The Browning return in full combat mode with Dominator [EVOLVED], a re-engineered strike that upgrades one of their most aggressive tracks into a sharper, heavier, and more futuristic weapon. This isn’t a remix for convenience. It’s a recalibration for domination.
A Track Rebuilt for Maximum Impact
💀 From the opening moments, Dominator [EVOLVED] hits harder and moves faster, tightening the band’s signature fusion of industrial electronics, deathcore brutality, and cybernetic atmosphere. The low-end is thicker, the synth architecture more hostile, and the percussion feels engineered for mass destruction rather than passive listening.
This evolved version strips away any excess and reinforces what The Browning do best: turning mechanical precision into raw aggression. The result is a track that feels less like a song and more like a system takeover.
Cybernetic Aggression, Perfected
⚙️ The band’s trademark blend of machine-driven sound design and bone-crushing riffs reaches new clarity here. Vocals are more commanding, the drops more punishing, and the overall mix pushes the track into club-and-pit-ready territory. Dominator [EVOLVED] doesn’t just revisit the past, it upgrades it for the present battlefield.
Why This Release Matters
🔥 This single reinforces The Browning’s position at the intersection of metal, industrial, and electronic extremity. It’s a reminder that evolution is not optional in heavy music. You either adapt, or you get erased. Dominator [EVOLVED] chooses adaptation through force.
HIGHSOCIETY & Micah Martin collide with Zardonic’s bass-fueled chaos for a remix built to detonate speakers.
⚡ A New Single Rewired for Maximum Impact
FiXT has officially released “Going Under (Zardonic Remix)”, transforming the original HIGHSOCIETY & Micah Martin collaboration into a relentless hybrid of rock, electronic aggression, and cyberpunk energy. Zardonic injects his unmistakable style—razor-edged synths, crushing low end, and pulse-racing momentum—into a track that thrives in both the pit and the club.
🔊 Where Rock Meets Electronic Warfare
Micah Martin’s powerful vocal delivery remains front and center, now surrounded by Zardonic’s high-octane production that amplifies the tension and intensity. The result is a remix that doesn’t just reinterpret the song—it weaponizes it.
As winter descends across alien terrain, Celldweller opens a shimmering portal between galaxies, holiday nostalgia, and the next era of his sonic universe.
A Holiday Broadcast from the U.S.S. Solaris ❄️🚀
Hovering above the frozen Atirian plains, Celldweller reflects on how a fresh coat of crystalline snowfall can soften even the harshest landscape. From Command Control aboard the U.S.S. Solaris, he uses this rare serenity to deliver a gift to his interstellar listeners: the first two tracks from his growing Offworld Christmas collection.
His blistering, atmospheric renditions of “Silent Night” and “What Child Is This?”—now available everywhere—mark the beginning of a long-term plan to craft a full offworld holiday album, one song at a time. No luck required—just relentless cosmic craftsmanship.
Millions of Streams & A Year of Gratitude 🌌
With 2025 approaching its final checkpoint, Celldweller turns his attention back to you—the listeners who helped push his music into the millions upon millions of streams. Every play, every share, every deep-dive into his sonic architecture fuels the engine behind his galaxy-sized creativity.
New Worlds, New Scores, New Sagas 🎮🔥
The year ahead marks a major turning point. Celldweller now confirms two full game scores have been completed:
Legacy of Kain: Soul Reaver – The Dead Shall Rise
A second, yet-unannounced score dropping in early-to-mid 2026
Whether you’re a fan of the franchises or simply a devotee of dark, cinematic audio, he promises these compositions stand on their own as massive pieces of the Celldweller mythos.
God Mode: The Next Celldweller EP 💀⚡
The next chapter begins with God Mode, a brutal, high-energy EP already pulsing with momentum. The first single “Fakebreaker”—featuring SWARM and REEBZ—has already rocketed to 1.6 million views on YouTube in a single month.
Next up: “Respawn,” now in the final phase of production, vocals locked, arrangements nearly perfected. With luck (or determination), it should reach listeners in early 2026.
Even further down the pipeline is a new track tentatively titled “No Damage,” along with sketches for additional songs. Celldweller assures fans: God Mode is very real—and very imminent.
Scandroid Reawakens 🟥🟦
On the synthwave frontier, the Scandroid universe has been quietly expanding in the shadows. A full album already exists in demo form, with several tracks fully mixed and awaiting deployment.
This era promises the most elaborate world-building ever attempted under the Scandroid banner—an immersive retro-futuristic odyssey set to unfold once God Mode clears its final checkpoints.
Upgrading the Arsenal: Canon R6 mkIII & New Creative Tools 📸✨
After an agonizing internal battle between Canon and Sony, Celldweller made his choice: the Canon R6 mkIII now joins his offworld toolkit.
This means sharper studio content, more detailed behind-the-scenes glimpses, and perhaps… short films. Ambitious? Absolutely. Off the table? Never.
And if you’ve got unused photography or videography gear gathering stardust in storage? Send it into orbit—he’ll put it to work.
Holiday Warmth from the Cold Atirian Surface 🎁🌲
As moonflare pines glow against a bleak alien horizon, Celldweller reminds fans that warm vibes—and holiday sales—await at the FiXT Store.
You can explore Celldweller’s music, merch, and seasonal offerings right here: FiXT Store
Toward 2026 and Beyond 🌠
Celldweller closes his transmission with hope: wherever you roam—Earth, Atiria, or any orbit in between—pause to embrace whatever peace your world can offer. Spend time with family, friends, or your favorite Outland Industries Companion Bot (Series 9 recommended for optimal conversation).
He’ll see you back on Earth in 2026. Until then… sleep in heavenly peace.
FiXT has officially dropped Celldweller’s sinister seasonal anomaly, An Offworld Christmas — a holiday release engineered for those who prefer their cheer distorted, interstellar, and pulsing with alien energy.
Blending cybernetic sleigh bells, industrial frostbite, and Celldweller’s unmistakable offworld sound design, this release reframes Christmas through a darker cosmic lens. It’s festive… but from a timeline where the stars sing back.
The legendary producer returns after nearly five years with an apocalyptic fusion of industrial metal and electronic chaos.
⚡ Explosive Comeback After years of silence on the vocal front, Celldweller — the brainchild of multi-genre mastermind Klayton — has re-emerged with a thunderous new single, “Fakebreaker.” This marks his first full-vocal release in nearly five years, and it’s a sonic firestorm that blends industrial metal, electronic rock, and cinematic bass energy into one devastating package.
Teaming up with dark-bass producer SWARM and vocalist/producer REEBZ, Celldweller delivers a soundscape that’s part cybernetic warfare, part emotional exorcism. Expect thunderous guitars, mechanical grooves, and distorted synths that explode into a dystopian frenzy.
🎛 The Story Behind the Sound Klayton revealed that the project began unexpectedly:
“A 303 acid bassline and a breakbeat… this was a demo for my project FreqGen. While building my new studio, ‘Fakebreaker’ developed into a monster.”
As the track evolved, he enlisted REEBZ for her fierce vocal layering and SWARM for his retro-infused dark electronic textures. The collaboration created a high-impact track that merges three creative visions into one unstoppable sonic juggernaut.
💥 Cinematic Visuals & Future Vision Accompanying the single is a video game-inspired visual where Klayton and REEBZ navigate a neon-drenched digital battlefield — a chaotic visual extension of the track’s post-apocalyptic themes. The release also teases the next phase of Celldweller’s evolution, rumored to build toward his upcoming “God Mode” EP under FiXT.
For long-time fans, this is more than a comeback — it’s a resurgence. For new listeners, it’s a warning shot: Celldweller is still the architect of industrial revolution in modern electronic music.
🔥 The fusion of metal and electronic music has a new apex predator — The Browning have dropped their latest single, “EVOLVE,” through FiXT, and it’s a brutal showcase of human endurance, transformation, and defiance against stagnation. Fronted by visionary Jonny McBee, the track represents a continuation of The Browning’s signature cyber-metal hybrid, pushing their aggressive sound to new, futuristic heights.
💥 “EVOLVE” hits with mechanical precision — blending deathcore breakdowns, industrial pulse, and apocalyptic synths that mirror both the chaos and promise of modern existence. Lyrically, the song captures the struggle to grow in a collapsing world, reminding listeners that pain and persistence are catalysts for true evolution. It’s not just a single — it’s an anthem for anyone refusing to stay static in the face of destruction.
🎧 Produced and engineered by McBee himself, the track balances machine-like brutality with cinematic atmosphere, creating a soundscape that’s both punishing and uplifting. Longtime fans will recognize The Browning’s unmistakable energy, but “EVOLVE” also signals a sharper, more refined sonic direction that could define their next era.
🔥 Since their 2011 debut Burn This World, The Browning have remained a force in the industrial metal scene, uniting EDM, hardcore, and cyberpunk aesthetics into something uniquely their own. “EVOLVE” reaffirms their legacy — and hints at a possible new album that could take their sound even deeper into the digital abyss.
🎶 Listen Now:EVOLVE (Single) by The Browning — available now on all major streaming platforms.
FiXT has announced the release of the Definitive Edition of Circle of Dust’s acclaimed album, Machines of Our Disgrace. Originally released in 2016 after a near two-decade hiatus, this new version is a 2-LP vinyl set from artist/producer Klayton, known for both the Circle of Dust and Celldweller projects.
The Definitive Edition is not just a remaster; it’s an expanded two-disc collection that includes the full original album along with brand-new songs like “Invisible World” and “Digital Messiah,” plus an entire second disc of exclusive remixes. The album is a powerful statement on humanity’s descent into technological dependence, fusing industrial metal, electronic rock, and intricate sound design.
Machines of Our Disgrace (Definitive Edition) is currently available for pre-order and is estimated to ship on or before November 21, 2025.
Deep Dive into the Universe of Circle of Dust & Celldweller
FiXT has officially released “NIGHT OF,” the latest powerful single from electronic rock artist The Anix. Known for pushing the boundaries between modern rock and industrial electronica, the project, led by Brandon Smith, delivers a track that showcases a meticulous blend of driving synthetic rhythms, atmospheric soundscapes, and soaring vocal melodies. The single represents the next chapter in the band’s ever-evolving sonic journey, immediately grabbing listeners and drawing them into a darker, more introspective world.
Thematically and sonically, “NIGHT OF” is a nocturnal anthem that explores introspection and the unknown. The track’s production is polished yet haunting, built on a foundation of pulsing basslines and intricate synth work that creates a cinematic, dystopian atmosphere. The song builds tension with its dynamic arrangement, culminating in an emotionally charged chorus that feels both epic and deeply personal. It’s a testament to The Anix’s ability to craft songs that are not only sonically compelling but also rich in narrative depth, providing a multi-layered experience for longtime fans and new listeners alike.
With “NIGHT OF,” The Anix solidifies its reputation as a leading force in the electronic rock scene. The single stands as a testament to the project’s consistent quality and creative vision, maintaining the high standard set by previous releases on the FiXT label. This new song offers a tantalizing preview of what’s to come, hinting at a larger body of work on the horizon. Fans are encouraged to stream “NIGHT OF” now and stay connected for more announcements from The Anix and FiXT.
Out now via FiXT, Void Chapter have just unleashed a freshly remastered edition of their explosive debut single, “The Uprising (2025 Remaster)” — reigniting the track that started it all with upgraded sonic firepower for a new era of resistance.
Packing even more cinematic intensity, industrial grit, and futuristic precision, this remaster sharpens every edge of the original anthem, giving fans old and new a reason to rise once again.
Whether you’re building a revolution or just blasting through your workout, this is the soundtrack for defiance, empowerment, and post-apocalyptic swagger.
FiXT has just released the captivating and powerful new single “Night Mother” from the enigmatic artist Daedric! Prepare to be drawn into its dark and alluring soundscape.
FiXT has just dropped the explosive “Hive Mind (Single Edit),” a powerful collaboration between Circle of Dust and Celldweller! Prepare for a sonic fusion of industrial intensity.
FiXT, the renowned electronic music label, has just released the latest high-energy track from the talented artist Raizer. “Electric Sun” features the captivating vocals of Thomas Millett, delivering a powerful and vibrant new sound.
Experience the energy of “Electric Sun” now: [Link to Electric Sun]
Three titans collide in an industrial-metal supernova—listen now on FiXT!
FiXT has just unleashed a sonic juggernaut with the release of OVERLORD, a crushing new single born from the genre-blending minds of The Browning, SWARM, and THE DEFECT. This high-voltage track delivers the best of all three worlds: electronic aggression, metalcore intensity, and dystopian atmosphere.
With its hard-hitting drops, pummeling riffs, and apocalyptic textures, OVERLORD is an anthem for the digital dark age—perfect for fans of sci-fi soundscapes, mechanical breakdowns, and power-hungry choruses.
🎧 Stream it now across all platforms and get ready to bow before the OVERLORD.
They’re too far gone—immerse yourself in the sonic slaughterhouse!
FiXT has officially launched the pre-order for the original score to True Believers—a 30-minute aural massacre composed by Trivium frontman Matthew Kiichi Heafy. Blending horror atmosphere with metallic brutality, this blood-drenched soundtrack drops April 24th, 2025, in partnership with Bit Bot Media.
Crafted for the upcoming crowd-funded horror comic True Believers—written by Stephen Graham Jones (The Only Good Indians) and Joshua Viola (It Came from the Multiplex)—this score is soaked in dread and distortion. Artwork by Ben Matsuya, the series includes guest cameos from Jamie Lee Curtis, R.L. Stine, Devon Sawa, GWAR, and Heafy himself.
True Believers goes far beyond the comic page with latex masks, prop weapons, and soundtrack formats on vinyl, CD, and cassette—offering horrorheads a fully immersive experience.
🧠 The Sound of Metal Mayhem
Heafy rips into the score with razor-sharp guitar riffs, thunderous percussion, and sinister synth textures inspired by John Carpenter’s horror legacy. Think Halloween if it headlined a death metal festival.
🔥 “Too Far Gone” stands out as a vocal showcase, delivering cinematic carnage with every note.
👻 About Matthew Kiichi Heafy
Born in Japan and raised in Florida, Matthew Kiichi Heafy is best known as the lead vocalist and guitarist for Trivium. With this score, he shreds the boundaries between metal and film, proving once again he’s a genre-bending force.
🎵 “Dance Of The Dead” is streaming now on all platforms via FiXT.
🕸️ Deep Dive into the Universe of Matthew Kiichi Heafy
Founded by Klayton (Celldweller, Scandroid), Joshua Viola, and James Rhodes, Bit Bot Media is a cutting-edge entertainment company focused on delivering premium media across film, games, and graphic novels. 🔗 bitbotmedia.com
⚡ More About FiXT
Founded in 2006 by Klayton and James Rhodes, FiXT is an artist-owned label pushing sonic boundaries across electronic rock, industrial metal, and cinematic soundscapes. With over 4 billion streams and 1,000+ sync placements, FiXT is home to genre-defying artists like Celldweller, Daedric, Izzy Reign, and The Browning. 🔗 fixtmusic.com
Rising like a storm in the world of hard rock and alternative metal, Izzy Reign has officially dropped her explosive self-titled debut album, Izzy Reign — a raw and unapologetic showcase of her powerful vocals, gritty guitar work, and fearless attitude. 💥⚡
Packed with high-octane riffs, dark melodies, and deeply personal lyrics, Izzy Reign cements her as a commanding new force in the heavy music scene. Each track pulses with energy and defiance, capturing the essence of rebellion and resilience. 🎤🎸
From blistering anthems to emotionally charged ballads, this album is a bold statement from an artist who refuses to be ignored. If you’re a fan of acts like Halestorm, In This Moment, or early Evanescence — you’re going to want to dive into this record immediately. 💀
FiXT is back with another electrifying release to kick off 2025! DEATH X DESTINY, the latest sonic adventure from THE DEFECT, delivers a hard-hitting blend of dark electronic, industrial, and metal influences. Known for their intense soundscapes and aggressive beats, THE DEFECT pushes boundaries once again with a collection that will resonate deeply with fans of dark electronic and industrial metal.
“DEATH X DESTINY is more than just an album; it’s a statement of survival, chaos, and rebirth in a fractured world.” – THE DEFECT
Track Highlights
🔥 “Destiny Falls” – A relentless anthem with grinding guitars and eerie synth layers
⚡ “Broken Crown” – A powerful mix of industrial beats and haunting melodies
💥 “Death Reign” – Dark, heavy, and uncompromising
About FiXT
FiXT Music is a globally recognized label specializing in electronic rock, synthwave, industrial, and futuristic soundscapes. Known for its cutting-edge roster of artists, FiXT continues to redefine the boundaries of alternative music.
🌐 Deep Dive into the Universe of FiXT Music THE DEFECT:
Dark/Alt/Dance Culture, Music Entertainment News, Mental Health/STEM updates, Educational/Informational Community Outreach resources, Fashion, and Interviews with the artists you know and love – Featuring a HUGE mix of THE Most Dirty, Heavy, Danceable, Electronica, Rock, Metal, and Industrial! from the underground to the mainstream, coast to coast, and ALL around the globe.
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