KMFDM is set to re-release their classic fourteenth album, “HAU RUCK,” on May 23rd, 2025, via Metropolis Records. This special 20th-anniversary edition, titled “HAU RUCK 2025,” has been completely remixed and remastered, and will be available on 2xLP, CD, and digital formats. Fans can get an early taste with the newly available audio for ‘FREE YOUR HATE’.
The original “HAU RUCK” was recorded in Seattle and released in 2005. Following their industrial/metal assault with 2003’s ‘WWIII’, KMFDM sought a fresh direction. Band leader Sascha Konietzko expressed the desire for something “more noisy, more dance-y, more electronic, and less butt rock.” The album’s concept was playfully dubbed FUBAR β ‘Fucked Up Beyond All Recognition/Repair’ β reflecting their aim to push boundaries.
From the politically charged anthems of ‘Free Your Hate’ and ‘New American Century’ to the grimly emotional grooves of ‘Real Thing’; from the confrontational dancefloor venom of ‘Ready to Blow’ and ‘Professional Killer’; and encompassing a swinging cover of Jacques Dutronc’s ‘Mini Mini Mini’ and the self-effacing snark of ‘Feed Our Fame’, the album proved anything but FUBAR. It showcased KMFDM at its most concentrated, sharply focused, and aggressive, imploring audiences to fight corruption and embrace individuality. The powerful German phrase ‘HAU RUCK’ (meaning ‘Heave Ho’) perfectly captured this defiant spirit.
Hamburg-based industrial rock pioneers KMFDM have carved out a unique path since their founding by Sascha βKΓ€ptβn Kβ Konietzko in 1984. They’ve continuously refined and redefined modern music while boldly addressing social and political issues. After early albums recorded in Germany, the band moved to the US and gained widespread recognition with Chicago-based Wax Trax! Records.
The 1990s saw KMFDM become a household name in the global industrial rock scene. Their 1995 hit βJuke Joint Jezebelβ propelled them onto the Billboard charts and earned them placements on film soundtracks like βBad Boysβ and βMortal Kombatβ. Future titans such as Rammstein and Korn even started their careers opening for KMFDM tours.
After a hiatus in 1999 following their tenth album for Wax Trax!, Konietzko resurrected KMFDM three years later, signing with Metropolis Records. This new era featured American singer Lucia Cifarelli (from Drill) and Tim Skold (who later joined Marilyn Manson). Konietzko and Cifarelli returned to Germany in 2008 and have consistently recorded and toured. Their most recent album, βLET GOβ, released in 2024, coincided with the group’s 40th anniversary.
Metamorph, the captivating project led by Margot Day, has just announced the release of their new “Harlot EP”!
While specific details about the EP’s soundscapes and lyrical themes are eagerly awaited, this new offering from Metamorph promises to continue Margot Day’s unique artistic vision.
This Sunday, May 31st, prepare for a full-on assault of mechanical, raw, and unapologetic sound as we bring you an in-depth look into the world of Dead Posey!
Join us as we dive deep into their origin story, how they forged their signature sound, and the challenges they’ve overcome to become the undeniable force they are today. From their early breakthroughs with tracks like “Don’t Stop the Devil” to the potent fire behind their latest album, Are You In A Cult?, you’ll hear the raw, unvarnished truth of their journey.
Discover their creative process, their fight for authenticity in a fickle industry, and what it truly takes to push boundaries and build a lasting legacy. If you crave music that’s rebellious, empowering, and unapologetically real, you don’t want to miss this!
Tune in to evolradio.com this Sunday, May 31st to immerse yourself in the Dead Posey universe.
Steel City Kings MALEVOLENCE have unleashed a new single from their massively anticipated new album, Where Only The Truth Is Spoken, which is set to be released on the 20th June via MLVLTD in partnership with Nuclear Blast Records.
Compared to the punishing previous singles, ‘Trenches’ and ‘If It’s All The Same To You’ the brand new release ‘Salt The Wound’ shows a more emotional side of MALEVOLENCE, but that only makes its incredibly heavy chorus stand out even more.
Alex Taylor (vocals) commented: β’Salt The Wound’ is the product of us making a conscious decision to bridge the two faces of Malevolence. On one hand we have the heavy aggressive side, and on the other we have the slower melodic songs, so we wanted a song that could combine the two. The video was entirely shot in Sheffield and the surrounding areas. From the industrial depths of Sheffield, a 900-year-old ruined Abbey, to a perfect sunrise over some of the incredible hills of Derbyshire, there is some incredible scenery in the north of the UK which we sometimes take for granted, so this song felt like the perfect opportunity to show case some of that. From the moment I heard the guitar solo Josh had written for this song, I pictured him on a mountain top doing the solo, so we made it happen, Malev style!β
Malevolence – ‘Salt The Wound’ (Official Music Video) Where Only The Truth Is Spoken
Blood To The Leech
Trenches
If It’s All The Same To You
Counterfeit
Salt The Wound
So Help Me God
Imperfect Picture
Heavens Shake
In Spite (ft. Randy Blythe)
Demonstration Of Pain
With Dirt From My Grave
MALEVOLENCEΒ are currently touringΒ Australia for a run of dates supportingΒ Alpha Wolf.
22.05. – AU – Adelaide – Jive 23.05. – AU – Warrnambool – The Whalersβ 24.05. – AU – Forth – Forth Pubβ 25.05. – AU – Hobart – Altar Barβ 28.05. – AU – Melbourne – Stay Gold 29.05. – AU – Geelong – Wool Exchangeβ 30.05. – AU – Albury – Beer Deluxeβ 31.05. – AU – Castlemaine – Theatre Royalβ 01.06. – AU – Narre Warren – District 14β
β supporting Alpha Wolf
SUMMER SLAUGHTER TOUR 2025 w/ HATEBREED, BLEEDING THROUGH …
08.07. – US – St Petersburg, FL – Jannus Live 09.07. – US – Atlanta, GA – The Eastern 11.07. – US – San Antonio, TX – Vibes Event Center 12.07. – US – Oklahoma City, OK – Diamond Ballroom 13.07. – US – Dallas, TX – The Bomb Factory 15.07. – US – Indianapolis, IN – Egyptian Room at Old National Centre 16.07. – US – Pittsburgh, PA – Stage AE 17.07. – US – Huntington, NY – The Paramount 19.07. – US – Sayreville, NJ – Starland Ballroom 20.07. – US – Philadelphia, PA – Franklin Music Hall 22.07. – US – Charleston, SC – Charleston Music Hall 23.07. – US – Charlotte, NC – The Fillmore Charlotte 25.07. – US – Rochester, NY – Water Street Music Hall 26.07. – US – Detroit, MI – Harpos 27.07. – US – Milwaukee, WI – The Rave 28.07. – US – Grand Rapids, MI – The Intersection
MALEVOLENCE HEADLINE UK & EU TOUR 2025
27.10 – FR – Toulouse – Bikini Club 28.10 – FR – Paris – Elysee Montmartre 30.10 – DE – Munich – Backstage 31.10 – DE – Leipzig – Felsenkeller 01.11 – DE – Berlin – Huxleys 02.11 – DE – Hamburg – Gruenspan 04.11 – NL – Tilburg – 013 05.11 – DE – Cologne – Live Music Hall 06.11 – BE – Ghent – Vooruit 08.11 – UK – Manchester – O2 Victoria Warehouse 09.11 – UK – London – O2 Academy Brixton
MALEVOLENCE have never waited for permission. From the underground to festival main stages, theyβve built their reputation on sheer force of will, crushing live shows, and an unshakable foundation of heavy riffs and harder work. Now, with their fourth studio album Where Only The Truth Is Spoken, Sheffieldβs finest step into a new league.
Recorded in California at Dave Grohlβs legendary Studio 606, the album was tracked through the iconic Neve 8078 console, the same desk that captured game-changing records like Nirvanaβs Nevermind, Fleetwood Macβs Rumours, and Tom Pettyβs Wildflowers. For a band thatβs always pushed forward without compromise, it was the perfect setting to carve out a record that represents everything MALEVOLENCE stands for. The album marks a new level of songwriting precision without sacrificing the bandβs trademark weight. Working alongside Grammy Award-winning producer Josh Wilbur (Lamb of God, Gojira, Trivium), the result is MALEVOLENCE at their most punishing, urgent, and anthemic.
Lyrically, Where Only The Truth Is Spoken reflects the principles that MALEVOLENCE have lived by since day oneβhonesty, loyalty, and integrity. These are not just themes woven into the album but values the band holds in their personal and professional lives. This record doesnβt deal in facades or empty gestures; itβs an unfiltered expression of the struggles, victories, and unshakable brotherhood that have carried them this far.
Malevolence are:
Alex Taylor | Vocals
Konan Hall | Guitar / Vocals
Josh Baines | Guitar
Wilkie Robinson | Bass
Charlie Thorpe | Drums
Deep Dive into the Universe of Malevolence: π§ Website – Facebook,
IGORRR is set to unleash their latest single, “Blastbeat Falafel,” taken from the band’s stunning fifth album, “Amen,” which will see its release on September 19th via Metal Blade Records. This new track features guest appearances by Trey Spruance (Mr. Bungle) and Timba Harris (Estradasphere, Secret Chiefs 3).
French multi-instrumentalist and producer Gautier Serre has been operating under the moniker IGORRR for two decades, yet each new record still resonates with a startling freshness and radical vitality. Mr. Bungle, Spruance’s main band, has long been a savvy comparison for IGORRR’s ethos of tightly controlled musical anarchy and gleeful boundary-smashing intensity, serving as another motivating force for the young Gautier. Like Mr. Bungle, IGORRR stubbornly repels the sort of generic pigeonholing that certain media and fans love to indulge in.
On “Blastbeat Falafel,” Gautier further elaborates, “The track is an unnatural and unorthodox connection between metal and traditional oriental music. A metalhead who truly loves oriental music tried to fit in with the codes of oriental music but didn’t succeed. He tried too hard, lost his identity, and ended up in a psychiatric hospital.”
IGORRR Live w/ Master Boot Record, Imperial Triumphant:
10/01/2025 Le Rocher de Palmer – Bordeaux, FR
10/02/2025 Le Bikini – Toulouse, FR
10/03/2025 Santana 27 – Bilbao, ES
10/04/2025 Apollo 1 – Barcelona, ES
10/05/2025 La Riviera – Madrid, ES
10/07/2025 L’Usine – Istres, FR
10/08/2025 Les Docks – Lausanne, CH
10/09/2025 Batschkapp – Frankfurt, DE
10/10/2025 Soulcrusher Festival – Nijmegen, NL
10/11/2025 Ancienne Belgique – Brussels, BE
10/12/2025 Live Music Hall – Cologne, DE
10/14/2025 Markthalle – Hamburg, DE
10/15/2025 Nancy Jazz Pulsation – Nancy, FR
10/16/2025 Le Transbordeur – Lyon, FR
10/17/2025 L’Olympia – Paris, FR
10/19/2025 Stereolux – Nantes, FR
10/21/2025 Prospect Building Crane – Bristol, UK
10/22/2025 Shepherd’s Bush Empire – London, UK
10/23/2025 O2 Ritz – Manchester, UK
More on IGORRR’s Amen:
Since signing to Metal Blade in 2017, the IGORRR name has expanded from one man’s pseudonym to become a full group identity, but Gautier remains the project’s guiding light and mastermind. Steadfastly unclassifiable, “Amen” blindsides its listeners with a new set of exploratory curveballs and continues to surprise and unnerve even the most attuned enthusiast. “This album is definitely darker than its predecessors, it has such a very weighty and solemn vibe that has never been reached before in IGORRR,” explains Gautier. “The fact that I recorded a real choir in a church helped this a lot, but above all there has been very long and meticulous work on the sound and the choice of instruments, and deep experimental research to create a unique sound design. Of course, because it’s an IGORRR album, there are some more colorful tracks, like ‘Blastbeat Falafel,’ ‘ADHD’ etcβ¦ They contrast very much with the ambient heaviness. I need tracks like these on an album, it helps to really get through it fully focused, like a shot of limoncello before the next meal.”
With an urge to continually take IGORRR’s multifaceted and challenging sound further forward with each release, Gautier has spent a lot of time cultivating multiple new modes and methods of working since 2020’s breathtaking, critically acclaimed opus Spirituality And Distortion, which even reached number twelve on the official German album chart. Gautier has always made clear that IGORRR is as much about the influence of Bach and Chopin as it is about Cannibal Corpse, Aphex Twin, and Meshuggah, but the source of specific stimuli gets harder to ascertain as the process is refined.
“It’s always difficult for me to know from where the inspiration comes,” he muses. “Music is an expression of life, and everything, even what seems the most insignificant thing, can be a source of inspiration. I would say there hasn’t been one event or one experience that has led me on a creative process, it’s more like a cumulation of everything. I love making music. My brain processes music all the time. You cannot imagine the amount of albums and concertos I create during my sleep. The challenge is more how to sort these ideas to keep the ones with the best potential, the ones that I won’t get bored of, the ones that I really Love, with a big letter L.”
Finlandβs fiercest export LOST SOCIETY are back with a vengeance. The band returns with their brand-new single, ‘Dead People Scare Me (But The Living Make Me Sick),’ a high-octane anthem destined to ignite moshpits across festivals all summer long. With this explosive track, LOST SOCIETY kick off a bold new chapter in their career, diving headfirst into fresh sonic territory while retaining the raw energy and aggression fans have come to love. The single is the first taste of their upcoming full-length album, details of which will be revealed soon. Accompanying the release is a riotous party video that perfectly captures the songβs chaotic spirit and tongue-in-cheek attitude β a perfect visual complement to the trackβs adrenaline-pumping riffs and biting lyrics.
Frontman Samy Elbanna comments: βWhen we were kids, we often were scared by zombies, the grim reaper and whatever concept of death we felt we knew anything about – but as we grew up and were introduced to the real world, we would find out that there is nothing more terrifying than a person with a heartbeat and power. This track dives into universal themes that most of us think about constantly: fitting in, and questioning why we should fit in? We are brought up in institutions molding us to prepare for adulthood, and even in the 21st century, differing from the mass still makes people look down on you – and this song is an anthem for the downtrodden. No matter how βmainstreamβ metal music is, itβs always marginal, and βbeing touched by the devilβ is a metaphor for all of the people out there who feel like they are doing something that differs from the mass, and they like it.β
LOST SOCIETY on a European festival this summer: 25.06. ES Resurrection Fest 27.06. EST Tallinn Rock Festival 28.06. FI Provinssi 04.07. FI Rokki Raikaa 11.07. FI Metallivuori 19.07. FI Pomefest 30.07. DE Wacken Open Air 31.07. DE Helm Fest 08.08. ES Leyendas Del Rock 15.08. DE Summer Breeze 30.08. FI Nordis Live 08.11. FI Metalli MΓΆssΓΆ XXL
Feast upon the gothic sludge night stalker, BLOOD VULTURE, created by Jordan Olds (2 Minutes To Late Night), as they unveil their 2nd single, “Grey Mourning” (Featuring Jade Puget of AFI), from the upcoming debut album, Die Close, set to be unleashed on June 27th via Pure Noise Records.
Commenting on the song, Olds states: “When I was in middle school, AFI was my gateway to punk, hardcore, and goth. Jade Puget specifically was probably the biggest influence on my guitar playing and songwriting in that very formative time in my life. He’s such a melodic and unique player, and “Grey Mourning” is just a barrage of chromatic death metal riffs, so I thought it would be a really fun juxtaposition to set him loose in that kind of space and see what he came up with. I was honored that he agreed to do it, and his solo is so cool and unpredictable. It was exactly what I wanted. In my freshman year of highschool, I snagged a black Les Paul studio because I saw him playing one in the Leaving Song Pt. II video and that’s actually the same guitar that I used to mimic his solo for the video. So this whole thing has been a wild full circle moment for me. Oh yeah, and the song is about vampires.”
The impending debut, Die Close, lures listeners in with a mesmerizing melding of gothic romanticism, lush metallic vibes and brutal reckoning. The record features luminary guests Jade Puget (AFI), Kristin Hayter (Lingua Ignota) and Brian Fair (Shadows Fall).
BLOOD VULTURE will perform in Brooklyn, NY on June 1st at The Meadows with Pallbearer and Cinder Well.
About BLOOD VULTURE:
This is the story of a vampire known as βThe Blood Vulture.β A once-insatiable bloodthirsty abomination of a creature, he is now a recluse long locked away as he grapples with what it means to live forever in a world of impermanence. His tales of regret and grief and terror will be told from hereon through songs that meld the emotive vocal stylings of grungeβs golden era with death metal, goth rock, and doom metal.
Deep Dive into the Universe of Blood Vulture: π§π¦
For nearly three decades, US/French Canadian melodic death metal powerhouse KATAKLYSM has delivered unrelenting waves of powerful sound. Today, the band offers fans a brand new track entitled, ‘The Rabbit Hole’.
With brutal honesty and relentless force, it rips through the illusion of control and dares listeners to wake up, fight back, and resist. A soundtrack for the disillusionedβunapologetic and unrelenting. The song features Clemens Wijers (CARACH ANGREN) who curated the track’s ambient sound effects and synth section.
KATAKLYSM’S Maurizio Iacono states, “‘The Rabbit hole’ is the bands first stand alone single since the bands classic ‘Iron will’ track. As the world spins out of control and people search for purpose and truth, we felt questioning these things is something important to do, theres a lot of noise and lots of distortion these days, but always trust your gut and what is right vs what is forced fed, so why not put these thoughts to music, so while we wait for the next record, we decided to drop this heavy hitter, spread it an enjoy!”
The single was recorded earlier this year at JFD Studios in Dallas, TX and Studio City, CA as well as The Cabin in Orlando, FL and Silver Black Studio, Laval, QC, Canada. ‘The Rabbit Hole’ was produced, mixed, and mastered by the band’s very own J-F Dagenais.
25.07.25 SI Tolmin @Tolminator Festival 26.07.25 AT Vienna @ Metal Fields 29.07.25 DE NΓΌrnberg @ Hirsch 30.07.25 DE Stuttgart @ Wizemann 31.07.25 DE Dortmund @ Dortmund Deathfest *warm up 01.08.25 DE Rojtzschjora @ Full Rewind Festival 02.08.25 RO Rasnov @ Rockstad Extremefest 07.08.25 DE Aschaffenburg @ Colos-Saal 08.08.25 UK Derbyshire @ Bloodstock Festival 09.08.25 CZ Jaromer @ Brutal Assault Festival 10.08.25 DE Munich @ Backstage 12.08.25 DE Karlsruhe @ Substage 14.08.25 FR Carhaix @ Motocultor Festival 15.08.25 CH Cudrefin @ Rock the Lakes Festival 16.08.25 DE Sulingen @ Reload Festival 17.08.25 NL Eindhoven @ Dynamo open air
The Northern Territories celebrate today’s release of their new album, “A Star in Orbit Still,” with a new video single cover of Lana Del Rey’s “Say Yes to Heaven.” This acclaimed album, their fourth full-length, has already been hailed as ‘The Album of the Month’ in the renowned German magazine Orkus!
After a record-breaking hiatus of 25 years, THE NORTHERN TERRITORIES are back for good. The Swedish melancholic synth duo has used the time well to hone their musical prowess and to think hard about how they wanted their unique sound to come across in the present. As a result of this intense thought process, the stunning album “A Star in Orbit Still” combines everything that made the band great and generated a dedicated and loyal following that eagerly awaited their return during all those years with a contemporary sound design.
Channeling their trademark melancholy and Nordic knack for captivating melodies, THE NORTHERN TERRITORIES did not even shy away from covering LANA DEL REY’s iconic track ‘Say Yes to Heaven’ and to make it theirs. When the Swedish duo disbanded after the release of their third full-length “Satellite People” in 1999, they left behind many a broken heart in the electronic music scene that was mourning the loss of a one of a kind band with a unique sonic appearance. THE NORTHERN TERRITORIES’ combination of outstanding songwriting with a strong melancholic Nordic tint as well as semi-acoustic, semi-electronic instrumentation created their very own version of a dreampop soundscape. With βA Star in Orbit Still’, THE NORTHERN TERRITORIES are not just back on track as if nothing happened in the years of their absence, but the Swedes return on top of their game and fully ready to climb new peaks!
THE NORTHERN TERRITORIES comment: βThe video for our cover of Lana Del Rey’s ‘Say Yes to Heaven’ consists of footage that we have lifted from our first ever video clip “Midnight Ambulance”, which we shot in Stockholm during the summer of 1994,” vocalist and multi-instrumentalist John Alexander Ericson explains on behalf of the duo. “We have not released an album in 25 long years, so it made sense to us to include these images as a nod to our past and as a reminder to ourselves and to others about how it all started.”
When the Swedish duo disbanded after the release of their third full-length “Satellite People” in 1999, they left behind many broken hearts. Now, after a record-breaking hiatus of 25 years, THE NORTHERN TERRITORIES are back! “A Star in Orbit Still” was released today by Dependent Records of Germany and is available in a 48-page artbook 2 CD edition along with all streaming and digital platforms.
Japanese black metal legends Sigh are celebrating an incredible 35 years of pushing extreme music’s boundaries! With a dozen studio albums, countless global performances, and an unwavering dedication to sonic evolution, they’ve rightfully earned their place as one of metal’s most revered and influential cult acts.
To mark this monumental anniversary, Sigh has turned its gaze back to their 2007 opus, “Hangman’s Hymn.” This album was a compositional tour de force, notable as Sigh’s first concept album, famously weaving aggressive ’80s thrash influences (think Wehrmacht, Sarcofago, Repulsion) with complex classical arrangements, particularly inspired by German symphonies. However, “Hangman’s Hymn” never quite met the band’s own exacting standards in terms of its original execution and production.
Frontman Mirai Kawashima has personally undertaken the ambitious task of rectifying this. He’s meticulously re-recorded this intricate, at times overlooked masterpiece with Sigh’s current lineup and modern production sensibilities. The result is the newly titled “I Saw the World’s End β Hangmanβs Hymn MMXXV,” set to drop on Peaceville on June 13th.
Mirai himself sheds light on the project’s genesis: “βHangmanβs Hymnβ, which was released in 2007, is one of my best compositions of my whole career, but it does not necessarily mean that this is my favorite Sigh album. The excessively monotonous drumming must be the biggest issue. The guitars are sloppy. The production is far from the best. And my orchestrations and vocals could have been much better. So what if we re-record this with better musicians and todayβs production? The idea was always in my head, and finally the time has come to make it happen. I do know that re-recording can be the double-edged sword. βScorn Defeatβ has some flaws. So does βImaginary Sonicscapeβ. But I will never ever re-record those albums as I am sure that it would lose their magic. But βHangmanβs Hymnβ is an exception. You can easily tell what I mean if you listen to this completely re-recorded version.β
With Nozomu Wakai on guitar and the formidable Mike Heller returning on drums, “I Saw the Worldβs End β Hangmanβs Hymn MMXXV” is poised to be Sigh’s fiercest, most brutal, and most symphonic album to date. The flawless delivery from the new members, coupled with fresh orchestration featuring real orchestral instruments, brings an entirely new dimension to the work. The album’s enhanced production, courtesy of Lasse Lammert, and striking cover artwork by Eliran Cantor, complete this monumental re-imagining.
About SIGH:
Japanese black metal pioneers Sigh originally formed in 1989/1990. Their genre-defining debut, ‘Scorn Defeat,’ arrived in 1993 via Euronymousβ Deathlike Silence Productions. With each subsequent release, Sigh solidified their reputation as one of Japanβs most influential and revered metal exports. Their career has been a captivating journey through the strange and the psychedelic, eclectically incorporating a vast mix of genre styles and relentless experimentation. Sigh has consistently remained a vital creative force in the avant-garde metal landscape while fiercely maintaining their old-school roots, as powerfully demonstrated by their stellar 2022 album, ‘Shiki.’
Photo Credit: Itsutaka Takusagawa
“I Saw the Worldβs End β Hangmanβs Hymn MMXXV” Tracklist:
Introitus / Kyrie (MMXXV)
Inked in Blood (MMXXV)
Me-Devil (MMXXV)
Dies Irae (MMXXV)
The Master Malice (MMXXV)
The Memories as a Sinner (MMXXV)
Death with Dishonor (MMXXV)
In Devil’s Arms (MMXXV)
Overture (MMXXV)
Rex Tremendae / I Saw the World’s End (MMXXV)
Salvation in Flame / Confutatis (MMXXV)
Finale: Hangman’s Hymn / In Paradisum / Das Ende (MMXXV)
Belgian electro-industrial pioneer Suicide Commando is set to unleash their powerful new EP, “Final Stage,” on July 18, 2025, via Out Of Line Music. Available on limited edition CD and transparent red vinyl, this release is a raw, stripped-down, and uncompromising return to the project’s roots, embodying a ferocious essence.
“Back to the essence, back to the core! No compromises, no frills, no stupid fashion show⦔ states Johan Van Roy, emphasizing the EP’s focused intensity.
A Modern Reinterpretation of a Classic
This six-track EP isn’t just a trip down memory lane; it’s a complete transformation. “Final Stage” features five radically reimagined versions of tracks from Suicide Commandoβs influential 1994 debut album, Critical Stage. These aren’t mere remixes, but full-scale modern reinterpretations designed to showcase how Critical Stage would sound if crafted with today’s cutting-edge production, all while retaining its classic aggression.
The EP also includes “De weg,” a significant milestone as the first Suicide Commando song ever performed in Johan Van Roy’s native Dutch. Fans won’t have to wait long for a taste of this new material, as “De weg” will be released as the first single on June 5, 2025.
Prepare for a sonic onslaught from Portland’s burgeoning black/death metal entity, DROUTH, as they unleash their highly anticipated third full-length album, “The Teeth of Time,” today via Eternal Warfare Records!
“We are proud to present The Teeth of Time, a culmination of several years of blood, sweat and pain. It is a nightmare made manifest, and we are both eager to share our creative work and grateful to the many people who helped make it possible,β states the band DROUTH.
“The Teeth of Time,” the long-awaited follow-up to their acclaimed 2020 release, “Excerpts From a Dread Liturgy,” is a true sonic mind-melter. Brace yourself for a potent blend of searing death metal and vicious black metal, as evidenced on crushing tracks like “False Grail” and the title track itself. Step through the portal and experience one of the year’s most intensely rewarding records.
But the darkness doesn’t end with the album! DROUTH is also embarking on a US Spring Tour, starting May 31st:
DROUTH Tour Dates:
May 31 – Portland, OR – High Water Mark June 2 – Salt Lake City, UT – Ace’s High Saloon June 3 – Colorado Springs, CO – What’s Left Records June 4 – Denver, CO – Hi Dive June 6 – Minneapolis, MN – Zhora Darling June 7 – Milwaukee, WI – Sabbatic June 8 – Indianapolis, IN – Black CIrcle June 9 – Chicago, IL – Reggies June 10 – Wichita, KS – Kirby’s Beer Store June 12 – Denton, TX – Dan’s Silverleaf June 13 – Dallas, TX – Double Wide June 14 – Austin, TX – The 13th Floor June 16 – El Paso, TX – Love Buzz June 17 – Albuquerque, NM – Sister Bar June 18 – Flagstaff, AZ – Monte Vista Lounge June 19 – Los Angeles, CA – Eli’s Mile High Club June 21 – Eureka, CA – Savage Henry Comedy Club
Credit: Jason DeSomer
About DROUTH:
Formed in Portland in 2012 (originally as Contempt), DROUTH has been stirring the local scene with their powerful concoction of black metal, death metal, doom, and crust. Following their 2014 EP “Skinwalker,” 2015’s “Vast, Loathsome” EP, and the albums “Knives, Labyrinths, Mirrors” (2017) and “Excerpts From a Dread Liturgy” (2020), “The Teeth of Time” marks their most crushing offering yet. Recorded and mixed with the legendary Billy Anderson (Neurosis, Cattle Decapitation) and mastered by Justin Weis (Agalloch, Hammers of Misfortune), this five-track behemoth delivers 40 unrelenting minutes of vicious and melodically adventurous black/death metal.
DROUTH is:
Matt Stikker: Guitar, vocals, lyrics Patrick Fiorentino: Drums John Edwards: Guitar, vocals Matt Solis: Bass
SPANKTHENUN, alongside twisted re-imaginings from CVRBON DECVY and Melody Whore, has just unveiled “PANOPTIKON,” a chillingly captivating 4-on-the-floor electro experience. This track serves as an ominous sonic tribute to Dallas’s iconic Panoptikon club, pulling you into its shadowy embrace.
“PANOPTIKON” ensnares the listener with its relentless surveillance beats and a haunting, unforgettable refrain (“See me now, see forever, PANOPTIKON”). You’re drawn into a world of neon grids and pulsing rhythms, where the infectious groove becomes your captor. As shadows writhe and the intensity builds, the very notion of freedom seems to slip away within this hypnotic soundscape.
Adding further layers to this digital menace, the release features compelling and distorted remixes from the sonic architects CVRBON DECVY and Melody Whore. Each remix amplifies the track’s inherent darkness and technological dread, offering unique and unsettling perspectives on SPANKTHENUN’s original vision.
Experience the captivating darkness of SPANKTHENUN’s “PANOPTIKON”: [Link to where the release can be found will be added if available]
From the vibrant heart of Brazil emerges AESTHETISCHE, the formidable EBM duo led by Gui Pires and Fab Viscardi, delivering a powerful sonic statement for 2025: the “Selling Fear” EP. In a reality increasingly fractured by the weight of misinformation, manipulative media, and escalating socio-political tensions, this new EP strikes with the urgency of a pounding alarm β a defiant and vital soundtrack for an era teetering on the edge.
With “Selling Fear,” AESTHETISCHE channels their signature fusion of precise electronic craftsmanship and raw, gritty intensity into six fiercely sharp tracks. These sonic creations artfully straddle the line between potent protest anthems and irresistible dance floor weapons. Drawing inspiration from the iconic legacies of FRONT LINE ASSEMBLY and the “Tyranny For You”-era FRONT 242, the duo seamlessly blends abrasive industrial textures with compelling melodic EBM grooves β a potent combination of visceral energy and intellectual depth.
From the aggressive rhythmic onslaught of the title track itself to its intriguing reinterpretations, “Selling Fear” provides multiple angles on a central, undeniable truth: resistance is not optional, and silence equates to complicity. The EP also features a fresh and impactful 2025 rework of “Everything Ends,” transforming last year’s original into a hard-hitting, club-ready anthem.
This is more than just an EP; “Selling Fear” is a sonic manifesto. AESTHETISCHE issues a rallying cry to all sonic dissidents: confront the overwhelming noise, decipher the pervasive lies, and transmute fear into the very fuel for change.
Let the machines articulate the message β and let the unvarnished truth resonate.
Hailing from the heart of Hungary and wielding powerful rhythms comes STAHLGEIST, the nation’s prime purveyors of Electronic Body Music. Their latest decree, “Justice,” isn’t just an album; it’s a 13-track sonic sentencing that proves their recent “Silence” EP was merely a polite cough before a full-throated roar. The masterminds behind this auditory arraignment are IstvΓ‘n Gazdag (also known for FIRST AID 4 SOULS and FIRST AID TECH) and the vocal prosecutor TamΓ‘s Bank (of WORKER MUNKAS and INTERZONE INC.). Together, they’ve crafted their most rigorously engineered and brutally effective record to date β a dance floor demolition expertly produced and as shadowy as an oil slick in a moonless night.
Prepare for a journey that begins with the wailing sirens of the opening track, “Justice,” navigates the darkly melodic highways of “Bad Galaxy,” slams you with the percussive force of the club hit “Boots On The Ground,” and finally leaves you in the stark quietude of “Silence.” This album cleverly synthesizes the militant drive of vintage NITZER EBB, the catchy synth lines of AND ONE, the sonic venom of LEAETHER STRIP, and the precise impact of FRONT LINE ASSEMBLY, all while retaining STAHLGEIST’s distinct Central European edge. Gazdag’s production achieves a crystalline clarity within a darkly textured soundscape, while Bank’s vocals deliver biting accusations against societal ills, urban decay, and even divine comeuppance.
Forged over three years, “Justice” stands as STAHLGEIST’s artistic creed: no backing down, no leniency, just pure power channeled through compelling beats. If your musical tastes align with the classic sounds of FRONT 242 (circa 1985), the relentless intensity of :WUMPSCUT:, the early melodicism of AND ONE, or the stark aggression of NITZER EBB, then prepare to have your speakers thoroughly interrogated.
The final verdict? Unquestionably guilty of inciting total dance floor pandemonium. Initiate playback and feel the sonic gavel fall!
ProNoize, purveyors of hard-hitting electronic sounds, has just unleashed the latest sonic assault from Chainreactor: “Roar”! Prepare for an intense auditory experience that lives up to its powerful title.
Chainreactor is known for their uncompromising approach to industrial and dark electronic music. Expect heavy, distorted beats, menacing synth lines, and a relentless energy that often evokes themes of dystopia, technology, and inner turmoil. A release on ProNoize further solidifies their commitment to delivering high-octane sonic landscapes for discerning listeners of the genre.
“Roar” likely embodies these characteristics, promising a track (or EP/album, depending on the context of “single” in ProNoize’s announcements) filled with the signature Chainreactor sound. It’s an invitation to immerse yourself in a world of powerful rhythms and dark atmospheres.
For those who crave the harder edges of electronic music and appreciate the sonic intensity of Chainreactor, the call to check it out here is an unmissable directive. Prepare for the “Roar”!
Deep Dive into the Universe of Chainreactorand Explore the sonic landscape of ProNoize: darkdimensions.de
Mojave Phone Booth, the compelling husband and wife duo of Mitchell J Doran and Tobey Torres-Doran, have today, May 16th, 2025, released their brand new single, “Ceramic,” via Label 51 Recordings. This marks the latest sonic transmission from the pair, who first began their musical journey together in the late ’90s as pivotal members of the cult industrial rock act Snake River Conspiracy.
“‘Ceramic’ was written on a Moog synthesizer with self-sampled drums and other pre-programmed sounds, plus a mistake that actually became my favourite instrument in the track,” Mitchell explains, offering a glimpse into their experimental process. “I also sampled a burning electric motor and distorted it through a Marshall guitar amp, and layered it in throughout. It’s the first and last sound you hear in this track. The words in the song tie into the larger concept of our new album. What happens on Sunday?” This intriguing question hints at the narrative threads woven throughout their upcoming work.
The album in question is Mojave Phone Booth’s highly anticipated third record, “Blood Doctor Volume One,” slated for release in the summer of 2025. This new offering melds abrasive textures, intricately crafted melodic song structures, and propulsive electronic rhythms into a singular and compelling sonic combination. Known for their relentless and meticulous approach, with an unwavering attention to detail and surgical precision, Mojave Phone Booth has forged their most aggressive and experimental work to date with “Blood Doctor Volume One.”
Tobey Torres-Doran’s powerful presence as the lead vocalist and frontperson for Snake River Conspiracy saw her touring the globe alongside renowned acts such as A Perfect Circle, Queens of the Stone Age, and Filter. Her vocal talents also extended to session work for various recordings under the Warner/Reprise Records banner.
Mitchell J Doran’s musical journey began in his teens, working as a session musician and recording engineer on releases for major labels like Warner, collaborating with iconic bands such as Queensryche and Dio. He was later recruited to Snake River Conspiracy as the lead guitarist and programmer, marking the inception of his creative partnership with Tobey that ultimately blossomed into Mojave Phone Booth.
Their second and most recent album, “Hollow The Numbers” (2023), served as a bold testament to their fearless creative spirit. Written and recorded in their home studio nestled in the Bay Area of Northern California, it masterfully showcased their “studio as instrument” philosophy. They not only drew from an eclectic array of analog gear but also elevated their craft by constructing much of that equipment themselves.
Once again conceived and recorded within the walls of their home studio, “Blood Doctor Volume One” represents the next evolution of their unique creative process. In addition to their instrumental prowess on synths, drums, bass, and guitars, Mitchell also takes on the roles of recording and producing their albums. “Sounds we were inspired by this time were recycling trucks, mechanical telephone switching systems and electronic voice phenomena,” he continues, highlighting their unconventional sonic palette. “We used a wide range of instruments and equipment to create a careful selection of textures.”
“Blood Doctor Volume One” arrests the listener with its immediacy, drawing them into a world brimming with palpable tension and searing emotional depth. Imbued with an otherworldly sonic innovation, Mojave Phone Booth thrives in the compelling space where industrial rock collides with the boundless possibilities of analog electronic experimentation.
Deep Dive into the Universe of Mojave Phone Booth: π§π΅
The captivating electronic musician and vocalist Mari Kattman, known for her integral role in the duo Helix and her compelling solo work, unleashes her brand new single, “Sharp Shooter,” today, Friday, May 16th, 2025, via Metropolis Records. This electrifying track serves as the second tantalizing glimpse into her upcoming full-length solo debut for the label (and third overall), aptly titled “Year Of The Katt,” which is slated for release on June 20th.
“‘Sharp Shooter’ explores the theme of an intelligent soul that navigates to painful circumstances for the chance to grow. No shots missed,” states Kattman, hinting at the track’s blend of introspective depth and sonic precision. The single follows her recent release, “Anemia,” a track that drew a stark parallel between vampiric exploitation and the debilitating weakness often experienced by those living with the condition.
Regarding the upcoming “Year Of The Katt” album, Kattman reveals the intensely personal journey of its creation: βFinishing it was a truly herculean effort. It was an album completely recorded, composed and produced by myself, so there were a lot of learning curves and things I needed to sort out before I was truly happy with the end product. I feel relief and enormously proud that I got it done.β This self-sufficient approach underscores Kattman’s artistic vision and unwavering dedication to her craft.
A prominent figure in today’s electronic music landscape, Mari Kattman has been a dynamic force since 2012, consistently writing, recording, producing, and performing her unique sonic creations. Her impressive resume boasts collaborations with a veritable who’s who of the scene, including Assemblage 23, Mesh, Ivardensphere, Jean-Marc Lederman, PsyβAviah, Aesthetiche, Neuroticfish, BlackCarBurning, Cassetter, This Morn Omina, Solitary Experiments, Mephisto Walz, Aiboforcen, and Interface, showcasing her remarkable vocal versatility.
However, Kattman’s extensive vocal contributions for these esteemed acts only hint at her own considerable talents as a songwriter and producer. Previous singles such as βFever Shakesβ, βURGOD.AIβ and βSwallowβ have already demonstrated her knack for crafting irresistibly catchy electronic songs, tailor-made for the dance floor, where elements of Trap, Hip Hop, Electro, Ambient, EBM, and Industrial music seamlessly intertwine with her powerfully distinctive voice. “Sharp Shooter” promises to be another bullseye in her expanding sonic arsenal, further solidifying her position as a compelling and innovative artist.
Lock onto Mari Kattman’s “Sharp Shooter” now: [Stream/Download/Bandcamp Links Will Be Added Upon Release]
Pre-save Mari Kattman’s “Year Of The Katt” album: [Bandcamp Link Will Be Added]
“Year Of The Katt” Tracklisting:
Typical Girl
Sharp Shooter
Take
Ascending
Anemia
Little Bullet Girl
PunisHER
The Worst
Take Myself Back
Pain
Deep Dive into the Universe of Mari Kattman: π§π―
The ethereal trio known as AURI, guided by the celestial voice of Johanna Kurkela, the sonic landscapes of Tuomas Holopainen, and the instrumental artistry of Troy Donockley, is set to release their long-awaited third studio album, “III – Candles & Beginnings,” on August 15, 2025. Prepare to be transported to a world that defies genre, a realm where folk, progressive, and symphonic elements intertwine with touches of world, pop, and avant-garde influences.
“III – Candles & Beginnings” promises an immersive journey for the senses, a testament to AURI’s unique ability to weave intricate sonic tapestries. The creative process for this new chapter began in 2023, following the completion of Nightwishβs “Yesterwynde” album. Troy composed in the serene landscapes of Yorkshire, while Tuomas and Johanna crafted melodies and lyrics from their home in Kitee, Finland, bridging worlds both musically and geographically.
As a first glimpse into AURI’s evolving soundscape, the hauntingly beautiful lead single “Shieldmaiden” is available now, accompanied by a stunning cinematic video directed by Ville LipiΓ€inen. Troy Donockley describes the track as “a mysterious song, obscured by its own slow rising power. Auri thrives on mystery and ambiguity so all is well⦔
San Jose metalcore/hardcore juggernaut MUGSHOT has unleashed their second blistering single, “Next To Your Idols,” from their highly anticipated sophomore album, “All The Devils Are Here,” set to detonate on June 20th via Pure Noise Records. This track is a furious indictment of celebrity worship and the disturbing trend of idolizing those who abuse their power and platform.
“‘Next To Your Idols’ is a critique on celebrity culture and the adornment of those who use their platform to mistreat or take advantage of others,” the band states with righteous anger. “Itβs an indictment on Hollywood and the manipulation that surrounds it and similar circles.” The track delivers this message with MUGSHOT’s signature blend of brutal metalcore and hardcore intensity, a sonic battering ram aimed squarely at the toxic underbelly of fame.
“All The Devils Are Here,” a massive 12-track record produced by Randy Leboeuf (known for his work with Kublai Kahn, The Acacia Strain, Gideon, and Bad Omens), marks a significant new chapter for MUGSHOT. Following their hard-hitting 2023 EP, “Cold Will,” and nearly a decade after their acclaimed full-length debut, “Dull Boy,” this album sees vocalist Ringo Waterman, guitarist Michael Demko, drummer Connor Haines, and bassist Ciro Abraham locked into a devastatingly brutal groove. Their sound is a violent storm, a relentless collision of metal and hardcore influences. The album also features the previously released sonic assaults “Vale of Tears,” “Die In Fear,” and “Afore A Waking Nightmare,” all hinting at the sheer rage contained within.
Regarding the new album, the band comments: “This album is the most collaborative we have ever been as a band, every person had a major hand in creating whether that be musically, lyrically or both. Itβs also the first album we havenβt self produced and having Randy Leboeuf on board was so invaluable, he really felt like a 5th member. Lyrically this is the most personal and pissed off we have ever been and we think everyone will be able to connect with many tracks on this record.”
MUGSHOT will be taking their sonic fury on the road all summer long in support of “All The Devils Are Here,” including performances at major festivals like Welcome To Rockville and Louder Than Life. Tickets are available now at https://mugshotca.com/.
Re:Mission Entertainment, known for its dedication to the harder edges of electronic music, has just announced the impending arrival of Fermion’s new single, “Impetus”! Set to detonate on Sunday, May 18th, 2025, this release promises a potent dose of raw energy and deep, driving industrial dance vibes that will ignite dance floors and resonate in the shadows.
“Impetus” is not just a single; it’s a sonic force propelling forward with relentless intensity and atmosphere. Fermion crafts a soundscape built upon heavy, pounding beats and darkly resonant synthesizers, creating a track that demands movement and evokes a sense of powerful momentum.
Adding further depth to this release is a remix of “Impetus” by Divider, promising a potentially different and compelling take on the original’s raw energy. The single is also accompanied by a B-side track titled “Of What Remains,” offering an additional glimpse into Fermion’s sonic world and further solidifying this as a must-have release for fans of industrial dance music.
With “Impetus,” Fermion and Re:Mission Entertainment are poised to deliver a track that embodies the core elements of compelling industrial music: visceral energy, dark atmosphere, and an undeniable rhythmic drive. Mark your calendars for May 18th and prepare to be swept away by the sonic force of “Impetus.”
Engage with the raw energy of Fermion’s “Impetus”: [Link to where the release can be found will be active on May 18th]
Room 23 Music has just unearthed a sonic artifact of profound darkness: “Crux Aeternum” by the enigmatic entity known as Obscura Secta. This isn’t merely a release; it’s a 16-minute invocation, a journey into a darkness not defined by the absence of light, but born from within β a seeping, sentient, and seemingly eternal presence. Prepare to tread the threshold between utter desolation and a terrifying form of revelation.
Obscura Secta emerges from the shadows, unbound by conventional reference, with “Crux Aeternum” unfolding across three distinct and unsettling movements. The first, “Ex Solis Umbra” (From the Shadow of the Sun), crawls forth with low-frequency pulses, the last vestiges of warmth extinguished by an unseen and total eclipse. It’s a slow, creeping dread that settles deep within the listener.
The second movement, “Via Lucida” (The Lucid Way), offers no true clarity or illumination. Instead, it presents only the agonizing flicker of brief insight, moments of piercing awareness that serve only to amplify the surrounding darkness. There is no comfort to be found on this path, only the stark reality of a fractured perception.
Finally, the concluding movement, “Lux Occulta” (The Hidden Light), delves into the buried truth, the secrets that fester beneath the surface. Here, the veil between worlds tears, and the silence between the carefully placed tones becomes almost unbearable, pregnant with unspoken dread and the weight of hidden knowledge.
“Crux Aeternum” is presented not as a mere musical release, but as a relic β a sonic document chronicling a slow, inexorable decay and a holy dread that permeates every frequency. This is an experience for those who dare to confront the abyss and find a strange form of resonance within its depths.
Embark on the 16-minute descent into Obscura Secta’s “Crux Aeternum”: [Link to where the release can be found will be added if available]
The legendary Claus Larsen, the mastermind behind the iconic industrial project Leaether Strip, has just dropped a potent and long-shelved cover of Cabaret Voltaire’s seminal track, “Thank You America”! This electrifying rendition is now available for your listening pleasure, directly from the source.
In a candid message to fans, Claus explained the track’s delayed release: βDear Friends! I recorded this Cabaret Voltaire cover a few years ago, but ‘some’ label people thought it would be a bad idea to release. Oh well, you all know I love America and playing there and music that isnΒ΄t listened to is nonexistent, and we canΒ΄t have that. Thank you Cabaret Voltaire for making me become a better songwriter! If you are offended, just donΒ΄t listen, it’s very easy π Thank You America! Love Claus.β This personal note underscores Claus’s passion for both the original track and his connection with his American fanbase.
Leaether Strip’s take on Cabaret Voltaire’s “Thank You America” promises to be a powerful fusion of classic industrial grit and Claus Larsen’s signature sonic intensity. Known for his raw vocals, hard-hitting beats, and often politically charged lyrics, Leaether Strip is likely to inject this cover with a contemporary edge while honoring the groundbreaking spirit of the original. Cabaret Voltaire, pioneers of industrial and electronic music, released “Thank You America” in 1981, a track known for its stark soundscapes and critical commentary. Leaether Strip revisiting this influential piece is a significant nod to the genre’s roots.
For longtime fans of both Leaether Strip and Cabaret Voltaire, this release is a must-hear. It’s a unique opportunity to witness a legendary industrial artist paying homage to another pivotal force in electronic music history. Claus’s personal investment in the track and his dedication to his audience make this release all the more compelling.
Don’t let this powerful cover remain nonexistent! Plug in, turn up the volume, and experience Leaether Strip’s electrifying “Thank You America.”
Deep Dive into the Universe of Leaether Strip: π§πΊπΈ
Mari Kattman, known for her captivating vocals and genre-bending explorations, has just announced the imminent arrival of her brand new single, “Sharp Shooter”! Set to officially drop this Friday, May 16th, 2025, this track is the second taste from her upcoming album, “Year Of The Katt,” slated for release on Metropolis Records on June 20th, 2025.
While the full sonic landscape of “Sharp Shooter” is yet to be unveiled, Mari Kattman’s previous work offers a tantalizing glimpse of what to expect. Her music often blends elements of darkwave, synthpop, and electronic music with a distinctive vocal delivery that can be both ethereal and powerfully direct. Known for lush harmonies and strategic vocal/musical syncopation, her sound often features a compelling balance of atmospheric pads, intricate high hats, and deep, resonant basslines, creating a moody and captivating sonic experience.
“Sharp Shooter” follows her recent single “Anemia” and builds anticipation for the full “Year Of The Katt” album. With a discography that includes albums like “Stay Up” and “Hover,” as well as EPs and collaborations with artists like Comaduster and Psy’Aviah, Mari Kattman has established herself as a unique and compelling voice in the alternative electronic scene. Her involvement in the project Helix with Assemblage 23’s Tom Shear further showcases her versatility and collaborative spirit.
The announcement of “Sharp Shooter” has already generated buzz within the dark alternative electronic community, with anticipation building for its release on Metropolis Records. This new single promises to be another compelling addition to Mari Kattman’s evolving sonic narrative, showcasing her sharp musical instincts and distinctive artistic vision.
Keep your sights locked on Friday, May 16th, and prepare for Mari Kattman’s “Sharp Shooter” to hit its target!
Deep Dive into the Universe of Mari Kattman: π§π―
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