Tag Archives: #AlbumReissue

Cutting Edge Culture Updates, Metropolis, New Music Release

🎧🎶 FLESH FIELD Releases New Single “Where Angels Go To Die” – “Viral Extinction” Reissue Out June 27th! 🎧

FLESH FIELD, the acclaimed electro-industrial project led by Ian Ross, has just released a new single, “Where Angels Go To Die,” out today, May 30th. This track is lifted from a remastered reissue of their 1999 debut album, “Viral Extinction,” which is set to arrive on June 27th via Metropolis Records.

“It was written in apocalyptic language as a bleak reflection on disillusionment, spiritual decay and loss of belief,” Ross reflects. “Musically, however, it was designed to sound darkly angelic.”

About “Viral Extinction” Reissue:

“Viral Extinction” Tracklisting:

  1. Heretic
  2. Inside
  3. Overload
  4. The Plague
  5. Silicon Skies
  6. Where Angels Go To Die
  7. Prophecy
  8. My Saviour
  9. Utopia
  10. Animal
  11. Fallen Angel
  12. Cyberchrist
  13. Prophecy (Nostrothomas A23 Mix)
  14. My Saviour (Violated Beauty Remix)

About FLESH FIELD:

Flesh Field was founded in Ohio in the mid-90s by composer Ian Ross. Renowned for its widescreen cinematic sound achieved by blending synths, percussion, guitar, and sampled choir, the group’s music soon earned plaudits for its aggressive approach and subsequently featured in a number of film/TV soundtracks and video games. Having retired the name in 2011, Ross eventually relocated to Virginia, where he resurrected Flesh Field to issue an album entitled ‘Voice of the Echo Chamber’ in late 2023 and the companion piece ‘Voice Of Reason’ EP in April 2024.

Their debut album, ‘Viral Extinction’, was released three years later, earning glowing reviews for its brutal and aggressive sound, while some of its songs were subsequently remixed by several contemporaries (including scene leaders Covenant) and issued together with some new songs on the album-length ‘Redemption’ EP in 2000.

Highlighting the band’s compositional skills with bombastic symphonic elements and intricate synth and percussion programming, 2001’s ‘Belief Control’ solidified Flesh Field’s status as a band to be reckoned with. It also led to the group signing to Metropolis Records for the US release of their third album, ‘Strain’. With new layers of acoustic and electronic percussion, guitar, and choral effects added into the mix, these elements resulted in an an epic and anthemic feel to a record that was acclaimed by fans and critics alike.

Then, silence. For almost two decades, Flesh Field lay dormant, even as numerous tracks from their catalog were placed in the soundtracks of films including ‘The Mill’, TV shows such as ‘True Blood’, and video games like ‘Project Gotham Racing’. ‘Voice Of The Echo Chamber’ suddenly appeared in 2023; a concept work with each of its ten tracks representing stages of political radicalization and violence, it was followed by an album length companion piece EP entitled ‘Voice Of Reason’.

Deep Dive into the Universe of Flesh Field: 🎧🎶
Facebook – Bandcamp – Metropolis Records

Cutting Edge Culture Updates, Metropolis, New Music Release

🎧 KMFDM Announces “HAU RUCK 2025” Reissue – Remixed & Remastered for 20th Anniversary! 🎧

KMFDM is set to re-release their classic fourteenth album, “HAU RUCK,” on May 23rd, 2025, via Metropolis Records. This special 20th-anniversary edition, titled “HAU RUCK 2025,” has been completely remixed and remastered, and will be available on 2xLP, CD, and digital formats. Fans can get an early taste with the newly available audio for ‘FREE YOUR HATE’.

The original “HAU RUCK” was recorded in Seattle and released in 2005. Following their industrial/metal assault with 2003’s ‘WWIII’, KMFDM sought a fresh direction. Band leader Sascha Konietzko expressed the desire for something “more noisy, more dance-y, more electronic, and less butt rock.” The album’s concept was playfully dubbed FUBAR – ‘Fucked Up Beyond All Recognition/Repair’ – reflecting their aim to push boundaries.

From the politically charged anthems of ‘Free Your Hate’ and ‘New American Century’ to the grimly emotional grooves of ‘Real Thing’; from the confrontational dancefloor venom of ‘Ready to Blow’ and ‘Professional Killer’; and encompassing a swinging cover of Jacques Dutronc’s ‘Mini Mini Mini’ and the self-effacing snark of ‘Feed Our Fame’, the album proved anything but FUBAR. It showcased KMFDM at its most concentrated, sharply focused, and aggressive, imploring audiences to fight corruption and embrace individuality. The powerful German phrase ‘HAU RUCK’ (meaning ‘Heave Ho’) perfectly captured this defiant spirit.

The original lineup for ‘HAU RUCK’ included:

  • Sascha Konietzko – vocals, synthesizers, sequencers, engineering
  • Lucia Cifarelli – vocals
  • Jules Hodgson – guitars, bass, programming, engineering
  • Andy Selway – drums, programming
  • Steve White – guitars, programming
  • Mina Stolle – trumpet on ‘Auf Wiederseh’n’

“HAU RUCK 2025” Tracklist:

  1. FREE YOUR HATE
  2. HAU RUCK
  3. YOU’RE NO GOOD
  4. NEW AMERICAN CENTURY
  5. REAL THING
  6. EVERY DAY’S A GOOD DAY
  7. MINI MINI MINI
  8. PROFESSIONAL KILLER
  9. FEED OUR FAME
  10. READY TO BLOW
  11. AUF WIEDERSEH’N

KMFDM Biography

Hamburg-based industrial rock pioneers KMFDM have carved out a unique path since their founding by Sascha ‘Käpt’n K’ Konietzko in 1984. They’ve continuously refined and redefined modern music while boldly addressing social and political issues. After early albums recorded in Germany, the band moved to the US and gained widespread recognition with Chicago-based Wax Trax! Records.

The 1990s saw KMFDM become a household name in the global industrial rock scene. Their 1995 hit ‘Juke Joint Jezebel’ propelled them onto the Billboard charts and earned them placements on film soundtracks like ‘Bad Boys’ and ‘Mortal Kombat’. Future titans such as Rammstein and Korn even started their careers opening for KMFDM tours.

After a hiatus in 1999 following their tenth album for Wax Trax!, Konietzko resurrected KMFDM three years later, signing with Metropolis Records. This new era featured American singer Lucia Cifarelli (from Drill) and Tim Skold (who later joined Marilyn Manson). Konietzko and Cifarelli returned to Germany in 2008 and have consistently recorded and toured. Their most recent album, ‘LET GO’, released in 2024, coincided with the group’s 40th anniversary.

Deep Dive into the Universe of KMFDM: 🎧
Official Site – Facebook – Instagram–Bandcamp – Metropolis Records