Metropolis Records has officially released “Rage,” the latest hard-hitting single from Damage Control, featuring an unrelenting collaboration with EBM and industrial icon Leæther Strip.
Built on pounding rhythms, harsh electronics, and a confrontational atmosphere, “Rage” lives up to its title—channeling pure aggression into a tightly wound, club-ready weapon. Damage Control bring precision and force, while Leæther Strip injects a signature intensity that reinforces the track’s raw, uncompromising edge.
The release stands as a meeting point between modern industrial ferocity and legacy EBM power, continuing Metropolis Records’ long-standing tradition of bridging generations within the dark electronic underground.
🎶 Listen Now
Deep Dive into the Universe of Damage Control & Leæther Strip
Confusion Inc. has just released “Crawler (DJ Mixes),” a new remix-focused drop from dark electronic artist Slighter. Reimagined for the dancefloor, the release gives Crawler a full DJ remix treatment—reshaped with club-ready energy and deeper rhythmic pressure.
Adding extra weight for dedicated listeners, the release also includes a Bandcamp-exclusive “dub” version, stripping things down to their raw, hypnotic core. It’s a release designed for late-night sets, industrial-adjacent dancefloors, and anyone who prefers their electronics dark, immersive, and functional.
Crawler (DJ Mixes) is available now, continuing Confusion Inc.’s steady output of forward-leaning underground electronic releases.
After more than ten years of silence, Empyrean Asunder resurface with a striking stylistic pivot. Their new single “I Confess,” released January 2, 2026, marks a decisive move away from metal-rooted aggression and into industrial dance and EBSM territory—dark, seductive, and built for the club floor.
With over two decades of evolution behind them, Empyrean Asunder have continuously refused to stay confined to one sound. From black and industrial metal origins to anti-industrial rock, the project now embraces a pulse-driven electronic identity. “I Confess” introduces this new era with sinister, bass-heavy rhythms and a sleek, modern edge reminiscent of Gesaffelstein, while maintaining the project’s trademark darkness.
The release also includes “Everyone Wants To Be You,” a club-ready anthem elevated by the commanding vocal presence of Victoria Graves. Her delivery cuts through the dense electronics with confidence and intensity, making both tracks immediate standouts for goth and industrial dancefloors alike.
Produced by Jerry Barksdale, the single balances infectious earworm melodies with moments of vulnerability and cathartic screams. Massive synth work drives the tracks forward, while deeply personal lyrics add emotional weight beneath the relentless electronic momentum. It’s a combination that rewards repeated listens and signals a fully realized transformation.
Long known as an auditory manifestation of societal decay, Empyrean Asunder continue to channel chaos through sound and vision. Even as the genre framework shifts, the project’s core remains intact—harsh, theatrical, and unflinchingly confrontational.
Project Background & Evolution
Empyrean Asunder is the solo project of multi-instrumentalist Jerry Barksdale, a prolific force in extreme music circles, also known for work in The Promise Of Plague (black/death metal), Then We Died (grindcore), and Grief Cathedral (funeral doom/sludge). Conceived as an experimental outlet, the project frequently collaborates with different musicians, allowing each release to redefine its identity.
Rather than adhering to a fixed genre, Empyrean Asunder moves through distinct creative eras:
Black Metal Era Early releases such as Wrought In Dreams (1999) explored raw, avant-garde black/doom metal.
Industrial Metal & Anti-Industrial Rock Era Albums including The Human Virus (2005), Love At Your Own Risk (2006), They Call Her The Cure (2008), Hate (2013), and Serpent (2014) fused metal and punk with harsh industrial textures.
Electro-Industrial / Techno Era (Present) The current chapter pushes fully into electronic territory, incorporating EBM, darkwave, and techno influences—anchored by the 2026 release of “I Confess.”
After years of anticipation, Lords of Acid are officially back on U.S. soil. The legendary electronic provocateurs have announced the “Cheeky Freaky Tour,” a 29-date headlining run launching April 25 in Las Vegas and stretching coast to coast through the end of May. More than a simple comeback, the tour marks the opening chapter of a fully reenergized era for the band—one that looks forward without erasing its infamous past.
This spring run is deliberately framed as a reinvention rather than a nostalgia trip. The “Cheeky Freaky Tour” blends intimate club settings with large-scale festival appearances, including Sick New World in Las Vegas and Ritual Noize Fest in Denver. Each stop promises a high-impact, immersive experience that reflects decades of live evolution while amplifying the band’s modern edge.
Founder and creative architect Praga Khan confirms that this momentum is driven by more than touring ambition. For the first time in eight years, LORDS OF ACID have completed entirely new material, with a brand-new album expected later this year. According to Khan, the upcoming record respects the legacy that built the band’s reputation while decisively pushing their sound, visuals, and performance energy into the future.
Now fronted by Carla Harvey, the current Acid Queen era bridges generations seamlessly. Setlists are designed to collide eras—iconic tracks like “Pu**y,” “I Sit On Acid,” and “Crablouse” sit alongside unreleased material that previews what’s next. The focus remains on tension, theatrical presence, and sonic impact, reinforcing the band’s reputation for performances that feel confrontational, playful, and dangerously alive.
The supporting lineup has been curated to match the tour’s boundary-breaking ethos. Dead on a Sunday bring raw, modern gothic energy, while Princess Superstar delivers razor-sharp lyricism and club-ready confidence. Tony and the Kiki add fashion-forward alternative pop flair, and MZ Neon opens each night with pulsing underground electronics. Notably, both Princess Superstar and Tony and the Kiki appear on the forthcoming LORDS OF ACID album, offering fans an early glimpse into the band’s next creative phase—live and unfiltered.
Decades into their career, LORDS OF ACID continue to defy expectations of what an electronic act can be. Loud, visual, provocative, and unapologetically bold, the “Cheeky Freaky Tour” is less about reclaiming relevance and more about proving they never lost it.
LORDS OF ACID – Cheeky Freaky Tour Dates
April 25, 2026 – Las Vegas, NV – Sick New World * April 26, 2026 – Fontana, CA – Stage Red + April 29, 2026 – Grand Junction, CO – Mesa Theater + April 30, 2026 – Albuquerque, NM – Sunshine Theater + May 1, 2026 – Colorado Springs, CO – Black Sheep + May 2, 2026 – Denver, CO – Ritual Noize Fest * May 4, 2026 – Kansas City, KS – Warehouse May 5, 2026 – Minneapolis, MN – Varsity Theater May 6, 2026 – Chicago, IL – Bottom Lounge May 7, 2026 – Detroit, MI – Magic Stick May 8, 2026 – Pittsburgh, PA – Preserving Underground May 9, 2026 – Washington, DC – Union May 11, 2026 – Cleveland, OH – Mercury May 12, 2026 – New York, NY – Racket May 14, 2026 – Atlanta, GA – Masquerade + May 15, 2026 – Orlando, FL – The Abbey May 16, 2026 – Fort Lauderdale, FL – Culture Room May 17, 2026 – Tampa, FL – Orpheum May 19, 2026 – Fort Walton Beach, FL – Downtown Music Hall May 21, 2026 – Houston, TX – Scout Bar May 22, 2026 – Dallas, TX – Trees May 23, 2026 – Austin, TX – Come And Take It Live May 24, 2026 – San Antonio, TX – Paper Tiger May 26, 2026 – Tucson, AZ – 191 Toole May 27, 2026 – Phoenix, AZ – Nile May 28, 2026 – Las Vegas, NV – Swandive May 29, 2026 – San Diego, CA – Music Box May 30, 2026 – Los Angeles, CA – Echoplex May 31, 2026 – San Jose, CA – The Ritz
Front Line Assembly has just announced “Machine Vision,” the new solo project from mastermind Bill Leeb! Dive into this exciting new release from the iconic electronic music pioneer.
Re:Mission Entertainment, known for its dedication to the harder edges of electronic music, has just announced the impending arrival of Fermion’s new single, “Impetus”! Set to detonate on Sunday, May 18th, 2025, this release promises a potent dose of raw energy and deep, driving industrial dance vibes that will ignite dance floors and resonate in the shadows.
“Impetus” is not just a single; it’s a sonic force propelling forward with relentless intensity and atmosphere. Fermion crafts a soundscape built upon heavy, pounding beats and darkly resonant synthesizers, creating a track that demands movement and evokes a sense of powerful momentum.
Adding further depth to this release is a remix of “Impetus” by Divider, promising a potentially different and compelling take on the original’s raw energy. The single is also accompanied by a B-side track titled “Of What Remains,” offering an additional glimpse into Fermion’s sonic world and further solidifying this as a must-have release for fans of industrial dance music.
With “Impetus,” Fermion and Re:Mission Entertainment are poised to deliver a track that embodies the core elements of compelling industrial music: visceral energy, dark atmosphere, and an undeniable rhythmic drive. Mark your calendars for May 18th and prepare to be swept away by the sonic force of “Impetus.”
Engage with the raw energy of Fermion’s “Impetus”: [Link to where the release can be found will be active on May 18th]
Industrial fans, brace yourselves—ProNoize has officially unveiled Amrita, the latest album by the German powerhouse Stahlschlag. Known for their intricate blend of harsh industrial beats and cinematic soundscapes, Stahlschlag is taking their artistry to the next level with this electrifying release.
A Journey Into Amrita Named after the mythical nectar of immortality, Amrita is an immersive exploration of life’s dualities: creation and destruction, light and shadow, chaos and serenity. This album delivers Stahlschlag’s signature rhythmic aggression alongside melodic intricacies that captivate both the mind and the soul.
The album is packed with hard-hitting tracks that promise to dominate dance floors and personal playlists alike. Each track is a testament to Stahlschlag’s evolution as they merge traditional industrial elements with modern electronic experimentation.
What Makes Amrita Unique?
Themes: The album dives into philosophical concepts, exploring the fragility of humanity and the search for meaning in a rapidly changing world.
Sound: Expect relentless percussive sequences, haunting synths, and a perfect balance between raw energy and emotional depth.
Collaborations:Amrita features guest appearances from prominent names in the industrial and dark electro scenes, adding fresh perspectives to the album’s dynamic sound.
Formats and Collectors’ Editions Stahlschlag is offering Amrita in several formats to suit every fan’s preference:
Digital Release: Available on all major streaming platforms for instant access.
CD Edition: Includes exclusive artwork and a booklet featuring behind-the-scenes insights.
Limited Collector’s Edition: Comes with a vinyl record, a signed poster, and a bonus EP with remixes from renowned artists in the industrial scene.
Pre-Order and Exclusive Merchandise Pre-orders are now live! Fans who pre-order through ProNoize’s official website will receive an exclusive track not included on the standard release. Limited-edition merchandise, including Amrita-themed t-shirts and accessories, is also available.
Deep dive into the ProNoize & Stahlschlag universe:
The air crackles with rumors – Throbbing Gristle, the godfathers of industrial music, might be reuniting. This news undoubtedly sends shivers down the spines of veteran Dark/Alt/Dance aficionados, but before we all succumb to a nostalgia-fueled frenzy, let’s dissect the potential impact of this event.
On the surface, a Throbbing Gristle reunion is a cause for celebration. Their music, a transgressive blend of noise and social commentary, shattered the boundaries of popular music and paved the way for the industrial scene we know today. For many, the chance to witness these pioneers live would be a pilgrimage, a connection to the very roots of their musical identity. Furthermore, a reunion could introduce Throbbing Gristle to a new generation, sparking a resurgence of interest in industrial music as a whole.
However, nostalgia can be a double-edged sword. The industrial landscape has drastically morphed since Throbbing Gristle’s reign. Their sound, while undeniably groundbreaking, might not resonate with fans accustomed to the genre’s modern iterations. Will a reunion simply be a cynical exercise in reliving past glories, or will it offer something fresh and relevant to the current scene?
The answer hinges heavily on the nature of the reunion itself. Are all original members on board? The absence of a key figure could dampen the experience for some. More importantly, what is the artistic motivation behind the reunion? Is it a genuine desire to explore new sonic territories, or a mere cash grab fueled by nostalgia?
As a passionate advocate for Dark/Alt/Dance culture , I believe reunions can be valuable if approached thoughtfully. A Throbbing Gristle reunion could reignite interest in industrial music’s history, fostering a deeper appreciation for its legacy. However, for this to be truly meaningful, the band must demonstrate a commitment to artistic evolution. They should use the reunion as an opportunity to engage with the contemporary industrial scene, perhaps collaborating with younger artists or incorporating modern production techniques.
Ultimately, the success of a Throbbing Gristle reunion hinges on its ability to bridge the gap between the past and present. It can be a catalyst for a vibrant dialogue within the industrial scene, one that honors its heritage while pushing its boundaries forward. Let’s hope the potential reunion lives up to the legacy it seeks to celebrate.
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