Out now via Out of Line Music — a hypnotic twist on their darkwave favorite
Hot off the release of their expansive 19-track opus Purple Pain, death pop trio CORLYX return with a lush new reinterpretation of one of their most beloved tracks. “The Echo (DreamPop Version)” delivers a softer, spectral vibe—wrapping their post-punk heartbeat in dreamy reverb and synth-soaked nostalgia.
From ’80s synthpop to darkwave and alt-rock, Corlyx continue to bend genres and expectations. Fronted by the magnetic Caitlin Stokes, joined by producer/guitarist Brandon Ashley and bassist Davide Rocco, the band splits their time between the UK and Italy, crafting a sound that resonates across continents.
Following high-profile tours alongside Blutengel, Twin Tribes, Unzucht, and collaborations with scene icons like Lord Of The Lost, Massive Ego, and Ashbury Heights, Corlyx’s influence only continues to grow. Their bold vision reached a fever pitch with Purple Pain, their third studio album—a fearless journey through post-punk decay and dreamlike sonic architecture.
🖤 Recently seen storming the stage at Wave-Gotik-Treffen (DE), Corlyx are already gearing up to mesmerize fans again at M’era Luna Festival (DE) later this year.
“I’ve died a thousand little deaths, and I’ve got something you might like: A carrion heart… will you take me on a flight?”
Dutch gothic storytellers BLACKBRIAR have unleashed their haunting new single “Harpy”, a soaring ode to the mythological spirit of wind and storm. Known in ancient lore for abducting those cursed by the gods, the harpy becomes both guide and symbol for a soul seeking release.
Zora Cock (vocals) shares the personal darkness behind the song:
“In this song, I call upon a Harpy to please carry me away after I’ve died a thousand little deaths. I lure it with my carrion heart—after all, Harpies are known as human vultures. If not, I fear I might be stuck in the same place, slowly left eroding. I need to die one last time to finally be laid to rest. This song, ‘Harpy,’ inspired the album title.”
💿 Tracklisting: 01. Bluebeard’s Chamber 02. The Hermit and the Lover 03. The Fossilized Widow 04. My Lonely Crusade 05. Floriography 06. The Catastrophe That is Us 07. A Last Sigh of Bliss 08. Green Light Across the Bay 09. I Buried Us 10. Harpy
🗺️ A Thousand Little Deaths: European Headline Tour 2025 With Special Guests: Forever Still
Oct 23 – Tilburg, NL Oct 24 – Utrecht, NL Oct 25 – Osnabruck, DE Oct 26 – Kortrijk, BE Oct 28 – London, UK Oct 29 – Paris, FR Oct 30 – Lyon, FR Oct 31 – Portugalete, ES Nov 01 – Barcelona, ES Nov 02 – Toulouse, FR Nov 04 – Aarau, CH Nov 05 – Milan, IT Nov 07 – Wien, AT Nov 08 – Leipzig, DE Nov 09 – Warsaw, PL Nov 11 – Berlin, DE Nov 12 – Copenhagen, DK Nov 13 – Hamburg, DE Nov 14 – Cologne, DE Nov 15 – Enschede, NL Nov 29 – Istanbul, TR (Blackbriar only)
📖 A Legacy of Gothic Elegance
Renowned for their lush dark fairytales and symphonic metal seduction, Blackbriar continue to build their cinematic empire with A Thousand Little Deaths. Touching on the eternal themes of love, loss, and death, their upcoming release is both a spellbinding elegy and a triumphant wail from the shadows.
With over 71 million YouTube views, 253k+ subscribers, and over 65 million Spotify streams, Blackbriar’s siren call has reached far across the globe. Their fanbase—known as the Thorns—is growing daily, drawn into the dark enchantment of their visual and musical world.
🖤 BLACKBRIAR is: Zora Cock – Vocals René Boxem – Drums Bart Winters – Guitars Robin Koezen – Guitars Siebe Sol Sijpkens – Bass Ruben Wijga – Keys
⚔️ Metal Blade Records Museum Expands Hours & Storefront – A Shrine to Heavy Metal History Now Open Daily!
📍 The Metal Blade Records Museum in Las Vegas just turned the volume up to 11! Starting Friday the 13th, the museum will now be open daily (except Sundays) from 12pm–3pm, inviting metalheads from around the world to experience four decades of heavy metal history in one immersive space. 🎟️ Tickets available HERE
🧱 Even bigger news? The Metal Blade brick-and-mortar store has officially relocated into the museum itself! That means fans can now browse rare vinyl, vintage shirts, out-of-print CDs, and exclusive collectibles while surrounded by iconic artifacts from Slayer, Metallica, Alice Cooper, Deep Purple, Aerosmith, Thin Lizzy, and many more.
🤘 What’s Inside the Museum? Curated from the private vault of Brian Slagel, Metal Blade founder and CEO, the museum features:
Sunset Strip-era flyers and promo posters
Tour props and original stage gear
Album artwork and promo photo shoots
Label-exclusive merch from past and present
Memorabilia from Metal Massacre to Cattle Decapitation
Born from a record store clerk’s passion project in 1982, Metal Blade Records became the engine behind countless legendary bands. Brian Slagel famously helped launch Metallica via Metal Massacre, and went on to shape the careers of Slayer, GWAR, Amon Amarth, Cannibal Corpse, Fates Warning, The Black Dahlia Murder, and dozens more.
In recent years, Metal Blade has celebrated its 40th anniversary with live events, reissues, branded spirits, and a second book from Slagel, Swing of the Blade. The museum is the physical embodiment of that legacy—a love letter to the fans and the genre that continues to evolve and endure.
🎙️ In 2024, the label launched the “100 Songs That Define Heavy Metal” podcast with Pantheon Media, hosted by Slagel himself. Featuring in-depth analysis, historic commentary, and appearances from artists like James Hetfield, Lars Ulrich, and Stephen Pearcy, the show offers an authoritative deep dive into the songs that forged the metal genre.
Brace yourself for a futuristic descent into dark electronic warfare.
🔥 Hell’s Sword, the brand-new release from DARKMECHANIC, has officially dropped on DSBP Records! Crafted by sonic engineer Alexander Borsov, this 2025 offering delivers a gripping fusion of electro-industrial, tribal noise, dark ambient, and experimental electronica, laced with instrumental madness and REAGENT-style vocal assaults on Track 9.
DSBP Records has unearthed a hidden gem from 2019 — the electrifying U-235 EP by DEVILS TOWER is officially available now! Check it out here.
🔥 A Fusion of Forces On U-235, DEVILS TOWER blends the instrumental power of his previous projects — Dark The Keeper, Darkmechanic, and Stellar Dynamics — into a fresh, genre-bending soundscape. This release is anything but ordinary.
🎧 Expect a Nuclear Cocktail of Sounds:
Dark Electro-Industrial
Tribal Noise Rhythms
IDM Intricacy
Melodic Synth Layers
Experimental Sonic Textures
This rare release radiates with creativity, seamlessly merging chaos and melody into something both brutal and beautiful. A must-listen for fans of futuristic and mind-expanding electronics.
🎶 Listen Now:
💀 Deep Dive into the Universe of DSBP Records Follow DSBP and DEVILS TOWER for more releases that push the boundaries of sound.
Witness one of metal’s most iconic albums reborn live — with special guests FEAR FACTORY on select dates!
🔥 CHAOS A.D. LIVE IN FULL THIS FALL Metal legends CAVALERA are gearing up to unleash pure sonic warfare across North America this Fall, performing their groundbreaking 1993 classic CHAOS A.D.in its entirety. The 18-date tour kicks off September 18 at Louder Than Life and storms through cities coast to coast before wrapping October 18 in Dallas, TX. General admission tickets are on sale now — get yours here before they vanish into the mosh pit.
🧠 The Legacy Continues Built on decades of uncompromising aggression, the name CAVALERA remains synonymous with extreme metal royalty. In 2023, Max and Iggor Cavalera defied the odds by resurrecting their earliest works — Morbid Visions and Bestial Devastation — with jaw-breaking re-recordings that channeled the raw intensity of their youth. Their mastery of this sonic time warp set the stage for their next act: breathing new life into CHAOS A.D. — a record still hailed as a defining moment in 90s heavy metal and a Gold-certified masterpiece.
⚔️ Songs That Shaped a Generation Get ready to scream along to anthems like ‘Refuse/Resist,’ ‘Territory,’ ‘Propaganda,’ and ‘Slave New World’ — rallying cries for the outcasts and the defiant. This tour promises not just a performance, but a full resurrection of CHAOS A.D. with all the fire, fury, and force it commanded more than three decades ago.
🤖 Special Guests: FEAR FACTORY Industrial metal pioneers FEAR FACTORY will join select dates — a full-circle reunion, as CAVALERA originally brought them along on the very first Chaos A.D. U.S. tour over 30 years ago. Metal history, reborn.
📅 TOUR DATES — FALL 2025 09/18 – Louisville, KY @ Louder Than Life 09/20 – Hershey, PA @ Hershey Park Stadium w/ SLAYER* 09/21 – Liverpool, NY @ Sharkey’s Event Center 09/23 – Norwalk, CT @ District Music Hall 09/25 – Fort Wayne, IN @ Piere’s Entertainment Center 09/26 – Des Moines, IA @ Val Air Ballroom 09/27 – Hammond, IN @ Horseshoe w/ LAMB OF GOD* 09/28 – St. Louis, MO @ Red Flag 10/01 – Englewood, CO @ Gothic Theatre 10/02 – Salt Lake City, UT @ The Complex 10/05 – Sacramento, CA @ Aftershock Festival* 10/07 – Anaheim, CA @ House of Blues 10/10 – Las Vegas, NV @ House of Blues 10/11 – Tempe, AZ @ The Marquee 10/12 – Albuquerque, NM @ Sunshine Theater 10/16 – Houston, TX @ White Oak Music Hall 10/17 – Austin, TX @ Come and Take It Live 10/18 – Dallas, TX @ Ferris Wheelers Backyard & BBQ *No FEAR FACTORY on these dates
🎸 CAVALERA Lineup Max Cavalera – Vocals, Guitar Iggor Cavalera – Drums, Percussion Igor Amadeus Cavalera – Bass Travis Stone – Lead Guitar
Industrial rock duo unleashes their most aggressive and experimental record yet — out June 2025 via Label 51 Recordings
🧬 A New Era Begins June 2025
Mojave Phone Booth are back with Blood Doctor Volume One — a razor-edged sonic exploration arriving digitally on June 20 and physically on LP and CD June 27, 2025, via Label 51 Recordings.
🎶 Pre-save or add it now to your library and get a taste of what’s to come with three electrifying singles:
Mitchell J Doran and Tobey Torres-Doran formed Mojave Phone Booth after their time as core members of Snake River Conspiracy — the dark industrial rock act that toured with A Perfect Circle, Filter, and Queens of the Stone Age, and earned a place in the annals of underground rock history.
Tobey Torres-Doran, the former SRC frontwoman, not only tore up stages across the globe but also lent her voice to several Warner/Reprise sessions.
Mitchell J Doran cut his teeth as a teen session musician and engineer, working with heavyweights like Dio and Queensrÿche, before taking up the mantle of lead guitarist and programmer for SRC.
🔬 Blood Doctor Volume One — A Ferocious Follow-Up
Following 2023’s critically praised Hollow the Numbers, the duo returns with a vengeance. Crafted once again in their Bay Area home studio, this new full-length is steeped in analog grit, hand-built gear, and a fierce DIY ethos.
This time, Mojave Phone Booth pull inspiration from the eerie hum of recycling trucks, the cold click of mechanical telephone switching systems, and the mysterious buzz of electronic voice phenomena. With Mitchell on synths, drums, bass, guitars, and full-scale production, the album dives into unrelenting sonic territory with surgical precision.
⚙️ Sound That Cuts Deep
Relentless, immersive, and emotionally raw, Blood Doctor Volume One fuses abrasive textures, melodic structures, and propulsive electronic rhythms into a singular audio experience. It’s Mojave Phone Booth’s boldest statement to date — a fever dream of industrial chaos and analog alchemy.
🧠 Deep Dive into the Universe of Mojave Phone Booth
👽 Daedric Unveils New Single “Alien Skin” – Out Now! Step into the shadows with Daedric’s latest single “Alien Skin”, now available on all major streaming platforms. Let your senses be consumed by the official visualizer on YouTube, delivering an immersive glimpse into the song’s haunting energy.
🔥 Featured on top Hard Rock & Metal playlists across Spotify, Apple Music, YouTube Music, Deezer, Tidal, Yandex Music, and VK Music, Alien Skin is already making seismic waves. 🎶 Listen Now:Daedric – Alien Skin
🧠 Daedric Interview: A Dichotomy of Devastation and Peace Dive deep into the dual nature of Daedric’s sonic universe—where emotional wreckage meets futuristic fantasy. From cinematic storytelling to pulse-pounding aggression, this is more than music—it’s an experience. 📖 Read the Interview:Daedric: A Dichotomy of Devastation and Peace
🎤 FiXT Artists on Tour – Catch the Action Live! The FiXT family is hitting the road with explosive energy this summer and fall:
The Browning and THE DEFECT tearing through the US, Canada & Europe
ENMY bringing the chaos to Carnevil Metal Fest and Louder Than Life 2025
Klayton (of Celldweller / Scandroid) hosting a meet & greet + autograph session at Colorado Festival of Horror
📅 Don’t miss your chance to join the movement.
🛒 New Official Merch Has Landed! From cyberpunk streetwear to exclusive artist gear, our new merch drop is now live. 👕 Shop Now:FiXT Merch Store
🎓 FiXT Academy – Your Gateway to the Music Industry Level up your music career with FiXT Academy, the all-new learning platform for aspiring artists, producers, and industry hopefuls.
🎙️ Monthly Webinars & Workshops
💡 Expert guidance straight from the FiXT label team
EBM pioneer remembered for his raw vocals, anti-authoritarian lyrics, and uncompromising legacy in industrial music
Douglas McCarthy, the commanding voice of Nitzer Ebb and a trailblazer of Electronic Body Music (EBM), has died at the age of 58. The band confirmed his passing on social media, asking fans to respect the privacy of McCarthy’s wife and family during this difficult time. No official cause of death has been disclosed, though McCarthy had previously revealed he was battling liver cirrhosis and had stepped back from touring in 2023.
🖤 A Voice Like No Other
McCarthy’s snarling, confrontational vocal style became the signature of Nitzer Ebb, a band that fused punk’s fury with industrial dancefloor power. From the drill-sergeant intensity of “Join in the Chant” to the swaggering chaos of “Fun to Be Had,” McCarthy’s delivery cut through robotic drums and menacing synths with visceral force.
He didn’t just sing—he commanded. Tracks like “Let Your Body Learn” and “Murderous” weren’t just club hits; they were marching orders for a new wave of outsiders ready to break free from conformity and musical cliché.
“Everything we do should be able to surprise people,” McCarthy told Spin in 1992. “To us, Nitzer Ebb represents a different way of looking at music.”
🔊 Origins of a Movement
Formed in 1982 in Chelmsford, England, Nitzer Ebb was founded by McCarthy, Bon Harris, and David Gooday—schoolmates with a shared taste for sonic rebellion. Their band name, cobbled together from cut-up newspaper clippings, reflected the abstract, jagged energy of their music—lean, muscular electronics with zero fluff.
Their 1987 debut That Total Age became a cult industrial landmark, while follow-up albums Belief, Showtime, and Ebbhead pushed their sound into darker, more experimental terrain. Collaborations with Depeche Mode’s Alan Wilder, especially on Ebbhead and later through Recoil, helped refine their blend of brutality and elegance.
McCarthy once said his stage persona was inspired by witnessing Nick Cave perform with The Birthday Party—a moment that confirmed for him the importance of forging an identity that screamed: “Fuck everyone.”
🎤 Beyond Ebb
After Ebbhead, McCarthy joined Wilder’s Recoil, lending his voice to haunting tracks like “The Faith Healer,”“Stalker,” and “Incubus.” He also launched Fixmer/McCarthy with techno producer Terence Fixmer, and released his only solo album, Kill Your Friends, in 2013.
Despite these detours, McCarthy never left Nitzer Ebb behind for long. The band reunited in 2006 and returned with 2010’s Industrial Complex and 2011’s Join in the Rhythm of Machines EP. Their sound found new fans through placements in Saw sequels and Grand Theft Auto IV, where “Let Your Body Learn” made a fierce reappearance.
⚠️ Health Struggles and Final Years
In 2021, McCarthy collapsed on stage in Florida due to post-COVID complications but insisted on continuing the tour. In 2023, he announced his temporary retirement from performing, citing a long recovery from liver cirrhosis. “For over two years, I haven’t been drinking, but recovery is a long process that can at times be extremely hard to predict,” he wrote.
Even with these setbacks, his presence in the industrial scene remained undiminished—his voice and spirit forever entwined with the genre’s DNA.
🕯 Legacy of Defiance
Douglas McCarthy wasn’t just a frontman—he was an antihero of the underground, a defiant force who rejected conformity and embraced confrontation. Whether barking over EBM rhythms, collaborating with electronic legends, or baring his soul through minimal, cutting lyrics, he left an indelible mark on music that valued authenticity over approval.
“Even if there are missteps,” he told San Francisco Bay Area Concerts in 2019, “I think the purity of what we were—or are—trying to get is indicative of the time and place.”
He never wanted to fit in. And that’s exactly why we’ll never forget him.
🕸️ Deep Dive into the Universe of Douglas McCarthy & Nitzer Ebb
Rammstein Frontman Ignites the Festival Season with a Haunting New Solo Anthem via Out Of Line Music
Till Lindemann, the iconic and polarizing voice of RAMMSTEIN, has dropped a brand-new solo single, “Und Die Engel Singen”, alongside a visually striking official music video now streaming on his YouTube channel. Released through Out Of Line Music, the track marks a bold entry into Lindemann’s festival campaign for 2025, fusing his signature theatrical power with a haunting, melodic undercurrent.
🖤 “Und Die Engel Singen” is available for pre-order now in a variety of collector formats, including:
Limited Picture Vinyl 7″ (Out Of Line exclusive)
Limited Minimax Picture CD (Out Of Line exclusive)
Standard Vinyl 7″
Maxi CD Edition
📦 All physical editions will ship on August 8, 2025, just in time for the heat of summer tour season.
Lindemann previously dropped the solo track “Meine Welt” in December 2024, a release that stood apart from his debut solo album ZUNGE (November 2024). While not included on ZUNGE, both tracks continue to shape a compelling solo vision, separate from his work with RAMMSTEIN.
🌍 LIVE SHOWS: Europe in His Crosshairs
Till Lindemann wrapped his first-ever North American solo tour in late 2024, backed by a formidable lineup:
🎸 Jes Paige & Emily Ruvidich – Guitars
🎸 Danny Lohner (Nine Inch Nails) – Bass
🎹 Constance Day – Keyboards
🥁 Joe Letz (Combichrist) – Drums
Now, he’s preparing to dominate stages across Europe with a massive solo festival tour through summer 2025, followed by his Meine Welt European headline tour in October 2025, with Aesthetic Perfection as the special guest.
⚠️ CONTROVERSY & CLEARED CHARGES
In August 2023, German prosecutors dropped all investigations into accusations of sexual misconduct against Lindemann, citing lack of evidence. Lindemann has consistently denied the allegations, with his legal team branding them “without exception untrue.” The controversy, while sparking media debate, did not stop Lindemann’s artistic momentum.
🔥 FROM STADIUMS TO SOLO DOMINANCE
Hot off Rammstein’s 2024 European stadium tour, Lindemann continues forging a bold solo path, balancing industrial aggression, lyrical provocation, and gothic grandeur.
👉 Pre-order “Und Die Engel Singen” now and immerse yourself in the latest dark vision from one of music’s most notorious figures.
The Greek synth duo Paradox Obscur, comprised of Kriistal Ann and Toxic Razor, has just released their new single, “Switch To Love,” available today, June 7th, 2025. This captivating track is the second single from their upcoming album, IKONA, which is set for release on September 12th via Metropolis Records.
“Switch To Love” is accompanied by an atmospheric neo-noir music video, shot entirely on 16mm film and directed by Venezuelan filmmaker Mariangela Pluchino, with cinematography by Ville Piippo from Finland. The result is a visually compelling piece that pays homage to love, set against the band’s signature retro synthwave soundscape and elevated by the expressive and haunting vocals of Kriistal Ann.
“Switch To Love” follows their late April release, “Lose This Feeling,” a dreamily nostalgic synth-oriented reinterpretation of a 2023 dance anthem by Dutch DJ and producer Armin van Buuren.
Stream “Switch To Love” now and watch the video here.
IKONA is the duo’s most expressionistic work to date, blending sound experiments, wide-ranging electronic influences, and deeply personal expression to craft a sonic identity that remains distinctly their own. They have once again composed and recorded in real time using synthesizers and drum machines, preserving the classic essence of contemporary electronic music while forging a uniquely timeless aesthetic.
Paradox Obscur is celebrated for their authentic, analog-driven sound. Eschewing computers and digital plugins, they create all of their music in real time using hardware synthesizers and drum machines, delivering a raw and immersive listening experience. While rooted in the spirit of ‘80s-’90s underground music, their unique blend of haunting melodies, driving rhythms, and cinematic atmosphere appeals to a wide range of listeners, regardless of genre preference. Their music transcends commercial boundaries, offering something for both devoted electronic fans and casual listeners alike.
Get ready for a triple dose of electronic goodness as METROLAND, SYNAPSYCHE, and ELEKTROSTAUB drop their latest EPs, each offering a unique sonic journey!
METROLAND – Reset EP
With “Reset,” Belgian conceptual techno-pop duo METROLAND delivers the fourth and final EP from their well-received album Forum. Inspired by the controversial World Economic Forum initiative, The Great Reset, this digital release marks not just the end of an EP cycle, but the culmination of METROLAND’s sonic exploration of global industrial evolution.
Anchored in critical reflection and forward-thinking beats, “Reset” offers two new versions of the original track: the compact yet dynamic “The Smaller Reset,” and its expansive, club-ready counterpart “The Greater Reset”—both infused with increased tempo and dancefloor energy. Adding further depth, the exclusive non-album track “Improving the State of the World” blends pop sensibility with pointed commentary, echoing the WEF’s aspirational slogans while inviting listeners to consider the implications of global decision-making. “Reset” is more than just a release—it is the final destination in METROLAND’s conceptual journey, closing the loop that began with “0” and reached its climax in “Forum.” The system is shutting down… ready for a reset?
SYNAPSYCHE – Muteness EP
After the sonic shockwave of “Deafness,” SYNAPSYCHE raises the stakes with “Muteness”—the second piece in their three-part concept around “Miscommunication,” dissecting the fear of self-expression in a world that rewards silence over truth. Some people never speak up. They sit on the sidelines, afraid to take a stand, blending into the background to maintain their fragile social acceptance. But silence is complicity. And SYNAPSYCHE is here to shatter the quiet with a firestorm of brutal beats, razor-sharp synths, and vocals that swing between venomous growls, electrifying clean hooks, and even a touch of rap-infused aggression. This explosive EP is backed by a dark-pop rework of FLEETWOOD MAC’s “Little Lies” and a ruthless remix of “Anti Manifesto” by STATIK SEKT—two reinventions that push the band’s boundaries even further. No more hiding. No more hesitation. Shut your muteness up and scream with SYNAPSYCHE!
ELEKTROSTAUB – Falling EP
ELEKTROSTAUB is back with “Falling”—an irresistible future pop anthem destined to ignite dancefloors. For this striking new single, mastermind Patrick Knoch teams up with none other than synthpop icon Pal Magnus Rybom of ECHO IMAGE. The result is pure electropop magic—an instant classic where sharp production meets soaring melodies! Serving as a first taste of the forthcoming album Humility, this 7-track EP doesn’t stop at just one hit. It also features “Too Far From The Pack,” a high-energy collaboration with Salva Maine (CULTURE KULTÜR), oozing club potential and emotional impact. The EP comes packed with a powerful selection of remixes by fellow Alfa Matrix artists: IMPLANT, NEUROACTIVE, 808 DOT POP, DARKNESS ON DEMAND, and remix maestro PEOPLE THEATRE—each offering a unique twist on ELEKTROSTAUB’s signature sound. With “Falling,” ELEKTROSTAUB reaffirms his knack for blending sleek production with the perfect guest vocalist. This is premium-grade future pop – emotional, melodic, and made to move you.
Front Line Assembly has just announced “Machine Vision,” the new solo project from mastermind Bill Leeb! Dive into this exciting new release from the iconic electronic music pioneer.
Negative Gain Productions has just announced the release of “To Live Another Day,” the new single from Panic Priest! Dive into this captivating track from the acclaimed darkwave artist.
Murder Love God is officially releasing “Alter of Evolution” on all streaming services, including Bandcamp, this coming Friday, June 6th, 2025! This remix and collaborative album features heavy hitters from the underground scene.
Murder Love God is the project of Medavon DeRaj’e, best known as the frontman for LOCKJAW, which he started in 2007. He is often joined by Jose Ramirez (LOCKJAW) on guitars and Jeremy Gardipee (Incekt) both on album and live.
“Alter of Evolution” is described as an aggressive, psychedelic electro reinterpretation of songs spanning back in time, akin to an acid trip. The album boasts collaborations with a formidable lineup, including W.O.R.M., Short To Ground, DJ Darkside, Razorwire Halo, N Y X, Vein Collector, Produkt, and Hate Dept..
SPANKTHENUN has just released their chilling new track, “PANOPTIKON,” featuring CVRBON DECVY and MelodyWhore! This cold, dark 4-on-4 electro trance piece is an ominous ode to Dallas’s legendary Panoptikon club, immersing listeners in a world of surveillance beats and haunting refrains.
“See me now, see forever, PANOPTIKON” traps you under neon grids as the infectious groove becomes your captor. Shadows twist, pulses rise, and freedom fades in this hypnotic soundscape. The release also features twisted remixes from CVRBON DECVY and MelodyWhore, each amplifying the track’s digital menace.
ESA has just added their new release, “Sounds for your Happiness, Compact Disc,” to Bandcamp! This physical release offers fans a new way to experience ESA’s unique sound.
DAWN OF ASHES has unleashed their brand new album, “Infecting The Scars,” which is available everywhere today, June 7th, 2025! The highly anticipated release sees Kristof Bathory return the project to its aggrotech roots while pushing forward with a new level of intensity and maturity.
“Full of dark songs and deathly imagery, brought to life by demonic vocals. It’s vampiric, it’s black metal, it’s post-industrial witchcraft, driven by an infectious electronic groove. Very moreish indeed,” praises DEVOLUTION MAGAZINE (UK). ORKUS (DE) hails it as: “Past meets future on an electronic industrial metal delight that will get you on the dance floor. Each of the ten tracks can certainly hit the clubs like a bomb.” VERDAMMNIS (FR) concurs: “Refuses to stagnate while continuing to explore its universe and themes with coherence, intelligence, panache, care and personality. Blends the enthusiasm of youth with a current know-how to make aggrotech great again!”
Stream “Infecting The Scars” now on your preferred platform or via Bandcamp.
Dawn Of Ashes was founded in Los Angeles by Kristof Bathory at the turn of the millennium, the group moniker he chose suggesting ‘the beginning of the end’. Emerging from the industrial and aggrotech genres before expanding into the blackened metal and extreme industrial scenes, Bathory and his band have been a relentless force ever since, evolving and redefining the boundaries of extreme music for over two decades.
“Infecting The Scars” marks a rebirth, fusing the raw, unfiltered aggression of the past with a refined and evolved sound. Lyrically and sonically, it sees them reach a level where the songs are no longer merely anthems of destruction, but rather an exploration of psychological horror, inner demons, and the scars left behind by life’s most brutal moments. The album includes the powerful track “Visceral Rage” with an accompanying lyric video.
Embodying this evolution, the track “Hypertensive Crisis” was issued ahead of the album. It was described by Bathory as “a deliberate attempt to recapture the nostalgia of our early era while seamlessly blending it with fresh, modern elements. It showcases a fully realised version of our classic sound, reimagined with a new intensity and depth.”
A recent relocation to Denmark has also seen Dawn Of Ashes set to expand its reach, bringing the group’s visceral live performances to new territories. European tour dates are currently in the works alongside planned shows in South America, promising a global assault of chaos and horror.
The German dark electro-pop duo Rotersand has just released their new single, “Private Firmament (I Fell For You),” available today, June 7th, 2025. This powerful track serves as a preview of their highly anticipated new album, “Don’t Become The Thing You Hated,” set for release on August 8th via Metropolis Records (North America) and Trisol (Rest of World). This will be their first full-length studio record since How Do You Feel Today? in March 2020.
Explaining the meaning behind the new single, the band states: “Human nature is not binary, but algorithm-induced communication forces us to choose virtual sides to stimulate emotions and click rates. Yes or no, black or white, for or against, one or the other. Ultimately, we sit in our post-fact, post-science, post-truth private firmaments with nothing in common other than the cold light of screens pretending to shine for us. We say, leave the private firmaments and dance with us, with real faces under real stars.”
‘Don’t Become the Thing You Hated’ sees the Hamburg-based act (comprised of Rascal Nikov and Krischan Jan-Eric Wesenberg) return with an album that is as much a cultural critique as it is a musical statement. In a world increasingly defined by division, alienation, and existential anxiety, the duo casts a sharp eye on the psychological toll of our times and issues a warning. The message is clear: in fighting what we oppose, we risk becoming it ourselves.
Musically, the album is a masterclass in synthesis, melding sonic sophistication with visceral emotional impact. Navigating seamlessly between intricate sound design and tightly constructed rhythmic frameworks, these are layered with melodic hooks that are as intellectually engaging as they are dancefloor-ready. The album soundscape is dark yet resolutely hopeful and explores a dynamic spectrum of styles, from propulsive electro with surgically crisp beats and brooding industrial textures to anthemic, almost dreamlike interludes. Each track reveals itself as a meticulously crafted entity, constantly surprising the listener yet never straying from its emotional nucleus.
The song lyrics address themes of disillusionment, anger, and the fragile line between resistance and complicity. Indeed, the album title itself functions as a thesis statement that confronts listeners with a central dilemma of our era – how do we oppose injustice without replicating its methods or mindset? Rotersand offer no easy answers, but instead encourage a kind of inner vigilance; a conscious rejection of the very forces that threaten to erode empathy, nuance, and individual integrity.
What sets this album apart is its rare ability to operate on multiple levels. Not only is it a compelling club record, it is also a philosophical commentary on the state of the world and the psyche. The duo have crafted a work that challenges the listener to not only hear, but to think and feel more deeply. With ‘Don’t Become the Thing You Hated’, they reaffirm their position as one of the most thoughtful and forward-looking acts in the dark electronic music genre.
New England metal band DEATH RATTLE continues to build momentum with the release of their powerful new single and music video, “The Darkness,” available today, June 2nd, 2025. This release comes as anticipation builds for their forthcoming album, The Moral Chokehold, now set to drop on July 11th, 2025, due to a manufacturing delay.
Check out “The Darkness” on all streaming/download digital platforms or watch the music video here.
“’The Darkness’ is collectively one of, if not our most favorite song from the ‘Moral Chokehold,” states guitarist Ryan Vanderwolk. “Not only is it the closer for the record, but also the closer for our live sets. Born from a couple of riff ideas, it quickly grew to a much larger, and diverse song as everyone put their fingerprints on it. There are the elements of the groove, and aggression Death Rattle does well, but also has more relaxed moments, a huge catchy chorus, and a very progressive climax. ‘Rage against the dying of the light’ and enter ‘The Darkness.’”
Building on recent tours with diverse acts like Left To Die, Gorgoroth, and Aeturnus, and gaining traction on Liquid Metal radio, DEATH RATTLE showcases their blend of groove, melody, and aggression, as previously heard in tracks like “Malthusian Dependency”, “Immersed in Black,” and “Nietzsche, and the Fall” (featuring Bjorn “Speed” Strid of SOILWORK/THE NIGHT FLIGHT ORCHESTRA).
Pre-order The Moral Chokehold now for a limited edition 300 “Philosopher’s Moon” colored vinyl, CD, and Digital formats at http://lnk.to/deathrattle.
The Moral Chokehold boasts a powerful sound, thanks to production by Kevin Billingslea (Lamb of God, Trivium), mixing/mastering by Jens Bogren (Amon Amarth, Kreator), and stunning artwork from Tamer Azab of The Dark Art in Dubai.
“We are beyond stoked to release ‘The Moral Chokehold.’ For us, this album has been almost four years in the making. We had a blast writing and recording it, but for the last year we have been in the trenches making content and releasing things to hype up the release. It is the grind of the music business. It feels so good to finally get back to what we are passionate about – the music. Releasing these songs to the world and touring to support them is what this whole venture is all about. Creatively, this was a giant step forward for us. We experimented with writing more in the studio environment and playing with different melody structures. It has brought out a new energy in our live show. When a group of songs inspires the band to begin writing the next album before the music is even released, you know you have made something special. That is how we feel about ‘…Chokehold.’ We cannot wait for you all to hear this thing all the way through.”
Hailing from New England, a region known for producing influential metal acts, DEATH RATTLE aims to follow in those footsteps. They have already released two independent albums, toured the US four times (including supporting The Convalescence), and toured Japan twice, supporting acts like Cattle Decapitation, Revocation, Ne Obliviscaris, and Wolfheart. They have also played regionally with Hatebreed, Soulfly, Unearth, Crowbar, Allegaeon, Philip H Anselmo and the Illegals, Let Us Prey, and appeared at festivals like Mayhem Fest, Summer Slaughter, New England Metal and Hardcore Fest, and the Tattoo & Music Festival.
The spark that ignited Dead Posey was a shared love for rock’s dark heart. Danyell, then immersed in acting and modeling, found her calling one night in Tony’s studio. Already a seasoned musician with Eve 6 and a producer in his own right, Tony witnessed Danyell’s raw talent as she sang Nirvana’s “Come As You Are.” “A newfound passion was unlocked in me,” she recalls, “I knew from that moment in my bones that this is what I was meant to do in life.” They hit the ground running, writing songs that would soon define their unique sound.
Their early “Freak Show EP” era, what they now call Dead Posey 1.0, was a significant milestone, landing them publishing and record deals, along with crucial sync placements. At the time, they believed they had found their sound—a bluesy, garage-rock feel. However, the road ahead held more evolution. As they played live more often, their sound matured, growing harder and more aggressive, embracing darker, synthier rock with heavy guitars. This transformation led to Dead Posey 2.0, where they truly found their stride, blending their favorite influences into a cohesive, powerful force. Playing new songs live before release became a vital part of this evolution, injecting a new level of energy into their recordings.
Early tracks like “Don’t Stop the Devil” became unexpected launching pads, propelling their music into TV and film. These placements were a crucial early boost, providing funding for gear, tours, and merch. “It’s funny looking back, though,” Danyell muses, “our sound has changed so much since then, and we thought that time was the peak. But in reality, it was just the beginning.” This early success taught them a valuable lesson: constant growth and adaptation are essential to building a solid, sustainable foundation in an ever-changing industry.
Their sound is a potent cocktail of influences, a blend of Marilyn Manson, Garbage, Hole, Nine Inch Nails, Nirvana, and Depeche Mode. They gravitate toward anything with dark energy, industrial textures, raw emotion, classic melodies, and a guitar thrust. It’s an intuitive process, a musical blender where everything goes in, and something uniquely Dead Posey emerges. The Freak Show EP, their debut, remains a special marker of their journey, an “innocent but still polished” snapshot of their early days, even as they’ve creatively moved far beyond it.
Breaking into the competitive music industry as a DIY band presented immense challenges, and they’re still pushing boundaries a decade later. They’ve learned not to rely on fickle industry support, choosing instead to focus on what they can control: creating music they’re passionate about and fostering genuine connections with fans through social media and live shows. Their mantra: “Fluff doesn’t create a sustainable career; it’s the hard work you put in every day when no one’s watching that truly makes a difference.” Looking back, their advice to their younger selves would be blunt: “Buckle up – this journey is a long, winding road! The blood, sweat, and tears it will take are beyond imagination so be ready.” They’ve been knocked down countless times, but their unwavering love for creating music, performing live, and connecting with their fans always pulls them back up.
A palpable fire ignites Dead Posey’s latest releases. Their current sound is fueled by rebellion, survival, and self-liberation, a visceral response to the chaos of the world. They’re relentlessly pushing through darkness—mentally, emotionally, and sonically—emerging stronger with every note. Uninterested in trends, they channel years of frustration, power, and resilience into music that is unapologetically their own, designed to endure.
Current Energy & Headspace
While their sound has evolved, their core songwriting and production process remains collaborative. Danyell brings thematic and lyrical vision, while Tony, a versatile musician, masterfully pulls everything into a cohesive, impactful whole. They’ve always been hands-on, writing and producing every element themselves. A significant recent shift involves road-testing new songs live before finalizing them, allowing them to gauge audience connection and infuse recordings with live energy.
Beyond the music, Dead Posey cultivates an iconic visual aesthetic, an extension of their sound. Every release is an opportunity to expand the Dead Posey universe, telling stories through artwork, photos, and stage attire. They draw inspiration from gritty rock ‘n’ roll, vintage flair, dark surrealism, and classic and modern horror, letting the visuals organically rise from the music itself.
Maintaining creative chemistry amidst constant demands requires discipline. They strive to shut out distractions in the studio, finding inspiration in their creative space. Their shared investment in every aspect of the band keeps them grounded and hungry. It’s a delicate balance of trust, taking necessary breaks, and open communication. Their driving force: “The energy we put into the band is what will keep it thriving.”
In an industry where mental health is paramount, they prioritize staying grounded by focusing on what they can control, often breaking it down into week-by-week chunks. They’ve learned not to chase external validation, instead centering on creating music they love and connecting with their fans. Setting boundaries with industry interactions has become crucial for protecting their energy and mental space. Self-care, even in small ways, is essential for navigating the chaos. This past year, they’ve embraced resilience, learning that growth flourishes in discomfort and uncertainty, leading to greater confidence and personal evolution. Their proudest moments of 2024 include releasing their debut album, Are You In A Cult?, headlining shows in the UK, and playing for their biggest crowd yet at Spain’s Rockland festival.
What Lies Ahead
With their debut full-length album, Are You In A Cult?, recently released, Dead Posey is taking time to let it resonate, focusing on touring and bringing their sonic world to as many fans as possible. While always writing, they’re not rushing into another album, instead considering collabs or special versions of existing songs for later in the year. Their dream collaborations span legends like Lady Gaga, Marilyn Manson, Nine Inch Nails, Depeche Mode, or Garbage, recognizing these artists’ profound influence on Dead Posey’s DNA, but they’re equally open to teaming up with rising acts who share their vibe.
Dead Posey remains a core duo, bringing in talented live musicians for their shows. Their vision and songwriting will always stem from the two of them. Their ultimate goal is to become a headlining act, capable of easily touring small to medium clubs, and from there, building to bucket-list aspirations like headlining festivals and becoming a household name. They’re not waiting for opportunities; they’re building their own solid foundation.
They constantly push boundaries in their sound and performance, aiming for an immersive live experience that transcends mere song delivery, engaging audiences on a deeper level with visuals and raw energy. They refuse to stay stagnant, always striving to surprise themselves and their fans. In a rock, alt, and industrial landscape that often blurs genre lines, Dead Posey stands apart with their raw energy and authenticity, in it for the long haul to build their own path.
Ultimately, Dead Posey hopes to leave a lasting mark by demonstrating that success and a loyal fanbase can be found outside “the club,” even in a constantly shifting social media landscape. They aspire to inspire other artists to trust their instincts and remain true to their vision, even when external pressures push in different directions.
Catch Dead Posey headlining and get your VIP tickets for THE DAMNED & THE DEAD tour this June: https://www.deadposey.com/tour
The Machines Vs Monsters tour is off to an explosive start with the first show completely SOLD OUT, and tickets for the remaining dates are flying! Don’t miss your chance to catch this incredible lineup.
North American Dates:
May 30: Minneapolis MN – The Fillmore Minneapolis – SOLD OUT!
A brand new Celldweller bundle has just landed, perfectly crafted for fans ready to immerse themselves in the cinematic world of Offworld. Inspired by the album’s atmospheric sound and emotional depth, this limited set is the ideal way to revisit one of Celldweller’s most introspective and emotionally gripping releases.
The Offworld bundle invites listeners on a journey that departs from Klayton’s signature aggressive guitars and blasting beats, offering a collection of sentimental feels and intimate songwriting. The album, originally released in 2017, features tracks like the soul-searching “How Little I Must Know,” the modern shoegazer “Echoes,” the somber a cappella “Mother’s Arms,” and the acoustic-driven “The Great Divide.” The narrative of the album, beginning and ending with the title track, evokes a sci-fi adventure of leaving the world behind, with the familiar Celldweller lyric, “we will never die.”
This exclusive Offworld Bundle includes:
Celldweller – Offworld [Limited Edition Vinyl]: Experience the album’s rich sound on a special eco-mix graphite vinyl, wrapped in a matte jacket for tactile enjoyment and aesthetics.
Echoes in the Void Shirt: A stylish shirt inspired by the album’s themes.
Offworld 5″x7″ 8-Postcard Set: Collect evocative artwork that captures the essence of Offworld.
Offworld 11×17″ Poster: A vibrant poster to adorn your space.
Offworld 5×5″ Vinyl Sticker: Show your allegiance with this durable sticker.
The Offworld Bundle is available for $59.99 USD (with slight variations for larger shirt sizes) and can be purchased directly from the FiXT Store. Don’t miss your chance to own this special collection, perfect for long-time fans and new listeners alike.
Slighter has just dropped “Stories To Tell,” a new track featuring Craig Joseph Huxtable (Landscape Body Machine, Ohmelectronic, Front Line Assembly). This is the final single before Slighter’s forthcoming album, In Ruins, arrives!
“Stories To Tell” is both catchy and hypnotic, driven by Craig’s brooding and angelic vocals. It also includes a 12″ Club Mix style ‘B-side’ perfect for DJs!
Add to your Spotify playlists! (Please note: A direct Spotify link for this specific single was not provided, but you can search for “Slighter Stories To Tell” on Spotify.)
FLESH FIELD, the acclaimed electro-industrial project led by Ian Ross, has just released a new single, “Where Angels Go To Die,” out today, May 30th. This track is lifted from a remastered reissue of their 1999 debut album, “Viral Extinction,” which is set to arrive on June 27th via Metropolis Records.
“It was written in apocalyptic language as a bleak reflection on disillusionment, spiritual decay and loss of belief,” Ross reflects. “Musically, however, it was designed to sound darkly angelic.”
About “Viral Extinction” Reissue:
“Viral Extinction” Tracklisting:
Heretic
Inside
Overload
The Plague
Silicon Skies
Where Angels Go To Die
Prophecy
My Saviour
Utopia
Animal
Fallen Angel
Cyberchrist
Prophecy (Nostrothomas A23 Mix)
My Saviour (Violated Beauty Remix)
About FLESH FIELD:
Flesh Field was founded in Ohio in the mid-90s by composer Ian Ross. Renowned for its widescreen cinematic sound achieved by blending synths, percussion, guitar, and sampled choir, the group’s music soon earned plaudits for its aggressive approach and subsequently featured in a number of film/TV soundtracks and video games. Having retired the name in 2011, Ross eventually relocated to Virginia, where he resurrected Flesh Field to issue an album entitled ‘Voice of the Echo Chamber’ in late 2023 and the companion piece ‘Voice Of Reason’ EP in April 2024.
Their debut album, ‘Viral Extinction’, was released three years later, earning glowing reviews for its brutal and aggressive sound, while some of its songs were subsequently remixed by several contemporaries (including scene leaders Covenant) and issued together with some new songs on the album-length ‘Redemption’ EP in 2000.
Highlighting the band’s compositional skills with bombastic symphonic elements and intricate synth and percussion programming, 2001’s ‘Belief Control’ solidified Flesh Field’s status as a band to be reckoned with. It also led to the group signing to Metropolis Records for the US release of their third album, ‘Strain’. With new layers of acoustic and electronic percussion, guitar, and choral effects added into the mix, these elements resulted in an an epic and anthemic feel to a record that was acclaimed by fans and critics alike.
Then, silence. For almost two decades, Flesh Field lay dormant, even as numerous tracks from their catalog were placed in the soundtracks of films including ‘The Mill’, TV shows such as ‘True Blood’, and video games like ‘Project Gotham Racing’. ‘Voice Of The Echo Chamber’ suddenly appeared in 2023; a concept work with each of its ten tracks representing stages of political radicalization and violence, it was followed by an album length companion piece EP entitled ‘Voice Of Reason’.
Dark/Alt/Dance Culture, Music Entertainment News, Mental Health/STEM updates, Educational/Informational Community Outreach resources, Fashion, and Interviews with the artists you know and love – Featuring a HUGE mix of THE Most Dirty, Heavy, Danceable, Electronica, Rock, Metal, and Industrial! from the underground to the mainstream, coast to coast, and ALL around the globe.