Electronic agitator SPANKTHENUN, in collaboration with Belgian EBM pioneers A Split-Second, has officially released “Broken Machine”—a comprehensive New Beat and EBM reworking of the 1989 industrial landmark “Muscle Machine.”
Originally issued via Wax Trax! Records and Antler Records, Muscle Machine helped define an era of body-driven electronics and militant club culture. With Broken Machine, that original blueprint has been fully dismantled and reassembled for the present day.
This reboot doesn’t chase nostalgia—it weaponizes it. Classic structures are deconstructed and reshaped to reflect modern system failure, societal decay, and the grinding tension of a world stuck in perpetual malfunction. The result is a stark, club-focused release that bridges late-’80s industrial DNA with contemporary EBM and New Beat aesthetics.
Broken Machine stands as both a tribute and a warning: the systems we built are cracking, and the soundtrack has been rewritten to match the collapse.
🎶 Listen Now
Deep Dive into the Universe of SPANKTHENUN & A Split-Second
After more than ten years of silence, Empyrean Asunder resurface with a striking stylistic pivot. Their new single “I Confess,” released January 2, 2026, marks a decisive move away from metal-rooted aggression and into industrial dance and EBSM territory—dark, seductive, and built for the club floor.
With over two decades of evolution behind them, Empyrean Asunder have continuously refused to stay confined to one sound. From black and industrial metal origins to anti-industrial rock, the project now embraces a pulse-driven electronic identity. “I Confess” introduces this new era with sinister, bass-heavy rhythms and a sleek, modern edge reminiscent of Gesaffelstein, while maintaining the project’s trademark darkness.
The release also includes “Everyone Wants To Be You,” a club-ready anthem elevated by the commanding vocal presence of Victoria Graves. Her delivery cuts through the dense electronics with confidence and intensity, making both tracks immediate standouts for goth and industrial dancefloors alike.
Produced by Jerry Barksdale, the single balances infectious earworm melodies with moments of vulnerability and cathartic screams. Massive synth work drives the tracks forward, while deeply personal lyrics add emotional weight beneath the relentless electronic momentum. It’s a combination that rewards repeated listens and signals a fully realized transformation.
Long known as an auditory manifestation of societal decay, Empyrean Asunder continue to channel chaos through sound and vision. Even as the genre framework shifts, the project’s core remains intact—harsh, theatrical, and unflinchingly confrontational.
Project Background & Evolution
Empyrean Asunder is the solo project of multi-instrumentalist Jerry Barksdale, a prolific force in extreme music circles, also known for work in The Promise Of Plague (black/death metal), Then We Died (grindcore), and Grief Cathedral (funeral doom/sludge). Conceived as an experimental outlet, the project frequently collaborates with different musicians, allowing each release to redefine its identity.
Rather than adhering to a fixed genre, Empyrean Asunder moves through distinct creative eras:
Black Metal Era Early releases such as Wrought In Dreams (1999) explored raw, avant-garde black/doom metal.
Industrial Metal & Anti-Industrial Rock Era Albums including The Human Virus (2005), Love At Your Own Risk (2006), They Call Her The Cure (2008), Hate (2013), and Serpent (2014) fused metal and punk with harsh industrial textures.
Electro-Industrial / Techno Era (Present) The current chapter pushes fully into electronic territory, incorporating EBM, darkwave, and techno influences—anchored by the 2026 release of “I Confess.”
OUT NOW:Excluded by Leatherstrip Available now via Bandcamp—and it does not ask for permission. 💀
A Song for the Cast Out
With “Excluded,” Leatherstrip delivers a stark, confrontational piece that cuts straight to the emotional core of alienation. This is a track about being pushed outside the circle—socially, politically, ideologically—not by choice, but by systems that decide who belongs and who does not.
There is no metaphorical cushioning here. The song speaks plainly and forcefully about marginalization, enforced silence, and the psychological toll of being erased or dismissed. It’s not framed as victimhood, but as awareness—cold, sober, and unresolved.
Sound & Structure: Discipline Over Decoration
Sonically, “Excluded” is unmistakably Leatherstrip. The track is built on rigid EBM foundations: precise sequencing, relentless rhythmic motion, and a stripped-down arrangement that leaves no room for distraction. The production is austere and controlled, reinforcing the lyrical message rather than competing with it.
Nothing feels excessive. Every element serves purpose. The beat drives forward with mechanical resolve, while the synth work remains cold and focused—never indulgent, never ornamental. This restraint gives the track weight. It feels intentional, sharpened, and uncompromising.
Vocals as Authority, Not Performance
Claus Larsen’s vocal delivery is a defining force here. Rather than theatrical aggression, the performance leans into controlled intensity. The voice sounds grounded, resolved, and fully aware of what it’s saying. There’s no attempt to soften the message or dramatize it for effect.
This approach makes the track feel less like a rant and more like a declaration—measured, deliberate, and unyielding.
Lyrical Interpretation: Exclusion as a System
Lyrically, “Excluded” operates on two levels. On the surface, it speaks to personal isolation—the experience of being shut out, dismissed, or invalidated. Beneath that, it exposes exclusion as a designed outcome, not an accident. The song implies structure, intent, and repetition—systems that thrive by deciding who is worthy of inclusion and who is disposable.
There is no plea for acceptance here. No demand for reconciliation. Instead, the song documents the condition itself, forcing the listener to confront the reality of exclusion without offering easy resolution or emotional release.
This is not a song about overcoming. It is a song about naming the wound.
Why “Excluded” Matters
Leatherstrip has never been about comfort, nostalgia, or neutrality—and “Excluded” reinforces why the project remains vital. In a cultural moment defined by division, gatekeeping, and ideological purity tests, this track feels painfully current.
It will resonate deeply with listeners drawn to industrial and EBM not just for sound, but for truth without varnish. This is music that stands firm, even when standing alone.
A sharp, disciplined release that proves Leatherstrip is still operating with clarity, relevance, and conviction. 💀
As the calendar turns, there’s a quiet milestone approaching in the Faderhead universe. March 31, 2026 marks 20 years since the release of FH1—the debut album that kicked open the door back in 2006. Two decades later, the machine is still running, sharper and more self-aware than ever.
20 Years of Faderhead ⚙️
With the anniversary looming, planning is already underway. While the final release schedule is still being locked in, all signs point toward a brand-new Faderhead album landing in the second half of 2026, accompanied by very few “20 Years of Faderhead” headline shows—likely no more than two. No victory lap. No nostalgia overload. Just precision.
2025 Patreon Songs 🎧
To close out 2025, a snippet mix of the 12 Patreon-exclusive tracks released throughout the year was shared—offering a rare look behind the curtain. The reaction was unexpected: a surprising number of listeners didn’t even realize Patreon existed, let alone what it actually offers.
So let’s clarify.
What Is Patreon, Really? 🔒
Patreon is the Faderhead Inner Circle—a space for fans, creatives, and curious minds who want more than just the finished product.
What You Get:
One exclusive song every month – Patron-only releases, usually never available elsewhere
Weekly “Faderhead Friday” newsletter – Over 500 consecutive weeks and counting
Studio livestreams & Q&As(Producer tier) – Real-time writing and production insight
Monthly 1-on-1 mentorship calls(Mentor tier) – Personalized Zoom sessions to level up your art or project
This isn’t about content farming.
It’s about connection, insight, and transparency—a direct line into how things actually work, without industry theater or posturing. And yes, it costs less than a McDonald’s meal.
Live in 2026 🔥
March 28, 2026 – E-Tropolis, Oberhausen (DE)
June 26–27, 2026 – Black Lower Castle, Kranichfeld (DE)
Limited appearances. No filler.
You Don’t Hate Social Media. You Just Suck at It. 🧠
This part might sting—but it matters.
If social media feels exhausting, humiliating, time-consuming, or vaguely insulting to your intelligence, there’s a strong chance the issue isn’t the platform.
It’s inefficiency.
Slowness Turns Neutral Tasks Into Enemies
Watching someone spend nearly an hour editing a simple Instagram Reel—basic cuts, timing, text—says everything. For someone experienced, that’s a 3–5 minute task. The task didn’t change. The skill level did.
And with it, the emotional reaction.
If every post feels like an existential crisis, the problem isn’t social media. It’s friction.
“Hate” Is Often Just Resistance
Most musicians who claim to hate social media don’t hate publishing.
They hate:
Not knowing what to post
Taking forever to decide
Feeling clumsy with the tools
Watching others move fast while they struggle
So the ego steps in with comforting lies:
This is fake
This isn’t real art
I shouldn’t have to do this
Convenient. Comfortable. Completely useless.
The Hidden Cost Nobody Calculates
When posting takes an hour, you avoid it. When you avoid it, you stay bad. When you stay bad, the hour never becomes five minutes.
That loop—not algorithms, audiences, or “culture decline”—is the real enemy.
An untrained muscle you refuse to train because you resent the gym.
Speed Is Freedom, Not Selling Out
People who are good at social media don’t dramatize it. They don’t overidentify with it. They don’t justify it.
They open the app. They do the thing. They close the app.
The faster something becomes, the less emotional weight it carries. Ironically, competence is what creates distance.
One Uncomfortable Question
Before declaring social media beneath you, ask this:
If this took five minutes instead of fifty, would I still hate it?
If the honest answer is no, then this isn’t a values problem.
It’s a skill gap.
And skill gaps don’t close by pretending your frustration is philosophical.
Simon Carter has kicked the doors open on 2026 with the release of Welcome, a new EP engineered for the underground. Designed to hit hardest after midnight, the record dives headfirst into shadow-soaked spaces where rhythm rules and the outside world fades away.
Built across four hypnotic techno cuts, Welcome thrives on driving basslines, industrial grit, and a relentless forward motion. Each track locks into a deep pulse, layering mechanical textures and pressure-heavy grooves that feel tailor-made for dark rooms, late nights, and packed dance floors.
This EP isn’t about easing listeners in—it’s about total immersion. From the first beat to the last echo, Welcome establishes Simon Carter’s intent for the year ahead: uncompromising energy, raw atmosphere, and a sound rooted firmly in the underground.
If this release is any indication, 2026 is arriving loud—and Simon Carter is setting the tone.
Los Angeles heavy hitters Fatalist return with a punishing new visual statement that drags modern metalcore back into the gutter — and dares you to sit with it.
Released just 14 hours ago, LOWLIFE marks the latest chapter in the evolving sonic identity of Fatalist, a project that continues to blur the lines between nu-core aggression, modern metal brutality, and raw emotional confrontation.
There’s no polish-for-radio here. LOWLIFE hits like a clenched jaw and a swinging fist — intentional, uncomfortable, and unapologetically real.
⚠️ A VIDEO THAT STARES BACK
The official music video for LOWLIFE doesn’t just accompany the track — it amplifies it. Shot with a stripped-down, confrontational visual style, the video places the viewer face-to-face with the band’s raw intensity. Stark lighting, claustrophobic framing, and chaotic performance energy combine to mirror the song’s internal tension.
This isn’t escapism. It’s confrontation.
The visuals feel grounded in the same emotional weight as the music — a reflection of frustration, self-awareness, and the grind of existing at the margins. Every frame reinforces the feeling that LOWLIFE isn’t a character — it’s a mirror.
🔥 LOS ANGELES DNA, NO COMPROMISE
Forged in Los Angeles, California, Fatalist channels the city’s volatile underground energy into a sound that feels both modern and feral. This is music born from concrete, sweat-soaked rooms, and the pressure of a scene that doesn’t hand anything out for free.
LOWLIFE continues the band’s trajectory of releases that prioritize impact over comfort, proving Fatalist isn’t chasing trends — they’re documenting a state of mind shaped by survival, grit, and defiance.
A slow pulse. A frozen loop. A track designed not to move you—but to stop you. spankthenun has officially announced Rigor Mortis, a release that operates less like a traditional song and more like a sustained psychological state.
❄️ A Loop That Refuses to Die
At the core of Rigor Mortis lies a loop that never fully resolves. It pulses steadily, mechanically, as if unearthed rather than written. The beat is slow, deliberate, and unrelenting, while a minimal hook repeats just enough to bypass conscious thought and settle directly into the body. This is repetition as ritual—designed to linger long after the sound stops.
“We unearthed a loop that never stopped pulsing.”
Rather than building toward release or climax, Rigor Mortis traps the listener in suspension. The track doesn’t escalate—it locks in, holding its ground with clinical precision.
🩸 Hypnosis Over Emotion
This is not a song meant to provoke feeling in the traditional sense. Instead, it explores detachment, stillness, and the eerie calm that follows overstimulation. The simplicity is intentional. The restraint is the weapon.
“A slow beat and simple hook hypnotize the body long after the mind has checked out.”
The experience feels physical before it feels emotional—muscle memory responding while the mind drifts elsewhere. It’s industrial minimalism at its most unsettling.
🧊 When Numbness Means It’s Working
Perhaps the most chilling aspect of Rigor Mortis is its mission statement. The track embraces emotional absence as success, leaning into coldness as a final form rather than something to escape.
“If you feel nothing when you hear it, that means it is working.”
There’s no comfort here. No catharsis. Just the slow acceptance of stillness as the beat continues, indifferent to the listener’s response.
⚙️ A Condition, Not a Song
Rigor Mortis feels less like a standalone release and more like a state of activation—something that spreads gradually, tightening its grip over time. It’s built for headphones, isolation, and late-night immersion, where repetition becomes oppressive and silence feels louder than sound.
The second single from j:dead, titled “Disgusting,” lands on January 2, 2026, via Infacted Recordings, marking a sharper, more volatile evolution of the project’s sound and intent.
Following the debut single “Pressure,” which centered on emotional strain and resilience, “Disgusting” turns inward with far less restraint. This release confronts the discomfort of self-awareness—those moments when complacency, emotional stagnation, and repetitive personal patterns become impossible to ignore. It’s not reflective for comfort’s sake; it’s reflective because looking away is no longer an option.
A More Aggressive Sonic Identity
Musically, “Disgusting” pushes j:dead further into industrial-rock territory. Distorted synth lines grind against driving rhythms while raw, unfiltered vocals deliver their message with urgency. The track is intentionally abrasive—designed to hit hard in both club environments and alternative live settings, trading subtlety for impact.
A Campaign Built on Progression
This release emphasizes evolution over repetition. Rather than chasing frequency alone, each monthly release exposes a different emotional and sonic dimension of j:dead.
The result is a project unfolding in real time—growing darker, heavier, and more self-aware with every chapter while maintaining a direct connection with listeners.
A raw transmission from the inner machinery of the self, “Behind My Eyes” marks a defining moment in the evolution of DarkHeart Syndicate.
DarkHeart Syndicate have officially released their new single Behind My Eyes, delivering a stark, emotionally charged entry into their growing catalog of dark electronic and industrial-infused soundscapes. The track arrives as both a confession and a confrontation—an unfiltered look at the internal battles that rage beneath the surface.
A Glimpse Beneath the Surface
“Behind My Eyes” leans heavily into atmosphere and tension, pairing brooding electronics with a sense of restrained aggression. Rather than relying solely on brute force, the song builds its impact through mood, pacing, and lyrical introspection. It feels claustrophobic by design—pulling the listener inward, into a mental space shaped by isolation, perception, and unresolved conflict.
There’s a deliberate contrast at play: cold, mechanical textures collide with deeply human emotion. The result is a track that doesn’t just play—it lingers, echoing long after the final note fades.
Soundtrack for the Inner War
At its core, “Behind My Eyes” explores the divide between what is shown to the world and what remains hidden. It speaks to survival, endurance, and the quiet strength required to carry unseen weight. This is not a song engineered for surface-level consumption; it’s meant for listeners who resonate with darkness not as spectacle, but as truth.
A Statement Release
With this release, DarkHeart Syndicate continues to sharpen its identity—blending dystopian aesthetics, emotional realism, and a cinematic sense of scale. “Behind My Eyes” feels less like a standalone single and more like a mission statement, signaling deeper narratives and heavier transmissions yet to come.
Fans of industrial, dark electronic, and emotionally driven alternative music will find plenty to dissect here—both sonically and thematically.
This isn’t about fitting into the system or playing along with its rules—it’s about reshaping the landscape entirely and claiming what was never meant to be given.
Deep Dive into the Universe of DarkHeart Syndicate
Till Lindemann, the unmistakable voice and provocateur behind Rammstein, has once again stepped beyond the boundaries of comfort with the release of his latest solo single, “Alles Ändert Sich…Ich Nicht” (“Everything Changes…Not Me”). Accompanied by an unsettling and visually intense music video, the track continues Lindemann’s uncompromising exploration of identity, decay, and defiance in a world obsessed with transformation.
A Defiant Statement Against Change 🩸
The title alone sets the tone: while the world shifts, mutates, and reinvents itself, Lindemann stands immovable. The song leans heavily into themes of personal stagnation versus societal evolution, delivered with his signature baritone that feels both confrontational and eerily introspective. It’s not nostalgia—it’s resistance.
A Video Designed to Disturb ⚙️
True to form, the accompanying video is deliberately provocative. Stark imagery, unsettling symbolism, and a cold, industrial atmosphere collide to create a visual experience that feels more like a psychological endurance test than a traditional music video. Lindemann doesn’t aim to shock for novelty’s sake—every frame reinforces the song’s core message: discomfort is the point.
Till Lindemann Unfiltered 💀
As with his previous solo work, Lindemann uses this project to push further into raw, controversial territory than Rammstein typically allows. Free from band consensus, his solo output feels more personal, more grotesque, and more confrontational—an unfiltered glimpse into the artist’s darker creative impulses.
“Alles Ändert Sich…Ich Nicht” isn’t just a song; it’s a declaration. Lindemann remains exactly where he wants to be—unapologetic, immovable, and utterly indifferent to expectations.
No album cycle. No compromises. Just raw, confrontational energy aimed straight at the dancefloor.
🔥 A New Single—And It Stands Alone
MIKROMETRIK has officially unleashed “Ashes of God [Club Mix]”, a standalone release forged to exist outside the upcoming album’s narrative. This isn’t a teaser or a leftover—this track is its own entity, built to hit harder, darker, and more aggressively than anything before it.
⚙️ Harsh Energy. Relentless Intent.
Driven by punishing EBM rhythms and aggrotech ferocity, “Ashes of God” channels unfiltered anti-religion fury into a club-ready assault. It’s confrontational, uncompromising, and designed to burn everything in its path. Expect zero mercy—only impact.
After weeks of anticipation, the rollout has officially begun. KING 810 LIVE! has landed on SAMHAIN 2—and this is only the opening strike.
🔥 The Rollout Has Begun
The first episode of KING 810 LIVE! is now live on SAMHAIN 2. If you missed the notification or aren’t subscribed yet, now’s the moment to dive in—Ophiel sets the tone, framing what’s coming next with purpose, intensity, and zero compromise. This series isn’t just a recap; it’s a living document of the movement.
🕯️ LIVE! on SAMHAIN 2 — The Strongest Showing Yet
This year’s SAMHAIN 2 performance hit harder than ever. The energy, the crowd, the ritual—everything aligned. Once again, massive respect goes out to everyone who continues to materialize for this annual gathering. As the dust settles, preparation for 2026 is already underway, with multiple new projects in motion. Stay alert.
📀 SAMHAIN 2 2025 — DVD & LIVE CD (Pre-Order Now)
For those who want to own this moment:
KING 810 LIVE! on SAMHAIN 2 (2025) — DVD 💀 Pre-Order Available Now — $30.00
Prefer sound over sight? The LIVE CD captures the full performance experience in raw audio form.
The underground just rumbled — MATT HART has announced his newest descent into dystopian darkness: TALES FROM THE BELOW.
Known for fusing industrial grit, cybernetic atmosphere, and post-apocalyptic storytelling, Hart’s latest chapter promises a heavier, deeper excavation of the world beneath the wasteland. Tales From the Below feels less like a simple announcement and more like a transmission — a warning flare fired upward from the dark.
Expect pounding machines, metallic tension, and narrative shadows that refuse to let go. This is MATT HART at his most expansive and mythic yet.
Check it out now and step into the underworld he’s building.
SINthetik Messiah closes out the year with a brutal, genre-warping gift to the dark electronic underground: the 2025 Compilation (End of the Year Edition) — a 21-track onslaught spanning ambient hauntings, witch house atmospheres, rhythmic noise assaults, and more.
This collection isn’t just a sale — it’s a full-spectrum descent into the many fractured identities of SINthetik Messiah, distilled into one end-of-year sonic ritual for only $8. A perfect storm for listeners who crave shadow, experimentation, and sheer electronic chaos.
The pulse of a forgotten era roars back to life as SPANKTHENUN unveils “Berlin,” a pure New Beat time capsule forged entirely from authentic 1987 hardware.
The Sound of a Dark Dancefloor Reborn 💀
SPANKTHENUN steps straight into the shadows of electronic history with “Berlin,” the first transmission from their upcoming New Beat Collection: Era 1987. This release is more than a song—it’s a restoration of an era when underground clubs bled smoke, neon, and minimalist mechanical rhythm.
To honor the origins of New Beat, the band turned back the clock and used only gear from 1987—no modern shortcuts, no plugins, no digital gloss. The result? A raw, pulsing, hypnotic groove that feels ripped straight from a European nightclub caught between darkness and desire.
A Refrain That Possesses the Mind 🖤
The mantra at the core of Berlin is as addictive as it is transportive:
“Baby, take me to Berlin.” “Baby, nimm mich mit nach Berlin.”
A bilingual invocation. A looping seduction. A phrase engineered to echo in your skull long after the track stops spinning.
This is the kind of single that doesn’t just play—it haunts.
France’s sad electronica/dream pop enigma GRABYOURFACE returns with a haunting new visual for “All I Have Is Love, All I Do Is Destroy,” the standout descent into heartbreak from the February 5th album Sadgirl Mixtape.
A Ritual of Ruin ⚡
In the new video, GRABYOURFACE drifts through the motions of daily life — smoking, walking, driving — the kinds of quiet rituals we cling to when a relationship collapses under its own weight. Each gesture feels slow, suspended, as if time itself refuses to move forward. Beneath these momentary distractions sits the raw void: loneliness, lingering pain, and the quiet ache of trying to outrun memories that won’t stop whispering.
It’s stark. It’s vulnerable. It’s the sound of a heart learning to beat again.
GRABYOURFACE thrives in that intoxicating place between emotional ruin and dancefloor confessionals — where tears fall in strobe lights and heartbreak turns into something strangely powerful.
Her sonic palette draws from Boy Harsher, Linkin Park, Lana Del Rey, and Lil Peep, forming a shadowy hybrid of dream pop, sad electronica, and emotional excavation. At her shows, she lets the demons loose: a catharsis of dark glamour, melancholy, and violent beauty. It’s intimate. It’s dangerous. It’s unforgettable.
All music, lyrics, and performance by GRABYOURFACE Mixed & mastered by GRABYOURFACE Additional support from Ben Concrete (Petrol Bastard, Ray the Binman) and Matt Fanale (Caustic, Klack, Daddybear)
Discography 📼
1LLNES$E$ (EP, 2017)
philophobia (EP, 2017)
We Live (EP, 2018)
Keep Me Closer (LP, 2018)
Summer on Saturn (EP, 2019)
Summer on Saturn Remixes (LP, 2020)
Sea (LP, 2020)
Rob The Bank (Single, 2021)
FKNBSTRDS / HOWDAREU (EP, 2022)
Haine X Guillotine (EP, 2023)
Sadgirl Mixtape (LP, 2025)
🎶 Listen Now:
Deep Dive into the Universe of GRABYOURFACE 🌌
Bandcamp – Link Instagram – Link Facebook – Link TikTok – Link The Dark Channel PR – Link
Just in time for the dark season, NIGHT RIVALS return with their haunting new single “Vampires In Love (Black Eyes And Love Bites)” — a seductive mix of passion, pain, and pulse-pounding rock energy that captures the gothic spirit perfectly.
The band describes it simply:
“Only music. No A.I. Only real people. No bots. Just us. Big love to you all.”
Authentic, human, and charged with emotion — “Vampires In Love” is a love letter to the night itself. Sink your fangs into it now and celebrate the eternal romance of darkness. 🦇
British industrial techno/gabba powerhouse JUNKIE KUT has dropped his ferocious new single “OutPSYders”, a battle cry for the misfits, freaks, and free thinkers of a homogenized world. The track is now available on all major streaming platforms and serves as a fiery follow-up to his acclaimed 2024 album ekstasis.
⚙️ A Battle Cry for the Outsiders
“So many of us struggle to live in mainstream culture,” says JUNKIE KUT, “so I wanted to make a track of optimistic rage—dedicated to the people who don’t fit in; the goths, the ravers, the punks, the geeks, the freaks. It’s a battle cry for individuality in a painfully homogenous world.”
“OutPSYders” captures that energy with a wall of distorted industrial beats and relentless gabba fury, fusing defiance and euphoria into one explosive statement of rebellion.
🔊 The Sonic Weaponry of JUNKIE KUT
Known for fusing industrial, punk, metal, speedcore, gabba, techno, and trance, JUNKIE KUT stands as one of the most radical forces in the underground scene. After igniting main stages at Resistanz Festival and Infest, he continues to shatter genre boundaries with unfiltered energy and raw intensity.
Having performed alongside Aesthetic Perfection, Zardonic, Deviant UK, and Ayria, and tearing up legendary hardcore events like Hardshock, Pokkie Herrie, Terrordrang, and Berlin’s F*ckParade, his cult following stretches across Germany, the Netherlands, and the UK.
🔥 Radical Sound, Revolutionary Spirit
Fueled by counterculture and neo-shamanic visions of liberation, JUNKIE KUT channels chaos into catharsis. His sound—described as “optimistic rage”—transforms despair into movement and rebellion into art.
This is more than music—it’s a sonic ritual for those who refuse to conform. This is music for the outPSYders.
🩸 Upcoming Tour Dates
07 Nov – Project Speedcore Dungeon, Club Nopti Albe, Köln, DE 08 Nov – Helsinki Industrial Festival, Helsinki, FI
💽 Discography Highlights
Terror, Rage and Liberty (2010 – DTRASH / Splatterkore)
T.H.E.Y (2012 – Unrepresented Music)
Enter The Dreamtime (2017 – Splatterkore)
EKSTASIS (2024 – Self-Released)
All True Weapons (2025 – Digital World Audio / Resistanz)
The ever-fierce I Ya Toyah returns with a new surge of energy through “Denial (Aesthetic Perfection Remix)”, reimagining her haunting industrial sound with Daniel Graves’ signature electronic venom. This remix blends icy synth lines, pulsating bass, and a dose of Aesthetic Perfection’s dark-pop flair, transforming the original into a dancefloor inferno for the disillusioned and defiant.
Fans can expect the remix to amplify the raw emotion and cyberpunk tension that I Ya Toyah is known for—twisting the edges of pain and beauty into something electrifying.
🎶 Listen Now:
💬 “Denial is about confronting the uncomfortable truths we try to bury,” says I Ya Toyah. “This remix turns that confrontation into a dark celebration—a scream disguised as a song.”
⚡ About I Ya Toyah
Born in Poland and now based in Chicago, I Ya Toyah’s name translates roughly to “It’s just me”—a fitting declaration for the one-woman army behind her music. Blending industrial, darkwave, synth-pop, and electronic rock, she writes, records, and produces everything herself, championing a fiercely DIY ethos under her own label Femme Fatale Records.
Her work delves deep into themes of mental health, human rights, and self-empowerment, often donating proceeds from her music and merchandise to causes such as the American Foundation for Suicide Prevention and Animal Hope & Wellness. I Ya Toyah views her project not merely as music, but as a movement—a rallying cry for individuality and strength in dark times.
Her debut album Code Blue (2018) introduced her as a formidable voice in the industrial underground, with subsequent releases and collaborations pushing her further into global recognition. “Denial (Aesthetic Perfection Remix)” continues that legacy, fusing raw emotion with machine-driven precision.
🌍 Upcoming Tour Dates (Post November 1, 2025)
I Ya Toyah is currently bringing her electrified stage presence to Europe, delivering an immersive live show that merges sound, light, and sheer intensity.
Nov 2, 2025 – Zik-Zak, Ittre, Belgium
Nov 4, 2025 – L’Ampérage, Grenoble, France
Nov 5, 2025 – Backstage By The Mill, Paris, France
Nov 7, 2025 – Salle de Spectacle, Saint-Ismier, France
Nov 8, 2025 – Beasto Blanco, Telfs, Austria
Nov 11, 2025 – Analog Music Hall, Budapest, Hungary
Fans describe her performances as cathartic, defiant, and hypnotic—a raw surge of emotion set against pulsating visuals and cybernetic rhythm.
Industrial darkwave innovators FIX8:SED8 have released the Octagram (Deluxe Edition), giving fans an expanded and enhanced journey into their signature sound. This deluxe edition offers reimagined tracks, exclusive remixes, and bonus material that deepens the immersive, haunting atmospheres fans have come to expect from the project.
The album continues to explore the shadows between noise, rhythm, and emotion, merging pulsating electronic textures with darkly melodic elements, creating a soundscape both mesmerizing and menacing.
The pulse of the underground just got louder — ULTRA SUNN return with their electrifying new single, The Beast In You, now available across all platforms. The track strikes with the signature blend of darkwave, EBM, and post-punk energy that has made the Brussels duo one of the most commanding forces in modern electronic music.
The Beast In You prowls through the depths of human emotion — confronting the duality within us all. It’s a sonic exploration of instinct, fear, and control, set to throbbing basslines, haunting synths, and hypnotic vocals. This is ULTRA SUNN at their most visceral and cinematic, balancing aggression and elegance in a perfectly controlled storm of sound.
Electro-industrial duo KLACK has surprised fans with a brand-new live release, In Case You Didn’t Feel Like Staying Up (Live), captured during their electrifying performance at the Cold Waves XIII afterparty last Saturday.
🎶 A Night Worth Reliving
KLACK’s set at the Chicago festival afterparty showcased their trademark retro-future EBM stomp, synth grit, and dancefloor nostalgia, fueling an already unforgettable weekend for the industrial community. The duo recorded the performance in full and decided to release it for fans—whether you were there moshing in the crowd or tuning in from afar, now you can relive the moment.
🔥 The Cold Waves Legacy
Now in its thirteenth year, Cold Waves has become one of the most vital gatherings for industrial, post-punk, and electronic music fans worldwide. KLACK’s afterparty performance cemented their role as one of the scene’s most exciting modern acts bridging classic body music with fresh, forward-looking energy. This live release feels like both a celebration of the festival’s legacy and a testament to KLACK’s ever-growing reputation.
🤝 Music with Purpose
KLACK isn’t just about beats—they’re about community. To that end, all profits from the release this weekend will be donated to DARKEST BEFORE DAWN, a nonprofit charity that supports nightlife, hospitality, and music industry workers through mental health services and crisis aid. By picking up the album, fans can experience the raw electricity of the show while directly supporting a cause tied to the music community.
UK electronic powerhouse Simon Carter has officially dropped his brand-new album Outliers, with pre-orders live now and the full release set for October 3rd, 2025. Dropping just in time for Bandcamp Friday, this release is already turning heads in the global industrial and electronic scene.
🎶 From Singles to Sonic Uprising
After the high-voltage singles “Pain & Pleasure” and “Dusk Till Dawn” lit up dark clubs and playlists worldwide, Carter now presents the full-length Outliers—a record engineered for dancefloor dominance. Expect a relentless journey through heavy low-end, neon-lit atmospheres, and pulse-pounding rhythm designed to make bodies move.
🌀 The Sound of Outliers
Carter’s latest is a fusion of Techno, Dark Electro, Industrial Bass, and Cyberpunk energy, shot through with flashes of his signature Trance and Futurepop elements. The result is an album that feels equally at home in underground raves, cyberpunk soundtracks, and the high-voltage chaos of the modern industrial scene.
Simon Carter states:
“Outliers is about capturing those who exist outside the norm—people, ideas, and music that disrupt the cycle. It’s built for connection, release, and catharsis on the dancefloor.”
Philadelphia’s industrial sludge metal insurgents WORST ONES have returned with a brutal new single and video, Deny Reality—a sonic assault that cuts through willful ignorance with venom, distortion, and uncompromising heaviness.
⚡ Claustrophobic & Hypnotic Sound Deny Reality channels the bleak pulse of Godflesh, the twisted hooks of Nine Inch Nails and Marilyn Manson, and the sample-driven chaos of Skinny Puppy. Built on relentless electronic percussion and skittering hi-hats that slice through layers of noise loops, the track morphs shredded guitars into inhuman fragments. A towering chorus rises above the chaos, before a crushing breakdown drags the listener into sludge-drenched oblivion.
💀 Lyrical Warfare Against Ignorance At its core, Deny Reality confronts the culture of willful blindness that has metastasized into complicity. With lyrics like “Cast out your empathy, behold your tragedy” and “My nightmares are dreams, you deny reality,” the track attacks the toxic refusal to see truth—an ignorance that sustains violence and accelerates collapse. It’s not an escape—it’s the very engine of destruction.
🔥 Noise as Resistance The track will also appear on Abolish ICE, a Philadelphia-based compilation featuring 16 local metal, hardcore, and punk bands—including Trunk, L.M.I., Sunrot, Boozewa, SOJI, Detox Meds, and Get Well. Copies are available in exchange for donations to Juntos, a community-led Latine immigrant rights organization. With this, WORST ONES transform their sound into protest—turning distortion into direct action, and noise into a weapon of resistance.
🎛️ Behind the Sound Deny Reality was written and recorded by Drew Ew and Doppelganga, mixed and mastered by Jared Birdseye, with visuals directed by WORST ONES and Luz Sanchez. Promo photography by Luz Sanchez, live photography by Vinny Barreras, cover and logo design by Drew Ew (with “deathmetallogo” by Darren Adcock).
Industrial noise entity VERFÜHRERVERGELTER has just dropped their latest transmission, Post-Void / Pre-Body—a release that blurs the line between collapse and rebirth, silence and circuitry, decay and resurrection.
⚡ A Harsh Emission from the In-Between The release arrives as five sonic bursts described as “transmitted from the primordial soup of decomposed flesh and corroded PCBs.” Post-Void / Pre-Body is not crafted as a soundtrack or a traditional soundscape—it’s a raw dissection, an exposed noise corpus stitched together from tissue, glitches, and electronic residue.
💀 Between Rot and Simulation With each track, VERFÜHRERVERGELTER drags the listener through liminal corridors:
Between shutdown and reboot.
Between rot and simulation.
Between meaning and total refusal.
The result is a chaotic yet strangely autonomic pulse—harsh noise refusing narrative, rejecting closure, and leaving behind only corrupted fragments.
🔥 The Artist Speaks in Transmission As VERFÜHRERVERGELTER declares:
“Every transmission is a scream. But no one remembers how to listen. Corruption complete. Still leaking… No closure. No cleanse.”
Industrial chaos-agent Caustic has officially unleashed FIEND II into the world — no teasers, no countdowns, just pure shock-and-drop energy. Known for breaking rules and burning convention to the ground, Caustic once again flips the script with an album release that comes screaming straight from the underground.
⚡ The Sudden Drop
In true Caustic fashion, the announcement came raw and unfiltered:
“F–K IT! Let’s get this out. FIEND II is released! I’m sick of waiting. Thanks to everyone who preordered, and enjoy the album.”
That’s it — no PR gloss, no delay, just a direct hit from Caustic’s sonic arsenal.
🔥 The Sound of FIEND II
The first FIEND installment was already a snarling beast, and FIEND II doesn’t just pick up where it left off — it tears open new wounds. Expect pulverizing beats, searing distortion, and Caustic’s trademark venom, balancing between brutal catharsis and electronic anarchy.
Electronic artists Pixelgrinder and Stormformer have released their new collaborative project, the STRMGRNDR EP. The release is a joint effort that blends the unique sonic styles of both artists into a cohesive and powerful sound.
Deep Dive into the Universe of Pixelgrinder
The EP is available for purchase and streaming on various platforms. While a direct link to the EP could not be found, you can explore the music of one of the artists here:
The legendary Danish electro-industrial artist Claus Larsen, better known as Leaether Strip, has released a new album, Æppreciation VIII. Available today via Cleopatra Records, this is the latest installment in Larsen’s ongoing series of tribute albums. This edition shines a dark, pulsating spotlight on iconic tracks by female-led artists, offering an industrial-tinged reimagining of each song.
The album features covers of well-known tracks from artists like Garbage and Robyn, reimagined with Leaether Strip’s signature grit and emotional intensity.
MIKROMETRIK has just released their new single, “P.O.F.O.K.O.” This dark electro mantra, built on heavy beats and distortion, is the first single from the band’s upcoming album, “Hell is Empty,” set to be released in 2026. The track, an industrial ritual for the dancefloor, takes its name from the phrase “People Only Feed On Killing Others,” forging rage, frustration, and raw truth into sound.
London-based artist RAY NOIR has just released his most personal and unapologetic effort to date, the EP Against The Machine. This EP is a blend of industrial rock, goth, and electro-metal, and explores love, loss, and defiance from the perspective of a queer person fighting to be seen.
Against The Machine features a guest appearance from Grammy-winning guitarist Steve Stevens and was produced by Jon Cass. The project is described by Noir as “romantic, violent, tender, and angry all at once,” a scream from the margins for those who have always been told they don’t deserve love.
Along with the EP, Ray Noir has released a music video for the single “Mad World.” The video for this politically charged ballad, which you can watch here, strips everything back to expose the stark reality of living in a world dictated by power and corruption.
You can stream or download Against The MachineHERE
A Deluxe Edition of the EP is set to follow in December 2025, featuring exclusive remixes by Tension Control, Verona on Venus, Junkie Kut, and Die Kur. The EP will also be released on vinyl and CD at a later date.
Industrial music provocateurs spankthenun have released a new project titled BLAK, which they are presenting not as a traditional album but as a “declassified sonic dossier.” The release is framed as an urgent advisory to the public, warning of an “imminent data release” detailing a phenomenon described as a subculture unified by a stark, dark aesthetic.
The band states that the project is a deep-field study into a “memetic contagion” and that the tracks themselves are “stabilizations” of data. These sonic interpretations include “The Singularity Edit,” which represents an act of separation from the mainstream, and “The Event Horizon Edit,” which explores the boundary of this subculture. A third track, “The Absolute Zero Rendition,” captures what the band calls the sound of “elegant, defiant isolation.”
In a statement, the band acknowledged their role in the phenomenon, saying, “We were not composing; we were documenting a memetic contagion…This release is a warning, an invitation, and a confession. We are all part of the experiment now.”
BLAK is now available on all major streaming platforms, with exclusive versions offered on their Bandcamp page.
BLAK is a chilling and atmospheric release that pushes the boundaries of industrial music, delivering a soundscape that is both immersive and unsettling. The project’s unique conceptual framing as a government-style data release adds to its intrigue and artistic weight. It is a must-listen for fans of industrial, darkwave, and experimental electronic music.
Mach FoX will release the new 7-song album Chaos of Man in October 2025 on Phage Tapes. The album will be available on cassette and digital.
Originally intended for the third Zwaremachine album, these songs were reworked after the passing of drummer Dein Offizier in August 2023. The project was then released under the Mach FoX name, as the songs no longer fit the current Zwaremachine live set. The album features the classic Zwaremachine trio of Mach FoX, bassist Dbot, and the late Dein Offizier on surdo drum.
The single “Biteback” from the album was released on Friday, September 5th.
Chaos of Man is for fans of industrial rock and Wax Trax.
Zwaremachine is currently on “The Machine Comes Alive Tour,” which includes both European and U.S. dates. This tour is notable as it features the new lineup following the passing of drummer Dein Offizier.
Key Tour Details:
U.S. Dates: The tour includes shows in Sioux Falls, Minneapolis (a hometown show supporting Leæther Strip), and Chicago.
European Dates: The band is also performing in Belgium, Germany, and the Netherlands, with some shows featuring bands like Vuduvox and Enzo Kreft.
Current Lineup: The live shows feature Dutch guitarist Paul K and a new drummer/guitarist in addition to founder Mach FoX. This new live configuration is distinct from the trio that recorded the Chaos of Man album.
Happy Monday, Perfectionists! Things are busy at Aesthetic Perfection HQ. While we’re gearing up for our upcoming winter tour with Till Lindemann, we’re also excited to announce a series of headline shows on the We Bring the Beat Tour. All dates and ticket links are listed below.
We’re also secretly working on a new album and even discussing a potential return to North America in 2026. Stay tuned for more details as they develop, and if you want access to top-secret information and regular updates, consider joining our Imperfect Society community.
In the meantime, the reimagined reissue of my debut album, Closer to Human, is finally available in the North American shop, and my Dark Force Fest lecture has been published on YouTube. You can find all the details on these below. Your support means the world to me!
Closer to Human | Out Now!
On June 20th, I released the long-awaited reissue of my debut album. This isn’t just a simple re-release; it’s a complete reinvention of the 2005 original, rebuilt from the ground up using all the original samples and synthesizers.
During the initial preorder, the red vinyl editions nearly sold out, but a handful were reserved for my online shops. They’ve just arrived in our facility and are shipping now. Don’t miss out, because once they’re gone, they’re gone! Closer to Human is available in all formats in both the Aesthetic Perfection North American and European webshops.
How to Make It When You Haven’t Made It
On May 3rd, 2025, I finally held the talk I’d been planning for over a decade. Originally conceived for SXSW in 2014, my lecture explores the realities, promises, and pitfalls of being an independent musician. It’s meant to help artists turn their passion into a profession without relying on the traditional music industry.
Give it a watch on YouTube and let me know if you’d like me to do more presentations like this.
Spotify | Curated Playlists
I’ve made many of my private Spotify playlists public. In my free time, I love curating playlists that feature my favorite vibes and genres, and I thought you might enjoy them too! So far, the response has been great. Here are some of my current playlists:
Dark Electro + Aggrotech Essentials
Industrial Metal Essentials
Futurepop + Synthpop Essentials
This is Industrial Pop
Sick, Sad, Lovesongs
Live Dates
OCT 28 – Leipzig, DE – Hellraiser* | Tickets
OCT 29 – Leipzig, DE – Quarterback Immobilien Arena+ | SOLD OUT
OCT 31 – Amsterdam, NL – Ziggo Dome+ | Tickets
NOV 02 – Antwerp, BE – Sportpaleis+ | Tickets
NOV 03 – London, UK – Camden Underworld* | Tickets
NOV 04 – London, UK – OVO Arena Wembley+ | Tickets
NOV 06 – Frankfurt, DE – Festhalle+ | Tickets
NOV 07 – Braunschweig, DE – westand* | Tickets
NOV 08 – Dortmund, DE – Westfalenhalle+ | Tickets
NOV 10 – Dresden, DE – Messe Dresden+ | SOLD OUT
NOV 13 – Barcelona, ES – Sant Jordi Club+ | Tickets
NOV 15 – Madrid, ES – Palacio Vistalegre+ | Tickets
NOV 17 – Lisbon, PT – MEO Arena+ | Tickets
NOV 20 – Paris, FR – ADIDAS Arena+ | Tickets
NOV 21 – Düsseldorf, DE – PSD Bank Dome+ | Tickets
NOV 23 – Hamburg, DE – Barclay’s Arena+ | Tickets
NOV 25 – Munich, DE – Olympiahalle+ | Tickets
NOV 27 – Nuremberg, DE – Arena Nürnberger Versicherung+ | Tickets
NOV 28 – Wroclaw, PL – Club Liverpool* | Tickets
NOV 29 – Vienna, AT – Stadthalle+ | Tickets
NOV 30 – Vienna, AT – Szene* | Tickets
DEC 01 – Krakow, PL – Tauron Arena+ | Tickets
DEC 02 – Budapest, HU – MVM Dome+ | Tickets
DEC 04 – Bucharest, RO – ROMEXPO+ | Tickets
DEC 06 – Istanbul, TR – Ülker Sports Arena+ | SOLD OUT
DEC 08 – Sofia, BG – Arena Armeec+ | Tickets
DEC 09 – Belgrade, SER – Zappa Baza* | Tickets
DEC 10 – Zagreb, HR – Arena+ | Tickets
DEC 12 – Milan, IT – Alcatraz+ | Tickets
DEC 13 – Karlsruhe, DE – Stadtmitte* | Tickets
DEC 14 – Zürich, CH – Hallenstadion+ | Tickets
DEC 16 – Stuttgart, DE – Hanns-Martin-Schlyer-Halle+ | Tickets
DEC 17 – Frankfurt, DE – Das Bett* | Tickets
DEC 18 – Prague, CZ – O2 Arena+ | Tickets
DEC 19 – Prague, CZ – Cargo Gallery* | Tickets
* = Headline Show+ = Supporting Till Lindemann
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