Tag Archives: #kmfdm

Cutting Edge Culture Updates, Metropolis, New Music Release

KMFDM Return as the Ultimate Provocation With New Single “OUBLIETTE” 💀⚙️

Leave a comment

KMFDM are back in full combat mode. The legendary industrial rock architects have unleashed “OUBLIETTE”, the first single from their upcoming 24th studio album, ENEMY—a release that reaffirms their role as permanent agitators in a world spiraling toward controlled amnesia and authoritarian comfort.

Released on December 12, 2025 via Metropolis Records, “OUBLIETTE” is available in WAV, MP3, streaming formats, and on Bandcamp, and serves as the opening salvo for what promises to be one of the band’s most confrontational chapters yet.

“OUBLIETTE”: A Place to Be Forgotten 🩸

Derived from the French word oublier (“to forget”), an oubliette is a dungeon accessible only through a trapdoor above—designed to erase its victims from memory entirely. From KMFDM’s perspective, it’s a perfect metaphor.

“A place to be forgotten. What nobody sees, nobody knows.”

Musically, “OUBLIETTE” balances dance-rock propulsion with razor-edged industrial force, setting the tone for ENEMY’s themes of erasure, control, and resistance in an age where truth is buried on purpose.

ENEMY: 42 Years of Defiance, Sharpened 🔥

Set for release on February 6, 2026, ENEMY arrives just weeks before KMFDM launch a previously announced and nearly sold-out European tour. The album is available as 2xLP, CD, and digital, with Bandcamp pre-orders live now.

Society may be unraveling, but KMFDM remain resolute. Forty-two years deep into their legacy, the Ultra Heavy Beat still rises to confront fascism, hypocrisy, and systemic decay—louder and more dangerous than ever.

Lineup: Power, Precision, and New Blood ⚙️

Still commanded by Sascha “Käpt’n K” Konietzko (songwriting, vocals) and Lucia Cifarelli (vocals, songwriting), KMFDM continue their sonic assault with the percussive force of Andy Selway. The current incarnation is further energized by Tidor Nieddu, a London-based guitarist injecting bold new textures and bite.

Following her standout performance of “Professional Killer” during the 40th anniversary tour, Annabella Konietzko makes a powerful return on the explosive track “YOÜ”, marking her official songwriting debut with the band.

A Brutal, Uncompromising Album Statement 💀

Never content with repetition, ENEMY stands among KMFDM’s most stylistically daring and politically scathing releases:

  • The dance-rock menace of “OUBLIETTE”
  • The shadowed grooves of “CATCH & KILL”
  • The satirical thrash of “OUTERNATIONAL INTERVENTION”
  • The vicious industrial metal of “L’ETAT”
  • The dark funk pulse of “VAMPYR”
  • The sly dub swagger of “STRAY BULLET 2.0”

KMFDM don’t retreat—they advance, roaring against a culture that demands silence and submission. The message is clear: join the Ultra Heavy Beat, or become the ENEMY.

ENEMY – Tracklist ⚙️

  1. ENEMY
  2. OUBLIETTE
  3. L’ETAT
  4. VAMPYR
  5. YOÜ
  6. OUTERNATIONAL INTERVENTION
  7. A OKAY
  8. STRAY BULLET 2.0
  9. CATCH & KILL
  10. GUN QUARTER SUE
  11. THE SECOND COMING

🎶 Listen Now:

Deep Dive into the Universe of KMFDM 🌑

Official Website – Bandcamp – Facebook – Instagram – YouTube

Cutting Edge Culture Updates, Metropolis, New Music Release

🤖 SKOLD Declares “All Humans Must Be Destroyed” in Blistering New Single

The cyber apocalypse starts now as Tim Skold launches his first shot from the upcoming album Caught In The Throes.

💥 AI, Identity, and the Death of Humanity

Today, June 27, SKOLD has unveiled “All Humans Must Be Destroyed”, the first single from his forthcoming full-length album, Caught In The Throes. This aggressive new track doesn’t hold back—blending mechanized industrial rhythms with lyrical themes of artificial intelligence, dehumanization, and a cold suspicion that some people might already be… machines.

SKOLD’s icy snarl cuts through the noise, asking uncomfortable questions about reality and the very nature of what it means to be human.

🎛 A Legacy Forged in Chaos and Machines

The solo project of Tim Skold, the Swedish multi-instrumentalist, producer, and sonic chameleon, SKOLD has spent decades crafting metallic soundscapes and dystopian anthems.

He first emerged from the ‘80s glam wreckage with Shotgun Messiah, before launching his solo career in 1996 with the RCA release Skold—featuring cult hits like “Chaos” and “Hail Mary.” His resume reads like a roadmap through industrial history:

  • 🧨 KMFDM albums: Symbols (1997), Adios (1999), Attak (2002), and Blitz (2009)
  • ⚔️ Co-founder of MDFMK (2000)
  • 🕯 Marilyn Manson collaborator (2002–2008): The Golden Age of Grotesque, Eat Me, Drink Me, and iconic covers like “Tainted Love” and “Personal Jesus”
  • 🧬 Solo albums: Anomie, The Undoing, Never Is Now, Dies Irae

🩸 Beyond the Solo Realm

Skold has also left his fingerprints on other corners of the heavy music world:

  • 🎯 Co-wrote/produced Motionless In White’s charting albums Infamous (2012) and Reincarnate (2014)
  • 🩻 Collaborated with Psyclon Nine‘s Nero Bellum on Not My God (2020–2023)
  • 💔 Blended nu-metal, hip-hop, and alt-rock on Love Ghost x Skold (2024)
  • 🧠 Joined forces with Ye for upcoming 2025 productions

🔥 Caught In The Throes – Full Tracklisting

  1. All The $ In The World
  2. Cold As Ice
  3. =’s (Private Libertine)
  4. House Of A Thousand Lies
  5. The Great Theatricality
  6. All Humans Must Be Destroyed
  7. In A Grave (Specter)
  8. Soon Enough
  9. That Kind Of Magic (Confessions Of A Supermodel)
  10. Do You Really?
  11. The Inconsolable
  12. Wrong Everything
  13. Pop The Smoke
  14. Digging My Own Grave

🔗 Deep Dive into the Universe of SKOLD:

Facebook – Instagram – Official Site (if available)

Cutting Edge Culture Updates, Metropolis, New Music Release

🎧 KMFDM Announces “HAU RUCK 2025” Reissue – Remixed & Remastered for 20th Anniversary! 🎧

KMFDM is set to re-release their classic fourteenth album, “HAU RUCK,” on May 23rd, 2025, via Metropolis Records. This special 20th-anniversary edition, titled “HAU RUCK 2025,” has been completely remixed and remastered, and will be available on 2xLP, CD, and digital formats. Fans can get an early taste with the newly available audio for ‘FREE YOUR HATE’.

The original “HAU RUCK” was recorded in Seattle and released in 2005. Following their industrial/metal assault with 2003’s ‘WWIII’, KMFDM sought a fresh direction. Band leader Sascha Konietzko expressed the desire for something “more noisy, more dance-y, more electronic, and less butt rock.” The album’s concept was playfully dubbed FUBAR – ‘Fucked Up Beyond All Recognition/Repair’ – reflecting their aim to push boundaries.

From the politically charged anthems of ‘Free Your Hate’ and ‘New American Century’ to the grimly emotional grooves of ‘Real Thing’; from the confrontational dancefloor venom of ‘Ready to Blow’ and ‘Professional Killer’; and encompassing a swinging cover of Jacques Dutronc’s ‘Mini Mini Mini’ and the self-effacing snark of ‘Feed Our Fame’, the album proved anything but FUBAR. It showcased KMFDM at its most concentrated, sharply focused, and aggressive, imploring audiences to fight corruption and embrace individuality. The powerful German phrase ‘HAU RUCK’ (meaning ‘Heave Ho’) perfectly captured this defiant spirit.

The original lineup for ‘HAU RUCK’ included:

  • Sascha Konietzko – vocals, synthesizers, sequencers, engineering
  • Lucia Cifarelli – vocals
  • Jules Hodgson – guitars, bass, programming, engineering
  • Andy Selway – drums, programming
  • Steve White – guitars, programming
  • Mina Stolle – trumpet on ‘Auf Wiederseh’n’

“HAU RUCK 2025” Tracklist:

  1. FREE YOUR HATE
  2. HAU RUCK
  3. YOU’RE NO GOOD
  4. NEW AMERICAN CENTURY
  5. REAL THING
  6. EVERY DAY’S A GOOD DAY
  7. MINI MINI MINI
  8. PROFESSIONAL KILLER
  9. FEED OUR FAME
  10. READY TO BLOW
  11. AUF WIEDERSEH’N

KMFDM Biography

Hamburg-based industrial rock pioneers KMFDM have carved out a unique path since their founding by Sascha ‘Käpt’n K’ Konietzko in 1984. They’ve continuously refined and redefined modern music while boldly addressing social and political issues. After early albums recorded in Germany, the band moved to the US and gained widespread recognition with Chicago-based Wax Trax! Records.

The 1990s saw KMFDM become a household name in the global industrial rock scene. Their 1995 hit ‘Juke Joint Jezebel’ propelled them onto the Billboard charts and earned them placements on film soundtracks like ‘Bad Boys’ and ‘Mortal Kombat’. Future titans such as Rammstein and Korn even started their careers opening for KMFDM tours.

After a hiatus in 1999 following their tenth album for Wax Trax!, Konietzko resurrected KMFDM three years later, signing with Metropolis Records. This new era featured American singer Lucia Cifarelli (from Drill) and Tim Skold (who later joined Marilyn Manson). Konietzko and Cifarelli returned to Germany in 2008 and have consistently recorded and toured. Their most recent album, ‘LET GO’, released in 2024, coincided with the group’s 40th anniversary.

Deep Dive into the Universe of KMFDM: 🎧
Official Site – Facebook – Instagram–Bandcamp – Metropolis Records

Metropolis, New Music Release

KMFDM’s “Hau Ruck” Returns in a Power-Packed 2025 Remaster & Re-Release

🔥 Industrial Titans KMFDM Announce 2025 Remaster of Their Iconic Album “Hau Ruck” 🔥

Industrial music legends KMFDM are set to unleash a remastered 2025 re-release of their classic album Hau Ruck, bringing fresh power and intensity to the groundbreaking 2005 record. This reissue will be available on a high-fidelity 45rpm 2-LP vinyl and CD, ensuring fans can experience the album’s crushing industrial beats and razor-sharp lyricism like never before.

To mark the occasion, KMFDM is also dropping an exclusive commemorative T-shirt, celebrating this milestone release—so don’t sleep on it! Once it’s gone, it’s gone!

🎵 Pre-Order Now: KMFDM.FulfillmentMerch.com

KMFDM: A Legacy of Industrial Revolution

Founded in 1984 by Sascha Konietzko, KMFDM (Kein Mehrheit Für Die Mitleid) has been a driving force in the industrial rock and electronic body music (EBM) movements for four decades. Known for their signature fusion of hard-hitting beats, aggressive guitars, and politically charged lyrics, KMFDM has influenced countless bands in the realms of industrial, metal, and electronic music.

From their early experimental sounds in Germany’s underground scene to their rise in global prominence, KMFDM’s relentless work ethic and bold sonic identity have kept them at the forefront of heavy electronic music. With albums like “Naïve” (1990), “Angst” (1993), “Nihil” (1995), and “Xtort” (1996), the band pioneered a style that blended pounding electronic rhythms with razor-sharp riffs and biting social commentary.

KMFDM’s ability to reinvent themselves while staying true to their signature ultra-heavy beat has made them an enduring force in the industrial scene. Their fans—often known as the KMFDM Army—have stood by the band through every evolution, keeping their legacy alive in clubs, live shows, and underground playlists worldwide.

The Impact of “Hau Ruck”

Originally released in 2005, “Hau Ruck” marked a new era for KMFDM. The album introduced a heavier, more guitar-driven sound, incorporating elements of industrial metal and hard rock while still retaining the electronic backbone that made KMFDM famous. Tracks like “Free Your Hate,” “Professional Killer,” and the title track “Hau Ruck” delivered a crushing sonic assault, filled with rebellious energy and anti-authoritarian themes.

Now, with the 2025 remastered edition, the album is set to sound bigger, bolder, and even more explosive than ever before. Fans old and new will get to experience “Hau Ruck” in stunning high-definition audio, ensuring every beat, riff, and lyric punches through with maximum impact.

Why This Remaster Matters

For die-hard KMFDM fans and newcomers alike, this 2025 reissue of “Hau Ruck” is more than just a remaster—it’s a celebration of the band’s unwavering legacy in the industrial music scene. Whether you’re a longtime follower or discovering KMFDM for the first time, this release serves as a testament to the band’s raw power, unfiltered creativity, and relentless innovation.

💿 Available in 45rpm 2-LP Vinyl & CD
👕 Limited-Edition Commemorative Shirt
🔥 Experience the Ultra-Heavy Beat Like Never Before!

🎵 Pre-Order Now: KMFDM.FulfillmentMerch.com

#industrial, New Music Release

MORLOCKS Release Amor, Monstra Et Horrore Profundi EP

Swedish industrial rock powerhouse MORLOCKS kick off 2025 with the release of their brand-new EP, Amor, Monstra Et Horrore Profundi, available today, January 10, 2025, via Metropolis Records. This ambitious five-track offering blends industrial rock, neo-classical, darkwave, and metal into a bold and cinematic sound.

Stream or purchase the EP here:

Critical Acclaim for Amor, Monstra Et Horrore Profundi

  • “Majestic soundscapes imbued with dark menace stand on an equal footing with uplifting chorus lines. Morlocks are a powerhouse force to be reckoned with.” – Louder Than War
  • “Remarkably ambitious and unashamedly lavish in every way, this EP is something special.” – Aural Aggravation
  • “Wonderful mix of industrial rock, neo-classical, darkwave and metal.” – Maximum Volume Music
  • “Grandiloquent, crazy, intense, nasty, hilarious, delightful, as wide as a blockbuster, as twisted as a B-movie: it’s a stroke of genius.” – Verdammnis (FR)
  • “A must-listen for fans of dark sounds with a dash of madness, Morlocks are back with an impressive performance!” – Medienkonverter (DE)


EP Highlights

The EP features five tracks, including reimagined versions of rare gems and iconic covers:

  1. The S.N.A.F.U. Principle v3.0 – A re-recorded version of a track from their 2001 debut album.
  2. March Of The Goblins – Another powerful re-recording from their early catalog.
  3. The Lake Pt. I & The Lake Pt. II – Cover versions of Bathory classics.
  4. Young Prisoners – A cover of Borghesia’s underground masterpiece.

About MORLOCKS

Formed in Gothenburg, Sweden, in the early ’90s by J. Strauss, MORLOCKS has evolved from a guitar-driven electronic rock sound into a grand industrial symphonic powerhouse. The addition of Innocentius Rabiatus (Andreas Wandegren of Dark Side Cowboys) in 2003 saw the group lean into heavier industrial rock influences, culminating in their celebrated 2011 album The Outlaw of Fives.

Notable collaborations include working with KMFDM’s Sascha Konietzko, dark ambient electro artist Karin My, and black metal vocalist Heljarmadr (Grá/Dark Funeral). Their most recent full-length release, Praise The Iconoclast, was hailed as a masterpiece in the industrial and darkwave scene.

Deep Dive into the Universe of MORLOCKS

#industrial, Cutting Edge Culture Updates, Lifestyle, Live Events, Live Tours, LIVE TOURS AND EVENTS, New Music Release

KMFDM Unleashes ‘LET GO’: A Decades-Long Sonic Evolution, from the Underground to the Ultra-Heavy Beat & Announce 2024 North American tour with Cyanotic

KMFDM Unleashes ‘LET GO’: A Sonic Journey Through Four Decades of Audacious Electronica

Prepare for a sonic revolution as industrial music pioneers KMFDM gear up for their 23rd studio album, ‘LET GO,’ slated to detonate on February 2nd, 2024, via Metropolis Records. This powerful release signifies an incredible four decades of genre-defying artistry from the dynamic quartet of Sascha “Käpt’n K” Konietzko, Lucia Cifarelli, Andy Selway, and Andee Blacksugar.

‘LET GO’ pulsates with the unmistakable KMFDM sound—a potent mix of electrifying guitars, hypnotic rhythms, and pulsating electronic textures. The album delves into the complexities of our modern world, weaving lyrical narratives that resonate with raw intensity and introspective depth.

The explosive first single, “Let Go,” mirrors the album’s title with classic KMFDM elements. Driven by Sascha Konietzko’s signature distorted vocals and Lucia Cifarelli’s soaring operatics, the track is a powerful call to arms, urging listeners to break free from societal constraints and embrace liberation. The accompanying music video for “Let Go,” directed by longtime KMFDM collaborator Kevin Rudolf, immerses viewers in a dystopian metropolis teeming with rebellion and defiance.

‘LET GO’ transcends being just an album; it’s a testament to KMFDM’s enduring legacy as industrial music pioneers. Throughout their four-decade career, the band has consistently pushed boundaries, challenged conventions, and inspired generations of artists with their uncompromising sonic assault.

With ‘LET GO,’ KMFDM proves that their creative fire burns brighter than ever. This album demands to be experienced—a sonic journey that will leave you breathless, exhilarated, and forever changed.

For eager fans, ‘LET GO’ is available for pre-order on Bandcamp, offering various formats to satisfy every collector’s appetite. Digital and streaming options are available, alongside limited edition LPs and CDs. Don’t miss out on KMFDM’s latest sonic adventure—pre-order ‘LET GO’ today and prepare to be blown away.

Cyanotic, touring North America with KMFDM in 2024, is a Chicago-based industrial rock collective fronted by Sean Payne.
Formed in 2002, they’ve carved their own niche in the genre with a potent blend of traditional industrial beats, aggressive vocals, and elements of drum n’ bass, sampling, and even heavy metal.
Their sound is energetic, danceable, and often carries a tongue-in-cheek nod to transhumanism and cyberpunk themes.

Here’s a deeper dive into what makes Cyanotic click:

  • Genre-Bending: Their sound combines heavy industrial beats with elements of electronic, dance, and metal, creating a unique and powerful sonic experience.
  • Aggressive Vocals: Sean Payne’s distorted vocals are a signature element, commanding attention and adding a raw edge to their music.
  • Electro-Industrial Fusion: Expect pulsating synthesizers, driving rhythms, and intricate sampling, all infused with a distinctly industrial vibe.
  • Danceable Energy: Their music often possesses a driving, danceable quality, making it perfect for moshing or just losing yourself in the rhythm.
  • Transhumanism & Cyberpunk: Cyanotic frequently explores themes of technological advancement, body modification, and the blurring lines between humanity and machine, often infused with a darkly humorous edge.
  • Social Commentary: The band isn’t shy about tackling social and political issues in their lyrics, offering critiques and thought-provoking perspectives on the world around us.
  • Raw Emotional Depth: Beneath the industrial exterior, Cyanotic’s music often touches on deeper themes of alienation, anger, and resilience, creating a connection with listeners on a personal level.

Cyanotic are known for their intense and energetic live performances, delivering their music with raw power and stage presence. Expect heavy strobing lights, intense visuals, and an atmosphere that’s both exhilarating and thought-provoking.

Having Cyanotic open for KMFDM on their 2024 North American tour is a perfect pairing. Both bands share a love for pushing boundaries and exploring the darker side of electronic music, and their contrasting styles promise a diverse and exciting concert experience.

So, if you’re looking for a fresh and powerful industrial rock experience, definitely check out Cyanotic when they hit the road with KMFDM in 2024. They’re sure to leave a lasting impression with their unique sound, captivating performances, and thought-provoking themes.

Deep Dive into the Cyanotic universe:

#industrial, Cutting Edge Culture Updates, Interviews, New Music Release

Embrace the Sonic Odyssey: Lucia Cifarelli Unveils Musical Alchemy; KMFDM Drops ‘LET GO’ Album Today (01.13.24)!

My name is Lucia Cifarelli. I’m a solo recording artist and the female vocalist/songwriter in the band KMFDM. My most recent solo album “I Am Eye” was released in 2021. KMFDM’s most recent album HYËNA was released in 2022. KMFDM is made up of like-minded artists/musicians promoting ideas surrounding freedom of thought and expression. My solo work allows me to explore deeply personal subject matter related to my life and stories I want to tell.

Watching MTV in its early days had a major impact on me. Being a rockstar looked like the most awesome job on the planet. Almost everything I heard on the radio or watched on MTV was pulling on me in some way, even if I didn’t like the song or style. I wanted to learn how to write songs, sing, and command a stage. Listening to music has always been an escape for me, helping me slip out of the world I was living in.

Regarding the name for my solo project, I started with just my first name, but as more Lucia’s arrived on the scene, I switched to using my full name. It suggests that the music is more personal, with the emphasis on my voice and the stories I’m telling.

I’m inspired by various musical genres, as well as life, film, literature, poetry, and art. It all influences the voicing and textures of music I’m looking to hear and feel. I hope it’s my songwriting and vocal style that set me apart.

My creative process involves what I call ‘the door,’ representing the place I pass through to get to where the magic happens. I see colors, letters, floating puzzle pieces, pictures, movies, and hear notes and melodies. The songs get written here. The door is always there, following me wherever I go.

A significant turning point for me was watching Diamanda Galas perform ‘Plague Mass’ in NYC in the ’90s. The raw feral intensity of her performance shook me to the core. It inspired me to write more from the heart and less about what I thought people wanted to hear.

Collaboration for me involves working with musicians focused more on the music side, highlighting our mutual strengths. Navigating creative differences comes down to clear communication and open-mindedness.

I view my day as a pie, with each piece representing the energy needed for specific tasks. I focus on one project per day to avoid mental saturation. Taking on too many projects creates counterproductive stress.

One of the most challenging hurdles has been making albums with major record labels that were never released. It’s heartbreaking, but if you love what you do, you don’t really have a choice. Resilience is crucial in this business.

Music has the power to bring about change on both a personal and collective level. With KMFDM, we’ve been a catalyst for many people to register to vote. Music is transformative and can move mountains.

My voice is my primary instrument. I played violin when I was younger, but the voice, coming directly from the body, is the most powerful instrument. It contributes to my overall musical expression and style.

It’s not a particular sound but the attitude of certain musicians/artists that has influenced me. Ideas about what it means to be a rockstar, how it looks, and a bigger-than-life presence shape how I do things on stage and in the studio.

There are no intentional hidden messages, but I use a lot of metaphors. I like to use words like an artist uses paint, mixing things up, and playing on words. It’s about looking at something from a different perspective.

The most rewarding aspect is the connection the music forges with people worldwide, who reach out and share what it means to them. Challenges and sacrifices are inevitable, but pursuing a career in music, especially now, offers more access than ever before.

I’ve written a song to raise money for The Conscious Kid and Color Of Change after George Floyd’s murder. I plan to get more involved with charities supporting women and their human right to autonomy over their bodies.

My long-term goal is to keep creating music with KMFDM and on my own, touring internationally, and playing more festivals. Authenticity is more important than trends.

My collaboration with Julian Beeston for his “Featured” project will be released in July. I’m also writing for the new KMFDM album and working on songs for a possible solo album. For updates, you can follow me on Instagram and visit the KMFDM website.

#Electronica, #industrial, #metal, #Rock, Cutting Edge Culture Updates, From The Vault, New Music Release

From The Vault: A Darkside Interview with Angelspit

To celebrate the upcoming album release “The Star”
from Angelspit, 07.24.23
we decided to dig into the vaults, and bring out a interview we featured on
Evol Radio LIVE
(Original Air Date: 12.17.20)

KICKSTARTING NOW, but only a few days left to back the Kickstarter.
http://kck.st/3WvQ9nk

Bandcamp Digital Release:
July 24, 2023

CD/USB/T-Shirts Release: August 21, 2023 

VINYL/TAPE Release: November 2023

The Bastard Gods, by Angelspit


Deals are limited, so get it before July 3.
Free US shipping.