have become part of the experience, reinforcing the emotion behind the noise, even as the band now shrouds their faces in anonymity.
🧠 From the Void, Always Searching
Despite the aggressive aura, C-Lekktor is anything but static. He’s a relentless consumer of sound—always looking for new music, not just in dark electro, but from any genre that might spark something. This constant hunger bleeds into his modern work. He refuses to repeat himself. He doesn’t idolize his past. He keeps moving.
C-Lekktor is not interested in nostalgia. He’s not trying to bring back the glory days. He’s building the new war machine—track by track, scream by scream.
🎧 Listen Now:
New World Disorder (Bonus Edition) on Alfa Matrix
Previous Releases on Bandcamp
“Animals” – Official Video
“Radioakktivity” – Official Video
“War” – Official Video
🔗 Deep Dive into the Universe of C-Lekktor
- Bandcamp – YouTube – Facebook – Alfa Matrix
Inside Dead Posey: The Unfiltered Story of Rebellion, Resilience, and Rock’s Dark Heart
Origins & Evolution
The spark that ignited Dead Posey was a shared love for rock’s dark heart. Danyell, then immersed in acting and modeling, found her calling one night in Tony’s studio. Already a seasoned musician with Eve 6 and a producer in his own right, Tony witnessed Danyell’s raw talent as she sang Nirvana’s “Come As You Are.” “A newfound passion was unlocked in me,” she recalls, “I knew from that moment in my bones that this is what I was meant to do in life.” They hit the ground running, writing songs that would soon define their unique sound.
Their early “Freak Show EP” era, what they now call Dead Posey 1.0, was a significant milestone, landing them publishing and record deals, along with crucial sync placements. At the time, they believed they had found their sound—a bluesy, garage-rock feel. However, the road ahead held more evolution. As they played live more often, their sound matured, growing harder and more aggressive, embracing darker, synthier rock with heavy guitars. This transformation led to Dead Posey 2.0, where they truly found their stride, blending their favorite influences into a cohesive, powerful force. Playing new songs live before release became a vital part of this evolution, injecting a new level of energy into their recordings.
Early tracks like “Don’t Stop the Devil” became unexpected launching pads, propelling their music into TV and film. These placements were a crucial early boost, providing funding for gear, tours, and merch. “It’s funny looking back, though,” Danyell muses, “our sound has changed so much since then, and we thought that time was the peak. But in reality, it was just the beginning.” This early success taught them a valuable lesson: constant growth and adaptation are essential to building a solid, sustainable foundation in an ever-changing industry.
Their sound is a potent cocktail of influences, a blend of Marilyn Manson, Garbage, Hole, Nine Inch Nails, Nirvana, and Depeche Mode. They gravitate toward anything with dark energy, industrial textures, raw emotion, classic melodies, and a guitar thrust. It’s an intuitive process, a musical blender where everything goes in, and something uniquely Dead Posey emerges. The Freak Show EP, their debut, remains a special marker of their journey, an “innocent but still polished” snapshot of their early days, even as they’ve creatively moved far beyond it.
Breaking into the competitive music industry as a DIY band presented immense challenges, and they’re still pushing boundaries a decade later. They’ve learned not to rely on fickle industry support, choosing instead to focus on what they can control: creating music they’re passionate about and fostering genuine connections with fans through social media and live shows. Their mantra: “Fluff doesn’t create a sustainable career; it’s the hard work you put in every day when no one’s watching that truly makes a difference.” Looking back, their advice to their younger selves would be blunt: “Buckle up – this journey is a long, winding road! The blood, sweat, and tears it will take are beyond imagination so be ready.” They’ve been knocked down countless times, but their unwavering love for creating music, performing live, and connecting with their fans always pulls them back up.
A palpable fire ignites Dead Posey’s latest releases. Their current sound is fueled by rebellion, survival, and self-liberation, a visceral response to the chaos of the world. They’re relentlessly pushing through darkness—mentally, emotionally, and sonically—emerging stronger with every note. Uninterested in trends, they channel years of frustration, power, and resilience into music that is unapologetically their own, designed to endure.
Current Energy & Headspace
While their sound has evolved, their core songwriting and production process remains collaborative. Danyell brings thematic and lyrical vision, while Tony, a versatile musician, masterfully pulls everything into a cohesive, impactful whole. They’ve always been hands-on, writing and producing every element themselves. A significant recent shift involves road-testing new songs live before finalizing them, allowing them to gauge audience connection and infuse recordings with live energy.
Beyond the music, Dead Posey cultivates an iconic visual aesthetic, an extension of their sound. Every release is an opportunity to expand the Dead Posey universe, telling stories through artwork, photos, and stage attire. They draw inspiration from gritty rock ‘n’ roll, vintage flair, dark surrealism, and classic and modern horror, letting the visuals organically rise from the music itself.
Maintaining creative chemistry amidst constant demands requires discipline. They strive to shut out distractions in the studio, finding inspiration in their creative space. Their shared investment in every aspect of the band keeps them grounded and hungry. It’s a delicate balance of trust, taking necessary breaks, and open communication. Their driving force: “The energy we put into the band is what will keep it thriving.”
In an industry where mental health is paramount, they prioritize staying grounded by focusing on what they can control, often breaking it down into week-by-week chunks. They’ve learned not to chase external validation, instead centering on creating music they love and connecting with their fans. Setting boundaries with industry interactions has become crucial for protecting their energy and mental space. Self-care, even in small ways, is essential for navigating the chaos. This past year, they’ve embraced resilience, learning that growth flourishes in discomfort and uncertainty, leading to greater confidence and personal evolution. Their proudest moments of 2024 include releasing their debut album, Are You In A Cult?, headlining shows in the UK, and playing for their biggest crowd yet at Spain’s Rockland festival.
What Lies Ahead
With their debut full-length album, Are You In A Cult?, recently released, Dead Posey is taking time to let it resonate, focusing on touring and bringing their sonic world to as many fans as possible. While always writing, they’re not rushing into another album, instead considering collabs or special versions of existing songs for later in the year. Their dream collaborations span legends like Lady Gaga, Marilyn Manson, Nine Inch Nails, Depeche Mode, or Garbage, recognizing these artists’ profound influence on Dead Posey’s DNA, but they’re equally open to teaming up with rising acts who share their vibe.
Dead Posey remains a core duo, bringing in talented live musicians for their shows. Their vision and songwriting will always stem from the two of them. Their ultimate goal is to become a headlining act, capable of easily touring small to medium clubs, and from there, building to bucket-list aspirations like headlining festivals and becoming a household name. They’re not waiting for opportunities; they’re building their own solid foundation.
They constantly push boundaries in their sound and performance, aiming for an immersive live experience that transcends mere song delivery, engaging audiences on a deeper level with visuals and raw energy. They refuse to stay stagnant, always striving to surprise themselves and their fans. In a rock, alt, and industrial landscape that often blurs genre lines, Dead Posey stands apart with their raw energy and authenticity, in it for the long haul to build their own path.
Ultimately, Dead Posey hopes to leave a lasting mark by demonstrating that success and a loyal fanbase can be found outside “the club,” even in a constantly shifting social media landscape. They aspire to inspire other artists to trust their instincts and remain true to their vision, even when external pressures push in different directions.
Catch Dead Posey headlining and get your VIP tickets for THE DAMNED & THE DEAD tour this June:
https://www.deadposey.com/tour
Sonic Assault Incoming: Dead Posey on Evol Radio 05.31.25
This Sunday, May 31st, prepare for a full-on assault of mechanical, raw, and unapologetic sound as we bring you an in-depth look into the world of Dead Posey!
Join us as we dive deep into their origin story, how they forged their signature sound, and the challenges they’ve overcome to become the undeniable force they are today. From their early breakthroughs with tracks like “Don’t Stop the Devil” to the potent fire behind their latest album, Are You In A Cult?, you’ll hear the raw, unvarnished truth of their journey.
Discover their creative process, their fight for authenticity in a fickle industry, and what it truly takes to push boundaries and build a lasting legacy. If you crave music that’s rebellious, empowering, and unapologetically real, you don’t want to miss this!
Tune in to evolradio.com this Sunday, May 31st to immerse yourself in the Dead Posey universe.
Protokoll 19: Engineering Sonic Chaos
The air crackled with a raw, mechanical energy, the kind that felt less like music and more like a sonic siege. This was Protokoll 19. From the depths of their creative forge, Jayson and Travis, the architects of this auditory onslaught, revealed the spark that ignited their intensely unique project.
“We were both serving time in another band,” Jayson began, his voice carrying a hint of the same unvarnished power present in their music, “but we were hungry for something more. I was tethered to the keyboards, but a vocal storm was brewing inside me. Travis, a drummer by trade, harbored a secret desire to manipulate the sonic landscape from behind the keys. We found each other in that shared yearning, no grand design, just a primal urge to create something that truly resonated with our inner chaos.”
Travis picked up the thread, his perspective adding another layer to their origin story. “It actually began with ghosts of projects past—rejected tracks that I couldn’t let die. Years they lay dormant, until the moment I knew I needed a voice to breathe life into them. I was determined to step out from behind the drum kit, to become the producer, the keyboardist shaping the sound. Even while contributing to another project, these discarded tracks held a different, darker energy. When Jayson and I connected, it was that shared ambition, that desire to break free from our assigned roles, that truly set things in motion.”
The name Protokoll 19 itself carried a weight, a cryptic resonance that hinted at something beyond mere sonic aggression. “I always wanted the name to have roots, something tangible,” Travis explained, leaning forward slightly. “The idea first took hold in 2019, the same year the first whispers of COVID-19 began to circulate. ‘Protokoll’ felt like the collision of a viral outbreak with the shadowy undertones of a population control conspiracy. And ’19’ became a marker—the year of inception, and a nod to the virus that would soon grip the world.”
That dystopian undercurrent in their music wasn’t accidental; it was a direct reflection of the turbulent reality surrounding their genesis. “Protokoll 19 was born in 2020, during the suffocating grip of the pandemic,” Jayson stated, the memory still palpable. “Isolation became our crucible. With live performance silenced, all we had was the music, a pressure valve to release the pent-up anxieties. And honestly, the subsequent rollercoaster of life, the inevitable descents, they continue to fuel the creative fire.”
For Travis, the music served an even deeper, more personal purpose. “It’s my sanctuary, my way of navigating the complexities of ADHD, anger, and depression that have been lifelong companions. Composing is a focusing lens, a way to channel the chaos into something tangible, something that brings a strange sense of calm.”
When asked to pinpoint a definitive release, Jayson considered their relatively short but impactful discography. “Given we’re still a young entity, beyond our initial demo and a couple of standalone tracks, our ‘Mental Decay’ EP stands out. It was the distillation of our early explorations, the strongest seven tracks culled from a larger body of work.”
Their sonic DNA, while fiercely individual, bore the imprint of artists who had carved similar paths of intense sonic exploration. “We both cut our teeth on nu-metal before being consumed by the raw power of industrial,” Jayson revealed. “Suicide Commando, Combichrist, Crossbreed—their sheer energy, both on record and live, was a massive inspiration.”
“Absolutely,” Travis chimed in, a grin in his voice. “That shared passion for sonic intensity is a core part of our connection. And speaking of ‘Pure Energy,’ nice one, Jayson! Ha!”
Delving into their creative process, the dichotomy of their roles became clear. “Travis is the meticulous architect of sound,” Jayson explained. “He can be ruthless, deleting entire tracks if they don’t meet his exacting standards. But once a sonic foundation is laid, it comes to me. If a particular emotion is stirring, the lyrics begin to form. Otherwise, the track waits for its lyrical counterpart. Then, we sculpt the structure, molding it to the narrative, refining the edges until it feels complete.”
“I probably will never live down the track deletions,” Travis chuckled. “But it comes from a desire to present the absolute best, not just for Jayson to work with, but for our listeners to experience. Think of it like using a tool that’s just okay versus one that’s flawless. I want the tracks to feel effortless, enjoyable for Jayson to inhabit.”
Finally, the question of their sonic palette arose. “Everything you hear, save for Jayson’s visceral vocals, is born in the digital realm,” Travis stated definitively. “Analog synths haven’t been part of my setup for years, a shift largely dictated by living situations. Now, everything resides within the computer. No need to worry about space, breakdowns—it’s a self-contained universe.”
And in that digital universe, Protokoll 19 continued to forge their uncompromising sound, a mechanical, raw, and unapologetic assault on the senses, born from shared ambition, pandemic isolation, and the potent alchemy of two distinct creative forces.
Inside the Mind of Synapsyche: From Basement Beats to Digital Dystopias
In 2008, a spark ignited in the unlikeliest of places: the cramped cabin of a car in Italy. Marco, already a seasoned vocalist, shared some old-school EBM—possibly Hocico—with his bandmate and bassist Stefano. That moment of discovery hit hard. Stefano fell headfirst into the world of electronic music, determined to master its intricacies. A couple of years later, he sent Marco a rough demo track and asked for some aggressive vocals. The result? A creative bond that would become Synapsyche.
The two began meeting almost nightly, sharing beers and ideas, their connection tightening with every session. Their creative rhythm developed organically. At first, they shrouded their identities and faces in mystery, constructing a conceptual world brick by brick—naming the band, penning lyrics, crafting their first demos. By 2012, they had a full-length album nearly complete and were just waiting for the right moment to strike.
What set them apart was a shared telepathy. They never fought about direction or style. One of the rare turning points came when Marco suggested blending clean vocals into their sound. Coincidentally, Stefano had been leaning into futurepop influences—proof their musical instincts were eerily aligned.
Looking back on their early work brings a smile. There was rawness, an almost innocent sonic violence, and a heavy-handed use of vocal filters. Yet that unrefined edge had charm, even pride. Like many artists, their evolving tastes and growing experience sharpened their ability to craft bolder vocal lines and higher-quality production.
But building a dark-electro identity in Italy came with its own shadows. The scene barely existed. While Germany and the U.S. had thriving support systems, Italy offered little. With scarce club support and limited media coverage, Synapsyche paradoxically found themselves among the country’s top-tier dark-electro acts—largely by default. Bands like Alien Vampires fled to London, a move Marco suspects gave them a better shot at survival. Staying in Italy, on the other hand, meant struggling to spread their wings.
Today, their creative process runs like a well-oiled machine. Stefano composes the foundations—melodies, synths, sonic bones—while Marco crafts lyrics and overarching themes. Once a track is ready, Marco finalizes vocals, records in Stefano’s studio, and together they polish it into its final form. That synergy remains unbroken.
Despite a more polished sound in their latest material, Synapsyche hasn’t lost their bite. Their inspirations stretch far beyond the industrial box—metal acts like Nightwish and Cradle of Filth, pop titans like Lady Gaga, and even classical composers like Bach and Beethoven. Movie soundtracks and dialogue often creep into their work, with samples dropped in like twisted Easter eggs.
The lyrical chaos Marco pens isn’t always his own—it’s often a psychological patchwork stitched from research and character immersion. He creates personas, explores pathology and morality, and writes with layered meaning, inviting interpretation. If a fan sees something in the words that even he didn’t intend, it’s a sign he’s struck gold.
Live shows, though rare in Italy’s skeletal scene, are electric when they happen. Their pre-show ritual? A couple of strong cocktails to loosen nerves. Stefano stays sharp on the keys, while Marco leans into a tipsy edge that amplifies the emotional charge of each performance.
Surprises continue to define their journey. One standout moment came when a Russian fan shared that Synapsyche’s music helped him endure life on the front lines. Another surreal milestone: collaborating with Chris Harms of Lord of the Lost on their track “The Last Dying Flame”—a dream come true for two artists who revere his voice.
The future of Synapsyche is already unfolding. With the single “Deafness” now out—the first chapter of a conceptual trilogy called The Miscommunication—Marco is already crafting the next narrative, one that promises harsher sonics and deeper exploration. Though tight-lipped on the full concept, he hints it will reflect society’s collapsing dialogue.
Dream collaborations still float on their horizon: Till Lindemann of Rammstein and Dave Gahan of Depeche Mode. The idea of mixing their low, commanding voices with Marco’s higher register is a tantalizing thought.
As technology reshapes music, Synapsyche embraces the digital wave. Always experimenting with new sounds, effects, and production techniques, they remain adaptable—even if adulthood outside the band makes it harder to keep pace. But in a world driven by progress, their genre gives them a unique advantage.
Looking ahead to 2025, the trio of Miscommunication singles will set the tone, with videos accompanying each release. Beyond that, they’ll plunge into the writing of their fifth full-length album—no details yet, but world domination is always a quiet goal, even if the cost of touring makes it a challenge.
Ultimately, Synapsyche doesn’t aim to reinvent the wheel—they aim to leave a fingerprint on it. If someone, somewhere, remembers their music as a lifeline, a catharsis, or simply as art that resonated, they’ve done their job. Marco puts it best: “To make art is nothing but to create something from nothing that conveys emotions to others… Long live Synapsyche!”
Deep Dive into the Universe of Synapsyche:
Synapsyche Unleashed: Italian Dark Electro Duo Dives Deep with EVOL RADIO
Prepare your neural pathways for full overload — Italian industrial duo Synapsyche brings their unfiltered energy, brutal honesty, and electronic chaos to EVOL Radio in a brand-new exclusive interview premiering April 20, 2025 on EvolRadio.com.
From the project’s raw beginnings to its genre-fusing evolution under the Alfa Matrix label, the interview explores Synapsyche’s unique soundscape—where aggrotech aggression collides with synthpop hooks and dystopian visions.
Marco Mantovani and Luca Sassi take us on a mind-bending journey across the past, present, and future of their musical and personal lives—diving into songwriting mechanics, lyrical psychology, cyberpunk philosophy, and what’s next for the duo as they push boundaries in both studio and stage realms.
This feature delivers:
- Exclusive insights into their newest work
- A breakdown of their creative rituals
- Thoughts on the ever-mutating dark music scene
- Techno-dystopian dreams and legacy talk
💀 “This is more than an interview — it’s a direct neural download from one of the most dangerous minds in modern industrial.” — DJ Darkside, EVOL Radio
The full feature will be available in text format only, with embedded tracks and direct links to Synapsyche’s digital domains.
🩸 Through Shadows and Scars: A Conversation with Kristof of Dawn of Ashes
From the scorched ruins of aggrotech to the grim grandeur of industrial black metal, Dawn of Ashes has been a relentless force—both terrifying and transformative. Frontman Kristof Bathory is no stranger to trauma, chaos, and creative possession. In this exclusive EVOL Radio interview, he takes us through his past scars, current descent, and future nightmares.
☠️ Born from Isolation and Infernos
Before the sonic abyss that is Dawn of Ashes took shape, Kristof was caught in the all-too-familiar struggle of mismatched bandmates and misaligned visions. Tired of waiting for others to match his hunger, he forged his own path—a solo project carved in darkness and named accordingly.
“I played in various bands before forming Dawn of Ashes, but I often struggled to find musicians who shared my passion. Eventually, I took matters into my own hands and created a solo project—Dawn of Ashes.”
While early releases leaned heavily into aggrotech and EBM, Kristof always had a darker, more metallic beast in mind.
“From the start, my vision was to create an Industrial Black Metal project. After two albums, I missed the organic chaos of live instruments and began fusing extreme metal into the mix. That fusion became our true identity.”
The project truly solidified with Scars of the Broken, a release Kristof considers the moment DOA came into full bloom.
“That album showed the true maturity of the DOA sound.”
As for horror? It’s not just an influence—it’s the marrow of his creativity. But forget slasher films or jump scares. Kristof mines terror from within.
“I delved into the horrors of my own traumas and deep emotions. It scarred me, but it also gave birth to something beautiful.”
Even in the early days, Dawn of Ashes never shied away from controversy or disturbing visuals. That approach, however, has since evolved.
“Some of the early shock value was juvenile. Now, everything I create—visually or musically—must carry meaning. True horror is intelligent and layered.”
🔥 Present-Day Descent
With each new album, Dawn of Ashes goes deeper into psychological darkness. Kristof says the Scars Trilogy—Scars of the Broken, Reopening the Scars, and Infecting the Scars—is a raw exploration of the human mind’s most grotesque corridors.
“It’s all psychological. Each record explores different mental states and the horrors of the mind.”
Writing has become both an invocation and an exorcism. But unlike the earlier days of creative warfare, Kristof now finds a strange peace in ambient music—saving DOA for when he truly needs to summon something vile.
“Delving into darkness has become more difficult as I’ve gotten older. Sometimes you want the war to end. Ambient music gives me catharsis. Dawn of Ashes is for chaos.”
His songwriting process varies—sometimes channeled like a film director, other times like a general commanding sonic mayhem. But ultimately, it all comes down to emotion.
“It depends on the album’s concept. Everything begins with emotion—it guides the creative rituals.”
DOA’s live shows remain a feast of horror and theatricality, though the definition of horror has matured along with the sound.
“We’ve redefined horror to reflect the vile corners of the human psyche. The stage becomes a mirror for that.”
Though collaboration isn’t a frequent indulgence, Kristof draws inspiration from the dark ambient scene.
“I mainly find influence in ambient artists these days.”
As for the state of industrial music?
“I’m selective about the industrial I listen to. I still connect with older artists I’ve always loved. I’m not really up-to-date with the current scene.”
🔮 Into the Future: Daemons and Discipline
The future of Dawn of Ashes won’t be random destruction—it’ll be structured chaos. Kristof plans to harness the decay, turning inner ruin into something powerful and deliberate.
“I believe in creating with structure and strength. Chaos can be tamed and used. My live shows are a way to express and protect that inner decay.”
When asked if he could summon any entity to join a DOA track, Kristof’s answer was chillingly poetic.
“I summon a daemon with every album I create. Each one is different, shaped by the emotional state of the record.”
And the message to those brave enough to enter Dawn of Ashes’ twisted dimension?
“Be aware of true horror—your internal conflicts can be far more grotesque than anything external. The mind reveals nightmares far beyond superficial shock.”
💀 Deep Dive into the Universe of Dawn of Ashes:
Unter Null Reawakens: From Ashes and Isolation to Sonic Resurrection with Hollow 💀
Back in the early 2000s, the industrial scene was on fire—chaotic, raw, and unapologetically loud. It was in that searing crucible that Unter Null was forged, the brainchild of an artist straddling classical music training and a deep fascination with sonic destruction. Raised on piano, cello, and choir, she’d been composing her own pieces since childhood. But it was the visceral aggression of powernoise and industrial that gripped her soul. The controlled chaos was intoxicating, a vehicle to exorcise emotions that polite concert halls could never contain.
Armed with Cubase and a Yamaha CS2X, she began sculpting the project that would become Unter Null—a collision of elegance and entropy, beauty and brutality.
The name itself—Unter Null, German for “below zero”—emerged as a tongue-in-cheek jab at her own self-esteem. A way to wear vulnerability like armor. “I struggled a lot growing up,” she admits. “It wasn’t some profound branding decision. It was just honest.” But over time, that phrase became more than a label; it became a mantra for transmutation—of pain into power, of failure into fuel.
Albums like The Failure Epiphany and Moving On are brutal emotional snapshots, soaked in the toxic residue of broken relationships and internalized shame. “I didn’t have a grasp on boundaries back then,” she reflects. The Failure Epiphany captured that spiral of self-doubt. But Moving On marked a shift—an album born of personal reckoning and emotional liberation. That record was nearly lost in a studio fire, and only the salvaged hard drives kept it from being incinerated. “That near-loss felt symbolic,” she says. “It mirrored the themes of survival woven through the music.”
While Unter Null remained her aggressive outlet, a new project emerged when a quieter pain needed expression. That project—Stray—was born during a particularly dark period. “The first song I wrote, ‘Does It Really Matter?,’ just didn’t fit with Unter Null,” she says. “It came from a place of vulnerability and empathy rather than rage.” Stray became the space for her softer introspections, standing in contrast to Unter Null’s sonic fury.
Through it all, music remained her emotional life raft. “I’ve never been great at expressing myself any other way,” she says. “Writing has always been instinctive—like a direct channel.” But she’s quick to acknowledge that even music can’t do all the heavy lifting. “It’s not a substitute for taking care of your mental health. You have to consciously work on that too.”
🎶 Listen Now:
After a period of creative dormancy, the embers were reignited through a long-overdue collaboration. Enter Hollow—a joint effort with Frontal Boundary that resurrected something vital in her. “It felt like we had just hit ‘pause’ and pressed ‘play’ again,” she says of reuniting with Brendin Ross, Krz Souls, and Jaysen Craves. Their synergy was electric, natural, and deeply satisfying. “It reminded me how essential it is to have inspiring, creative people in your circle.”
The track Hollow is a lyrical deep-dive into the psyche of damaged individuals unaware of their own brokenness. “Krz and I wrote it together. It’s about how unhealed trauma can ripple out and wound others,” she explains. Sonically, it blends weight and melody, aggression and emotion—a hallmark of both projects. “That contrast is what makes it work.”
Though she’s returned to the scene, she admits the landscape has changed dramatically. “When I first started, everything was different—especially the connection with fans,” she says. “Social media has reshaped everything.” But through that evolution, she’s found a deeper appreciation for her long-time supporters. “Seeing their excitement about my return has been so moving. I do this for them.”
The experience of releasing music in 2025 is far removed from the gritty underground scene she came up in. “There’s more competition now, but that’s not a bad thing,” she insists. “More people creating music means more voices being heard.” Even the sense of community has shifted. “It doesn’t feel so cutthroat anymore. Artists are lifting each other up, and it’s refreshing.”
With Hollow generating buzz, fans are already eager for more. A special SoCal show on May 26th with SITD will feature both Unter Null and Frontal Boundary, including a live performance of Hollow and a preview of new Unter Null material.
She’s also gearing up to release a brand-new single, Coming Up To Breathe, via Alfa Matrix Records on April 4th. “Unter Null is back in full swing,” she confirms. “Stray will follow, but I try to keep the two separate so they each get the space they deserve.”
Creatively, she’s steering Unter Null in a new direction—one marked by self-empowerment rather than self-destruction. “There’s still darkness, but now it’s about resilience and growth,” she says. Collaborations are fueling that shift, with upcoming projects involving Dawn of Ashes and remix work with Funker Vogt. “It’s exciting to see how each artist brings something unique to the table.”
And what does she want fans to take from all of it?
“I’m back. The sound might be different, more refined—but the core is still there,” she says. “Don’t ever let anyone take away your autonomy or make you feel like you’re not good enough. Stay true to yourself. Always.”
Deep Dive into the Universe of Unter Null:
💀 LIVE TRANSMISSION INCOMING: UNTER NULL INTERVIEW 💀
🗓 03.30.25 | 🕖 7PM EST | 🌐 EVOLRadio.com
Brace yourself for a descent into digital decay and emotional warfare. UNTER NULL, the infamous aggrotech/industrial force forged in fire and feedback, joins EVOL Radio for a live interview that cuts deep into the circuitry of creation, collapse, and rebirth. 🖤
🎙️ From raw sonic brutality to the quiet spaces between chaos, Erica Dunham opens up about the return of Unter Null, the future of harsh electronics, and the ghosts that still whisper behind the beats.
🧬 Expect revelations. Expect distortion. Expect nothing soft.
🔗 Follow @EVOLRadioLIVE for countdowns, teasers, and darkwave drops.
🖤💣 Plug in. Power up. Let go.
SINthetik Messiah: Glitching the System with Industrial Code and Audio Assault
In the shadows of genre and expectation, SINthetik Messiah emerges like a signal from a corrupted frequency—an industrial renegade with a sound that defies boundaries. Bug Gigabyte, the mind behind the machine, doesn’t just make music—he sculpts high-definition noise into immersive sonic experiences. Describing the project is like trying to map a fever dream. It’s equal parts distorted beauty, emotional vulnerability, and cybernetic grit. Whether you find yourself spiraling through one of his ambient soundscapes or caught in the chaos of a drum & bass break, there’s a feeling that every track is alive—shifting, evolving, and never quite the same.
This sonic shapeshifter doesn’t organize his music by time, but by vibe. On his Bandcamp, styles flow like waves—from the latest release downward into a crescendo of genres. Each body of work builds on the last, like levels in a dystopian tower constructed from metal, emotion, and memory.
Raised on a musical diet of Nine Inch Nails, The Prodigy, and the smoky, compressed soul of Portishead, Bug’s early tastes paved a road into the depths of industrial and electronic experimentation. His journey began in middle school band class, with a trumpet in hand, and was further fueled by the underground rave scene where he cut his teeth at fifteen. Music wasn’t a sudden revelation—it was a slow burn into obsession.
Emotion fuels everything. His songs are stormy vessels, translating invisible feelings into tangible frequencies. Every track starts with a purpose—guided by BPMs drawn from DJ culture, then layered with mood, rhythm, and vision. After crafting the skeleton of a song, he always steps back, recharges, then returns to inject life into the sound. This meticulous process is the reason there are multiple albums—and even a book—on the horizon.
Distortion is the heartbeat of SINthetik Messiah. Whether subtle or savage, every track is soaked in it. Gear doesn’t define the project—creativity does. Bug has used everything from professional DAWs to Nintendo DS consoles. One standout release, Revelations of the Nintendo Generation, was crafted entirely with a DS and stands as a badge of fearless ingenuity. His production philosophy? “Any machine can make industrial music if you smash it hard enough.”
Film, television, and video games feed his imagination. Sci-fi, cyberpunk, horror—all of it bleeds into the thematic DNA of his sound. It’s not just music—it’s a world unto itself. The Vatican might be a spacefaring empire in his conceptual universe, but that’s just the surface. His critique of religion is nuanced, never gimmicky. He rejects the tired goth tropes of shock-value imagery and instead focuses on authentic storytelling through music and visual art.
Live shows are as unpredictable as the man himself. His sets shift depending on the venue and lineup—metal shows get guitar-heavy chaos, while electronic crowds get dancefloor-ready beats. No two performances are the same. And if he doesn’t play your favorite song? That’s okay. Catch him next time. He promises it’ll be different.
What keeps him going isn’t accolades or praise from childhood idols—it’s the real, raw messages from fans who say his music made them feel seen, heard, healed. That impact means more than anything else. “Sad boy vibes” aside, Bug’s sense of humor and humility keep his connection to fans deeply grounded.
He’s collaborated across the scene, from remix artists to professional engineers who elevate his mixes into sonic clarity. These collaborations are creative therapy, and they offer brief escapes from long-term projects. Right now, two new albums are in progress: one instrumental, blending industrial with trip-hop, and another slower, vocal-driven work steeped in old-school electro. He’s even attaching a book to one of them. Grammy dreams? Absolutely. One track is already headed for submission, and 2025 might just be the year the world takes notice.
As for the future, touring internationally is the dream. Once the world settles down, SINthetik Messiah plans to take his universe global—two tours per year across continents, bringing his growing discography to life onstage.
Until then, he remains in the lab—creating, distorting, and waiting for the next wave of noise to rise.
Deep Dive into the Universe of SINthetik Messiah
🔥 Synthetik Messiah Interview Drops 03.23.25 – Industrial Mayhem Awaits! 💀
🗓 Mark your calendars! On March 23, 2025, Evol Radio LIVE cracks open the dark digital core of industrial music with a brand-new exclusive interview featuring the one and only SYNTHETIK MESSIAH – the boundary-smashing, noise-wielding sonic architect known for torching the lines between experimental electronic, industrial, and breakcore.
🎤 In this explosive and unfiltered sit-down, DJ Darkside dives into the twisted tech, glitchy influences, and apocalyptic vision behind Synthetik Messiah’s sound. From the underground Louisiana roots to international recognition, nothing is off limits in this intense conversation.
💣 Expect:
- Behind-the-scenes insight on new tracks
- Gear talk and production secrets
- His take on the current industrial scene
- Raw thoughts on staying independent and dangerous
🔊 Whether you’re a rivethead, cyberpunk, or noise addict, this is mandatory listening. Synthetik Messiah doesn’t hold back — and neither do we.
🕛 Premiering exclusively via EvolRadio.net and on all socials.
💀 Deep Dive into the Universe of Synthetik Messiah
🌐 Official Website
📷 Instagram
📘 Facebook
🐦 Twitter/X
🎶 Bandcamp
🎧 Spotify
Izzy Reign: Defying Doubt, Embracing Chaos, and Building a Movement Through Music
Izzy Reign’s journey into music wasn’t born out of convention or industry expectations—it was a calling, a necessary act of self-expression that almost never happened. The first spark ignited when she saw Enter Shikari’s music video for “Sorry You’re Not a Winner,” a moment that set her on the path to forming a band and stepping onto a stage. But becoming the artist she is today? That came much later, through a different kind of battle—one fought in therapy rooms between 2023 and 2024. It was there she learned to strip away the fear, to embrace the discomfort of true creative freedom. No more molding herself to fit industry standards. No more second-guessing what she was “supposed” to do. She was finally able to create exactly what she needed to, no matter how different or unconventional it seemed.
Her influences are just as unexpected. While many would assume her sound is shaped solely by metal, her creative DNA includes Imogen Heap’s atmospheric innovation, the pulsing energy of Eiffel 65 and late ‘90s techno, and the bold genre-defying presence of Missy Elliott. They all left their mark, weaving together into the raw, emotionally charged music she now brings to life in metal.
Doubt has never been a stranger. It lingers in the background every day, whispering reasons to stop, to hesitate. But Izzy has learned to ignore it. “Do it anyway,” she tells herself. Life is temporary, and there’s no sense in holding back. The music industry didn’t erase her insecurities, but it did teach her to keep pushing forward, to grow both in her craft and within the ever-expanding community that now defines her.
Her latest work isn’t just about sound—it’s a message. A reminder that no one is alone. That mental health matters. That empathy is everything. Life’s struggles don’t have to mean the end, and it’s okay to not be okay. But finding a way to navigate those struggles, to seek help, is just as vital.
Staying true to her artistic vision means ignoring the idea of balance entirely. There is no calculated strategy to meet expectations or industry trends. Izzy writes from experience, crafting songs that reflect her own life in ways others can relate to. Connection is the only goal, the only expectation.
Collaboration is on the horizon, but so far, her journey has been a largely solo endeavor. That’s changing soon, and she’s ready to dive into creative partnerships that push boundaries even further. Signing with FiXT has already proven to be a turning point—not just for the opportunities it brings but for the community it offers. That, above all else, has been the most exciting part of the partnership.
When she’s not creating, Izzy finds solace in streaming on Twitch three times a week, connecting with fans in real time. She’s also a self-proclaimed nature addict, happiest when surrounded by trees, camping under the stars, or adding yet another plant to her already overgrown collection.
Despite her fearless stage presence, every performance is a battle against anxiety. The fear never fades. The nerves never go away. But that doesn’t stop her. She does it anyway. Forces herself onto the stage, into the moment—and once she’s there, she loves it.
The future is a blur of controlled chaos. There are no limits, no neat genre boxes. Fans can expect even more unexpected twists in her upcoming projects—more boundary-pushing, more unpredictability. Five years from now, she doesn’t just see a career. She sees a massive, thriving community. Not just fans, but people who uplift and inspire each other, who recognize their own worth. Music is just the vehicle. The mission is so much bigger.
As the industry shifts with the rise of AI and evolving technology, Izzy remains unfazed. Creativity has always thrived on tools, whether they’re instruments, production techniques, or even artificial intelligence. As long as the heart of music remains intact, innovation will never be a threat.
Beyond music, her ultimate goal is simple but profound: to make people feel seen. To remind them they are loved. And whether that’s through a song, a message, or simply existing as herself, she plans to do exactly that—for as long as she has breath.
Deep Dive into the Universe of Izzy Reign
Unmasking the Enigma: A Journey from Shadows to Sonic Revolution
In the heart of the music scene, there exists a force beyond mere melody and rhythm.
Cultus Black, a name whispered in awe, transcends the ordinary confines of a band. They are a collective, a movement, where fans, collaborators, and artisans unite under a cloak of anonymity, allowing their art to resound with primal, unfiltered truth.
For the enigmatic figures behind Cultus Black, music was not merely a passion but a lifeline amidst the tumultuous currents of adolescence. In the shadows of societal misunderstanding, the likes of Nine Inch Nails and Marilyn Manson became beacons of empowerment, guiding this solitary soul towards a destiny woven in sonic rebellion. It was in the electric fervor of Nine Inch Nails and Slipknot concerts that the flames of purpose were ignited, birthing a relentless desire to sculpt music that pierces the soul.
The naming of Cultus Black was not born of lofty deliberation but rather an instinctual resonance with the essence of their existence. Genre labels pale in comparison to the raw authenticity pulsating within their compositions, drawn from the crucible of personal triumphs and tribulations.
In the sanctum of creation, solitude becomes a sacred refuge, where ambient melodies and the whispered verses of poets serve as muses for the bard of Cultus Black. Yet, amidst the solitude, a revelation struck like lightning in the darkness of high school corridors, revealing the transformative power of music to elevate and unite.
Collaboration, a cornerstone of their creed, heralds a new era of artistic symbiosis, where egos dissolve in service to the greater symphony of creation. Despite dalliances with various projects, Cultus Black remains the lodestar guiding their journey through the tempest of creative expression.
Adversity, a crucible of resilience, forged an unshakable belief in the potency of their artistry, propelling them towards greater heights. Through the eyes of their fans, music becomes a vessel for personal metamorphosis, a testament to the indelible impact of their sonic alchemy.
Though mastery eludes their grasp, the echoes of NIN, Deftones, and Slipknot reverberate within their souls, guiding their hand in the creation of sonic tapestries. Yet, it is the ethereal specter of David Bowie that imbues their artistry with an ineffable allure, a beacon of boundless creativity.
With each lyric, Cultus Black invites listeners on a journey of introspection, weaving a tapestry of emotions that transcend the boundaries of comprehension. Despite the rigors of touring life, the communion with their audience remains an irreplaceable source of solace and fulfillment.
In the crucible of their success, Cultus Black remains steadfast in their commitment to uplift their community, offering guidance and support to burgeoning talents. With eyes set on conquest, their long-term ambition knows no bounds, as they prepare to unveil thrilling collaborations and embark on a transformative tour.
To all who seek enlightenment in the shadows of their soundscapes, Cultus Black beckons. Stay attuned to their cryptic communiques through their enigmatic website, Cultus Black, or embark on a digital odyssey through the labyrinth of cyberspace to uncover their clandestine identity.
Evol Radio Presents:
A Darkside Interview with KMFDM
Evol Radio LIVE Ep 02.14.24
A Darkside Interview with Jamie Cronander of Combichrist
and the NEW Planet Doom Video
Evol Radio LIVE – with DJ Darkside- Music Entertainment and Mental Health News
Episode 01.29.24
Evol Radio LIVE – with DJ Darkside- Music Entertainment and Mental Health News
Episode 01.25.24
Evol Radio LIVE – with DJ Darkside- Music Entertainment and Mental Health News
Episode 01.24.24
Evol Radio LIVE Ep 01.01.24
Original Episode Air Date: 01.01.24 featuring The Browning
Evol Radio Presents:
A Darkside Interview with
Embrace the Sonic Odyssey: Lucia Cifarelli Unveils Musical Alchemy; KMFDM Drops ‘LET GO’ Album Today (01.13.24)!
My name is Lucia Cifarelli. I’m a solo recording artist and the female vocalist/songwriter in the band KMFDM. My most recent solo album “I Am Eye” was released in 2021. KMFDM’s most recent album HYËNA was released in 2022. KMFDM is made up of like-minded artists/musicians promoting ideas surrounding freedom of thought and expression. My solo work allows me to explore deeply personal subject matter related to my life and stories I want to tell.
Watching MTV in its early days had a major impact on me. Being a rockstar looked like the most awesome job on the planet. Almost everything I heard on the radio or watched on MTV was pulling on me in some way, even if I didn’t like the song or style. I wanted to learn how to write songs, sing, and command a stage. Listening to music has always been an escape for me, helping me slip out of the world I was living in.
Regarding the name for my solo project, I started with just my first name, but as more Lucia’s arrived on the scene, I switched to using my full name. It suggests that the music is more personal, with the emphasis on my voice and the stories I’m telling.
I’m inspired by various musical genres, as well as life, film, literature, poetry, and art. It all influences the voicing and textures of music I’m looking to hear and feel. I hope it’s my songwriting and vocal style that set me apart.
My creative process involves what I call ‘the door,’ representing the place I pass through to get to where the magic happens. I see colors, letters, floating puzzle pieces, pictures, movies, and hear notes and melodies. The songs get written here. The door is always there, following me wherever I go.
A significant turning point for me was watching Diamanda Galas perform ‘Plague Mass’ in NYC in the ’90s. The raw feral intensity of her performance shook me to the core. It inspired me to write more from the heart and less about what I thought people wanted to hear.
Collaboration for me involves working with musicians focused more on the music side, highlighting our mutual strengths. Navigating creative differences comes down to clear communication and open-mindedness.
I view my day as a pie, with each piece representing the energy needed for specific tasks. I focus on one project per day to avoid mental saturation. Taking on too many projects creates counterproductive stress.
One of the most challenging hurdles has been making albums with major record labels that were never released. It’s heartbreaking, but if you love what you do, you don’t really have a choice. Resilience is crucial in this business.
Music has the power to bring about change on both a personal and collective level. With KMFDM, we’ve been a catalyst for many people to register to vote. Music is transformative and can move mountains.
My voice is my primary instrument. I played violin when I was younger, but the voice, coming directly from the body, is the most powerful instrument. It contributes to my overall musical expression and style.
It’s not a particular sound but the attitude of certain musicians/artists that has influenced me. Ideas about what it means to be a rockstar, how it looks, and a bigger-than-life presence shape how I do things on stage and in the studio.
There are no intentional hidden messages, but I use a lot of metaphors. I like to use words like an artist uses paint, mixing things up, and playing on words. It’s about looking at something from a different perspective.
The most rewarding aspect is the connection the music forges with people worldwide, who reach out and share what it means to them. Challenges and sacrifices are inevitable, but pursuing a career in music, especially now, offers more access than ever before.
I’ve written a song to raise money for The Conscious Kid and Color Of Change after George Floyd’s murder. I plan to get more involved with charities supporting women and their human right to autonomy over their bodies.
My long-term goal is to keep creating music with KMFDM and on my own, touring internationally, and playing more festivals. Authenticity is more important than trends.
My collaboration with Julian Beeston for his “Featured” project will be released in July. I’m also writing for the new KMFDM album and working on songs for a possible solo album. For updates, you can follow me on Instagram and visit the KMFDM website.
Evolving Sounds: The Browning’s Sonic Alchemy – Unveiling the Fusion of Metal and EDM; A Journey from MySpace to the World Stage”
Evol Radio presents: A Darkside Interview with The Browning
(Original Air Date 01.01.24)
Welcome to Evol Radio, where the beats resonate with a unique fusion of electronic dance music (EDM) and metal, curated by none other than The Browning. If you’ve been following this sonic journey since 2017 or discovered The Browning through the intense sounds of The Browning’s debut on MySpace back in 2005, you’re in for a treat. Strap in as we delve into the mind of The Browning’s creator and unravel the evolution of this dark and dynamic musical force.
The Browning, a solo project initiated in 2005, emerged from the depths of MySpace with a vision to blend the hardest, heaviest elements of electronic dance music with the raw power of metal. The brain behind the beats, our artist, began this sonic venture influenced by DDR, Hatebreed, and a monomer, creating a sound that would later define the genre known as hardstyle dance music. Fast forward to 2010, and The Browning transformed into a full band, signing deals and touring globally.
Exploring the unique intersection of EDM and metal, The Browning set out to distinguish itself from the pack. While electronic music wasn’t a constant in the artist’s daily playlist, specific aspects of EDM caught their ear. The goal was clear: take the best parts of hardstyle, merge them with the finest elements of metal, and forge a sound that stood as a testament to their innovation. The Browning wasn’t just about incorporating synthesizers; it was about crafting an experience, an energy that would captivate audiences globally.
In a musical landscape where genres often dictate fan preferences, The Browning faced the challenge of introducing synthesizers to a metal audience. The struggle to strike a balance between the darkness of metal and the energy of electronic beats led to a continuous evolution in their sound. The synthesis of these seemingly disparate elements became the signature style that defines The Browning today.
The name “The Browning” itself emerged from a creepy road trip scenario, where the artist envisioned a horror movie set on Browning Road. It stuck, perhaps because of its oddity, but over the years, it became a brand that would stand out in the crowded music scene. Despite some reservations about the name, The Browning’s distinctive sound and captivating artwork have solidified its identity.
The journey wasn’t without its challenges. As The Browning ventured into live performances, the need to translate the studio’s intricate electronic sounds to a stage setting became apparent. The live experience became a catalyst for refining the balance between synthesizers and traditional instruments, ensuring that the raw, unbridled energy fans loved about their shows was accurately captured in the studio recordings.
As The Browning continues to evolve, adapting and fine-tuning their sound, the focus remains on delivering an experience that transcends genres. The recent releases, including “End of Existence” and upcoming tracks, reflect a maturation of style—a seamless blend of electronic complexity and metal intensity.
In the realm of The Browning, the creative process is a constant stream of melodies and breakdowns playing in the artist’s mind. Whether inspired while grocery shopping or working overnight shifts, each song begins as a mental composition, a melody, or a breakdown pattern. The intricate layers and attention to detail are evident in the 189-layer files that make up their latest creations.
So, what’s next for The Browning? With a commitment to live up to the expectations of both electronic and metal enthusiasts, the journey continues. As The Browning steps into the future, it’s not just about defying genre norms; it’s about creating a sonic experience that resonates with fans old and new, proving that the evolution of sound knows no boundaries.
Stay tuned to Evol Radio for more from The Browning, a testament to the transformative power of music that transcends the limits of love and light.
Evol Radio LIVE – with DJ Darkside- Music Entertainment and Mental Health News
Episode 01.08.24
Rivalry in the Night
In the heart of Eastern North Carolina, where the neon lights glimmer like promises and the echoes of the 80s still resonate, a twisted harmony of nostalgia and darkness was brewing.
Jason, is a man with a penchant for the night.
Ttransplanted to the city in 1986, andfinding solace in the ethereal tunes of Duran Duran and the haunting beats of Oingo Boingo wove his fascination with the night, where mysteries unfolded in the shadows. The radio waves whispered secrets of the city, leading him down a path where the line between light and dark blurred. His punk roots intertwined with the pulse of electronic music, forming a new rhythm in his soul. It was the night that beckoned him, the night that rivaled the day for his attention.
Chris is the voice behind Night Rivals, han insatiable desire for creation, and found his calling in the wild rush of a live show.
A single song written while in high school revealed the exhilaration of the stage, and he embraced the power it held over his emotions. Drums and dreams became his constant companions, and the urge to make music grew stronger. When their paths converged, a new sound emerged. Their influences, wildly different yet curiously compatible, gave birth to a unique blend of synth, goth, pop, and disco. Night Rivals was born. Unafraid to explore the unknown, they became a rhythmic enigma in the city’s underground music scene. The name Night Rivals emerged from a labyrinth of ideas. The night held the power to rival the day, to stir the passions of those who longed for something more than the ordinary. The duo’s quest to bring the night to life resonated with the audience, and the name captured the essence of their music. But the road to recognition is never easy. They found themselves in a race against time, battling against other bands with the same dreams. The night was their ally, but also their rival, challenging them to stand out in a world cloaked in shadows.
In the dimly lit studio, the creative process unfolded. Jason, untrained but driven, crafted melodies from emotions. Minor scales became his voice, an outlet for his inner darkness. Chris, the restless musician, let the lyrics write themselves as he surrendered to the music’s whims. Their songwriting was not just an artistic endeavor; it was a conduit for their souls. The melodies were catharsis, a release of their deepest desires and fears. Each composition revealed a piece of their essence, haunting and mesmerizing in equal measure. Collaboration was both a gift and a curse. The studio witnessed moments of brilliance when their differences ignited sparks of creativity. But it also bore witness to clashes, where egos clashed like titans. In their pursuit of perfection, they learned that sometimes, it was the absence of a rigid plan that allowed the music to flow. Time constraints and progress markers only stifled their creative spirits. The night gave them the freedom to create without boundaries, where music became a form of therapy.
Music had the power to change the world. It held the ability to unite people, to convey messages that words alone couldn’t. The echoes of charity concerts from their youth still resonated in their memories, reminding them of the collective strength of music. As Night Rivals, they hoped to continue the tradition, to create music that touched hearts and minds. The journey was long and arduous, but they believed that the pioneers of change were out there, finding their voices through the music. Their music embodied the essence of the night, where emotions ran deep, and desires danced in the shadows. As they played their haunting melodies, their audience was transported to a realm where the night was both a friend and a foe. In the city of Chicago, where the neon lights whispered secrets and the night held its breath, Night Rivals left an indelible mark.
The story of Night Rivals was an unfinished symphony, a journey filled with haunting echoes of the night. Their melodies continued to echo through the alleys of the city, drawing in those who longed for the enigmatic embrace of the night. In the end, their music would remain a testament to the power of the night, a tribute to the shadows that hid the mysteries of life. Night Rivals, forever in pursuit of the elusive night, left their mark on the city’s music scene, echoing through time and memory. And so, the night continued to rival the day, as the music of Night Rivals played on, a haunting melody that transcended the boundaries of time and space.
10.28.2023 the album ‘Cinematic’ will be released on physical disc only, featuring various remixed hits of the last year.
The next single, ‘Love Persuasion,’ was released in August. Additionally, we are working on a western US tour for November ’23..
For staying updated and connected, you can find them on Instagram and on Facebook.
Additionally, fans can listen to their music on various streaming platforms such as Apple Music, Spotify, YouTube Music, Tidal, and more.
Ask your prefered digital voice or chat assistant about
” Night Rivals “
or
EvolRadio | EvolRadio.net
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Resistanz Festival: A Decade of Electrifying Music, Diversity, and Unwavering Resilience to Dark/Alt/Dance Culture
In the heart of Sheffield, a city known for its industrial past, Resistanz Festival emerged in 2011, carving a unique space in the music scene. This electronic music extravaganza was the brainchild of a passionate music enthusiast, driven by a deep love for genres like industrial, EBM, futurepop, synthpop, and power noise.
Resistanz Festival’s origins were humble but filled with ambition. It was born from the collaboration between the festival’s visionary and the renowned live music venue, Corporation. This visionary had been a fixture in Sheffield’s music scene for years, hosting club nights, live shows, and DJ sets since 2004. The festival was the natural progression, a dream come true, an opportunity to share a profound love for music with kindred spirits on a grander scale.
The festival’s niche focus on alternative electronic music was a response to the craving for diversity within the music festival landscape. In a world dominated by rock and metal festivals, Resistanz Festival offered something different. It was a celebration of electronic beats, a fusion of styles that spanned the spectrum from industrial grit to synthpop melodies.
Year after year, the festival took over the Corporation venue in Sheffield during the Easter weekend. This choice of location wasn’t arbitrary; it was a deliberate move to craft a unique atmosphere. The venue’s layout was ideal, with a main stage area, bars, an outdoor courtyard for food vendors, and a spacious warehouse for merch stalls. It transformed into one big after-party room as the night unfolded. A smaller second stage hosted fresh talent and DJs, while an upstairs area held untapped potential for future expansion.
But 2020 disrupted the festival’s rhythm. The pandemic struck, forcing a tough decision to reschedule. A year’s worth of meticulous planning and preparation hung in the balance. Resistanz Festival, like many events, faced uncertainty and disappointment. The resilience to reschedule for 2021 was met with another setback. The festival’s future hung in the balance as motivation waned.
However, the unwavering support of the festivalgoers, the passionate community that had grown around Resistanz, rekindled the flame. The decision to push forward to 2022 was a daunting challenge, requiring intense effort in a fraction of the usual time. Yet, against the odds, the festival returned, demonstrating the power of music to overcome adversity.
The lineup curation was a meticulous process. Balancing well-known acts with emerging talent was key. The festival aimed to offer an eclectic experience, drawing attendees with a blend of familiar favorites and new discoveries. Each year, the list of potential acts was refined and narrowed down to achieve this delicate equilibrium.
Resistanz Festival continued to evolve. A second room was introduced, featuring artists from genres like Chiptune, EDM, and Drum and Bass. This expansion opened doors to fresh experiences and brought diversity to the event, enriching the attendees’ musical journey.
Memories from past editions were abundant, but a few performances stood out. Acts like Celldweller, Alice In Videoland, Ultraviolence, Icon Of Coil, Savant, and Godflesh left indelible marks, embodying the festival’s commitment to excellence.
As Resistanz Festival looks to 2024, attendees can anticipate an array of musical diversity. Kanga, Zardonic, and Amelia Arsenic are just a glimpse of the talent gracing the stage. The festival’s legacy lies in its ability to connect artists with new fans, fostering growth and opportunity within the music industry.
Staying true to its roots while embracing change has been the festival’s guiding principle. Resistanz Festival is a testament to the enduring power of music to unite, inspire, and evolve. With each passing year, it forges its path, a beacon for electronic music lovers, and a testament to the resilience of the human spirit in the face of challenges.
To Deep Dive into the Resistanz Festival universe:
Resistanz Festival Website
Resistanz Festival Instagram
Resistanz Festival Venue Info- Corporation
Resistanz Festival Facebook
Crafting Sonic Alchemy: CZARINA’s Mystical Journey through Music and Magic
CZARINA, is more than a musician; she’s a multifaceted artist who paints her sonic and visual landscapes with unmatched creativity. Born in the Philippines and now based in Spain, her music defies easy categorization, blending symphonic dark electro, neo-pagan mysticism, gothic prog rock, darkwave, synthpop, and more. CZARINA’s work is a tapestry woven from animist mysticism, folklore, mythology, metaphysics, and gothic themes, creating a sound and visual experience that transcends genres.
Her journey into music wasn’t a typical one. She began as a young performer and Broadway enthusiast, but her passion later shifted towards dark alternative rock and industrial music. However, she temporarily paused her musical pursuits to build a successful career in fashion, leading her own company. Yet, the relentless ambition and eventual burnout made her realize that something vital was missing – her music. CZARINA made a life-altering decision to reignite her musical path five years ago, drawing from the rich tapestry of life experiences and perspectives she had accumulated.
The name “CZARINA” echoes her past endeavors in building “empires” and her transformative journey towards higher principles and grounded pursuits. It’s a name that carries a sense of regality, much like her shared birthday with the legendary artist Prince.
What sets CZARINA apart is her refusal to fit neatly into any musical box. Her latest record, “Arcana,” defies categorization, blending electronic and organic elements with ancient and modern sounds. Her compositions incorporate intricate rhythms, harmonic layering between orchestral and electronic instruments, and her powerful vocals. CZARINA’s music captivates with its authenticity and complexity, defying easy classification.
Her creative process is deeply influenced by her surroundings. Moving from the bustling New York City to the mystical landscapes of Galicia, Spain, profoundly impacted her sound. The ethereal beauty of the Costa Da Morte, where her house sits by the water, seeped into her music, especially on her album “Arcana.” Her music became a vessel for capturing the magic of her newfound home.
CZARINA’s artistic journey has had its challenges, but she’s learned that success in music doesn’t always follow a predictable path. It’s not a matter of being the best; it’s about finding the right audience and developing a dedicated following. Authenticity doesn’t need to compete; it resonates with those who connect with it.
Beyond her music, CZARINA believes in the metaphysical power of sound. Music is a healer, and she views her favorite artists as magicians and alchemists who know how to harness sound for profound experiences and healing. Frequencies and vibrations can dismantle the walls we build within ourselves and bring about transformation.
CZARINA is not just a vocalist; she’s a multi-instrumentalist, playing the piano/keys, synths, and guitars. Each instrument contributes uniquely to her music, whether it’s the piano as her primary composing tool or the guitar adding a distinct voice to her compositions.
She draws inspiration from artists like Tool, whose intricate rhythms and sound designs have influenced her approach. Trent Reznor of Nine Inch Nails and Bjork also inspire her to push creative boundaries while staying true to her own vision.
Her songs are open to interpretation, often holding multiple meanings and layers. For instance, “Wonderland” celebrates the magic of Galicia but also serves as a metaphor for the sacred wonder within all our lives, a reminder of the healing power of music.
Despite the challenges of a music career, CZARINA finds the most rewarding aspect in creating art that aligns with her vision and values. It’s about making something deeply personal and genuine. However, the music industry’s landscape is challenging, and artists often struggle to make a living. CZARINA believes in the power of authenticity and hopes for solutions to help independent artists thrive.
She actively supports causes that protect nature, the ocean, and wildlife, such as the Sea Shepherds. Nature and the environment hold a special place in her heart, and she advocates for their preservation.
Looking ahead, CZARINA aspires to tour the world and continue pushing her creative boundaries. Her music will evolve and progress, reaching more listeners and hearts.
In the coming months, she has exciting projects, including a cover song and music video, an epic music film for “The Fox’s Wedding,” and work on her third record, slated for release in 2024.
To stay updated and connected with CZARINA and her latest work, you can follow her C Z A R I N A | Bandcamp or sign up for her newsletter at The CZARINA Official Website.
Claudia Blackstar: Unmasking the Musician Behind the Mystique
In the world of music, there are artists, and then there are visionaries who take their craft to a whole new level. Claudia Blackstar, a singer and music producer hailing from Birmingham, UK, undoubtedly falls into the latter category. Born into a world steeped in musical influences, Claudia’s journey has been one of transformation, self-discovery, and the relentless pursuit of artistic excellence.
Claudia’s enigmatic Stage Persona “Claudia Blackstar” draws inspiration from the world of scene arts, where performers take on distinct roles masked in mystery. Influenced by bands like Slipknot and Ghost, Claudia weaves a visual tapestry that transcends the conventional boundaries of music. It’s a unique blend of music and theater, a testament to her artistic depth. Claudia’s music isn’t just about the visuals; it carries a profound message. Her lyrics delve into the realms of wiccan beliefs, nature, and personal reflections, inviting listeners to embark on a journey of self-discovery. Each song is a poetic exploration, leaving room for interpretation and connection.
The journey to becoming Claudia Blackstar wasn’t a straight path. Claudia’s initial foray into music was through songwriting and demos. Still, her true understanding of music expanded when she ventured into the world of music production. It was a pivotal moment that allowed her to transform her ideas into tangible musical expressions.The name “Blackstar” itself holds a captivating allure. It’s a nod to Claudia’s fascination with the dark and mysterious, drawing from influences like Lucifer Morningstar. It’s a name that’s both evocative and concise, a perfect fit for her solo work.Claudia’s musical influences are a testament to her eclectic taste. Her playlist spans from goth legends like Bauhaus and The Sisters Of Mercy to contemporary artists like Evanescence and Linkin Park. It’s a rich tapestry of sounds that she effortlessly weaves into her music, creating a unique and authentic sonic experience.
When it comes to creativity, Claudia’s process is all about letting ideas flow. She thrives in a quiet environment, fully focused on the task at hand. It’s a moment of connection with her inner self, where inspiration takes shape. Joining electro-goth project Drop Beat Empire and alternative metal outfit After Dark was a turning point in Claudia’s career. These collaborations widened her artistic horizons, allowing her to explore different musical dimensions while staying rooted in her influences.
Collaboration in the music industry can be tricky, but Claudia approaches it with professionalism and alignment of tastes. She believes in maintaining a consistent line of work while embracing diversity in styles. Balancing creativity across various projects requires clear roles and boundaries. Claudia ensures that her solo work encompasses her full creative spectrum, while collaborations allow her to focus on specific aspects, depending on the project’s needs. Yet, the path of a musician isn’t without its challenges. Burnout, a common hurdle, is something Claudia grapples with. Her valuable lesson is the importance of giving time to oneself, a reminder that self-care is paramount.
Music, for Claudia, is a powerful tool for change. It has the ability to impact lives, but its effect depends on the willingness of the audience to embrace the message. While smaller artists like Claudia may have a more localized impact, they still inspire change within their communities. Instruments like the keyboard and guitar play a significant role in Claudia’s music. They serve as tools to translate her ideas into melodies and arrangements, enhancing the emotional depth of her compositions.
Influence is a two-way street. Claudia’s singing approach, inspired by artists like Amy Lee, is characterized by a passionate delivery. It’s a passion that resonates throughout her music, an embodiment of her artistic individuality. Claudia’s lyrics, often poetic and rooted in her dark insights, carry stories waiting to be discovered. While there may not be hidden meanings, there are tales to be told, some abstract, others direct, all wrapped in her unique perspective.
The most rewarding aspect of being a musician, according to Claudia, is knowing that her work connects with someone out there. It’s the joy of making that emotional bond, even if it’s with just one person. However, the challenges of dealing with burnout are real, as time becomes the most precious resource. Claudia doesn’t just create music; she fosters a community of fellow artists. Her platform encourages and inspires others to pursue their creative endeavors, fostering a sense of togetherness.
Looking to the future, Claudia remains rooted in the present. She can’t predict what lies ahead, but as long as inspiration flows and people believe in her work, she’ll continue to evolve as an artist and as a person. As for upcoming releases, Claudia keeps her projects close to her chest, but she has announced her debut album, “Visions Of The Moon,” which promises to be a mesmerizing journey into her artistic world.
To stay updated and connected with Claudia Blackstar’s latest work,
visit
The Claudia Blackstar Official Instagram.
or
The Claudia Blackstar Official LinkTree
You’ll find links to her YouTube, Bandcamp, and Spotify, among others. Join her on this enigmatic musical voyage, and discover the depths of Claudia Blackstar’s artistry.
Igniting Transformation Through Aggrotech and Industrial Sounds
In 2006, an electrifying moment took place when our interviewee witnessed Hocico perform live in Tijuana. From that moment on, Her passion for the aggressive and angst-ridden sounds of Aggrotech and Industrial music was ignited. It was a turning point that set them on a path towards Her musical career.
Her name is inspired by Kentaro Miura’s dark horror comic, “Berserk,” and as such, her project carries a unique essence;
A manifestation of the suppressed aggression and anguish that exists within the world, providing an outlet for expression and release.
The creative process for Barbieserk involves a constant evolution, with a cognizance on frequencies, she has honed her skills and been inspired by fellow DJs.
Encouraged to master the art of beat matching, she has grown in passion and experience.
Through this creative process, Barbieserk channels emotions, environments, and personal moments into the music, creating an immersive experience for dancers.
Her journey has not been without challenges though;
Public scrutiny and the need to address inexcusable public behavior from a former member of the collective presented a difficult hurdle. Yet, our Barbieserk stood firm, recognizing the importance of integrity and maintaining a respectful approach.
Lessons were learned, and the commitment to upholding moral values remained steadfast.
Music possesses a transformative power that extends beyond mere entertainment.
Barbieserk recognizes this and believes in the potential for music to lead to societal changes, by addressing important issues. She personally understands the impact of music on the world and actively participates in activism as it regards empowering a positive societal difference.
Influenced by iconic acts such as Hocico, God Module, Alien Vampires, and Noisuf-X, Barbieserk weaves together the raw sounds of industrial dance music, incorporating snippets of sound bites from movies or political speeches, in order to create a distinct and stylistic playlist, which dancers can’t help but activate to.
Within her repertoire lies a soundscape of emotions, with hidden meanings and subtexts waiting to be discovered by attentive listeners. Each song carries a message, a theme, or a feeling that transcends the surface and invites deeper reflection and interpretation.
For Barbieserk, the ultimate reward lies in seeing even a single person actively enjoying her music. The joy of connecting with an audience of individuals, creating an atmosphere where emotions can be freely expressed outweighs the challenges and sacrifices that come with a career in music. The path she has traveled to arrive at this mindset, taught her resilience and the ability to navigate rejection, while cherishing every opportunity to perform to a packed crowd of energetic individuals.
As to the future, Barbieserk’s goals remain focused on evolving her artistic style, and introducing original music to the scene.
She aspires to host live musical performances by artists within the genre, into the collective social consciousness, whereby reigniting the passion for the Aggrotech and Industrial styles.
With residencies at Til Two Club in San Diego, California, and through Rapture, Barbieserk continues to evolve and captivate audiences.
Her vision for the future is bright, and she is eager to connect with fans and listeners who share Her passion through Her social media platforms on Facebook and Instagram.
Barbieserk’s journey as a DJ is one of relentless dedication, overcoming obstacles, and embracing the transformative power of music.
“Remember through music, we can find solace, connect with others, and strive for empowering positive social change.”
From The Vault: A Darkside Interview with Angelspit
To celebrate the upcoming album release “The Star”
from Angelspit, 07.24.23
we decided to dig into the vaults, and bring out a interview we featured on
Evol Radio LIVE
(Original Air Date: 12.17.20)
KICKSTARTING NOW, but only a few days left to back the Kickstarter.
http://kck.st/3WvQ9nk
Bandcamp Digital Release:
July 24, 2023
CD/USB/T-Shirts Release: August 21, 2023
VINYL/TAPE Release: November 2023
The Bastard Gods, by Angelspit
Deals are limited, so get it before July 3.
Free US shipping.
Next up in The Darkside Interview Series
via Instagram https://instagr.am/p/CuAZlaPuFJ6/
Your source for Dark/Alt/Dance culture on EvolRadio.com- with DJ Darkside 