A-Z, the progressive metal band, has unveiled the lyric video for their song “Window Panes.” This release marks the band’s 10th video from their debut self-titled album, which was launched on August 12, 2022.
The origins of this song date back to before the formation of A-Z, as it was initially penned by Viv. However, when A-Z came into existence, the band decided to give it their unique sound and feel, with the help of Mark Zonder and others.
Mark Zonder, the band’s drummer, expressed, “We had planned to do a video for every song on the record and this is number 10 out of 11. We thought it was important, as we are currently in the process of recording the new album, to let the fans know we are moving forward and will be out with a record soon. Yes, there will be the all-important video 11 as well!”
For fans of A-Z, the band’s debut self-titled album is available for streaming in its entirety on Metal Blade Records.
A-Z Tracklist:
Trial by Fire (Official Video)
The Far Side of the Horizon (Lyric Video)
The Machine Gunner (Official Video)
Rise Again (Official Video)
Window Panes (Lyric Video)
Run Away (Official Video)
Stranded (Official Video)
At the Waters Edge (Official Video)
Borrowed Time (Lyric Video)
Sometimes
The Silence Broken [Bonus Track] (Official Video)
A-Z continues to showcase their musical prowess with each release, and “Window Panes” is another testament to their talent and creativity. As they work on their new album, fans can eagerly anticipate more music and visuals from this promising band.
Mexican death grind band BRUJERIA unveils the world of cartels and ritualistic murder with a brutal power akin to the impact of NWA on pop culture in Compton. Their fifth full-length album, Esto Es Brujeria, is set to be unleashed on September 15th via Nuclear Blast Records. ‘Bruja Encabronada’ serves as the second single from the upcoming album, accompanied by a music video featuring live footage captured by Roel Verscheure (GRIMM Gent) and Emerik Siimessalmi.
Esto Es Brujeria was recorded across various studios worldwide, including Dog Run Studio in Riverside, CA; Total Annihilation Studios in East Los Angeles, CA; Robanna’s in Birmingham, UK; and Audiocustom in Santiago, Chile. The album’s production was helmed by the band, with engineering being a collaborative effort between Eddie Casillas, Eddie Rivas, and Miguel Seco. Seba Puente handled the mixing and mastering, also contributing to the engineering team. The album’s artwork was designed by Gary Ronaldson. The ferocious album cover features the return of the metal mascot Coco Loco.
Esto Es Brujeria will be available digitally and in the following formats:
CD Jewelcase
Orange Cassette (Limited to 550)
2LP
Orange with Red & Black Splatter (Limited to 3,000)
Orange and Red Split Vinyl (EU Limited to 500)
On November 2nd, BRUJERIA will embark on their ‘Esto Es Tour 2023‘ starting in Yuma, Arizona. The tour will comprise 29 dates, including stops in Dallas, Boston, and Seattle, concluding in Pomona on December 10th. Joining them on this tour are PIÑATA PROTEST and NO/MÁS.
BRUJERIA’s Juan Brujo comments, “Al fin Esto Es… Brujeria!”
Tickets for the tour are available for purchase at: Get tour tickets
Confirmed dates for BRUJERIA’s ‘Esto Es tour 2023’ with PIÑATA PROTEST and NO/MÁS include:
11.02. U.S. – Yuma, AZ – Red Moon Ale House
11.03. U.S. – Tucson, AZ – The Rock
11.04. U.S. – Albuquerque, NM – Launchpad
11.06. U.S. – Dallas, TX – Granada Theater
11.07. U.S. – Lubbock, TX – Jakes Sports Cafe
11.08. U.S. – Oklahoma City, OK – 89th Street Collective
11.09. U.S. – Austin, TX – Come And Take It Live
11.10. U.S. – Houston, TX – Houston Vert Ramp
11.11. U.S. – Brownsville, TX – Outdoors at The Kraken Lounge
11.14. U.S. – Orlando, FL – Conduit
11.15. U.S. – Atlanta, GA – The Loft at Center Stage
11.16. U.S. – Asheville, NC – Asheville Music Hall
11.17. U.S. – Virginia Beach, VA – Elevation 27
11.18. U.S. – Mechanicsburg, PA – Lovedrafts
11.19. U.S. – Boston, MA – Brighton Music Hall
11.21. U.S. – Brooklyn, NY – Saint Vitus
11.22. U.S. – Pittsburgh, PA – Preserving Underground
11.24. U.S. – Cleveland Heights, OH – Grog Shop
11.25. U.S. – Chicago, IL – Reggie’s
11.28. U.S. – Denver, CO – Bluebird Theater
11.29. U.S. – Salt Lake City, UT – Metro Music Hall
12.01. U.S. – Seattle, WA – Substation
12.02. U.S. – Portland, OR – Bossanova Ballroom
12.05. U.S. – San Francisco, CA – Great American Music Hall
12.06. U.S. – Roseville, CA – Goldfield Trading Post
12.07. U.S. – San Jose, CA – The Ritz
12.08. U.S. – Los Angeles, CA – Teragram Ballroom
12.09. U.S. – Las Vegas, NV – The Usual Place
12.10. U.S. – Pomona, CA – The Glass House Concert Hall
Following the highly acclaimed debut “Blacken the Skies” (2021), TERMINAL refines their industrial glam formula with a touch of “more industrial, more glam.” Noteworthy lyricist Thomas Mark Anthony elevates the genre, crafting intricate rhymes and anthemic choruses around themes of power, zealotry, and corruption. Building on the previous album’s critique of society’s hypocrites, the album kicks off with the compelling line “How many guns would Jesus buy?” The title and theme of the album, inspired by Plato’s Republic, delve into the idea that an unjust society is doomed, and democracy alone is insufficient against demagogues and tyrants. Enriching the mix is Anthony’s resonant baritone, while the lyrics delve into existential topics of religion and mortality, appealing particularly to the Goth community.
Dedicated to Dave Heckman, the album features tracks like:
“Asymmetric Warfare” (1:11)
“The Sin of the Sanctified [v4b]” (3:52)
“Smart Weapons” (4:50)
“Did We Ask For Truth” (4:09)
“[Redacted]” (1:05)
“Don’t Be Taken Alive” (4:14)
“The New Republic” (5:02)
“Paradoxical Reactions” (1:17)
“Fall of the Reign” (5:46)
“Dirty River [Necrosis]” (4:06)
“Testify” (4:21)
“Disproportionate Response” (1:16)
“Rise”
Get ready to explore the sonic world of “The New Republic” and experience TERMINAL’s intricate themes and captivating soundscape.
Cleveland’s own RINGWORM marks their triumphant return with the release of their 9th studio album, “Seeing Through Fire,” a sonic onslaught that’s out today via Nuclear Blast Records. This uncompromising metal powerhouse delivers an auditory rampage, featuring intense tracks such as “Thought Crimes,” “No Solace, No Quarter, No Mercy,” and the impactful “House of Flies.”
Founding vocalist Human Furnace describes the album as, “a total burner… smash your face and leave you layin’ there wondering what you got hit with.” RINGWORM’s signature sound remains while new sonic elements add depth to “Seeing Through Fire,” showcasing the band’s continuous evolution.
Vocalist HF elaborates on the track, “‘House of Flies’ delves into the lingering secrets we all hold, festering like flies beneath the surface. As they grow, they ultimately emerge, and the fly becomes a universal symbol of death and decay.”
As part of their “Seeing Through Fire” release, RINGWORM is teaming up with VENOM INC. for their “Better to Reign In Hell Tour Part 2,” alongside SATAN and 72 LEGIONS. Get ready to immerse yourself in their live fury and witness their sonic prowess firsthand.
Step into the realm of mind-bending melodies and technical prowess as OBSCURA presents their highly anticipated live album, A Celebration I – Live in North America, which will be released on October 27th via Nuclear Blast Records. Witness the sheer brilliance of this German metal band as they take the stage by storm, leaving audiences spellbound with their awe-inspiring performance. A Celebration I – Live in North America takes you on a mesmerizing journey through their iconic discography, featuring fan-favorites from albums like Cosmogenesis, Omnivium, Akroasis, Diluvium and the chart-breaking A Valediction. Experience the sheer energy and raw intensity of their stage presence, captured flawlessly in this one-of-a-kind live recording. Not only does this live album showcase OBSCURA’s unparalleled musical mastery, but it also offers a glimpse into their latest studio release, A Valediction. Immerse yourself in the sonic landscapes of their most recent opus, as they explore new depths and push the boundaries of metal. Mixed & Mastered by award-winning producer and engineer Fredrik Nordström, in Gothenburg, Sweden, where mastermind Steffen Kummerer collaborated with him for one week on the live material. The recordings were all made in the USA, Canada, and Mexico between 2022 and 2023 as part of the ‘A Valediction World Tour’. Today, we get a taste with a stunning live video for the track ´The Anticosmic Overload´from the album Cosmogenesis, filmed by Vincent Grundke, who has been accompanying the band as a videographer and photographer since 2021.
Steffen Kummerer comments: “A Celebration I – Live in North America covers a selection of concerts we performed in the United States of America, Canada, and Mexico between 2022 and 2023 as part of the ‘A Valediction World Tour’. Within 20 years, we are looking towards the first live album of Obscura, spiked with songs of our last five releases. It was a pleasure working through every recorded show to pick the best song, the loudest possible audience and a stellar performance by a band that’s on fire. As a first impression, we choose ‘The Anticosmic Overload’ performed in the United States of America, since this was the first song ever we performed in North America back in 2009.”
Tracklist
Forsaken
Emergent Evolution
Ode To The Sun
The Anticosmic Overload
Septuagint
A Valediction
Ocean Gateways
Akroasis
Orbital Elements II
Incarnated
Catch OBSCURA live, as they will embark on an extensive Latin America tour, followed by another extensive run through UK with label buddies DECAPITATED.
Latin America tour 28.10. ARG Buenos Aires – Uniclub 29.10. BR Sao Paulo – Carioca Club 31.10. CHL Santiago – Teatro Cariola 02.11. PER Lima – Teatro Cantaro 04.11. COL Bogota – Ace Of Spades 05.11. HND Tegucigalpa – Radio house Casa Campo 07.11. GTM Guatemala City – Rock ´ol Vuh 08.11. SLV San Salvador – Café Catedral 09.11. CRI San José – Pepper´s 11.11. MX Monterrey – Mexico Metal Fest
With Decapitated & Inferi 29.11. UK Bristol – The Fleece 30.11. UK Milton Keynes – MK 11 01.12. UK Bournemouth – The Old Fire Station 02.12. UK Torquay – The Foundry 03.12. UK Merthyr Tydfil – Redhouse Cymru 04.12. UK Liverpool – O2 Academy 2 06.12. IRE Limerick – Dolan´s Warehouse 07.12. UK Dublin – Opium 08.12. UK Belfast – Limelight 2 09.12. UK Glasgow – Slay 10.12. UK Newcastle – The Grove 11.12. UK Leeds – The Key Club 12.12. UK Norwich – The Waterfront 13.12. UK Southend-on-Sea – Chinneys 14.12. UK London – 229 15.12. UK Manchester – Club Academy 16.12. UK Birmingham – Asylum
Four years after their last studio album “No Halos in Hell,” CYHRA proudly presents their new album “The Vertigo Trigger.” The Swedes’ third full-length has been released today, and it reflects exactly what the melodic metal band stands for: ear-splitting riffs, catchy choruses, and plenty of melodies that make the band truly stand out.
The band, based around singer Jake E (ex-AMARANTHE) and guitarists Jesper Strömblad (THE HALO EFFECT/ex-IN FLAMES) Euge Valovirta (ex-SHINING), drummer Alex Landenburg (KAMELOT), and guitarist Marcus Sunesson (ex-THE CROWN / ex-ENGLE), demonstrate that they haven’t slowed down. With “The Vertigo Trigger,” CYHRA has not only further developed their distinctive sound but also proven how diverse they are. The best example of this is the latest single “Ashlight,” which combines hard-hitting elements with a gentle attitude. And if that wasn’t enough, the Swedes also deliver a new music video for the latest single to celebrate the album release.
Vocalist Jake E comments: “It feels amazing to FINALLY have new music to release again! We put a lot of effort into finding out what the future of Cyhra’s music was to be, and I must say I am overwhelmed with the result. Both with the album and also the songwriting! I think that we have made a fantastic follow-up to both of our first two albums, but also at the same time, we’ve managed to modernize the songwriting. I can assure you that no Cyhra fan will be disappointed!”
Drummer Alex Landenburg adds: “To me, this is a perfect successor to our first two records. It has all the Cyhra trademarks, but it’s a bit more Rock’n’Roll, more raw, in the way we recorded it. And on top of that, Euge’s great mix and Jacob Hansen’s mastering are a wicked combination!”
Guitarist Euge Valovirta about the new song: “This is the first album we produced by ourselves, and it turned out to be just like I heard it in my head before we even started to record it. We still wanted to have (long-time producer) Jacob Hansen’s input on it, so he did the mastering, and I did the mixing. I’m very proud of it. And us. Something old, something new, something borrowed, and something blue.”
Marcus Sunesson adds: “It’s the first of the three Cyhra albums that I played guitar on and also contributed to the songwriting. It was a fun and very creative process but also challenging since we wanted to break new ground to make the best Cyhra album possible. I am so happy and proud of this beast of an album! This time we took a deep breath and dove down to explore a slightly darker, more progressive, and modern side of ourselves. Yet still sounding like the Cyhra you all know and love. This album will definitely turn some heads. You will love it!”
Jesper Strömblad comments as well: “It’s so great to have a new album around the corner. We have kept the essential Cyhra sound, but at the same time, upgraded and updated it a bit. I love what Euge has done to the mix, and I know you are not gonna be disappointed!”
Recorded in the summer/autumn of 2022, “The Vertigo Trigger” is the band’s darkest album to date. The album was entirely self-produced and mixed by guitarist Euge Valovirta, while the mastering was handled by long-term producer Jacob Hansen. This new album offers fans the classic CYHRA sound, full of the band’s trademarks but fresh and refined. The Swedes have modernized their songwriting, meaning that no CYHRA fan will be disappointed, making “The Vertigo Trigger” a more than worthy successor to their first two albums.
And although guitarist Jesper Strömblad isn’t a part of CYHRA’s live shows currently, he was deeply involved in the writing and recording process of the album. Therefore, the band can hardly wait for his return as soon as he is ready again.
“The Vertigo Trigger” tracklisting:
Ready To Rumble
Let’s Have My Story Told
Live A Little
1.000.000 Fahrenheit
Buried Alive
The Voice You Need To Hear
Life Is A Hurricane
IF I
Fear Of Missing Out
Ashlight
Too Old For Fairy Tales
“The Vertigo Trigger” formats:
“The Vertigo Trigger” CD (Jewelcase)
“The Vertigo Trigger” LP (Transparent Orange Vinyl)
For more than 20 years, vocalist/guitarist Michael Poulsen has been spearheading Danish rock and roll machine Volbeat, releasing eight full lengths, selling millions of albums, and filling stadiums worldwide. Before fronting Volbeat, however, Poulsen formed death metal band Dominus, which recorded four fast, brutal albums in the mid ’90s. When Poulsen was putting together songs for Volbeat’s 2021 album, Servant of the Mind, he wrote a bunch of death metal riffs and saved them on his phone. Then, when he was done with the Volbeat record, he reopened the rusty gates to Armageddon and started putting together songs for his new death metal band Asinhell, whose debut album Impii Hora (Latin for “Ungodly Hour”), is a tribute to Poulsen’s favorite old-school groups.
“‘Island of Dead Men’ was the second song I wrote for the album,” says Poulsen. “It’s one of the faster and more aggressive songs on the record, but with a groovy Death chorus and a solid middle piece that hails the mighty Autopsy. Enjoy… or don’t!”
Poulsen has rekindled the death metal fire that fueled his first band Dominus. He began jamming on riffs with longtime friend and neighbor, drummer Morten Toft Hansen (Raunchy). The two started playing in Morten’s tiny garage: no mics, no P.A. – just a drum kit and a combo amp turned all the way up like they used when they were teenagers. Soon, the pair were completing a new song every time they got together. When it came time to add vocals, Poulsen turned to his good friend, who also happened to be one of his all-time favorite death metal growlers: Marc Grewe (Insidious Disease, ex-Morgoth).
“I had known Michael quite a long time and he always mentioned that we should do a death metal project one day, but I never took him too seriously because he was so busy with Volbeat,” Grewe says. “Then he called for real and said, ‘Yeah, I want to do it now. Are you up for it?’ Immediately, I was like, ‘Yes, of course!'”
With Asinhell fully formed, the three convened with Volbeat producer Jacob Hansen to produce, mix, and play bass on their debut album. When it was time to add lead guitar to the album, Michael looked no further than friend and The Arcane Order axeman Flemming C. Lund.
Harm’s Way Unveils New Single/Video “Devour” and Announces North American Fall Tour
Hardcore pioneers Harm’s Way have just released their intense new single “Devour,” which delves into the impact of toxic relationships. The band explains, “‘Devour’ is an expression of self-reflection following the realization that everything that was once there to give has been spent. Led down a path of deception and manipulation, one’s sense of self has been lost along the way. ‘Devour’ is the process of waking up to your isolation, with actions and purpose that are somehow no longer your own. It’s a crossroads that can lead you either the rest of the way down, or back to where whatever’s lost may be found again.”
Harm’s Way’s influence in the hardcore scene has spanned nearly two decades, molding heavy music’s direction with impactful songs that have contributed to reshaping the genre. Always evolving, they’ve continuously incorporated new and creative influences, crafting some of the most finely executed tracks in the hardcore punk and metal scene.
Their upcoming album, Common Suffering, stands as their most musically diverse venture yet. Overflowing with memorable riffs, breakdowns, and exceptional songwriting, the album serves as a reflection of the tumultuous experiences of the past three years – embodying chaos, misanthropy, paranoia, disorder, confusion, and anxiety. Themes explored include personal mental health struggles, relationships, political upheaval, corruption, and political power.
Despite their reputation for unrelenting intensity, Common Suffering surprises with moments of intricate songwriting that showcase light and shade. The album demonstrates their mastery of dynamics, intensifying an already powerful record. Harm’s Way has reached their apex, displaying the ambitious sound of a band unafraid to venture into new territories.
Recorded at Studio 4 in Pennsylvania with producer Will Yip (Turnstile, Code Orange), the album’s production aimed to enhance the band’s processes, experiment during production, and achieve the best from each track. The result is a culmination of band members pushing their creative limits, resulting in unprecedented material.
Common Suffering will be released on September 29 via Metal Blade Records, available on all digital streaming platforms, vinyl, and CD formats.
Harm’s Way has also announced a North American tour starting October 18, spanning through various locations, including Texas and both coasts. The tour will feature support from Fleshwater, Ingrown, and Jivebomb. Tickets will be available starting August 18.
Evol Radio is honored to premiere the video for these tracks, both of which VEiiLA will perform live at The Boo Cafe in Vanadzor, Armenia. This single offers a tantalizing glimpse into their upcoming album, “Sentimental Craving For Beauty,” set to release on September 8th in digital format and as a limited edition CD (only 500 copies available).
You can also enjoy it on platforms like Spotify, YouTube, iTunes, and more.
VEiiLA, a Russian duo in exile, excels in turning harrowing despair into beauty and passion. Combining immaculate electronics, slow rhythms, and late-night sensuality in their female vocals, Bes Eirid and Vif Nüte craft a melancholic tapestry woven with existential lyrics that hit deep.
In anticipation of their forthcoming album “Sentimental Craving For Beauty,” VEiiLA offers a glimpse with two advance tracks. The stripped-down production showcases the hypnotic swirl of the vocals, murmuring intimate allegories of universal indifference and lost hope.
“Can’t Forgive Myself” delves into themes of regret, specifically the regret born from childlike naivety mistaking cynical manipulations for genuine kindness. “Another Day,” seemingly an unpretentious lounge ballad, conceals one of VEiiLA’s gloomiest songs. With melancholic detachment, Vif’s soft vocals rest on a minimal underwater arrangement, guiding the listener to the weight of the lyrics. The song revolves around lies, presenting deceit as the last resort in the game of clinging to life.
Under the seductive mellow electronics, translucent guitars, enthralling percussion, synth bass, and alluring vocals lies the suffocating vapor of venomous despair and the inevitable pain of human existence, all juxtaposed against a catchy beat and sensual downtempo atmosphere.
“I’m lying to you And I’m lying to myself There’s nothing I can do There’s nothing to be said And I’m lying to you And I’m lying to myself Cause if we don’t believe Then we’re already dead”
Svalbard, the acclaimed band, has revealed their poignant composition titled ‘How To Swim Down,’ the third single from their upcoming studio album, ‘The Weight Of The Mask,’ set for release on October 6th. This track marks a unique and emotionally resonant departure from their previous work, featuring ethereal violin melodies by Liam Phelan and a deeply moving vocal performance by Serena Cherry.
Accompanying the track is a beautifully crafted animated video by Boy Tillkens. The animation tenderly portrays the fragility and strength within human existence, encapsulating the song’s profound emotional essence.
Serena Cherry of Svalbard shared her insights on the song:
“This track delves into the exquisite pain and poignant beauty of unrequited love. It’s perhaps the saddest, most heart-rending song we’ve ever composed. Lyrically, the verses touch on the hidden adoration, while the chorus reveals the acceptance of silently loving someone from a distance.
The music video for ‘How To Swim Down’ evokes such poignant emotions in me that I can’t help but cry. Boy has captured the bittersweet sentiment of the song with incredible delicacy, making the animation an exceptionally moving piece.
Musically, ‘How To Swim Down’ takes us into uncharted territory, with Liam’s addition of mournful violin layers, a first in Svalbard’s history! It’s thrilling to feature new instruments. Another unique aspect is that the song solely showcases clean vocals, without any screams. The delivery of these lyrics aims to emulate whispering a secret to someone while they sleep. This vocal style represents a lonely form of communication, like singing to oneself in an empty house. It’s a private, selfless love song, where only the listener is privy to my heartache.”
Pre-Order ‘The Weight Of The Mask’ Album + Listen to ‘How To Swim Down’ HERE
Stream previous singles ‘Faking It‘ HERE and ‘Eternal Spirits‘ HERE Watch the ‘Faking It‘ video HERE Watch the ‘Eternal Spirits‘ video HERE
Svalbard’s commitment to their music lies in providing solace during times of darkness. ‘The Weight Of The Mask’ boldly lays bare experiences of mental health and depression, aiming to destigmatize these crucial subjects.
‘The Weight Of The Mask’ – Tracklist:
Faking It
Eternal Spirits
Defiance
November
Lights Out
How To Swim Down
Be My Tomb
Pillar In The Sand
To Wilt Beneath The Weight
Svalbard recently concluded a comprehensive tour, supporting renowned post-metal giants Cult Of Luna and Russian Circles. The band is presently captivating audiences across European summer festivals, including appearances at Inferno (Norway), Hellfest (France), With Full Force (Germany), 2000Trees, and Portals (UK).
Following this, Svalbard will embark on a six-show headline tour in October across mainland Europe, followed by a performance at the Cult Of Luna curated event, Beyond The Redshift, in London, and a headline show at The Key Club in Leeds.
While many bands boast about being the next big thing or compare themselves to legendary acts like Led Zeppelin, Anger As Art doesn’t feel the need to do so. Their track record speaks volumes.
Since 2004, Anger As Art has embodied top-tier, old-school thrash metal. The band’s roots are deeply intertwined with the rich history of its members, who hail from influential groups such as Abattoir, EvilDead, Bloodlust, Hirax, Death, Manowar, Raven, Heretic, and Bitch, among others. Their journey has taken them on multiple world tours, sharing stages with iconic bands like Destruction, Overkill, Testament, Death Angel, Exodus, Saxon, Agent Steel, former Maiden vocalists Bayley and DiAnno, Tankard, Onslaught, Katatonia, and more.
Originally meant to be a tribute, Anger As Art’s existence was demanded by fervent fans. With the addition of drummer Rob Alaniz, bassist and vocalist Eric Bryan, and guitarist Albert Gonzales, the band hit the road with unyielding vigor, touring globally. In 2023, Anger As Art reemerges with their seventh and most powerful album to date, “Virtual Sympathy.” This 11-track powerhouse is a testament to doom-laden thrash, characterized by soaring guitars, gut-wrenching vocals, and an exceptional rhythm section. Rather than slowing down, these thrash veterans are only gaining momentum in the worldwide metal scene.
Mark your calendars for September 1st when “Virtual Sympathy” drops on all digital and streaming platforms, as well as CD. A limited vinyl pressing will also be available later in the year.
Don’t miss the first single and music video for the track ‘The Enemy Within’: Watch ‘The Enemy Within’
After a three-decade hiatus, Applehead makes a triumphant return with their latest album, ‘The Light Side of the Apple,’ proudly presented by Roxx Records. Roxx Records, an independent label renowned for championing both cherished legacy artists and promising new talents in the rock and metal scene worldwide.
The album ‘Meaning,’ Applehead’s initial offering, recently resurfaced as a limited-edition vinyl/CD through Roxx Records. However, ‘The Light Side of the Apple’ is more than just a nostalgic revival.
Driven by personal struggles and unanswered questions, Greg Minier masterfully guides listeners through a barrage of metal riffs that traverse diverse musical genres, evoking emotional ties reminiscent of rock’s original heyday.
Staying true to the core Applehead ethos, Greg Minier takes charge of vocals and instrumental performances, except for bass lines, gracefully handled by Jaymi ‘Pinkbassman’ Millard (known for his work with Mark Slaughter Band and Slaughter).
As the summer unfolds, Greg Minier prepares with the live band, aiming to grace stages later in the year.
Emerging in 1992 as Greg Minier’s solo project during his tenure with the acclaimed California thrash metal band, the Crucified, Applehead kicked off their journey by opening for the Crucified shows the same year. The debut album ‘Meaning’ was released under the Ocean Records label (with a limited reissue in 2022 by Roxx Records). Greg Minier even gained prominence in the August 1993 edition of Guitar World magazine, featuring a five-page exposé on his guitar expertise and his association with the Crucified.
Mark your calendars for September 1st, 2023, when the new album will hit all streaming platforms, digital outlets, and CD stores. Keep an eye out for the limited vinyl edition, with pre-order options coming your way soon!
The apple tree has matured, bearing more robust branches, and the fruits of these branches are primed to deliver an electrifying rock experience!
EX AEGIS emerges as a dynamic fusion of classic Hard Rock, Power Metal, Progressive Rock, with a touch of Pop for added flavor. Founded in 2019 by close friends and skilled guitarists, Scott Allen and Ryan Bowe, the band’s mission was crystal clear: rekindle the kind of Metal that had been craved since the decline of Rock and Metal in the mid-nineties. Melding influences like Van Halen, Queensryche, King Diamond, and Ozzy Osbourne, alongside their own distinctive styles, Ryan and Scott embarked on creating their inaugural masterpiece.
After an unfortunate pandemic-related delay in 2020, all the puzzle pieces were in place, except one. Enter the powerhouse vocalist, Judith Morgan. Jude possessed the vocal range, passion, and versatile chops to navigate through the twists and turns the duo had crafted. With the thunderous drumming of Alex Bosson and the meticulous production of Tom Frost, the recording and mixing process reached its culmination.
The outcome is now unveiled to the world – a tribute to the glory days of Rock and Metal and a glimpse into the future. A firm declaration that Rock is far from extinct. EX AEGIS introduces an all-encompassing Metal style that doesn’t forsake melody and catchy hooks. They uphold an unwavering focus on songcraft while keeping the instrumental virtuosity that defines remarkable Metal. The music welcomes Hard Rock enthusiasts with open arms, yet retains the intensity and boldness that unmistakably define the band’s Metal identity. The tracks shine with heavy riffs, scorching solos, monumental hooks, and celestial vocals. EX AEGIS emphatically announces that the era of Metal isn’t behind us but ahead. Their debut album release will serve as the first stepping stones, evolving into an unstoppable force that propels Metal back into the mainstream.
Industrial metal pioneers FEAR FACTORY have solidified their status over the years, as one of the metal genre’s most important bands.
The machine will rise this Fall! This journey will commence with a one-off date on September 17th at the Metal Injection Festival @ House Of Blues where they will perform a very special Demanufacture and Obsolete set.
The band will then launch their five-date healing ‘DisrupTour’ with special guests LIONS AT THE GATE which will kick off on October 7th. This will be followed by the band heading out on the ‘October Dawn 2023’ tour with headliners LACUNA COIL and openers LIONS AT THE GATE. The 10-date trek will begin on October 13th in Atlanta and will make stops in Louisville, Oklahoma City, and Houston before concluding in St. Petersburg on October 29th before heading on their European/U.K. tour!
FEAR FACTORY’s Dino Cazares comments, “We are so excited to be touring with our Italian friends in LACUNA COIL & and our Los Angeles brothers in LIONS AT THE GATE. The Machine Will Rise.”
Catch FEAR FACTORY live: 09.17. US Anaheim, CA – Metal Injection Festival @ House Of Blues
Headlining Dates 10.07. U.S. Tucson, AZ – Encore 10.08. U.S. Albuquerque, NM – Sunshine Theatre 10.09. U.S. EL Paso, TX – The Rockhouse 10.11. U.S. Tulsa, OK – The Shrine 10.12. U.S. Memphis, TN – Growlers
‘October Dawn 2023’ Headliner LACUNA COIL Support: LIONS AT THE GATE 10.13. U.S. Atlanta, GA – The Masquerade 10.14. U.S. Knoxville, TN – The Concourse 10.15. U.S. Louisville, KY – Mercury Ballroom 10.17. U.S. Suget, IL – Pops 10.18. U.S. Lincoln, NE – Bourbon Theatre 10.19. U.S. Lawrence, KS – Granada Theater 10.20. U.S. Oklahoma City, OK – The Diamond Ballroom 10.21. U.S. Dallas, TX- Granada Theater 10.23. U.S. Houston, TX – House Of Blues 10.24. U.S. San Antonio, TX – Aztec Theater
2023 UK & EUROPEAN TOUR Support: BUTCHER BABIES & IGNEA 27.10. UK Nottingham – Rock City 28.10. UK Wolverhampton – KK’s Steel Mill 29.10. UK Glasgow – Garage 30.10. UK Belfast – Limelight 31.10. IE Dublin – Academy 02.11. UK Manchester – Academy 2 03.11. UK London – Electric Ballroom 04.11. UK Bristol – SWX 06.11. FR Lille – Le Splendid 07.11. FR Paris – L’élysée Montmartre 08.11. FR Clermont Ferrand – La Cooperative 09.11. FR Toulouse – Metronum 10.11. ES Barcelona – Razzmatazz 2 11.11. ES Madrid – La Sala 12.11. PT Lisbon – Lav 14.11. FR Bordeaux – Le Rocher Palmer 15.11. FR Grenoble – L’ilyade 16.11. IT Milan – Santeria 17.11. CH Lausanne – Les Docks 18.11. CH Zurich – Dynamo 19.11. IT Treviso – New Age 21.11. AT Graz – PPC 22.11. HU Budapest – Barba Negra 23.11. AT Vienna – Simm City 24.11. DE Munich – Backstage Halle 25.11. DE Frankfurt – Batschkapp 26.11. FR Strasbourg – La Laiterie 28.11. DE Stuttgart – LKA Longhorn 29.11. LU Esch-Sur-Alzette – Rockhal 30.11. BE Antwerp – Trix 01.12. NL Amsterdam – Melkweg 02.12. DE Cologne – Live Music Hall 03.12. DE Berlin – Columbia Theater 05.12. CZ Prague – Meet Factory 06.12. PL Warsaw – Proxima 07.12. DE Hamburg – Markthalle 09.12. DK Copenhagen – Pumpehuset 10.12. SE Gothenburg – Valand 11.12. NO Oslo – Vulkan Arena 12.12. SE Stockholm – Fryshuset Klubben 14.12. FI Tampere – Olympia 15.12. EE Tallinn – Helitehas 16.12. FI Helsinki – Tavastia
Distortion Productions is thrilled to announce the addition of Charlotte, North Carolina’s IIOIOIOII (pronounced IO or eye-oh). IIOIOIOII has been an active band since 2012 and is best described as dark and atmospheric electronic synthpop taking inspiration from classic New Wave and Industrial music. IIOIOIOII takes on lush soundscapes and heavy melodic elements and combines them with hard-hitting beats. The single “Frozen Sea” along with the accompanying video is the first taste of their forthcoming album “Dreaming,” slated for release in the Fall of 2023 on Distortion Productions.
The dark dream pop duo MAGIC WANDS, based in Los Angeles, has recently unveiled their latest creation – a remix album titled “Switched.” This album acts as a companion to their highly acclaimed record “Switch.” “Switched” features a collection of remixes by artists such as Shadow Mirrors, Stargods, and Lars Deutsch. Released by Metropolis Records, the remix album is now available on all major digital and streaming platforms.
MAGIC WANDS is gearing up for an exciting West Coast summer tour that kicks off on August 17th in Los Angeles at the Moroccan Lounge. The tour will feature captivating performances by Lorelei K and Treasvre on select dates.
“Aggressive and contemptuous of division and dysfunction, ‘Goliath’ is also everything you could want and expect from a Kataklysm record, marrying thrash, punk, and melodeath into a lean muscular whole.” Metal Hammer (UK)
“Unique, powerful, and uncompromising sound! With ‘Goliath’, Kataklysm confirms once again its status of one of the best devastated Metal bands ever!” Metallian (FR)
“Violent, searing, frenzied cadence, dense and limpid sound. ‘Goliath’ is as uncompromising as it is memorable!” Loud TV (FR)
“KATAKLYSM set a big, fat example with their most exciting piece since ‘Waiting For The End To Come’.” Metal Hammer (GER) (Album of the Month #1 Soundcheck position)
“‘Goliath’ is a loud and powerful statement from a band showing no signs of slowing down yet (literally or figuratively).” Metal Storm (US)
For almost three decades, the US/French Canadian-based melodic death metal syndicate KATAKLYSM has delivered unapologetic waves of powerful sound across the entire globe. The band’s fifteenth full-length studio album, Goliath, is now available for the masses via Nuclear Blast Records.
08.16. DE Dinkelsbühl – Summer Breeze Open Air 2023
08.17. DE Munich – Backstage Halle
Goliath was recorded at JFD Studios in Dallas, TX and Studio City, CA as well as The Cabin in Orlando, FL by J-F Dagenais, who also produced and engineered the album. For the mixing and mastering, the band returned to Chris Clancy with assistance from Colin Richardson. The cover artwork required an image that captured the iconic battle of David versus Goliath theme that is echoed throughout the album while matching the power of the music. The band enlisted renowned Berlin metal illustrator Eliran Kantor (TESTAMENT, FLESHGOD APOCALYPSE) to create the artwork which took the KATAKLYSM look and gave it a macabre filter that compliments the brooding sense of uneasiness that was felt during the writing and recording of the album.
Below is the tracklisting for Goliath:
Dark Wings Of Deception
Goliath
Die As A King
Bringer Of Vengeance
Combustion
From The Land Of The Living To The Land Of The Dead
Progressive death metal band The Zenith Passage has achieved remarkable success with their latest album, Datalysium, as it debuted at the #4 position on Billboard’s Top New Artists Albums chart during its first week of release. The album also secured notable positions on several other Billboard charts:
US:
#4 Top New Artists Albums
#6 Current Hard Rock Albums
#12 Independent Label Albums
#14 Current Rock Albums
#55 Current Albums
Canada:
#15 Hard Rock Albums
#17 Current Digital Albums
#28 Top Current Albums
Datalysium features a revamped lineup, including original guitarist/keyboardist/backing vocalist Justin McKinney, guitarist Christopher Beattie (Dreamer), vocalist Derek Rydquist (ex-The Faceless, John Frum), and bassist Brandon Giffin (ex-The Faceless, Cynic). The album showcases a fusion of diverse influences, resulting in a captivating sound. It marries technical prowess, atmospheric elements, melodic intricacies, and dynamic shifts, captivating the listener’s full attention from start to finish. Songs like “The Axiom Of Error,” “Synaptic Depravation,” and the closing title track epitomize the band’s creative force and penchant for pushing sonic boundaries.
Datalysium was recorded at Justin McKinney’s home studio and Derek Rydquist’s apartment. Some vocals were tracked at Flatline Audio with Dave Otero (Cattle Decapitation, Wake), who also mixed the album. Ryan Williams (The Black Dahlia Murder, John Frum) contributed to bass and vocals production.
The album is available in various formats, including standard LP, limited-edition LP, CD, and digital versions, and can be acquired through metalblade.com/thezenithpassage.
The Zenith Passage’s music video releases for “Divinertia II,” “Lexicontagion,” and “Datalysium” offer captivating visuals to complement their music.
Critical Acclaim for “Datalysium”:
Decibel Magazine: “…creepy, gangly manner…”
Metal Injection: “…one of 2023’s greatest tech death metal opuses.”
Distorted Sound: “…enthralling experience…”
No Clean Singing: “…surgical precision…”
Wall Of Sound: “…progressive death metal record of 2023.”
Metal Temple: “…top-notch musicianship…”
Metal Wani: “…near-perfect technical death metal record…”
The Weekend Sport: “A triumphant return.”
Ave Noctum: “…technical death metal interesting…”
Toilet Ov Hell: “Super tight instrumental work…”
Technical Music Review: “…better tech death albums of the last decade.”
Musipedia Of Metal: “…taken to a new state…”
Ghost Cult: “…the band’s best work to date…”
Teeth Of The Divine: “…tightest and best-performed albums…”
Deep Dive into the universe of The Zenith Passage:
Hanno Klänhardt, the band’s member, shares his thoughts: “Valhalla Hammering is one of those songs that immediately resonated with us, even though it didn’t make it onto the album last year. It’s not a track you write to create an ‘instant classic,’ but rather to amuse yourself as a songwriter. Though it’s about 7 minutes long, we aimed to include the catchiest, most impactful songs on the last album, which is why it didn’t find its place.
I was already aware that it probably wouldn’t end up on the album as I was writing it. In fact, I had planned to release it some time AFTER we had released ‘Pain Is Forever And This Is The End,’ in order to present something entirely different as our next move. It’s always good to keep things intriguing.
The first two minutes pay homage to our early days when Doom as a genre held significant importance for us. You can hear similar elements in the last song of our debut album titled ‘March Of The Crowes.’ People often noted that slow, ultra-heavy sound suited us well. With ‘Valhalla Hammering,’ we managed to bring the best of both worlds – a slow, heavy groove and a catchy, almost mesmerizing hook. We even threw in a flute solo around the 5-minute mark. This might just be the peak of our songwriting career.
The music video for the song is as mind-bending as the song itself. Inspired by a documentary from Amsterdam-based artist Willehad Eilers, also known as Wayne Horse, creating the visuals went beyond the usual video shoot. To be frank, some aspects of it are better left unexplained. Even if we tried, we couldn’t fully explain it. Enjoy the enigmatic journey.”
Formed in 2012, Mantar has become a prominent force in the realm of extreme metal over the past decade. Garnering love from fans and critics alike, the band made a significant impact with their distinct sound, leading them to secure a spot in the Top 10 of the official German album charts with their 2018 release, ‘The Modern Art Of Setting Ablaze,’ and selling out shows across Europe.
Mantar’s latest full-length album, ‘Pain Is Forever And This Is The End,’ hit the scene through Metal Blade Records on July 15, 2022. The album achieved impressive chart positions in the US and Europe, including reaching #2 on the Official German Album Charts, #43 on the Top 100 Swiss Album Charts, #60 on the Current Hard Music (Billboard USA), and #69 on the Top 75 Austria.
Both stateside and internationally, the album has garnered praise. Decibel Magazine refers to it as a “burning Molotov cocktail of black metal, sludgy hardcore, and classic metal hooks.” Rock Hard notes its ability to balance between “brute destructive fury and dense atmosphere,” and Metal Injection applauds its “thicker grooves, anthemic refrains, head-nodding rhythms, and a greater exploitation of fist-in-the-air-ology school of songwriting.”
Mantar is set to perform at various events including Party.San, Desertfest, and more. Check out their full list of tour dates below.
Mantar Live 2023: Europe 08/11 – Schlotheim, DE – Party.San Festival
Pain Is Forever And This Is The End Tour:
South America
09/02 – Bogota, COL – Herbívoro w/ Assassin
09/03 – Pereira, COL – Rock Plaza w/ Assassin
09/06 – Montevideo, URU – Live Era w/ Assassin
09/07 – Asuncion, PARA – PRF w/ Assassin
09/09 – Santiago, CHIL – Teatro Cariola w/ Assassin
09/10 – São Paulo, BRZL – Setembro Negro Festival
North America
09/13 – Morelia Michoacan, MX – Cactus Bar
09/14 – Mexico City, MX – Sala Sangriento
09/16 – New York, NY – Desertfest
Europe
09/29 – Frankfurt, DE – Zoom Club w/ Slope
09/30 – Leipzig, DE – UT Connewitz w/ Slope
10/01 – Pratteln, CH – Up In Smoke
10/07 – München, DE – Keep It Low
10/08 – Nürnberg, DE – Z-Bau w/ Slope
10/13 – Dortmund, DE – Junkyard w/ Slope
10/14 – Secret Show
10/21 – Antwerp, BE – Desertfest
10/22 – Oignies, FR – Tyrant Fest
Photo by Matthis Van DerMeulen
Mantar is composed of: Hanno Klänhardt – guitars, vocals Erinc Sakarya – drums
SABATON announces the release of their second EP, “Heroes Of The Great War,” as part of the Echoes Of The Great War trilogy. This EP focuses on the inspiring stories of courageous heroes from World War I. The band’s tribute to these individuals and their remarkable feats is reflected in the EP’s never-heard-before track, “The First Soldier.”
Albert Severin Roche, the hero of “The First Soldier,” defied the odds and proved his bravery despite initial doubts. A French army recruit standing only 1.58 meters tall, he became known as The First Soldier of France for his heroism and successful missions in World War I.
SABATON’s Pär Sundstrom emphasizes that the EP honors those who pushed beyond their limits in times of conflict, achieving extraordinary things. This EP is a tribute to their bravery and a way to ensure their stories are not forgotten.
The EP trilogy includes:
“Weapons Of The Modern Age” (Released September 30, 2022)
“Heroes Of The Great War” (Now Available)
“Stories From The Western Front” (Upcoming)
These EPs, coupled with the band’s passion for history and heroism, create a unique collection of World War I narratives and metal music. SABATON’s dedication to history and powerful storytelling shines through each release.
The band also announced rescheduled tour dates for their European leg and an extended tour in Sweden in 2023, showcasing their strong presence in the metal community.
Cannibal Corpse Unleashes “Summoned for Sacrifice” Video / Single
Chaos Horrific Full-Length Nears Release Via Metal Blade Records
Legendary death metallers CANNIBAL CORPSE today unleash their latest single and accompanying video for “Summoned For Sacrifice.” The pulverizing new hymn comes by way of the band’s sixteenth studio album, Chaos Horrific, set for release on September 22nd via Metal Blade Records.
Since their 1988 inception, CANNIBAL CORPSE has remained at the forefront of death metal, shaping and defining the genre. In 2021, they raised the bar again with their Violence Unimagined offering. And in celebration of their thirty-fifth anniversary, this year’s monolithic Chaos Horrific full-length, written shortly after the conclusion of the Violence Unimagined sessions, continues the trajectory.
While the band is notorious for technicality and complex songwriting, that doesn’t define where the writing process takes them. With Chaos Horrific, CANNIBAL CORPSE had no master strategy, approaching each track with an open mind, intent on simply composing the best songs possible. Produced again by guitarist Erik Rutan, who has now produced six of the band’s albums, starting with 2006’s Kill, (Chaos Horrific marks Rutan’s second release as a full-fledged member, since officially joining the band in 2020), the record is, without question, a full-on, CANNIBAL-style death metal outing, straight down to the themes, which include zombie warfare, resetting the human race through mass mutilations, and the violent revenge of victims of human trafficking, and its cover art by longtime collaborator Vince Locke.
Of the band’s second single, “Summoned For Sacrifice,” themed around the selection of an individual to be dismembered, drummer Paul Mazurkiewicz elaborates, “One person is randomly selected to die. Thirteen people are randomly selected to kill this person by violently removing pieces of his body until he breathes no more.”
Chaos Horrific will be available on digipak CD, deluxe box set (Dried Blood Marbled vinyl, 24p 12″ booklet, puzzle, pin, poster, and art print – limited to 1500 copies), cassette (limited to 500 copies), digitally, and on vinyl in the multiple variants:
Coinciding with the release of Chaos Horrific, CANNIBAL CORPSE will embark on a month-long North American co-headlining tour with Mayhem. The trek will commence on September 22nd in Nashville, Tennessee and run through October 21st in Louisville, Kentucky. Support will be provided by special guests, Gorguts and Blood Incantation! Tickets are on sale now. See all confirmed dates below.
CANNIBAL CORPSE Tour w/ Mayhem, Gorguts, and Blood Incantation
9/22/2023: Marathon Music Hall – Nashville, TN
9/23/2023: The Fillmore – Charlotte, NC
9/24/2023: The Mill & Mine – Knoxville, TN
9/26/2023: Stage AE – Pittsburgh, PA
9/27/2023: Rebel – Toronto, ON
9/28/2023: L’Olympia – Montreal, QC
9/29/2023: The Palladium – Worcester, MA
9/30/2023: Brooklyn Steel – Brooklyn, NY
10/02/2023: The Royal Oak – Detroit, MI
10/03/2023: Hard Rock Live – Gary, IN
10/04/2023: The Fillmore – Minneapolis, MN
10/06/2023: Mission Ballroom – Denver, CO
10/07/2023: The Complex Salt – Lake City, UT
10/09/2023: Temple Theatre – Tacoma, WA
10/10/2023: Knitting Factory – Spokane, WA
10/11/2023: Knitting Factory – Boise, ID
10/13/2023: The Warfield – San Francisco, CA
10/14/2023: SOMA – San Diego, CA
10/17/2023: The Aztec Theatre – San Antonio, TX
10/18/2023: The Factory – Dallas, TX
10/20/2023: The Eastern – Atlanta, GA
10/21/2023: Paristown Hall – Louisville, KY
Photo by Alex Morgan
CANNIBAL CORPSE: George “Corpsegrinder” Fisher – vocals Erik Rutan – guitar Rob Barrett – guitar Alex Webster – bass Paul Mazurkiewicz – drums
After completing a highly successful debut American tour earlier this year with August Burns Red and The Devil Wears Prada, Bleed From Within is currently in the midst of a massive summer tour, including headline shows, performances with Heaven Shall Burn, and festival appearances like Brutal Assault (Czech Republic), Summer Breeze (Germany), and Alcatraz (Belgium). This run will be capped by a 13-date tour supporting Trivium across the UK and a visit to the USA for Blue Ridge Rock Fest.
To celebrate this energetic period of live shows, Bleed From Within has released a new single titled ‘The Will To Resist’, taken from their Shrine Deluxe Edition set to release on November 10th, 2023.
Their outstanding latest studio album, Shrine, was released in the summer of 2022, marking the band’s most groundbreaking work to date and firmly establishing Bleed From Within as the most exciting prospect in modern metal.
According to Ali Richardson, “It’s been an amazing year for us since the release of Shrine! As the touring schedule started to fill up, we truly began to appreciate the effect the album was having on our career, so we put this idea in motion of releasing a Deluxe Edition for our fans. The 3 new songs that can be found here were very nearly a part of the initial release. They’re all very different in their composition and many arguments were had while settling on our final tracklisting. ‘The Will To Resist’ takes the lead single here as a band favorite. I’m sure its intensity will resonate with our audience.”
Catch Bleed From Within on their summer tour dates.
Bleed From Within Summer 2023:
Aug 09 – CZ, Jaromer, Brutal Assault Festival
Aug 11 – ES, Villena, Leyendas Del Rock
Aug 13 – DE, Kortrijk, Alcatraz Festival
Aug 14 – DE, Leer, Zollhaus
Aug 15 – DE, Dortmund, Junkyard Outdoor
Aug 16 – DE, Dinkelsbuhl, Summer Breeze
Aug 17 – DE, Tubingen, Sudhaus Open Air
Aug 18 – CH, Vallamand, Rock The Lakes Festival
Aug 19 – FR, Carhaix-Plouquer, Motorcultor Festival
Aug 20 – NL, Eindhoven, Dynamo Metalfest
Aug 23 – UK, Cambridge, Corn Exchange ***
Aug 24 – UK, Norwich, UEA ***
Aug 25 – UK, Nottingham, Rock City ***
Aug 26 – UK, Oxford, O2 Academy ***
Aug 28 – UK, Stoke, Victoria Hall ***
Aug 29 – UK, Liverpool, O2 Academy ***
Aug 30 – UK, Sheffield, O2 Academy ***
Aug 31 – UK, Newcastle, NX ***
Sept 02 – UK, Edinburgh, O2 Academy ***
Sept 03 – UK, Leeds, Stylus ***
Sept 04 – UK, Bristol, O2 Academy ***
Sept 06 – UK, Folkestone, Leas Cliff Hall ***
Sept 07 – UK, Southampton, O2 Guildhall ***
Sep 10 – USA, Virginia, Blue Ridge Rock Fest
*** dates with Trivium && dates with Heaven Shall Burn
More from Shrine: ‘Temple Of Lunacy’ visualizer: YouTube ‘Flesh And Stone’ official music video: YouTube ‘Stand Down’ official music video: YouTube ‘Levitate’ official music video: YouTube ‘I Am Damnation’ official music video: YouTube
Bleed From Within: Scott Kennedy – Vocals Craig Gowans – Guitar Steven Jones – Guitar David Provan – Bass Ali Richardson – Drums
Swedish six-piece AMARANTHE recently electrified the Wacken main stage with a dazzling performance, where they unveiled their upcoming album, “The Catalyst.” Scheduled for release on February 23rd, 2024, via Nuclear Blast Records, “The Catalyst” announcement was met with excitement.
This fall, AMARANTHE embarks on a North American journey as the direct support for GRAMMY-nominated power metal legends, DRAGONFORCE. The 24-date tour commences on October 20th in Mesa, Arizona, and concludes on November 19th in Los Angeles. NANOWAR OF STEEL and EDGE OF PARADISE will open for each show. Tickets go on sale this Friday, August 11.
AMARANTHE’s Olof Mörck says, “We know you guys have been waiting THREE long years since we had to cancel our tour due to the pandemic. But the wait is almost over, and we can very barely contain our excitement for this beast of a tour.”
DRAGONFORCE’s Herman Li states, “We’ve prepared a new setlist with some brand-new songs that we’ll be releasing before the tour begins. It’s shaping up to be a fantastic tour!”
Confirmed dates for AMARANTHE as direct support for DRAGONFORCE on their North American 2023 tour with NANOWAR OF STEEL and EDGE OF PARADISE are:
10.20. U.S. Mesa, AZ – Nile Theater*
10.21. U.S. Albuquerque, NM – Revel*
10.23. U.S. Austin, TX – Empire Garage
10.24. U.S. Dallas, TX – The Granada
10.25. U.S. Houston, TX – House Of Blues
10.27. U.S. Orlando, FL – House Of Blues
10.28. U.S. Ft. Lauderdale, FL – Culture Room
10.30. U.S. Atlanta, GA – Masquerade Heaven
10.31. U.S. Charlotte, NC – The Underground
11.01. U.S. Baltimore, MD – Baltimore Sound
11.03. U.S. New York, NY – Palladium Time Square
11.04. U.S. Worcester, MA – The Palladium
11.05. C.A. Montreal, QC – Mtelius
11.06. C.A. Toronto, ON – Danforth Music Hall
11.08. U.S. Cleveland, OH – Agora Theater
11.09. U.S. Detroit, MI – The Majestic
11.10. U.S. Chicago, IL – House Of Blues
11.11. U.S. Minneapolis, MN – First Avenue
11.12. U.S. Lawrence, KS – Granada Theater
11.14. U.S. Denver, CO – Summit Music Hall
11.15. U.S. Salt Lake City, UT – The Depot
11.16. U.S. Boise, ID – Knitting Factory
11.18. U.S. Berkeley, CA – UC Theater
11.19. U.S. Los Angeles, CA – The Wiltern (* – No NANOWAR OF STEEL)
WORLDWIDE DATES:
08.10 ES Villena – Leyendas Del Rock
08.17-19. CZ Moravský Krumloch – Rock Castle
09.20 – 24. DE Berlin – Full Metal Cruise
12.01. FI Jyväskyla – John Smith Rock Frozen
12.02. FI Joensuu, Unholy Winter Fest
The upcoming album, “The Catalyst,” is available for pre-order. It represents a conceptual and theatrical masterpiece that pushes the boundaries of AMARANTHE’s sound.
California-based deathgrind pioneers CATTLE DECAPITATION are thrilled to announce their upcoming Terrasitic Infestation North American headlining tour! Set to kick off on November 10th in Santa Ana, California, the tour will traverse over two-dozen cities and conclude on December 16th in the band’s hometown of San Diego, California. The tour will feature support from Immolation, Sanguisugabogg, and Castrator.
“Terrasite” is an album that artfully encapsulates the impending apocalypse humanity faces. It opens with the savage yet hauntingly melodic “Terrasitic Adaptation,” ventures through the relentless “We Eat Our Young,” and concludes with the epic “Just Another Body,” providing a dynamic experience of shifting dynamics and diverse emotional responses.
Travis Ryan, the vocalist of CATTLE DECAPITATION, expresses his excitement: “We’re thrilled to announce our first headlining tour since the Death At Last Tour last year. The Terrasitic Infestation Tour will span the USA, with a few dates in Eastern Canada. We’re honored to bring Immolation, Sanguisugabogg, and Castrator with us! See you all there!”
The local presale starts on Thursday, August 10th, at 10:00am local time. The general on-sale date is Friday, August 11th, at 10:00am local time on the CATTLE DECAPITATION website. VIP Experiences can be found HERE.
CATTLE DECAPITATION is on tour in support of their monumental tenth studio album, “Terrasite,” released in May via Metal Blade Records. CATTLE DECAPITATION, accompanied by Immolation, Sanguisugabogg, and Castrator, will take the stage in numerous cities, showcasing their immense talents:
CATTLE DECAPITATION w/ Immolation, Sanguisugabogg, Castrator: 11/10/2023 The Observatory – Santa Ana, CA 11/11/2023 The Nile Theater – Mesa, AZ 11/12/2023 Rock House Bar & Grill – El Paso, TX 11/14/2023 Diamond Ballroom – Oklahoma City, OK 11/15/2023 Granada Theater – Dallas, TX 11/16/2023 Vibes Event Center – San Antonio, TX 11/18/2023 Chelsea’s Live – Baton Rouge, LA 11/20/2023 The Masquerade – Atlanta, GA * No Immolation 11/21/2023 The Orpheum – Tampa, FL 11/22/2023 The Abbey – Orlando, FL 11/24/2023 Hanger 1819 – Greensboro, NC 11/25/2023 Peabody’s Nightclub – Virginia Beach, VA 11/27/2023 Baltimore Soundstage – Baltimore, MD 11/28/2023 Brooklyn Bowl – Philadelphia, PA 11/29/2023 Brighton Music Hall – Boston, MA 11/30/2023 Warsaw – Brooklyn, NY 12/01/2023 Beanfield Theatre – Montreal, QC 12/02/2023 Opera House – Toronto, ON 12/04/2023 St Andrews Hall – Detroit, MI 12/05/2023 House Of Blues – Chicago, IL 12/06/2023 Fine Line – Minneapolis, MN 12/08/2023 Gothic Theatre – Englewood, CO 12/09/2023 Urban Lounge – Salt Lake City, UT 12/10/2023 The Shredder – Boise, ID 12/11/2023 The Crocodile – Seattle, WA 12/12/2023 Hawthorne Theatre – Portland, OR 12/14/2023 Goldfield Trading Post – Roseville, CA 12/15/2023 The Belasco – Los Angeles, CA 12/16/2023 Observatory North Park – San Diego, CA
Produced by Dave Otero (Cephalic Carnage, Allegaeon), with artwork by longtime collaborator Wes Benscoter (Vader, Kreator, Bloodbath, Hypocrisy), “Terrasite” includes Dis Pater of Midnight Odyssey on piano and synths.
This tour presents CATTLE DECAPITATION as a testament to their evolution in the extreme metal scene, embodying their unrelenting pursuit of pushing boundaries while maintaining their signature ferocity.
Photo by Nick Van Vidler
CATTLE DECAPITATION: Travis Ryan – vocals Josh Elmore – lead guitar Belisario Dimuzio – rhythm guitar Olivier Pinard – bass David McGraw – drum
Deep Dive into the universe of CATTLE DECAPITATION
Southern Californian melodic death shredders EXMORTUS are gearing up for the release of their 6th studio album, “Necrophony,” available on August 25th via Nuclear Blast Records. As a prelude to the album’s debut, the band has unveiled the dynamic single “Storm Of Strings,” a testament to their signature melodic prowess and fierce execution.
Guitarist/vocalist Conan reflects on the new single, saying, “With ‘Storm Of Strings,’ we pay homage to both the legendary Yanni and the great Baroque composer Antonio Vivaldi. This amalgamation of new age and classical influences showcases our evolution as musicians. It’s a true showcase of our metal identity.”
Prepare for the onslaught of melodic death metal by pre-ordering “Necrophony” and get ready to be enthralled by the intricate sounds of “Storm Of Strings” streaming now.
In celebration of the album’s release, EXMORTUS will be hosting an album release party at Grill ‘Em All in Alhambra, California on August 25th.
“Necrophony” Tracklist:
Masquerade
Mask of Red Death
Oathbreaker
Mind of Metal
Storm of Strings
Test of Time
Darkest of Knights
Prophecy
Children of the Night
Beyond the Grave
Overture
Necrophony
Moonchild
EXMORTUS Tour Dates:
Sept 17 – Anaheim, CA – Metal Injection Festival @ House of Blues
Nov 18 – Los Angeles, CA – 1720 (w/Vio-Lence, Bonded By Blood)
Exmortus’ musical journey has been both exhilarating and relentless since their formation in 2002. With each release, including fan-favorite full-lengths, they’ve elevated their sound, leading to their latest opus. Songs like “Mind of Metal” and the captivating “Storm of Strings” showcase their mastery in merging technical prowess with melodic hooks.
This darkened evolution in sound is mirrored in their collaboration with engineer Zack Ohren, whose guidance amplifies the visceral power of “Necrophony.” This album not only exemplifies Exmortus’ skillful musicianship but also their distinctive creative identity. From Viennese sophistication to metal might, this record is a tour de force, and with each track, Exmortus forges a path to be remembered in the annals of extreme metal.
The United Kingdom’s finest purveyors of occult rock, GREEN LUNG, have unveiled details about their highly-anticipated third album, “This Heathen Land,” which is set to be released on November 3rd via Nuclear Blast Records. Accompanying this announcement is the debut of the album’s first single, “Mountain Throne,” a fusion of pyrotechnic guitar work and captivating hooks.
Vocalist Tom Templar shares his thoughts on the new album:
“We couldn’t be more excited to share ‘This Heathen Land’ with the world. This album is the culmination of five years of work as a band; an odyssey into the weird and wonderful world of British folklore that melds together our myriad influences – classic rock, doom, NWOBHM, horror film soundtracks, the BBC Radiophonic Workshop – and fashions something out of them that is utterly our own. ‘Mountain Throne’ was the first song we wrote for the album, and feels like a natural bridge from the old Green Lung to the new. We’ve always been inspired by the story of the Pendle Witches, and such an iconic subject required an epic rallying cry of a song – we hope that we’ve done these folk heroes justice!”
“This Heathen Land” is a true embodiment of the band’s artistic vision, fulfilling their longstanding aspiration to, in the words of vocalist Tom Templar, “create the definitive soundtrack to the folk horror film in our heads.” With this album, GREEN LUNG has forged a distinctive sound and identity while retaining the heaviness and captivating songcraft that endeared their previous albums to the metal underground. From cover art to vinyl inserts and lyrical themes, “This Heathen Land” is an intricately researched and executed heavy metal homage to the folkloric landscape of the UK.
Produced by Wayne Adams at Bear Bites Horse Studios and mixed by Tom Dalgety (Opeth, Clutch, Ghost), “This Heathen Land” marks a significant milestone for the band. GREEN LUNG will be performing a series of live shows throughout the year, including their largest headline tour across the UK. Don’t miss the chance to experience songs from “This Heathen Land” firsthand.
GREEN LUNG 2023 Tour Dates:
25.10 – DE, Bonn – Harmonie
26.10 – DE, Hamburg – Indra
27.10 – DE, Berlin – Badehaus
22.11 – Glasgow, Cathouse*
23.11 – Manchester, Gorilla*
24.11 – Nottingham, Rescue Rooms*
25.11 – Sheffield, Corporation*
26.11 – Bristol, Thekla*
30.11 – Wolverhampton, KK’s Steel Mill^
01.12 – Norwich, Arts Centre^
02.12 – Southampton, Joiners^
03.12 – Brighton, Patterns~
10.12 – London, Scala+
(*Support from Boss Keloid, ^Support from Inhuman Nature, ~Support from Trevors Head, +Support from Wytch Hazel)
Canadian extreme-metal pioneers CRYPTOPSY have unveiled their depraved and merciless new single, “Flayed The Swine,” today! This track is part of the band’s first full-length album in over a decade, titled “As Gomorrah Burns,” scheduled for release on September 8th via Nuclear Blast Records. The latest single, “Flayed The Swine,” is both accessible and face-melting, taking listeners on a dark and demented journey into madness. Accompanying the track is a gruesome and blood-soaked video that is sure to haunt viewers’ nightmares.
Vocalist Matt McGachy comments on the new single:
“‘Flayed the Swine’ is one of the catchiest Cryptopsy songs I have ever written. It is brutal, filled with massive groove sections and extremely vulgar. Lyrically, it concentrates on a mental breakdown, an utter loss of control. We all have dark intentions, but we rarely act upon them. The protagonist by the end of the track most certainly wishes they hadn’t.”
The album “As Gomorrah Burns” underscores the ferocity of fan-favorite releases like “None So Vile” (1996) and the technical precision of “And Then You’ll Beg” (2000) while incorporating a sinister and strikingly dark vibe.
Conceptually, “As Gomorrah Burns” juxtaposes the story of Sodom and Gomorrah from the Bible with the modern-day Internet, exploring its dual nature as both a birthplace of invention and a cesspool of exploitation. Cryptopsy commissioned Italian artist Paolo Girardi to create the cover art, resulting in a stunning visual representation of the album’s themes.
With “As Gomorrah Burns,” Cryptopsy unleashes a new chapter of their death metal legacy, combining brutality and thoughtfulness. This album, featuring tracks like “In Abeyance,” “Flayed the Swine,” and “Lascivious Undivine,” delves into the depths of extremity, piercing mundanity thoroughly and relentlessly.
CRYPTOPSY, formed in 1992, have released eight full-length albums to date. With their first album for Nuclear Blast, “As Gomorrah Burns,” the Montreal-based quartet—featuring founding member/drummer Flo Mounier, guitarist Christian Donaldson, vocalist Matt McGachy, and bassist Olivier “Oli” Pinard—continue to push their signature Northern power as they celebrate over 30 years of extremity.
“We are back,” says McGachy. “Yes, we have had massive cult favorite albums, but we are creating modern and relevant extreme music 30 years later. We’re so proud of As Gomorrah Burns, and we can’t wait for you to hear it!”
LIKE WHAT, hailing from the vibrant streets of New York City, presents an electrifying musical project that defies easy categorization. Their sonic landscape is a captivating collision of cinematic synth pop and haunting darkwave, forging a path that’s uniquely their own. Recently, LIKE WHAT unveiled their highly anticipated second album, “Unpunctuated,” a musical journey that showcases their artistic evolution.
“Unpunctuated” features a diverse collection of meticulously crafted original songs that delve deep into the realms of emotion and sound. Additionally, the album includes a pair of layered and moody instrumentals that serve as actual theme songs for upcoming horror movies, offering a glimpse into LIKE WHAT’s dynamic range and creative prowess.
Central to LIKE WHAT’s allure is their distinctive approach to music creation. The brainchild behind LIKE WHAT, Balazs Imre, conceived the project during the pandemic lockdowns, using the limitations of the moment as a catalyst for experimentation. Crafting their captivating soundscapes entirely on an iPad and a guitar, LIKE WHAT captures the essence and atmosphere of the dark 1980s. Their self-produced compositions are infused with haunting lyrics, drawing inspiration from horror and film noir, vividly painting sonic imagery that takes listeners on a transcendent journey through the world of movies and music.
In a musical landscape often defined by convention, LIKE WHAT stands out as a beacon of innovation. Their artistry resonates with echoes of the past while firmly embracing the future, creating an immersive experience that bridges time and space. Their ability to evoke the haunting nostalgia of the 1980s, combined with their own unique flair, sets them apart as true sonic pioneers.
Since their inception in 2020, LIKE WHAT has been making waves with a series of captivating singles and EPs, laying the groundwork for their latest release, “Unpunctuated.” This album marks a significant milestone in their musical journey, showcasing their growth, experimentation, and dedication to pushing boundaries.
Experience the visual allure of LIKE WHAT’s world through the official music video for “Time To Let Go”:
Don’t miss out on the mesmerizing soundscape of LIKE WHAT’s “Unpunctuated,” available now on all major streaming and digital music platforms.
Hailing from the United States, Sonum Unum emerges as an electrifying electronic rock duo, a collaborative venture orchestrated by multi-instrumentalist/producers Craig Douglas and Michael Goldberg. Their musical journey weaves together a tapestry of influences, encompassing electronic, ambient, cinematic, and rock elements, reminiscent of the ethereal soundscape conjured by artists such as M83, Peter Gabriel, and Depeche Mode.
What initially began as a fortuitous connection catalyzed by a musician’s want ad culminated in a creative synergy that transcended expectations. The duo’s artistic partnership took shape during the winter of 2023, marked by the seamless exchange of files and ideas. From this virtual collaboration, a profound musical endeavor was born—a testament to the transformative power of technology and artistic camaraderie.
While the duo’s original intent was to craft a collection of songs and independently release a handful of singles, fate had other plans. Their demo track “Empty Spaces,” shared online, swiftly captured the attention of industry luminaries Micah Skaritka and Roger Jarvis of Negative Gain Productions. Enthralled by Sonum Unum’s unique sonic palette and potential, the duo’s trajectory shifted dramatically.
Embracing a new chapter, Sonum Unum signed with Negative Gain Productions, propelling their musical journey into an exciting new phase. Their much-anticipated debut album, “Signals From The Sun,” is poised for a global release in September 2023, a harmonious amalgamation of their diverse musical influences and creative chemistry. As the album’s release approaches, the duo prepares to embark on a touring adventure that promises to further amplify their magnetic presence.
On August 11th, Bestial Mouths will unveil their highly anticipated album titled “R.O.T.T. (inmyskin)” through Negative Gain Productions. The band’s sixth studio offering follows their 2020 release “Resurrectedinblack.” Helmed by the unwavering Lynette Cerezo, the driving force and voice behind the project, Bestial Mouths have crafted a genre-defying presence in the realm of extreme metal. Influenced by 80’s thrash and death metal, their sound bears the captivating intensity of Siouxsie’s gothic wail, a relentless force that chafes, chills, and entrances the senses.
Producer Rhys Fulber, a Juno Award-winning figure known for his work with Front Line Assembly and Delerium, has breathed life into “R.O.T.T. (inmyskin),” steering the album’s trajectory into a resonant, entrancing soundscape. A journey spanning from Bestial Mouths’ 2019 release “INSHROUDSS EP,” which marked Lynette Cerezo’s debut as the sole songwriter, to their present sonic voyage, this album resonates with deeply personal lyrics addressing self-stagnation and trauma. A thematic thread that began with “INSHROUDSS EP” is meticulously woven into the fabric of “R.O.T.T. (inmyskin),” a crystalline fusion of pop’s broad palette with raw, polished edges, inviting both introspection and movement.
Cerezo passionately speaks of the album’s essence: “The path to ‘R.O.T.T. (inmyskin)’ has been as tumultuous as the music itself; always afflicted by doubts, it was honestly surprising to me to finally reach the sonic realm where I feel Bestial Mouths resides. Rhys Fulber’s sterling production really opened up the feel of the album. I wanted to express these same traumas, these looped cycles and patterns, yet peel back some of the rot to show an inner strength, unbreakable. A fury polished by repetition, to send desecration amongst pathetic bullies. To dance with your death, and still find humor and joy amongst the ruin.”
Founded in 2009, Bestial Mouths, under the steadfast guidance of Cerezo, has seamlessly melded various genre influences, ranging from goth, industrial, and post-punk to New Wave, noise, and metal. The band’s dynamic live performances are an embodiment of their ethos, integrating live and acoustic instrumentation alongside electronic drums and analog synthesizers. Cerezo’s background in fashion design and gender activism infuses their visual and social aesthetics, rendering their stage presence captivatingly theatrical.
As the album’s release approaches, Bestial Mouths are primed to take their sonic journey on the road, setting the stage ablaze with their magnetic performances.
Their upcoming live performance dates include:
Aug. 26th: New Orleans, LA – NGP Presents Destination – House of Blues
Sep. 2nd: New York, NY – A Murder of Crows Festival – Bowery Ballroom
FALL TOUR 2023:
Oct. 26th: Chicago, IL – Sanctum Fest – Thalia Hall
Oct. 27th: Detroit, MI – TBA
Oct. 28th: Philadelphia, PA – Dracula’s Ball – Underground Arts
Oct. 29th: Washington, DC – The Runaway
Nov. 2nd: Montreal, QC – Casa Del Popolo
Nov. 3rd: Toronto, ON – The Garrison
Nov. 10th: Los Angeles, CA – Substance – The Globe Theater
Bestial Mouths’ resounding impact within the music scene is underscored by their collaborations with acclaimed producers and artists, a history punctuated by performances alongside renowned acts. Their indomitable spirit and profound artistry continue to blaze a trail through the realms of extreme metal and beyond.
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