Taiwanese industrial force ANGER 奰 and HEXEN PROZESS unite in a powerful collaboration with their latest single, ‘The Purge,’ shedding light on contemporary witch hunts.
“Thou shall not negate the word of the lord.”
Scheduled for release on January 19th at 8:00 PM (GMT+8), The Purge is an unapologetically electronic track, boldly embracing punk influences both musically and lyrically. The song challenges the justification of ruining lives in the name of ideology, questioning whether such actions are a facade for hidden motives.
In the joint effort, ANGER 奰, led by its sole member BW, joins forces with John Gerteisen, the mind behind DIE SEKTOR classics like Deathkill and The Beating of Broken Wings (currently of HEXEN PROZESS). This collaboration aims to explore the dangerous intersection of noble causes, influence-building, and the potential for persecution masked behind a virtuous facade.
BW, the creative force behind ANGER 奰, expressed the inspiration behind the song, noting the exploitation of noble causes to establish influence and power. The Purge critically examines the contemporary landscape where individuals or entities can manipulate public sentiment to persecute, blackmail, or eliminate opponents, all while hiding behind a wall of perceived virtue.
The Purge is now available on Bandcamp, offering listeners a sonic exploration of these complex themes.
Looking ahead, ANGER 奰 and HEXEN PROZESS will reunite on the Outer Darkness: Inquisition Vol. 1 compilation, set for an early 2024 release on HEXEN PROZESS’s label, Outer Darkness Records (join ODR Discord for updates).
Follow ANGER 奰 on Bandcamp for future updates and delve into the electronic mayhem crafted by this one-man industrial project based in Taichung, Taiwan. Founded in late 2022 by BW, ANGER 奰 has made waves with releases like Cyberanarchia (Single), The End is Nigh (Single), and the recently released The Purge (Single). Anticipate the debut EP, Refutation of All Heresies, slated for March 15th, 2024, and the first full-length album, Grandiose Delusions, expected in Q3 2024.
Sapphira Vee, the rising female star in the realm of dark, trippy music with an industrial edge, has just dropped a compelling remix single, “Stand Together,” accompanied by an official video masterfully assembled by Jim Marcus (Die Warzau/Go Fight). The track, drawn from the album ‘Fortune,’ is more than just a musical endeavor; it’s a powerful statement that champions unity. Sapphira Vee’s intentional release on Martin Luther King Jr Day, 2024, through Distortion Productions on all digital and streaming platforms, adds an extra layer of significance.
In a recent statement, Sapphira Vee emphasized the importance of solidarity, saying, “No matter which oppressed group with which you most closely identify, we get nowhere if we can’t stand together.” This ethos is reflected not only in the lyrics but also in the diverse remixes featured on the single, crafted by LGBTQ and women artists including Eva X, Morgue VVitch, Stabbed by Prongs, and Wandering Whispers.
Sapphira Vee is known for raw and honest lyrics exploring introspection, transformation, and societal critique. Described as an “electro vixen” with a commanding stage presence and unapologetic sound, and many positive reviews for originality and emotional depth.
Primarily dance/electronic, heavily influenced by industrial, dark wave, and trip hop. Sound: Driving beats, dark atmospheres, and evocative vocals create a powerful and often introspective listening experience. Collaborations: Notably with Chris Connelly on “The Unknowing Muse,” showcasing her versatility and willingness to explore different sounds.
KMFDM Unleashes ‘LET GO’: A Sonic Journey Through Four Decades of Audacious Electronica
Prepare for a sonic revolution as industrial music pioneers KMFDM gear up for their 23rd studio album, ‘LET GO,’ slated to detonate on February 2nd, 2024, via Metropolis Records. This powerful release signifies an incredible four decades of genre-defying artistry from the dynamic quartet of Sascha “Käpt’n K” Konietzko, Lucia Cifarelli, Andy Selway, and Andee Blacksugar.
‘LET GO’ pulsates with the unmistakable KMFDM sound—a potent mix of electrifying guitars, hypnotic rhythms, and pulsating electronic textures. The album delves into the complexities of our modern world, weaving lyrical narratives that resonate with raw intensity and introspective depth.
The explosive first single, “Let Go,” mirrors the album’s title with classic KMFDM elements. Driven by Sascha Konietzko’s signature distorted vocals and Lucia Cifarelli’s soaring operatics, the track is a powerful call to arms, urging listeners to break free from societal constraints and embrace liberation. The accompanying music video for “Let Go,” directed by longtime KMFDM collaborator Kevin Rudolf, immerses viewers in a dystopian metropolis teeming with rebellion and defiance.
‘LET GO’ transcends being just an album; it’s a testament to KMFDM’s enduring legacy as industrial music pioneers. Throughout their four-decade career, the band has consistently pushed boundaries, challenged conventions, and inspired generations of artists with their uncompromising sonic assault.
With ‘LET GO,’ KMFDM proves that their creative fire burns brighter than ever. This album demands to be experienced—a sonic journey that will leave you breathless, exhilarated, and forever changed.
For eager fans, ‘LET GO’ is available for pre-order on Bandcamp, offering various formats to satisfy every collector’s appetite. Digital and streaming options are available, alongside limited edition LPs and CDs. Don’t miss out on KMFDM’s latest sonic adventure—pre-order ‘LET GO’ today and prepare to be blown away.
Cyanotic, touring North America with KMFDM in 2024, is a Chicago-based industrial rock collective fronted by Sean Payne. Formed in 2002, they’ve carved their own niche in the genre with a potent blend of traditional industrial beats, aggressive vocals, and elements of drum n’ bass, sampling, and even heavy metal. Their sound is energetic, danceable, and often carries a tongue-in-cheek nod to transhumanism and cyberpunk themes.
Here’s a deeper dive into what makes Cyanotic click:
Genre-Bending: Their sound combines heavy industrial beats with elements of electronic, dance, and metal, creating a unique and powerful sonic experience.
Aggressive Vocals: Sean Payne’s distorted vocals are a signature element, commanding attention and adding a raw edge to their music.
Electro-Industrial Fusion: Expect pulsating synthesizers, driving rhythms, and intricate sampling, all infused with a distinctly industrial vibe.
Danceable Energy: Their music often possesses a driving, danceable quality, making it perfect for moshing or just losing yourself in the rhythm.
Transhumanism & Cyberpunk: Cyanotic frequently explores themes of technological advancement, body modification, and the blurring lines between humanity and machine, often infused with a darkly humorous edge.
Social Commentary: The band isn’t shy about tackling social and political issues in their lyrics, offering critiques and thought-provoking perspectives on the world around us.
Raw Emotional Depth: Beneath the industrial exterior, Cyanotic’s music often touches on deeper themes of alienation, anger, and resilience, creating a connection with listeners on a personal level.
Cyanotic are known for their intense and energetic live performances, delivering their music with raw power and stage presence. Expect heavy strobing lights, intense visuals, and an atmosphere that’s both exhilarating and thought-provoking.
Having Cyanotic open for KMFDM on their 2024 North American tour is a perfect pairing. Both bands share a love for pushing boundaries and exploring the darker side of electronic music, and their contrasting styles promise a diverse and exciting concert experience.
So, if you’re looking for a fresh and powerful industrial rock experience, definitely check out Cyanotic when they hit the road with KMFDM in 2024. They’re sure to leave a lasting impression with their unique sound, captivating performances, and thought-provoking themes.
Weird Wolves, the dynamic US power duo featuring the distinct talents of Ava Gore and Raphael Colantonio, has dropped their latest single, “A Lovely Day,” available for streaming here. Produced by Matt Piersall (Choose Hellth), the track, a rock creation by Raphael, incorporates industrial elements, offering an edgy sound with dark yet profound lyrics. Exploring the theme of destructive love, the song delves into why some individuals are drawn to it due to their familiarity with pain from a young age. Despite the dark subject matter, the track also provides a ray of hope, encouraging listeners to heal and grow from their experiences, recognizing life as a journey of healing.
Weird Wolves made a remarkable European debut at the Glass Danse Festival, sharing the stage with renowned acts like GusGus from Iceland and Canada’s Austra.
WEIRD WOLVES – Neue Single “A Lovely Day” veröffentlicht!
Das US-amerikanische Power-Duo Weird Wolves, bestehend aus den talentierten Musikern Ava Gore und Raphael Colantonio, stammt aus der pulsierenden Alt-Rock- und Electro-Szene und präsentiert ihre neueste Single “A Lovely Day”. Der Song markiert einen weiteren Schritt in der sich schnell entwickelnden Karriere der Band und kann jetzt hier gestreamt werden.
“A Lovely Day” ist ein Rocksong aus der Feder von Raphael, produziert von Matt Piersall (Choose Hellth), der dem Track sein Industrial-Flair verleiht. Weird Wolves reflektieren über den Track: “Fans von Post Punk werden den kantigen Sound und die düsteren Lyrics genießen. Der Song erforscht das Thema der zerstörerischen Liebe und wie manche Menschen von ihr angezogen werden, weil sie seit ihrer Jugend mit Schmerz vertraut sind. Der Song bietet jedoch auch einen Hoffnungsschimmer, denn er ermutigt die Zuhörer, zu heilen und an ihren Erfahrungen zu wachsen. Schließlich ist das Leben für viele von uns eine heilsame Reise.”
Die Band lieferte erst kürzlich ihr Europa-Livedebüt beim Glass Danse Festival und teilte sich die Bühne mit Ikonen wie GusGus aus Island und den Kanadiern Austra.
Weird Wolves – Live im Sommer:
06.07.2024 – East Side Festival in 06126 Halle (Saale)
My name is Lucia Cifarelli. I’m a solo recording artist and the female vocalist/songwriter in the band KMFDM. My most recent solo album “I Am Eye” was released in 2021. KMFDM’s most recent album HYËNA was released in 2022. KMFDM is made up of like-minded artists/musicians promoting ideas surrounding freedom of thought and expression. My solo work allows me to explore deeply personal subject matter related to my life and stories I want to tell.
Watching MTV in its early days had a major impact on me. Being a rockstar looked like the most awesome job on the planet. Almost everything I heard on the radio or watched on MTV was pulling on me in some way, even if I didn’t like the song or style. I wanted to learn how to write songs, sing, and command a stage. Listening to music has always been an escape for me, helping me slip out of the world I was living in.
Regarding the name for my solo project, I started with just my first name, but as more Lucia’s arrived on the scene, I switched to using my full name. It suggests that the music is more personal, with the emphasis on my voice and the stories I’m telling.
I’m inspired by various musical genres, as well as life, film, literature, poetry, and art. It all influences the voicing and textures of music I’m looking to hear and feel. I hope it’s my songwriting and vocal style that set me apart.
My creative process involves what I call ‘the door,’ representing the place I pass through to get to where the magic happens. I see colors, letters, floating puzzle pieces, pictures, movies, and hear notes and melodies. The songs get written here. The door is always there, following me wherever I go.
A significant turning point for me was watching Diamanda Galas perform ‘Plague Mass’ in NYC in the ’90s. The raw feral intensity of her performance shook me to the core. It inspired me to write more from the heart and less about what I thought people wanted to hear.
Collaboration for me involves working with musicians focused more on the music side, highlighting our mutual strengths. Navigating creative differences comes down to clear communication and open-mindedness.
I view my day as a pie, with each piece representing the energy needed for specific tasks. I focus on one project per day to avoid mental saturation. Taking on too many projects creates counterproductive stress.
One of the most challenging hurdles has been making albums with major record labels that were never released. It’s heartbreaking, but if you love what you do, you don’t really have a choice. Resilience is crucial in this business.
Music has the power to bring about change on both a personal and collective level. With KMFDM, we’ve been a catalyst for many people to register to vote. Music is transformative and can move mountains.
My voice is my primary instrument. I played violin when I was younger, but the voice, coming directly from the body, is the most powerful instrument. It contributes to my overall musical expression and style.
It’s not a particular sound but the attitude of certain musicians/artists that has influenced me. Ideas about what it means to be a rockstar, how it looks, and a bigger-than-life presence shape how I do things on stage and in the studio.
There are no intentional hidden messages, but I use a lot of metaphors. I like to use words like an artist uses paint, mixing things up, and playing on words. It’s about looking at something from a different perspective.
The most rewarding aspect is the connection the music forges with people worldwide, who reach out and share what it means to them. Challenges and sacrifices are inevitable, but pursuing a career in music, especially now, offers more access than ever before.
I’ve written a song to raise money for The Conscious Kid and Color Of Change after George Floyd’s murder. I plan to get more involved with charities supporting women and their human right to autonomy over their bodies.
My long-term goal is to keep creating music with KMFDM and on my own, touring internationally, and playing more festivals. Authenticity is more important than trends.
My collaboration with Julian Beeston for his “Featured” project will be released in July. I’m also writing for the new KMFDM album and working on songs for a possible solo album. For updates, you can follow me on Instagram and visit the KMFDM website.
Evol Radio presents: A Darkside Interview with The Browning (Original Air Date 01.01.24)
Welcome to Evol Radio, where the beats resonate with a unique fusion of electronic dance music (EDM) and metal, curated by none other than The Browning. If you’ve been following this sonic journey since 2017 or discovered The Browning through the intense sounds of The Browning’s debut on MySpace back in 2005, you’re in for a treat. Strap in as we delve into the mind of The Browning’s creator and unravel the evolution of this dark and dynamic musical force.
The Browning, a solo project initiated in 2005, emerged from the depths of MySpace with a vision to blend the hardest, heaviest elements of electronic dance music with the raw power of metal. The brain behind the beats, our artist, began this sonic venture influenced by DDR, Hatebreed, and a monomer, creating a sound that would later define the genre known as hardstyle dance music. Fast forward to 2010, and The Browning transformed into a full band, signing deals and touring globally.
Exploring the unique intersection of EDM and metal, The Browning set out to distinguish itself from the pack. While electronic music wasn’t a constant in the artist’s daily playlist, specific aspects of EDM caught their ear. The goal was clear: take the best parts of hardstyle, merge them with the finest elements of metal, and forge a sound that stood as a testament to their innovation. The Browning wasn’t just about incorporating synthesizers; it was about crafting an experience, an energy that would captivate audiences globally.
In a musical landscape where genres often dictate fan preferences, The Browning faced the challenge of introducing synthesizers to a metal audience. The struggle to strike a balance between the darkness of metal and the energy of electronic beats led to a continuous evolution in their sound. The synthesis of these seemingly disparate elements became the signature style that defines The Browning today.
The name “The Browning” itself emerged from a creepy road trip scenario, where the artist envisioned a horror movie set on Browning Road. It stuck, perhaps because of its oddity, but over the years, it became a brand that would stand out in the crowded music scene. Despite some reservations about the name, The Browning’s distinctive sound and captivating artwork have solidified its identity.
The journey wasn’t without its challenges. As The Browning ventured into live performances, the need to translate the studio’s intricate electronic sounds to a stage setting became apparent. The live experience became a catalyst for refining the balance between synthesizers and traditional instruments, ensuring that the raw, unbridled energy fans loved about their shows was accurately captured in the studio recordings.
As The Browning continues to evolve, adapting and fine-tuning their sound, the focus remains on delivering an experience that transcends genres. The recent releases, including “End of Existence” and upcoming tracks, reflect a maturation of style—a seamless blend of electronic complexity and metal intensity.
In the realm of The Browning, the creative process is a constant stream of melodies and breakdowns playing in the artist’s mind. Whether inspired while grocery shopping or working overnight shifts, each song begins as a mental composition, a melody, or a breakdown pattern. The intricate layers and attention to detail are evident in the 189-layer files that make up their latest creations.
So, what’s next for The Browning? With a commitment to live up to the expectations of both electronic and metal enthusiasts, the journey continues. As The Browning steps into the future, it’s not just about defying genre norms; it’s about creating a sonic experience that resonates with fans old and new, proving that the evolution of sound knows no boundaries.
Stay tuned to Evol Radio for more from The Browning, a testament to the transformative power of music that transcends the limits of love and light.
with Bonus Track “NotManMade” Available for Digital Download and Streaming
Format: Digital download and streaming Cat. No.: TT-DDS-30 Style: EBM
After a period of dormancy, the ManMindMachine robots have been recharged and rebooted, awakening to a world they find displeasing. Their latest single, “Propaganda,” serves as an angry and hard-hitting anthem, compelling artificial limbs to move and provoking vehement reactions against Homo Sapiens.
The digital single is set to launch on Saturday, January 13, 2024, accessible on major digital music platforms. Additionally, it will be available in lossless quality on ManMindMachine’s Bandcamp, featuring a bonus track titled ‘NotManMade.’
Cover design credits go to Tommy B-Kuhlmann of Pixit Design.
About ManMindMachine: ManMindMachine is a Danish Synth/EBM act born out of a shared love for alternative electronic music. Their passion lies in delving into subgenres and interpreting them in novel and unexpected ways.
Tinnitorturous, a Danish independent music label, focuses on industrial, EBM, and alternative electronic underground music. It is helmed by experienced musicians from the scene, Jens B. Petersen (ManMindMachine, Negant, and more) and Tommy B-Kuhlmann (In Absentia, Negant, Body-Banden, and more), who maintain daily operations.
Re:Mission Entertainment proudly presents the 2023 Label Compilation, marking another evolutionary leap in their dominance of the underground dark electronic scene. Year after year, they redefine themselves as a force to be reckoned with, consistently expanding their roster from hidden gems to established greats. The year 2023 was a testament to Re:Mission’s unwavering commitment to pushing boundaries and maintaining momentum.
To cap off the year in the tradition of celebration, Re:Mission Entertainment brings you a compilation of certified bangers. This collection features original tracks from luminaries like witch house legend Sidewalks and Skeletons, the enigmatic collaboration of SINE and Leaether Strip on ‘From Beyond,’ and the robust industrial rock of Warm Gadget. The remixes are no less extraordinary, with the rhythmic beats of ESA blending with the goth pop of BARA HARI, MORIS BLAK delivering a bassy remix for :Waijdan:, and synthpop masters Beborn Beton putting their spin on The Mystic Underground. Additionally, there’s an exclusive in-house mix of Snowbeasts’ ‘Hunt the Hunter,’ covers of Deftones and Love and Rockets by Suffer Ring and Shhadows, and an unreleased track from the Mentallo & the Fixer side project Reign Of Roses. Twenty-three tracks to bid farewell to 2023.
While closing the chapter on 2023, Re:Mission Entertainment eagerly anticipates an abundant release schedule for 2024. Confirmed releases include albums or EPs from Ex-Hyena, SINE, Reign Of Roses, Fact Pattern, Left Spine Down, RaizdByWolvz, Dread Risks, Sidewalks And Skeletons, Archon Of The Fairlight, SØLVE, Warm Gadget, and more. Additionally, Re:Mission Entertainment introduces a brand-new series of compilations titled “RE:MX,” focusing on collaborative remixes between label mates and friends.
Re:Mission Entertainment 2023 Label Compilation:
Dead Voices On Air – Down With The World
The Mystic Underground – The Lonely Ones (Beborn Beton Remix)
Ex-Hyena – In Slow Motion
Sidewalks And Skeletons – Into The Dark (feat. Ferngazer)
Dread Risks – Trace Amounts
Suffer Ring – My Own Summer (Deftones Cover)
Miss Trezz – Confrontational
Warm Gadget – The Masses
Kota Kira – Goddexx Complexx
BARA HARI – Violence Rising (ESA Remix)
:Waijdan: – ERASE (MORIS BLAK Remix)
Archon Of The Fairlight – Obscenity (Adam Erebus Remix)
Maduro – Die As One
SINE From Beyond (feat. Leaether Strip)
Emergency Sequence – Saviour
Black Agent – Modern Mannequins
drenched in fire – Dragon’s Breath (Dread Risks Remix Radio Edit)
Shhadows – Holiday On The Moon (Love And Rockets Cover)
DIGITAL ONLY BONUS TRACKS REMISSIONENTERTAINMENT.COM
For those familiar with the diverse styles of Re:Mission Entertainment, including witchhouse, ebm, darkwave, and more, we’ve selected three tracks to provide a taste of the content.
To enjoy the entire release, here are Bandcamp codes for your redemption:
The much-anticipated re-release of Lord Of The Lost’s cherished album, “Swan Songs,” is now open for pre-order HERE and is set to officially release on February 16. This remarkable edition marks the debut of “Swan Songs” on vinyl, providing fans with a unique immersion into the band’s acclaimed work.
Originally a standout in Lord Of The Lost’s versatile discography, “Swan Songs” offers a symphonic and orchestral interpretation of their iconic gothic, metal, and rock fusion. The 10th Anniversary Edition is a testament to the band’s musical versatility, featuring reimagined versions of their songs. Set against a backdrop of classical and symphonic arrangements, including strings and piano, these songs add a new emotive depth to their already powerful music. The limited 3LP edition is an essential collector’s item, reflecting the band’s dedication to their art and their fans.
“Swan Songs” 10th Anniversary Edition is available in two formats: a 2CD edition and a 3LP black vinyl edition. Both offer a rich auditory experience, with the vinyl edition being a unique and valuable addition to any fan’s collection. Pre-orders are open now, promising a nostalgic yet fresh journey through the band’s creative landscape. Don’t miss the chance to own a piece of Lord Of The Lost history! Prepare to be enveloped in the hauntingly beautiful world of “Swan Songs” on vinyl.
Since its inception in 2007 by Chris Harms in Hamburg, Germany, Lord Of The Lost has captivated audiences with their theatrical performances and profound, story-rich lyrics. This re-release is not just a nod to their past but a celebration of their evolutionary journey in music.
DE: Lord Of The Lost präsentiert epische “Swan Songs” 10. Jubiläumsausgabe: Jetzt vorbestellen und in Gothic-Symphonien auf Vinyl eintauchen!
Die lang ersehnte Neuauflage des beliebten Lord Of The Lost-Albums “Swan Songs” ist ab sofort HIER vorbestellbar und wird am 16. Februar 2024 erscheinen. Mit dieser bedeutsamen Edition wird “Swan Songs” zum ersten Mal auf Vinyl präsentiert und bietet den Fans ein einzigartiges Eintauchen in das gefeierte Werk der Band.
Die Jubiläumsausgabe zum 10-jährigen Jubiläum von “Swan Songs” ist Ausdruck der musikalischen Vielseitigkeit der Band und enthält neu interpretierte Versionen ihrer Songs. Die Songs, die nun vor dem Hintergrund klassischer und symphonischer Arrangements, einschließlich Streichern und Klavier, erklingen, verleihen ihrer ohnehin schon kraftvollen Musik eine neue emotionale Tiefe. Die limitierte 3LP-Edition ist ein unverzichtbares Sammlerstück und spiegelt die Hingabe der Band an ihre Kunst und ihre Fans. “Swan Songs” 10th Anniversary Edition ist in zwei Formaten erhältlich: als 2CD-Edition und als 3LP-Edition auf schwarzem Vinyl. Beide bieten ein intensives Hörerlebnis, wobei die Vinyl-Edition eine einzigartige und wertvolle Ergänzung für die Sammlung eines jeden Fans darstellt. Vorbestellungen sind ab sofort möglich, mit dem Versprechen einer nostalgischen und doch frischen Reise durch die kreative Seite der Band. Verpasst nicht die Chance, ein Stück der Lord Of The Lost-Geschichte zu besitzen!
Hervorgegangen aus der vielseitigen Diskografie von Lord Of The Lost, zeigt es eine symphonische, orchestrale Interpretation ihrer ikonischen Fusion aus Gothic, Metal und Rock. Seit ihrer Gründung im Jahr 2007 durch Chris Harms in Hamburg haben Lord Of The Lost das Publikum mit ihren theatralischen Auftritten und tiefgründigen, geschichtenreichen Texten in ihren Bann gezogen. Diese Wiederveröffentlichung ist nicht nur eine Hommage an ihre Vergangenheit, sondern eine Feier ihrer musikalischen Entwicklung.
Tracklists:
2CD Edition: CD 1
Six Feet Underground
Dry The Rain
Beyond Beautiful
See You Soon
Go To Hell
Antagony
Love In A Time Of War
October 29
Prison
CD2
Till Death Us Do Part
Afterlife
Sober
Credo
Porcelain
Lost In A Heartbeat
Annabel Lee
So Good It Hurts
This Life Divided
The Sands Of Time
If Johnny Cash Was Here
Somewhere
3LP Edition: LP1: A1 Six Feet Underground A2 Dry The Rain A3 Beyond Beautiful B1 See You Soon B2 Go To Hell B3 Antagony
LP2: C1 Love In A Time Of War C2 October 29 C3 Prison D1 Till Death Us Do Part D2 Afterlife D3 Sober D4 Credo
LP3: E1 Porcelain E2 Lost In A Heartbeat E3 Annabel Lee E4 So Good It Hurts F1 This Life Divided F2The Sands Of Time F3 If Johnny Cash Was Here F4 Somewhere
Get ready for the pulse-pounding beats of “Death Seed,” the latest single from the upcoming album “Final Construct,” set to drop on 02/22/24.
This harbinger of sonic intensity arrives in a sleek CD single format housed in a Digifile, ready to unleash its industrial, EBM, and cyberpunk vibes.
This new single is not just a standalone piece; it’s a glimpse into the impending sonic landscape of “Final Construct.” As it hits all major download and streaming platforms, fans of Funker Vogt can immerse themselves in the intense auditory experience that’s about to unfold.
KIRLIAN CAMERA, the avant-garde musical innovators, are offering a tantalizing preview of their highly anticipated album, ‘Radio Signals for the Dying.’ This sneak peek comes in the form of the single “Il Tempo Profondo (Radio Signal Version)” and its visually immersive counterpart, the video for “Il Tempo Profondo (Dark Psychedelia Vision).” Lead vocalist Elena Alice Fossi guides us into the profound concept of ‘deep time,’ portraying it as the expansive temporal dimension where humanity is intricately interwoven with Earth and geological forces.
In her insightful commentary, Fossi delves into the intricate layers of this concept, highlighting it as the vast canvas upon which human experience unfolds. The focus is on liberation from the cyclic patterns of existence, a wheel perpetuated by the self-centered desires of humanity. Within this framework, “Il Tempo Profondo” becomes more than a song; it emerges as a sonic exploration of the human condition, grappling with notions of hatred, craving, and delusion that persist within the intricate tapestry of existence.
This single, “Il Tempo Profondo,” is not just a standalone release but the herald of a larger musical narrative. It stands as the lead track from the much-anticipated double album, “Radio Signals for the Dying.” For eager listeners, this transformative musical journey is available for pre-order on CD and limited vinyl through Dependent Records. The album is poised for a grand unveiling on February 23rd, 2024, promising an immersive experience that transcends the boundaries of conventional musical expression.
As KIRLIAN CAMERA continues to push the boundaries of sonic artistry, “Il Tempo Profondo” beckons listeners to embark on a unique odyssey, exploring the depths of time and the human psyche. The accompanying video, “Il Tempo Profondo (Dark Psychedelia Vision),” adds a visual dimension to this sonic exploration, creating a multi-sensory experience that captivates and challenges perceptions. With this release, KIRLIAN CAMERA once again establishes themselves as pioneers of avant-garde sound, inviting audiences to step beyond the ordinary into a realm of musical transcendence.
The Adelaidean invites you on a sonic exploration with “Going Home the Long Way Around.” This ambient masterpiece, available as a Name-Your-Price download on Bandcamp, is a collection drawn from seven of The Adelaidean’s nine Projekt albums. To enrich the musical journey, two non-Projekt tracks are added, broadening the spectrum of this ambient experience.
The music delves into the still places of the living mind, capturing the ebbs and flows of mood, thought, and memory that weave the tapestry of human experience. The layered quality of the music is enhanced by archival textures, including avant-garde experiments from the artist’s teenage years in the 1980s and recordings by jazz pianist father-in-law Ted Nettelbeck. Collaborations with artists like Sam Rosenthal, Deepspace (Mirko Ruckels), and stepson Xander Monteath contribute to the rich, multi-dimensional nature of the compositions, complemented by the evocative cover art of Thom Buchanan.
Critics describe the work as “stark, extreme, and beautiful,” offering a “unique sonic experience.” Mark Frauenfelder of Boing Boing finds it a “blessed escape hatch to a distant present,” and Dave Aftandilian on Bandcamp likens the journey to “floating in the midst of eternity, gentle currents carrying me toward an unseen destination.”
The tracklist features remastered classics and collaborations, including the mesmerizing “Going Home the Long Way Around” with Xander Monteath, the atmospheric “Under the Bright Cuernavaca Sky” with Sam Rosenthal, and the ethereal “I Spelled My Name but the Wind Forgot” with Deepspace.
TheAdelaidean, alias Sean Williams, is not only a prolific musician but also an award-winning, #1 New York Times bestselling author and Discipline Lead of Creative Writing at Flinders University, South Australia. In addition to his work with Projekt Records, he has independently released music under “theAdelaidean” and his real name for various creative projects, including exhibitions, film scores, and stage productions.
Don’t miss this opportunity to embark on a musical journey; the album is available as a Name-Your-Price download on Bandcamp. Your contribution, even as little as a dollar, ensures the album becomes part of your Bandcamp collection, ready for streaming and download. Choose zero if you wish to download without adding to your collection. Dive into the rich ambient landscapes of TheAdelaidean and let the music transport you.
Track List:
Solar Shower
Against All Expectations / Nothing but Itself
Going Home the Long Way Around (remastered) with Xander Monteath
Under the Bright Cuernavaca Sky with Sam Rosenthal
The Anchor Tree (Release)
Flux
Cinnabar Field (remastered)
Dreams of Utopia
I Spelled My Name but the Wind Forgot with Deepspace
Today marks a significant milestone for electronic pop vocalist Brittany Bindrim as she unveils her debut single, “Obelisk,” along with an accompanying dreamy music video directed by Simona Noreik. Renowned for her captivating melodies and commanding vocal prowess as a member of the band I:Scintilla, Brittany embarks on a new solo journey, exploring fresh sonic landscapes on her upcoming album ‘Velella Velella.’ This album promises hard-hitting, edgy tracks adorned with punishing beats and harsh synthesizers, showcasing a different facet of her artistic expression. As the first taste of what’s to come, “Obelisk” sets the stage for the release of the complete album by Metropolis Records in the upcoming year.
For those eager to dive into Brittany Bindrim’s solo venture, the album ‘Velella Velella’ offers a glimpse into a musical realm where her creativity knows no bounds. The tracklist, featuring a series of hard-hitting compositions, reflects Brittany’s commitment to pushing boundaries and creating a distinctive sound that resonates with fans of electronic pop. The release of “Obelisk” is just the beginning, with more singles slated for the coming months, building anticipation and paving the way for the full unveiling of ‘Velella Velella’ in the new year.
To experience the sonic journey laid out by Brittany Bindrim, “Obelisk” and subsequent releases can be found on various platforms, including Bandcamp for those who appreciate the immersive qualities of a full album. The official music video for “Obelisk” provides a visual complement to the music, offering viewers a captivating interpretation of the song’s essence. As the anticipation builds, Brittany Bindrim invites listeners to join her on this exciting solo endeavor, promising a musical adventure that transcends expectations.
For those who appreciate a full album experience, ‘Velella Velella’ by Brittany Bindrim is available on Bandcamp, providing a platform for fans to immerse themselves in the complete sonic tapestry crafted by this talented artist. The debut single “Obelisk” and its accompanying music video offer a taste of what’s to come, setting the stage for a series of releases that will culminate in the unveiling of the full album by Metropolis Records in the upcoming year.
Hungarian electro-pop duo BLACK NAIL CABARET has unveiled the mesmerizing video for “Autogenic,” the lead single from their upcoming album ‘Chrysanthemum,’ set to be released by Dependent Records of Germany.
-Black Nail Cabaret – Autogenic [Official Music Video]:
Emèse Árvai-Illes, the vocalist of Black Nail Cabaret, shared insights into the song and video, emphasizing the connection between the mind and body. According to her, delving into self-awareness and being present is a form of self-hypnosis, a theme echoed in the captivating visuals. The video takes viewers on a dreamlike journey, tapping into the imagery of the 90s, paying homage to its cult classics, movies, and music videos that have profoundly influenced the duo.
The forthcoming album ‘Chrysanthemum,’ Black Nail Cabaret’s sixth full-length, is scheduled to be unleashed on March 1st, 2024. With a rich electro-pop sound, the album promises to be a significant addition to the duo’s discography.
As the first glimpse into this musical venture, “Autogenic” not only showcases their sonic evolution but also serves as a visual tribute to the nostalgia and influence of the 90s. Black Nail Cabaret invites listeners to immerse themselves in a hypnotic experience that intertwines the past and present, creating a unique blend of sounds and visuals.
As the duo prepares to launch ‘Chrysanthemum,’ fans can explore the evocative realms of “Autogenic” through its official music video, available for viewing on various platforms, providing a glimpse into the artistic direction and thematic richness that Black Nail Cabaret has in store for their audience.
Watch the official music video for “Autogenic” here: [Link to the video]
For its momentous 100th release, Distortion Productions has something truly special in store. The label’s owner, Jim Semonik, has always held a deep appreciation for the soundtrack of the 1987 film “The Lost Boys.” To pay homage to both the film and its iconic soundtrack, Distortion has curated a remarkable tribute.
From Chicago’s Go Fight’s high-energy rendition of INXS’s “Good Times” to God Module’s electrifying “Lost in the Shadows,” this album sets the mood for a vibrant party. Noteworthy tracks include Ashbury Heights’ haunting “Cry Little Sister” and Glass Apple Bonzai’s “I Still Believe.”
Every artist brings their best to the table, from Eva X covering Elton John, The Battlefront’s take on INXS, Adoration Destroyed collaborating with NØIR on The Doors, Sapphira Vee’s captivating rendition of Eddie & the Tide, to the sultry version of “Beauty Has Her Way” by Null Device.
The album reaches its zenith with Red Lokust’s “To the Shock of Miss Louise.”
So grab your copy, some comics, head to the beach in Santa Carla, and join the ranks of the lost. “Be One of Us: 1987 Revisited” is available on CD and all major digital streaming platforms via Distortion Productions.
In 2023, Side-Line Magazine, based in Brussels (BE), proudly presents its latest endeavor, the charity compilation “Electronic Bodies,” a captivating collection of 88 tracks from the EBM (Electronic Body Music) underground scene.
This compilation delves deep into the rhythmic realms of EBM, New Beat, and their contemporary offshoots. Featuring artists from diverse corners of the globe, including Germany, Australia, the United States, Estonia, and beyond, it showcases the enduring global influence of EBM, a genre established over 40 years ago.
Side-Line’s commitment to promoting both emerging talents and established bands remains steadfast, as it continues to serve as a platform for launching new artists. Special recognition goes to Erlend Eilertsen (Lights A.M, Essence Of Mind) for skillfully enhancing certain tracks when necessary.
The “Electronic Bodies” compilation is a sonic journey divided into two distinct halves: the first immerses listeners in old-school vibes, while the latter grants bands greater creative freedom in terms of sound.
In a compassionate gesture, all donations from this endeavor will be directed toward providing psychological support to Ukrainian soldiers and citizens grappling with PTSD.
For those who relish a tangible connection to the music, Side-Line offers an exclusive ‘Electronic Bodies’ T-shirt. In true EBM spirit, there’s also a combo package available, which includes a limited edition, hand-numbered Electronic Bodies flask. Each merchandise order includes a download of the compilation, ensuring the beats never cease.
Shipping for merchandise orders is scheduled for the first week of October. Early ordering is encouraged to help gauge stock requirements.
Side-Line’s legacy of impactful compilations includes releases such as “The Insane Vaults,” “Face The Beat: Sessions 1-7,” “Shane Aungst vs Face The Beat Megamixes,” “Post-Punk (Genesis),” “Electronic Resistance,” “Electronic Resistance – Reconstruction,” “Ukraina EP,” and now, “Electronic Bodies: Session 1.”
Deep Dive into the charitable side of Side-Line’s , or at the links below, to explore this dynamic world of electronic music and charitable donations.
Sapphira Vee, the exceptionally talented artist known for her distinctive blend of slinky, sexy, hard, and danceable music, has just unveiled a thrilling new video for her latest track, “What it Was.” This captivating release offers fans a tantalizing glimpse into her forthcoming album, aptly titled “Fortune”.
Following the resounding success of her debut album with Distortion Productions, “Aerial Human”, Vee is back with a fresh musical journey set to hit the airwaves on September 8th, making it available on CD and across all major digital and streaming platforms.
“Fortune” promises to be a musical treasure trove, delivering a futuristic soundscape where answers to questions about identity and desires start to crystallize. With its sensual and moody groove, this album is a testament to Vee’s ability to craft music that simultaneously entices and mesmerizes. It’s a collection of songs that invite listeners to explore the depths of their emotions and embark on a profound musical journey.
The intoxicating new video for “What it Was” is a visual masterpiece, meticulously assembled by the talented James Marcus of Die Warzau. It complements the song’s allure and adds a visual dimension that enhances the overall experience. This pairing of music and visuals creates an artistic synergy that promises to leave a lasting impression.
For those eager to immerse themselves in this musical odyssey, “What it Was” and the “Fortune” album are available for pre-sale on Bandcamp. This early access offers fans a chance to secure their copy of what is sure to be one of the standout releases of the year. Sapphira Vee’s dedication to her craft and her ability to evoke a range of emotions through her music make “Fortune” a must-listen for anyone seeking a transformative musical experience.
As Sapphira Vee continues to push the boundaries of her artistry, “Fortune” represents a significant milestone in her career. It’s a testament to her commitment to creating music that resonates on a deep level with her audience. With the release date fast approaching, fans can anticipate a musical journey like no other, where the boundaries between the present and the future blur, and the essence of who we are and what we desire comes into sharper focus.
Probe 7, comprised of synthesist Brent Heinze and vocalist Jasun Mark, is making waves with their latest single, “Pretty in Pink (Isn’t He),” accompanied by 15 remixes and an empowering video. This rendition of the classic Psychedelic Furs track has been beautifully reimagined to narrate the struggle for self-acceptance faced by a queer individual.
The single features an array of dancefloor-friendly remixes contributed by prominent artists such as The Cassandra Complex, Ego Likeness, Angelspit, Provision, The AXIOM Divide, Eloquent, Revolution State, Spoils of Grace, Swishcraft, Jack Chang, Aliester Growley, James Grey, and Seven Whores of the Apocalypse. The video showcases students from the Sexuality & Gender Alliance (SAGA) at the College of the Desert.
Founder Brent Heinze emphasizes the importance of LGBTQ+ artists sharing their stories to empower others, especially younger individuals navigating the path to self-acceptance in the face of societal prejudice and negativity.
This release marks Probe 7’s impressive 10th release on their independent label, Lokusdor Records. With deep roots in the LGBTQ+ community, Probe 7 crafts synth-driven compositions that celebrate the rich tapestry of human experiences. Their music blends elements of new wave, industrial, synthpop, and rock, creating an infectious groove complemented by poignant lyrics that explore themes of love, loss, pain, and hope.
“Pretty in Pink (Isn’t He)” is another chapter in Probe 7’s mission to connect with listeners through emotionally charged songs that uplift and inspire. Currently, they are hard at work in Southern California, crafting their upcoming full-length album.
Prepare for an electrifying and thought-provoking sonic journey as Stoneburner unveils their highly anticipated EP, “The Great Filter.”
This avant-garde masterpiece, taking its name from Robin Hanson’s profound theory, is poised to push boundaries and redefine the industrial music genre with its relentless energy and captivating dance-friendly rhythms.
Taking inspiration from Hanson’s “Great Filter” argument, Stoneburner weaves a conceptual tapestry that delves deep into the mysteries of intelligent life and its potential demise. Each track embarks on a unique and immersive journey, exploring themes of human existence, self-destruction, and the unsettling uncertainties of the future.
While “The Great Filter” EP carries forward Stoneburner’s signature sonic intensity, it introduces a surprising twist. Embracing a more club and dance-friendly atmosphere, the songs retain the quintessential aggression that defines industrial music, creating a striking fusion.
For those wanting to own a piece of this sonic journey, the EP is available for order on Bandcamp.
Stoneburner continues to push the boundaries of industrial music, solidifying their thundering legacy while evolving into new dimensions. Don’t miss out on “The Great Filter,” a release that promises to captivate both longtime fans and newcomers to the genre.
Navigating the grim reality of being coerced into taking another’s life is an unimaginable ordeal. This somber backdrop sets the tone for the forthcoming 4-track EP titled “Coercion” by Retrograth.
The debut single “Redoubt” is a poignant reflection on the life of a distant relative, Per Persson, who fell in the Battle of Poltava in 1709 during Ukraine’s tumultuous past. Three tracks on the EP pay homage to relatives who served in various wars, while the final one breathes new life into a traditional medieval melody that narrates tales of armed men.
The initial composition, “Redoubt (Poltava),” was crafted in the signature 6/8 time signature, a foundation that sparked experimental diversions into rhythms like 10/8 and 3/4. This musical journey also embraces samples tied to the military ambiance.
As autumn descends, the journey of the World Oscillation tour will continue with shows across Sweden and the United States. The tour commenced in Belgium on May 13 and is set to captivate audiences on both continents.
Stay tuned for the release of the “Coercion” EP in mid-October, featuring the tracks:
Redoubt (Poltava)
Thin Wires (Svir)
Rapture (Peenemünde)
The Armed Man (Trad.)
Single Release:
“Redoubt (Poltava)” – September 15
Upcoming Gigs in Sweden:
September 16: Gamla enskede bryggeri, Johanneshov, Sweden
September 30: Masikhallen, Grängesberg, Sweden
October 21: Kvarteret, Örebro, Sweden
October 28: Snövit, Stockholm, Sweden
November 3: Melody Box, Hägersten, Sweden (Support to Ghost Dance)
Following the highly acclaimed debut “Blacken the Skies” (2021), TERMINAL refines their industrial glam formula with a touch of “more industrial, more glam.” Noteworthy lyricist Thomas Mark Anthony elevates the genre, crafting intricate rhymes and anthemic choruses around themes of power, zealotry, and corruption. Building on the previous album’s critique of society’s hypocrites, the album kicks off with the compelling line “How many guns would Jesus buy?” The title and theme of the album, inspired by Plato’s Republic, delve into the idea that an unjust society is doomed, and democracy alone is insufficient against demagogues and tyrants. Enriching the mix is Anthony’s resonant baritone, while the lyrics delve into existential topics of religion and mortality, appealing particularly to the Goth community.
Dedicated to Dave Heckman, the album features tracks like:
“Asymmetric Warfare” (1:11)
“The Sin of the Sanctified [v4b]” (3:52)
“Smart Weapons” (4:50)
“Did We Ask For Truth” (4:09)
“[Redacted]” (1:05)
“Don’t Be Taken Alive” (4:14)
“The New Republic” (5:02)
“Paradoxical Reactions” (1:17)
“Fall of the Reign” (5:46)
“Dirty River [Necrosis]” (4:06)
“Testify” (4:21)
“Disproportionate Response” (1:16)
“Rise”
Get ready to explore the sonic world of “The New Republic” and experience TERMINAL’s intricate themes and captivating soundscape.
Industrial metal pioneers FEAR FACTORY have solidified their status over the years, as one of the metal genre’s most important bands.
The machine will rise this Fall! This journey will commence with a one-off date on September 17th at the Metal Injection Festival @ House Of Blues where they will perform a very special Demanufacture and Obsolete set.
The band will then launch their five-date healing ‘DisrupTour’ with special guests LIONS AT THE GATE which will kick off on October 7th. This will be followed by the band heading out on the ‘October Dawn 2023’ tour with headliners LACUNA COIL and openers LIONS AT THE GATE. The 10-date trek will begin on October 13th in Atlanta and will make stops in Louisville, Oklahoma City, and Houston before concluding in St. Petersburg on October 29th before heading on their European/U.K. tour!
FEAR FACTORY’s Dino Cazares comments, “We are so excited to be touring with our Italian friends in LACUNA COIL & and our Los Angeles brothers in LIONS AT THE GATE. The Machine Will Rise.”
Catch FEAR FACTORY live: 09.17. US Anaheim, CA – Metal Injection Festival @ House Of Blues
Headlining Dates 10.07. U.S. Tucson, AZ – Encore 10.08. U.S. Albuquerque, NM – Sunshine Theatre 10.09. U.S. EL Paso, TX – The Rockhouse 10.11. U.S. Tulsa, OK – The Shrine 10.12. U.S. Memphis, TN – Growlers
‘October Dawn 2023’ Headliner LACUNA COIL Support: LIONS AT THE GATE 10.13. U.S. Atlanta, GA – The Masquerade 10.14. U.S. Knoxville, TN – The Concourse 10.15. U.S. Louisville, KY – Mercury Ballroom 10.17. U.S. Suget, IL – Pops 10.18. U.S. Lincoln, NE – Bourbon Theatre 10.19. U.S. Lawrence, KS – Granada Theater 10.20. U.S. Oklahoma City, OK – The Diamond Ballroom 10.21. U.S. Dallas, TX- Granada Theater 10.23. U.S. Houston, TX – House Of Blues 10.24. U.S. San Antonio, TX – Aztec Theater
2023 UK & EUROPEAN TOUR Support: BUTCHER BABIES & IGNEA 27.10. UK Nottingham – Rock City 28.10. UK Wolverhampton – KK’s Steel Mill 29.10. UK Glasgow – Garage 30.10. UK Belfast – Limelight 31.10. IE Dublin – Academy 02.11. UK Manchester – Academy 2 03.11. UK London – Electric Ballroom 04.11. UK Bristol – SWX 06.11. FR Lille – Le Splendid 07.11. FR Paris – L’élysée Montmartre 08.11. FR Clermont Ferrand – La Cooperative 09.11. FR Toulouse – Metronum 10.11. ES Barcelona – Razzmatazz 2 11.11. ES Madrid – La Sala 12.11. PT Lisbon – Lav 14.11. FR Bordeaux – Le Rocher Palmer 15.11. FR Grenoble – L’ilyade 16.11. IT Milan – Santeria 17.11. CH Lausanne – Les Docks 18.11. CH Zurich – Dynamo 19.11. IT Treviso – New Age 21.11. AT Graz – PPC 22.11. HU Budapest – Barba Negra 23.11. AT Vienna – Simm City 24.11. DE Munich – Backstage Halle 25.11. DE Frankfurt – Batschkapp 26.11. FR Strasbourg – La Laiterie 28.11. DE Stuttgart – LKA Longhorn 29.11. LU Esch-Sur-Alzette – Rockhal 30.11. BE Antwerp – Trix 01.12. NL Amsterdam – Melkweg 02.12. DE Cologne – Live Music Hall 03.12. DE Berlin – Columbia Theater 05.12. CZ Prague – Meet Factory 06.12. PL Warsaw – Proxima 07.12. DE Hamburg – Markthalle 09.12. DK Copenhagen – Pumpehuset 10.12. SE Gothenburg – Valand 11.12. NO Oslo – Vulkan Arena 12.12. SE Stockholm – Fryshuset Klubben 14.12. FI Tampere – Olympia 15.12. EE Tallinn – Helitehas 16.12. FI Helsinki – Tavastia
Distortion Productions is thrilled to announce the addition of Charlotte, North Carolina’s IIOIOIOII (pronounced IO or eye-oh). IIOIOIOII has been an active band since 2012 and is best described as dark and atmospheric electronic synthpop taking inspiration from classic New Wave and Industrial music. IIOIOIOII takes on lush soundscapes and heavy melodic elements and combines them with hard-hitting beats. The single “Frozen Sea” along with the accompanying video is the first taste of their forthcoming album “Dreaming,” slated for release in the Fall of 2023 on Distortion Productions.
On August 11th, Bestial Mouths will unveil their highly anticipated album titled “R.O.T.T. (inmyskin)” through Negative Gain Productions. The band’s sixth studio offering follows their 2020 release “Resurrectedinblack.” Helmed by the unwavering Lynette Cerezo, the driving force and voice behind the project, Bestial Mouths have crafted a genre-defying presence in the realm of extreme metal. Influenced by 80’s thrash and death metal, their sound bears the captivating intensity of Siouxsie’s gothic wail, a relentless force that chafes, chills, and entrances the senses.
Producer Rhys Fulber, a Juno Award-winning figure known for his work with Front Line Assembly and Delerium, has breathed life into “R.O.T.T. (inmyskin),” steering the album’s trajectory into a resonant, entrancing soundscape. A journey spanning from Bestial Mouths’ 2019 release “INSHROUDSS EP,” which marked Lynette Cerezo’s debut as the sole songwriter, to their present sonic voyage, this album resonates with deeply personal lyrics addressing self-stagnation and trauma. A thematic thread that began with “INSHROUDSS EP” is meticulously woven into the fabric of “R.O.T.T. (inmyskin),” a crystalline fusion of pop’s broad palette with raw, polished edges, inviting both introspection and movement.
Cerezo passionately speaks of the album’s essence: “The path to ‘R.O.T.T. (inmyskin)’ has been as tumultuous as the music itself; always afflicted by doubts, it was honestly surprising to me to finally reach the sonic realm where I feel Bestial Mouths resides. Rhys Fulber’s sterling production really opened up the feel of the album. I wanted to express these same traumas, these looped cycles and patterns, yet peel back some of the rot to show an inner strength, unbreakable. A fury polished by repetition, to send desecration amongst pathetic bullies. To dance with your death, and still find humor and joy amongst the ruin.”
Founded in 2009, Bestial Mouths, under the steadfast guidance of Cerezo, has seamlessly melded various genre influences, ranging from goth, industrial, and post-punk to New Wave, noise, and metal. The band’s dynamic live performances are an embodiment of their ethos, integrating live and acoustic instrumentation alongside electronic drums and analog synthesizers. Cerezo’s background in fashion design and gender activism infuses their visual and social aesthetics, rendering their stage presence captivatingly theatrical.
As the album’s release approaches, Bestial Mouths are primed to take their sonic journey on the road, setting the stage ablaze with their magnetic performances.
Their upcoming live performance dates include:
Aug. 26th: New Orleans, LA – NGP Presents Destination – House of Blues
Sep. 2nd: New York, NY – A Murder of Crows Festival – Bowery Ballroom
FALL TOUR 2023:
Oct. 26th: Chicago, IL – Sanctum Fest – Thalia Hall
Oct. 27th: Detroit, MI – TBA
Oct. 28th: Philadelphia, PA – Dracula’s Ball – Underground Arts
Oct. 29th: Washington, DC – The Runaway
Nov. 2nd: Montreal, QC – Casa Del Popolo
Nov. 3rd: Toronto, ON – The Garrison
Nov. 10th: Los Angeles, CA – Substance – The Globe Theater
Bestial Mouths’ resounding impact within the music scene is underscored by their collaborations with acclaimed producers and artists, a history punctuated by performances alongside renowned acts. Their indomitable spirit and profound artistry continue to blaze a trail through the realms of extreme metal and beyond.
Despite the un-summer-ish weather in Hamburg, Faderhead is breaking out of their music-making vacation to find new inspiration and energy. The break was much needed, as Faderhead had hit a creative wall, questioning the future of making music under the Faderhead name. But with a new perspective and some energy restored, Faderhead is ready to embark on a fresh musical journey.
In the past, Faderhead’s music was born spontaneously, resulting in unique albums with a mix of random styles and songs created throughout the year. However, a shift occurred in 2017 when Faderhead aimed to infuse more depth into the music, enhancing live shows and refining performances. This pursuit of perfection brought structure and rehearsal into the process, reducing spontaneity but yielding better results.
When the pandemic struck, Faderhead seized the opportunity to promote extensively on social media and release new music. However, after continuous efforts, the creative gas tank is now empty, leaving Faderhead uncertain about the future path.
On one hand, continuing as Faderhead may feel repetitive, and on the other, venturing into side projects requires additional effort and resources. Despite the uncertainty, Faderhead decided to explore new avenues, acquiring new skills like piano playing and honing singing abilities.
While the future direction remains unclear, Faderhead’s determination to stay fresh involves planning breaks and periods of skill development. As a result, Faderhead will embark on “30 Beats in 30 Days,” creating a beat every day in August to generate ideas and encourage creativity.
In the spirit of spontaneity, Faderhead also designed new shirts inspired by fans at the recent Amphi Festival. The shirts feature lyrics from “Destroy Improve Rebuild” and are available in various designs in Faderhead’s online store.
As the journey unfolds, Faderhead hopes to find renewed passion for music-making and welcomes input from fans about future directions. So stay tuned, follow the “30 for 30,” journey, and witness Faderhead’s creative evolution!
Fresh from their exhilarating performances supporting MOЯIS BLAK and Danny Blu on tour, EVA X is once again taking the music world by storm with the release of their captivating new music video for “Control.” Alongside the video, the highly anticipated “Control Remixes EP” is now available on all major streaming and digital platforms, proudly presented by the esteemed Distortion Productions label.
The EP boasts an array of electrifying remixes of “Control,” skillfully crafted by label mates Red Lokust and Tragic Impulse, as well as the talents of Slighter and DeepCovers. The original version of the song, a mesmerizing creation written by Gabrielle Gustafson with Shane Stephenson and Adam Mah, is originally featured on EVA X’s critically acclaimed debut album, “I Dream of a Reality,” which graced the music scene in 2022, leaving a trail of fervent admirers in its wake.
For music enthusiasts seeking an immersive audio-visual experience, the “Control” music video is a must-watch. Directed by Gabrielle herself, with the artistic collaboration of Erik Gustafson, the video was gorgeously shot and expertly edited in the vibrant city of Vancouver. A perfect complement to the entrancing soundscape of the song, the video weaves a visual tapestry that captivates and lingers long after the final chord fades.
Experience the magic of “Control” and its dynamic remixes now:
EVA X continues to push the boundaries of electronic music, leaving an indelible mark with their unique sound and artistic vision. Join the journey and immerse yourself in the realm of EVA X’s evocative melodies and entrancing beats.
Unitcode:machine, the renowned industrial/pop act, collaborates with acclaimed producer Christopher Hall from Stabbing Westward to deliver their latest single, “Cold.” This captivating track delves into the depths of profound longing, exploring the quest for solace in the face of overwhelming loss and the desire for a transformative change.
“Cold” resonates with listeners on a visceral level, as its poignant lyrics and ethereal soundscape speak to the human spirit’s resilience and universal yearning for hope. The song’s mesmerizing composition reflects the journey of those who have experienced hardship and held onto the belief in a brighter future.
In addition to Chris Hall’s exceptional edit of the song, “Cold” boasts powerful remixes from Beborn Beton and blackcarburning, adding new dimensions to an already emotionally charged piece.
The single “Cold” is set to release on August 4th, 2023, and will be available for download.
Tracklist:
Cold (Chris Hall / Stabbing Westward Mix)
Cold (Beborn Beton Remix)
Cold (blackcarburning Remix)
Fans can anticipate the pre-order of the record on Bandcamp, starting from July 28th, 2023.
Unitcode:machine continues to push artistic boundaries, showcasing their profound musicality and emotional depth. With cover artwork by Greg Rolfes, “Cold” promises to be a captivating addition to their impressive discography.
Unitcode:machine, led by the talented Eric Kristoffer, has been making waves in the industrial and pop music scenes. With a unique blend of electronic elements and emotive storytelling, their music captivates audiences worldwide. Building on their previous successes, “Cold” is a testament to their dedication to creating deeply impactful and evocative music.
The Star is a awesome and interesting composition diving deep into the dark truths of technology and society.
The Star Release Schedule is as follows: Bandcamp digital release on July 24, 2023, followed by the CD/USB release on August 21, 2023, and finally the vinyl/tape release in November 2023.
The album’s title was originally ““The Bastard Gods””, but in a twist of perfect irony it was redacted to become “The Star””, because due to current social media algorithms not allowing the use of words such as “Bastard” or the word “Gods”
The lyrical content of the album, explore the effects new technology does and also will have on our psychology through personal and other social interactions, our access to factual news and emerging technolgies influence on the way we vote, as well as exploring the ever-widening class system, and swiftly emerging underclass.
“The Star” questions the increasing influence of social media algorithms as it affects how we perceive the world, what we call “truth”, “facts”, and what we support and shun through our biased and ignorant support of cancel culture.
Zoog says; “The only thing these algorithms care about is keeping users engaged, enraged and buying more disposable trash. The happiness and tragedy you share is merely content to help it achieve the desired goal. Either you play the game, or you don’t exist. I don’t see “light & dark” or “wolves & sheep” anymore, just angry animals trying to ruin each other with disinformation and hate campaigns, and now we have an increasing influence from artificial intelligence; the future is now, and it’s getting very interesting.”
A quick review of “The Star”
1 The Greatest Trick is a informative song about religion, where the point of the track is to tell you it’s a manipultaion.
2 Jump For Joy, A positive song about social activism, “If you’ve done nothing wrong, You have nothing to fear” while communicating that there is no superman, and you can only save yourself from society through self- awareness, and social activism, because the bleak future is about not owning things, and sharing everything which makes us individuals, and those behaviors will cause us to be “happy”.
3 Do The Spin is a slower song than previous tracks about ideology, through technology, and embodying Issac Asimov “Electric Sheep” rhetoric.
4 Sentient, when cyberpunk meets sega, featuring the awesome work of Dave Nato om drums, is a track about the future implications of technology on society.
5 The Game Is Stupid is a down tempo, sludge and doomy piece, which definitely features the Blaster Beam prominently on this track.
6 Tyranny Of The Beat is a upbeat melodic and very dance-able tune, with distorted hardstyle-type bassdrums. The track is about how the media twists and embellishes modern reality, to fit the corporate agenda, and misleading the masses to make incorrect choices, altering our future capacity as humans, to care deeply for ourselves, each other, and for the health of the planet.
7 LockJaw56b, a instrumental tune, prominently featuring both Dave Nato’s syncopative percussion, and The Blaster Beam, which i find to be very creative and evolved compared to Angelspits previous discography.
8 Art Imitates War asks is ignorance bliss ? This track asks the pressing questions, on the lifestyle difference between “modern” society, and a third world country.
9 Pay The Butchers Bill, is a song about how all things come due.
Number 9 is a nice change of pace from the previous track, and very nice track arrangement on the album. Most of the previous songs have been uptempo, fast and aggressive sludgy, doom, and downtempo.
10 Feed The Hungry Ghost is back to the fast paced and exciting uptempo synthesis Anglespit is recognized for, with the hook being “Don’t Sleep”. The Blaster Beam featured again promintently, staring in this this track from the beginning.
11 Posessed By A Demon is a harsh, but etheral and fast tempo arrangement, evocative of punk music, with a skank dance attached, expelling the hazards of being controlled by consumerism, modern corporate brands, and being manipulted by advertising.
12 The System changes the pace again, slowing down the vibe, and ensuring the listener is consciously aware of the content: manifactured capatialism, and the relentless corruption which is inherent in a capitalist society.
13 Jesters Priviledge is the last track, and leaves us with thoughts and wishes we all have from time to time: Are we human, or are we machine ?
What seperates those lifestyles, and what do they enatil in our society, being treated as less than human, a number, a self-centered numb sub-human, because to stand out, be yourself, and to be vulnerable, is a captital crime worthy of being prosecuted and judged by cancel culture.
What seperates those lifestyles, and what do they enatil in our society, being treated as less than human, a number, a self-centered numb sub-human, because to stand out, be yourself, and to be vulnerable, is a captital crime worthy of being prosecuted and judged by cancel culture.
Blutengel, the renowned band, has just released their twelfth and final music video from their latest album, “Un:Sterblich – Our Souls Will Never Die.” Titled “The Last Crusade,” this electrifying track follows in the footsteps of their beloved hit, “Save Our Souls,” and serves as a rallying cry to break free from the shackles that hold us down and carve our own paths. The album is available in various physical formats and can be streamed or purchased digitally.
Watch the captivating music video for “The Last Crusade” here.
According to Chris Pohl, the driving force behind Blutengel, “The song encourages making a final effort to rid ourselves of things that are detrimental to our well-being. Defeat your adversaries or ignore them, and persevere on your chosen path…”
“Don’t let anyone suppress you, and always remember that it’s YOUR life!” – Chris Pohl (Blutengel)
Blutengel’s “Un:Sterblich – Our Souls Will Never Die Tour 2023” dates:
November 10: Cologne, Essigfabrik
November 11: Bochum, Matrix
November 17: Hamburg, Markthalle
November 18: Mannheim, Dark Dance Treffen
November 19: Hanover, Musikzentrum
Exclusive fan tickets for these concerts can be obtained from the Out Of Line Shop here.
This year, Blutengel celebrates 25 years of success with 25 new songs, 12 music videos, and an upcoming tour. “Un:Sterblich – Our Souls Will Never Die” stands as their most introspective album yet, delving into profound emotions experienced in recent years.
“Un:Sterblich – Our Souls Will Never Die” – Tracklist:
Metropolis Records is Proud to Welcome ZANIAS Metropolis Records has partnered with Fleisch Records to release the new album Chrysalis in North and South America.
Since 2014, Zanias has existed as the unrepentant creative venture of Alison Lewis, born in Australia, raised in Southeast Asia, and also known for her vocal work with Linea Aspera, Keluar and a record shelf’s worth of collaborations with the likes of Black Rain, Ancient Methods, Dax J, I Hate Models and Infravision.
As the sole custodian of Fleisch Records she spent many years attuning herself to Berlin dancefloors through the timely collision of techno and electronic body music, but her true passion is for understanding the modality of emotions through songwriting. Sound is her psycho-spiritual catharsis and philosophical exploration of existence, expressed through an intense vocal performance, evocative melodies and heavy rhythmic components. With this signature structure she seeks to reinvent her own brand of ethereal pop: atmospheric, multi-layered and as alien as it is authentically, vulnerably human.
The creation of ‘Chrysalis’ was a retreat from a seemingly endless string of unfortunate events, a cocoon from which Zanias could weave hope from hopelessness. In each of its eight songs she has engineered unique worlds to express alternate facets of the modern human experience, from burnout and the toxicity of capitalism to processing death and the inherent isolation of personal trauma.
Written and recorded between Berlin and the rainforest of Queensland, Australia, the sound design of ‘Chrysalis’ reflects the rich biodiversity of the latter environment, where she drew much of her inspiration. Her voice shifts and morphs into ghostly, alien forms between catchy hooks that plant this album firmly in the ‘pop’ genre, without losing the underground rawness and lyrical depth for which she is known.
With her third full-length album, Chrysalis, Zanias is expressing her truest form thus far, fusing her seemingly discordant influences into a genre-defying electronic art pop, as dark and evocative as it is ethereal and uplifting.
In the realm of music, there are certain compositions that transcend time and space, evoking emotions and painting vivid landscapes in our minds. Alessandro Mercanzin, an Italian musician known as DELREI, has masterfully crafted such an auditory experience with his debut album, “Desolation and Radiation.” This wordless vision of a lost world from the future captivates listeners with its melancholy tones, taking them on a hypnotic journey through an inhospitable post-nuclear desert.
Within the haunting melodies of “Desolation and Radiation,” Mercanzin weaves together a tapestry of musical elements. The shadowy twang of electric guitars, the dusty spectral melodies, the driving orchestral timpani, and the rustic sounds of instruments like banjo, harmonica, and mouth harp all contribute to the orchestration of this mythic western of the future. It is a sonic landscape that embraces solitude, cold haunted nights, and lonely red vistas, leaving the listener with a sense of somber personal reflection.
Reflecting on his creative process, Alex explains, “To me, ‘Desolation and Radiation’ represents a melancholic portrayal of lost dreams in a future world. With a ghostly sound echoing in my mind, I sought to convey dark and intriguing riffs, realizing that I could speak volumes with just a few whispered notes from my guitars. Each song on this album paints a dramatic scene, transporting me to a reverb-drenched wasteland in a parallel universe.”
Delrei Tracklisting:
Solitario
Into the Wasteland
Nowhere to Ride
Ensenada
Far from Here
Get Lost Blues
Lonely Night
Dusk
Country
Mysterious Traveler
Daydream
Assisting Mercanzin in shaping this musical opus is producer Maurizio Baggio, known for his work with artists like Soft Moon, Boy Harsher, and Nuovo Testamento. Together, they explore various genres, incorporating influences from Giallo-pulp and the evocative scores that have shaped Mercanzin’s musical evolution. While they tease, avoid, and embrace the clichés of Italian Spaghetti Westerns, their adventurous sound emerges from a rich tapestry of guitars, vintage instruments, reverbs, and the traditional Sicilian harp known as the marranzanu. Maurizio’s vintage synths and old 60s organs add depth and texture to the compositions, while Michele Tedesco’s haunting trumpets in “Nowhere to Ride” and Stefano Miozzo’s pedal steel guitar in “Far from Here” provide additional layers of musicality.
Beyond the immersive sonic experience, “Desolation and Radiation” carries a veiled message—a cautionary tale that urges us to learn from the mistakes of the past to prevent a terrifying future. It serves as a reminder that our actions in the present have the power to shape the trajectory of our world.
Projekt Records, known for its dedication to innovative and thought-provoking music, proudly welcomes DELREI and their debut album. “Desolation and Radiation” is available as a Name-Your-Price title on Bandcamp, allowing listeners to support the artist while immersing themselves in this captivating musical journey. For those seeking a glimpse into the evocative atmosphere that DELREI has conjured, the official music video for “Get Lost Blues” offers a visual accompaniment to the album’s haunting soundscapes.
To fully experience the depth and richness of “Desolation and Radiation,” visit the Bandcamp link below. There, you can not only listen to the album but also access the .wav audio files, photos, and the intriguing album cover that captures the essence of this post-nuclear dystopia.
As you embark on this musical odyssey, prepare to be swept away by the haunting melodies and enigmatic atmosphere that DELREI has meticulously crafted. Immerse yourself in a world where desolation and radiation intertwine, and discover the power of music to transport us to the farthest reaches of our imagination.
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