Get ready for an adrenaline rush with LAZERPUNK‘s latest release, CRUSADER! This electrifying phonk/midtempo hybrid track delivers a relentless, bass-heavy assault that fans of Kordhell, Raizhell, Kute, and aggressive phonk will absolutely love! 🔥🔊
💥 Stream CRUSADER Now!
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As always, downloads are free—pay if you can and support the underground! 🎶
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Rising alternative metal artist Fae Fatale is set to release her chilling new single, “Grim Reaper,” on April 4, 2025. Known for her eerie storytelling and cinematic, horror-infused visuals, Fae Fatale continues to carve her own path in the metal scene with a unique blend of industrial, alternative, and classic rock influences.
“Grim Reaper is my own dance with death,” Fae Fatale shares. “I embraced the darkness in my mind and my experience with my own mental health. This song is a beautiful creation born from the catharsis I find in writing music, and now, it’s time to share that experience with the world.”
Blending infectious melodies, raw emotion, and heavy rock riffs, Grim Reaper cements Fae Fatale as a rising force in the alternative metal landscape. Fans of artists such as In This Moment, Motionless In White, and Evanescence will find themselves drawn to her haunting yet powerful sound.
The single will be accompanied by a visually captivating music video that stays true to Fae Fatale’s horror-inspired aesthetic. Known for her nightmarish yet whimsically twisted cinematic visuals, this latest release promises to be an immersive experience that complements the song’s dark themes.
Following the success of “Lobotomy” and “Raw Meat,” Grim Reaper marks a new chapter in Fae Fatale’s evolution as she continues to redefine modern metal with bold storytelling and genre-defying compositions. With a growing social media presence and an ever-expanding fanbase, she is proving that metal is alive and thriving in 2025.
“Grim Reaper” will be available on all major streaming platforms on April 4, 2025.
🔗 Official Website
🎵 Spotify
📸 Instagram
🎶 TikTok
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New Single “False Grail” Streaming Now! 🎶💀
Portland’s blackened death metal force DROUTH returns this spring with the highly anticipated release of their third full-length album, The Teeth of Time, arriving May 16th via Eternal Warfare Records. Following their critically acclaimed 2020 release Excerpts From a Dread Liturgy, the new record is an unrelenting storm of doom-laden intensity, existential dread, and sonic brutality.
DROUTH comments on the upcoming release:
“We are proud to present The Teeth of Time, a culmination of several years of blood, sweat, and pain. It is a nightmare made manifest, and we are both eager to share our creative work and grateful to the many people who helped make it possible.”
To mark the album’s announcement, the band has unveiled “False Grail,” a harrowing preview of the hellscape awaiting listeners within The Teeth of Time. First premiered at Invisible Oranges, the track delivers an ominous, suffocating atmosphere that perfectly sets the tone for the album.
“‘False Grail’ was the last song we wrote before entering the studio. It came together relatively quickly based on ideas that Stikker brought in—he had it well fleshed out, but we expanded the closing doom section to really emphasize the dynamic shift in the song. We also knew we wanted string accompaniment, so we had Eva Vonne from Isenordal add mournful viola layers after tracking was completed.”
“Lyrically, the song is a nightmare reflecting the disconnect between the true and projected self, and the increasing tension between those poles that we all experience. The map is not the territory, but when the map prefigures and gradually dictates the territory, our agency is threatened forever.”
📀 Pre-Order The Teeth of Time: DROUTH Bandcamp
▶️ Listen to “False Grail”: YouTube | Bandcamp
1️⃣ Hurl Your Thunderbolt Even Unto Death
2️⃣ False Grail
3️⃣ The Teeth of Time
4️⃣ Through a Glass, Darkly
5️⃣ Exult, Ye Flagellant
📸 Album artwork & credits: Jason DeSomer
Formed in Portland in 2012, DROUTH (formerly known as Contempt) has carved a reputation in the extreme metal underground for their seamless blend of black metal, death metal, doom, and crust. Their 2014 debut EP Skinwalker put them on the map, followed by Vast, Loathsome (2015), full-lengths Knives, Labyrinths, Mirrors (2017) and Excerpts From a Dread Liturgy (2020).
Their latest offering, The Teeth of Time, was recorded and mixed by legendary engineer Billy Anderson (Neurosis, Cattle Decapitation) and mastered by Justin Weis (Agalloch, Hammers of Misfortune), resulting in 40 minutes of ferocious, melodic, and exploratory blackened death metal.
🎸 Matt Stikker – Guitar, vocals, lyrics
🥁 Patrick Fiorentino – Drums
🎸 John Edwards – Guitar, vocals
🎸 Matt Solis – Bass
After ten years of silence, PHOSGORE erupts back onto the scene with a relentless new industrial assault, Slaves to the Bassline. 🔥 Listen Now
💥 Heavier. Harsher. Filthier. This all-consuming track is a merciless fusion of pounding beats, crushing basslines, and electrifying aggression—a sonic weapon designed to obliterate dance floors across the globe.
🔊 Brace yourself for PHOSGORE’s triumphant return. The bassline reigns supreme, and resistance is futile.
🎧 Listen to “Slaves to the Bassline”
Louisiana-based tribal industrial project SINthetik Messiah returns with a powerful and immersive new EP, The Lost Tribe, delving into themes of alienation, ancestral pain, and cultural identity. Available exclusively on Bandcamp today, the EP will hit all streaming platforms in April.
Created by Cajun songwriter and sound designer Bug Gigabyte, The Lost Tribe blends industrial, electro, dance, rock, and ambient elements to craft a deeply emotional and thought-provoking soundscape. The EP’s two tracks explore historical trauma and personal struggle, rooted in the untold narratives of Louisiana’s indigenous people.
🔹 “Nature’s Magik” captures the anguish and raw energy stemming from the 1706 attack by French soldiers on the Chitimacha people, an event that left a lasting scar on the region’s history.
🔹 “Poison To Our Hearts” addresses the harsh reality of racial exclusion within the Chitimacha Tribe of Louisiana, where members of African descent have been denied recognition for over a century. The song paints a stark picture of injustice, longing, and the painful search for acceptance within one’s own heritage—an issue that continues to define Louisiana’s so-called Lost Tribe.
🔥 Listen to The Lost Tribe now on Bandcamp
The enigmatic Euro-USA duo Rohn-Lederman has returned with their latest full-length album, “Forbidden Planet,” a sonic journey filled with moody, atmospheric modular electronics and hauntingly evocative vocals. Released today, the album is available on all digital and streaming platforms, with a limited-edition transparent vinyl LP for collectors.
💿 Listen Now:
🔹 Spotify
🔹 Bandcamp
🔹 Watch “Steal The Light” (feat. Stefan Netschio of Beborn Beton): YouTube
Rohn-Lederman brings together Detroit-based vocalist Emileigh Rohn (Chiasm) and Belgian composer Jean-Marc Lederman (known for his work with The Weathermen, Fad Gadget, Front 242, and Ghost & Writer). The duo’s distinctive sound is an intoxicating blend of experimental electronic textures and deep, introspective lyricism, offering a fresh take on dark electronic music.
Since their 2021 debut “Venus Chariot”—which topped the DAC charts—they have continued to push creative boundaries with 2022’s “RAGE!” and 2024’s double album “Black And Bleu.” Now, with “Forbidden Planet,” they venture even further into uncharted sonic territory, crafting a world that is both cinematic and deeply personal.
Described as ethereal yet provocative, “Forbidden Planet” delivers a compelling fusion of electronic avant-garde and poetic melancholy. From modular synth explorations to hypnotic vocal performances, the album transports listeners into a dystopian dreamscape that is both otherworldly and deeply human.
🎧 Standout Track: “Steal The Light” (feat. Stefan Netschio of Beborn Beton) showcases the album’s dynamic range, seamlessly weaving together haunting melodies and pulsing electronic beats.
